Classic Rock 4924 Items

Release: 2019 / EU

Genre: Hip Hop, Rock & Indie

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The "Black Gold Black & Gold Vinyl Edition (New Edition)" LP by Wu-Tang Clan vs. Jimi Hendrix brings together two seemingly opposing sonic worlds in a continuous remix project: distinctive rap vocals and rhythmic phrases from the Wu-Tang universe meet the expressive guitar lines and psychedelic colors of the Hendrix repertoire. The combination is realized not as a mere collage, but as an arrangement-driven reweaving that fuses vocal and instrumental parts into new song structures.

Musically, the project is characterized by contrast: the raw, text-centered directness of the Wu-Tang performances provides the basis for loop-based beats and targeted breaks, while Hendrix’s guitar textures lend the material organic breadth and harmonic fragility. This combination highlights the interplay between lyrics and tone color and shifts familiar phrases into unfamiliar atmospheric contexts.

As a release, the material takes shape as a curated remix work documented in a revised version (2018 remaster); in parallel, there is a physical 2LP pressing in a black-and-gold configuration that makes the project tangible as a vinyl edition. The edition turns the focus to the creative side of mashup and remix culture by recombining familiar sources and thereby placing both the strengths of rap performance and expressive guitar work at the center.

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Pipe Dreams HHV EU Exclusive Black Vinyl Edition

2LP | 2026 | EU | Original (Smiling C)

2LP | 1975 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 2026 / EU – Original

Genre: Soul, Funk & Jazz, Rock & Indie, Electronic & Dance

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New and stunning release on Smiling C limited to 500 copies worldwide. Exclusively available through HHV in Europe.

More than four years in the making, Tiki Shack Recording Studios AKA Smiling C Records & Mike Patricola present Pipe Dreams — a compilation of sidewalk surf bands, tropical troubadours, and soothing sounds from just beyond the reef.

Compiled by Mike Patricola, Pipe Dreams is the culmination of years spent exchanging obscure recordings, pursuing a shared feeling, and uncovering a sub-genre of overlooked songs that could be woven into a story of surf, snorkel, and sun. Drawn from Patricola's collection, the compilation aims to capture the feeling of endless summer, and serves as an ode to the freedom of island living: Bikini-shaped sunburns, coconut stands closed due to perfect swells, slack guitars, perpetual sunsets, guppies darting through shallow water, and afternoons spent face-down in the sand.

Spanning the late 1970s through the mid 1980s, Pipe Dreams gathers forgotten pop, lounge, soft rock, AOR, disco, and private-press oddities into a time capsule that seeks to epitomize an era that existed before life became mediated by screens. One in which technology was more naive and society was less reliant upon it. Time moved slower, people were better able to connect with their surroundings, and the dream of moving to a coastal utopia felt more attainable.

Each side unfolds as its own chapter.

Side A begins with Midwestern lettermen The Sunset Kidds, whose hypnagogic harmonies on “Darlin’” evoke the Beach Boys mired in the post-summer doldrums. Australia's Simplex 2 follow with the previously unreleased “Tiger Bay”, capturing the slow pulse of a perfect beach day through low end groove. Don Moore's infectious “Water Lily” arrives via a romantic Fire Island love affair, while Cay Gottlieb contributes a dose of Bahamian Balearica. To close the side out, Tennessee crooner Ron Holmes delivers an extra dose of salt on the margarita rim for good measure.

Side B shifts into a more upbeat surf-disco and pub-rock mode. Montreal’s Dino Pacifici’s nostalgic ode to carefree summers long passed, followed by Marseille's own The Students "Ocean Lifestyle" — which sits somewhere between Shuggie Otis and The Stranglers. Another Montréalais artist Pierre Rochette delivers a chuggy surf-disco belter, while Special Edition Band ventures from boozy rock into a washed-out paradise with glistening guitars.

Side C serves as an ode to tropical troubadours — intimate songs that range from drum machine lounge to private island bedroom recordings. Japan's Twin Cosmos, actual identical twins, dream up beachfront breezes on "Coconuts Wind." Hawaiian songwriter Dennis Soares offers the delicate and deeply personal "One World," while Ossie Parker Jr. supplies some Bahamian barroom sophistication. Miles Corbin brings sounds straight from the tiki hut, and lounge lizard Glen Banks takes us into the final intermission with a lullaby live from the Coconut Grove.

Side D catches a wave back in. Meri-Lynn & The Key Lime Pie Band celebrate the Florida Key life, Dennis Soares returns for one final Hawaiian postcard, and the Latin band Acapulco contribute a hefty dose of sunny positivity akin to one of Brian Wilson’s cheerier tunes. To round it out, Rick Sharp injects a touch of Bossa cheek and fantasy, and British pub blokes Contrast steer the compilation back toward where it all began — a destination somewhere between a Beach Boy California paradise, a remote oceanside lounge for loners, and a sleazy coastal timeshare.

Pressed on vinyl in a deluxe die-cut, spot-glossed gatefold jacket featuring artwork by our man Charles Bals and cover “Breaking Wave” photo by Lex Thompson. Pipe Dreams is designed as both a listening experience and an object of escape. Drop the needle, lean back, and let the tide carry you away.

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Rush

Fly By Night

A$ 111.89*

2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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The "Fly By Night" LP by Rush is being released on Mobile Fidelity Sound Lab and documents the band’s stylistic shift toward more complex song structures and narrative lyrics. This reissue is part of a comprehensive series of audiophile re-releases that makes the band’s early Mercury years newly available in revised form.

The album marks the first full-length with drummer and lyricist Neil Peart, which significantly changed the band’s thematic direction; Geddy Lee and Alex Lifeson still provide the distinctive melodies and riffs, while Peart’s contributions sharpen the group’s lyrical profile. Producer Terry Brown, who guided the band’s sound during this phase, helped shape their characteristic sonic identity.

Musically, "Fly By Night" combines powerful hard rock elements with early progressive experiments: the anthem "Anthem" established the thematic range, the multi-part epic "By-Tor & the Snow Dog" already points toward later, more extended compositions, and the acoustic "Rivendell" demonstrates an unusual delicacy in its arrangement. Tracks such as "Making Memories" expand the palette with folk- and country-tinged elements, which is why the album is regarded as a transitional work between the band’s raw beginnings and its more ambitious prog era.

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Rush

A$ 111.89*

Release: 1974 / US – Reissue

Genre: Rock & Indie

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The "Rush" LP by Rush is being released by Mobile Fidelity Sound Lab as a numbered 180 g 45 RPM double LP. This edition is based on the band’s original analog tapes and has been specifically re-mastered for vinyl playback; Mobile Fidelity describes the transfer chain from the 1/4" 15 IPS Dolby A analog master through DSD 256 back to the analog cutting console in order to achieve the most tonally accurate pressing possible.

The 1974 debut captures Rush in their raw, blues-tinged hard rock form: concise, punchy guitar work from Alex Lifeson, Geddy Lee’s distinctive, high‑pitched vocals, and the original drumming of John Rutsey define the sound. Producer Dave Stock, as well as later revisions by Terry Brown, are part of the album’s production history and have given the songs more body and clarity. Classics like "Working Man" and "Finding My Way" are included in the track list and stand as prime examples of the trio’s early energy.

Musically, the album moves between gritty hard rock and blues‑leaning arrangements, with early signs of the sophisticated song structures that would later become Rush’s hallmark. This Mobile Fidelity pressing puts the emphasis on vocal imaging, spatial separation of the instruments, and controlled dynamics, allowing the structural subtleties of these early tracks to emerge with particular clarity.

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Queen

Live Aid (White Cover)

LP | EU (Easy Meal)

A$ 25.93*

Crosby, Stills, Nash & Young

Release: EU

Genre: Rock & Indie, Pop

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The “Live Aid” LP by Queen is released on Easy Meal and comes with a white cover. Side A gathers the legendary Wembley set from July 13, 1985, including the immediate live versions of “Bohemian Rhapsody” and “Radio Ga Ga,” and juxtaposes these stadium performances with the band’s early De Lane Lea recordings. Side B features historic studio recordings such as “Keep Yourself Alive,” as well as tracks from the band’s early creative periods, giving the release a direct contrast between onstage presence and early band material.

The selection of tracks highlights defining moments of Freddie Mercury’s lead vocals and Brian May’s distinctive guitar work, complemented by the tight interplay of Roger Taylor and John Deacon. As a classic rock LP, the Easy Meal edition brings the dynamism of the Wembley performance into a concise format and complements it with studio recordings that have a documentary feel, so that both the theatrical stage performance and the unfiltered energy of the early tracks come through. The white cover design serves as a clear distinguishing feature of this edition.

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Deja Vu Atlantic 75 Series

2LP | US | Reissue (Analogue Productions)

A$ 131.35*

Hippies Thugs And Heroes Indie Exclusive Black Splatter Vinyl Edition

Release: US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Déjà Vu — CSNY's first album as a quartet, No. 1 on the Billboard 200!

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing

"Déjà Vu" is the title track to Crosby, Stills, Nash & Young's first album as a quartet. With Neil Young now in the mix, the album reached No. 1 on the Billboard 200 after its release in March 1970. The album remains a high point for the supergroup, having sold more than 7 million copies. Also on the record are hit singles "Teach Your Children," "Our House," and a cover of Joni Mitchell's "Woodstock."

The late David Crosby penned "Déjà Vu" for the group. Though it wasn't released as a single, it gave that iconic album its name and has subsequently received its fair share of love from CSNY fans.

"I'm one of those people who thinks we go round again," said Crosby back in 2008. "The Buddhists have got it right. It's a wheel and we get on and get off. I think life energy gets recycled. That's why I wrote ‘Déjà Vu.'"

CSNY took a while to craft the album-which is largely considered their magnum opus. "Getting that second album out of us was like pulling teeth, there was song after song that didn't make it," Stephen Stills once said. "The track ‘Déjà Vu' must have meant 100 takes in the studio. But ‘Carry On' happened in a grand total of eight hours from conception to finished master. So you never know."

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.

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Richard Thompson

2LP | 2026 | US | Original (New West)

Instant Clear Blue Swirl Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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With the LP "Hippies Thugs And Heroes Indie Exclusive Black Splatter Vinyl Edition," released on New West, Richard Thompson takes his creativity to the next level while, for the most part, staying true to his style. For decades, Richard Thompson has been a mainstay between folk and rock; his songs combine narrative depth with precise guitar work and a distinctive melancholy all his own. Hallmarks of his music are the delicate, often unconventional guitar lines and his assured handling of melody and harmony, drawing on both acoustic folk traditions and rock-driven rhythms. Thompson’s lyrics are marked by keenly observed situations, subtle irony, and literary imagery, ranging thematically from personal reflections to scene-like storytelling. His arrangements are sparse, favoring clear instrumentation and giving the songs room to unfold, while a certain edge in guitar tone and rhythm remains palpable. His voice carries both a storytelling quality and a sense of introspection, creating an immediate sense of closeness for listeners. This LP edition brings together the characteristic elements of Richard Thompson’s work and offers a cohesive selection that appeals to longtime followers and new listeners alike.

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Instant

LP | 2026 | EU | Original (Sommor)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Clear Blue Swirl vinyl edition of the “Instant” LP by Instant was released on the Sommor label. The release presents the band’s work in the classic rock genre on LP and explicitly includes “Clear Blue Swirl” in the title to designate the vinyl configuration. Sommor issues this edition in the 12" LP format; the edition focuses the band’s recordings on physical vinyl, emphasizing the analog presentation of the material. The clear title wording and the label statement make the “Instant” LP readily identifiable as an edition on Sommor.

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LP | 2007 | EU | Reissue (Warner)

Lady's Bridge

A$ 40.53*

Release: 2007 / EU – Reissue

Genre: Rock & Indie

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Richard Hawley’s “Lady’s Bridge” LP is released on Warner. Released in 2007, the studio album is named after a historic bridge in Hawley’s hometown of Sheffield and combines classic rock elements with melancholic songwriting, a warm baritone, and lush arrangements. As his fifth solo album, it marks a particularly refined phase in his body of work.

Richard Hawley moves between timeless rock ’n’ roll, rockabilly, chamber pop, and romantic ballads. “Valentine” opens the album with soaring string arrangements and a sweeping melody, while “Roll River Roll” is driven by piano and a flowing rhythm. “Serious” adds a more upbeat touch with a pronounced rockabilly influence.

At the center are Hawley’s resonant voice, his guitar work, and a production that combines classic pop and country influences with a dark, nocturnal atmosphere. “Tonight the Streets Are Ours” is one of the release’s most distinctive tracks, contrasting with the slower, bittersweet moments of “Lady Solitude,” “Our Darkness,” and “The Sun Refused to Shine.” Richard Hawley co-produced the album with Colin Elliot and Mike Timm; it was recorded at Yellow Arch Studios and Axis Studios in Sheffield.

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2LP | 2026 | EU | Original (Warner)

Truelove's Gutter

Release: 2026 / EU – Original

Genre: Rock & Indie

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Richard Hawley’s “Truelove's Gutter” LP, released by Warner, presents the Sheffield musician at his most restrained and, at the same time, most atmospherically rich. Blending classic rock, melancholic songwriting, and chamber-music timbres, the album develops an unhurried dramatic arc centered around Hawley’s deep baritone and expansive guitar lines.

Richard Hawley produced “Truelove's Gutter” with Colin Elliot at Yellow Arch Studios in Sheffield. The arrangements expand his familiar guitar work with unusual sound sources such as glass harmonica, waterphone, and Cristal Baschet. The result is an open, at times otherworldly sound that combines traditional rock instrumentation with drifting noises and orchestral moments of tension. Elliot also handled the engineering and the orchestral arrangements.

Tracks such as “As The Dawn Breaks” and “Ashes On The Fire” combine sparse accompaniment with a pronounced melodic gravity. The nearly ten-minute “Remorse Code” unfolds slowly, leaving plenty of space between the individual instruments, while “Soldier On” builds the tension much more intensely. The title refers to a historical name from Hawley’s hometown of Sheffield, placing it within his recurring engagement with local places and memories. “Truelove's Gutter” ranks among Richard Hawley’s most focused and sonically distinctive releases.

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Standing At The Sky's Edge

2LP | 2012 | EU | Reissue (Warner)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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The “Standing At The Sky's Edge” LP by Richard Hawley marks a distinct shift within his solo work. Rather than focusing on understated ballads and orchestral tones, the Sheffield musician opts for powerful guitars, pounding rhythms, and a notably rougher rock aesthetic. Blending classic rock, psychedelic textures, and expansive arrangements, the album creates a sound that combines Hawley’s familiar melodic sensibility with an unfamiliar level of volume.

Richard Hawley handles vocals, guitar, and composition, while Colin Elliot contributes as producer, bassist, and percussionist. Dean Beresford plays drums, Shez Sheridan adds guitars, and Jon Trier contributes piano, keyboards, and synthesizers. Martin Simpson can be heard playing E-Bow slide guitar on “Before.” Alan Moulder was involved in the mixing, while Geoff Pesche handled the mastering.

Songs such as “She Brings the Sunlight,” “Down in the Woods,” and “Don't Stare at the Sun” showcase the release’s range: angular riffs, extended tension arcs, and Hawley’s distinctive voice meet layered backing vocals. “Standing At The Sky's Edge” thus combines the character of an ambitious rock album with an idiosyncratic, atmospheric sense of drama. The LP was originally released in 2012 and was later reissued on vinyl.

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2LP | 2015 | EU | Reissue (Warner)

Hollow Meadows

A$ 63.23*

Greatest Hits Indie Exclusive Translucent White Vinyl Edition

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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The “Hollow Meadows” LP by Richard Hawley returns to the elegant blend of classic songwriting, folksy intimacy and opulent arrangements that defines his solo work. Released in 2015, the eighth studio album was recorded in part at Hawley’s garden studio and features eleven tracks about love, loss, vulnerability and looking back on past stages of life. His distinctive, slightly fragile baritone gives the songs a thoughtful, restrained tension.

Richard Hawley produced “Hollow Meadows” together with Colin Elliot and Shez Sheridan. Following the psychedelic, guitar-heavy force of its predecessor, “Standing At The Sky’s Edge,” the album once again focuses more strongly on clear melodies and a warm, classic rock aesthetic. “I Still Want You” opens the record with gentle guitar work and string accents, while “Which Way” and “Heart Of Oak” noticeably pick up the pace.

The musicians involved include Martin Simpson, who plays banjo and slide guitar on “Long Time Down,” as well as Jarvis Cocker, who plays bass on “Nothing Like A Friend.” Nancy Kerr contributes fiddle and viola, while Rebecca Taylor is involved in the vocal arrangements. The album title refers to a place near Sheffield, connecting Hawley’s personal roots with a collection of finely balanced, melancholic songs.

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Fleetwood Mac

2LP | 2026 | WW | Original (Rhino/Warner)

A$ 63.23*

Sad Wings Of Destiny Original 1976 Masters Colored Vinyl Anniversary Edition

Release: 2026 / WW – Original

Genre: Rock & Indie

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Deluxe edition of Fleetwood Mac's multi-platinum hits collection, featuring 10 more classics including "Landslide," "The Chain," "Silver Springs (Live)," "Big Love" and "You Make Loving Fun".
Translucent White Vinyl Exclusive.

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Judas Priest

LP | 1976 | EU | Reissue (Exciter)

2LP | 1970 | US | Reissue (Analogue Productions)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The Colored Vinyl Anniversary Edition of the *Sad Wings of Destiny* LP by Judas Priest was released on Exciter and presents the original 1976 masters in a specially designed reissue. The release stays true to the iconic cover art and brings the album back on LP, with the Anniversary Edition designation emphasizing the historical character of the production. Musically, the record falls into classic rock and captures the band in a recording phase that documents the group’s early sound.

In terms of playback, this edition offers the 1976 master tapes in the form in which they were selected for this anniversary version, preserving the original presence of the recordings. The colored vinyl pressing gives the album a strong visual impact and highlights the edition as a distinct release within the Judas Priest catalog, without touching the musical foundations.

With this release, Exciter delivers an edition that both preserves the documentary integrity of the original masters and, through the colored-vinyl format, offers an alternative presentation of the work. For listeners who value the sonic substance of the 1976 recordings, the LP provides a direct connection to this phase of Judas Priest.

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The Who

Live At Leeds

A$ 115.13*

Melhor Do Que Parece Black Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The "Live At Leeds" LP by The Who is being released on Analogue Productions and is presented here in an edition geared toward audiophile playback, sourced from the original analog master tapes and reworked for optimal sonic fidelity. The production adheres to the highest pressing and mastering standards; this edition emphasizes dynamics and detail without smoothing out the recording’s unpolished live energy.

The concert was recorded on February 14, 1970 at the University Refectory in Leeds, and the running order captures the band in a rousing live state: long, improvisationally extended versions, tight riffs, and expansive passages alternate with one another. This documentary concert portrait reflects The Who’s then-dominant live repertoire and shows the group playing with full abandon.

Characteristic of The Who are Roger Daltrey’s powerful vocals, Pete Townshend’s explosive chord assaults, John Entwistle’s distinctive bass lines, and Keith Moon’s volatile drumming; all of these elements contribute to the rough, immediate sonic character of "Live At Leeds." The release is regarded as a landmark in live recording and remains an important document of early rock history as well as a benchmark for listeners who value direct stage presence and sonic authenticity.

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O Terno

LP | 2026 | UK | Original (Mr Bongo)

2LP | 2026 | Original (Pendragon - Toff)

Release: 2026 / UK – Original

Genre: Soul, Funk & Jazz, Rock & Indie

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Mr Bongo is proud to present a 10th anniversary reissue of O Terno’s contemporary Brazilian classic Melhor do Que Parece from 2016. Ranked by Rolling Stone Brazil as one of the best releases of 2016, it is a delicate blend of Tropicália-inspired, psychedelic rock and indie, rich in ‘60s and ‘70s influences, that feels as relevant and fresh now as it did 10 years ago.

O Terno is made up of three titans from the current Brazilian independent scene: Tim Bernardes on vocals and guitar, Guilherme d’Almeida on bass and Gabriel Basile on drums. Each has gone on to forge themselves as influential members in the Brazilian scene in their solo projects and collaborations with other artists since O Terno went on hiatus in 2024. Bernardes has since become a musical ambassador outside of Brazil, releasing two Latin Grammy nominated solo albums, collaborating with artists ranging from Gal Costa to Fleet Foxes, Maria Bethânia to Jards Macalé, and establishing himself among the musicians connected to the 1970s scene. Basile has worked closely with Sessa and features on records by Soyuz, anaiis, Bruno Berle and more. Both Basile and Guilherme also form part of the group Grand Bazaar, a dance-orientated outfit drawing on gypsy, Balkan, Mediterranean and Brazilian influences.

Recorded across an intense three-month period where the trio spent 12 hours a day in the studio, Melhor do Que Parece is a diverse, exploratory and kaleidoscopic listen. There are influences from classic Brazilian greats such as Os Mutantes and the beautiful string arrangements of Rogério Duprat, as well as classic ‘60s and ‘70s European and American groups from across the spectrum. Those influences are tied up in an experimental indie DIY aesthetic where distorted guitars are juxtaposed with lush string sections.

The album kicks off on a high note with the catchy single ‘Culpa’; there is an almost John Lennon texture to Tim’s vocals here. Next is the dreamy arrangement of ‘Nó’, which has a Tropicália-esque tone and features a beautiful harp intro played by Marina Mello.

A swirling psych-rock tinge runs through the record sucking you into its grasp. The crashing cymbals, blazing lead guitars and modulated vocals of ‘Não Espero Mais’ and ‘Lua Cheia’ are two fine examples. Elsewhere, there’s the deep fuzz, whirling organs and peaking horns of ‘O Orgulho E O Perdão’.

Contrasting this there are moments of reflection. The depth and delicacy of ‘Depois Que A Dor Passar’ and the ethereal heart swell of ‘Volta’ are a double dose of uplifting nourishment. Another highlight is ‘Vamos Assumir’, a song immortalised in pop culture when mentioned in Brazilian author Elayne Baeta's book Coisas óbvias sobre o amor.

The title track ‘Melhor do Que Parece’ is a grand opus, ranging from smooth angelic melodies with lush strings, to explosions of distorted guitar and horns. It’s an epic and fitting closer to this magnificent album.

There are no wasted moments on Melhor do Que Parece; it feels almost like a best-of album and is rightly viewed as a definitive work. Here at Mr Bongo we feel its greatness deserves a much wider global audience to lean in and enjoy its brilliance.

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Pendragon

Pure

LP | 2026 | EU | Original (Stag Music)

Release: 2026 / Original

Genre: Rock & Indie

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The “Pure” LP by Pendragon is released on Pendragon - Toff and documents the band’s 2008 phase, in which they steered their sound in a distinctly more modern rock direction without abandoning their characteristic melodicism. On this release, Pendragon combine dense guitar arrangements with striking melodies, which earned the record wide recognition at the time.

“Pure” features “Indigo,” one of the album’s most popular songs, as well as the three-part suite “Comatose” and the hard-hitting “Eraserhead,” which together showcase the work’s stylistic range. All compositions are by Nick Barrett; Barrett and Karl Groom were responsible for the production. Clive Nolan (keyboards), Peter Gee (bass), and Scott Higham (drums) shape the overall sound and create the dense, at times metallic texture of the album.

As an LP on Pendragon - Toff, “Pure” brings the intensity and dynamics of the recordings to life in analog format. Pendragon will be on a European tour in fall 2026 and will return to the Cruise To The Edge stage in April 2027, underscoring the lasting relevance of this chapter in their discography.

In 2008, the music press responded to “Pure” with mostly positive reviews; reader polls and critiques particularly highlighted the balance between melodic songwriting and heavier guitar work, which allowed the album to reach both long-time followers and new listeners from the metal scene.

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Pinnacle

Assasin

A$ 47.02*

How Many Bands Does It Take...

Release: 2026 / EU – Original

Genre: Rock & Indie

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This British hard rock group recorded and self-released their debut LP in 1974, an album that remained a hot collector’s item amongst British underground enthusiasts . Archivists of obscure psychedelia and underground music. Don’t let the scarceness of th

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Blondie

2LP | 2001 | Original (Sympathy For The Rec. Ind)

A$ 68.10*

Buffalo Springfield Again Atlantic 75 Series

Release: 2001 / Original

Genre: Rock & Indie

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The compilation "How Many Bands Does It Take To Screw Up A Blondie Tribute?" was released on Sympathy For The Record Industry on August 20, 2001. Issued as a 2xLP, it offers across two sides a selection of cover versions of well‑known Blondie tracks, performed by various bands from the indie and punk scenes. The release comes as a gatefold, with the individual record housed in an elaborately designed sleeve.

Musically, the compilation brings together takes on songs such as "Hanging On The Telephone," "11:59," "Look Good In Blue," and "Rip Her To Shreds," each reimagined by acts like The Kirby Grips, The Phenobarbidols, L' Alouette, and The Come Ons. The track selection spans both early new wave hits and later pop cuts, distributing the 24 tracks evenly across the two LPs. Further contributions include versions of "Call Me," "Atomic," "One Way Or Another," and "The Tide Is High," making the album a comprehensive homage to Blondie's songwriting, even though the original band does not appear on the recordings themselves.

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Buffalo Springfield

2LP | 2023 | US | Reissue (Analogue Productions)

A$ 131.35*

LP | 1976 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Buffalo Springfield's second album

Featuring "Bluebird," "Rock & Roll Woman" and "Expecting to Fly"

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic.

Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at No. 44 on the Billboard Top LPs chart. As of 2012 the album was No. 188 on Rolling Stone's list of the 500 Greatest Albums of All Time.

Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow," both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point.

Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame," with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco.

Analogue Production's reissue skill makes this record sound killer. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering. Double LP cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.

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Jon Anderson

Olias Of Sunhillow

A$ 90.80*

LP | 2026 | US | Original (Rhino/Warner Bros.)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Jon Anderson Embarks on a Cosmic Journey with Olias of Sunhillow: 1976 Concept Album Intrigues with Ambitious Instrumentation, Fantasy Narratives, and Fastidious Production Strictly Limited to 2,000 Numbered Copies, Mobile Fidelity's 50th Anniversary Reissue Is the First Audiophile Vinyl Edition of Yes Singer's Solo Debut: Deluxe Packaging Replicates the Original Gatefold Jacket with Inner Hinged Panel and Embossed Textures Jon Anderson nearly drove himself insane making Olias of Sunhillow. That's not a figure of speech. By his own admission, the Yes singer pushed himself to such extreme limits working on his first solo album that he began questioning his creative decisions and state of mind. Yet Anderson's labor of love ultimately resulted in a cosmic set that immediately became a hybrid prog-psychedelic favorite that stands as one of the most revered cult classics in the rock canon. Reissued in celebration of it's 50th anniversary and only the second domestic vinyl version of the record since it's initial 1976 release, Mobile Fidelity's numbered-edition 180g LP presents Olias of Sunhillow in audiophile sound for the first time. The complexities of Anderson's extravagant array of ambient landscapes, new-age synthesizers, and signature vocals are resolved and laid out amid black backgrounds that deeply immerse you in the transportative music. The British legend's cornucopia of exotic and familiar instrumentation - he famously played every note on the record - now seems even more impressive and impossible. Grand in scope, symphonic in scale, and epic in execution, Olias of Sunhillow invites listeners to set sail on a wondrous journey. Hop aboard. 1/4" / 15 IPS Dolby A analog master to DSD 256 to analog console to lathe Numbered 180g 33RPM Vinyl LP LIMITED EDITION OF 2,000

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Mudhoney

Live! 1993-1998

Captain Marryat Black Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Live! 1993-1998” LP by Mudhoney is being released on Rhino/Warner Bros. and brings together live recordings that span the period from 1993 to 1998. The release documents various snapshot concert moments and presents Mudhoney as a powerful live band, with their stage presence and immediacy at the center. The edition has been announced for the physical market and is scheduled for a specific release date in fall 2026.

On this release, Mudhoney showcase their raw live profile: distorted guitars, driving rhythms, and Mark Arm’s distinctive vocals form the sonic backbone, joined by crowd noise and spontaneous interactions as partial sonic features. Individual tracks such as “Suck You Dry” and the live-documented “Ghost” are cited as exemplary moments and convey an impression of the band’s dynamics between punk directness and expansive rock. The selection underscores Mudhoney’s consistency as a high-energy live act and makes the “Live! 1993-1998” LP a compact live collection for fans who want to experience the band in their most immediate performing form.

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Captain Marryat

LP | 1974 | EU | Reissue (Guerssen)

LP | 1971 | US | Reissue (Rhino)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The "Captain Marryat" LP by Captain Marryat is being released on Guerssen, reissuing the long-lost, privately pressed debut from the Glasgow band. This release makes a piece of Scottish progressive hard rock history accessible, originally issued in 1974 in an extremely small run on the band’s own Thor label.

The band formed in the early 1970s, expanding from a trio into a five-piece lineup featuring Tommy Hendry (vocals), Ian McEleny (guitar), Allan Bryce (organ), Hugh Finnegan (bass), and Jimmy Rorrison (drums). Initially in the studio to cut a single, the group used spare time to record five original compositions and rounded off the session with the improvised instrumental “Dance Of Thor.”

Musically, the album combines progressive rock and heavy psych with pronounced Hammond drive, raw guitar solos, and distinctly melodic vocals. The band clearly draws on the vocabulary of Deep Purple and Uriah Heep; impressive examples include the dramatic opener “Blindness,” the eight-minute epic “It Happened To Me,” and the more accessible track “Changes.”

Despite strong performances on the Scottish pub circuit, a lack of label interest led to the breakup in 1975; since then the album has achieved cult status and is regarded among collectors and fans of early‑70s prog heavyweights as a coveted document. Recommended for fans of Deep Purple, Uriah Heep, Beggars Opera, and Rare Bird.

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Mott The Hoople

Brain Capers

LP | 2026 | EU | Original (Stroom)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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The “Brain Capers” LP by Mott The Hoople is being released on Rhino and is offered as part of the Rhino Reserve releases within the Rocktober campaign, placing the album in the label’s line of reissued classics. This release presents the band’s original work in an edition that makes the album available on LP and brings “Brain Capers” back into focus.

Musically, “Brain Capers” captures the moment when Ian Hunter emerges more clearly as a songwriter; originally released in 1971, the record combines driving rock tracks with expansive, multi-layered arrangements. Producer Guy Stevens was responsible for the rough, impulsive sound that shapes standouts like “Death May Be Your Santa Claus” and the epic “The Journey,” pushing the band into tougher, more immediate territory. Alongside Hunter’s own compositions, the LP also features interpretive turns and tight band performances that expand Mott The Hoople’s early catalog and confirm the album’s status as the group’s fourth studio release.

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Richard

Loving You To Death

A$ 47.02*

Illusion & Doubt White, Black, Marble Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "Loving You To Death" LP by Richard is released on Stroom and presents the work as a vinyl and digital album with a deliberately stripped-back sound. At its center is the title track, which deals with the inner conflict of staying with someone who is hurting themself; Richard describes it as a snapshot—maybe of one night, maybe of a longer period—and lets this ambivalence flow into the arrangements. Before recording, he had tried stretching small, dark riffs into long, ambient-like sequences and experimenting with electronic manipulations, but then decided to keep the recordings lean and work without a band.

The LP comprises twelve tracks, including "Loving You To Death," "One For Jesse," and "Anything," and combines sing-song melodies with a certain intentional unprofessionalism as an aesthetic principle. The material was mastered by Nik Kozub; the front cover features a painting by Hoda Ackad, the back is a photograph by Ariana Molly, and the design is by Victor Verhelst. With "Loving You To Death," Stroom is releasing a record that brings together Richard’s fondness for obsessive narratives, mid-fi textures, and direct, unvarnished performances, keeping the focus on the emotional clarity of the songs.

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Dead South

LP | 2026 | US | Original (Six Shooter)

Release: 2026 / US – Original

Genre: Rock & Indie

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The White, Black, Marble vinyl edition of the “Illusion & Doubt” LP by Dead South was released by Six Shooter and brings the album to vinyl in a striking colorway. This edition puts the distinctive collection of songs on a physical record and combines classic presentation with a visual accent that offers fans of the album a new tactile experience.

“Illusion & Doubt” showcases the narrative power of Dead South and includes classics like “Boots,” “Dead Man’s Isle,” and “Delirium,” distinguished by concise melodies and tight arrangements. The recordings were made under the technical direction of Jason Plumb; the project was supported by contributions such as violin parts from Eduard Minevitch, which add extra color to individual tracks. Produced and mixed in studio settings, the record captures the band’s immediate playing style and makes their compositional range clearly audible. For the band, “Illusion & Doubt” marks an important step in the evolution of their discography and was recognized with a Juno Award. With this vinyl edition, Six Shooter focuses on a careful presentation of the work and offers collectors and newcomers alike a focused physical version of “Illusion & Doubt” by Dead South.

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LP | 2027 | EU | Original (Warner)

All Saints

All Hits

A$ 37.29*

LP | 2026 | US | Original (Palto Flats)

Release: 2027 / EU – Original

Genre: Rock & Indie

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The “All Hits” LP by All Saints is released on Warner and brings together the British group’s most important successes from their formative period around the turn of the millennium. Featured highlights include “Never Ever,” “Under the Bridge,” “Pure Shores,” “Black Coffee,” “I Know Where It’s At,” and “Bootie Call,” showcasing the characteristic interplay between catchy pop, rhythmic production, and soulful vocal harmonies. “All Hits” was originally released in 2001 as the band’s first major greatest-hits compilation.

Particularly distinctive is the combination of clearly defined vocals and intricately crafted arrangements. William Orbit shaped “Pure Shores” and “Black Coffee” as producer, while Cameron McVey was involved in “Never Ever.” “All Hits” also includes the group’s own rendition of a song by the Red Hot Chili Peppers with “Under the Bridge.” “Twentyfourseven,” by Artful Dodger and featuring Melanie Blatt on vocals, adds another facet. In this way, the LP traces All Saints’ development across several successful singles, connecting early successes such as “Never Ever” with later highlights like “Pure Shores” and “Black Coffee.”

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Otto Benson

Peanut

Sound A Body Makes When It's Still

Release: 2026 / US – Original

Genre: Rock & Indie

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Otto Benson’s “Peanut” LP is released by Palto Flats and presents a focused, vocal-centered recording within a classic rock context. The album emphasizes clear song structures and restrained instrumentation, with Benson using his voice as his primary means of expression and exploring melodic motifs that move between directness and subtle eccentricity.

Tracks such as “Mr. Peanut” and “Tumor” offer an impression of the album’s range: calm, introspective passages alternate with striking guitar moments and carefully placed additional sounds. Guest contributions and lineup details provide further color, including pedal steel and engineering by Henry Munson on one track, lead guitar by Sean Quinn, and bass clarinet by Henry Solomon; the artwork is by Otto Benson. The result is a song-focused album that brings together vocals, sparse arrangements, and occasional instrumental accents.

The LP edition comes in a full-color sleeve with colored labels and was cut and mastered for vinyl by Josh Bonati; the physical product is distributed by Palto Flats and complements the artist’s previous releases. This record provides a precise, text-focused vehicle for Benson’s songwriting and underscores his distinctive approach within classic rock.

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Hot Mulligan

LP | 2026 | US | Original (Wax Bodega)

2LP | 2016 | EU | Original (Metal Blade)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Sound A Body Makes When It's Still” LP by Hot Mulligan is being released on Wax Bodega and brings together the band’s songs in a compact full-length format. Issued as an LP, the release assembles short, concise tracks that bear the group’s distinctive production style and carry the band’s work forward.

On their fourth album, Hot Mulligan explore melodic arcs of tension and direct arrangements; the songs are characterized by catchy choruses, driving guitars, and a knack for tight, effective song structures. The opening sequence includes tracks like “And a Big Load” and the duet “Island in the Sun” with Cory Castro of Free Throw, which are emblematic of the blend of emo-typical directness and indie-influenced melodicism. Relatively short running times and pointed breaks give the album a brisk pace, while shifting tempo segments create space for atmospheric pauses. Scheduled for release on August 22, 2025, it shows Hot Mulligan in a phase where they are further refining their melodic signature. For listeners who favor catchy yet nervously delivered songs, the “Sound A Body Makes When It's Still” LP offers a focused look at the band’s current songwriting.

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Redemption

Art Of Loss

A$ 30.80*

Release: 2016 / EU – Original

Genre: Rock & Indie

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The “The Art of Loss” LP by Redemption was released in 2016 on Metal Blade and documents the ambitious collaboration of the band centered around vocalist Ray Alder and songwriter Nick van Dyk. The double LP brings together nine tracks and an expansive running time, produced by Tommy Hansen and visually designed by Travis Smith. Metal Blade lists the release as a 2x12", on which, alongside the core band members, a host of renowned guest guitarists can be heard, including Chris Poland, Marty Friedman, Chris Broderick, and Simone Mularoni.

Musically, “The Art of Loss” offers expansive song structures and dynamic arrangements; the album includes, with “At Day's End,” an epic, multi-part track of over twenty minutes, as well as an unusual cover of The Who’s “Love Reign O'er Me,” enhanced by a guest appearance by John Bush. The LP presents Redemption as a band that combines complex compositions with a melodic focus and draws on guest contributions to add lyrical and instrumental accents. Listeners who want to experience the Nick van Dyk / Ray Alder incarnation of the band will find in the Metal Blade release a comprehensive, carefully produced presentation of the material, with production, guest appearances, and artwork shaping the overall picture.

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2LP | 2026 | EU | Reissue (Warner)

Phil Collins

Testify

LP | 1969 | US | Reissue (Atlantic Catalog Group)

Release: 2026 / EU – Reissue

Genre: Rock & Indie

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Phil Collins’s “Testify” LP was released by Warner and presents the British musician’s seventh studio album in a classic-rock context. The release originally took shape over an extended period from demos Collins recorded in his home studio. He played many of the instruments himself before the tracks were further developed through expanded production.

“Testify” combines personal songwriter moments with accessible rock and pop. The title track is one of the album’s more expansive compositions and stands out for its especially direct, personal message. Phil Collins opens the record with the more upbeat “Wake Up Call,” while “Can’t Stop Loving You,” the album’s only cover song, provides a distinct accent within the collection of songs.

Producers Rob Cavallo and James Sanger were among those involved in developing the album. Additional support came from guitarist Tim Pierce, bassist Paul Bushnell, and longtime collaborator Daryl Stuermer. Stuermer contributed to the music and guitar part on “The Least You Can Do,” while Collins handled the lyrics and arrangement. In this way, “Testify” combines the solo artist’s familiar voice with a production approach that differs from his earlier work.

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Crosby, Stills & Nash

Sixteen Stone Silver Marble Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The “Crosby, Stills & Nash” LP by Crosby, Stills & Nash is released on Atlantic Catalog Group in a Rhino High Fidelity edition and presents the group’s debut album in a meticulously reworked presentation. The release was newly cut from the original analog tapes and mastered by Kevin Gray; the result comes as a high-quality pressing manufactured at Optimal in Germany, and is delivered in a gatefold sleeve with insert and extensive liner notes. Issued as a numbered limited edition, it also includes an additional four-page insert with texts and notes on the making of the album.

Musically, the “Crosby, Stills & Nash” LP documents the trio’s early strengths: three-part harmony vocals, memorable songwriting highlights, and tracks such as “Suite: Judy Blue Eyes,” “Marrakesh Express,” and “Long Time Gone,” which continue to define the work to this day. Crosby, Stills & Nash appear here as both writers and producers of the recordings, which in this edition have been brought out in rich detail to emphasize the subtleties of the arrangements and vocals. For fans of classic rock, this release on Atlantic Catalog Group represents a carefully prepared reissue of the groundbreaking debut.

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Bush

2LP | 1996 | Reissue (Concord)

A$ 68.10*

Streets Of This Town: Revisited

Release: 1996 / Reissue

Genre: Rock & Indie

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Bush’s “Sixteen Stone” LP is released by Concord as a vinyl reissue marking the 30th anniversary of the band’s debut album, bringing the record back to the catalog in a newly reissued edition. The release highlights Gavin Rossdale’s early songwriting and places the singer’s distinctive voice at the center of the production.

The album features key tracks such as “Glycerine,” “Comedown,” and “Everything Zen,” which played a major role in the band’s commercial breakthrough and remain among the best-known songs in Bush’s catalog. The tracklist also includes “Machinehead” and additional songs that define the album’s sound; all of the tracks were written by Gavin Rossdale.

The release’s sonic character was originally recorded under the direction of producers Clive Langer and Alan Winstanley. The reissue is released through Concord’s reissue program, Craft Recordings, and is aimed at listeners who want to experience the debut in a current pressing. Bush’s “Sixteen Stone” LP on Concord thus documents a defining chapter of the 1990s rock scene in a revised edition.

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Steve Forbert

LP | 2023 | Original (Blue Rose)

A$ 59.99*

Live At Sonoma State Honeydew Cream Vinyl Edition

Release: 2023 / Original

Genre: Rock & Indie

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The “Streets Of This Town: Revisited” LP by Steve Forbert is released on Blue Rose and documents the 2023 reissue of his 1988 album; it came out on June 2, 2023. For this edition, the original material has been remixed and remastered; the vinyl version is available again for the first time in 28 years. The CD edition includes the additional bonus track “They're Out To Break Us.”

Musically, the collection combines classic rock arrangements with Americana and folk-rock influences and puts Forbert’s songwriting and his characteristic voice front and center. Producer Garry Tallent was already responsible for the original recordings; the lineup includes guest appearances, among them Nils Lofgren on electric guitar, as well as musicians like Bobby Lloyd Hicks and Clay Barnes. Jan Topoleski is credited as engineer, while Paul Errico contributes keyboards and background vocals. The title track “On The Streets of This Town” and songs such as “Running On Love” retain their guitar-driven focus and rhythmic precision in the new mix; the remixing and remastering bring out instrumental details and create a clearer balance between vocals and accompaniment. With “Streets Of This Town: Revisited,” Blue Rose presents a revised version that preserves the core of the 1988 album while updating the sound.

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Old & In The Way

2LP | 2025 | US | Reissue (Round)

A$ 84.32*

LP | 2020 | US | Reissue (Mac Demarco)

Release: 2025 / US – Reissue

Genre: Rock & Indie

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Live at Sonoma State presents one of the last live performances by the legendary bluegrass supergroup Old & In The Way.

The November 4th, 1973 performance featured a line-up of Jerry Garcia, David Grisman, Peter Rowan, John Kahn and Vassar Clements. The group is in exceptionally fine form throughout, singing and playing 19 classic tunes in their inimitable style. Also included are two songs with special guest “Ramblin’" Jack Elliott, who was also on the bill that day. The performances are pressed to 2xLPs in a limited edition of 5,500 and presented in gatefold packaging featuring artwork designed by D.Norsen and Taylor W. Rushing.

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Mac DeMarco

Here Comes The Cowboy

A$ 38.91*

Release: 2020 / US – Reissue

Genre: Rock & Indie

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The "Here Comes The Cowboy" LP by Mac DeMarco is released on Mac's Record Label and translates his familiar songwriter aesthetic into lean, often understated arrangements. The tracks are characterized by warm guitar sounds, drawn-out melodies, and a laconic vocal delivery that blends melancholic moments with wry humor.

The album was written, recorded, and co-mixed at DeMarco's own Jizz Jazz Studio in Los Angeles; he plays nearly all the instruments himself, while touring bandmate Alec Meen contributes keyboards on a few tracks. Touring sound engineer Joe Santarpia shared engineering and mixing duties with DeMarco, shaping the album's intimate yet clearly defined sound.

Tracks like "Nobody," "Heart to Heart," and "All of Our Yesterdays" shift perspective between personal reflection and ironic distance; melodically, the compositions remain light on their feet, rhythmically they are often subtle, while the arrangements are carefully balanced. The record weaves together elements of lo-fi indie rock, singer-songwriter tradition, and retro pop, revealing a compact, characteristic chapter in Mac DeMarco's body of work.

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Goo Goo Muck: A Tribute To The Cramps

LP | 2026 | US | Original (Cleopatra)

A$ 126.48*

OST When You're Strange Documentry

Release: 2026 / US – Original

Genre: Rock & Indie

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The Doors

LP | 2010 | US | Reissue (Rhino)

LP | 2022 | US | Original (Many Hats)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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The “When You're Strange: Songs from the Motion Picture” LP by The Doors is released on Rhino and condenses the soundtrack to Tom DiCillo’s film into a compact listening experience. The Doors and Rhino present a mix of studio recordings and striking live moments, complemented by passages in which Johnny Depp recites texts and poems by Jim Morrison. The compilation focuses on concise band moments and puts Morrison’s voice, as well as defining keyboard and guitar parts, at the center without relying exclusively on hits.

As an LP edition, “When You're Strange: Songs from the Motion Picture” offers an accessible cross-section of the band’s body of work and also functions as a musical complement to the cinematic portrayal of The Doors. Rhino has curated the selection so that both well-known tracks and documentary-style live recordings come into their own, while the production preserves the band’s characteristic sonic space. The Doors remain tangible on this release as a powerful live and studio presence, while Rhino formally brings together the connection between film and record.

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Murder By Death

Spellbound

LP | 2026 | UK | Original (Popclaw / Rise Above)

Release: 2022 / US – Original

Genre: Rock & Indie

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Spell/Bound by Murder By Death, released 29 July 2022, includes the following tracks: "Everything Must Rest", "Riders", "When", "Strange Song" and more.

This version of Spell/Bound comes as a 1xLP.

The vinyl is pressed as a opaque disc.

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The Crystal Teardrop

Love You More

2LP | 2026 | UK | Original (Fire)

Release: 2026 / UK – Original

Genre: Rock & Indie

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The “Love You More” LP by The Crystal Teardrop continues the blend of shimmering sixties sound and contemporary sharpness established by their debut, “THE CRYSTAL TEARDROP IS FORMING.” Released on Popclaw / Rise Above, the band delivers concise melodies and dense arrangements where jangly Rickenbacker guitars and surging organ layers are woven together with a clear, sustained lead vocal. Most of the tracks move in a bold, upbeat vein without shying away from lyrical darkness; themes of relationships, political statements, and existential reflection run throughout the album, giving the songs additional weight.

Characteristic moments are created by instrumental details and playful musicianship: the eruptive guitar solo in “It’s Too Late!” and the long, psychedelic stretching out on “Touch The Sun,” which raises questions about the meaning of being human, showcase the band’s range. For the production, The Crystal Teardrop opted for a deliberately immediate approach, recording live in the studio with as few overdubs as possible to capture atmosphere and performance flow. Trusted sixties-era instruments like Vox gear, Hammond, AC15 amps, and electric sitar meet more unusual sounds such as tanpura and swarmandal; this combination gives “Love You More” its warm yet stubbornly angular psychedelia and makes the album a distinctive contribution to the classic rock output of the Popclaw / Rise Above label.

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Roky Erickson

The Evil One

LP | 2026 | US | Original (Todo)

Release: 2026 / UK – Original

Genre: Rock & Indie

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Roky Erickson’s “The Evil One” LP is released on Fire Records as a deluxe 15-track edition that fully brings together the recordings from the legendary 1978 and 1979 sessions. For the first time since 1981, this reissue restores the original cover from the San Francisco edition released by 415 Records. The album is cut across two LPs at 45 rpm and comes with an extensive booklet featuring an essay by Joe Nick Patoski, along with rare photographs and archival material from the collection of Roky’s then-manager, Craig Luckin.

Musically, “The Evil One” documents Roky Erickson and the Aliens in a characteristic interplay of raw rock energy, sharply defined guitar riffs, and horror and science-fiction themes. Producer Stu Cook brought the session recordings together, helping shape the distinctive sound of this material. Standout tracks include “Two Headed Dog (Red Temple Prayer)” and “I Walked With A Zombie,” which highlight Erickson’s unmistakable voice and surreal imagery. The Fire edition presents this chapter of his career in a focused format and with a clear sonic direction across its 45-rpm 2LP configuration.

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Porcelain

Todays Minor Victories

LP | 1968 | US | Reissue (Rhino / Warner)

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Today's Minor Victories" LP by Porcelain is being released on Todo.

Porcelain from Austin weaves together influences from noise rock, post-hardcore, post-punk, and shoegaze into a dense sonic landscape. Driving, often distorted guitars meet intricate melodies; the arrangements shift between immediate heaviness and restrained, almost weightless passages. Characteristic are the interplay of the two guitar voices and the alternating vocals, which give the tracks both rough edges and singable lines.

The band lineup is documented as Ryan Fitzgibbon (guitar, vocals), Steve Pike (guitar, vocals), Jordan Emmert (bass), and Eli Deitz (drums, percussion); the sonic palette is expanded by pedal steel from Zach Wiggs and saxophone from Benton Kaufman. The record was tracked at Estuary Recording Studio, with engineering and mixing handled by Scott Evans; mastering was done by Greg Obis at Chicago Mastering Service.

Musically, the production stands out for its clear, powerful guitar walls and a nuanced sense of space and dynamics. Porcelain links raw energy with compositional precision; in doing so, the band positions itself between gritty post-hardcore and atmospheric shoegaze and stakes out a distinctive voice within the current scene.

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Van Morrison

Astral Weeks

What's In Between Indie Exclusive Cream Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The “Astral Weeks” LP by Van Morrison was released on Rhino / Warner and presents the 1968 work in a carefully prepared edition. Van Morrison leads a tightly knit ensemble of jazz‑experienced studio musicians here: Richard Davis on double bass, Jay Berliner on acoustic guitar, and Connie Kay on drums define the rhythmic and textural foundation, while Warren Smith Jr. contributes vibraphone and percussion, joined by flute and polished string arrangements by Larry Fallon. Producer Lewis Merenstein oversaw the sessions and, together with Morrison, shaped the intimate, almost cyclical sequence of songs; tracks like “Astral Weeks,” “Madame George,” and “Cyprus Avenue” exemplify the album’s narrative density and its elusive, jazz‑inflected arrangements.

This edition has been technically reworked for the LP format and issued as a high‑quality Rhino pressing: the record comes as a 180‑gram pressing, cut by Kevin Gray, and the booklet includes new notes plus an insert with additional liner notes. Rhino / Warner present the production in a visually refined package with a glossy gatefold jacket that gives this historic recording a contemporary outer shell and documentary additions without altering the original, organic character of the performances.

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Radio Free Alice

LP | 2026 | US | Original (Atlantic)

Once Upon A Twilight... Black Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The Cream Vinyl edition of the “What’s In Between” LP by Radio Free Alice has been released on Atlantic and, with its special pressing, emphasizes the physical launch of this debut.

“What’s In Between” marks the first full-length by the Melbourne band and delivers eleven tracks, including the singles “Crying With You” and “Rule 31,” which had already appeared as advance releases. The production took place across several continents; the credited producers are Peter Katis, Ewan Pearson, and Finn Billingham, giving the album a dense, polished studio production. Vocalist Rachel Brown appears as a guest on the track “Big Ideas,” a richly detailed contribution that loosens up the arrangements. Radio Free Alice rely on concise song structures, melodic choruses, and clear guitar work that carries the album’s classic rock sensibility without sacrificing modern sonic finesse. Atlantic is issuing the LP in the described Cream Vinyl edition, which is offered as a standalone version alongside the standard release. In addition to the singles, fans will find further tracks on “What’s In Between,” such as “Kick in the Shins” and “Lunch Money,” which turn the album into a compact, cohesive debut release.

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The Twilights

LP | 1968 | EU | Reissue (Guerssen)

LP | 2026 | US | Original (Stones Throw)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1968, Once Upon a Twilight… is the second and final album by Australian band The Twilights. Moving beyond the hit-making formula of the period, the group created an ambitious blend of sophisticated pop and psychedelia, shaped in part by their experiences in Britain and their celebrated live performances of Sgt. Pepper. Recorded at Bill Armstrong's Melbourne studio using then-new Australian 8-track technology, the album features songwriting by Terry Britten, vocals by Glenn Shorrock, orchestral arrangements by Johnny Hawker and production by David Mackay. This first vinyl reissue sourced from the original masters faithfully reproduces the original gatefold sleeve with pop-up centrefold and includes a four-panel insert with photographs and liner notes. Annotated and remastered by Grammy-nominated archivist Alec Palao.

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N8noface

Tomorrow's World

Live From Klol Fm Studios Houston, Texas, 1974

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Tomorrow's World" LP by N8noface is being released on Stones Throw and marks the artist’s Stones Throw debut. The album was produced entirely by Dave Sitek (TV on the Radio, Yeah Yeah Yeahs, Weezer), who fuses raw synth aesthetics with driving punk energy. On the full-length, N8noface works with a number of notable guest contributors; the album features collaborations with Hudson Mohawke, Angélica Garcia, and Nick Zinner, who enrich individual tracks with distinctive textures and additional melodic lines.

Musically, "Tomorrow's World" explores the intersection of synth-punk and darkwave, combining fast, catchy song structures with dense electronic production. The track "I Hope It’s Ok" was released as an advance single with a visual component; the accompanying video was created in collaboration with Eyedress. The album title refers to the British TV show of the same name and reflects the idea of what early technological utopias might sound like in a punk-oriented present. Stones Throw is issuing the LP in physical form; in addition, the release is available digitally, making Dave Sitek’s production and the guest contributions accessible across multiple formats.

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Bruce Springsteen

LP | 1974 | EU (Mind Control)

A$ 29.18*

Jazz Dreams Clear Purple Vinyl Edition

Release: 1974 / EU

Genre: Rock & Indie

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Recorded for radio broadcast at Klol FM Studios in Houston, Texas on March 9th, 1974, this early Bruce Springsteen recording captures him in a stripped-back setting shortly after the release of The Wild, The Innocent & The E Street Shuffle. The set draws on his first two albums, showcasing the storytelling and raw energy that would soon define his rise. A fascinating, intimate document of Springsteen before superstardom, essential for collectors of his earliest live material.

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Fine

LP | 2026 | EU | Original (Escho)

Live At The Cow Palace-New Years Eve 1976 Audiophile Green Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Clear Purple edition of the “Jazz Dreams” LP by Fine is released on Escho and comes as a single LP in a gatefold sleeve. The release, which comprises thirteen tracks, builds directly on her 2024 debut “Rocky Top Ballads” and leads Fine into a wide, dreamlike sound world that moves between precise melodic writing and open, improvisatory moments.

The material was produced, recorded, and mixed by Fine herself; in the credits she appears as Fine Glindvad. Emil Thomsen is responsible for the mastering. Over roughly sixteen months, the songs took shape partly in public performances, partly in studio versions and during an NTS residency, so that “Jazz Dreams” comes across as an organically grown, collage-like construction in which vocal lines connect the shifting moods.

Selected advance releases such as “I Could,” “Run,” “Moment,” and “Portal” mark stages of this development and offer insight into the balance of longing, memory, and open intuition that shapes the album. On the LP, Fine shows a consistent turn toward melody: voice and song architecture lead through fragile scenes and allow the music to follow its own instincts like a kind of jazz improvisation.

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Grateful Dead

5LP | 2026 | US | Original (Friday Music Two)

A$ 345.43*

Acid Head Black Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Live At The Cow Palace – New Year’s Eve 1976” LP by Grateful Dead was released as an Audiophile Green Vinyl Edition on Friday Music Two. The album documents the December 31, 1976 concert at the Cow Palace in Daly City and captures both the song-oriented pieces and the extended live excursions the band embarked on that night.

Over the course of the recording, striking snapshots emerge, including high-energy versions of classics like “Bertha” and a long-form sequence that begins with “Help on the Way” and culminates in a haunting “Morning Dew”; these runs rank among the set’s defining highlights. The selection emphasizes the balance between tight songs and improvisational playing that is characteristic of Grateful Dead’s live performances during this period.

Friday Music Two is responsible for the presentation; the edition stands out for its green audiophile vinyl and artwork-focused design that underscores the visual concept of the release. Additional noteworthy details include production credits and graphic contributions that lend definition to the curation and preparation of this historic concert.

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The Velvet Illusions

LP | 1967 | EU | Reissue (Guerssen)

LP | 1983 | US | Reissue (Rhino)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Velvet Illusions were a teenage garage-psych band formed in Yakima, Washington in 1966, with members aged only 14–17 when they began. Their debut “Acid Head” attracted controversy after radio stations misunderstood its anti-drug message and banned it. The band later moved to Los Angeles during the Summer of Love, recording at studios including Sunset Sound. This collection brings together their rare psychedelic garage recordings, including “Acid Head”, “Town Of Fools”, “Velvet Illusions”, “Born To Be A Rolling Stone”, “Lazy”, “Mini Shimmy” and “The Stereo Song”. Includes an insert with detailed liner notes and photographs. Eingefügter Text

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ZZ Top

Eliminator

LP | 2026 | US | Original (Many Hats Dist)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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The *Eliminator* LP by ZZ Top is released by Rhino and presents the album that gave the band a new pop sensibility without sacrificing Billy Gibbons's distinctive guitar work. The release features the defining singles “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs,” which played a major role in the album’s lasting popularity and, with their accompanying music videos, attracted widespread attention. Rhino positions the record as a central chapter in the band’s discography and clearly emphasizes the connection between well-honed song structures and catchy hooks.

Produced by Bill Ham with key contributions from engineer Terry Manning, the album’s sound combines traditional blues rock elements with precise, contemporary studio arrangements; many arrangements were reworked in the studio and enhanced with electronic rhythms and synthesizer textures. The *Eliminator* LP thus documents a stylistic shift that opened ZZ Top up to new audiences and cemented the band’s media presence through striking videos and radio-friendly singles. Rhino accompanies the release with editorial background texts that highlight the studio production process and the memorable compositions.

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Powerplant

Bridge Of Sacrifice

LP | 2026 | EU | Original (Psychic Reader)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Bridge Of Sacrifice” LP by Powerplant is being released on Many Hats Dist and combines classic rock gestures with tangible, modern offshoots: driving guitar riffs, dense synth textures, and distinctive vocals form the framework of this 11-track record. On “Bridge Of Sacrifice,” Powerplant present compact song forms in which hook-laden melodies collide with rougher vocal parts; the tracks “Bridge Of Sacrifice,” “Florida,” and “Bad Moon Motel” stand out as striking snapshots within the album sequence.

The material was written, arranged, and performed by Theo Zhykharyev, complemented by carefully placed instrumental contributions such as cello on tracks 5 and 9 by Hani Hooper, as well as a choral contribution on track 3 featuring Otta, Lauren Auder, Lloyd Clipston, Hani Hooper, and Kristian Szwedziuk. Mixing and mastering were handled by Stanley Gravett at Holy Mountain Studios; the cover was created as a clay artwork by Walls.Press, with lettering and layout by Theo Zhykharyev. The “Bridge Of Sacrifice” LP by Powerplant on Many Hats Dist presents itself as a focused release that links song-oriented melodies with darker, electronically accented moments, delivering a distinctive contribution to the contemporary rock landscape.

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Sas Group

Bad Shock

Release: 2026 / EU – Original

Genre: Soul, Funk & Jazz, Rock & Indie

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Psychic Reader announces Bad Shock: the first-ever reissue of 1970s Indonesian hard-rock trio SAS Group. Bad Shock is a compilation album featuring songs from SAS Group’s highly collectible first LP—a copy of which fetched $4,000 on Discogs back in June—as well as the band’s later hits. The first press was a limited 200-vinyl run that sold out two months after its February release. Composed of Arthur Kaunang (bass, keyboard, vocals), Soenatha Tanjung (guitar, vocals), and Syech Abidin (drums, vocals), SAS Group formed in Surabaya, Indonesia in 1975. SAS was the spiritual continuation of legendary rock band AKA, which featured the same personnel in addition to frontman Ucok Harahap. Harahap left AKA in the mid ‘70s to start his solo career, and SAS was formed. By 1991 SAS had produced 15 full-length albums and two compilation albums. Bad Shock focuses on their 1976-1981 output, delivering sprawling, prog-influenced hard rock laced with dueling synth and guitar solos. Almost every track is sung in English and holds its own against the best Western rock of the era. But “Jika Nanti Kau Panggil Namaku,” a mellow love ballad sprinkled with disco accents, closes the album on an unexpectedly sweet note.

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LP | 2026 | US | Original (Many Hats)

Mildred

Fenceline

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Fenceline” LP by Mildred is released on Dog Day x Memorials of Distinction and presents the Oakland four-piece’s debut as a focused collection of collaboratively written songs. Across the album, Henry Easton Koehler, Jack Schrott, Matthew Palmquist, and Will Fortna share songwriting and vocals equally, recorded under the direction of Luke Temple, with additional recording by Will Fortna and one track, “Fish Sticks,” newly re-tracked in Bristol with Jack Ogborne. Production is handled by Will Fortna, with mastering by Jason Mitchell.

Musically, “Fenceline” leans on concise guitar lines, layered vocals, and a relaxed yet clearly structured song sequence; tracks like “UPS Brown,” “Fish Sticks,” “Charlie,” and the expansive “Mumblecore Melody” showcase a range that runs from laid-back groove to compositional finesse. “Hardcore Of Beauty” serves as a powerful closer with its dynamic build-ups, while “Pitch Boats” and “Aquinas” highlight the group’s melodic breadth. The “Fenceline” LP presents Mildred as a collective whose refrains and arrangements benefit from an immediate, in-the-room recording atmosphere, bringing the material together with a distinct, unified touch.

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Punk Rock Halloween: Loud. Fast & Scary

LP | 2026 | US | Original (Cleopatra)

A$ 116.75*

LP | 2026 | US | Original (Smartpunk)

Release: 2026 / US – Original

Genre: Rock & Indie

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The orange vinyl edition of the compilation "Punk Rock Halloween: Loud. Fast & Scary" by various artists is released on Cleopatra Records and brings together a selection of Halloween-inspired punk tracks curated specifically for the vinyl format. The LP is announced as a colored vinyl edition and unites both classic and contemporary acts.

The spectrum ranges from established heavyweights like The Adolescents, UK Subs, and The Vibrators to rougher newcomers; it also includes contributions from Reel Big Fish, Anti-Nowhere League, Dwarves, 999, Walter Lure, and Sylvain Sylvain. Musically, the collection stays in classic punk rock territory: short, abrasive songs with driving guitars, tight arrangements, and lyrical themes tied to horror imagery and nocturnal fright figures. The selection emphasizes the loud, fast side of the genre while remaining varied thanks to different bands and voices.

As a vinyl edition, the LP features eight tracks per side for a total of 16 songs, including both well-known cuts and lesser-known tunes that interpret the Halloween motif in a punk fashion. The compilation works as a themed curation for fans seeking loud, direct punk sound with a creepy undertone, and it documents Cleopatra Records’ practice of releasing cross-scene compilations.

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Against The Current

Till Death & Back

One Of Us: The Best Of Joan Osborne

Release: 2026 / US – Original

Genre: Rock & Indie

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The *Till Death & Back* LP by Against The Current is being released on Smartpunk and marks the band’s return with a new ten-track album, announced as their first full-length studio album since *Past Lives* (2018).

The album is described as the beginning of an independent chapter for the band and centers thematically on loss, struggle, and new beginnings. Its songs explore themes such as loyalty, identity, and coming to terms with existential fractures. Musically, the production combines rock-driven arrangements with catchy melodies and modern pop elements, allowing the songs to feel both direct and layered. Several tracks have been released as previews and have already attracted attention, including “Dead Man Walking” and “Heavenly,” which hint at the album’s range. From an editorial perspective, *Till Death & Back* relies on compact song structures and memorable hooks that continue the band’s development since their earlier work without merely repeating familiar formulas. Overall, the album reads as a deliberate step into a newfound artistic freedom.

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Joan Osborne

LP | 2026 | US | Original (Friday Rights Management, Llc)

A$ 66.48*

Release: 2026 / US – Original

Genre: Rock & Indie

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The “One Of Us: The Best Of Joan Osborne” LP by Joan Osborne is being released on Friday Music and, for the first time, presents a selection of her best-known recordings on vinyl. The collection includes the world-famous hit “One Of Us” as well as interpretations and cover versions such as “Why Can't We Live Together,” “Everybody Is A Star,” and “How Sweet It Is (To Be Loved By You).” Producers Rick Chertoff, John Leventhal, and Rick Depofi are credited for the compilation, with mastering handled by Joe Reagoso; the edition is offered as a clear Orange Crush vinyl pressing.

In addition to the hit single, the LP features duets and special studio recordings, such as “Smiling Faces Sometimes” with Isaac Hayes, as well as her versions of “You Know And I Know” and “I'll Be Around,” which document the breadth of her interpretations. Friday Music emphasizes the careful curation and remastered finish, which highlight the production depth and vocal presence of Joan Osborne in the LP format. As a classic rock–oriented best-of release, this pressing is aimed at collectors and listeners who want to experience Osborne’s distinctive voice and select studio recordings in a new vinyl presentation.

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Ronnie Yoshiko Fujiyama & Cheetah Beat

Volume 1: Boy&Girl / Sabaku

7" | 2026 | JP | Original (Time Bomb)

A$ 32.42*

Waleeco Black Vinyl Edition

Release: 2026 / JP – Original

Genre: Rock & Indie

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Rock / Garage / Punk

________________________________________

Vinyl

________________________________________

■ronnie Yoshiko Fujiyama & Cheetah Beat - VOL.1: Boy&Girl / Sabaku (7")

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Flat Earth Society

LP | 1968 | EU | Reissue (Guerssen)

LP | 1973 | Reissue (Yonca Müzik)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Legendary late-'60s teen garage-psych album from Boston. Originally created after a young group from Lynn, Massachusetts was commissioned to record an album and advertising jingle for a local candy company, Waleeco was originally offered as a mail-order premium. This reissue is sourced from the surviving original ¼-inch master tapes and restores the stereo separation compromised on the original 1968 pressing. Musically, the album combines folk, classical, rock and West Coast psychedelia with fuzzy guitar, introspective songwriting and adventurous keyboard arrangements. Presented with the original artwork in a hard-cardboard sleeve and a four-panel insert featuring liner notes and photographs.

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Mazar Ve Fuat

Türküz Türkü Cagiririz

LP | 2026 | EU | Original (Bright Carvings)

Release: 1973 / Reissue

Genre: Rock & Indie

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The LP “Türküz Türkü Çağırırız!” by Mazhar ve Fuat was released on Yonca Müzik in 1973 and stands as one of the early examples of Turkish folk melodies being fused with Western guitar sounds and psychedelic arrangements.

The album documents Mazhar Alanson and Fuat Güner during a period preceding their later work with MFÖ. The tracks explicitly draw on the tradition of Turkish folk poetry, including a setting of a poem by Aşık Veysel and an adaptation of Yunus Emre, while combining acoustic guitars, organ textures, and occasional electric-guitar accents into a folk-infused rock sound. Production and arrangement contributions from figures such as Zafer Dilek also shape the album’s sonic character, which incorporates country and folk-rock influences alongside the English-language track “Upside Down,” broadening its stylistic scope. The record was rediscovered and reissued as a pioneering document of Anatolian psychedelia; early reissue projects emphasize physical editions on heavyweight vinyl as well as accompanying texts. Particularly noteworthy is the later impact of several individual tracks: “Adımız Miskindir Bizim” was sampled in productions such as Action Bronson’s “Easy Rider,” while “Sür Efem Atını” was also used by producers in a sampling context.

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Pink Cheeks

A$ 68.10*

Release: 2026 / EU – Original

Genre: Rock & Indie

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Previously unreleased 1969 heavy psychedelic and early progressive rock rescued from the only known copy of a Shield Studios acetate. Side one delivers three guitar-driven psychedelic tracks backed by Hammond, bass and powerful drums, while side two moves through a garage-progressive interpretation of “Jerusalem” and a blues-tinged guitar epic. References include Open Mind, Harsh Reality, Pink Fairies and Human Beast. Limited to 227 copies with laminated sleeve and two inserts.

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LP | 2011 | US | Reissue (Many Hats Dist)

La Dispute

Wildlife

3LP | 1975 | Reissue (Polydor)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The "Wildlife" LP by La Dispute is released by Many Hats Dist and presents the band’s second studio album in a durable vinyl pressing. The record offers 14 tracks and runs for nearly an hour, with the structure of the songs leaving room for extended narrative passages and dense musical build-ups.

Musically, La Dispute weave their post-hardcore roots together with literary-influenced lyrics and a theatrical yet direct vocal delivery; Jordan Dreyer’s voice often functions more as a spoken recitation than as a conventional carrier of choruses. The arrangements shift between driving guitars, precise drum patterns, and restrained, atmospheric passages, giving the record both narrative tension and emotional impact.

The recordings took place in multiple studios and were largely overseen by the band itself; the engineering teams around Andrew Everding and Joe Pedulla were responsible for capturing the raw, unvarnished sound. Characteristic of the recording process was the focused approach to the vocals and the deliberate avoidance of artificial reverb coloration in order to preserve the immediacy of the performance. These production choices emphasize the narrative density and sonic clarity of this defining album.

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The Who

The Who By Numbers

A$ 120.00*

LP | 1974 | US | Reissue (Rhino)

Release: 1975 / Reissue

Genre: Rock & Indie

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This sophisticated 3-LP set includes the original album, newly remastered and expanded with “Who Put The Boot In” – a classic live recording captured in 1976 at Vetch Field in Swansea. The set is pressed on heavyweight vinyl and comes with a booklet featuring rare photos and memorabilia from that era.

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Doug Sahm

Groover's Paradise

Release: 1974 / US – Reissue

Genre: Rock & Indie

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The “Groover's Paradise” LP by Doug Sahm is released on Rhino and brings together a collection of tracks that showcase Sahm’s blend of Texas rock, country, R&B, and Tex-Mex. The recording dates from the period of his early‑1970s work and features musical contributions from Doug Clifford as producer and drummer, as well as Stu Cook on bass and guitar; Link Davis Jr. stands out on the album for his turns on fiddle, saxophones, and keyboards.

Musically, “Groover's Paradise” ranges from laid‑back grooves like “Just Groove Me” through the reflective ballad “Beautiful Texas Sunshine” to the instrumental Tex‑Mex tune “La Cacahuata,” the only song not written by Sahm. The arrangements draw on a warm brass foundation, selective steel and Dobro shadings, and perfectly attuned harmony vocals that give the songs clear contours without overwhelming the unforced character of the performances. With the longer closing piece “Catch Me in the Morning,” the LP offers a winding‑down moment that distills the atmosphere of the entire album and clearly brings out Doug Sahm’s distinctive way of connecting different strands of American music.

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Jon Savage's 1976 Something Was Going To Happen

LP | 2026 | UK | Original (Ace)

They're Only Chasing Safety

Release: 2026 / UK – Original

Genre: Rock & Indie

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A vinyl-only double album documenting Jon Savage's personal view of 1976, the year in which punk finally broke through. The selection moves from Roxy Music, Burning Spear and Max Romeo through outsider funk, reggae and disco to Ramones, The Runaways, Blondie, The Saints, The Damned, Pere Ubu and Buzzcocks. The compilation follows roughly chronological UK single release dates and deliberately reaches beyond a straightforward pre-punk narrative, mixing punk's emerging energy with reggae, funk, disco and mainstream records that defined Savage's experience of the year. Fold-out cover artwork by Philip Diggle.

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Underoath

LP | 2024 | US | Reissue (Many Hats Dist)

LP | 2026 | EU | Original (Stroom)

Release: 2024 / US – Reissue

Genre: Rock & Indie

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The “They’re Just Chasing Safety” LP by Underoath is released on Many Hats Dist and brings the band’s fourth studio album, originally issued in 2004, back in a special anniversary edition. With this release, Many Hats Dist presents the distinctive set of songs in full length and opts for elaborate packaging that lends the reissue additional value for collectors. The production of the record remains true to the original sound and emphasizes the interplay between clear melodies and aggressive vocal passages.

Musically, “They’re Just Chasing Safety” documents the phase in which Underoath began to structure their style in a more accessible way: Spencer Chamberlain delivers the raw shouts, while Aaron Gillespie contributes striking clean vocal parts, shaping the contrast that carries the album. Producer James Paul Wisner was responsible for the compact overall sound; J. R. McNeely handled mixing, Troy Glessner did the mastering, and on track 10 Aaron Marsh adds vocal accents. Songs like “A Boy Brushed Red Living in Black and White,” “Reinventing Your Exit,” and “It’s Dangerous Business Walking Out Your Front Door” are exemplary of the melodically sophisticated arrangements and dynamic rhythmic work. The Many Hats Dist LP thus offers a carefully reworked version of a defining chapter in the band’s history and makes “They’re Just Chasing Safety” accessible to vinyl listeners once again.

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Basma & Temir Alcy - Nad

Nad

LP | 2026 | US | Original (Artist Theory)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “Nad” LP by Basma and Temir Alcy is released on Stroom and, within a classic rock idiom, unfolds a precise, emotionally rendered exploration of loss and the slow return to life. The album doesn’t seek quick consolation, but instead traces subtle transitions between pain and gentle processing.

On “Nad,” Basma and Temir Alcy guide listeners through a sequence of vulnerable scenes: the fragile moments after the death of a beloved friend, the attempt to stitch a broken love back together, and the sudden shock that seems to drain the inside. Fear pulses, the body carries memories that are too heavy, yet little by little the darkness loosens. Breath returns, help appears in unexpected places, and memories surface in a hypnotic whisper that points the way back to softness and hope. This is no report of instant healing, but rather a tender awakening: the past is worked through, the self is reclaimed, and loving learns a different form. The release on Stroom leaves room for silence and concentrated moments; melancholy and emerging confidence alternate.

With “Nad,” Basma and Temir Alcy create space for resonance and hope; the pieces unfold gently and leave lasting impressions. Intimate and at the same time universally resonant, the album feels fragile and alive.

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Nieve Ella

How Long Will It Take

A$ 47.02*

Aviador Dro Y Sus Obreros Especializados

Release: 2026 / US – Original

Genre: Rock & Indie

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The “How Long Will It Take” LP by Nieve Ella is being released on Artist Theory and marks the long-awaited debut album by the singer-songwriter. Announced as an eleven-track work, the LP is coming as a physical release via Artist Theory and compiles previously released singles like “Drive” and “Bite Back” together with new material. The album is scheduled for release on October 16, 2026.

Songwriting and production were developed in close collaboration with Jamie Rendle; many tracks were co-written with bandmate Finn Marlow. The songs range from concise, melodic pieces to dense arrangements that focus on personal lyrics about growing up, identity, and relationship dynamics. “Standing On A Pane Of Glass” was released as an advance track and highlights the combination of immediate hooks and carefully layered guitar textures.

On the LP, Nieve Ella relies on striking melodies, a clear vocal line, and carefully placed guitar parts that recall the guitar aesthetics of the 1990s without falling back on conventional templates. Jamie Rendle’s production emphasizes dynamics and intimacy, keeping Nieve Ella’s voice consistently at the center. With “How Long Will It Take,” Nieve Ella delivers a cohesive debut that makes the multilayered nature of her songs audible on Artist Theory.

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La Chica De Plexiglas / La Vision

12" | 1983 | EU | Reissue (Munster)

A$ 40.53*

At The Sign Of The Swinging Cymbal / Just Like That

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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This release brings together the first two singles by Aviador Dro y Sus Obreros Especializados plus two lost 1980 tracks that were never issued as singles. Presented as on the original 1983 mini-LP with the original artwork from both singles. Futuristic electronic music with a punk attitude, combining elements reminiscent of Kraftwerk, Devo and The Residents. Out of print since 1985 and now reissued in collaboration with Discos Banana.

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Brass Incorporated

7" | 2026 | UK | Original (Kent)

A$ 19.45*

LP | 2026 | Original (Not On Label)

Release: 2026 / UK – Original

Genre: Rock & Indie

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Two Barbara Moore recordings previously featured on Ace's Bedazzled: The Barbara Moore TV, Film & Studio Work 1965-81. 'At The Sign Of The Swinging Cymbal' is Moore's famous 1970 recording of the theme associated with BBC radio's Pick Of The Pops.

The flip, 'Just Like That', was written by Moore as the theme for Terry Wogan's BBC radio show and remained associated with his broadcasts for decades.

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Sean Being

Thank Goodness

LP | 1976 | US | Reissue (Rhino)

Release: 2026 / Original

Genre: Rock & Indie

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The “Thank Goodness” LP by Sean Being is a self-released record and comes with an insert. On the album, Sean Being unfolds a deliberately stripped-down, overdubbed “chamber band” setup of bass guitar, viola, piano, harpsichord, voice, and drums, developed between London and Ireland in the years 2023–26. These precisely chosen combinations of instruments give the “Thank Goodness” LP a chamber music framework that leaves room for subtle textures and dynamic nuances.

Long active at the sharper edges of the Irish music scene and initiator of the band Princ€ss, Sean Being brings to “Thank Goodness” the experience of a wide range of collaborations; connections to projects with Maria Somerville, Spellcaster, Nashpaints, Florian TM Zeizig, Jennifer Moore, Olan Monk, and others can be felt. Alongside conventional playing techniques, the album also incorporates unusual influences from Gregorian chant and sonic experiments such as car horn performances. This variety makes the “Thank Goodness” LP a personal statement in which compositional restraint and carefully crafted arrangements converge, clearly expressing Sean Being’s work as a producer and multi-instrumentalist.

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Alice Cooper

Goes To Hell

Tales Of Mystery And Imagination Edgar Allan Poe 50th Anniversary Edition Deluxe Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie

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The "Goes To Hell" LP by Alize Cooper is released on Rhino and presents itself as a focused classic rock release that places songwriting and studio work clearly at the center. The album features standout pieces such as "Go to Hell" and the ballad-style single "I Never Cry," which stand out through distinctive arrangements and clear, transparent song-structure decisions. Rhino puts particular emphasis on the musical presentation: vocals, guitar parts, and arranging keyboard passages are each clearly brought to the foreground.

Production is handled by Bob Ezrin; together with co-writer Dick Wagner, he shapes the compositional through-line that runs across the individual tracks. The LP structure allows for both rock-driven tracks with driving riffs and quieter moments with melodic focus and lyrics that create emotional space. Rhino stages the release in a technically restrained way, while the record’s track list, alongside the songs already mentioned, includes additional compositions that hold the concept together. The "Goes To Hell" LP by Alize Cooper is thus a streamlined edition that clearly puts the producer and co-writers in the spotlight and emphasizes the song-oriented quality of the release.

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The Alan Parsons Project

3LP | 2026 | UK | Original (Cooking Vinyl)

A$ 186.49*

Caspian Indie Exclusive Colored Vinyl Edition

Release: 2026 / UK – Original

Genre: Rock & Indie

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The picture disc edition of *Tales Of Mystery And Imagination Edgar Allan Poe* celebrates the 50th anniversary of The Alan Parsons Project’s debut album and is released on Cooking Vinyl. Originally released in June 1976, the album combines Edgar Allan Poe’s horror stories and poems with elaborately arranged classic rock. This reissue was remastered by Miles Showell at Abbey Road Studios and includes a 12" × 12" insert featuring the original artwork from the inner gatefold sleeve.

Alan Parsons and Eric Woolfson developed *Tales Of Mystery And Imagination Edgar Allan Poe* as a literary-inspired concept album. The vocalists involved include Arthur Brown on “The Tell-Tale Heart,” John Miles on “The Cask Of Amontillado” and “(The System Of) Doctor Tarr And Professor Fether,” and Terry Sylvester of The Hollies on “To One In Paradise.” The complete lineups of Ambrosia and Pilot also contributed to the recordings, along with Francis Monkman of Curved Air and Sky.

With nearly one million copies sold, the album achieved international success and attained platinum status in Germany and Canada, among other countries. This anniversary edition presents this early landmark of The Alan Parsons Project as a strictly limited-edition picture disc, once again highlighting the combination of literary subject matter, studio craftsmanship and melodically intricate rock.

★ Containing The Million Selling Critically Acclaimed 1976 Debut Album
★ The 1987 Remix Album
★ 34 bonus tracks (including 12 previously unreleased) featuring
early rough mixes, demo & alternative takes
★ Mastered by Miles Showell at Abbey Road Studios
★ 60 Page Deluxe Book: Featuring full lyrics, bonus track commentary,
and interviews with Alan Parsons, Sally Woolfson, musicians and
contributors to the album

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Caspian

LP | 2026 | US | Original (Wax Bodega)

45 Volume 1 200g Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Caspian” LP by Caspian is being released on Wax Bodega and marks the band’s first album in six years as well as their debut for the US label. The release contains six tracks with a running time of around 39 minutes; the album is scheduled for release on October 16, 2026, and will be available for pre-order through the label’s distribution. Wax Bodega is positioning the record as a key new title in its fall program and is accompanying the announcement with information on individual song excerpts and the available formats.

Musically, “Caspian” builds on the richly textured, dynamic gestures that have defined the collective: wide melodic arcs, dense guitar layers, and dramatic crescendos that unfold through patient arrangements. Standouts include the expansive, nine-minute composition “Remain,” with its slowly mounting tension, as well as the driving “No One Left to Tell” and the powerful “A Great Fire,” which exemplify the balance between atmosphere and impact. From a production standpoint, the album is closely tied to the band itself; the production emphasizes spatial depth and textural detail without sacrificing structural clarity. For fans of the band, the “Caspian” LP offers a focused yet forward-looking perspective on Caspian’s work and adds a prominently placed release to the Wax Bodega catalog.

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XTC

LP | 2026 | UK | Original (Panegyric)

LP | 1970 | US | Reissue (Rhino)

Release: 2026 / UK – Original

Genre: Rock & Indie

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The “45 Volume 1” LP by XTC is being released on Panegyric as a 200 g vinyl edition and brings together the band’s A-sides from 1977 to 1980. With this compilation, Panegyric is issuing a selection of the early singles on vinyl for the first time since the early 1980s; the collection documents the band’s evolution from raw energy to refined, melodic songcraft. The physical presentation as 200 g vinyl underscores the release’s collector appeal, which is sourced from the original single audio tracks.

Musically, “45 Volume 1” offers a compact chronicle of key stand-alone singles, including “Science Friction,” “Making Plans for Nigel,” and the U.S. A-side version of “Ten Feet Tall,” complemented by the rare soundtrack recording “Take This Town.” For this edition, the singles were transferred from the original master tapes; the transfers were made at high sampling rates, and the final cuts were done by Jason Mitchell at Loud Mastering. This approach puts the emphasis on versions of the tracks that are as direct as possible, derived from the single masters, which, presented here in chronological order, clearly trace the development of Andy Partridge and Colin Moulding as songwriters. Panegyric is positioning the LP as the first part of a multi-volume collection of XTC’s early single releases.

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Todd Rundgren

Runt

Live At The Fillmore East In NYC June 28 1971 Yellow Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The “Runt” LP by Todd Rundgren is being released on Rhino as part of the Rhino Reserve/Rocktober program; this reissue brings Rundgren’s 1970 debut album back to vinyl and puts the songwriter’s early song ideas front and center. On the album, Rundgren appears as vocalist, multi-instrumentalist, and producer, already applying the production approaches that would later define his career. The edition follows the single-LP concept Rhino announced for the series and offers a focused presentation of material that seeks a balance between straight-ahead rock and sophisticated arrangements.

Musically, “Runt” includes the pop single hit “We Gotta Get You a Woman” as well as tracks like “Believe In Me” and the multi-part suite “Baby, Let’s Swing/The Last Thing You Said/Don’t Tie My Hands,” which is often cited as a central moment of the album. The production emphasizes clear melodies and experimental studio effects, with Rundgren’s voice and layered instrumentation shaping the songs. Rhino’s edition of the “Runt” LP is aimed at listeners who want to trace Rundgren’s early songcraft and condenses this early chapter of his work into a compact, editorially curated release.

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Mountain

2LP | 2026 | EU | Original (Renaissance)

A$ 63.23*

LP | 1971 | EU | Reissue (Munster)

Release: 2026 / EU – Original

Genre: Rock & Indie

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With the LP "Live At The Fillmore East In NYC June 28 1971," released on Renaissance, Mountain presents the next level of its creativity while, for the most part, staying true to its style. The band is a defining force of late‑sixties/early‑seventies hard rock, fusing blues roots with a massive guitar sound and raw directness; characteristic elements include powerful riffs, a full, wide vibrato, and melodic vocal lines.

Leslie West’s distinctive lead guitar and gritty vocals take center stage, while Felix Pappalardi, not only as bassist but also as producer, shaped the band’s overall sound; his feel for arrangements left its mark on numerous studio and live recordings.

The group’s live performances were known for extended improvisations and dense, organically evolving pieces that were documented especially on live albums and album sides; for instance, the live side of the album "Flowers of Evil" comes from recordings made at the Fillmore East in 1971.

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Pau Riba

Jo, La Donya I El Gripau

LP | 1992 | US | Reissue (Rhino)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Munster reissues Pau Riba's Jo, La Donya I El Gripau, originally released in 1971. Conceived during a period of hippie living in Formentera, the psychedelic folk album is considered one of the first home-recorded albums released in Spain. Includes an insert with liner notes and photographs.

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Mudhoney

Piece Of Cake

LP | 1972 | US | Reissue (Antarctica Starts Here)

Release: 1992 / US – Reissue

Genre: Rock & Indie

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The “Piece Of Cake” LP by Mudhoney is being released on Rhino in a remastered, expanded edition that presents the album sequence across 17 tracks. The release brings together well-known cuts such as “No End in Sight,” “Make It Now,” and the single “Suck You Dry,” and offers the concise running time of the original version, supplemented by remastered versions of the individual tracks.

The recordings were overseen by Conrad Uno; the production relies on direct, stripped-down arrangements and preserves the band’s gritty core character. Musically, the album works with lean, powerful riffs, targeted bursts of noise elements, and prominent lead lines, with the wah-wah-laden guitar in “Make It Now” standing out as a striking detail. Even upon its initial release, the record drew attention for its blend of aggressive energy and compact song forms, a balance that is preserved in this remastered edition.

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Willis Alan Ramsey

A$ 40.53*

LP | 2026 | ZA | Original (Zambia Music Parlour)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Singer-songwriter Willis Alan Ramsey was 20 years old when he became the third signing to Leon Russell and Denny Cordell's Shelter Records – after Russell himself and the legendary J.J. Cale. The result was Ramsey's 1972 eponymous debut, a masterpiece of laid-back Texas country-rock, blues-inflected folk and outlaw ballads.

As a child, Ramsey was an obsessive radio listener – from Elvis and the Beatles to Delta blues, country and even classical music. By middle school, he had formed his first garage band and started writing songs. After a brief stint at the University of Texas, he took to the burgeoning coffeehouse circuit where he toured alongside folks like Townes Van Zandt, Jerry Jeff Walker and Keith Sykes. It was during these shows that Ramsey developed much of the material for his LP, a diverse yet coherent mix that revealed his varied influences.

Recorded in Memphis, Nashville and at Russell's home studio in the Hollywood Hills, the album features some of the era's greatest session musicians: Eddie Hinton on guitar, Red Rhodes on pedal steel and the rhythm section of Leland Sklar and Jim Keltner. A true songwriter's songwriter album, its tunes have been covered by Waylon Jennings ("Satin Sheets"), Jimmy Buffett ("The Ballad of Spider John") and, most famously, Captain & Tennille ("Muskrat Love"), but no cover can beat the originals from the wise-beyond-his-years Ramsey.

Though Willis Alan Ramsey has continued to perform regularly and write new songs, a second album is yet to be released. For years, whenever someone asked about it, Ramsey was known to answer "What's wrong with the first one?" The answer is, of course, absolutely nothing. In fact, it's perfect.

This first-time vinyl reissue reproduces the original lyric sheet. Includes new interview with Ramsey and liner notes by author Richie Unterberger.

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Blackfoot

Youth Power

Pure Ecstasy Indie Exclusive Vinyl Edition

Release: 2026 / ZA – Original

Genre: Rock & Indie

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The "Youth Power" LP by Blackfoot is released on Zambia Music Parlour and documents the band's debut, which originally appeared in 1975 under the title "Youth Power" and was later reissued as "Millie." The record brings together tight, catchy songs that channel the sound of the 1970s Copperbelt scene into a raw yet melodic form.

Musically, the production moves within a spectrum between garage rock and the regionally typical Zamrock: driving guitar riffs, distinctive organ and guitar solos, and English‑language vocal lines alternate with influences of local rhythms and melodic twists. Tracks such as "Millie," "Groovy Bone," and "Inongo Ya Tobeka" showcase the range between danceable grooves and gritty, riff‑driven energy. This blend defines the record's distinctive character and places Blackfoot among the key bands of the Ndola scene.

The credits list Bonnie Ottiman Mpondzi (lead guitar & vocals), Alfred Gear Yabe (rhythm guitar), Garry Musopa (bass), and George Kabale (drums); Andre Abrahamse contributes keyboards. The recordings took place at dB Studios in Lusaka; the producers are Andre Abrahamse and Billie David Nyati. The more recent reissue was prepared and mastered for this edition, with tape transfer and mastering handled by Warrick Sony.

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Beartooth

LP | 2026 | US | Original (Fearless)

Insurgentes Clear Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Pure Ecstasy by Beartooth, released 28 August 2026.

This version of Pure Ecstasy comes as a 1xLP.

The vinyl is pressed as a to be confirmed disc.

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Steven Wilson

2LP | 2008 | EU | Reissue (Transmission)

LP | 2026 | EU | Original (Excelsior)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Triggerfinger

What Grabs Ya?

A$ 48.64*

Yessonata Vinyl Edition Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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What Grabs Ya? by Triggerfinger, released 13 February 2026, includes the following tracks: "Soon", "Scream", "All My Floating", "Lines" and more. This version of What Grabs Ya? comes as a 1xLP. The vinyl is pressed as a eco-mix, to be confirmed disc.

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Rick Wakeman

LP | 2024 | UK | Original (Fragile)

LP | 2026 | US | Original (Smartpunk)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Against The Current

Fever

Frank Zappa / The Mothers Of Invention

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Fever” LP by Against The Current is being released on Smartpunk and brings the 2021 release “fever” to vinyl for the first time. The release documents the EP with its seven songs, including the singles “that won’t save us” and “weapon”; the compact sequence of tracks remains in its original order, now available on LP for an analog listening experience.

Musically, “Fever” preserves the band’s direct, song-oriented approach: concise melodies meet densely layered arrangements, and individual tracks bear the distinctive touch of producer Matt Squire. The record features both driving moments and quieter passages and includes “again&again,” a collaboration that clearly stands out in the track listing. The Smartpunk edition is offered as a vinyl reissue and is aimed at collectors who want to experience the material on LP.

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Freak Out! 60th Anniversary Limited Super Deluxe 5 Box

Box | 2026 | Original (Universal)

A$ 209.20*

Release: 2026 / Original

Genre: Rock & Indie

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The “Freak Out! 60th Anniversary Limited Super Deluxe 5 Box” by Frank Zappa and The Mothers Of Invention is being released as an elaborately designed 5LP box set and marks the 60th anniversary of the groundbreaking debut album “Freak Out!”. Universal is issuing this special edition in close coordination with the Zappa archive; the set focuses on the 1966 production period and presents the original recordings in newly reworked form alongside additional archival documents. The “Freak Out! 60th Anniversary” Super Deluxe 5LP box is conceived as a curated edition for collectors who want to experience the album anew in expanded audio versions and in conjunction with historical supporting documentation.

Musically, the release highlights the multifaceted nature of Zappa’s early work: in addition to the classic album material, the edition is expanded with rare studio and live recordings from 1966 that offer insight into the early lineup of The Mothers Of Invention. The scope of the box also includes editorial texts, some previously unpublished photos, and inserts that explain the context of the recordings and thoroughly document the “Freak Out!” chapter within Zappa’s body of work. Universal and the Zappa estate emphasize the archival character of the edition and the care taken in selecting and mastering the included materials.

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2LP | 2026 | US | Original (Aloha Got Soul)

Music For The Airport

LP | 2026 | US | Original (Many Hats Dist)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Music For The Airport” gatefold double LP compilation is released on Aloha Got Soul and brings together 17 original recordings by artists from Hawai‘i, assembled as a direct response to the AI-generated pieces that have been played at Daniel K. Inouye International Airport since November 2025.

Drawing on recordings from the period 1984 to 2017, it spans, style-wise, a range from soul through Hawaiian and jazz to rock and R&B. The selection emphasizes craft-driven songs from the so-called CD era, which Aloha Got Soul presents as an authentic counterpoint to machine-made muzak. The release comes as a gatefold double LP and includes liner notes.

Conceptually, the compilation refers directly to Brian Eno’s question about appropriate music for airports and positions itself as a cultural response: instead of anonymously generated soundscapes, it foregrounds human voices, regional identity, and fair compensation for artists. The project emerged quickly from the label’s catalog of records, yet remained thematically deeply rooted in the relationships with the participating artists.

As a release by the Honolulu-based label, this compilation marks a moment of defending local culture and of heightened awareness of the economic impact of AI in the field of music. It invites listeners to once again experience the sound of Hawai‘i as something made audible by human hands.

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Barbarians Of California

Megatons

LP | 1973 | EU | Reissue (Life Goes On)

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Megatons" LP by Barbarians Of California is being released on Many Hats Dist and brings together twelve compact tracks that transfer the band’s raw, direct impulse straight onto vinyl. The arrangements are short and concise, shifting between driving staccato riffs and deliberate tempo changes, allowing the medium to underline the songs’ unvarnished character.

Barbarians Of California emerged from the collaboration of seasoned musicians; the initial impetus came from, among others, Aaron Bruno and longtime engineer Eric Stenman, giving the band both punk roots and deep studio experience. With "Megatons," they continue the trajectory of their debut release and solidify a sound that combines classic hardcore elements with contemporary bite.

Musically, the album moves within a spectrum from hardcore to metallic post-hardcore: angular guitars, distinctive breaks, and a vocal delivery that oscillates between concentrated rage and an ironic undertone. Singles like "The Gnarlycore Class" offer early points of reference; the album is also shot through with collaborations and new song ideas that give the material additional definition. Taken as a whole, "Megatons" presents a focused contribution to the current hardcore scene that clearly brings out the band’s distinctive character.

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Friedhof

A$ 30.80*

7" | 2026 | EU | Original (Stroom)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Friedhof was a German band from the early 1970s that released a single self-titled album and then faded into oblivion. The album is a collection of totally insane jam sessions. The classic power trio had no vocals, and while retaining certain extreme krau

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Lazaar Vanderschrick

Salut

A$ 25.93*

Richard Barone & Glenn Mercer

Release: 2026 / EU – Original

Genre: Rock & Indie

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Lazaar Vanderschrick’s “Salut” 7-inch, released by Stroom, delivers a concise statement across two compact tracks. The A- and B-sides feature the titles “Faux Masques” and “Mauvaise Foi,” which combine dense arrangements and clear melodic lines within their brief running times without getting lost in superfluous ornamentation. Released by Stroom, the 7-inch relies on direct song structures and pared-back yet effective production that places Lazaar Vanderschrick’s voice and compositional direction at the center.

Behind the pseudonym is Victor De Roo, who returns to Stroom for “Salut” and presents the release as part of a larger artistic project: “Mauvaise foi (Feat. Iwza)” also serves as the single accompanying his literary debut, “Heil.” De Roo’s versatility as a producer, DJ, performer, and author is reflected in the track selection and the release’s theatrical density, which explores both narrative and musical tensions. The connection between the song and its accompanying writing project gives the “Salut” 7-inch an additional dimensional layer, further sharpening interest in Lazaar Vanderschrick as both a storyteller and a musician.

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Hazy Cosmic Jive

LP | 2026 | US | Original (Pine Hill)

A$ 77.83*

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Hazy Cosmic Jive” LP by Richard Barone and Glenn Mercer was released on Pine Hill and presents ten newly recorded takes on classic glam rock tracks. The record combines studio recordings on side A with live cuts on side B, revealing the band’s atmosphere and joy of playing in clear, immediate-sounding takes.

The selection ranges from David Bowie numbers through T. Rex and Brian Eno to Roxy Music, Lou Reed, and Iggy Pop; with striking versions of “Diamond Dogs,” “Jeepster,” and a stripped-down version of “Raw Power,” the project shows how concise song ideas can be translated into a fresh, band-oriented arrangement. Richard Barone and Glenn Mercer deliberately put their vocals and guitar work front and center while retaining the rhythmic energy of the originals.

Glenn Mercer is credited as producer for the recordings, with Richard Barone serving as co-producer; they were recorded at Boat Studios in North Haledon, while the live tracks come from City Winery in New York. The two are accompanied by Dave Weckerman on drums and Bob Torsello on bass; mastering was handled by Steve Addabbo. The Pine Hill release was issued in a limited edition of 250 copies.

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First Tribute To Black Sabbath

Iron Claw

LP | 2026 | EU | Original (Yunque)

A$ 95.67*

Chemical Dependency Black Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "First Tribute To Black Sabbath" LP by Iron Claw is released on Yunque and presents the band with a clearly defined concept: the record consists exclusively of Black Sabbath covers, putting an early phase of the Scottish group front and center. The "First Tribute To Black Sabbath" LP shows Iron Claw in direct engagement with the material that grew out of the band’s early live sets, translating the concentrated weight of the originals into a raw, intimate recording aesthetic.

Musically, the release documents the band’s passion for Black Sabbath’s early songs and channels that energy into dense guitar riffs, powerful interplay, and unvarnished vocals; the arrangements highlight the proto-metal roots as Iron Claw were already performing them live in the 1970s. The LP format released on Yunque provides space for the complete sequence of cover tracks, turning it into a focused homage to the origins of heavy rock.

For collectors and listeners interested in the origins of heavy rock, the "First Tribute To Black Sabbath" LP by Iron Claw on Yunque provides a documentary-like testament to that early engagement with Sabbath material and adds a remarkable chapter to the published Iron Claw discography.

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Atrophy

LP | 2026 | GR | Original (Floga)

Life'll Kill Ya Clear Vinyl Edition

Release: 2026 / GR – Original

Genre: Rock & Indie

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The "Chemical Dependency" LP by Atrophy is released on Floga and documents the vinyl edition of the 1987 demo of the same name, which had previously circulated only on cassette. This release captures the raw energy of the early recordings on LP and brings the six tracks together in a compact collection, presented as they were originally recorded.

Musically, Atrophy clearly operates in the realm of thrash metal: jittery riffs, driving drum patterns, and aggressive vocals define the tracks, while memorable song ideas and occasional tempo changes also come into play. Titles such as "Chemical Dependency," "Preacher, Preacher," and "Beer Bong" showcase the demo's range, from sharp neck‑breakers to focused mid‑tempo passages; the songs remain tight and direct thanks to their short, to‑the‑point structures.

Atrophy hails from Tucson, Arizona and formed in the mid‑1980s; the material was recorded in 1987 and self‑produced, with engineering by Steve English at The Sound Factory in Hollywood. The early demos laid the groundwork for the later record deal and studio albums, but already reveal the band's characteristic blend of technically precise guitar work and an unvarnished thematic approach.

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Warren Zevon

LP | 2000 | US | Reissue (Friday Rights Management, Llc)

A$ 64.86*

LP | 2026 | US | Original (Partisan)

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Life'll Kill Ya by Warren Zevon, released 7 August 2026.

This version of Life'll Kill Ya comes as a 1xLP.

The vinyl is pressed as a to be confirmed disc.

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Lip Critic

Theft World

LP | 2026 | EU | Original (Ad 93)

Release: 2026 / US – Original

Genre: Rock & Indie

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Lip Critic's 2024 Partisan debut Hex Dealer was one of the most-hyped experimental releases of that year (''Like the B-52s on ketamine'' -Paste) and signaled the Brooklyn band's arrival as a borderline-batshit creative force. Theft World is their next chapter, built again from the chaos of two drummers locked in psychic combat, a sampler that sounds like it was struck by lightning, and frontman Bret Kaser's paranoid preacher energy. But where Hex Dealer leapt from one absurdist vignette to the next, Theft World plays like a fully locked-in transmission. Themes orbit around the concept of theft, not just as a political force or digital dilemma, but as a surreal, emotional constant. Club rhythms and hardcore breakdowns pull as much from Tyler the Creator's 'Igor' and Korn as they do Skrillex and Soul Coughing, coming together to soundtrack a world that's constantly being striped apart and resold.

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Superfan

My Piledriver Heart

LP | 2023 | US | Reissue (Invogue)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “My Piledriver Heart” LP by Superfan is being released on AD 93 and documents Kali Priya Flanagan’s evolution as a songwriter and producer. Superfan serves as the compositional veil of Flanagan, a Brooklyn-based multi-instrumentalist whose work is presented here for the first time outside the record deal he signed already in his teens. The record marks both a personal and ambitious step away from the debut “Tow Truck Jesus” toward a more open sonic vision.

At the core of “My Piledriver Heart” is Flanagan’s self-developed “Acousticello” concept: a low-tuned acoustic guitar meets elaborated cello arrangements by Omeed Almassi and experimental, Eastern-influenced melodies, produced and largely recorded live with Hudson Pollock. The productions balance chamber music intimacy with pop-rock immediacy and revolve around heartbreak, self-determination, and a hopeful melancholy that Flanagan describes as weighing “being (myself) versus becoming myself.”

Musically, the release is heralded by previously issued singles such as “Apeiron (Fantasy Football),” “Miss W Jones,” and “Picture of Return.” Flanagan’s range also shows in live contexts: following the debut, he opened for The Strokes at Red Rocks, is deeply rooted in the New York DIY scene, and is active in the up-and-coming emo band Holidays in United States. The “My Piledriver Heart” LP on AD 93 brings these developments together into a clear, forward-looking album.

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Catch Your Breath

Shame On Me

A$ 48.64*

It's A Beautiful Day Yellow Vinyl Edition

Release: 2023 / US – Reissue

Genre: Rock & Indie

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The “Shame On Me” LP by Catch Your Breath is released on Invogue and presents the U.S. band’s debut album, which came out on October 20, 2023. The record includes 13 songs and runs for about 42 minutes; with tracks such as “No Evil,” “Dying on the Inside,” and “Dial Tone,” it leads up to a closing track, the title song “Shame On Me.” Most tracks fall in the three- to four-minute range, giving the album a compact, to-the-point flow.

The production involved, among others, Curt Martin as well as individual producers such as Chris Linck and Josh Landry, resulting in different production emphases across the album. Musically, Catch Your Breath relies on powerful guitar arrangements, punchy choruses, and clear vocal lines that move between rougher, riff-driven moments and more melodic passages. The production highlights both the rhythm section and vocal accents, keeping the songs dynamic and bringing their catchy structures to the fore. With “Shame On Me,” Invogue presents a focused full-length that offers a solid snapshot of the band’s current work and effectively showcases the individual character of each song.

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It's A Beautiful Day

LP | 1969 | EU | Reissue (Renaissance)

A$ 64.86*

Sky Blue, Black, Turquoise Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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The Yellow Colored Vinyl edition of the “It’s a Beautiful Day” LP by It’s A Beautiful Day was released by Renaissance and comes in a gatefold cover. This colored edition presents the band’s 1969 debut in a visually striking format while preserving the original album format on vinyl, with the gatefold cover revisiting the visual language of the original.

Released in 1969, the album introduced the San Francisco band’s distinctive blend of psychedelic rock, folk, and classical influences. Led by David LaFlamme, his violin playing and vocals shape the arrangements; ethereal melodies meet bold orchestral passages, as exemplified by the tracks “White Bird,” “Bombay Calling,” and “Time Is.” A lasting FM radio favorite, the record reached No. 47 on the Billboard 200, remained on the charts for 70 weeks, and was later certified Gold. The Renaissance edition presents this influential debut recording in a colored LP format, bringing both its characteristic melodies and the production’s instrumental nuances to the forefront.

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Sky

LP | 1979 | EU | Reissue (Renaissance)