Classic Rock 4896 Items

Release: 2019 / EU

Genre: Hip Hop, Rock & Indie

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The "Black Gold Black & Gold Vinyl Edition (New Edition)" LP by Wu-Tang Clan vs. Jimi Hendrix brings together two seemingly opposing sonic worlds in a continuous remix project: distinctive rap vocals and rhythmic phrases from the Wu-Tang universe meet the expressive guitar lines and psychedelic colors of the Hendrix repertoire. The combination is realized not as a mere collage, but as an arrangement-driven reweaving that fuses vocal and instrumental parts into new song structures.

Musically, the project is characterized by contrast: the raw, text-centered directness of the Wu-Tang performances provides the basis for loop-based beats and targeted breaks, while Hendrix’s guitar textures lend the material organic breadth and harmonic fragility. This combination highlights the interplay between lyrics and tone color and shifts familiar phrases into unfamiliar atmospheric contexts.

As a release, the material takes shape as a curated remix work documented in a revised version (2018 remaster); in parallel, there is a physical 2LP pressing in a black-and-gold configuration that makes the project tangible as a vinyl edition. The edition turns the focus to the creative side of mashup and remix culture by recombining familiar sources and thereby placing both the strengths of rap performance and expressive guitar work at the center.

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Queen

Live Aid (White Cover)

LP | EU (Easy Meal)

16,99 €*

Release: EU

Genre: Rock & Indie, Pop

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The “Live Aid” LP by Queen is released on Easy Meal and comes with a white cover. Side A gathers the legendary Wembley set from July 13, 1985, including the immediate live versions of “Bohemian Rhapsody” and “Radio Ga Ga,” and juxtaposes these stadium performances with the band’s early De Lane Lea recordings. Side B features historic studio recordings such as “Keep Yourself Alive,” as well as tracks from the band’s early creative periods, giving the release a direct contrast between onstage presence and early band material.

The selection of tracks highlights defining moments of Freddie Mercury’s lead vocals and Brian May’s distinctive guitar work, complemented by the tight interplay of Roger Taylor and John Deacon. As a classic rock LP, the Easy Meal edition brings the dynamism of the Wembley performance into a concise format and complements it with studio recordings that have a documentary feel, so that both the theatrical stage performance and the unfiltered energy of the early tracks come through. The white cover design serves as a clear distinguishing feature of this edition.

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Pipe Dreams HHV EU Exclusive Black Vinyl Edition

2LP | 2026 | EU | Original (Smiling C)

LP | 1969 | US | Reissue (Atlantic Catalog Group)

Release: 2026 / EU – Original

Genre: Soul, Funk & Jazz, Rock & Indie, Electronic & Dance

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New and stunning release on Smiling C limited to 500 copies worldwide. Exclusively available through HHV in Europe.

More than four years in the making, Tiki Shack Recording Studios AKA Smiling C Records & Mike Patricola present Pipe Dreams — a compilation of sidewalk surf bands, tropical troubadours, and soothing sounds from just beyond the reef.

Compiled by Mike Patricola, Pipe Dreams is the culmination of years spent exchanging obscure recordings, pursuing a shared feeling, and uncovering a sub-genre of overlooked songs that could be woven into a story of surf, snorkel, and sun. Drawn from Patricola's collection, the compilation aims to capture the feeling of endless summer, and serves as an ode to the freedom of island living: Bikini-shaped sunburns, coconut stands closed due to perfect swells, slack guitars, perpetual sunsets, guppies darting through shallow water, and afternoons spent face-down in the sand.

Spanning the late 1970s through the mid 1980s, Pipe Dreams gathers forgotten pop, lounge, soft rock, AOR, disco, and private-press oddities into a time capsule that seeks to epitomize an era that existed before life became mediated by screens. One in which technology was more naive and society was less reliant upon it. Time moved slower, people were better able to connect with their surroundings, and the dream of moving to a coastal utopia felt more attainable.

Each side unfolds as its own chapter.

Side A begins with Midwestern lettermen The Sunset Kidds, whose hypnagogic harmonies on “Darlin’” evoke the Beach Boys mired in the post-summer doldrums. Australia's Simplex 2 follow with the previously unreleased “Tiger Bay”, capturing the slow pulse of a perfect beach day through low end groove. Don Moore's infectious “Water Lily” arrives via a romantic Fire Island love affair, while Cay Gottlieb contributes a dose of Bahamian Balearica. To close the side out, Tennessee crooner Ron Holmes delivers an extra dose of salt on the margarita rim for good measure.

Side B shifts into a more upbeat surf-disco and pub-rock mode. Montreal’s Dino Pacifici’s nostalgic ode to carefree summers long passed, followed by Marseille's own The Students "Ocean Lifestyle" — which sits somewhere between Shuggie Otis and The Stranglers. Another Montréalais artist Pierre Rochette delivers a chuggy surf-disco belter, while Special Edition Band ventures from boozy rock into a washed-out paradise with glistening guitars.

Side C serves as an ode to tropical troubadours — intimate songs that range from drum machine lounge to private island bedroom recordings. Japan's Twin Cosmos, actual identical twins, dream up beachfront breezes on "Coconuts Wind." Hawaiian songwriter Dennis Soares offers the delicate and deeply personal "One World," while Ossie Parker Jr. supplies some Bahamian barroom sophistication. Miles Corbin brings sounds straight from the tiki hut, and lounge lizard Glen Banks takes us into the final intermission with a lullaby live from the Coconut Grove.

Side D catches a wave back in. Meri-Lynn & The Key Lime Pie Band celebrate the Florida Key life, Dennis Soares returns for one final Hawaiian postcard, and the Latin band Acapulco contribute a hefty dose of sunny positivity akin to one of Brian Wilson’s cheerier tunes. To round it out, Rick Sharp injects a touch of Bossa cheek and fantasy, and British pub blokes Contrast steer the compilation back toward where it all began — a destination somewhere between a Beach Boy California paradise, a remote oceanside lounge for loners, and a sleazy coastal timeshare.

Pressed on vinyl in a deluxe die-cut, spot-glossed gatefold jacket featuring artwork by our man Charles Bals and cover “Breaking Wave” photo by Lex Thompson. Pipe Dreams is designed as both a listening experience and an object of escape. Drop the needle, lean back, and let the tide carry you away.

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Crosby, Stills & Nash

LP | 2026 | EU | Original (Stroom)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The “Crosby, Stills & Nash” LP by Crosby, Stills & Nash is released on Atlantic Catalog Group in a Rhino High Fidelity edition and presents the group’s debut album in a meticulously reworked presentation. The release was newly cut from the original analog tapes and mastered by Kevin Gray; the result comes as a high-quality pressing manufactured at Optimal in Germany, and is delivered in a gatefold sleeve with insert and extensive liner notes. Issued as a numbered limited edition, it also includes an additional four-page insert with texts and notes on the making of the album.

Musically, the “Crosby, Stills & Nash” LP documents the trio’s early strengths: three-part harmony vocals, memorable songwriting highlights, and tracks such as “Suite: Judy Blue Eyes,” “Marrakesh Express,” and “Long Time Gone,” which continue to define the work to this day. Crosby, Stills & Nash appear here as both writers and producers of the recordings, which in this edition have been brought out in rich detail to emphasize the subtleties of the arrangements and vocals. For fans of classic rock, this release on Atlantic Catalog Group represents a carefully prepared reissue of the groundbreaking debut.

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Richard

Loving You To Death

30,99 €*

LP | 2020 | US | Reissue (Mac Demarco)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "Loving You To Death" LP by Richard is released on Stroom and presents the work as a vinyl and digital album with a deliberately stripped-back sound. At its center is the title track, which deals with the inner conflict of staying with someone who is hurting themself; Richard describes it as a snapshot—maybe of one night, maybe of a longer period—and lets this ambivalence flow into the arrangements. Before recording, he had tried stretching small, dark riffs into long, ambient-like sequences and experimenting with electronic manipulations, but then decided to keep the recordings lean and work without a band.

The LP comprises twelve tracks, including "Loving You To Death," "One For Jesse," and "Anything," and combines sing-song melodies with a certain intentional unprofessionalism as an aesthetic principle. The material was mastered by Nik Kozub; the front cover features a painting by Hoda Ackad, the back is a photograph by Ariana Molly, and the design is by Victor Verhelst. With "Loving You To Death," Stroom is releasing a record that brings together Richard’s fondness for obsessive narratives, mid-fi textures, and direct, unvarnished performances, keeping the focus on the emotional clarity of the songs.

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Mac DeMarco

Here Comes The Cowboy

25,99 €*

OST When You're Strange Documentry

Release: 2020 / US – Reissue

Genre: Rock & Indie

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The "Here Comes The Cowboy" LP by Mac DeMarco is released on Mac's Record Label and translates his familiar songwriter aesthetic into lean, often understated arrangements. The tracks are characterized by warm guitar sounds, drawn-out melodies, and a laconic vocal delivery that blends melancholic moments with wry humor.

The album was written, recorded, and co-mixed at DeMarco's own Jizz Jazz Studio in Los Angeles; he plays nearly all the instruments himself, while touring bandmate Alec Meen contributes keyboards on a few tracks. Touring sound engineer Joe Santarpia shared engineering and mixing duties with DeMarco, shaping the album's intimate yet clearly defined sound.

Tracks like "Nobody," "Heart to Heart," and "All of Our Yesterdays" shift perspective between personal reflection and ironic distance; melodically, the compositions remain light on their feet, rhythmically they are often subtle, while the arrangements are carefully balanced. The record weaves together elements of lo-fi indie rock, singer-songwriter tradition, and retro pop, revealing a compact, characteristic chapter in Mac DeMarco's body of work.

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The Doors

LP | 2010 | US | Reissue (Rhino)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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The “When You're Strange: Songs from the Motion Picture” LP by The Doors is released on Rhino and condenses the soundtrack to Tom DiCillo’s film into a compact listening experience. The Doors and Rhino present a mix of studio recordings and striking live moments, complemented by passages in which Johnny Depp recites texts and poems by Jim Morrison. The compilation focuses on concise band moments and puts Morrison’s voice, as well as defining keyboard and guitar parts, at the center without relying exclusively on hits.

As an LP edition, “When You're Strange: Songs from the Motion Picture” offers an accessible cross-section of the band’s body of work and also functions as a musical complement to the cinematic portrayal of The Doors. Rhino has curated the selection so that both well-known tracks and documentary-style live recordings come into their own, while the production preserves the band’s characteristic sonic space. The Doors remain tangible on this release as a powerful live and studio presence, while Rhino formally brings together the connection between film and record.

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LP | 2026 | US | Original (Many Hats)

Mildred

Fenceline

LP | 1971 | US | Reissue (Analogue Productions)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Fenceline” LP by Mildred is released on Dog Day x Memorials of Distinction and presents the Oakland four-piece’s debut as a focused collection of collaboratively written songs. Across the album, Henry Easton Koehler, Jack Schrott, Matthew Palmquist, and Will Fortna share songwriting and vocals equally, recorded under the direction of Luke Temple, with additional recording by Will Fortna and one track, “Fish Sticks,” newly re-tracked in Bristol with Jack Ogborne. Production is handled by Will Fortna, with mastering by Jason Mitchell.

Musically, “Fenceline” leans on concise guitar lines, layered vocals, and a relaxed yet clearly structured song sequence; tracks like “UPS Brown,” “Fish Sticks,” “Charlie,” and the expansive “Mumblecore Melody” showcase a range that runs from laid-back groove to compositional finesse. “Hardcore Of Beauty” serves as a powerful closer with its dynamic build-ups, while “Pitch Boats” and “Aquinas” highlight the group’s melodic breadth. The “Fenceline” LP presents Mildred as a collective whose refrains and arrangements benefit from an immediate, in-the-room recording atmosphere, bringing the material together with a distinct, unified touch.

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The Who

Who's Next

166,99 €*

Sad Wings Of Destiny Original 1976 Masters Colored Vinyl Anniversary Edition

Release: 1971 / US – Reissue

Genre: Rock & Indie

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The “Who’s Next” LP by The Who is being released on Analogue Productions and brings back one of the central chapters in the band’s history in an audiophile reissue. The album grew out of Pete Townshend’s abandoned Lifehouse project and captures the band’s upheavals around 1970/71; it includes defining tracks such as “Baba O’Riley,” “Won’t Get Fooled Again,” and “Behind Blue Eyes,” which made Who’s Next a landmark of rock.

Musically, the work combines monumental rock arrangements with an unusual synthesizer texture: Townshend’s work with analog synthesizers opens up new sonic spaces for the songs, while Roger Daltrey’s dramatic vocals and Keith Moon’s impulsive drumming preserve the raw, dynamic core. John Entwistle’s distinctive bass lines and Townshend’s powerful guitar riffs together shape the striking sound that characterizes the band.

The reissue on Analogue Productions emphasizes the technical remastering and the album’s original studio character without altering its musical impact; producer Glyn Johns’ classic studio craft remains clearly audible, and the arrangements emerge with clarity and detail. For listeners who want to trace The Who’s transition from concept project to arena-ready rock band, this LP offers an authentic and carefully crafted reference.

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Judas Priest

LP | 1976 | EU | Reissue (Exciter)

LP | 1968 | US | Reissue (Rhino / Warner)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The Colored Vinyl Anniversary Edition of the *Sad Wings of Destiny* LP by Judas Priest was released on Exciter and presents the original 1976 masters in a specially designed reissue. The release stays true to the iconic cover art and brings the album back on LP, with the Anniversary Edition designation emphasizing the historical character of the production. Musically, the record falls into classic rock and captures the band in a recording phase that documents the group’s early sound.

In terms of playback, this edition offers the 1976 master tapes in the form in which they were selected for this anniversary version, preserving the original presence of the recordings. The colored vinyl pressing gives the album a strong visual impact and highlights the edition as a distinct release within the Judas Priest catalog, without touching the musical foundations.

With this release, Exciter delivers an edition that both preserves the documentary integrity of the original masters and, through the colored-vinyl format, offers an alternative presentation of the work. For listeners who value the sonic substance of the 1976 recordings, the LP provides a direct connection to this phase of Judas Priest.

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Van Morrison

Astral Weeks

Crosby, Stills, Nash & Young

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The “Astral Weeks” LP by Van Morrison was released on Rhino / Warner and presents the 1968 work in a carefully prepared edition. Van Morrison leads a tightly knit ensemble of jazz‑experienced studio musicians here: Richard Davis on double bass, Jay Berliner on acoustic guitar, and Connie Kay on drums define the rhythmic and textural foundation, while Warren Smith Jr. contributes vibraphone and percussion, joined by flute and polished string arrangements by Larry Fallon. Producer Lewis Merenstein oversaw the sessions and, together with Morrison, shaped the intimate, almost cyclical sequence of songs; tracks like “Astral Weeks,” “Madame George,” and “Cyprus Avenue” exemplify the album’s narrative density and its elusive, jazz‑inflected arrangements.

This edition has been technically reworked for the LP format and issued as a high‑quality Rhino pressing: the record comes as a 180‑gram pressing, cut by Kevin Gray, and the booklet includes new notes plus an insert with additional liner notes. Rhino / Warner present the production in a visually refined package with a glossy gatefold jacket that gives this historic recording a contemporary outer shell and documentary additions without altering the original, organic character of the performances.

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Deja Vu Atlantic 75 Series

2LP | US | Reissue (Analogue Productions)

87,99 €*

Black Sabbath Audiophile Rocktober 2024 Edition

Release: US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Déjà Vu — CSNY's first album as a quartet, No. 1 on the Billboard 200!

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing

"Déjà Vu" is the title track to Crosby, Stills, Nash & Young's first album as a quartet. With Neil Young now in the mix, the album reached No. 1 on the Billboard 200 after its release in March 1970. The album remains a high point for the supergroup, having sold more than 7 million copies. Also on the record are hit singles "Teach Your Children," "Our House," and a cover of Joni Mitchell's "Woodstock."

The late David Crosby penned "Déjà Vu" for the group. Though it wasn't released as a single, it gave that iconic album its name and has subsequently received its fair share of love from CSNY fans.

"I'm one of those people who thinks we go round again," said Crosby back in 2008. "The Buddhists have got it right. It's a wheel and we get on and get off. I think life energy gets recycled. That's why I wrote ‘Déjà Vu.'"

CSNY took a while to craft the album-which is largely considered their magnum opus. "Getting that second album out of us was like pulling teeth, there was song after song that didn't make it," Stephen Stills once said. "The track ‘Déjà Vu' must have meant 100 takes in the studio. But ‘Carry On' happened in a grand total of eight hours from conception to finished master. So you never know."

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.

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Black Sabbath

LP | 2024 | US | Original (Rhino/Warner)

LP | 1972 | EU (Vertigo Berlin)

Release: 2024 / US – Original

Genre: Rock & Indie

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Rhino is synonymous with high-quality reissues, setting the standard with award-winning audio releases for the past 45 years. Now we're raising the bar with a new premium vinyl series, Rhino High Fidelity. These high-end, limited-edition vinyl reissues of classic albums represent the pinnacle of sound and packaging.

To ensure consistent sonic excellence, Kevin Gray will cut lacquers for all Rhino Hi-Fi releases, and Optimal will press the 180-gram vinyl records. The releases boast high-quality glossy covers and "tip-on" jackets, an old-school aesthetic that evokes the golden age of vinyl.

"Black Sabbath's debut album is the birth of heavy metal as we now know it. Compatriots such as Blue Cheer, Led Zeppelin, and Deep Purple were already setting new standards for volume and heaviness in the realms of psychedelia, blues-rock, and prog rock. Yet of these metal pioneers, Sabbath are the only one whose sound today remains instantly recognizable as heavy metal, even after decades of evolution in the genre. Guitarist Tony Iommi's loss of two fingertips, which required him to play slower and to slacken the strings by tuning his guitar down, created Sabbath's signature style. These qualities set the band apart, but they weren't wholly why this debut album transcends its clear roots in blues-rock and psychedelia to become something more. Sabbath's genius was finding the hidden malevolence in the blues, and then bludgeoning the listener over the head with it." — AllMusic

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Agitation Free

Malesch

22,99 €*

LP | 2026 | US | Original (Todo)

Release: 1972 / EU

Genre: Rock & Indie

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The "Malesch" 12" by Agitation Free is released on Vertigo Berlin and documents the group's 1972 debut; the album-like sequence of pieces runs to around 40 minutes and was recorded at the Audio Studio in Berlin.

Musically, "Malesch" combines psychedelic rock elements with cosmic soundscapes and outward-looking melodies: the band transforms impressions from its travels through the Middle East into extended, meditative passages in which Hammond registrations, EMS synthesizer and interlaced guitar motifs encounter percussive rhythms. The result remains rooted in Krautrock while simultaneously opening up to oriental scales and droning organ sounds, giving the pieces a narrative, almost cinematic impact.

The key musicians include Lutz "Lüül" Ulbrich (lead guitar, twelve-string, zither, Hammond), Michael Hoenig (Synthi A, Vox Continental), Jörg Schwenke (rhythm guitar), Michael Günther (bass) and Burghard Rausch (drums, percussion); they are joined by Uli Pop (bongos) and Peter Michael Hamel on Hammond. Production was handled by Wolfgang Sandner and Peter Strecker.

As an early Vertigo release, "Malesch" stands as an exemplar of those days in the German rock scene when experimental playing, electronic textures and ethnic influences were woven into distinctive soundscapes; the 12" preserves this approach as a compact yet atmospherically dense document.

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Porcelain

Todays Minor Victories

LP | 2026 | EU | Original (Psychic Reader)

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Today's Minor Victories" LP by Porcelain is being released on Todo.

Porcelain from Austin weaves together influences from noise rock, post-hardcore, post-punk, and shoegaze into a dense sonic landscape. Driving, often distorted guitars meet intricate melodies; the arrangements shift between immediate heaviness and restrained, almost weightless passages. Characteristic are the interplay of the two guitar voices and the alternating vocals, which give the tracks both rough edges and singable lines.

The band lineup is documented as Ryan Fitzgibbon (guitar, vocals), Steve Pike (guitar, vocals), Jordan Emmert (bass), and Eli Deitz (drums, percussion); the sonic palette is expanded by pedal steel from Zach Wiggs and saxophone from Benton Kaufman. The record was tracked at Estuary Recording Studio, with engineering and mixing handled by Scott Evans; mastering was done by Greg Obis at Chicago Mastering Service.

Musically, the production stands out for its clear, powerful guitar walls and a nuanced sense of space and dynamics. Porcelain links raw energy with compositional precision; in doing so, the band positions itself between gritty post-hardcore and atmospheric shoegaze and stakes out a distinctive voice within the current scene.

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Sas Group

Bad Shock

3LP | 1975 | Reissue (Polydor)

Release: 2026 / EU – Original

Genre: Soul, Funk & Jazz, Rock & Indie

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Psychic Reader announces Bad Shock: the first-ever reissue of 1970s Indonesian hard-rock trio SAS Group. Bad Shock is a compilation album featuring songs from SAS Group’s highly collectible first LP—a copy of which fetched $4,000 on Discogs back in June—as well as the band’s later hits. The first press was a limited 200-vinyl run that sold out two months after its February release. Composed of Arthur Kaunang (bass, keyboard, vocals), Soenatha Tanjung (guitar, vocals), and Syech Abidin (drums, vocals), SAS Group formed in Surabaya, Indonesia in 1975. SAS was the spiritual continuation of legendary rock band AKA, which featured the same personnel in addition to frontman Ucok Harahap. Harahap left AKA in the mid ‘70s to start his solo career, and SAS was formed. By 1991 SAS had produced 15 full-length albums and two compilation albums. Bad Shock focuses on their 1976-1981 output, delivering sprawling, prog-influenced hard rock laced with dueling synth and guitar solos. Almost every track is sung in English and holds its own against the best Western rock of the era. But “Jika Nanti Kau Panggil Namaku,” a mellow love ballad sprinkled with disco accents, closes the album on an unexpectedly sweet note.

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The Who

The Who By Numbers

80,99 €*

Release: 1975 / Reissue

Genre: Rock & Indie

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This sophisticated 3-LP set includes the original album, newly remastered and expanded with “Who Put The Boot In” – a classic live recording captured in 1976 at Vetch Field in Swansea. The set is pressed on heavyweight vinyl and comes with a booklet featuring rare photos and memorabilia from that era.

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Jon Savage's 1976 Something Was Going To Happen

LP | 2026 | UK | Original (Ace)

LP | 1974 | US | Reissue (Rhino)

Release: 2026 / UK – Original

Genre: Rock & Indie

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A vinyl-only double album documenting Jon Savage's personal view of 1976, the year in which punk finally broke through. The selection moves from Roxy Music, Burning Spear and Max Romeo through outsider funk, reggae and disco to Ramones, The Runaways, Blondie, The Saints, The Damned, Pere Ubu and Buzzcocks. The compilation follows roughly chronological UK single release dates and deliberately reaches beyond a straightforward pre-punk narrative, mixing punk's emerging energy with reggae, funk, disco and mainstream records that defined Savage's experience of the year. Fold-out cover artwork by Philip Diggle.

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Doug Sahm

Groover's Paradise

LP | 1983 | US | Reissue (Rhino)

Release: 1974 / US – Reissue

Genre: Rock & Indie

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The “Groover's Paradise” LP by Doug Sahm is released on Rhino and brings together a collection of tracks that showcase Sahm’s blend of Texas rock, country, R&B, and Tex-Mex. The recording dates from the period of his early‑1970s work and features musical contributions from Doug Clifford as producer and drummer, as well as Stu Cook on bass and guitar; Link Davis Jr. stands out on the album for his turns on fiddle, saxophones, and keyboards.

Musically, “Groover's Paradise” ranges from laid‑back grooves like “Just Groove Me” through the reflective ballad “Beautiful Texas Sunshine” to the instrumental Tex‑Mex tune “La Cacahuata,” the only song not written by Sahm. The arrangements draw on a warm brass foundation, selective steel and Dobro shadings, and perfectly attuned harmony vocals that give the songs clear contours without overwhelming the unforced character of the performances. With the longer closing piece “Catch Me in the Morning,” the LP offers a winding‑down moment that distills the atmosphere of the entire album and clearly brings out Doug Sahm’s distinctive way of connecting different strands of American music.

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ZZ Top

Eliminator

Waleeco Black Vinyl Edition

Release: 1983 / US – Reissue

Genre: Rock & Indie

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The *Eliminator* LP by ZZ Top is released by Rhino and presents the album that gave the band a new pop sensibility without sacrificing Billy Gibbons's distinctive guitar work. The release features the defining singles “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs,” which played a major role in the album’s lasting popularity and, with their accompanying music videos, attracted widespread attention. Rhino positions the record as a central chapter in the band’s discography and clearly emphasizes the connection between well-honed song structures and catchy hooks.

Produced by Bill Ham with key contributions from engineer Terry Manning, the album’s sound combines traditional blues rock elements with precise, contemporary studio arrangements; many arrangements were reworked in the studio and enhanced with electronic rhythms and synthesizer textures. The *Eliminator* LP thus documents a stylistic shift that opened ZZ Top up to new audiences and cemented the band’s media presence through striking videos and radio-friendly singles. Rhino accompanies the release with editorial background texts that highlight the studio production process and the memorable compositions.

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Flat Earth Society

LP | 1968 | EU | Reissue (Guerssen)

One Of Us: The Best Of Joan Osborne

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Legendary late-'60s teen garage-psych album from Boston. Originally created after a young group from Lynn, Massachusetts was commissioned to record an album and advertising jingle for a local candy company, Waleeco was originally offered as a mail-order premium. This reissue is sourced from the surviving original ¼-inch master tapes and restores the stereo separation compromised on the original 1968 pressing. Musically, the album combines folk, classical, rock and West Coast psychedelia with fuzzy guitar, introspective songwriting and adventurous keyboard arrangements. Presented with the original artwork in a hard-cardboard sleeve and a four-panel insert featuring liner notes and photographs.

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Joan Osborne

LP | 2026 | US | Original (Friday Rights Management, Llc)

44,99 €*

LP | 2026 | US | Original (Big Stir)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “One Of Us: The Best Of Joan Osborne” LP by Joan Osborne is being released on Friday Music and, for the first time, presents a selection of her best-known recordings on vinyl. The collection includes the world-famous hit “One Of Us” as well as interpretations and cover versions such as “Why Can't We Live Together,” “Everybody Is A Star,” and “How Sweet It Is (To Be Loved By You).” Producers Rick Chertoff, John Leventhal, and Rick Depofi are credited for the compilation, with mastering handled by Joe Reagoso; the edition is offered as a clear Orange Crush vinyl pressing.

In addition to the hit single, the LP features duets and special studio recordings, such as “Smiling Faces Sometimes” with Isaac Hayes, as well as her versions of “You Know And I Know” and “I'll Be Around,” which document the breadth of her interpretations. Friday Music emphasizes the careful curation and remastered finish, which highlight the production depth and vocal presence of Joan Osborne in the LP format. As a classic rock–oriented best-of release, this pressing is aimed at collectors and listeners who want to experience Osborne’s distinctive voice and select studio recordings in a new vinyl presentation.

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The Greenberry Woods

It's All Good Sugar...

Release: 2026 / US – Original

Genre: Rock & Indie

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At The Sign Of The Swinging Cymbal / Just Like That

Brass Incorporated

7" | 2026 | UK | Original (Kent)

12,99 €*

LP | 1976 | US | Reissue (Rhino)

Release: 2026 / UK – Original

Genre: Rock & Indie

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Two Barbara Moore recordings previously featured on Ace's Bedazzled: The Barbara Moore TV, Film & Studio Work 1965-81. 'At The Sign Of The Swinging Cymbal' is Moore's famous 1970 recording of the theme associated with BBC radio's Pick Of The Pops.

The flip, 'Just Like That', was written by Moore as the theme for Terry Wogan's BBC radio show and remained associated with his broadcasts for decades.

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Alice Cooper

Goes To Hell

Release: 1976 / US – Reissue

Genre: Rock & Indie

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The "Goes To Hell" LP by Alize Cooper is released on Rhino and presents itself as a focused classic rock release that places songwriting and studio work clearly at the center. The album features standout pieces such as "Go to Hell" and the ballad-style single "I Never Cry," which stand out through distinctive arrangements and clear, transparent song-structure decisions. Rhino puts particular emphasis on the musical presentation: vocals, guitar parts, and arranging keyboard passages are each clearly brought to the foreground.

Production is handled by Bob Ezrin; together with co-writer Dick Wagner, he shapes the compositional through-line that runs across the individual tracks. The LP structure allows for both rock-driven tracks with driving riffs and quieter moments with melodic focus and lyrics that create emotional space. Rhino stages the release in a technically restrained way, while the record’s track list, alongside the songs already mentioned, includes additional compositions that hold the concept together. The "Goes To Hell" LP by Alize Cooper is thus a streamlined edition that clearly puts the producer and co-writers in the spotlight and emphasizes the song-oriented quality of the release.

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LP | 2024 | Reissue (Nettwerk)

Paris Paloma

Cacophony

46,99 €*

Roger Nichols & The Small Circle Of Friends

Release: 2024 / Reissue

Genre: Rock & Indie

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Paris Paloma’s *Cacophony* LP is released on Nettwerk and documents her debut album, which gained widespread attention with the widely shared song “Labour.” The LP preserves the album version’s intense vocal layering and lyrical themes; Paris Paloma connects personal narratives with political reflections, returning to themes such as power dynamics, anger, and vulnerability. Nettwerk lists the release as a comprehensive studio recording with a runtime of approximately 56 minutes and 15 tracks.

The vinyl edition is presented as a 2LP and includes a lyric insert; one side of one of the records features an etching that adds further visual detail. For buyers who want to supplement the release digitally, Paris Paloma’s Bandcamp offers an exclusive version of *Cacophony* with an additional acoustic track and a digital art booklet. The *Cacophony* LP on Nettwerk thus brings together the artist’s central selection of songs and presents both the pieces’ narrative depth and the distinctive single “Labour” on vinyl. On *Cacophony*, Paris Paloma uses clear melodies and expressive arrangements to convey the album’s material directly and without detours.

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Roger Nichols & The Small Circle Of Friends Blue Vinyl Edition

LP | 1968 | JP | Reissue (Universal)

57,99 €*

LP | 2026 | ZA | Original (Zambia Music Parlour)

Release: 1968 / JP – Reissue

Genre: Rock & Indie

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The blue vinyl edition of the "Roger Nichols & The Small Circle Of Friends" LP by Roger Nichols & The Small Circle Of Friends has been released on Universal and brings the songwriter’s distinctive debut back to the format in a carefully prepared reissue. This edition puts the focus on the melodic compositions and the finely crafted arrangements that have defined the album since its original release.

Roger Nichols’s feel for catchy melodies and harmonic finesse shapes the record’s style: the tracks move between soft rock, sunshine pop, and finely orchestrated baroque pop, carried by clear vocal lines and subtle orchestral colorings. Characteristic are stripped-down band arrangements that leave room for harmonic twists and carefully placed melodies; the songwriting emphasizes the connection between pop craftsmanship and jazz-inflected harmony.

The production is rooted in collaboration with renowned studio specialists and arrangers: the original recordings were produced, among others, by Tommy LiPuma, with arranging contributions from Marty Paich and other experts. The engineers and session players involved include figures from the Californian studio scene, who shape the warm, precise sound of the recordings. This edition honors the meticulous craftsmanship of the sessions and clearly foregrounds Nichols’s compositional artistry.

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Blackfoot

Youth Power

35,99 €*

LP | 2026 | EU | Original (Saifam)

Release: 2026 / ZA – Original

Genre: Rock & Indie

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The "Youth Power" LP by Blackfoot is released on Zambia Music Parlour and documents the band's debut, which originally appeared in 1975 under the title "Youth Power" and was later reissued as "Millie." The record brings together tight, catchy songs that channel the sound of the 1970s Copperbelt scene into a raw yet melodic form.

Musically, the production moves within a spectrum between garage rock and the regionally typical Zamrock: driving guitar riffs, distinctive organ and guitar solos, and English‑language vocal lines alternate with influences of local rhythms and melodic twists. Tracks such as "Millie," "Groovy Bone," and "Inongo Ya Tobeka" showcase the range between danceable grooves and gritty, riff‑driven energy. This blend defines the record's distinctive character and places Blackfoot among the key bands of the Ndola scene.

The credits list Bonnie Ottiman Mpondzi (lead guitar & vocals), Alfred Gear Yabe (rhythm guitar), Garry Musopa (bass), and George Kabale (drums); Andre Abrahamse contributes keyboards. The recordings took place at dB Studios in Lusaka; the producers are Andre Abrahamse and Billie David Nyati. The more recent reissue was prepared and mastered for this edition, with tape transfer and mastering handled by Warrick Sony.

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Charlie Buon Vecchio

Buon Vecchio Charlie

Kryptograf Crystal Clear Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “Buon Vecchio Charlie” LP by Buon Vecchio Charlie is released on Saifam and re-presents the material recorded in 1972 by the Rome-based band. The album documents long-unreleased recordings from the early seventies that only became accessible to a wider audience decades later; Saifam enhances the reissue with expanded liner notes that explain the creation and rediscovery of the album.

Musically, the release showcases the period-typical blend of symphonic, jazzy, and folk elements, driven by flute, organ, and distinctive guitar passages; extended, suite-like compositions such as “Venite giù al fiume” and “All'uomo che raccoglie i cartoni” form the core of the sequence and convey a sense of orchestral density and instrumental virtuosity. The new edition thus brings a piece of Italian prog history back into focus and includes additional commentary on the scene and the recording sessions, adding further depth to the historical context of the tracks.

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Kryptograf

LP | 2020 | EU | Reissue (Apollon)

Greatest Hits Indie Exclusive Translucent White Vinyl Edition

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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The Crystal Clear vinyl edition of the “Kryptograf” LP by Kryptograf was released on Apollon. With this self-titled release, the album format is placed front and center: the LP presents the tracks as a clearly defined sequence and brings the “Crystal Clear” edition designation prominently into focus.

Musically, the “Kryptograf” LP is rooted in classic rock and uses its distinct stylistic vocabulary. Guitar-driven arrangements meet a striking rhythmic foundation and melodic choruses that give the songs a memorable structure. In the tracks, Kryptograf demonstrates compositional clarity: focused riff work, coherent song progressions, and a production that emphasizes the instrumental contours. Apollon issues the LP as an edition that concentrates musical content within the classic rock spectrum and makes the work available as a physical edition on Crystal Clear vinyl. The clean structuring of the tracks and the unambiguous edition labeling make the “Kryptograf” LP a documented snapshot of the band that presents classic rock’s stylistic references in a clear form.

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Fleetwood Mac

2LP | 2026 | WW | Original (Rhino/Warner)

42,99 €*

Captain Marryat Black Vinyl Edition

Release: 2026 / WW – Original

Genre: Rock & Indie

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Deluxe edition of Fleetwood Mac's multi-platinum hits collection, featuring 10 more classics including "Landslide," "The Chain," "Silver Springs (Live)," "Big Love" and "You Make Loving Fun".
Translucent White Vinyl Exclusive.

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Captain Marryat

LP | 1974 | EU | Reissue (Guerssen)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The "Captain Marryat" LP by Captain Marryat is being released on Guerssen, reissuing the long-lost, privately pressed debut from the Glasgow band. This release makes a piece of Scottish progressive hard rock history accessible, originally issued in 1974 in an extremely small run on the band’s own Thor label.

The band formed in the early 1970s, expanding from a trio into a five-piece lineup featuring Tommy Hendry (vocals), Ian McEleny (guitar), Allan Bryce (organ), Hugh Finnegan (bass), and Jimmy Rorrison (drums). Initially in the studio to cut a single, the group used spare time to record five original compositions and rounded off the session with the improvised instrumental “Dance Of Thor.”

Musically, the album combines progressive rock and heavy psych with pronounced Hammond drive, raw guitar solos, and distinctly melodic vocals. The band clearly draws on the vocabulary of Deep Purple and Uriah Heep; impressive examples include the dramatic opener “Blindness,” the eight-minute epic “It Happened To Me,” and the more accessible track “Changes.”

Despite strong performances on the Scottish pub circuit, a lack of label interest led to the breakup in 1975; since then the album has achieved cult status and is regarded among collectors and fans of early‑70s prog heavyweights as a coveted document. Recommended for fans of Deep Purple, Uriah Heep, Beggars Opera, and Rare Bird.

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Reimagining In The Court Of The Crimson King

LP | 2024 | Original (Cleopatra)

27,99 €*

LP | 2026 | US | Original (Rebel Music / Gamma)

Release: 2024 / Original

Genre: Rock & Indie

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The compilation "Reimagining In The Court Of The Crimson King" was released on Cleopatra and is available as a single LP. The project reassembles the five central compositions from King Crimson’s debut and translates the pieces into different sonic concepts without losing touch with the original. With this release, Cleopatra adds a curated rendition of this classic to the vinyl collection.

The lineup of contributors defines the character of the release: recordings and guest appearances come, among others, from Mel Collins and Jakko M. Jakszyk, Todd Rundgren, Ian Paice, James LaBrie, Joe Lynn Turner, Carmine Appice, and Chris Poland. Musically, the realizations range from straightforward cover approaches to clearly more alternative versions; for example, the edition includes several versions of "21st Century Schizoid Man" and a reimagined version of "The Court Of The Crimson King." The production combines classic rock instrumentation with modern arrangements and spotlights individual solo parts by prominent guests. With "Reimagining In The Court Of The Crimson King," Cleopatra presents a carefully conceived compilation that both preserves references to the original and opens up new perspectives on the compositions.

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Honestav

Sweet American Boy

2LP | 1970 | US | Reissue (Analogue Productions)

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Sweet American Boy" LP by Honestav is released on Rebel Music / Gamma and brings together sixteen tracks that carry the artist’s songwriting into a broader, more rock-oriented sound. The record combines tight arrangements with accessible choruses and puts more emphasis on guitar-driven passages without losing the lyrical directness of its predecessors.

Musically, Honestav moves between indie folk, alternative, and elements of hip-hop and pop; the lyrics address themes like family history, addiction, loss, and life on tour with disarming openness. Songs such as "Crash First," "Can't Let Go," and "Wasted" showcase a range from stripped-back ballads to more energetic, band-oriented tracks and highlight the album’s narrative strength.

"Sweet American Boy" also features notable contributions: a collaboration with mgk and guest appearances by JaYy Wick and Damian Styles are paired with producer-driven arrangements. Producers like No Love For The Middle Child, Cameron Bright, and Nolie are credited and help shape the dense, at times gritty sonic aesthetic of the record.

Honestav stays true to his immediate songwriting while simultaneously expanding his sound and production palette; listeners who appreciate the artist’s direct, personal storytelling will find this LP to be a soberly rendered, musically wide-ranging snapshot of an artist in the midst of evolution.

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The Who

Live At Leeds

77,99 €*

LP | 2026 | Original (Prophecy Productions)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The "Live At Leeds" LP by The Who is being released on Analogue Productions and is presented here in an edition geared toward audiophile playback, sourced from the original analog master tapes and reworked for optimal sonic fidelity. The production adheres to the highest pressing and mastering standards; this edition emphasizes dynamics and detail without smoothing out the recording’s unpolished live energy.

The concert was recorded on February 14, 1970 at the University Refectory in Leeds, and the running order captures the band in a rousing live state: long, improvisationally extended versions, tight riffs, and expansive passages alternate with one another. This documentary concert portrait reflects The Who’s then-dominant live repertoire and shows the group playing with full abandon.

Characteristic of The Who are Roger Daltrey’s powerful vocals, Pete Townshend’s explosive chord assaults, John Entwistle’s distinctive bass lines, and Keith Moon’s volatile drumming; all of these elements contribute to the rough, immediate sonic character of "Live At Leeds." The release is regarded as a landmark in live recording and remains an important document of early rock history as well as a benchmark for listeners who value direct stage presence and sonic authenticity.

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Arthur Brown

Nature

Melhor Do Que Parece Black Vinyl Edition

Release: 2026 / Original

Genre: Rock & Indie

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The "Nature" LP by Arthur Brown is released on Prophecy Productions and encapsulates a body of work that the singer himself describes as a highlight of his artistic career. The record presents itself as an organic collection of song forms, natural sounds, and improvised instrumental passages that place Brown’s long-standing interest in ritual, theater, and sonic exploration at the center.

Musically, "Nature" moves between warm blues rock, earthy arrangements, and sparse, meditative moments; traditional compositions meet free, atmospheric excursions. Brown’s distinctive voice remains the focal point, carrying narrative lines and giving the pieces both dramatic and conciliatory dimensions. The collaboration with his fellow musicians prioritizes organic interaction over opulent studio production.

The record brings together eight main tracks, including the title track "Nature"; additional bonus tracks are included in certain editions or in a bundle. The sequence of songs flows smoothly between introspective moments and clearly structured, song-oriented arrangements, giving the LP a cohesive listening experience.

What sets Arthur Brown apart is the combination of theatrical expression and musical curiosity: decades of stage experience, experimental influences, and a love of poetic imagery culminate on "Nature" in a work that connects Brown’s blues rock roots with spiritual and nature-oriented reflections.

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O Terno

LP | 2026 | UK | Original (Mr Bongo)

26,99 €*

2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 2026 / UK – Original

Genre: Soul, Funk & Jazz, Rock & Indie

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Mr Bongo is proud to present a 10th anniversary reissue of O Terno’s contemporary Brazilian classic Melhor do Que Parece from 2016. Ranked by Rolling Stone Brazil as one of the best releases of 2016, it is a delicate blend of Tropicália-inspired, psychedelic rock and indie, rich in ‘60s and ‘70s influences, that feels as relevant and fresh now as it did 10 years ago.

O Terno is made up of three titans from the current Brazilian independent scene: Tim Bernardes on vocals and guitar, Guilherme d’Almeida on bass and Gabriel Basile on drums. Each has gone on to forge themselves as influential members in the Brazilian scene in their solo projects and collaborations with other artists since O Terno went on hiatus in 2024. Bernardes has since become a musical ambassador outside of Brazil, releasing two Latin Grammy nominated solo albums, collaborating with artists ranging from Gal Costa to Fleet Foxes, Maria Bethânia to Jards Macalé, and establishing himself among the musicians connected to the 1970s scene. Basile has worked closely with Sessa and features on records by Soyuz, anaiis, Bruno Berle and more. Both Basile and Guilherme also form part of the group Grand Bazaar, a dance-orientated outfit drawing on gypsy, Balkan, Mediterranean and Brazilian influences.

Recorded across an intense three-month period where the trio spent 12 hours a day in the studio, Melhor do Que Parece is a diverse, exploratory and kaleidoscopic listen. There are influences from classic Brazilian greats such as Os Mutantes and the beautiful string arrangements of Rogério Duprat, as well as classic ‘60s and ‘70s European and American groups from across the spectrum. Those influences are tied up in an experimental indie DIY aesthetic where distorted guitars are juxtaposed with lush string sections.

The album kicks off on a high note with the catchy single ‘Culpa’; there is an almost John Lennon texture to Tim’s vocals here. Next is the dreamy arrangement of ‘Nó’, which has a Tropicália-esque tone and features a beautiful harp intro played by Marina Mello.

A swirling psych-rock tinge runs through the record sucking you into its grasp. The crashing cymbals, blazing lead guitars and modulated vocals of ‘Não Espero Mais’ and ‘Lua Cheia’ are two fine examples. Elsewhere, there’s the deep fuzz, whirling organs and peaking horns of ‘O Orgulho E O Perdão’.

Contrasting this there are moments of reflection. The depth and delicacy of ‘Depois Que A Dor Passar’ and the ethereal heart swell of ‘Volta’ are a double dose of uplifting nourishment. Another highlight is ‘Vamos Assumir’, a song immortalised in pop culture when mentioned in Brazilian author Elayne Baeta's book Coisas óbvias sobre o amor.

The title track ‘Melhor do Que Parece’ is a grand opus, ranging from smooth angelic melodies with lush strings, to explosions of distorted guitar and horns. It’s an epic and fitting closer to this magnificent album.

There are no wasted moments on Melhor do Que Parece; it feels almost like a best-of album and is rightly viewed as a definitive work. Here at Mr Bongo we feel its greatness deserves a much wider global audience to lean in and enjoy its brilliance.

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Rush

74,99 €*

Once Upon A Twilight... Black Vinyl Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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The "Rush" LP by Rush is being released by Mobile Fidelity Sound Lab as a numbered 180 g 45 RPM double LP. This edition is based on the band’s original analog tapes and has been specifically re-mastered for vinyl playback; Mobile Fidelity describes the transfer chain from the 1/4" 15 IPS Dolby A analog master through DSD 256 back to the analog cutting console in order to achieve the most tonally accurate pressing possible.

The 1974 debut captures Rush in their raw, blues-tinged hard rock form: concise, punchy guitar work from Alex Lifeson, Geddy Lee’s distinctive, high‑pitched vocals, and the original drumming of John Rutsey define the sound. Producer Dave Stock, as well as later revisions by Terry Brown, are part of the album’s production history and have given the songs more body and clarity. Classics like "Working Man" and "Finding My Way" are included in the track list and stand as prime examples of the trio’s early energy.

Musically, the album moves between gritty hard rock and blues‑leaning arrangements, with early signs of the sophisticated song structures that would later become Rush’s hallmark. This Mobile Fidelity pressing puts the emphasis on vocal imaging, spatial separation of the instruments, and controlled dynamics, allowing the structural subtleties of these early tracks to emerge with particular clarity.

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The Twilights

LP | 1968 | EU | Reissue (Guerssen)

All My Demons Greeting Me As A Friend

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1968, Once Upon a Twilight… is the second and final album by Australian band The Twilights. Moving beyond the hit-making formula of the period, the group created an ambitious blend of sophisticated pop and psychedelia, shaped in part by their experiences in Britain and their celebrated live performances of Sgt. Pepper. Recorded at Bill Armstrong's Melbourne studio using then-new Australian 8-track technology, the album features songwriting by Terry Britten, vocals by Glenn Shorrock, orchestral arrangements by Johnny Hawker and production by David Mackay. This first vinyl reissue sourced from the original masters faithfully reproduces the original gatefold sleeve with pop-up centrefold and includes a four-panel insert with photographs and liner notes. Annotated and remastered by Grammy-nominated archivist Alec Palao.

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Aurora

LP | 2016 | US | Reissue (Glassnote (Chord))

2LP | 1975 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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The "All My Demons Greeting Me As A Friend" LP by Aurora is released on Glassnote (Chord) and presents the Norwegian singer’s 2016 debut for the first time in the label’s characteristic physical format. The record includes the early singles "Runaway" and "Running with the Wolves," which significantly raised Aurora’s profile outside Norway and helped send the album to the top of the national charts. This LP presents the studio album in its entirety and makes the central songs from that early phase of Aurora’s career available on vinyl.

Musically, "All My Demons Greeting Me As A Friend" combines dense, at times stripped-back arrangements with strong melodicism and a distinctive, clear vocal delivery—qualities that reviews and write-ups have repeatedly highlighted. The production creates space for the voice and the song structures, allowing tracks like "I Went Too Far" to reveal additional shades of her songwriting palette. Aurora received national awards for the album, further elevating her position on the international pop landscape.

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Rush

Fly By Night

74,99 €*

Tales Of Mystery And Imagination - Edgar Allan Poe 50th Anniversary Picture Disc Edition

Release: 1975 / US – Reissue

Genre: Rock & Indie

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The "Fly By Night" LP by Rush is being released on Mobile Fidelity Sound Lab and documents the band’s stylistic shift toward more complex song structures and narrative lyrics. This reissue is part of a comprehensive series of audiophile re-releases that makes the band’s early Mercury years newly available in revised form.

The album marks the first full-length with drummer and lyricist Neil Peart, which significantly changed the band’s thematic direction; Geddy Lee and Alex Lifeson still provide the distinctive melodies and riffs, while Peart’s contributions sharpen the group’s lyrical profile. Producer Terry Brown, who guided the band’s sound during this phase, helped shape their characteristic sonic identity.

Musically, "Fly By Night" combines powerful hard rock elements with early progressive experiments: the anthem "Anthem" established the thematic range, the multi-part epic "By-Tor & the Snow Dog" already points toward later, more extended compositions, and the acoustic "Rivendell" demonstrates an unusual delicacy in its arrangement. Tracks such as "Making Memories" expand the palette with folk- and country-tinged elements, which is why the album is regarded as a transitional work between the band’s raw beginnings and its more ambitious prog era.

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The Alan Parsons Project

LP | 2026 | Original (Cooking Vinyl)

LP | 2026 | Original (Not On Label)

Release: 2026 / Original

Genre: Rock & Indie

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The picture disc edition marking the 50th anniversary of *Tales of Mystery and Imagination – Edgar Allan Poe* by The Alan Parsons Project is being released by Cooking Vinyl. Released in 1976, the debut album combines Edgar Allan Poe’s literary works with progressive classic rock, creating a cohesive concept shaped by orchestral soundscapes, electronic accents and a dark atmosphere.

Alan Parsons and Eric Woolfson developed the music as renditions of Poe’s stories and poems. Standout tracks include “The Raven,” “The Tell-Tale Heart” and “The Cask of Amontillado.” Arthur Brown, John Miles and Terry Sylvester contributed vocals. Musicians from Ambrosia and Pilot also participated, as did Francis Monkman, known for his work with Curved Air and Sky.

The internationally successful album sold nearly one million copies and achieved platinum status in Germany and Canada, among other countries. The anniversary edition was newly mastered by Miles Showell at Abbey Road Studios and includes a 12" x 12" insert featuring the original artwork from the inside gatefold panel. Cooking Vinyl’s picture disc thus combines the debut’s literature-inspired music with a carefully prepared reissue.

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Sean Being

Thank Goodness

LP | 2026 | UK | Original (Popclaw / Rise Above)

Release: 2026 / Original

Genre: Rock & Indie

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The “Thank Goodness” LP by Sean Being is a self-released record and comes with an insert. On the album, Sean Being unfolds a deliberately stripped-down, overdubbed “chamber band” setup of bass guitar, viola, piano, harpsichord, voice, and drums, developed between London and Ireland in the years 2023–26. These precisely chosen combinations of instruments give the “Thank Goodness” LP a chamber music framework that leaves room for subtle textures and dynamic nuances.

Long active at the sharper edges of the Irish music scene and initiator of the band Princ€ss, Sean Being brings to “Thank Goodness” the experience of a wide range of collaborations; connections to projects with Maria Somerville, Spellcaster, Nashpaints, Florian TM Zeizig, Jennifer Moore, Olan Monk, and others can be felt. Alongside conventional playing techniques, the album also incorporates unusual influences from Gregorian chant and sonic experiments such as car horn performances. This variety makes the “Thank Goodness” LP a personal statement in which compositional restraint and carefully crafted arrangements converge, clearly expressing Sean Being’s work as a producer and multi-instrumentalist.

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The Crystal Teardrop

Love You More

LP | 2026 | US | Original (Smartpunk)

Release: 2026 / UK – Original

Genre: Rock & Indie

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The “Love You More” LP by The Crystal Teardrop continues the blend of shimmering sixties sound and contemporary sharpness established by their debut, “THE CRYSTAL TEARDROP IS FORMING.” Released on Popclaw / Rise Above, the band delivers concise melodies and dense arrangements where jangly Rickenbacker guitars and surging organ layers are woven together with a clear, sustained lead vocal. Most of the tracks move in a bold, upbeat vein without shying away from lyrical darkness; themes of relationships, political statements, and existential reflection run throughout the album, giving the songs additional weight.

Characteristic moments are created by instrumental details and playful musicianship: the eruptive guitar solo in “It’s Too Late!” and the long, psychedelic stretching out on “Touch The Sun,” which raises questions about the meaning of being human, showcase the band’s range. For the production, The Crystal Teardrop opted for a deliberately immediate approach, recording live in the studio with as few overdubs as possible to capture atmosphere and performance flow. Trusted sixties-era instruments like Vox gear, Hammond, AC15 amps, and electric sitar meet more unusual sounds such as tanpura and swarmandal; this combination gives “Love You More” its warm yet stubbornly angular psychedelia and makes the album a distinctive contribution to the classic rock output of the Popclaw / Rise Above label.

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Against The Current

Till Death & Back

Hippies Thugs And Heroes Indie Exclusive Black Splatter Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The *Till Death & Back* LP by Against The Current is being released on Smartpunk and marks the band’s return with a new ten-track album, announced as their first full-length studio album since *Past Lives* (2018).

The album is described as the beginning of an independent chapter for the band and centers thematically on loss, struggle, and new beginnings. Its songs explore themes such as loyalty, identity, and coming to terms with existential fractures. Musically, the production combines rock-driven arrangements with catchy melodies and modern pop elements, allowing the songs to feel both direct and layered. Several tracks have been released as previews and have already attracted attention, including “Dead Man Walking” and “Heavenly,” which hint at the album’s range. From an editorial perspective, *Till Death & Back* relies on compact song structures and memorable hooks that continue the band’s development since their earlier work without merely repeating familiar formulas. Overall, the album reads as a deliberate step into a newfound artistic freedom.

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Richard Thompson

2LP | 2026 | US | Original (New West)

LP | 1971 | EU (Endless Happiness)

Release: 2026 / US – Original

Genre: Rock & Indie

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With the LP "Hippies Thugs And Heroes Indie Exclusive Black Splatter Vinyl Edition," released on New West, Richard Thompson takes his creativity to the next level while, for the most part, staying true to his style. For decades, Richard Thompson has been a mainstay between folk and rock; his songs combine narrative depth with precise guitar work and a distinctive melancholy all his own. Hallmarks of his music are the delicate, often unconventional guitar lines and his assured handling of melody and harmony, drawing on both acoustic folk traditions and rock-driven rhythms. Thompson’s lyrics are marked by keenly observed situations, subtle irony, and literary imagery, ranging thematically from personal reflections to scene-like storytelling. His arrangements are sparse, favoring clear instrumentation and giving the songs room to unfold, while a certain edge in guitar tone and rhythm remains palpable. His voice carries both a storytelling quality and a sense of introspection, creating an immediate sense of closeness for listeners. This LP edition brings together the characteristic elements of Richard Thompson’s work and offers a cohesive selection that appeals to longtime followers and new listeners alike.

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Badfinger

Straight Up

27,99 €*

45 Volume 1 200g Vinyl Edition

Release: 1971 / EU

Genre: Rock & Indie

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Straight Up is the fourth studio album by the British rock group Badfinger, released in 1971. The album marks a turning point for the band, showcasing a move from their earlier power-pop and melodic rock toward more polished, sophisticated songwriting and production. Songs like “Day After Day” and “Baby Blue” highlight Badfinger’s knack for memorable hooks and emotional resonance, blending catchy melodies with introspective lyrics. This album is widely regarded as the band’s creative peak, combining the upbeat energy of early 1970s pop-rock with the emotional depth and craftsmanship that have made it a lasting influence on later power-pop acts. This new edition on a single LP is the first after more than 30 years.

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XTC

LP | 2026 | UK | Original (Panegyric)

LP | 2026 | US | Original (Smartpunk)

Release: 2026 / UK – Original

Genre: Rock & Indie

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The “45 Volume 1” LP by XTC is being released on Panegyric as a 200 g vinyl edition and brings together the band’s A-sides from 1977 to 1980. With this compilation, Panegyric is issuing a selection of the early singles on vinyl for the first time since the early 1980s; the collection documents the band’s evolution from raw energy to refined, melodic songcraft. The physical presentation as 200 g vinyl underscores the release’s collector appeal, which is sourced from the original single audio tracks.

Musically, “45 Volume 1” offers a compact chronicle of key stand-alone singles, including “Science Friction,” “Making Plans for Nigel,” and the U.S. A-side version of “Ten Feet Tall,” complemented by the rare soundtrack recording “Take This Town.” For this edition, the singles were transferred from the original master tapes; the transfers were made at high sampling rates, and the final cuts were done by Jason Mitchell at Loud Mastering. This approach puts the emphasis on versions of the tracks that are as direct as possible, derived from the single masters, which, presented here in chronological order, clearly trace the development of Andy Partridge and Colin Moulding as songwriters. Panegyric is positioning the LP as the first part of a multi-volume collection of XTC’s early single releases.

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Against The Current

Fever

Frank Zappa / The Mothers Of Invention

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Fever” LP by Against The Current is being released on Smartpunk and brings the 2021 release “fever” to vinyl for the first time. The release documents the EP with its seven songs, including the singles “that won’t save us” and “weapon”; the compact sequence of tracks remains in its original order, now available on LP for an analog listening experience.

Musically, “Fever” preserves the band’s direct, song-oriented approach: concise melodies meet densely layered arrangements, and individual tracks bear the distinctive touch of producer Matt Squire. The record features both driving moments and quieter passages and includes “again&again,” a collaboration that clearly stands out in the track listing. The Smartpunk edition is offered as a vinyl reissue and is aimed at collectors who want to experience the material on LP.

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Freak Out! 60th Anniversary Limited Super Deluxe 5 Box

Box | 2026 | Original (Universal)

139,99 €*

2LP | 2026 | UK | Original (Fire)

Release: 2026 / Original

Genre: Rock & Indie

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The “Freak Out! 60th Anniversary Limited Super Deluxe 5 Box” by Frank Zappa and The Mothers Of Invention is being released as an elaborately designed 5LP box set and marks the 60th anniversary of the groundbreaking debut album “Freak Out!”. Universal is issuing this special edition in close coordination with the Zappa archive; the set focuses on the 1966 production period and presents the original recordings in newly reworked form alongside additional archival documents. The “Freak Out! 60th Anniversary” Super Deluxe 5LP box is conceived as a curated edition for collectors who want to experience the album anew in expanded audio versions and in conjunction with historical supporting documentation.

Musically, the release highlights the multifaceted nature of Zappa’s early work: in addition to the classic album material, the edition is expanded with rare studio and live recordings from 1966 that offer insight into the early lineup of The Mothers Of Invention. The scope of the box also includes editorial texts, some previously unpublished photos, and inserts that explain the context of the recordings and thoroughly document the “Freak Out!” chapter within Zappa’s body of work. Universal and the Zappa estate emphasize the archival character of the edition and the care taken in selecting and mastering the included materials.

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Roky Erickson

The Evil One

What's In Between Indie Exclusive Cream Vinyl Edition

Release: 2026 / UK – Original

Genre: Rock & Indie

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Roky Erickson’s “The Evil One” LP is released on Fire Records as a deluxe 15-track edition that fully brings together the recordings from the legendary 1978 and 1979 sessions. For the first time since 1981, this reissue restores the original cover from the San Francisco edition released by 415 Records. The album is cut across two LPs at 45 rpm and comes with an extensive booklet featuring an essay by Joe Nick Patoski, along with rare photographs and archival material from the collection of Roky’s then-manager, Craig Luckin.

Musically, “The Evil One” documents Roky Erickson and the Aliens in a characteristic interplay of raw rock energy, sharply defined guitar riffs, and horror and science-fiction themes. Producer Stu Cook brought the session recordings together, helping shape the distinctive sound of this material. Standout tracks include “Two Headed Dog (Red Temple Prayer)” and “I Walked With A Zombie,” which highlight Erickson’s unmistakable voice and surreal imagery. The Fire edition presents this chapter of his career in a focused format and with a clear sonic direction across its 45-rpm 2LP configuration.

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Radio Free Alice

LP | 2026 | US | Original (Atlantic)

LP | 1972 | US | Reissue (Antarctica Starts Here)

Release: 2026 / US – Original

Genre: Rock & Indie

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The Cream Vinyl edition of the “What’s In Between” LP by Radio Free Alice has been released on Atlantic and, with its special pressing, emphasizes the physical launch of this debut.

“What’s In Between” marks the first full-length by the Melbourne band and delivers eleven tracks, including the singles “Crying With You” and “Rule 31,” which had already appeared as advance releases. The production took place across several continents; the credited producers are Peter Katis, Ewan Pearson, and Finn Billingham, giving the album a dense, polished studio production. Vocalist Rachel Brown appears as a guest on the track “Big Ideas,” a richly detailed contribution that loosens up the arrangements. Radio Free Alice rely on concise song structures, melodic choruses, and clear guitar work that carries the album’s classic rock sensibility without sacrificing modern sonic finesse. Atlantic is issuing the LP in the described Cream Vinyl edition, which is offered as a standalone version alongside the standard release. In addition to the singles, fans will find further tracks on “What’s In Between,” such as “Kick in the Shins” and “Lunch Money,” which turn the album into a compact, cohesive debut release.

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Willis Alan Ramsey

26,99 €*

Jazz Dreams Clear Purple Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Singer-songwriter Willis Alan Ramsey was 20 years old when he became the third signing to Leon Russell and Denny Cordell's Shelter Records – after Russell himself and the legendary J.J. Cale. The result was Ramsey's 1972 eponymous debut, a masterpiece of laid-back Texas country-rock, blues-inflected folk and outlaw ballads.

As a child, Ramsey was an obsessive radio listener – from Elvis and the Beatles to Delta blues, country and even classical music. By middle school, he had formed his first garage band and started writing songs. After a brief stint at the University of Texas, he took to the burgeoning coffeehouse circuit where he toured alongside folks like Townes Van Zandt, Jerry Jeff Walker and Keith Sykes. It was during these shows that Ramsey developed much of the material for his LP, a diverse yet coherent mix that revealed his varied influences.

Recorded in Memphis, Nashville and at Russell's home studio in the Hollywood Hills, the album features some of the era's greatest session musicians: Eddie Hinton on guitar, Red Rhodes on pedal steel and the rhythm section of Leland Sklar and Jim Keltner. A true songwriter's songwriter album, its tunes have been covered by Waylon Jennings ("Satin Sheets"), Jimmy Buffett ("The Ballad of Spider John") and, most famously, Captain & Tennille ("Muskrat Love"), but no cover can beat the originals from the wise-beyond-his-years Ramsey.

Though Willis Alan Ramsey has continued to perform regularly and write new songs, a second album is yet to be released. For years, whenever someone asked about it, Ramsey was known to answer "What's wrong with the first one?" The answer is, of course, absolutely nothing. In fact, it's perfect.

This first-time vinyl reissue reproduces the original lyric sheet. Includes new interview with Ramsey and liner notes by author Richie Unterberger.

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Fine

LP | 2026 | EU | Original (Escho)

Caspian Indie Exclusive Colored Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Clear Purple edition of the “Jazz Dreams” LP by Fine is released on Escho and comes as a single LP in a gatefold sleeve. The release, which comprises thirteen tracks, builds directly on her 2024 debut “Rocky Top Ballads” and leads Fine into a wide, dreamlike sound world that moves between precise melodic writing and open, improvisatory moments.

The material was produced, recorded, and mixed by Fine herself; in the credits she appears as Fine Glindvad. Emil Thomsen is responsible for the mastering. Over roughly sixteen months, the songs took shape partly in public performances, partly in studio versions and during an NTS residency, so that “Jazz Dreams” comes across as an organically grown, collage-like construction in which vocal lines connect the shifting moods.

Selected advance releases such as “I Could,” “Run,” “Moment,” and “Portal” mark stages of this development and offer insight into the balance of longing, memory, and open intuition that shapes the album. On the LP, Fine shows a consistent turn toward melody: voice and song architecture lead through fragile scenes and allow the music to follow its own instincts like a kind of jazz improvisation.

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Caspian

LP | 2026 | US | Original (Wax Bodega)

2LP | 2026 | Original (Pendragon - Toff)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Caspian” LP by Caspian is being released on Wax Bodega and marks the band’s first album in six years as well as their debut for the US label. The release contains six tracks with a running time of around 39 minutes; the album is scheduled for release on October 16, 2026, and will be available for pre-order through the label’s distribution. Wax Bodega is positioning the record as a key new title in its fall program and is accompanying the announcement with information on individual song excerpts and the available formats.

Musically, “Caspian” builds on the richly textured, dynamic gestures that have defined the collective: wide melodic arcs, dense guitar layers, and dramatic crescendos that unfold through patient arrangements. Standouts include the expansive, nine-minute composition “Remain,” with its slowly mounting tension, as well as the driving “No One Left to Tell” and the powerful “A Great Fire,” which exemplify the balance between atmosphere and impact. From a production standpoint, the album is closely tied to the band itself; the production emphasizes spatial depth and textural detail without sacrificing structural clarity. For fans of the band, the “Caspian” LP offers a focused yet forward-looking perspective on Caspian’s work and adds a prominently placed release to the Wax Bodega catalog.

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Pendragon

Pure

LP | 2026 | US | Original (Many Hats Dist)

Release: 2026 / Original

Genre: Rock & Indie

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The “Pure” LP by Pendragon is released on Pendragon - Toff and documents the band’s 2008 phase, in which they steered their sound in a distinctly more modern rock direction without abandoning their characteristic melodicism. On this release, Pendragon combine dense guitar arrangements with striking melodies, which earned the record wide recognition at the time.

“Pure” features “Indigo,” one of the album’s most popular songs, as well as the three-part suite “Comatose” and the hard-hitting “Eraserhead,” which together showcase the work’s stylistic range. All compositions are by Nick Barrett; Barrett and Karl Groom were responsible for the production. Clive Nolan (keyboards), Peter Gee (bass), and Scott Higham (drums) shape the overall sound and create the dense, at times metallic texture of the album.

As an LP on Pendragon - Toff, “Pure” brings the intensity and dynamics of the recordings to life in analog format. Pendragon will be on a European tour in fall 2026 and will return to the Cruise To The Edge stage in April 2027, underscoring the lasting relevance of this chapter in their discography.

In 2008, the music press responded to “Pure” with mostly positive reviews; reader polls and critiques particularly highlighted the balance between melodic songwriting and heavier guitar work, which allowed the album to reach both long-time followers and new listeners from the metal scene.

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Barbarians Of California

Megatons

LP | 2026 | US | Original (Stones Throw)

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Megatons" LP by Barbarians Of California is being released on Many Hats Dist and brings together twelve compact tracks that transfer the band’s raw, direct impulse straight onto vinyl. The arrangements are short and concise, shifting between driving staccato riffs and deliberate tempo changes, allowing the medium to underline the songs’ unvarnished character.

Barbarians Of California emerged from the collaboration of seasoned musicians; the initial impetus came from, among others, Aaron Bruno and longtime engineer Eric Stenman, giving the band both punk roots and deep studio experience. With "Megatons," they continue the trajectory of their debut release and solidify a sound that combines classic hardcore elements with contemporary bite.

Musically, the album moves within a spectrum from hardcore to metallic post-hardcore: angular guitars, distinctive breaks, and a vocal delivery that oscillates between concentrated rage and an ironic undertone. Singles like "The Gnarlycore Class" offer early points of reference; the album is also shot through with collaborations and new song ideas that give the material additional definition. Taken as a whole, "Megatons" presents a focused contribution to the current hardcore scene that clearly brings out the band’s distinctive character.

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N8noface

Tomorrow's World

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Tomorrow's World" LP by N8noface is being released on Stones Throw and marks the artist’s Stones Throw debut. The album was produced entirely by Dave Sitek (TV on the Radio, Yeah Yeah Yeahs, Weezer), who fuses raw synth aesthetics with driving punk energy. On the full-length, N8noface works with a number of notable guest contributors; the album features collaborations with Hudson Mohawke, Angélica Garcia, and Nick Zinner, who enrich individual tracks with distinctive textures and additional melodic lines.

Musically, "Tomorrow's World" explores the intersection of synth-punk and darkwave, combining fast, catchy song structures with dense electronic production. The track "I Hope It’s Ok" was released as an advance single with a visual component; the accompanying video was created in collaboration with Eyedress. The album title refers to the British TV show of the same name and reflects the idea of what early technological utopias might sound like in a punk-oriented present. Stones Throw is issuing the LP in physical form; in addition, the release is available digitally, making Dave Sitek’s production and the guest contributions accessible across multiple formats.

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2LP | 2026 | US | Original (Aloha Got Soul)

Music For The Airport

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Music For The Airport” gatefold double LP compilation is released on Aloha Got Soul and brings together 17 original recordings by artists from Hawai‘i, assembled as a direct response to the AI-generated pieces that have been played at Daniel K. Inouye International Airport since November 2025.

Drawing on recordings from the period 1984 to 2017, it spans, style-wise, a range from soul through Hawaiian and jazz to rock and R&B. The selection emphasizes craft-driven songs from the so-called CD era, which Aloha Got Soul presents as an authentic counterpoint to machine-made muzak. The release comes as a gatefold double LP and includes liner notes.

Conceptually, the compilation refers directly to Brian Eno’s question about appropriate music for airports and positions itself as a cultural response: instead of anonymously generated soundscapes, it foregrounds human voices, regional identity, and fair compensation for artists. The project emerged quickly from the label’s catalog of records, yet remained thematically deeply rooted in the relationships with the participating artists.

As a release by the Honolulu-based label, this compilation marks a moment of defending local culture and of heightened awareness of the economic impact of AI in the field of music. It invites listeners to once again experience the sound of Hawai‘i as something made audible by human hands.

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LP | 2011 | US | Reissue (Many Hats Dist)

La Dispute

Wildlife

Pure Ecstasy Indie Exclusive Vinyl Edition

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The "Wildlife" LP by La Dispute is released by Many Hats Dist and presents the band’s second studio album in a durable vinyl pressing. The record offers 14 tracks and runs for nearly an hour, with the structure of the songs leaving room for extended narrative passages and dense musical build-ups.

Musically, La Dispute weave their post-hardcore roots together with literary-influenced lyrics and a theatrical yet direct vocal delivery; Jordan Dreyer’s voice often functions more as a spoken recitation than as a conventional carrier of choruses. The arrangements shift between driving guitars, precise drum patterns, and restrained, atmospheric passages, giving the record both narrative tension and emotional impact.

The recordings took place in multiple studios and were largely overseen by the band itself; the engineering teams around Andrew Everding and Joe Pedulla were responsible for capturing the raw, unvarnished sound. Characteristic of the recording process was the focused approach to the vocals and the deliberate avoidance of artificial reverb coloration in order to preserve the immediacy of the performance. These production choices emphasize the narrative density and sonic clarity of this defining album.

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Beartooth

LP | 2026 | US | Original (Fearless)

Acid Head Black Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Pure Ecstasy by Beartooth, released 28 August 2026.

This version of Pure Ecstasy comes as a 1xLP.

The vinyl is pressed as a to be confirmed disc.

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The Velvet Illusions

LP | 1967 | EU | Reissue (Guerssen)

LP | 2019 | US | Reissue (Cleopatra)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Velvet Illusions were a teenage garage-psych band formed in Yakima, Washington in 1966, with members aged only 14–17 when they began. Their debut “Acid Head” attracted controversy after radio stations misunderstood its anti-drug message and banned it. The band later moved to Los Angeles during the Summer of Love, recording at studios including Sunset Sound. This collection brings together their rare psychedelic garage recordings, including “Acid Head”, “Town Of Fools”, “Velvet Illusions”, “Born To Be A Rolling Stone”, “Lazy”, “Mini Shimmy” and “The Stereo Song”. Includes an insert with detailed liner notes and photographs. Eingefügter Text

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Enuff Z'nuff

Greatest Hits

24,99 €*

Life'll Kill Ya Clear Vinyl Edition

Release: 2019 / US – Reissue

Genre: Rock & Indie

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The “Greatest Hits” LP by Enuff Z'nuff is released on Cleopatra and includes the band’s most defining songs, including the singles “Fly High Michelle,” “New Thing,” and “Mother’s Eyes.” The compilation focuses on the catchy melodies and compositional strengths that have characterized Enuff Z'nuff since the late 1980s and presents the tracks in a clear, accessible sequence that highlights both the band’s more rocking moments and its soaring ballads.

Cleopatra is issuing the LP as a physical release and offering it in splatter-colored pressings, making these editions appealing to collectors as well. The album provides a compact overview of the classic side of the band, which is rooted in classic rock, and puts the spotlight on melodic songwriting, multi-part vocal lines, and guitar-driven arrangements. For listeners looking to find the key milestones of Enuff Z'nuff on one record, the “Greatest Hits” LP delivers a focused selection that brings together both the radio hits and standout album tracks in a concise format.

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Warren Zevon

LP | 2000 | US | Reissue (Friday Rights Management, Llc)

43,99 €*

Buffalo Springfield Again Atlantic 75 Series

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Life'll Kill Ya by Warren Zevon, released 7 August 2026.

This version of Life'll Kill Ya comes as a 1xLP.

The vinyl is pressed as a to be confirmed disc.

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Buffalo Springfield

2LP | 2023 | US | Reissue (Analogue Productions)

87,99 €*

LP | 2026 | US | Original (Artist Theory)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Buffalo Springfield's second album

Featuring "Bluebird," "Rock & Roll Woman" and "Expecting to Fly"

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic.

Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at No. 44 on the Billboard Top LPs chart. As of 2012 the album was No. 188 on Rolling Stone's list of the 500 Greatest Albums of All Time.

Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow," both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point.

Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame," with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco.

Analogue Production's reissue skill makes this record sound killer. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering. Double LP cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.

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Nieve Ella

How Long Will It Take

30,99 €*

LP | 1973 | Reissue (Yonca Müzik)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “How Long Will It Take” LP by Nieve Ella is being released on Artist Theory and marks the long-awaited debut album by the singer-songwriter. Announced as an eleven-track work, the LP is coming as a physical release via Artist Theory and compiles previously released singles like “Drive” and “Bite Back” together with new material. The album is scheduled for release on October 16, 2026.

Songwriting and production were developed in close collaboration with Jamie Rendle; many tracks were co-written with bandmate Finn Marlow. The songs range from concise, melodic pieces to dense arrangements that focus on personal lyrics about growing up, identity, and relationship dynamics. “Standing On A Pane Of Glass” was released as an advance track and highlights the combination of immediate hooks and carefully layered guitar textures.

On the LP, Nieve Ella relies on striking melodies, a clear vocal line, and carefully placed guitar parts that recall the guitar aesthetics of the 1990s without falling back on conventional templates. Jamie Rendle’s production emphasizes dynamics and intimacy, keeping Nieve Ella’s voice consistently at the center. With “How Long Will It Take,” Nieve Ella delivers a cohesive debut that makes the multilayered nature of her songs audible on Artist Theory.

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Mazar Ve Fuat

Türküz Türkü Cagiririz

LP | 2026 | EU | Original (Bright Carvings)

Release: 1973 / Reissue

Genre: Rock & Indie

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The LP “Türküz Türkü Çağırırız!” by Mazhar ve Fuat was released on Yonca Müzik in 1973 and stands as one of the early examples of Turkish folk melodies being fused with Western guitar sounds and psychedelic arrangements.

The album documents Mazhar Alanson and Fuat Güner during a period preceding their later work with MFÖ. The tracks explicitly draw on the tradition of Turkish folk poetry, including a setting of a poem by Aşık Veysel and an adaptation of Yunus Emre, while combining acoustic guitars, organ textures, and occasional electric-guitar accents into a folk-infused rock sound. Production and arrangement contributions from figures such as Zafer Dilek also shape the album’s sonic character, which incorporates country and folk-rock influences alongside the English-language track “Upside Down,” broadening its stylistic scope. The record was rediscovered and reissued as a pioneering document of Anatolian psychedelia; early reissue projects emphasize physical editions on heavyweight vinyl as well as accompanying texts. Particularly noteworthy is the later impact of several individual tracks: “Adımız Miskindir Bizim” was sampled in productions such as Action Bronson’s “Easy Rider,” while “Sür Efem Atını” was also used by producers in a sampling context.

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Pink Cheeks

45,99 €*

LP | 2026 | US | Original (Mint)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Previously unreleased 1969 heavy psychedelic and early progressive rock rescued from the only known copy of a Shield Studios acetate. Side one delivers three guitar-driven psychedelic tracks backed by Hammond, bass and powerful drums, while side two moves through a garage-progressive interpretation of “Jerusalem” and a blues-tinged guitar epic. References include Open Mind, Harsh Reality, Pink Fairies and Human Beast. Limited to 227 copies with laminated sleeve and two inserts.

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Knitting

Souvenir

Release: 2026 / US – Original

Genre: Rock & Indie

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7" | 2026 | EU | Original (Stroom)

Lazaar Vanderschrick

Salut

16,99 €*

LP | 2026 | US | Original (Bomber)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Lazaar Vanderschrick’s “Salut” 7-inch, released by Stroom, delivers a concise statement across two compact tracks. The A- and B-sides feature the titles “Faux Masques” and “Mauvaise Foi,” which combine dense arrangements and clear melodic lines within their brief running times without getting lost in superfluous ornamentation. Released by Stroom, the 7-inch relies on direct song structures and pared-back yet effective production that places Lazaar Vanderschrick’s voice and compositional direction at the center.

Behind the pseudonym is Victor De Roo, who returns to Stroom for “Salut” and presents the release as part of a larger artistic project: “Mauvaise foi (Feat. Iwza)” also serves as the single accompanying his literary debut, “Heil.” De Roo’s versatility as a producer, DJ, performer, and author is reflected in the track selection and the release’s theatrical density, which explores both narrative and musical tensions. The connection between the song and its accompanying writing project gives the “Salut” 7-inch an additional dimensional layer, further sharpening interest in Lazaar Vanderschrick as both a storyteller and a musician.

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Dispatch

Bang Bang

Illusion & Doubt White, Black, Marble Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Bang Bang" LP by Dispatch is released on Bomber and brings together the songs with which the band sharpened its early identity as a self-contained indie-roots project. The record includes both studio and live recordings and presents the band’s early lineup in a sound that oscillates between acoustic songwriting and rhythm-driven arrangements.

Musically, the album moves in a tension field between folk-tinged melodies, reggae-influenced rhythms, and an open jam aesthetic; distinctive vocal harmonies and alternating lead vocals are characteristic of Dispatch’s style. Tracks like "Here We Go," "Bang Bang," and the band version of "The General" exemplify the blend of narrative lyrics, catchy choruses, and occasional excursions into driving groove passages. This mix makes the release an early document of the band’s musical direction.

The recordings were made at LakeWest Recording Studio in West Greenwich, Rhode Island; the album was produced jointly by Dispatch and Jack (John Paul) Gauthier, who also handled the mix. Mastering credits go to John Mailloux, and a later remastered version was completed in 2004 by Seth Foster. These production details help explain why many tracks retain an immediate, hand-made sonic aesthetic that clearly reveals the throughline of their early work.

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Dead South

LP | 2026 | US | Original (Six Shooter)

LP | 1992 | US | Reissue (Rhino)

Release: 2026 / US – Original

Genre: Rock & Indie

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The White, Black, Marble vinyl edition of the “Illusion & Doubt” LP by Dead South was released by Six Shooter and brings the album to vinyl in a striking colorway. This edition puts the distinctive collection of songs on a physical record and combines classic presentation with a visual accent that offers fans of the album a new tactile experience.

“Illusion & Doubt” showcases the narrative power of Dead South and includes classics like “Boots,” “Dead Man’s Isle,” and “Delirium,” distinguished by concise melodies and tight arrangements. The recordings were made under the technical direction of Jason Plumb; the project was supported by contributions such as violin parts from Eduard Minevitch, which add extra color to individual tracks. Produced and mixed in studio settings, the record captures the band’s immediate playing style and makes their compositional range clearly audible. For the band, “Illusion & Doubt” marks an important step in the evolution of their discography and was recognized with a Juno Award. With this vinyl edition, Six Shooter focuses on a careful presentation of the work and offers collectors and newcomers alike a focused physical version of “Illusion & Doubt” by Dead South.

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Mudhoney

Piece Of Cake

LP | 1971 | US | Reissue (Rhino)

Release: 1992 / US – Reissue

Genre: Rock & Indie

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The “Piece Of Cake” LP by Mudhoney is being released on Rhino in a remastered, expanded edition that presents the album sequence across 17 tracks. The release brings together well-known cuts such as “No End in Sight,” “Make It Now,” and the single “Suck You Dry,” and offers the concise running time of the original version, supplemented by remastered versions of the individual tracks.

The recordings were overseen by Conrad Uno; the production relies on direct, stripped-down arrangements and preserves the band’s gritty core character. Musically, the album works with lean, powerful riffs, targeted bursts of noise elements, and prominent lead lines, with the wah-wah-laden guitar in “Make It Now” standing out as a striking detail. Even upon its initial release, the record drew attention for its blend of aggressive energy and compact song forms, a balance that is preserved in this remastered edition.

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Mott The Hoople

Brain Capers

LP | 1976 | US | Reissue (Rhino)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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The “Brain Capers” LP by Mott The Hoople is being released on Rhino and is offered as part of the Rhino Reserve releases within the Rocktober campaign, placing the album in the label’s line of reissued classics. This release presents the band’s original work in an edition that makes the album available on LP and brings “Brain Capers” back into focus.

Musically, “Brain Capers” captures the moment when Ian Hunter emerges more clearly as a songwriter; originally released in 1971, the record combines driving rock tracks with expansive, multi-layered arrangements. Producer Guy Stevens was responsible for the rough, impulsive sound that shapes standouts like “Death May Be Your Santa Claus” and the epic “The Journey,” pushing the band into tougher, more immediate territory. Alongside Hunter’s own compositions, the LP also features interpretive turns and tight band performances that expand Mott The Hoople’s early catalog and confirm the album’s status as the group’s fourth studio release.

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Al Stewart

Year Of The Cat

Watermelon Colored Vinyl Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie

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The "Year Of The Cat" LP by Al Stewart is released on Rhino and documents the album that brought the songwriter his commercial breakthrough.

Musically, the work combines narrative folk with sophisticated soft‑rock arrangements; the tracks function as small literary scenes, carried by warm string passages and subtly rock‑oriented instrumentation.

Production was handled by Alan Parsons, whose technical precision gives the recordings clear, spacious soundscapes. The title track was written in collaboration with pianist Peter Wood; Tim Renwick contributed the distinctive guitar parts, while Phil Kenzie recorded the striking saxophone solos — reportedly captured at Abbey Road in just one or two takes.

Also characteristic of this release are the orchestral arrangements by Andrew Powell, as well as the carefully placed backing vocals and instrumental details that give the album its balance between narrative songwriting and studio‑fine production. This LP condenses Al Stewart’s characteristic sound into a compact form focused on the essentials.

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Howlin Rain

LP | 2026 | US | Original (Silver Current)

LP | 1973 | EU | Reissue (Life Goes On)

Release: 2026 / US – Original

Genre: Rock & Indie

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Howlin Rain’s “Watermelon” LP is released on Silver Current and presents Ethan Miller with a newly assembled band that reimagines familiar songs from the 1960s and 1970s. The album includes adaptations of compositions by Mountain, Judee Sill, Moby Grape, Fairport Convention, Todd Rundgren and Scott Walker, among others. The lead single is “Silver Paper,” featuring guest vocals by Chris Robinson, while “30 Century Man” features Ty Segall on vocals and guitar. Howlin Rain relies on tight band arrangements: Ethan Miller (vocals, guitar) is joined by Jonny Niemann on keyboards, Justin Smith on drums, Jason Soda on electric guitar and Kyre Wilcox on bass; David Nance contributes vocals on one track.

Musically, “Watermelon” ranges from grooving chug and blown-out fuzz to extended, cosmic passages that combine the band’s classic rock roots with psychedelic nuances. The recordings were made at Palomino Sound, with Eric Ruscinski and Jason Soda serving as engineers; Jason Soda handled the mixing, while Tim Green mastered the album at Louder Studios. The cover art is by Francesco Malacrea, with the layout and design by Arik Roper and Ethan Miller. “Watermelon” will be released as an LP on Silver Current on November 13, 2026.

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Friedhof

19,99 €*

LP | 1971 | EU | Reissue (Endless Happiness)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Friedhof was a German band from the early 1970s that released a single self-titled album and then faded into oblivion. The album is a collection of totally insane jam sessions. The classic power trio had no vocals, and while retaining certain extreme krau

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Peter Hammill

Fool's Mate

27,99 €*

LP | 2026 | US | Original (Rhino/Warner Bros.)

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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The Peter Hammill's debut solo album was released in 1971 while he was still a member of Van der Graaf Generator. It features a more accessible, song-oriented approach than his later solo work, blending progressive rock, art rock, folk and baroque-pop influences. Recorded with contributions from fellow Van der Graaf members Hugh Banton, Guy Evans and David Jackson, as well as Robert Fripp on guitar, the album alternates intimate, introspective songs with darker and more dramatic compositions, showcasing Hammill's distinctive voice and poetic lyrics. Fool's Mate captures Hammill at the transition between traditional singer-songwriter material and the more experimental, theatrical and uncompromising style that would define his later work. A new reissue on vinyl after about 40 years from the last.

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Mudhoney

Live! 1993-1998

LP | 2026 | US | Original (Oh Boy)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Live! 1993-1998” LP by Mudhoney is being released on Rhino/Warner Bros. and brings together live recordings that span the period from 1993 to 1998. The release documents various snapshot concert moments and presents Mudhoney as a powerful live band, with their stage presence and immediacy at the center. The edition has been announced for the physical market and is scheduled for a specific release date in fall 2026.

On this release, Mudhoney showcase their raw live profile: distorted guitars, driving rhythms, and Mark Arm’s distinctive vocals form the sonic backbone, joined by crowd noise and spontaneous interactions as partial sonic features. Individual tracks such as “Suck You Dry” and the live-documented “Ghost” are cited as exemplary moments and convey an impression of the band’s dynamics between punk directness and expansive rock. The selection underscores Mudhoney’s consistency as a high-energy live act and makes the “Live! 1993-1998” LP a compact live collection for fans who want to experience the band in their most immediate performing form.

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John Prine

Found Dogs

LP | 2026 | EU | Original (Stroom)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Found Dogs” LP by John Prine is being released on Oh Boy and presents a curated collection of material from the making of “Lost Dogs & Mixed Blessings.” The compilation includes alternate takes, solo acoustic recordings, and five previously unreleased Prine originals that offer insight into his songwriting and studio work from that period. Initially issued as a limited Record Store Day edition of 2,000 individually numbered copies, the set is aimed equally at collectors and listeners interested in lesser‑known facets of his work.

As an advance track, the recording “World Without Love” was released along with a video; the album itself will be released on October 9, 2026, in physical and digital formats. With “Found Dogs,” Oh Boy presents a focused companion to the 1995 album, characterized by intimate takes and documentary snapshots of the sessions. As performer and songwriter, John Prine remains the unifying element of this LP, while the editing and sequencing place the focus on unreleased versions of his compositions. The “Found Dogs” LP on Oh Boy thus provides a precise addition to Prine’s body of work and offers new material for anyone who wants to explore his songs beyond the well‑known albums.

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Basma & Temir Alcy - Nad

Nad

The Mannheim Rock Ensemble

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “Nad” LP by Basma and Temir Alcy is released on Stroom and, within a classic rock idiom, unfolds a precise, emotionally rendered exploration of loss and the slow return to life. The album doesn’t seek quick consolation, but instead traces subtle transitions between pain and gentle processing.

On “Nad,” Basma and Temir Alcy guide listeners through a sequence of vulnerable scenes: the fragile moments after the death of a beloved friend, the attempt to stitch a broken love back together, and the sudden shock that seems to drain the inside. Fear pulses, the body carries memories that are too heavy, yet little by little the darkness loosens. Breath returns, help appears in unexpected places, and memories surface in a hypnotic whisper that points the way back to softness and hope. This is no report of instant healing, but rather a tender awakening: the past is worked through, the self is reclaimed, and loving learns a different form. The release on Stroom leaves room for silence and concentrated moments; melancholy and emerging confidence alternate.

With “Nad,” Basma and Temir Alcy create space for resonance and hope; the pieces unfold gently and leave lasting impressions. Intimate and at the same time universally resonant, the album feels fragile and alive.

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Rock Of Joy

LP | 1971 | JP | Reissue (Nippon Columbia)

LP | 2026 | US | Original (Epitaph)

Release: 1971 / JP – Reissue

Genre: Rock & Indie

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The "Rock Of Joy" LP by The Mannheim Rock Ensemble was released on Nippon Columbia and brings together unusual rock arrangements of classical melodies, marking the album as a curious intersection between classical music and psychedelic rock aesthetics.

The program on the "Rock Of Joy" LP transforms familiar templates such as "Für Elise" and the "Hungarian Dances" into dense, distortion‑laden instrumentation; particularly striking are Hammond organ textures and assertive guitar sounds that transpose the orchestral material into energetic rock formations. The arrangements rely on tightly layered riffs and driving grooves, casting the melodies in a new harmonic light without obscuring the recognizable origins of the pieces.

Originally released in the early 1970s, "Rock Of Joy" as a Nippon Columbia release has attracted collector interest over time and later saw reissues of the material; the label’s edition once again makes the ensemble’s approach—part experimental, part accessible—available. For listeners seeking unusual overlaps between classical repertoire and gritty rock instrumentation, the "Rock Of Joy" LP by The Mannheim Rock Ensemble on Nippon Columbia offers a distinctly individual chapter.

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Garden

Bootleg

30,99 €*

LP | 2026 | GR | Original (Floga)

Release: 2026 / US – Original

Genre: Rock & Indie

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The Bootleg LP by The Garden is released on Epitaph; the record collects 14 tracks recorded in Los Angeles and self-produced by Wyatt and Fletcher Shears. The release translates the band’s stripped-down instrumentation into a clear, direct sound, highlighting both raw bass-and-drum structures and unexpected electronic textures.

The Garden, founded by twin brothers Wyatt and Fletcher Shears, have pursued a singular approach from the very beginning, which they like to call “Vada Vada”; this aesthetic stance is evident on Bootleg in the fusion of an experimental mindset with punk directness. Compact song forms alternate with more open passages, causing the record to oscillate stylistically between art-punk, lo-fi experimentation, and harsh rock elements.

Tracks such as “Ugly,” “Pin Drop,” “Bootleg,” and “Duck and Cover” illustrate the album’s range: at times forceful and abrasive, at others enigmatic and atmospheric. The self-produced approach lends the arrangements an immediate intensity and lets the brothers’ distinctive signature come through unfiltered. For fans of their incisive, unconventional sound, Bootleg marks a consistent continuation of their work.

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Atrophy

Chemical Dependency

Joan Jett & The Blackhearts

Release: 2026 / GR – Original

Genre: Rock & Indie

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The "Chemical Dependency" LP by Atrophy is released on Floga and documents the vinyl edition of the 1987 demo of the same name, which had previously circulated only on cassette. This release captures the raw energy of the early recordings on LP and brings the six tracks together in a compact collection, presented as they were originally recorded.

Musically, Atrophy clearly operates in the realm of thrash metal: jittery riffs, driving drum patterns, and aggressive vocals define the tracks, while memorable song ideas and occasional tempo changes also come into play. Titles such as "Chemical Dependency," "Preacher, Preacher," and "Beer Bong" showcase the demo's range, from sharp neck‑breakers to focused mid‑tempo passages; the songs remain tight and direct thanks to their short, to‑the‑point structures.

Atrophy hails from Tucson, Arizona and formed in the mid‑1980s; the material was recorded in 1987 and self‑produced, with engineering by Steve English at The Sound Factory in Hollywood. The early demos laid the groundwork for the later record deal and studio albums, but already reveal the band's characteristic blend of technically precise guitar work and an unvarnished thematic approach.

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I Love Rock 'N Roll

LP | 1981 | US | Reissue (Seeker Music)

Wish You Were Here Yellow Flame Vinyl Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie

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The "I Love Rock 'N Roll" LP by Joan Jett & The Blackhearts was released on Seeker Music and presents the album that definitively established Joan Jett as a solo artist with a permanent band lineup. The record includes the title hit, a cover of the Arrows’ song that quickly became the artist’s signature and brought her commercial breakthrough.

Musically, the album sits in the realm of powerful hard rock with clear roots in punk: distinctive riff work, tight song structures, and direct, no-frills vocals shape the sound. Alongside original compositions, there are several covers of well-known tracks that Joan Jett reimagined with a gritty attitude. The recording was produced by Kenny Laguna and Ritchie Cordell; the production emphasizes clear drums, punchy bass lines, and guitar-driven arrangements.

The band lineup marks the beginning of the Blackhearts era: Joan Jett handles lead vocals and rhythm guitar, Ricky Byrd takes over lead guitar, Gary Ryan plays bass, and Lee Crystal is on drums; the ensemble is augmented by guest contributions such as Eric Ambel on select tracks. The album was recorded at studios on Long Island and in New York, giving the recordings an immediate, band-centered live quality.

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Pink Floyd

LP | 2025 | EU | Original (Sony)

LP | 2025 | WW | Original (Diggers Factory)

Release: 2025 / EU – Original

Genre: Rock & Indie

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To mark the 50th anniversary of Wish You Were Here, the album first appears on "Yellow Flame" vinyl. With 'Shine On You Crazy Diamond', the hypnotic 'Welcome To The Machine', the snappy 'Have a Cigar' and the indispensable title song, Wish You Were Here is undoubtedly one of the most important albums in the history of pop music. The album's themes - absence, isolation, transience, and criticism of the insincerity of the music industry - are reflected in the iconic album cover. Even 50 years after it's release, "Wish You Were Here" sounds as up-to-date and vibrant as ever.

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Sun

Krystal Metal

Release: 2025 / WW – Original

Genre: Rock & Indie

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Yessonata Vinyl Edition Edition

Rick Wakeman

LP | 2024 | UK | Original (Fragile)

35,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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LP | 1973 | US | Reissue (Mobile Fidelity Sound Lab)

Emerson, Lake & Palmer

Brain Salad Surgery

LP | 2026 | EU | Original (Excelsior)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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The "Brain Salad Surgery" LP by Emerson, Lake & Palmer is released on Mobile Fidelity Sound Lab and presents the work first issued in 1973, long hailed as a milestone of progressive rock. This numbered 180 g, 33 RPM edition was sourced from the original analog master tapes and comes in an elaborate double gatefold Stoughton jacket with a fold-out insert, the signature packaging of this reissue.

Musically, the album is defined by theatrical arrangements, extended forms, and striking melodic arcs; Greg Lake’s memorable vocals and bass lines, Keith Emerson’s eccentric keyboard and Moog work, and Carl Palmer’s virtuosic drumming weave a dense sonic fabric. The monumental “Karn Evil 9” is considered the conceptual high point, its opening motif distilling the band’s imposing aesthetic into a single statement.

For this edition, Mobile Fidelity employed an audiophile mastering chain (analog tape → DSD → analog console → cutting lathe) and had the records pressed at Fidelity Record Pressing; the result brings out the tonality, nuances, and spatial breadth of the instrumentation, while the black, quiet vinyl surfaces support detail resolution and dynamics. Passages that move through textures, effects, and tempo changes are reproduced with precisely layered imaging.

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Triggerfinger

What Grabs Ya?

31,99 €*

LP | 2026 | US | Original (Polyvinyl)

Release: 2026 / EU – Original

Genre: Rock & Indie

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What Grabs Ya? by Triggerfinger, released 13 February 2026, includes the following tracks: "Soon", "Scream", "All My Floating", "Lines" and more. This version of What Grabs Ya? comes as a 1xLP. The vinyl is pressed as a eco-mix, to be confirmed disc.

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Jay Som

Belong

Release: 2026 / US – Original

Genre: Rock & Indie

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Jay Som’s “Belong” LP is released on Polyvinyl and marks Melina Duterte’s return to her longtime music project. After six years without a new album, “Belong” combines punchy power-pop moments with reverb-soaked ballads, electronic details, and big, anthemic choruses.

Duterte wrote, composed, performed, produced, recorded, and mixed the album herself, while opening up the creative process more than on previous Jay Som releases. Joao Gonzalez of Soft Glas, Mal Hauser, Steph Marziano, and Kyle Pulley contributed to the production and development. As a result, “Belong” sounds both personal and expansive: guitars, synthesizers, drum machines, and carefully layered soundscapes intertwine without sacrificing the directness of the song structures.

Jay Som also takes new vocal directions. “Cards On The Table” opens the album with electronic pop and harmonies from Lexi Vega, while Jim Adkins appears as a guest vocalist on “Float” and Hayley Williams on “Past Lives.” “Past Lives” in particular combines an angular rock impulse with a melancholic arc; “What You Need,” co-written with Gonzalez, thrives on buoyant rhythms, bright guitars, and distorted synthesizers. “Belong” thus presents Jay Som as a polished indie-rock production in which Melina Duterte’s work as both a songwriter and producer remains equally prominent.

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Ronnie Yoshiko Fujiyama & Cheetah Beat

Volume 1: Boy&Girl / Sabaku

7" | 2026 | JP | Original (Time Bomb)

20,99 €*

Them Vs You Vs Me Clear Vinyl Edition

Release: 2026 / JP – Original

Genre: Rock & Indie

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Rock / Garage / Punk

________________________________________

Vinyl

________________________________________

■ronnie Yoshiko Fujiyama & Cheetah Beat - VOL.1: Boy&Girl / Sabaku (7")

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Finger Eleven

LP | 2007 | US | Reissue (Artist Friendly Co.)

LP | 2026 | US | Original (Hit The North)

Release: 2007 / US – Reissue

Genre: Rock & Indie

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The clear vinyl edition of the “Them Vs You Vs Me” LP by Finger Eleven was released on Artist Friendly Co. and brings the album, originally issued in 2007, back in a listenable new pressing. The release includes the well-known crossover single material around “Paralyzer,” as well as other tracks that shift between rock-driven guitars and funky, rhythmic interludes; this balance between heavier riffs and danceable grooves defines the character of the album.

Musically, beyond the radio-friendly “Paralyzer,” the record offers quieter moments like “I’ll Keep Your Memory Vague,” showcasing the range of Finger Eleven, which unfolds across the album in changing arrangements. Producer Johnny K plays a key role in the production, which is reflected in the clear studio work focused on song dynamics. This clear vinyl edition underscores the documentary character of the release, once again laying bare the original song structures without adding any extra, unverified material.

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Always You

Against The World

Live & Loud Across The USA

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Against The World” LP by Always You is being released on Hit The North and marks a clear turning point in songwriting and production for the duo Christoph and Anton Hochheim. On the record, which will be released on November 13, 2026 via Hit The North, the brothers’ familiar melodic instinct meets a rougher, more experimental sonic aesthetic shaped by Jack Tatum (Wild Nothing), who handled production and mixing.

On “Against The World,” Always You weave dense guitar walls together with fractured synthesizer textures, crashing noise elements, and electronic rhythms, pushing the songs toward a compelling, contemporary take on classic rock forms. The title track “Against The World” serves as an immediate opener, while “Lone Luxury,” featuring a guest appearance by Gary Daly (China Crisis), introduces an unexpected vocal counterpoint.

The LP also documents a stylistic range, from driving, beat-driven passages to finely arranged ballads that expand the existing sonic world of Always You. With this release, Hit The North is launching a precisely produced, detail-rich record that clearly highlights both the song-focused signature style of the Hochheim twins and the modern production work of Jack Tatum.

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Foghat

3LP | 2026 | US | Original (Foghat)

43,99 €*

LP | 1970 | US | Reissue (Rhino)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Live & Loud Across The USA” LP by Foghat is being released on Foghat Records and documents the band in full live form: recordings were made at concerts in several U.S. cities over the past two years and capture the direct energy of the current lineup. The release features well-known numbers like “My Babe” as well as takes on classic tracks such as “I Just Want to Make Love to You” in newly recorded live versions, putting a clear focus on Foghat’s onstage power.

As the first live recording from this lineup, the release not only includes the Foghat performances, but also the additional material “Shaken & Stirred” by Earl & The Agitators, combining both the live repertoire and a complementary studio/side project on one record. The lineup features Roger Earl on drums, Scott Holt on lead vocals and guitar, Bryan Bassett on slide and lead guitar, and Rodney O’Quinn on bass; percussion and backing vocals are contributed by Eddie LeFebvre. With “Live & Loud Across The USA,” the band offers a clear testament to its continuing life on the road and delivers a release that appeals equally to fans of classic rock arrangements and high-energy live recordings.

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Todd Rundgren

Runt

LP | 2026 | EU | Original (Ad 93)

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The “Runt” LP by Todd Rundgren is being released on Rhino as part of the Rhino Reserve/Rocktober program; this reissue brings Rundgren’s 1970 debut album back to vinyl and puts the songwriter’s early song ideas front and center. On the album, Rundgren appears as vocalist, multi-instrumentalist, and producer, already applying the production approaches that would later define his career. The edition follows the single-LP concept Rhino announced for the series and offers a focused presentation of material that seeks a balance between straight-ahead rock and sophisticated arrangements.

Musically, “Runt” includes the pop single hit “We Gotta Get You a Woman” as well as tracks like “Believe In Me” and the multi-part suite “Baby, Let’s Swing/The Last Thing You Said/Don’t Tie My Hands,” which is often cited as a central moment of the album. The production emphasizes clear melodies and experimental studio effects, with Rundgren’s voice and layered instrumentation shaping the songs. Rhino’s edition of the “Runt” LP is aimed at listeners who want to trace Rundgren’s early songcraft and condenses this early chapter of his work into a compact, editorially curated release.

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Superfan

My Piledriver Heart

They're Only Chasing Safety

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “My Piledriver Heart” LP by Superfan is being released on AD 93 and documents Kali Priya Flanagan’s evolution as a songwriter and producer. Superfan serves as the compositional veil of Flanagan, a Brooklyn-based multi-instrumentalist whose work is presented here for the first time outside the record deal he signed already in his teens. The record marks both a personal and ambitious step away from the debut “Tow Truck Jesus” toward a more open sonic vision.

At the core of “My Piledriver Heart” is Flanagan’s self-developed “Acousticello” concept: a low-tuned acoustic guitar meets elaborated cello arrangements by Omeed Almassi and experimental, Eastern-influenced melodies, produced and largely recorded live with Hudson Pollock. The productions balance chamber music intimacy with pop-rock immediacy and revolve around heartbreak, self-determination, and a hopeful melancholy that Flanagan describes as weighing “being (myself) versus becoming myself.”

Musically, the release is heralded by previously issued singles such as “Apeiron (Fantasy Football),” “Miss W Jones,” and “Picture of Return.” Flanagan’s range also shows in live contexts: following the debut, he opened for The Strokes at Red Rocks, is deeply rooted in the New York DIY scene, and is active in the up-and-coming emo band Holidays in United States. The “My Piledriver Heart” LP on AD 93 brings these developments together into a clear, forward-looking album.

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Underoath

LP | 2024 | US | Reissue (Many Hats Dist)

2LP | 2004 | JP | Reissue (Universal Music Japan)

Release: 2024 / US – Reissue

Genre: Rock & Indie

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The “They’re Just Chasing Safety” LP by Underoath is released on Many Hats Dist and brings the band’s fourth studio album, originally issued in 2004, back in a special anniversary edition. With this release, Many Hats Dist presents the distinctive set of songs in full length and opts for elaborate packaging that lends the reissue additional value for collectors. The production of the record remains true to the original sound and emphasizes the interplay between clear melodies and aggressive vocal passages.

Musically, “They’re Just Chasing Safety” documents the phase in which Underoath began to structure their style in a more accessible way: Spencer Chamberlain delivers the raw shouts, while Aaron Gillespie contributes striking clean vocal parts, shaping the contrast that carries the album. Producer James Paul Wisner was responsible for the compact overall sound; J. R. McNeely handled mixing, Troy Glessner did the mastering, and on track 10 Aaron Marsh adds vocal accents. Songs like “A Boy Brushed Red Living in Black and White,” “Reinventing Your Exit,” and “It’s Dangerous Business Walking Out Your Front Door” are exemplary of the melodically sophisticated arrangements and dynamic rhythmic work. The Many Hats Dist LP thus offers a carefully reworked version of a defining chapter in the band’s history and makes “They’re Just Chasing Safety” accessible to vinyl listeners once again.

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Utada

Exodus

62,99 €*