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Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Bonus Coins

Angel Olsen covers “Something On Your Mind,” while Karen Dalton’s version is found on the flip The latest release in Light in the Attic’s 7" Covers Series Artwork by Los Angeles-based fine artist Robbie Simon Pressed at Third Man Pressing

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

43,36 Lw* 86,76 Lw -50%

Nancy Sinatra & Lee Hazlewood

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

33,50 Lw* 67,04 Lw -50%

LP | 2025 | UK | Original (Rough Trade)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Caroline

Caroline 2

Release: 2025 / UK – Original

Genre: Rock & Indie

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Julian Knoth von Die Nerven

Unsichtbares Meer HHV Exclusive Coke Bottle Green Vinyl Edition

LP | 2025 | EU | Original (Italic)

44,96 Lw*

4LP | 2025 | US | Original (Big Loud)

Release: 2025 / EU – Original

Genre: Rock & Indie, Classical Music

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Limited to 100 copies only available at HHV.

Julian Knoth (Die Nerven, Die Benjamins) will release his first solo album Unsichtbares Meer on 23 May 2025. ‘I started writing this album alone in a state of great depression and melancholy. In the end, it became a project of solidarity with many friends,’ says Julian Knoth. Close, fragile, honest, folk & lo-fi, voice, guitar & strings. Influenced by Johnny Cash, Cat Power, Feist, Adrienne Lenker.

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Stephen Wilson Jr.

Son Of Dad

199,47 Lw*

Release: 2025 / US – Original

Genre: Rock & Indie

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Stephen wilson jr / son of dad

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2LP | 2023 | EU (Nukleuz Blue)

Istanbul 70 Volume I-VI

107,55 Lw*

We Carry Eden Feat. Omar Ka

Release: 2023 / EU

Genre: Rock & Indie

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Quantity: 950
Release type: 'RSD First' Release

The original 2011 release is one of the first projects that globally focused on the golden era of Turkish popular music of the 1970s. Back then, both originals and a selection of remixes were released and created serious hype in collector scenes with rare (300 copies each) 7"s that have never been pressed again. Meanwhile, the Turkish psychedelic-folk-disco style got more popular and some collectors discovered it via this series.

Now at its 10th anniversary Nublu Records is compiling these 12 remixes under a special edition double-LP pressed on 180g purple vinyl.

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Son Of Chi

LP | 2025 | EU | Original (Music From Memory)

Live At The Ryman Red Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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An immersive long-form composition in two parts that seamlessly blends a collage of spoken word, field recordings and drones with elements of dub, jazz, fourth world and ambient music.

Son Of Chi is the latest project of Rotterdam-based multi-instrumenta

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Red Clay Strays

LP | 2025 | US | Original (RCA)

70,39 Lw*

Clifton / Rolling Stones Chenier

Release: 2025 / US – Original

Genre: Rock & Indie

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The Red Clay Strays - Live At The Ryman - Vinyl 2 LPOpaque Candy Red VinylThe Red Clay Strays bring the house down in their performance at Live At The Ryman. Produced by the multi-Grammy award winning Dave Cobb, the Live At The Ryman vinyl features four previously unreleased live performances including the fan favorite Till Things Get Right.

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Zydeco Sont Pas Sales (Limited Edition)

7" | 2025 | US | Original (Arhoolie)

39,10 Lw*

Tether Red Clay Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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"Zydeco et Pas Sals" is a song with humble origins that gave it's name to an entire musical tradition. Translating to snapbeans and no salt, a reference to the hardships of rural poverty, the song had a long history in the Louisiana countryside before it became a signature hit for Clifton Chenier, known as the King of Zydeco. With just his voice, accordion, washboard, and drums, Chenier fuses blues and R&B with the Creole and Cajun music bedrock of South Louisiana to create music that moves you. Now, sixty years after Chenier first recorded it, The Rolling Stones give the song their signature treatment. "Zydeco Sont Pas Sals" turns the accordion-driven classic into a rapturous rock'n'roll anthem. Sung entirely in French by Mick Jagger and featuring the spirited playing of iconic Louisiana accordionist Steve Riley, the Stones pay tribute to one of their musical heroes by capturing the whole-hearted euphoria of Chenier's performances. This limited edition 7" single features the Rolling Stones raucous version of the song on it's South side. On the North side is a version from Chenier's 1965 sessions with Arhoolie founder Chris Strachwitz, offering a contrasting take on the rollicking shuffle heard on his debut album. Taken together, these two versions of the zydeco classic evidence the ways that the Black music at the heart of zydeco and rock'n'roll-blues with it's depth and grit, and R&B with it's cadence and soul-have traversed the globe and united people and traditions.

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Annahstasia

LP | 2025 | EU | Original (Drink Sum Wtr)

With Trampled By Turtles Cream White Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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"My career has been a lesson in patience," says Annahstasia, having cultivated her musical language between blazes of intimacy and independence across different lives, locations, and iterations, loves lost and gained, expectations evaded and recreated. The rising troubadour's proximity to love for and from others, in society at large, and deeply within herself guides the spirit of her soulful, poetic folk songcraft. Love is the elemental constant, alongside her distinctly resonant voice, shading the singer-songwriter's music since her earliest self-taught recordings, back when a 17-year-old Annahstasia Enuke was discovered and propelled into the pressures of an industry that nearly stifled her greatest strengths. Artistic resilience, gratitude, and dedication to process have yielded Tether, Annahstasia's full-length debut on art-forward indie label drink sum wtr, a collection of beaming torch songs, orchestral hymns, and astral anthems that feel lived-in, drawn from the human experience and the spectrum of love.Annahstasia assembled the pieces of Tether slowly and with deep intention; she's carried these songs with her on the road, sang them for friends and strangers, and evolved them over time alongside her personal revelations. "The song is written, and then I have to live with it and see if I really believe what I'm saying," she explains. She brought material to sessions at the storied Valentine Studios in Los Angeles, joined by producers Jason Lader (ANOHNI and the Johnsons, Frank Ocean, Lana Del Rey), Andrew Lappin (Cassandra Jenkins, L'Rain, Luna Li), Aaron Liao (Liv.e, Moses Sumney, Raveena) and a range of accomplished musicians, including featured guests aja monet and Obongjayar. The recording became instinctual, done only in live takes to capture the feeling of the room, the community of the music. The sequencing was just as essential; she arrived at a flow with shifting energies and poignant arcs. The instrumentation swells, at times understated and others supremely lush, and through each arran...

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Alan Sparhawk

LP | 2025 | US | Original (Sub Pop)

Derya Yıldırım & Grup Şimşek

Release: 2025 / US – Original

Genre: Rock & Indie

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No one can help you build something beautiful quite like those who know you best. Alan Sparhawk knows this well. In his years in Low, he built decades of stirring music with his wife and lifelong creative partner Mimi Parker. In recent years, he has performed around Minnesota with his son Cyrus in DERECHO Rhythm Section, a funk band that also frequently features his daughter Hollis on vocals. There's an irreplaceable naturalism that comes with this kind of dynamic. Those who know you understand you. They love you. They want to help you bring your greatest passions to fruition.So it made sense that Sparhawk would turn to fellow Duluth musicians Trampled by Turtles to realize his latest record. As friends and mentees of Low's, taken under Sparhawk and Parker's wing from their earliest days as a bar band, Trampled by Turtles have performed with Sparhawk countless times over the years. The Duluth ties run deep: "There's a certain vibe that has to do with underdog syndrome, coming from a small town," Sparhawk muses. "Some of it is the weird grind and slackness that being at the mercy of Mother Nature puts in you. It humbles you."The two artists hold the kind of ironclad bond. Following Parker's passing in 2022, Trampled by Turtles invited Sparhawk to join them on tour to give him a space to be surrounded by friends. Occasionally, he would join them onstage. The outpouring of love was palpable every time they played together, a surge of warmth.When playing together is that powerful, why stop there? In winter, 2024, Sparhawk and Trampled by Turtles created With Trampled by Turtles, a record exactly as its name implies: Collective. Communal. Fraternal. Empathetic. A vessel for comfort, a reminder of the harmony that can exist when surrounded by those closest to you.Where White Roses, My God, Sparhawk's last album, plunged headfirst into electronica and radical vocal modulation, With Trampled by Turtles leans into the folk and bluegrass stylings of its backing band, Sparhawk's voice now completely unvarnished....

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Nem Kaldi

12" | 2017 | CH | Original (Bongo Joe / Catapulte)

33,23 Lw*

Release: 2017 / CH – Original

Genre: Rock & Indie

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The debut-EP of this Anatolian psych-pop sensation consists of four heart-melting gems in which Turkish folk music meets groove and electric action! Singer/multi-instrumentist Derya Yildirim teams up with fantastic drummer Greta Eacott (G-Bop Orchestra, One-Take Records) and three-quarters of Orchestre Du Montplaisant (Antonin Voyant, Graham Mushnik and Andrea Piro). With members originating from Turkey, Germany, France, Italy and Great Britain, Grup Simsek encapsulates the Outernational generation. Unlike in western pop culture, Turkish pop music is often focused on traditionalised songs and endless ways of reimagining these. Grup Simsek take the righteous and rich Turkish poetry to the future whilst not losing awareness of the past.

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Gather In The Mushrooms - The British Folk Underground 1969-1975

2LP | 2025 | UK | Original (Ace)

64,52 Lw*

Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Release: 2025 / UK – Original

Genre: Rock & Indie

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Compiled by Bob Stanley to document the acid folk scene, “Gather In The Mushrooms” was first issued in 2004 on Sanctuary as a CD-only release; it proved popular enough for a sequel entitled “Early Morning Hush” two years later.

This new edition of “Gather In The Mushrooms” contains the cream of both long-deleted compilations with a few additions – COB, Roy Harper, Fotheringay – that weren’t available to Sanctuary at the time. Though they aren’t traditional, these songs have an authenticity of their own, an autumnal atmosphere and a naivety which proved influential in the 00s neo-folk boom (Devendra Banhart, Joanna Newsom, Alasdair Roberts, Tunng et al) but impossible to replicate. For many of these acts at the end of the 60s, folk music and the hippy world that surrounded them was a way of life, a way of opting out from the Vietnam war, Angry Brigade and three-day-week early 70s. Anne Briggs lived in a caravan in Suffolk, Shelagh McDonald lived in a tent, Vashti Bunyan eschewed electricity; they weren’t part-timers. Listening to “Gather In The Mushrooms”, we are transported to a time when no one used the term post-modernist.

It may not have resonated with dyed-in-the wool political folkies, but over five decades later this music sounds very evocative of an England of yore – not necessarily one of poachers and pedlars, but one of long-haired youths in tie-dye T-shirts, bikers and hippies, acoustic guitars played in white stone cottages. Groups like Stone Angel (Bonus Track), Midwinter and Oberon made primitive, privately recorded folk albums; today they sound as distant and mystical as the field recordings of Alan Lomax. The sincerity and folk knowledge of a group like Forest becomes irrelevant once you hear something as eerie and evocative as ‘Graveyard’. Home-made, homely, warm as soup or chilling as a hoar frost, this is music of innocence and rare beauty.

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

48,31 Lw* 96,62 Lw -50%

Release: 2023 / US – Original

Genre: Rock & Indie

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Ryukyu Rare Groove Revisited Okinawa Pops 1957-1978

2LP | 2025 | JP | Original (Nipponophone)

82,12 Lw*

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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The album features 14 precious tropical groove tracks, including songs from Yara Families, the symbolic figures of this series, Shoukichi Kina, the pioneer of Okinawan folk rock, Mitsuko Sawamura, who made her way from Okinawa to American musical films, a

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Ryukyu Rare Groove Crossover

LP | 2025 | JP | Original (Nipponophone)

82,12 Lw*

American IV: The Man Comes Around

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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A compilation featuring jazz-funk, crossover, and big band jazz arrangements of Okinawan folk songs, including works by Kiyoshi Yamaya, which were previously highlighted in Diggers Dozen (bbe) by DJ Muro, known as the "King of Diggin'," as well as in Wamo

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Johnny Cash

2LP | 2002 | EU | Reissue (Universal)

78,21 Lw*

Derya Yildirim, Graham Mushnik

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Reissue of this classic produced by Rick Rubin on 180 gram vinyl

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Hey Dostum.Cak!

LP | 2023 | EU | Original (Buback)

23,45 Lw*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Not Now)

Ink Spots

Best Of

35,18 Lw*

LP | 2025 | EU | Original (Habibi Funk)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Best Of by The Ink Spots, released 11 June 2021, includes the following tracks: "If I Didn't Care", "I'm Beginning To See The Light", "You Were Only Fooling (while I Was Falling In Love)", "Into Each Life Some Rain Must Fall (with Ella Fitzgerald)" and more. This version of Best Of comes as a 1xLP. The vinyl is pressed as a opaque disc.

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Charif Megarbane

Hawalat

Mangekyou Red Vinyl Edtion

Release: 2025 / EU – Original

Genre: Rock & Indie

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If Hawalat sounds like a world tour that’s because it essentially is. “As much as Marzipan is a picture of Lebanon from the inside, Hawalat kind of picks up from where Marzipan finished but more looking to the outside, the diaspora, to the notion of exile.” Megarbane says he is interested in the connections between the global and the domestic, the mundane and the cosmic, and wanted to create space for non-linear progression.

Hawalat is based on the idea of hawala, informal money transfers that you can make to certain countries impacted by a lack of currency or unstable political and economic contexts. His use of the term on this album is not a financial one, Megarbane explains, but a nod to notions of creative exchange between “places, persons, generations.” It is the first time Megarbane called on other musicians in this way to inform his sound, including a collaboration with Sven Wunder on the song Helia featuring strings by the Stockholm Studio Orchestra.

The album opens with first single Hanadi, a punchy Somali-inspired track with warm non-lexical vocals and saxophone. It immediately pivots to the Dreams of an Insomniac, which balances soft, effortless vocals and keys with urgent violin intrusions. Al Dollarji feels like Megarbane’s bread and butter, that is Mediterranean sounds with intricate strings, while Al Bahriye takes this staple and introduces hip hop inflections. The result is a rich 17 track album that effortlessly blends genres and styles.

Including 8 page, 12" sized booklet with unseen photos and liner notes by Armani Syed.

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Yoshiko Sai

LP | 1976 | JP | Reissue (P-Vine)

LP | 2025 | US | Original (Atlantic)

Release: 1976 / JP – Reissue

Genre: Rock & Indie

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Yoshiko Sai’s 1975 debut album was a groundbreaking work, showcasing her deeply aesthetic and fantastical musical world. Blending traditional Japanese folk elements with an ethereal, dreamlike atmosphere, this masterpiece transports listeners into a mystical realm. The album’s hauntingly beautiful melodies are further elevated by Yuji Ohno’s masterful arrangements. A deep crimson red suits this mesmerizing classic perfectly.

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Sam Barber

Restless Mind

80,17 Lw*

10" | 2024 | UK | Original (Decca)

Release: 2025 / US – Original

Genre: Rock & Indie

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Double vinyl LP pressing.

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Salif Keita

Remixed

35,18 Lw*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Taiji No Yume Clear Vinyl Edtion

Yoshiko Sai

LP | 1977 | JP | Reissue (P-Vine)

Chettini And The Turkish Trio

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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Continuing from her debut album, Yuji Ohno once again joins as arranger, further enriching the musical depth of Sai’s surreal and eerie world, reminiscent of Kyusaku Yumeno’s literary strangeness. As suggested by the title Taiji (Fetus), this album delves even deeper into an introspective spiritual journey. At just 24 years old, Yoshiko Sai stood as a poet, painter, and singer—an artist in a league of her own. The album’s artwork is a masterpiece, and the reissue features a nearly transparent clear vinyl, evoking the ethereal world of the unborn.

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Oriental Soul

LP | 1972 | EU | Reissue (Ironhand)

43,01 Lw*

Release: 1972 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Ironhand Records is proud to present another magnum opus of East and West music: "Chettini and the Turkish Trio - Oriental Soul", first released in 1972.

Çetin Bükey, credited as Chettini, was a musician who, during his unique career in Turkey and the UK, has truly engaged in eastern, western and hybrid musical experiments with an adventurous and nomadic soul. Bükey has played along with Turkish music masterpieces and composed film scores with his brother, Metin Bükey. He also accompanied the iconic Turkish psychedelic folk rock singer Barış Manço.

In the UK, he continued his musical career with great opportunities such as a live jam with George Harrison and an exclusive appearance on Barbra Streisand's 1973 album "Barbra Streisand...And Other Musical Instruments".

Bükey's most notable work was the fabulous "Oriental Soul" album, which is now being reissued by Ironhand Records. On this reissue, Chettini and The Turkish Trio present a blend of soul and jazz with some psychedelic elements. The album is a tribute to Chettini's remarkable life, a life dedicated to bridging cultures, breaking musical boundaries and speaking the universal language of music. His legacy lives on in every note, every beat and every melody, reminding us of the beauty that emerges when East meets West, and when one soul establishes a bridge between worlds.

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Jugoton Funk Vol.1 - A Decade Of Non-Aligned Beats, Soul, Disco And Jazz 1969-1979

2LP | 2020 | EU (Everland Yu)

LP | 2019 | EU | Original (Glitterbeat)

Release: 2020 / EU

Genre: Rock & Indie

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Yugoslavia - six republics, four decades, one dictator and a single record label that ruled them all: Jugoton (Zagreb, Croatia). Jugoton was by far the country's largest label with the strongest and most diverse output that stretched from Balkan roots to contemporary trends and the sound of tomorrow . The early days of Yugoslavia featured strong censorship but by the end of the 60's the Communist party views softened up by a large degree. Westernized music already had a solid presence and first James Brown influenced compositions were released. Yugo funk, a term coined by DJ’s and crate diggers from the Balkans, encompasses a wide variety of performers and genres: from the 60's merseybeat rock bands, prog rock groovers and big band jazz orchestras to the late 70's sophisticated 4x4 funk and essentially everything in between. Jugoton Funk Vol.1, a first of its kind, celebrates the pioneer years of funk infused music released by Jugoton. While in pursuit of these treasures all over the Balkan region and beyond, the compilation’s selectors, Dr. Smeđi Šećer & Višeslav Laboš, both active as DJ's and crate diggers from the sole beginnings of the ex-Yu craze, wanted to capture the authentic and idiosyncratic funk sound of Jugoton and Yugoslavia. So here it is, comb your moustache, light up a fat one, turn up the amplifier and headbang away to these amazing tunes remastered from original master tapes dug out of the Jugoton vaults (now Croatia Records). - Compiled by Dr. Smeđi Šećer & Višeslav Laboš. Here’s the exclusive interview with Dr. Smeđi Šećer: www.psychedelicbabymag.com/2020/09/jugoton-funk-vol-1-a-decade-of-non-aligned-beats-soul-disco-and-jazz-1969-1979.html

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Altin Gün

Gece

50,83 Lw*

LP | 2010 | EU | Reissue (Warner)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Nominated for a Grammy!

Following their hotly tipped 2018 debut album “On” – Altın Gün returns with an exhilarating second album. “Gece” firmly establishes the band as essential interpreters of the Anatolian rock and folk legacy and as a leading voice in the emergent global psych-rock scene. Explosive, funky and transcendent.

The world is rarely what it seems. A quick glance doesn’t always reveal the full truth. To find that, you need to burrow deeper. Listen to Altın Gün, for example: they sound utterly Turkish, but only one of the Netherlands based band’s six members was actually born there. And while their new album, Gece, is absolutely electric, filled with funk-like grooves and explosive psychedelic textures, what they play – by their own estimation – is folk music.

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Zaz

LP | 1965 | US | Reissue (Antarctica Starts Here)

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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180 GRAM VINYL

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Jackson C. Frank

LP | 1972 | DE | Reissue (Universal)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Jackson C. Frank’s eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside.

Frank’s backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly became a fixture of the bustling folk scene. Performing a mix of blues standards and originals, he met fellow ex-pat Paul Simon who would put up the money to record Frank’s only LP.

For such a sparsely recorded work, Jackson C. Frank covers a lot of ground. From the rugged, world-weary opener “Blues Run The Game” to the stunning melancholy of “Milk And Honey,” Frank’s nimble acoustic guitar and passionate howls are all that is needed to power such authentic songwriting. Captured in a single-day session, these ten tracks are stark, gritty and seemingly out-of-place with time. There may be no ‘60s folk record that is simultaneously as rare and influential as Jackson C. Frank’s self-titled debut.

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Nick Drake

Pink Moon

Release: 1972 / DE – Reissue

Genre: Rock & Indie

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2LP+CD | 1998 | EU | Reissue (Because)

Manu Chao

Clandestino

Rai Sidi Bel Abbas - Volume 2

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO

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Drissi El-Abbassi

LP | 2025 | EU | Original (Nashazphone)

I Can Hear The Grass Grow Green Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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A second volume of hypnotic proto-Raï from Algeria by Drissi El-Abbassi, a pioneer of the style who bridged its early roots with synths, drum machines and multi-track digital recording techniques during the sound’s rapid evolution. Aye, it’s infectious stuff - hotly tipped to fans of Cheb Khaled, Omar Khorshid, Omar Souleyman!

Vol 2 gives a second shine to a figure relatively unsung beyond the North African Arabic diaspora, focusing on his unusually balmy, soft-voiced take on a genre that’s came to be known for its harder edges. Set to a mix of microtonal synth leads and swaying drum machines, El-Abbassi’s vocals emote with particular clarity and sensuality, carrying the jazz and psych rock-inspired early sound into a prototype of its current form.

Born in Sidi Bel Abbès, 70 kilometers south of Oran (the birthplace of raï) Cheb Mohamed Drissi, better known as Drissi Al-Abbassi, started his journey in 1978 when at 17 years old he joined Oran's Les Aigles Noirs, a group that played mostly covers of Western pop hits. Drissi released his first tape in 1979, accompanied on guitar by Les Freres Zergui legend Ahmed Zergui who lavished the tracks with wah wah riffs that helped the music achieve cult status in Algeria. His track 'Jat Jat' - which was included on the first volume - was covered by Cheb Khaled, one of the best-known Arabic-language singers in history, and soon the requests for solo shows were flooding in.

'Volume 2' spans Drissi's entire career, placing his early work with Zergui (who sadly passed away in 1983) alongside tracks from his time playing with Omar Assou, Kassem Atek, Nasser and Houari Toubi and then onto his later material using drum machines and synths to fill out his sound. Acidic synth stabs and pitch-bent leads cut through Drissi's folk-pop romanticism on 'Rani Ndal Nsâaf Feli Rayha Tlef', dancing with ornate strings and his signature thwacks, and winding behind jerky drum machine loops on the saturated and reverb-drenched 'Ala Jal Ouahda'.

Colour us enchanted with the lot of these, fuelled by a romantic and mournful cadence of French chanson mingling with more traditional microtonal Arabic modes and Maqam Hijaz scales in Drissi’s vocals, but also in the wah wah-licked quarter tone guitar which mirrors his voice and were introduced to the sound by Drissi and Kassem Atek from 1994. There are obvious parallels to be drawn with Omar Souleyman’s dabke Maqam in ‘Maak Probleme’, while the sultry sway of ‘Ala Jal Ouahda’, and expressive anguish of ‘Datli Laakli’, emphasised by tuff drum machine crack, are balanced by Drissi’s ribboning melodies that waver on hot air in the standout ‘Madanitch Lyame’.

The final two cuts depict the sound at its sexiest and most psychedelic; with the layered swirl of ‘Rani Ndal Nsâad Feli Rayha Clef’ recalling a more sensual analog to Islam Chipsy’s keyboard vamps, and ‘Mazal Galbi Tamaa’, weaving Arabesque geometries on the mind.

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Celestial

LP | 2025 | EU | Original (Ecstatic)

LP | 2025 | EU | Original (Oh Dear)

Release: 2025 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Ecstatic’s dreamiest cadets bliss out on a new album of acoustic and electric guitar, harmonium and synth tapestries, notably nestling a Romance cameo within a genteel toggle of atmospheric pressure redolent of Vini Reilly, BoC, Fripp & Eno, Ernest Hood, Roy Montgomery.

Back on (side) road after releasing quietly acclaimed kosmische gem ‘I Had too Much to Dream Last Night’ back in 2021 and the lysergic lushness of ‘Listen to the Sky’ a couple of years later, Celestial suggest a more sublime return to earth with the shine-eyed wonders of ‘I Can Hear the Grass Grow’, an album that soothes to the supine in eight shimmering parts of pearlescent melodic motifs marbling harmonious backdrops intended to tenderly comb nerves straight.

The duo take their role as seductive sandmen with a curious melodic wit that leaves something to the imagination whilst nudging it along the album’s narrative thread. A courtly flamenco lick flickers in opener ‘The Endless Stair’, one of the most restrained recordings we've heard from the childhood friends; blessed with just a little reverb and echo, as if a mic's been lowered into some dimly lit basement while Celestial puzzle out mystifying, interlocking harmonies. It hits a mid-point between John Fahey's raga-inspired Americana and Vini Reilly's rain-soaked Northern blues - the emotion throbs from every note.

Celestial's music is never too polished, giving it the fuzzy, uninhibited flair of a long-lost mail order private press and instilling it with a level of humanity that's rare to discover in the new-new age. Even when mysterious labelmate Romance turns up to ornament 'Mermaid Boulevard' with backmasked electronics, it's their low-slung Ry Cooder-esque guitar/bass that provides the narrative anchor, while the title track and spongiform analog textures of ‘Song For The rainy Season’ dial it right down to a Harmonia-via-BoC pastoral sublime. Vini Reilly and Eno’s influence is most surely felt on the swaying elegance of ‘Sweet Sleep, Angel Mild’, with a central motif that lingers on the mind long after it’s stopped playing, whilst their closing couplet perfectly resolves the cycle with a melancholic kiss-off for the ages.

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Sophie Zelmani

Lake Geneva

Release: 2025 / EU – Original

Genre: Rock & Indie

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Her fourteenth studio album, Lake Geneva, marks a new milestone in Sophie Zelmani's 30-year career and features 10 new songs, including the singles The Human Heart, Back to the Sea, and All I See Is You. With Lake Geneva, she will also embark on an extensive tour across Europe. The album is produced by Lars Halapi.

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Singapore Nuggets. The Ladies. Vol. 2

LP | 2025 | EU | Original (Akenaton)

Keep Walkin': Singles, Demos & Rarities 1965-1978 Sugar Me Pink Splatter Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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Second installment of this wonderful compilation of gems from the 60s and 70s Singapore music scene, focused on the amazing ladies that helped make it so vibrant. 14 gems of female fronted Pop Yeh Yeh, another eye-opening collection of amazing Singapore treasures. A new collection of female fronted Singapore recordings from the 60s and 70s, documenting one of the most vibrant music scenes during those incredible years. Be it as solo singers, backed by other bands or as band leaders, women had a huge presence on the Singapore music scene, and here's another 14 tracks to celebrate their legacy. All under the idiosyncratic Pop Yeh Yeh umbrella and each with her strong personality and musical tendencies, the music contained in this beautiful record is an absolute trip for anyone interested in 60s and early 70s music.

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

83,61 Lw* 104,52 Lw -20%

Low Sun / Los Chicos Tristes (El Michels Affair Remix)

Release: 2023 / US – Original

Genre: Rock & Indie

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Hermanos Gutiérrez

7" | 2024 | US | Original (Easy Eye Sounds)

26,79 Lw* 33,50 Lw -20%

Release: 2024 / US – Original

Genre: Rock & Indie

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Revival Vinyl Me, Please Edition

Annahstasia

LP | 2024 | US | Reissue (Vinyl Me, Please)

Afro-Indigenous Music From The North-Western Andes

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Revival is a folk EP showcasing Annahstasia’s uncompromising vision, recorded live by the artist and her band over a one-week period in a Joshua Tree Airbnb. She sought a DIY recording experience in order to center the ‘’human aspect'' of her music, something she was missing in her previous work — like the less stripped-back collaborative album Sacred Bull she made with Jay Cooper (which led to her opening for Lenny Kravitz throughout Europe in 2019).

‘’Folk as a genre is rooted around the essentials, there’s no fluff, there’s just the expression of your life experience in your standing and the world and your cultural viewpoint,'' Annahstasia said in an interview with VMP. ‘’I’m borrowing aspects from places that I might not even know that are just subconsciously in my space that to me elicit power, strength, this feeling of capability and warmth. All of those things symbolize power to me, so when I’m making my music as a folk artist, my folk music is directionally guided, inspired and motivated by making people and myself feel empowered.''

Each song on Revival, recorded in a single take, is driven by that self-determination and goal of empowerment. As the title implies, it’s a sort of rebirth for the artist, whose name even translates to ‘’resurrection'' in Greek. The result is a stunning and serendipitous project built to stand the test of time.

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Juyungo

LP | 2024 | UK | Original (Honest Jon's)

LP | 1971 | WW | Reissue (Earth)

Release: 2024 / UK – Original

Genre: Rock & Indie

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‘Since the 16th century, the Ecuadorian province of Esmeraldas has been home to a unique Afro-Indigenous culture originating in the integration of the Indigenous Chachi and Nigua peoples with African Maroon communities. Juyungo documents significant Esmeraldan artists and bands playing the Afro-Ecuadorian folklore of the province, as well as including some older field recordings. Based mostly on the marimba, whose origins lie partly in the African balafon, partly in Indigenous percussion instruments, the music is laced with call and response chants, ambient insect and bird noise, the filigree finger-styles of the Andean guitar tradition and the panpipes of the mountains. This is resonant insider roots music at its headiest — the mystic revelation of Esmeraldas, gully deep and lustral.’ - Francis Gooding, The Wire.

The fifth in our series of LPs compiling classic music from Ecuador. Customary Honest Jons runnings: a beautiful gatefold sleeve; superior pressing, with vivid, intimate sound; full-size, sixteen-page booklet, in colour throughout, with detailed, fascinating, bi-lingual notes, and stunning photographs.

The music is transfixing, magical; not like anything else. From start to finish, this album is continuously, profoundly immersive; a kind of journeying, trippy meditation about slavery and cultural resistance, identity and mix, places and spaces, futures and pasts. It’s inscrutable to net-surfing, algorithms, Shuffle. But for a taste try the insurgent marimba roller Agua Largo, jet-propelled by Rosa Huila’s rapturous blend of African spiritualist and Christian chant. ‘Healing music,’ Zakia called it on Gilles Peterson’s BBC show recently. And the ravishing pasillo Kasilla Shungulla — ‘calm your heart’ in the Quichua language — a duet between the Peruvian master-guitarist Raúl García Zárate and viola da gamba by Juan Luis Restrepo from Medellin, recorded in a baroque church in Buzbanza, Colombia.

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Dave Evans

The Words In Between

47,31 Lw* 63,09 Lw -25%

Release: 1971 / WW – Reissue

Genre: Rock & Indie

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Folkadelic Volume 2 - The Acid Jam

2LP | 2023 | EU | Original (Mood Mosaic)

64,52 Lw*

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Powerfull nice grooves from a series that might be beer named: "Acid folk renaissance " – as most of the work here come from the 70s, and a lot from those great years of the UK and US scene where it also seemed like there was plenty of folk in the music as well! A few of these cuts are downright acid , and all are filled with great instrumenta&on – in an approach that's a nice change from some of the more familiar Brit and US manners of the same genera&on. The &tles include, among the others: Nirvana’s Nova Sketch , Fi.y Foot Hose’s Rose, Pyranha ‘s Clepsydre , Kaleidoscope’s Keep your mind open, and more .

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Staying: Leaving Records Aid To Artists Impacted By The Los Angeles Wildfires

2LP | 2025 | US | Original (Leaving)

78,21 Lw*

Dancing At The Edge Of The World

Release: 2025 / US – Original

Genre: Hip Hop, Rock & Indie, Electronic & Dance

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Preorder shipping from 2025-06-27

Everything has changed, and it is changing still. The early days of 2025 (an already baleful year, vis-a-vis America’s darkening political horizon) have wrought heretofore unimaginable destruction in the land we now call Los Angeles. The wildfires that began on the morning of Tuesday, January 7th—and which are still raging—are, in scope and intensity, unlike any other disaster, natural or manmade, in the city’s living memory. Thousands of homes destroyed. Twenty four lives lost at the time of writing (that number will almost certainly rise), and innumerable lives forever altered. The devastation arrived suddenly, and has persisted over the course of a punishing and surreal week.

We rise in the morning after not sleeping. We check the air quality. We check the fires’ progress on the same app we’ve all installed (the City’s alert system keeps misfiring). We add another photo to the go bag. We wonder what the fuck the phrase “8% containment actually means,” or what distinguishes “ready” from “set” when the evacuation warnings are fired off within mere minutes of one another. And what happens when warnings turn to orders. We evacuate. If we have time, we walk through our homes, recording each room, narrating all our possessions, for “insurance purposes.” If we don’t have time we just go. We arrive somewhere…safe…safer? We exhale. Another alert... more

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Brooke Combe

LP | 2025 | Original (Modern Sky)

Release: 2025 / Original

Genre: Rock & Indie

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Miniature I And II Orange Vinyl Edition

Ko Shin Moon

LP | 2025 | EU | Reissue (Total Totem)

Grace & The Hodge Podge Bowers

Release: 2025 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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The album Miniature I & II by Ko Shin Moon released in 2022 got a repress in limited quantities and a special edition.

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Wine On Venus

LP | 2025 | US | Original (Grace Bowers Music)

Nancy Sinatra & Lee Hazlewood

Release: 2025 / US – Original

Genre: Rock & Indie

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Wine On Venus Grace Bowers & The Hodge Podge / Wine on Venus, her debut, finds her part of a crack band-which includes Josh Blaylock on keyboards, Brandon Combs on drums, Eric Fortaleza on bass, and Prince Parker on rhythm guitar, plus Esther Okai-Tetteh on lead vocals-and produced by John Osborne of the Osborne Brothers.

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Nancy & Lee Again Nancy’s Bootique Edition pressed on Tippy Toes Teal & White Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

39,92 Lw* 88,73 Lw -55%

Borga Revolution! Ghanaian Music (1983-1992)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Kalita Records Presents

2LP | 2022 | EU | Original (Kalita)

50,83 Lw*

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Kalita are proud to unveil the first ever compilationvfocussing on the phenomenon of 'Burger Highlife', avcrossover of West African melodies with synthesizers, discovand boogie that took over Ghanaian airwaves during the 1980's and beyond. Highlighting key recordings fromvgenre-defining artists including Thomas Frempong andvGeorge Darko, as well as more obscure sought-after tracksvby elusive bands such as Aban and Uncle Joe's Afri-Beat,vKalita come to the rescue of audiophiles, DJs andvmusic-lovers alike with 'Borga Revolution!' Spread over avdouble-LP housed in a gatefold sleeve. Accompanied by av16-page booklet featuring extensive interview-based liner notes on each artist and never-before-seen archival photos.

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Ena Tefariki / Oriental Shake, Farfisa Madness & Rocking Bouzoukis From The Greek Laika Movement (1961-1973)

2LP | 2021 | EU | Original (Radio Martiko)

68,43 Lw*

LP | 2017 | US | Original (P.W. Elverum & Sun)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Includes 16 page booklet. Monster grooves, driven by a perfect symbiosis of fiery oriental rhythms and the deep, relaxed heartbeat of the bass line, with virtuosic, intoxicating solos on bouzoukis, Farfisa organs, clarinets and violins. This is the sound of laika, Greek-oriental pop music from the 60s and early 70s that sets every dance floor on fire!

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Mount Eerie

A Crow Looked At Me

LP | 2025 | UK | Original (Clay Pipe Music)

Release: 2017 / US – Original

Genre: Rock & Indie

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A new Mount Eerie album unlike anything else in the Mount Eerie or Microphones back catalog. Eleven stark songs about basic deep grief, loss, real death, love, significance and non-significance, reality. Nothing wise or learned, just the described experience of living through unimaginable domestic obliteration, with names and dates.

contains: 11 songs, 42 minutes, very nice sounding vinyl, foil stamped front and back covers, heavy old style gatefold tip-on jacket with special Neenah “Slide” paper as the inner liner, silver on black, all the lyrics, double sided art poster, free download card

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Cate Francesca Brooks

Lofoten

Love Like You Colored Vinyl Edition

Release: 2025 / UK – Original

Genre: Rock & Indie

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There are imagined landscapes we all carry within us—dreamed, half-remembered, or just beyond reach. Lofoten, the new album by Cate Francesca Brooks on Clay Pipe Music, is a musical reflection on one such place. Located above the Arctic Circle, Norway's Lofoten Islands are known for their dramatic peaks, open seascapes, and distinctive red fishing cabins dotting the shoreline. Though Brooks has never visited this remote northern region, it became an unexpected source of inspiration. The project began when Cate listened to a narrated "sleep story" set in the islands. Intrigued, she researched the region and found herself drawn to its stark beauty."I fell in love with creating an impression of somewhere I would probably never visit, but felt a real affinity with," she explains. This ambitious album translates that connection into sound. Through carefully crafted electronics, melodic themes, richly layered textures and big production, Brooks captures the essence of Lofoten—its icy light, vast horizons, and profound quiet."The other thing that happened around the same time was the first lockdown here in the UK. I had taken the opportunity of having some extra time to learn a new (to me) method of synthesis; that of the Synclavier, which uses one aluminium wheel and an array of buttons to control every parameter of the sound. "I took to it with intrigue and before I knew it, I had built up hundreds of original sounds, many of which were perfect for the textures I could hear in my head for Lofoten. So that (along with a Prophet synth and a Tr-808) became the sound world." Lofoten stands as an evocative testament to how music can transport us to distant places, transforming geographical limitations into imagined creative possibilities.

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Emma Nissen

LP | 2025 | US | Original (Shadow Mountain)

74,30 Lw*

What We Saw From The Cheap Seats Red Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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"Love Like You" is the soulful debut album from jazz-pop phenom, Emma Nissen. The title track is produced by Grammy and Emmy award-winning producer/music director Adam Blackstone, known for working with Maroon 5, Rihanna, and Justin Timberlake, the album captures Emma's signature "Jesus and jazz" style. Recorded at Milkboy The Studio in Philly with an all-star band, it's a record of unbelievable performances, but much like Emma's exuberant faith and timeless voice, hearing is believing.

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Regina Spektor

LP | 2012 | US | Reissue (Warner)

LP | 2009 | US | Reissue (Warner)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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What We Saw from the Cheap Seats (Translucent Red LP) Regina Spektor's 2012 album available on limited edition Translucent Red vinyl. What We Saw From The Cheap Seats sees Spektor reunited with production partner Mike Elizondo. - Sonically, the album is warm and full of live performances from Spektor on piano and vocals, and Elizondo on acoustic and electric bass. Together they flesh out lush arrangements, so that each song lives in a world of it's own. Includes "Don't Leave Me (Ne Me Quitte Pas), "All The Rowboats", "How" and more.

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Regina Spektor

Far Clear Vinyl Edition

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Far (Velum Clear LP) Regina Spektor's 2009 follow-up to Begin to Hope, available on limited edition Velum Clear vinyl. On Far, Spektor invites four esteemed producers; Jeff Lynne, Mike Elizondo, David Kahne and Garret "Jacknife" Lee, to collaborate on intricate and adventurous soundscapes for her songs. Includes "Two Birds", "Eet, "Laughing With", "Dance Anthem of the 80's" and more.

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Tsapiky! Modern Music From Southwest Madagascar

LP | 2025 | EU | Original (Sublime Frequencies)

LP | 2023 | US | Reissue (Fake Estate)

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Tsapiky music from Southwest Madagascar features wild ecstatic vocals, distorted electric guitars, rocket bass, and the amphetamine beat! Unlike anything else, this is THE high life music you've always wanted - ceremonial music played with abandon and ext

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Bill Orcutt

The Anxiety Of Symmetry

Open Vocal Phrases Where Songs Come In And Out

Release: 2023 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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"Bill Orcutt’s latest 'counting' album, The Anxiety of Symmetry, completes a trilogy on his Fake Estates label that started with Pure Genius (2020) and A Mechanical Joey (2021), all realized with his own Cracked computer music software. Comprising two 15-minute-long improvisations, the album’s terrain is limited to six samples of female voices singing the number of the corresponding note value in the first six pitches of a major scale. These are fashioned into compact phrases (1-2, 1-2-3, 1-2-3-4, etc.) that are looped and layered. As the loops combine in multiple permutations and cycles, their uneven lengths create polyrhythms and syncopations as well as harmonies. On the surface, Anxiety is unusually placid for Orcutt, reminiscent of Minimal classics like the 'Knee Plays' of Phillip Glass’ Einstein on the Beach (which also features sung numbers, although without the one-to-one relationship between pitch and interval number) and the breathy soprano voice loops in '2/1' from Brian Eno’s Music for Airports. However, the album’s title is adapted from Orcutt’s essay of the same name in the Spectres III anthology about a compulsive behavioral condition known as 'Just Right' and its parallels and possible applications to music, which suggests that this titular music’s inspiration is not trance- inducement, but rather a kind of mental obsession with ordering and re-ordering. In the essay, Orcutt posits that 'for the ‘Just Right’ subject composing or performing with the computer, the fixation with repetition, symmetry and arrangement in sound can be mediated with software, creating new prospects for both therapeutic engagement with their compulsions and the creation of music with a length, density and scale not possible without machines... Offloading one’s 'Just Right' auditory compulsions onto the computer fulfills the promise of automatic art, allowing the full expression of the subconscious by removing the need to focus on anything but the arrangement and rearrangement of elements, and the sounds themselves become merely a byproduct of the process of satisfying these feelings.'

The Anxiety of Symmetry might then be comparable to artist Hanne Darboven’s quasi-Minimal compositions and their basis in odd mathematical calculations derived from the calendar, in taking its cue from an extra-musical process. The two pieces’ polyphony is not far off from Orcutt’s recent Music for Four Guitars, but also marks Anxiety as a departure from both Pure Genius and A Mechanical Joey. The latter bypassed melody and harmony altogether; its relentless, phantasmagorical looping and subdivisions of Joey Ramone’s trademark onstage count-offs could be seen as a wry comment on the repetitions within repetitions of rock songs and their ongoing performances, or simply the monomania of years of touring for months on end. Pure Genius presented a male and female voice stolidly reciting the numbers that correspond to the notes of a scale that are simultaneously generated with sine tones (i.e., when a voice says 'one,' the first note of a scale is heard at the same time); Anxiety collapses Pure Genius’ juxtaposition of pitch and counting by having the numbers sung. Stripped down yet excessive (in the tradition of his other works with Cracked), Anxiety seems less like its predecessors’ deconstructions than a new kind of subversive easy listening."— Alan Licht

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Arthur Russell

LP | 2025 | UK | Original (Rough Trade)

Release: 2025 / UK – Original

Genre: Rock & Indie

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Parallelograms Blue Vinyl Edition

Linda Perhacs

LP | 1970 | EU | Reissue (Elemental)

70,39 Lw*

7" | 2024 | EU | Original (Habibi Funk)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Limited blue colored vinyl LP pressing. Released by the Kapp label in 1970, Parallelograms was the first album by American psychedelic folk singer Linda Perhacs. Disappointed by the meagre promotion of the LP by Kapp, she retired from the music world and continued working in her profession as a dental hygienist. Perhacs wouldn't record again until 2014, when she presented The Soul of All Natural Things. Despite all of these things, Parallelograms slowly developed a cult following and is now highly acclaimed by music lovers and critics.

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Cheb Bakr

Samh Almea'Ad

31,27 Lw*

The Taker/Tulsa Vinyl Me, Please Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Habibi Funk is excited to announce the release of Samh Almea'ad, a new 7" record by Libyan artist Cheb Bakr, hitting the shelves on December 6, 2024. Recorded in the early 2000s, Bakr’s music fuses the pulse of Libyan pop with R&B and hip-hop influences, bringing the energy of Benghazi to the dance floors of New York in the early 2000s. Cheb Bakr’s sound is a unique blend of styles that captures the essence of two worlds and includes production and vocals by Ahmed Ben Ali.

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Waylon Jennings

LP | 1971 | US | Reissue (Vinyl Me, Please)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
If there is a single album nexus point between what Waylon’s early career was like, and what his Imperial King of Country era was like, it’s The Taker/Tulsa: The one album from his pre-outlaw period that stands above the rest, a record that would help break an outsider songwriter to the Nashville mainstream, prove Waylon had instincts that couldn’t be taught and was maybe onto something that would
flower into all his commercial success later on.

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Forever Gamblin' On You HHV Exclusive Orange Vinyl Edition

LP | 2024 | EU | Original (Forager)

33,31 Lw* 51,26 Lw -35%

LP | 1974 | JP | Reissue (Universal)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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HHV Exclusive edition on orange wax, limited to 200 copies worldwide.

A full tank of gas, the gentle glow from the radio dial, & stretches of open highway await, Forever Gamblin’ On You meanders through miles of soulful AOR, funky folk, & dusty soft rock obscurities. A follow up to Sky Dust Drifter, this compilation was gleaned from American private press oddities & rarities of the 70s & 80s, all of which are seeing their first official reissues on this album. A celebration of love, rebirth, and exploration radiating like the warmth of a loved one from the passenger seat.

Featuring “Feeling The Fire”, a jazzy, AOR grooving declaration of love and desire taken from the sole release from The Mad Brother. The compilations’ title track “Forever Gamblin On You” by Petroc And Pals, features an echo-laden folk rock recollection of hard feelings delivered with swelling guitar in a mournful soft psychedelia. Angie Pepper’s “Miss You Too Much” dwells on a past love, rolling along with an effortlessly cool rhythm section, while Roy McComas croons of his manifested “angel of love” on the swirling psych folk cut “Girl Of My Dreams”.

Forever Gamblin’ On You unfolds as a hopeful yet equally melancholic collection of nomadic anthems, primed for a memorable journey along the back roads of familiar American landscapes.

Original artwork by Arina Kokoreva. House in a case wrapped style jacket for a period correct look & feel. Includes a 12”x24” fold out poster insert.

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Shrieks

Iruka No Uta

86,04 Lw*

LP | 2023 | CA | Original (Broken Bow)

Release: 1974 / JP – Reissue

Genre: Rock & Indie

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A 1974 album by Shrieks, consisting of Kazuo Kambe and Iruka (Toshie Hosaka), who later had a hit with "Nagori Yuki," is reissued on Shm-cd and analog LP!

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Dustin Lynch

Killed The Cowboy

36,67 Lw* 61,12 Lw -40%

Beauty In Your Wake Acoustic Limited Indie Exclusive Vinyl Edition

Release: 2023 / CA – Original

Genre: Rock & Indie

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Killed The Cowboy - Dustin Lynch Broken Bow Records

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Fink

LP | 2025 | Original (R'COUP'D)

LP | 2025 | EU | Original (Wewantsounds)

Release: 2025 / Original

Genre: Rock & Indie

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Tracklisting:1. When I Turn This Corner (Acoustic)2. Follow You Down (Acoustic)3. So We Find Ourselves (Acoustic)4. One Last Gift (Acoustic)5. What Would You Call Yourself (Acoustic)6. The Only Thing That Matters (Acoustic)7. Be Forever Like A Curse (Acoustic)8. Don't Forget To Leave Well (Acoustic)

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Al-Qasar

Uncovered

43,01 Lw*

Release: 2025 / EU – Original

Genre: Rock & Indie

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Wewantsounds is delighted to announce the release of Al-Qasar"s new album, "Uncovered", is a side-project from the group featuring covers from the Western and Arabic repertoires, as well as new originals composed by the group. The album was recorded in Europe and Africa and features guest appearances by Alsarah, Mamani Keita, Cheick Tidiane Seck and Sami Galbi. The group, who has recently come out of a US tour will give more concerts in 2025 to support the album and spread further their Arab-futurist psych rock sound.

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Lost Coast: Some Visionary Music From California

LP | 2025 | EU | Original (House Rules / Goaty Tapes)

Osmium White Vinyl Edition

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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A collection of obscure and unheard metaphysical sounds, 1980-1992

Lost Coast: Some Visionary Music from California assembles little unknown sounds from California’s metaphysical underground. Each recording is stylistically different—dream pop, guitar so

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Osmium

LP | 2025 | UK | Original (Invada)

LP | 1977 | JP | Reissue (P-Vine)

Release: 2025 / UK – Original

Genre: Rock & Indie

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Limited edition white vinyl (800 copies)The self-styled ritualistic electro-mechanical ensemble OSMIUM is a veritable supergroup. Made up of Oscar-winning composer and instrumentalist Hildur Gudnadóttir, veteran engineer and producer James Ginzburg, Senyawa's idiosyncratic vocalist Rully Shabara and Grammy-winning sound designer / producer Sam Slater, while each member brings along a laundry list of accolades, the project is far greater than the sum of its parts.Alloying burnished electroacoustic soundscapes with dense,metallic drones, barbed rhythms and buckled, bio-mechanicalvocalizations, OSMIUM's eagerly awaited debut album doesn't try to cast a rigid future.Rather, it tempers a viscous flow of unorthodox speculations that smolders through the distant past, blazing a trail all the way to the frontier of fate. Absorbed by questions about the relationshipbetween humans and technology, tradition and progression, theindividual and the group, OSMIUM channel their experience andexpertise into a set of forward-thinking sonic interrogations that skewer established cultural preconceptions. And although genre is acknowledged - the album draws from folk, doom metal, 20thcentury minimalism, industrial music and extreme noise - there'snever a sense that it's riveted firmly in place.Widely known for her soundtrack work (including `Joker' and`Chernobyl') Gudnadóttir plays the halldorophone, a uniquecello-like electroacoustic instrument designed by Halldór Ulfarsson that allows the performer to harness unstable feedback loops.Taking his cues from this process, Slater (who has worked alongside Jóhann Jóhannsson, Ben Frost and others) generates rhythmsusing a self-oscillating drum he designed with KOMA Elektronik and Subtext boss and Emptyset member Ginzburg responds in kind, producing booming tambura-like sonorities from a device hedeveloped himself based on the monocord, an ancient single- stringed resonator.OSMIUM synchronize the three unique instruments using a custom system of robotics...

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Yoshiko Sai

Mikkou Blue Vinyl Edtion

Nancy Sinatra & Lee Hazlewood

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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Centered around the theme of stowaways, this masterpiece album unfolds Yoshiko Sai’s mesmerizing fantasy world, rich with the exotic atmosphere of the Silk Road. A realm only a woman could depict, this sonic journey gently leads the listener into an introspective trance. The deep blue of the Silk Road, wandering through the restless nights of the mind, is beautifully reflected in the vinyl color.

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Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

38,43 Lw* 59,14 Lw -35%

LP | 1994 | EU | Reissue (Universal)

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Johnny Cash

American Recordings

Sigarasi Yaldizi / Mastika

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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Reissue of this classic produced by Rick Rubin on 180 gram vinyl.

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Oldu O Zaman

7" | 2023 | EU | Original (Les Disques Bongo Joe)

27,36 Lw*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Cansu Ak, Tolga Horasanli and Mehmet Koray Erol came together in 2019 to produce their own music with creating the band "oldu o zaman". Since they gathered as a band, 2 songs written, composed and arranged by them have been released by Avrupa Müzik. After that, the band decided to make their mutual dream which is covering and arranging Turkish traditional well-known folk songs with psychedelic and electronic elements to create a unique sound with their own touch. There was a psychedelic music trend in 70"s used in traditional Anatolian folk songs. Oldu o Zaman rearranged famous tavern song "Sigarasi Yaldizli" and a well known Turkish gipsy song "Mastika" by using this trend in electronic form.

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2LP | 2022 | EU | Original (Analog Africa)

Perú Selvático

70,39 Lw*

Tamino Ep Gold Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Less than a hundred miles inland from the capital city of Lima lies the great Peruvian jungle, an untamed land of impenetrable forests and endless winding rivers. In its isolated cities, cut off from the fashions of the capital, a unique style of music began to develop, inspired equally by the sounds of the surrounding forests, the roll of the mighty Amazon and Ucayali Rivers, and the rhythms of cumbia picked up from distant stations on transistor radios. With the arrival of electricity, a new generation of young musicians started plugging in their guitars and trading in their accordions for synthesizers: Amazonian cumbia was born.

Powered by fast-paced timbale rhythms, driven by spidery, treble-damaged guitar lines, and drenched in bright splashes of organ, Amazonian cumbia was like a hyperactive distant cousin of surf music crossed with an all-night dance party in the heart of the forest. While many of the genre’s greatest tracks were instrumental, and others were simple celebrations of life in the jungle, the goal of every song was to keep the party going.

Radio stations in Lima remained unaware of the new electric sounds emanating from the jungle, but a handful of pioneering record producers ventured over the mountain passes to the cities of Tarapoto, Moyobamba, Pucallpa – even Iquitos, a city reachable only by boat or plane – and lured dozens of bands to the recording studios of the capital to lay down their best tracks. Although many became local hits, few were ever heard outside the Amazonian region … until now. With eighteen tracks from some of the greatest names in Amazonian cumbia, Perú Selvatico is both the improbable soundtrack to a beach party on a banks of the Amazon and a psychedelic safari into the sylvan mysteries of the Peruvian jungle.

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Tamino

10" | 2022 | EU | Original (Unday)

41,05 Lw*

Release: 2022 / EU – Original

Genre: Rock & Indie

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The 2017 groundbreaking debut EP for Tamino-Amir Moharam Fouad, Tamino in short. The grandson of Egyptian actor/musician Moharam Fouad stormed the charts with the brilliant single 'Habibi', a song that envelops itself in a mist of melancholy and gloom. Tamino's phenomenal voice, ranging from a deep croon to a towering falsetto, goes right to the bone. He combines the tradition of the greatest singer-songwriters with his own Arabic roots. Belpop history was made right there.

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2LP | 2022 | EU | Original (Efficient Space)

Ghost Riders

Vom Bosphorus Bis Zum Rhein Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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A North American road trip of coming of age garage soul mapped by Ivan Liechti, Ghost Riders is Efficient Space’s latest narrative compilation, hovering in a liminal emotional ravine between moonlight melancholy, teenage heartache and unchecked, unrealised ambition. Across 17 open hearted ballads recorded 1965-1974, the 2LP collects and connects dots between British Invasion fanatics, child prodigies, the loners and the luckless, in a kind of trans-continental survey of those swept up in rock’n’roll mania and buoyed by local newspaper ads promising fame and gold records.

From the tangerine dreams of 8th grade all-girl combo The Mod 4 to the tri-state jukebox aspiring echoes of The Tempters, The Yardleys' poetic Farfisa vamp and lilting folk pop, and The Landlords’ weepy break up b-side blues, these are mostly one shots by dreamers whose experience was brief before being checked back to the reality of suburban normality and realistic career options. Hailing from the regional backwaters of Illinois, Arkansas, Nevada, Massachusetts, Ohio, Idaho, Texas and beyond, the licensed artists were scouted by way of local fire departments, spiritualist fellowships and animal welfare centres, often barely a stones throw from where their contributions were originally laid.

A barely teenage Dennis Harte's ‘Summer’s Over’ perhaps best taps the collection’s essence. A gut-wrenching lament of the passing of the season as if it was the last on earth. Flanked by players from The Left Banke, Harte, a now-piano tuner to the stars, is from the minor segment that found longevity in showbiz. Likewise with Michigan icon Lyn Nowicki who cast her ghostly voice over Beatles cover song chameleons The Common People and Jerry McGee, The Ventures member and conduit of Dr. John’s ‘Twilight Zone’.

Ghost Riders simmers with the scent of youthful summers, the pang of schoolyard romance, and the excitement (and disenchantment) of teenage naïveté, delivered via a deceptively simple and frequently wonky garage band set up. The vision of record collector and graphic designer Ivan Liechti, these eternal psych-folk howlers are further crystallised by Colin Young’s fastidious audio restoration, the original artwork of Elise Gagnebin-de Bons and an aptly penned forward from Sonic Boom.

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Ozan Ata Canani & Karaba

7" | 2022 | EU | Original (Fun In The Church)

15,76 Lw* 31,53 Lw -50%

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Limited to 100 copies-

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Habibi Funk: An Eclectic Selection Part 2

2LP | 2021 | EU | Original (Habibi Funk)

LP | 2021 | EU | Original (Habibi Funk)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Second compilation by Habibi Funk, following the success of the first part, featuring a wide range of music from North Africa and the Middle East.

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Roger Fakhr

Fine Anyway

Warte Mein Land, Warte HHV Exclusive Beige Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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"Beautiful melange of folk, jazz and sound from Lebanon. Recorded in late 1970s Beirut by Rogér Fakhr who at the time also played guitar for Ziad Rahbani and Fairouz.“

Rogér Fakhr is a musician from Lebanon. He recorded these songs in the late 1970s in Beirut (and some during a brief exile in Paris). Some were circulated on hand copied cassettes among friends, others like "Had To Come Back Wet" were never released. His music effortlessly combines folk with touches of jazz and soul. He wrote, composed and arranged all songs. While working on his own music he also played for Ziad Rahbani, Fairouz and other musicians.

When we first heard Roger's music we were blown away! The music was a mixture of folk with touches of other genres. Maybe one could also refer to it as “singer-songwriter”, since all of the songs were Roger’s own compositions. Songs of unique beauty both musically as well as lyrically. At the same time they gave me the feeling of them being somehow time and space isolated capsules. Nothing really revealed, where they could’ve been recorded and without knowing it was Beirut, my first guess maybe would have rather been California, sometime in the 1970s. The immersive effect of his compositions and voice are just incredible. I was stunned and proposed Roger to work on a re-release, which he politely declined, saying he had no interest in this music being reissued.

The vinyl version comes with a 8 page booklet and a DL code.

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Ozan Ata Canani

LP | 2021 | EU | Original (Fun In The Church)

41,89 Lw* 49,29 Lw -15%

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Limited to 300 units. Only at HHV.

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Saigon Supersound Volume 2

LP | 2018 | EU | Original (Saigon Supersound)

LP | 2017 | EU | Original (Rykodisc)

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

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Gillian Welch

The Harrow & The Harvest

Release: 2017 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | EU | Original (Efficient Space)

Sky Girl

46,92 Lw*

LP | 2015 | EU | Original (Türküola)

Release: 2016 / EU – Original

Genre: Rock & Indie

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2024 restock. Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. It's a DIY collection of different genres, from different countries across different decades, that are all bound by the same longing sentiment. A concept compilation! A seemingly disparate suite of selections of forgotten fables by more or less never-knowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery. From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience. If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release "Sarra" after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening. Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled Fire Star, a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection. Released by popular NTS show "Noise In My Head" offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe. Includes digital download. Also features: Linda Smith, Bruce Langhorne, The Seraphims, Some of My Best Friends Are Canadians, The Rising Storm, Warfield Spillers, Joyce Heath, Angel, Nora Guthrie and Once.

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Selda

Yuh Yuh

La Onda De Elia Y Elizabeth

Release: 2015 / EU – Original

Genre: Rock & Indie

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Reissue of German cassette release as vinyl after nearly 40 years. The songs are from the various singles and the debut LP. The title song 'Yuh Yuh' is from Selda's 1977 'Dostum Dostum'/'Yuh Yuh' single. Most of the songs are performed with the Anatolian Rock super group Dadaslar who are known for their works with Ersen. The group consists of Fehiman Ugurdemir (guitars and synthesizer, former Cem Karaca & Kardaslar guitarist), Ozkan Ugur ((bass, former Baris Manço guitarist) and Mehmet Gözüpek (former drummer of Bunalim) and creates a powerful groove with their psychedelic arrangements.

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Elia Y Elizabeth

LP | 2014 | EU | Original (Vampisoul)

50,83 Lw*

King Creosote And Jon Hopkins

Release: 2014 / EU – Original

Genre: Rock & Indie

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The recordings that the sisters Elia and Elizabeth Fleta made, hand in hand with music arranger Jimmy Salcedo in the early seventies in their native Colombia, remained hidden like lost pearls in the undervalued musical pop history of Latin America until today. Their concise and natural mix of styles sways between soft-pop with a touch of tropical-pastoral funk, singer-songwriter sweetened by the subtle perfume of Caribbean music and the psychedelia of a world in the midst of discovering all the possibilities offered by the recording studio. These elements blended graciously and fortuitously, brimming with freshness, in a perfect partnership of sharp melodies with lyrics inspired by a genuine juvenile curiosity about life's mysteries, love and nature in their simplest forms.

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Diamond Mine

LP | 2011 | UK | Original (Domino)

Release: 2011 / UK – Original

Genre: Rock & Indie

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LP | 2025 | EU | Original (James Marriott)

James Marriott

Don't Tell The Dog

Release: 2025 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-06-20

2LP | 2025 | US | Original (Provident)

Lake Brandon

King Of Hearts

89,95 Lw*

Låt Oss Vada Genom All Ängslan Tillsammans

Release: 2025 / US – Original

Genre: Rock & Indie

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Brandon Lake - King Of Hearts - Vinyl 2 LPKing Of Hearts is the 4th studio album from 5x GRAMMY Award-winning artist, songwriter, and worship leader, Brandon Lake. Following his 2023 breakthrough album COAT OF MANY COLORS which spawned massive hits like PRAISE YOU ANYWHERE and COUNT EM, King Of Hearts is a natural progression and a sonic level-up from Lakes previous work. Featuring the 15-week radio No. 1 song Thats Who I Praise, as well as the massive cross-genre collaboration with Jelly Roll, Hard Fought Hallelujah, this album is poised to impact lives of current Lake fans, while bringing brand new listeners into the fold. The 16-track album includes collaborations with Hulvey, Hank Bentley, Country music superstar Jelly Roll, and Gospel legend Cece Winans, and explores a wide sonic landscape. From the hard-hitting, in-your-face anthem SEVENS," to the personal lyric and poetic melody of Daddys DNA, to the albums more tender worship moments like The Half Has Not Been Told and Great I Am Can," each track offers a message of hope and inspiration in its own way, always pointing back to Jesus, the KING OF HEARTS.

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Enhet För Fri Musik

LP | 2015 | EU | Reissue (Discreet Music Discreet Music)

46,92 Lw*

Release: 2015 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Originally released on Förlag För Fri Musik back in 2015, now finally reissued on Discreet Music. The debut album from Enhet För Fri Musik and a very important piece in the Gothenburg-puzzle and the milieu around acts like Amateur Hour, Blod, Leda, Arv &

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Born In The City Of Tanta - Lower Egyptian Urban Folklore And Bedouin Shaabi From Libya's Bourini Records 1968-75

LP | 2025 | EU | Original (Sublime Frequencies)

Digging Central Asia: Musical Archaeology Along The Silk Road

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Egypt’s “official” popular music throughout much of the 20th Century was a complex form of art song steeped in tradition, well-loved by the middle and upper classes, and even accommodating to certain non-Arabic influences. It was highly structured by prof

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Anvar Kalandarov

Tape | 2025 | UK | Original (Death Is Not The End)

31,27 Lw*

Release: 2025 / UK – Original

Genre: Rock & Indie

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Anvar Kalandarov is a music archaeologist, musician and producer from Tashkent, Uzbekistan with a focus on unearthing rare and hard to find gems from across Central Asia. Last year he compiled Synthesizing the Silk Roads: Uzbek Disco, Tajik Folktronica, Uyghur Rock & Tatar Jazz, released in collaboration with Ostinato Records. He also runs his own label Maqom Soul Records. Digging Central Asia is a mixtape that journeys through the psychedelic landscapes of the Silk Road, featuring recordings recorded between the 1970s through to the early 1990s.

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The Original Sound Of Mali 2

LP | 2025 | UK | Original (Mr Bongo)

Chrissy Zebby Tembo & Ngozi Family

Release: 2025 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The liberation of Mali from French rule in 1960 led to an explosive musical renaissance, and on this latest 2xLP compilation, Mr Bongo seek to remonstrate the nation's excellence in the face of much strife. After 1970, amid revived drives to document many national and regional music productions from the West African nation, Malian culture underwent a fertile transformation, with state-sponsored bands and orchestras able to record with sound engineers for the first time. Compiled by French writer and journalist Florent Mazzoleni and Mr Bongo's own David Buttle, we hear here the likes of Ousmane Kouyate & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystere Jazz de Tombouctou and many more, where bright, fuzz-packed tones whirl about our ears in serene squalls of balafon-driven funk, rumba, wassoulou, jeli and blues.

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I'm Not Made Of Iron Record Store Day 2025 Vinyl Edition

LP | 2025 | WW | Reissue (Now Again)

LP | 2025 | UK | Original

Release: 2025 / WW – Reissue

Genre: Rock & Indie

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"I’M NOT MADE OF IRON Sees Its First Ever Commercial Release On Record Store Day 2025
Ngozi Family drummer and vocalist Chrissy Zebby Tembo's first album My Ancestors is one of the best known and most sought after international rock
records. A mix of hard rock, proto-punk and Zambian folklore, Tembo and his
best friend Paul Ngozi’s efforts were followed by a promotional-only second
album that came out the year after My Ancestors.
For the first time, Now-Again Records presents the first commercial issue of this
rare Zamrock album I’m Not Made Of Iron under license from both
the Tembo and Ngozi Estates.
Includes An Oversized 8 page Booklet that details Paul Ngozi and the Ngozi
Family's Arc including rare photographs, discography and annotation."

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Martha Wainwright

64,52 Lw*

Release: 2025 / UK – Original

Genre: Rock & Indie

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Big Brother & The Holding Company

Live At The Grande Ballroom Detroit; March 2, 1968 Black Friday Record Store Day 2024 Edition

2LP | 2024 | Reissue (Legacy)

Hello, I'm Dolly Vinyl Me, Please Edition

Release: 2024 / Reissue

Genre: Rock & Indie

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RSD Exclusive, Limitation: 3500; For the first time, listen to the complete concert from the Grande Ballroom in Detroit on May 2, 1968. On black double vinyl for RSD Black Friday.

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Dolly Parton

LP | 2024 | US | Original (Vinyl Me, Please)

Risin' Outlaw 25th Anniversary Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Why you'll love it...
'Hello, I'm Dolly' is Dolly Parton's debut album and the Vinyl Me, Parton Record of the Month for October 2023. It's pressed on 180g Flame Galaxy vinyl with AAA lacquers cut from tapes by Ryan Smith at Sterling Sound.

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Hank Williams III

LP | 2024 | US | Original (Curb)

2LP | 2024 | WW | Original (Because Music)

Release: 2024 / US – Original

Genre: Rock & Indie

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Limited colored vinyl LP pressing. 25th Anniversary ofHank Williams III's debut album Risin' Outlaw that presents 13 tracks that show Williams' affection for authentic, rough around the edges country. From the catchy, driving album opener "I Don't Know" to his honky tonk vocals on "You're the Reason," Hank III blends his famous heritage with his own musical outlook. Ballads like "Lonesome for You" and up-tempo tracks like "If the Shoe Fits" show off Williams' ability to be purely country as well as original. Hank Williams III's debut album Risin' Outlaw presents 13 tracks that show Williams' affection for authentic, rough around the edges country. From the catchy, driving album opener "I Don't Know" to his honky tonk vocals on "You're the Reason," Hank III blends his famous heritage with his own musical outlook. Ballads like "Lonesome for You" and up-tempo tracks like "If the Shoe Fits" show off Williams' ability to be purely country as well as original.

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Amadou & Mariam

La Vie Est Belle

68,43 Lw*

LP | 1974 | JP | Reissue (P-Vine)

Release: 2024 / WW – Original

Genre: Rock & Indie

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Rights : GERMANY & AUSTRIA only

Packaging: 2 x 140 G Black Vinyl, 5mm spine sleeve, 2x Black Dust inner , 4 page 30cmx30cm booklet, marketing sticker

•“La Vie Est Belle” is more than a first timer ever career best of and features 3 new singles . 2 Physical editions wordwide all retailers for the release
•Double Black Vinyl – 18 tracks : ‘all Amadou & Mariam on 1 piece of vinyl’

VINYL TRACKLISTING – LA VIE EST BELLE (BEST OF)

FACE A
1.Sabali 2. Mogolu (New Song) 3. Beaux Dimanches 4. Ce N’est Pas Bon 5. Masiteladi (feat. M)
FACE B
1. La Vie est Belle (new song) 2. La Réalité 3. Bofou Safou 4. Sénégal Fast Food 5. MBife
FACE C
1. Dougou Badia (feat. Santigold) 2. Je Pense À Toi - Eclipse Version (1st time on physical) 3. Africa (feat. K’NAAN) 4. Wily Kataso (feat. TV On The Radio)
FACE D
1. C’est Chaud 2. Coulibaly (Akon remix) 3. Beaux Dimanches - Ever Mihigo Rework (unreleased) 4. Sete (1st time on physical)
COLLECTOR DOUBLE CD TRACKLISTING – LA VIE EST BELLE (BEST OF)

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Mulatu Astatke

Ethio Jazz

68,43 Lw*

The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition

Release: 1974 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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"Ethio Jazz" is an album released by the Ethiopian master musician Mulatu Astatke in 1974 on his homeland Ethiopia's Amha Records. It stands as a milestone not only in his career but also in the history of contemporary Ethiopian music, continuing to shine brightly. With melancholic melodies played by wind instruments, a polyrhythmic rhythm section creating robust waves, sultry vibes from the vibraphone, and smoky organ tones, the album is enveloped in the sounds of jazz inherited from the States. This work, where various musical elements are miraculously fused in perfect balance, undoubtedly reigns at the pinnacle of Ethio Jazz, showcasing Mulatu's ambitious creativity in seeking out new sounds.

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Wilco

3LP | 2011 | EU | Reissue (Sony Music Catalog)

123,20 Lw*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

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2LP | 2024 | EU | Original (Efficient Space)

Someone Like Me

Release: 2024 / EU – Original

Genre: Rock & Indie

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A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.

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Maria Somerville

All My People

LP | 2019 | EU | Reissue