Punk | Hardcore 6309 Items

LP | 2026 | US | Original (Heartworm Press)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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The Yellow/Black colored vinyl edition of the “Smash” LP by The Offspring has been released on Epitaph Europe. This version presents the album on LP in the track sequence characteristic of “Smash” and credits producer Thom Wilson as a key figure in its production. The record includes the standout singles “Come Out And Play” and “Self Esteem,” complemented by tracks such as “Gotta Get Away” and the title song “Smash,” which have largely defined the album’s identity. Epitaph Europe is issuing this edition as a visible nod to the original release, with the Yellow/Black colored vinyl clearly distinguishing this physical version.

Musically, this edition of “Smash” showcases the blend of fast punk tempos, guitar-driven riffs, and catchy choruses that brought lasting recognition to The Offspring. The Yellow/Black colored vinyl edition offers the LP in a striking visual presentation while preserving the original arrangements and song structures in analog form. For fans and listeners who value a visually distinctive edition, this “Smash” LP by The Offspring on Epitaph Europe combines the familiar tracks with a clearly defined vinyl variant.

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Die Tödin

38,99 €*

American Psycho Orange, Red, Black Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie, Electronic & Dance

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The “Die Tödin” LP by Die Tödin is released on Heartworm Press and presents the band’s self-titled album in a distinctly indie rock / alternative vein. The material is characterized by striking guitar motifs, focused song structures, and compact arrangements; melodic lines and subtle rhythmic shifts create the songs’ arc of tension and give the album a clear internal dramatic contour.

Die Tödin hails from Gelsenkirchen and previously released individual singles such as “Wild” and “Dissonanz des Lebens,” which already combined catchiness with atmospheric density. On the LP, the band continues this trajectory: quieter passages lead into powerful moments, the vocals remain present and serve as the thematic focal point, while instrumental parts leave room for detail.

Heartworm Press is releasing the “Die Tödin” LP as a carefully crafted album whose production emphasizes the immediate presence of the recordings and gives lyrical and musical nuances equal weight. Taken as a whole, the release underscores the artistic individuality of Die Tödin and marks a clear step forward in the evolution of their indie rock / alternative sound.

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Misfits

LP | 1997 | US | Reissue (Geffen)

35,99 €*

LP | 1999 | EU | Reissue (Teenage Rebel)

Release: 1997 / US – Reissue

Genre: Rock & Indie

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The Orange/Red/Black edition of Misfits’ *American Psycho* LP is released on Geffen and comes as a 1LP in a gatefold jacket on orange, red, and black mixed vinyl. This edition uses 192 kHz/24-bit digital transfers from the original EQ’d analog master tapes and was remastered for the vinyl format; the final mastering was handled by Levi Seitz at Black Belt Mastering. The release brings the 1997 album back in a physical edition that includes bonus material while retaining the original release’s album sequencing.

Musically, *American Psycho* documents the band’s return in the late 1990s and includes “Dig Up Her Bones,” one of the singles released at the time, along with the bonus-track version of “Dead Kings Rise,” added to the LP, and the hidden track “Hell Night.” Producer Daniel Rey is credited as a contributor to the original recordings; the album credits Michale Graves (vocals), Jerry (bass), Doyle Wolfgang von Frankenstein (guitar), and Dr. Chud (drums). For fans of the punk/hardcore scene, Geffen’s edition of the *American Psycho* LP offers a technically enhanced, collector-worthy reworking of the original, bringing together the album’s song selection and additional tracks in a gatefold presentation.

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Die Kassierer

Musik Für Beide Ohren

20,99 €*

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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The “Musik für beide Ohren” LP by Die Kassierer is released on Teenage Rebel and captures the provocative quartet in a particularly diverse phase in 1999. On the album, the band combines its punk attitude with surprising stylistic breaks: jazz elements, polka, funk passages, and even a short audio play create unpredictable twists within the punk / hardcore context.

Lyrically, the record moves between dark humor and outright provocation; songs like “Blumenkohl am Pillemann” became centerpieces of their live setlist, while the more than six‑minute “Der Sackabreißer von Wattenscheid” serves as a narrative finale. In addition to original material, the release includes several cover takes, including a special take on “Du willst mich küssen.”

Frontman Wolfgang Wendland handles most of the vocals, and the ensemble works with shifting arrangements that give “Musik für beide Ohren” its tight yet varied running time of around 50 minutes. The record contains 20 tracks that combine short punk attacks with offbeat interludes. Die Kassierer and Teenage Rebel present with this LP a concise chapter in the band’s history that brings together both provocative lyrics and musical experimentation.

Reviews highlighted the uncompromising irony and dark humor of the lyrics.

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Wolves In Wolves' Clothing Citrus Eco Vinyl Edition

LP | 2006 | US | Reissue (Fat Wreck Chords)

Are You Ready: The First Studio Recording Colored Vinyl Edition

Release: 2006 / US – Reissue

Genre: Rock & Indie

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The Citrus Eco vinyl edition of the *Wolves In Wolves' Clothing* LP by NOFX is being released on Fat Wreck Chords and serves as an anniversary reissue of the album. This edition emphasizes the material and color concept in an Eco Citrus variant and brings the record’s classic track sequence back to the label’s catalog in LP format. The release is aimed at collectors and listeners alike who value having the album back in print on a differently colored pressing.

Musically, *Wolves In Wolves' Clothing* remains a clear NOFX contribution to punk; the record is the band’s tenth studio album and was produced by Fat Mike, Bill Stevenson, and Jason Livermore. The album combines punchy, tightly structured songs like “60%,” “USA-holes,” and “Doornails” with melodic moments and politically satirical lyrics that are frequently highlighted in reviews and critical write-ups. The new Eco Citrus pressing delivers the familiar tracklist with an additional visual design accent without changing the musical substance, positioning itself as a worthy, listenable reissue of a formative NOFX album.

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Bad Brains

LP | 2026 | EU | Original (Trust)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Trans White/Vaseline Colored Vinyl edition of Bad Brains’ *Are You Ready: The First Studio Recording* LP is released by Trust and documents the previously unreleased studio recording session from Inner Ear Studio in March 1979. The release features six tracks, including the very first studio recording of “Pay to Cum,” and was remixed for the 2026 edition by Ian MacKaye and mastered by Pete Lyman at Infrasonic. The recordings come from an approximately one-hour studio session and capture the band’s raw, immediate energy at the beginning of its career; the package was assembled in collaboration with Bad Brains and will be released on November 6, 2026.

As a historical document, *Are You Ready: The First Studio Recording* presents the band in a state of pure intensity: concise, fast arrangements, punchy riffs, and a performance that already hinted at the direction of later classics. The LP artwork incorporates handwritten elements and a Duct-Tape logo created by Darryl Jenifer, which also appears as an engraving on Side B; the record is therefore aimed explicitly at collectors and fans of the early scene. Trust is releasing the LP on Colored Vinyl, offering an immediate glimpse into Bad Brains’ origins within punk and hardcore history.

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Bonus Fat Weinerschnitzel Vinyl Edition

12" | 1981 | US | Reissue (ORG Music)

LP | 2026 | EU | Original (ANTI FADE)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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The “Bonus Fat Weinerschnitzel” tape by Descendents is released by ORG Music and brings together early recordings by the band in a compact cassette format. The collection combines the original debut single with the 1981 Fat EP and the outtake “Global Probing,” highlighting the band’s transition from surf-infused power pop to a concise hardcore sound. The tape edition features short tracks such as “Weinerschnitzel” and “I Like Food,” which stand out for their brief arrangements and distinctive staccato riffs.

Originally released by New Alliance Records in 1985, the reissue features the lineup of Milo Aukerman (vocals on side A), Bill Stevenson (drums, backing vocals), Frank Navetta (guitar, backing vocals; lead vocals on “Ride the Wild”), and Tony Lombardo (bass; lead vocals on “It's a Hectic World”). Production and engineering were handled by Spot, while the artwork was provided by Frank Navetta. The ORG Music tape edition comes as a cassette with a split red-and-white shell and offers a historically valuable document of this early Descendents material, making the band’s decisive steps toward their later debut, “Milo Goes to College,” easy to trace.

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R.M.F.C.

Club Hits

Apocalypse Zone Red Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "Club Hits" LP by R.M.F.C. is released on ANTI FADE and is being reissued as a third pressing in the "Nightclub Hits Edition." This edition features new artwork with a black spine, silver-foil lettering, and an inverted back cover, clearly setting the release apart visually from earlier runs. The design gives the "Club Hits" LP a distinct presence within ANTI FADE’s release program.

The material for "Club Hits" was written, recorded, and mixed by Buz; the sessions took place between January 2022 and April 2023 in Burrill Lake and Sydney. Final touches were provided by Mikey Young in the mastering stage, giving the raw recordings a distinctive balance of highs and low end without smoothing out the direct force of the tracks. These production choices underscore the immediacy of the songs on the record.

Musically, the release showcases the uncompromising energy of punk and hardcore and captures R.M.F.C.’s classic debut in a concentrated form. ANTI FADE is deliberately issuing the "Club Hits" LP as a very limited, non-returnable pressing; the "Nightclub Hits Edition" is aimed at listeners who value the special packaging and the documented recording period of the album.

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Subversive Rite

LP | 2025 | US | Reissue (Acute Noise Manufacture)

30,99 €*

LP | 1981 | EU | Reissue (Superior Viaduct)

Release: 2025 / US – Reissue

Genre: Rock & Indie

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The “Apocalypse Zone” LP by Subversive Rite is released on Acute Noise Manufacture and documents the long-awaited second and at the same time final album by the New York hardcore outfit. The recordings date back to 2022, and the album was released on June 19, 2025. The record comes in a limited edition of 150 copies on clear vinyl and includes a large, fold-out poster featuring the complete, uncropped sleeve artwork, designed by guitarist Joe B.

Musically, “Apocalypse Zone” presents Subversive Rite in an expanded songwriting mode: twelve short, concise songs fuse the political energy of early UK hardcore with amplified heavy metal elements without losing the band’s immediate punk impact. Tracks like “A New Era,” “Charge Into Chaos,” and the longer “Wasteland” showcase the range between rough d-beat attitude and more melodic, metallic riffs. The production captures the band’s raw directness while also leaving space for more precise guitar arrangements and rhythmic accents. Varukers, Sacrilege, Detente, and English Dogs are cited as reference points, which succinctly outline the orientation and sonic touchstones of the release. With “Apocalypse Zone,” Acute Noise Manufacture presents a release that pushes Subversive Rite significantly further and marks the band’s final chapter as an intensely composed farewell work.

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The Fall

77 - Early Years - 79

33,99 €*

LP | 2026 | Original (La Vida Es Un Mus)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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The “77 – Early Years – 79” LP by The Fall is being released on Superior Viaduct as the first vinyl reissue of this early compilation. Originally issued by Step-Forward in 1981, the album brings together the band’s first four singles from 1977 to 1979: “Bingo-Master’s Break-Out,” “It’s The New Thing,” “Rowche Rumble,” and “Fiery Jack.” The track list is rounded out by “Dice Man” from the album “Dragnet.”

The recordings capture The Fall during their formative early period around Mark E. Smith, as the group developed a distinctive approach out of Manchester’s punk scene—somewhere between jagged punk, brittle guitars, repetitive bass lines, and creaking organ sounds. Smith’s unmistakable spoken-word delivery meets a changing lineup featuring Martin Bramah, Una Baines, Karl Burns, Marc Riley, Craig Scanlon, and Stephen Hanley.

In particular, “Repetition,” “Psycho Mafia,” and “Rowche Rumble” convey the early tension between raw directness and stubborn individuality. “Fiery Jack” was produced by Mayo Thompson and marks another important step in the development of the band’s sound. The Superior Viaduct edition also includes liner notes by Stephen Malkmus, which add historical context to these early recordings by The Fall. In this way, “77 – Early Years – 79” combines key singles and selected album tracks into a focused portrait of the years in which The Fall shaped their unmistakable style.

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Nuits Blanches

Helas

OST 40 Years Of Fuckin' Up: Rotten To The Score Red Vinyl Edition

Release: 2026 / Original

Genre: Rock & Indie

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The “Helas” LP by Nuits Blanches, released on La Vida Es Un Mus, presents the quartet with a blend of raw punk energy and synthetic, atmospheric interludes. The arrangements rely on driving four-on-the-floor drums and cutting guitars, while prominent bass lines and occasional synthesizer layers give the material additional bite. The vocal lines shift between direct aggression and melancholic restraint, lending the record both impact and emotional depth.

Bat, Loïg LG, Oncle “Wattie” Picoluss, and Noé Delmas handled the recording, which took place at “L’Auberge Des Trépas,” with drum overdubs recorded at Noé Chez Nathanaël. It was mixed by Jonah Falco and mastered by Julien Rosenberger at L’Autre Oreille Studio. The release includes a lyric insert and is offered with digital downloads, making the dense, tightly composed tracks available in both analog and high-resolution digital formats. With songs such as “A L’Est” and “Sayonara,” “Helas” on La Vida Es Un Mus demonstrates how French punk combines traditional grit with a dark pop sensibility without losing its directness.

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Fat Mike

30,99 €*

Victim In Pain Yellow Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie, Soundtracks

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The “OST 40 Years Of Fuckin’ Up: Rotten To The Score Red Vinyl Edition” brings together the instrumental arrangements for the film project and presents the original score that Fat Mike wrote and arranged for the documentary. The LP focuses on orchestral compositions that deliberately move away from typical punk song structures, instead putting thematic motifs and orchestral colors front and center.

Fat Mike, known as the vocalist and songwriter of NOFX and founder of Fat Wreck Chords, uses his feel for melody and irony here to shape both brief cues and fully developed pieces; titles like “Type One American Errorist” and “Herojuana in F Major” give an idea of the stylistic range. The compositions combine classic instrumentation with a punk-adjacent directness, allowing the score to stand on its own alongside the soundtrack.

The red vinyl edition is aimed at collectors and listeners who value physical extras: the release includes exclusive audio clips from the film and features artwork illustrated by Tokyo Hiro, making the package a documentary companion to the film itself. It is released and distributed by Fat Wreck Chords; the LP highlights the unusual side of Fat Mike’s work by bringing together cinematic conception and compositional precision.

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Agnostic Front

LP | 1984 | US | Reissue (Bridge Nine)

Anomalies Half And Half Version Blue And White Vinyl Edition

Release: 1984 / US – Reissue

Genre: Rock & Indie

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The Yellow Vinyl edition of Agnostic Front’s “Victim In Pain” LP was released by Bridge Nine and brings back the band’s early NYHC debut in a striking color variant. Bridge Nine produced the cover as a low-contrast halftone layout; the band name and album title are embossed and finished with spot UV varnish, while the included dust sleeve features a live photo on one side and the lyrics on the other. The reissue was released as a 2023 repress and is part of a series of color variants that also includes a yellow edition.

“Victim In Pain” documents Agnostic Front’s radical early period dating back to the original 1984 release; Bridge Nine had already reissued the album in remastered form in 2009 and is making it available again with the current edition. The lineup on this recording consists of Roger Miret (vocals), Vinnie Stigma (guitar), Craig Silverman (guitar), Mike Gallo (bass), and Pokey (drums). The record contains compact, no-frills tracks such as “Victim In Pain” and “United & Strong,” which clearly showcase the direct, concise character of punk/hardcore and underscore the album’s historical significance within the scene.

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Bokassa

LP | 2027 | Original (Kings Of Stonerpunk)

37,99 €*

Release: 2027 / Original

Genre: Rock & Indie

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Bokassa’s “Anomalies” LP is being released by Kings Of Stonerpunk as a colored vinyl edition. Bokassa is a Norwegian trio from Trondheim that combines high-energy punk rock and hardcore with groove-driven stoner riffs and metallic intensity. The band describes its style as stoner punk, combining powerful guitars, distinctive melodies, and hard-hitting drumming.

“Anomalies” is a release that transfers Bokassa’s distinctive approach to the LP format. Kings Of Stonerpunk is closely associated with the band’s early development, having released its “Make Music Great Again” EP as well as additional singles. Bokassa gained further attention through joint concert tours with Metallica and music that brings punk energy, heavy riffs, and catchy song structures together.

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OST 40 Years Of Fuckin' Up Pink Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie, Soundtracks

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“OST 40 Years Of Fuckin’ Up” by NOFX collects the soundtrack and accompanying score to the documentary of the same name on a single LP; it was released via Fat Wreck Chords in May 2026. The compilation brings together vocal tracks by the band and instrumental score material, creating a sonic counterpart to the film’s retrospective look at four decades of band history.

Musically, the material clearly sits within NOFX’s punk rock spectrum: short, punchy songs with melodic vocal lines, cutting guitars, and driving drums meet atmospheric interludes from the film score. Characteristic for the band are the biting wit of the lyrics and the blend of skate punk tempos with catchy choruses, which makes their style unmistakable. On this release, NOFX appears in the lineup of Fat Mike, Eric Melvin, Erik Sandin, and Aaron “El Hefe” Abeyta.

As a special feature, the LP includes not only songs but also originally composed score segments overseen in large part by Fat Mike, resulting in a cohesive sound that supports the film’s narrative arc. The release is thus of interest both to longtime fans of the band and to listeners curious about the intersection between punk songs and film music.

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All Boo Berry Vinyl Edition

LP | 1987 | US | Reissue (ORG Music)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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The Cool Blue vinyl edition of the *All* LP by Descendents is being released on ORG Music and presents the quartet’s concise songs on a carefully produced vinyl pressing. This reissue includes the album’s original tracks and expands the vinyl track list with “Jealous of the World” and “Uranus,” which were previously only available on CD and cassette releases.

Musically, *All* remains a milestone of melodic punk rock: fast, punchy riffs meet catchy vocal lines and compact, well-thought-out song structures. With Karl Alvarez on bass and Stephen Egerton on guitar, the band gained melodic finesse and instrumental complexity without losing the songs’ direct energy. The concept of “ALL” as a guiding principle is reflected in the songs’ consistently focused approach.

Production was handled by Bill Stevenson; the recordings took place in January 1987 at Radio Tokyo Studios. For this reissue, meticulous mastering work was carried out, the pressing was done at Furnace Record Pressing, and lacquer cutting was handled by Dave Gardner. The LP also includes a reproduction of the original insert, further underscoring the album’s historical context.

As a key release in the Descendents discography, this edition showcases the blend of gritty punk attitude and pop-inflected melody that still defines the album. Songs like “All” and “Clean Sheets” demonstrate the balance between pointed brevity and memorable hooks that characterizes the band’s style.

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Japanese New Wave On Dub 1980 - 1985

12" | 2026 | EU | Reissue (Miss You)

39,99 €*

LP | 2026 | EU | Original (Bretford)

Release: 2026 / EU – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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With the 12" “Japanese New Wave On Dub 1980 - 1985,” released on Miss You, V.A. takes his creativity to the next level while, by and large, remaining true to his style. The compilation brings together tracks from the early Japanese new wave scene that are re-accentuated through a dub aesthetic, carving out a distinct intersection between post-punk, synth pop, and reggae-leaning studio experiments. Tight, concise guitar riffs and coolly deployed synthesizers are characteristic, flanked by bass-heavy arrangements, reverb and delay effects, and deliberate work on the mix that gives the songs both space and a floating quality. Many contributions combine urban melancholy with a danceable, groove-oriented drive, as producers use echo and mixing tricks to create atmospheric depth without blurring the songs’ structural clarity. For listeners interested in the interweaving of Japanese new wave and dub-inspired production approaches, this collection offers a concise and stylistically focused journey through an exciting chapter of the early Eighties.

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Die Verlierer

Ideale

Release: 2026 / EU – Original

Genre: Rock & Indie

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When you love a band, you want two things: for them to surprise you, and to remain true to themselves. And that is exactly what Die Verlierer achieve on their third album, Ideale. They seem completely unconcerned with what might be expected of them. Big choruses, long songs, instrumental passages and more experimental moments lead the songs down unfamiliar paths. Holding it all together is the band's unmistakable sound - a major part of their charm - and the infectious energy that has defined Die Verlierer since their first album. For all this musical freedom, their stance stays solid. The lyrics are openly political: against greed, war and the old men in power who make decisions over our heads, cash in and leave us with the consequences. (V.Varlet)

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The War On Errorism New Cover Art Starlight Yellow Vinyl Edition

LP | 2003 | US | Reissue (Fat Wreck Chords)

Screaming Newborn Baby Blue Vinyl Edition

Release: 2003 / US – Reissue

Genre: Rock & Indie

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The Starligt Yellow Vinyl edition of NOFX’s *The War On Errorism* LP was released on Fat Wreck Chords and presents the reissue with updated cover artwork. The release brings the album back to Fat Wreck Chords’ catalog and references the original release from the early 2000s; the reissue includes the complete tracklist, including well-known songs such as “Franco Un-American” and “The Separation of Church and Skate.” Fat Wreck Chords lists the various vinyl variants and also announces a planned shipment of the reissue.

Musically, the *The War On Errorism* LP maintains the original’s political tone: the lyrics take a satirical look at current political and social issues, driven by the distinctive punk attitude that has characterized NOFX for decades. The Starligt Yellow Vinyl reissue offers the familiar selection of songs in the same order as on the album and is aimed at listeners who appreciate the band’s political edge and fast, melodic punk sound. Additional information about the tracklist and the included songs can also be found on the Bandcamp and label pages, which document the complete album version.

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Hi-Standard

Release: 2026 / US – Original

Genre: Rock & Indie

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The baby blue edition of the “Screaming Newborn Baby” LP by Hi-Standard was released on Fat Wreck Chords. This colored LP presents the band’s material in a punk/hardcore context on baby blue vinyl. Hi-Standard rely on compact, punchy arrangements that emphasize the group’s song-oriented format. Fat Wreck Chords is issuing this version as an LP and lists the title prominently. Overall, the “Screaming Newborn Baby” LP expands Hi-Standard’s body of work with a visually striking color pressing on vinyl.

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Short Music For Short People Lime Vinyl Edition

No Division Red / Gold Corona Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The lime vinyl edition of the compilation "Short Music For Short People" was released as an LP on Fat Wreck Chords and brings together 101 bands, each contributing an extremely short track. The concept is based on punchy mini-songs of around 30 seconds each, turning the record into a tightly sequenced run of quick ideas that showcases the scene’s diversity in compact snapshots.

The compilation originally dates back to 1999; the LP version reproduces the well-known tracklist, including Bad Religion with "Out Of Hand," NOFX with "See Her Pee," and Blink-182 with "Family Reunion." Fat Wreck Chords brings together established names alongside lesser-known acts, making the selection representative of the stylistic range within punk / hardcore.

The lime vinyl pressing highlights the reissue concept both sonically and visually: the colored format clearly sets this edition apart from earlier black vinyl pressings. The sequence of 101 compact contributions is preserved on a single LP, so the original concept of ultra-short tracks can be experienced directly.

With this release, Fat Wreck Chords brings a historic compilation back into its vinyl catalog while at the same time documenting an unusual format within the punk compilation tradition. The edition offers a focused way to experience these short, pointed songs in one place.

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Hot Water Music

LP | 1999 | EU | Reissue (Cargo)

Sirens Metallic Swirl Vinyl Edition

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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With *No Division*, Hot Water Music released one of the defining melodic punk albums of their career in 1999, cementing their reputation as one of the most important bands in the U.S. underground scene. Combining raw emotion, captivating hooks, and the unmistakable dual vocals of Chuck Ragan and Chris Wollard, the album brings intensity and passion together in perfect fashion. This vinyl reissue returns a genre classic to the shelf—one that has lost none of its impact even decades later. Each limited to 500 copies.

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It Dies Today

LP | 2006 | US | Reissue (Trustkill)

39,99 €*

Release: 2006 / US – Reissue

Genre: Rock & Indie

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IT Dies Today Sirens has been pressed on 12” vinyl for the first time ever for its 20th anniversary. The original masters were produced by GGGarth Richardson and mastered by Howie Weinberg.

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New York Noise New Edition

LP | 2026 | UK | Original (Soul Jazz)

12" | 2026 | EU | Original (Dischord)

Release: 2026 / UK – Original

Genre: Rock & Indie

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“New York Noise New Edition” by V.A. brings together on a single LP Soul Jazz’s central exploration of the New York underground: a selection of post-punk, punk-funk, synth wave, and no wave from around 1978–82. This new 2026 edition has been freshly remastered with an emphasis on a powerful presentation, so the balance between dance rhythms and jagged guitar textures comes through more clearly.

The compendium brings together both better-known names and rare tracks: Arthur Russell (Dinosaur L), James White and the Contortions, Theoretical Girls, Mars, Konk, Material (Bill Laswell), Bush Tetras, and Lizzy Mercier Descloux sit alongside rarities by Alan Vega (Suicide), Chain Gang, and Implog. Characteristic is the blend of driving bass, jerky rhythms, and experimental synth or guitar sounds; in this way, the compilation documents the moment when club music and punk collided.

Key features of this edition are the curated track sequence and the emphasis on historical contexts: selected productions and lo-fi recordings have been newly remixed or remastered for the reissue to capture the sonic spectrum more clearly. The LP is thus suitable both for collectors and for listeners who want to trace the early intersections between dance music and the avant-garde.

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Bed Maker

The Mark

13,99 €*

Still Wide Awake Silver Smoke Colored

Release: 2026 / EU – Original

Genre: Rock & Indie

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“ The Mark” by Bed Maker is being released on Dischord as a two-song release featuring two new tracks. The title track and “What Boy Where” show the Washington, D.C. band in a focused, uncompromising form that, according to the description, reflects both their work in the studio and their dynamics onstage.

Bed Maker consists of Amanda MacKaye on vocals, Arthur Noll on bass, Jeff Barsky on guitar, and Vin Novara on drums. The band formed in 2019, played its first concert in February 2020, and resumed live activities in November 2022. Noll and Novara had previously been active with Light Beams, Kid Congo Powers, The Crownhate Ruin, and the 1.6 Band, among others, while Barsky played with Insect Factory and Time Is Fire.

The recordings for “The Mark” were made at Tonal Park in October 2025. Ian MacKaye and Don Godwin handled the recording and mixing, keeping the directness of the studio work closely connected to the sound of Washington, D.C.’s punk and hardcore scene. The artwork is by Luna Novara, with the layout by Jason Farrell. Following the self-titled 2024 album, “The Mark” marks Bed Maker’s next release on Dischord.

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Ignite

LP | 2027 | Original (93rpm)

Shadowed Tales From Mulhouse

Release: 2027 / Original

Genre: Rock & Indie

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The silver smoke-colored vinyl edition of “Still Wide Awake” marks the beginning of a new chapter for Ignite on the band’s own 93RPM Records label. The album brings the California melodic hardcore veterans together as a focused four-piece: Eli Santana handles vocals, Brett Rasmussen plays bass, Nik Hill plays guitar, and Craig Anderson plays drums.

Musically, Ignite reconnects with the hardcore and punk roots of its early years while expanding its hard-hitting foundation with heavier metal, thrash, and dark goth influences. The new songs are among the fastest and most aggressive the band has recorded to date, without sacrificing its signature melodies and direct expression. The title track, “Still Wide Awake,” and “Guilty Wounds” have already been released as two key tracks from the album.

Ignite also remains clearly outspoken in its subject matter. The lyrics address American immigration policy, reproductive rights, mental health, and personal responsibility. The title track takes aim at society’s tendency to turn a blind eye and calls on people to take responsibility for their own actions and for one another. “Still Wide Awake” is being released as an LP on 93RPM Records and also represents the band’s newly regained control over its releases.

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The Damned

2LP | 2024 | Reissue (Cleopatra)

LP | 2026 | EU | Original (Born Bad)

Release: 2024 / Reissue

Genre: Rock & Indie

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The “Shadowed Tales From Mulhouse” LP by The Damned is released on Cleopatra and documents the British punk band’s complete performance, recorded in Mulhouse, France, in 1994. The release also marks the first vinyl edition of this concert recording. At its center is a short-lived lineup from the band’s history: alongside vocalist Dave Vanian and drummer Rat Scabies, the lineup features Kris Dollimore of The Godfathers, Moose of New Model Army, and Alan Lee Shaw of Maniacs.

The concert combines early classics with later material and showcases The Damned in a versatile live lineup. “New Rose,” “Neat Neat Neat,” and “Smash It Up” are included alongside “Testify,” “Shadow To Fall,” “Love Song,” and “Wait For The Blackout.” With a total of 26 tracks, the recording ranges from short, uncompromising punk numbers to extended live versions, including “Looking At You” and “I Feel Alright.” The covers “Pretty Vacant” and “Hawaii 5-0” are also included. Cleopatra releases “Shadowed Tales From Mulhouse” as an LP, making a concert recording from The Damned’s eventful history that was previously unavailable on vinyl accessible to listeners. The recording combines Dave Vanian’s distinctive voice with Rat Scabies’ powerful drumming and the guitar and bass contributions of the touring lineup at the time.

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Vers Le Nord

À L'aise

Tales From Planet Earth Colored Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2026-11-20

Vers Le Nord’s “À L’aise” LP, released on Born Bad, documents an idiosyncratic approach to indie rock/alternative that defines itself less through genre categories than through visual motifs and wordplay. Originally titled “Balaise,” the French slang term balaise, somewhere between “badass” and “flamboyant,” serves as a recurring motif and runs through the entire album both lyrically and atmospherically. Vers Le Nord uses the phrase like a graphic element woven throughout the songs—the word keeps resurfacing, like a teenager’s scribble at a bus stop after a few drinks—giving the record a raw yet sensitive quality. With “À L’aise,” Born Bad consistently brings the band’s approach to life without relying on conventional patterns, positioning Vers Le Nord as a distinctive voice within the label’s roster.

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The Riptides

LP | 2025 | US | Original (Pirates Press)

Live At The Leather Fly Moon Phase Yellow And Red Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Veteran Ottawa, ON pop-punkers The Riptides are excited to announce the re-issue of their fan-favorite album Tales From Planet Earth, the first entry from the band's back catalog to be re-issued by Pirates Press Records.

After a successful collaboration with the label on their latest LP Burn After Listening earlier this year, the band can't wait to bring Tales From Planet Earth - originally released in 2009 on Asian Man Records - back into the spotlight for fans old and new to (re-)discover!

Bassist & songwriter Bob Goblin states that this album "marked a key moment in The Riptides' sound—leaning hard into more power-pop melodies and songwriting, all without losing the Ramones, Screeching Weasel, and Queers-type influence that's always been at the band's core."

The album was recorded at Lafayette, IN's legendary Sonic Iguana Studios with sought-after producer Mass Giorgini (Suzi Moon, Squirtgun, Common Rider) at the helm and Phil Hill (Teen Idols) engineering. "We look back on those sessions as probably the most fun we've ever had making a record... we were surrounded by a community that made the experience unforgettable." Along with a number of friends and collaborators, the album features drumming by Dan Lumley (Common Rider, Screeching Weasel, Squirtgun), who brought great energy to the sessions. For this re-issue, Giogini has re-mixed, re-mastered, and re-energized the album!

For many in the band's fanbase, Tales from Planet Earth is the definitive Riptides record. It has all the elements fans look for from the band: hooks, harmonies, and plenty of nerdy sci-fi & spy-themed references. Tracks like "Hung Up" and "Omega Man" have endured as fan-favorites since the album's release. There's even a Christmas song!

"Omega Man" is the band's campy take on the 1971 Charlton Heston-starring film adaptation of Richard Matheson's I Am Legend. "Out of all our songs, I think we received the most direct messages from fans about this one," laughs Bob. "Whenever we reference a film or TV show as specific as this, the cult/geek fans always come out of the woodwork and let us know how we did, and they really dug this one."

Looking back on the record as a whole, Bob Goblin says, "We wrote these songs during a time when we were fully embracing our love of classic pop songwriting. It's the most unapologetically fun album we've ever made—and we’re still incredibly proud of it."

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Butthole Surfers

LP | 2025 | US | Reissue (Sunset Blvd)

46,99 €*

Golden Shower Of Hits Transparent Green Vinyl Edition

Release: 2025 / US – Reissue

Genre: Rock & Indie

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The “Live at the Leather Fly” LP by Butthole Surfers is released on Sunset Blvd in a Yellow And Red Vinyl Edition. The live album captures the uncompromising stage energy of the Texas punk band and takes listeners through 21 tracks that unleash the characteristic noise between hardcore, noise, and psychedelically charged rock at full force.

Butthole Surfers were known for concerts that defied any conventional sense of dramatic structure. “Live at the Leather Fly” shapes this unpredictable intensity into a cohesive form. Guitarist Paul Leary handled the mix, condensing the material into a powerful wall of sound where raw guitars, driving rhythms, and the band’s eccentric presence collide. The recording does not feel like a post-production smoothing-over, but rather a direct connection to the explosive character of their performances.

“Human Cannonball” and “The Annoying Song” are two standout fan favorites included here. In between, the set brings together the extreme sides of the Butthole Surfers: ferocious punk, unleashed noise, and a taste for grotesque exaggeration. Richard Linklater described attending a Butthole Surfers show as a defining moment, while Dean Ween called the group the greatest live band of his life. “Live at the Leather Fly” offers an argument that is every bit as loud as it is compelling.

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Circle Jerks

LP | 1983 | US | Reissue (Trust)

2LP | 1976 | US | Reissue (Analogue Productions)

Release: 1983 / US – Reissue

Genre: Rock & Indie

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The Blue Vinyl edition of the “Golden Shower Of Hits” LP by Circle Jerks was released by Trust and presents the album in a new, remastered version, newly prepared from the original analog tapes.

“Golden Shower Of Hits” documents the Circle Jerks’ period around 1983 and features the band’s characteristic, razor-sharp punk/hardcore arrangements. Individual tracks such as “Coup d’État” were later also used in films like “Repo Man.”

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Ramones

90,99 €*

RockinnReelininAucklandNewZealandXXX Clear Vinyl Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2026-10-16

The “Ramones” double LP released by Analogue Productions documents the New York band’s 1976 debut album of the same name. Pressed on 180-gram vinyl at 45 rpm, the release comes in a gatefold jacket and was mastered from the original master tape. Both LPs were pressed at Quality Record Pressings.

With “Ramones,” the band distilled rock ’n’ roll into a handful of immediately effective elements: short songs, driving guitars, simple melodies, and uncompromising speed. “Blitzkrieg Bop,” “Beat On The Brat,” and “Judy Is A Punk” rank among the defining moments on an album that played a decisive role in shaping American punk. “I Wanna Be Your Boyfriend” and “Now I Wanna Sniff Some Glue” also demonstrate how precisely Joey Ramone, Johnny Ramone, Dee Dee Ramone, and Tommy Ramone distilled their ideas.

Producer Craig Leon and engineer Rob Freeman captured the direct energy of the recordings without obscuring the melodic core of the songs. Alongside original material, the album includes a distinctive take on Chris Montez’s song “Let’s Dance.” Analogue Productions presents the classic as an audiophile double LP, combining the debut’s historical significance with an elaborate gatefold presentation. The release includes all fourteen original tracks, including “Havana Affair,” “53rd & 3rd,” and “Today You Love, Tomorrow The World.”

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The Cramps

LP | 1987 | US | Reissue (Vengeance)

Last Temptation Of Reid Colored Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Featuring an over-the-top live set from Down Under, RockNReelinInAucklandNewZealandXXX was recorded at the 100th show of The Cramps’ 1986 Date With Elvis Tour. The album was originally released incognito in cahoots with Ace Records in 1987 as a fake “limited-edition import” bootleg LP, and was intended to compete with the glut of unofficial Cramps recordings. The woman you hear screaming throughout the first half actually fainted when she stopped screaming! Included alongside other classic tunes are fractured versions of actual Elvis Presley hits “Heartbreak Hotel” and “Do the Clam” (angora angst written for Elvis by film-maker Ed Wood’s wife Dolores Fuller!). This release is recommended for those who wonder what it would sound like to hear a microphone thrown around and garbled into (Lux Interior was known to destroy a half dozen microphones in one night). Hear The Cramps get dixie-fried!

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Lard

LP+12" | 1990 | US | Reissue (Alternative Tentacles)

LP | 1996 | US | Reissue (Blackout)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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The colored vinyl edition of the *Last Temptation Of Reid* LP by Lard is being released on Alternative Tentacles, bringing the work, first issued in 1990, back in a fully revised form. The reissue was remastered under the personal supervision of Jello Biafra after the project had been delayed multiple times and test pressings reworked; each copy also includes a one-sided 12" pressing of “I Am Your Clock” as a bonus.

Musically, Lard combines industrial metal elements with a raw punk attitude, biting political critique, and dark humor; the result remains every bit as biting as it is abrasive. Classics like “Forkboy,” which later appeared on the *Natural Born Killers* soundtrack, alongside “Pineapple Face,” “Drug Raid at 4 AM,” and the unusual rendition of “They’re Coming to Take Me Away,” embody the confrontational blend of noise, rhythm, and sarcastic punchlines. The track sequence and unconventional arrangements underscore the album’s uncompromising character.

Behind the sound are Jello Biafra and Ministry leaders Al Jourgensen and Paul Barker, joined by musicians such as Jeff Ward and William Rieflin; the production fuses programmed, metallic grooves with solid guitars and precise drumming. This reissue presents the record with clearer, more powerful sound without diluting Lard’s rebellious attitude.

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H2O

H2o

Release: 1996 / US – Reissue

Genre: Rock & Indie

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The "H2O" LP by H2O was released on Blackout. This debut release on the label captured the band’s early sound and quickly became a reference point within the New York hardcore scene; the record brings together compact, to‑the‑point songs and was reissued on vinyl to mark its anniversary.

Musically, H2O presents a blend of raw hardcore energy and catchy melodies: short, direct arrangements meet anthemic choruses and a distinctly positive, upbeat attitude that defines the characteristic identity of the project. Tracks like "Family Tree" and "5 Yr. Plan" are among the album’s defining songs and illustrate the combination of drive and vocal melody that established H2O within the scene.

The recordings took place from January 15 to 17, 1996 at Brielle Studios in New York and were produced by Larry Buksbaum together with the band; the CD was recorded and mixed within three days. The lineup features Toby Morse (vocals), Todd Morse (guitar, backing vocals), Rusty Pistachio (guitar), Eric Rice (bass), and Todd Friend (drums), supplemented by guest appearances such as Dicky Barrett. This clear, no‑frills production approach underscores the songs’ direct impact.

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Liveage! Clear Orange Vinyl Edition

LP | 1987 | US | Reissue (ORG Music)

As The Eternal Cowboy Gold Vinyl Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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The clear orange vinyl edition of the "Liveage!" LP by Descendents is released by ORG Music and brings this legendary live document to a colored vinyl format. The record captures a concert recorded at First Avenue in Minneapolis on July 13, 1987, from the so‑called “FinALL” tour; the release serves as a chronological cross-section of key songs from that era of the band.

Musically, "Liveage!" embodies the blend of unfiltered punk energy and catchy melodies: short, punchy songs with distinctive hooks that still maintain a direct, fast delivery. Tracks like "I'm Not a Loser," "Silly Girl," and "Coolidge" are cited as prime examples of the characteristic Descendents sound and show how the band fuses pop melodicism with hardcore speed. The selection of songs effectively turns the LP into a kind of live best-of that authentically documents the group’s stage presence.

The live lineup features Milo Aukerman (vocals), Stephen Egerton (guitar), Karl Alvarez (bass), and Bill Stevenson (drums); Stevenson also served as producer of the recording. The live recordings were overseen on site by a team and then technically prepared for release, preserving the character of the performance while enhancing sonic clarity.

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Against Me!

LP | 2003 | US | Reissue (Fat Wreck Chords)

Release: 2003 / US – Reissue

Genre: Rock & Indie

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The “As The Eternal Cowboy Gold Vinyl Edition” LP by “Against Me!” is being released on Fat Wreck Chords and presents the band’s second album in a gatefold edition on gold-colored vinyl; the pressing is designed for 45 rpm playback and features references to Fat Wreck’s 35th anniversary.

The album documents Against Me! at a point when punk, blues, folk, and American rock converged; the original recording was produced by Rob McGregor, with the sessions taking place at Goldentone in Gainesville and Ardent Studios in Memphis. Standout songs such as “Sink, Florida, Sink” and “Cavalier Eternal” are among the best-known tracks on this release, which reached number 36 on the U.S. independent charts. Critics repeatedly praised the album for its explosive energy and songwriting; AllMusic, for example, described “As the Eternal Cowboy” as one of the early-2000s punk albums that transcends its genre. Frontwoman Laura Jane Grace shapes the sound of this album with her vocals and songwriting, and this special Fat Wreck edition presents it in a new collector’s format.

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LP | 1981 | EU | Reissue (This Heat)

This Heat

Deceit

Hoss Colored Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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The “Deceit” LP by This Heat is released on This Heat Records and brings the ensemble of Charles Bullen, Charles Hayward, and Gareth Williams back in a newly reworked version. For this release, the band revisited the original tapes and had a 24-bit/96 kHz remaster created; the edition is pressed on 180 g vinyl and comes in a heavyweight sleeve with Pantone printing, matched to the original 1981 presentation.

Musically, “Deceit” documents the band’s turn toward more compact song structures and clear, often politically charged lyrics; central themes include media seduction and the threat of nuclear escalation. This reissue preserves the raw, unwieldy arrangements and restless dynamics that have always characterized the album, and brings selected tracks such as “Makeshift Swahili” and “Radio Prague” back to the fore in a fresh-sounding version. For North America, distribution is coordinated by Superior Viaduct, while This Heat Records oversees the release internationally.

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Lagwagon

LP | 1995 | US | Reissue (Fat Wreck Chords)

LP | 2026 | US | Original (Triple-B)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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The colored vinyl edition of the “Hoss” LP by Lagwagon is released by Fat Wreck Chords and presents the band’s third album in a new pressing.

“Hoss” is regarded as a defining example of melodic skate/pop punk: Joey Cape is responsible for writing all the songs, combining short, catchy structures with driving guitars. Stand-out tracks like “Razor Burn,” “Move the Car,” and “Bombs Away” showcase the blend of speed, melody, and clear choruses that still characterizes the record today.

The album’s lineup features Joey Cape (vocals), Shawn Dewey and Chris Flippin (guitars), Jesse Buglione (bass), and Derrick Plourde (drums). The album was produced by Ryan Greene, with mastering by Eddie Schreier. This combination delivers precise, punchy production that gives the arrangements clear definition.

The colored vinyl edition offers fans and newcomers a tangible version of this milestone from the Fat Wreck catalog and once again puts the tight, melody-focused songs front and center. The release stays true to the original song structures and the energetic playing style that helped define Lagwagon.

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Division Of Mind

Exoterror

Volume 1: Teaching You The Fear

Release: 2026 / US – Original

Genre: Rock & Indie

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Codefendants is a genre-smashing punk collective blending alternative, hip hop, and rock to create a sound they call "crimewave." Formed by Fat Mike (nofx), Julio "Ceschi" Ramos, and Sam King (Get Dead), the band fuses raw, punk aggression with sharp lyricism, dark humor, and street-level honesty. Their new album, "Lifers," includes the tracks "The Right Wrong Man" featuring Fat Mike, "Rivals" featuring The D.O.C., and current radio single "Lonely Life."

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Really Red

LP | 1981 | US | Reissue (Alternative Tentacles)

LP | 1983 | EU | Reissue (Superior Viaduct)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Alternative Tentacles is proud to present the first-ever complete, three-volume collection of Texas punk legends Really Red. None of their catalog has been available for years—some not for decades! Really Red was the backbone of Houston’s underground from the early punk era clear through ’80s hardcore. Like The Dicks in Austin, they directly challenged an insanely violent police department at no small risk to their own lives. Their sound itself incorporated art and post-punk elements, with a musical and lyrical depth on par with bands like Mission of Burma, Wire, or Dead Kennedys. Singer Ronnie Bond (a.k.a. U-Ron Bondage) was never afraid to push intelligence or mess with Texas. Kelly Younger’s guitar style is as unique in its own way as that of The Gang of Four’s Andy Gill, while Bob Weber’s taut, precise and sometimes unorthodox drum patterns would not be heard again until the likes of John Wright of NoMeansNo. It’s all driven forward by the driving, elastic basslines of John Paul Williams. This collection presents the sound better then it has ever been, so hear them again for the first time—or the first time ever. Volume 1: Teaching You the Fear is the much-loved first album that’s been unavailable since Empty Records reissued it ten years ago. More manic and locked-in then the early singles, this is Really Red in their prime, fired up and focused to lay down what they likely thought was their one shot to get it all on vinyl. The title track even calls out specific murders by the Houston cops that they wouldn’t even admit were crimes! The release comes with part one of David Ensminger’s (Left of the Dial) extensive interview with Bond. A true classic of its time—or any time—Teaching You the Fear has been restored from the original tapes and re-mastered by Jello Biafra to sound better then ever!

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The Fall

Fall In A Hole

35,99 €*

Melodien Für Milliarden Goldvinyl Edition Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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The “Fall In A Hole” double LP by The Fall is being released on Superior Viaduct and captures a particularly distinctive live moment from the British post-punk band. The concert was recorded in August 1982 at the Mainstreet Cabaret in Auckland, during the final night of their Australian and New Zealand tour. At the time, the band was in an incredibly dynamic phase between “Hex Enduction Hour” and “Room To Live.”

Chris Knox recorded the performance and also created the characteristic artwork. The lineup features Mark E. Smith, Marc Riley, Craig Scanlon, Stephen Hanley, and drummers Paul Hanley and Karl Burns. The twin-drum setup in particular gives the songs an angular, driving force. Alongside well-known numbers such as “Hip Priest,” “Prole Art Threat,” and “The Classical,” “Fall In A Hole” also includes extended live versions of “Fantastic Life,” “Backdrop,” and “Solicitor In Studio.”

The recording captures The Fall during an especially unpredictable period as a live band: raw, tension-filled, and marked by long, feedback-heavy passages. Superior Viaduct is presenting the album on vinyl again for the first time, with liner notes by Roy Montgomery and digital transfers from analog master tapes held in the Flying Nun and Chris Knox collections.

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Terrorgruppe

LP | 1996 | EU | Reissue (Destiny)

Best Collection Red Marble Vinyl Edition

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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The “Melodien Für Milliarden” LP by Terrorgruppe is released on Destiny as a gold vinyl edition, presenting the album in a visually distinctive vinyl format. The combination of title, band, and label is emphasized repeatedly: Terrorgruppe and Destiny join forces for this LP release, with the gold vinyl pressing highlighting the physical appearance of the record.

Musically, “Melodien Für Milliarden” moves in a punk / hardcore context; the tracks rely on compact song structures, striking guitar riffs, and direct, upfront vocals. Melodic fragments function as a counterpoint to the raw energy, giving the compositions a clear, concise profile. The arrangements make use of tempo changes and straightforward phrasing, lending the record its own specific momentum.

With this edition, Destiny presents the “Melodien Für Milliarden” LP in a bold version that emphasizes both the artwork and the physical presentation. Terrorgruppe remains firmly rooted in the core of their musical approach with this release, while the gold vinyl pressing offers a standout variant of the well-known record.

The track sequence on the LP is arranged so that individual songs are accentuated through well-placed pauses and targeted arrangements. The gold vinyl pressing directs attention to the material side of the album and makes the “Melodien Für Milliarden” LP a striking release in the Destiny catalog.

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The Nerves

LP | 1976 | US | Reissue (Third Man)

LP | 2026 | US | Original (Skin Graft)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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The Red Marble vinyl edition of the “Best Collection” double LP by The Nerves has been released on Third Man. With this edition, Third Man presents the definitive anthology of the band, compiled in close collaboration with Paul Collins, Peter Case, and Cynthia, the daughter of the late Jack Lee, and includes new accompanying material as well as exclusive liner notes by Peter Case.

The release comprises 66 minutes of studio, live, and demo recordings that Third Man assembled from the original source material. For this edition, the tapes were newly remastered by Warren Defever at Third Man Mastering, so many tracks can be heard in revised form. The selection documents both the early singles and material that has long been difficult to access; highlights such as “Hanging on the Telephone” and the refreshed presentation of “When You Find Out” stand as emblematic of the catalog.

Musically, “Best Collection” makes the origins of the band’s work audible: a combination of raw proto‑punk energy and concise, melodic songwriting that established The Nerves as an important reference point for the U.S. power‑pop scene. The Red Marble vinyl edition on Third Man brings these tracks together in a carefully curated form and places particular emphasis on sound and the documentary character of the collection.

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Zeni Geva

Total Castration

Years Of Lead Transculent Blue With Black And Red Splatter Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Total Castration" LP by Zeni Geva is being released by SKiN GRAFT and marks the first official vinyl release of the 1991 album. The release documents the band’s first collaboration with Steve Albini; the recordings took place from September 8 to 10, 1991 at Basemen Studios in Chicago, produced by Zeni Geva and Steve Albini, with Albini also serving as recording engineer. For this new edition, the material was reworked and remastered in 2026 by K.K. Null in Tokyo.

The release comprises various editions, including a 24Hz GOLD color vinyl version, a CD in a digipack, and an ultimate edition bundle; the Ult-Ed and the CD include four additional live tracks recorded in 1992 at a show at 20000 Volts in Tokyo. The album credits list NULL (vocals, guitar), TABATA (guitar), and EITO (drums, metals); the artwork is by Stephen Holman, with sleeve design by Mark Fischer. With the "Total Castration" LP, SKiN GRAFT spotlights a historic chapter in the band’s history by restoring the original studio recordings and making them available in physical long-play form for the first time.

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World I Hate

LP | 2023 | US | Reissue (War)

LP | 2018 | Reissue (Kung Fu)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Music journalists love to celebrate hardcore that they perceive as clever, boundary-pushing, or innovative, but for all the lip service paid to novelty, hardcore’s efficacy can actually be gauged by one incredibly simple metric: Its ability to incite a room full of maladjusted goons to extreme violence. Measured with that barometer, Milwaukee’s World I Hate is ten times the hardcore band any flavor of the week act could ever hope to be. Initially formed at the end of 2018, World I Hate released their debut EP, Collapse, in 2020 and played their first show in 2021. The band performs a brand of hyper-competent, no-frills

hardcore that combines the best parts of the genre’s last 25 or so years into a potent and hard- hitting formula that’s nearly impossible to dislike. The fact that their lineup is bolstered by a

member of Texas stalwarts Judiciary doesn’t hurt matters. On their new LP, Years Of Lead (releasing on WAR Records), the band delivers on the promise of

Collapse and further hones their already razor-sharp edge. Unafraid to blend blazing fast, near- powerviolence tempos with battering-ram, New York hardcore stomps, Years Of Lead expands

upon the template put forth 20 years ago by Massachusetts legends Think I Care and rises to the standard set by likeminded contemporaries such as Spine or ODD MAN OUT. The record’s 19-minute runtime is replete with breakneck speed and room-clearing breakdowns, bolstered by production that is crushing and crisp without a hint of sterility.

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The Ataris

Silver Turns To Rust

The Number Twelve Looks Like You

Release: 2018 / Reissue

Genre: Rock & Indie

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The “Silver Turns To Rust” LP by The Ataris is being released on Kung Fu and, for the first time in an official format, brings together a set of new tracks, newly recorded early compositions, and additional bonus recordings. The album includes, among others, “All Soul’s Day” and “The Graveyard Of The Atlantic,” as well as an often-cited cover of “The Boys of Summer” in a rough demo version, which, together with further bonus tracks, rounds out this edition.

The material was recorded and mixed by Bob Hoag at Flying Blanket Recording; the sessions were done in analog, including through a 1978 Neve 8078 console and with vintage amplifiers and microphones, giving the songs a direct, unvarnished texture. Tracks 1–4 feature new material, while several pieces from the core repertoire of the band’s history are documented in this form for the first time; two acoustic demos complement the recordings and offer insight into the band’s songwriting process.

For fans of punk and hardcore, the “Silver Turns To Rust” LP offers a documentary-style look at the band’s songwriting phase, combining studio-fresh takes with unpolished demos. The release on Kung Fu thus serves both as an addition to The Ataris’ discography and as a focused collection of previously unreleased and newly reworked tracks.

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Howls From The Holographic Heart Opaque Pink Vinyl

LP | 2026 | US | Original (Equal Vision)

Live In Los Angeles Transparent Yellow Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The opaque pink vinyl edition of the “Howls From The Holographic Heart” LP by The Number Twelve Looks Like You is being released by Equal Vision and marks the band’s first full-length studio album in six years. Produced by Jeremy Cormitas, Trae Titus, and guitarist Alexis Pareja, the record gains a distinctly coherent feel and recognizable musical signature from vocalist Jesse Korman, Pareja, bassist Cody McCorry, and drummer Michael DeMarco.

Musically, “Howls From The Holographic Heart” showcases the band’s characteristic balance of technical finesse and melodic focus. The material ranges from chaotic, screamo-driven outbursts to unusual moments like the highlighted single “Joy Is A Weapon,” featuring Foxy Shazam, which toys with an almost salsa-like death metal impulse. Tracks such as “Trust Chaos” and the contemplative, progressive “Glow In The Dark Skin” demonstrate how the group weaves together structured complexity and hook-laden melodies without feeling compelled to follow prevailing trends.

The Equal Vision release underscores the band’s ambition to push familiar elements forward while daring to explore surprising arrangements; the opaque pink vinyl edition gives this chapter of the band’s history a strong visual and sonic presence.

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Osees

2LP | 2025 | EU | Original (Deathgod Corp)

41,99 €*

Can't Slow Down 25th Anniversary Green Ripple Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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The Ultra Clear vinyl edition of the “Live In Los Angeles” LP by Osees was released by Deathgod Corp in a limited run of 300 copies. Compiled from the last three concerts of a six-night residency at the Teragram Ballroom in Los Angeles in 2025, it captures the band in an immediate live setting. On this edition, Brigid Dawson appears as a guest vocalist, lending distinct emphasis to individual passages of the live arrangements. With this pressing, Deathgod Corp presents a deliberately curated snapshot that brings together selected highlights of the residency and preserves the band’s raw energy on Ultra Clear vinyl.

The “Live In Los Angeles” LP stays true to the band’s punk / hardcore approach: compact takes, in-your-face guitar walls, and a live mix that leaves room for spontaneous excursions. The track selection draws a direct line across the three nights, presenting Osees in a minimally edited format that is rendered with clear definition and punch on the Ultra Clear pressing. For collectors and fans of Osees alike, this limited release expands the band’s body of work with a focused live document and showcases the collaboration with Brigid Dawson as a defining moment of the residency.

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Saves The Day

LP | 1998 | US | Reissue (Equal Vision)

LP | 1995 | US | Reissue (Taang)

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Saves The Day’s “Can’t Slow Down” LP is being released by Equal Vision as a 25th Anniversary Green Ripple Vinyl Edition. The debut by the band from Princeton, New Jersey, released in 1998, marked an important early milestone for the label, combining fast, catchy punk with melodic hardcore and emotional undertones.

Saves The Day recorded the album during winter break of their final year of high school. Chris Conley handled vocals and guitar, supported by Anthony Anastasio and Justin Gaylord on guitars, Sean McGrath on bass, and Bryan Newman on drums. Steve Evetts produced “Can’t Slow Down,” shaping the direct, powerful sound of the band’s early period. The songs combine short, punchy structures with melodic guitars and a distinctly emotional core.

Standout tracks include the energetic opener “Deciding,” the concise “The Choke,” and “Three Miles Down,” whose impact later contributed to the creation of the acoustic EP “I’m Sorry I’m Leaving.” “Jodie” also makes a distinctive closing statement with its comparatively extended running time. The 25th Anniversary edition includes 14 songs in total and brings Saves The Day’s debut back on Green Ripple Vinyl. Equal Vision thus revisits one of the defining early albums in its catalog.

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Slapshot

16 Valve Hate

LP | 2002 | US | Reissue (Drive-Thru)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Slapshot’s “16 Valve Hate” LP was released on Taang and marks a sturdy chapter for the band in the mid-1990s; the release brings the band’s raw energy to vinyl and brings together essential material from this period.

Musically, “16 Valve Hate” focuses on short, hard-hitting songs with Jack Kelly’s rough vocal delivery, shifting between aggressive hardcore and melodic moments. The title track, “16 Valve Hate,” serves as a concise centerpiece, while songs such as “I Want You Dead” underscore the album’s direct, compact approach. The unusual rendition of The Smiths’ “Bigmouth Strikes Again” stands out, transforming the original into an uncompromising hardcore arrangement and broadening the record’s range.

The recordings were made during a period when Slapshot’s lineup had stabilized; the return of drummer Mark McKay and the studio work in the Boston area shaped the sound of the record. As an LP released on Taang, “16 Valve Hate” is therefore a documented chapter in the band’s history, standing out both for its concise songwriting ideas and its direct production.

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Homegrown

Kings Of Pop

38,99 €*

Release: 2002 / US – Reissue

Genre: Rock & Indie

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The “Kings Of Pop” LP by Homegrown is released on Drive-Thru and represents the band’s third studio album, marked by gripping melodies and striking hooks. Producer Steve Evetts guided the band through the recording sessions at Big Fish Studios in Encinitas and Sonik Wire in Irvine; mixing took place at Jake’s Place, with mastering handled by Steven Marcussen. The record features twelve tracks, including the singles “You’re Not Alone” and “Kiss Me, Diss Me.” The song “Disaster” closes the album and contains several hidden tracks that add extra moments of surprise.

Musically, “Kings Of Pop” sits in the indie rock / alternative realm with pronounced pop-punk elements: fast guitar work meets multi-part vocals and catchy choruses, while shifting tempos create a sense of dynamics. Homegrown combines ironic lyrics with carefully arranged melodic arcs, giving the record both raw energy and nuanced songwriting detail. The Drive-Thru release presents the material in a vinyl edition that brings out the production and arrangements with clarity and lends the album its distinctive presence.

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Wolves In Wolves Clothing Yellow Vinyl Edition

LP | 2006 | US | Reissue (Fat Wreck Chords)

LP | 2026 | US | Original (Mixto)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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The Yellow Vinyl Edition of the NOFX LP “Wolves In Wolves Clothing” is released by Fat Wreck Chords and brings back the band’s tenth studio album, originally issued in 2006, as a colored reissue. The record gathers the compact, pointed songs from the album and, with tracks like “Seeing Double At The Triple Rock,” “Leaving Jesusland,” and “Doornails,” offers a cross-section of the thematic range of NOFX.

Musically, the release moves within the band’s established tension between fast punk rock and a melodic hardcore style: driving guitars, punchy drum work, and multi-part vocal lines combine with sarcastic, at times thoughtful lyrics. Some tracks also display quieter, more introspective traits, giving the album room for both direct political provocation and more personal moments.

For the recordings, NOFX worked with producers Bill Stevenson and Jason Livermore as well as band founder Fat Mike; according to the credits, the sessions took place in and around Motor Studios in San Francisco. The production relies on clear, powerful arrangements that bring out the signature NOFX sound — rapid playing, melodic hooks, and biting, ironic lyrics — in a clean and focused way.

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Son Rompe Pera

Marimbazos De Oro

35,99 €*

LP | 2026 | US | Original (Invogue)

Release: 2026 / US – Original

Genre: Soul, Funk & Jazz, Rock & Indie

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The “Marimbazos De Oro” LP by Son Rompe Pera is being released on Mixto and marks the band’s third album as well as their debut on the label. The record was produced by Adrian Quesada, a Grammy‑nominated guitarist and psychedelic bolerista who greatly expands the sonic space and pushes the Gama brothers’ marimba‑centered playing into new directions.

Musically, “Marimbazos De Oro” unfurls a spectrum that connects traditional marimba arrangements with punk, surf, and dance rhythms. Opener “Arboledas” draws on northern Mexican motifs and features Zac Sokolow (LA LOM) as a guest, while “Sombra” explodes in a pop‑punk/Oi! framework with Spike (Me First and the Gimme Gimmes) contributing background vocals. With “José Dolores,” the band ventures into a pronounced salsa direction, powered by the horn section of Colombian outfit La Pambelé.

On the bolero “Me Olvidaste,” Trish Toledo adds to the vocal palette, and on the single “Reptilio,” Quesada himself can be heard on guitar. Overall, the album, according to the band, tells the full story of their musical influences: at times raw and direct, at others smooth and danceable, always with the marimba as the leading voice and a surprising knack for arrangements. The “Marimbazos De Oro” LP thus documents a new chapter in the evolution of Son Rompe Pera.

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Catch Your Breath

Not Broken Enough

LP | 2026 | Original (Teenage Rebel)

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Not Broken Enough" LP by Catch Your Breath is released on Thriller Records and brings together eleven tracks that can be understood as a consistent continuation of their 2023 debut, "Shame On Me." The record includes previously released singles such as "Blood Money," "Lost," "Dark," and "Control," as well as the collaboration "[Gen]inside" with Kami Kehoe. Compact song structures and concise choruses alternate with more suspended, spacious moments, bringing both aggression and melody clearly to the fore in the arrangements.

Catch Your Breath is a Texas-based band that has been active since 2017; the lineup of vocalist Josh Mowery, guitarist Teddy Herrera, bassist Cianan Madigan, and drummer Onell Hernandez shapes the group’s raw yet carefully crafted sound. Stylistically, the quartet operates in modern metalcore: heavy guitar riffs, driving drums, and an interplay of furious verses and catchy, almost anthemic choruses define the songs. Touring experience and festival appearances have further sharpened their compositional density.

A key aspect of "Not Broken Enough" is the weight of its subject matter: lyrics about loss, self-reflection, and relationship dynamics meet a production that puts the vocals front and center without sacrificing rhythmic punch. Tracks like "Control" highlight the thematic openness of the record and show how Catch Your Breath fuse raw emotion with sophisticated arrangements. Overall, the LP marks a mature step in the band’s evolution and consolidates the group’s distinctive sonic signature.

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Die Lokalmatadore

Armutszeugnisse

20,99 €*

LP | 2026 | US | Original (Alternative Tentacles)

Release: 2026 / Original

Genre: Rock & Indie

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The “Armutszeugnisse” LP by Die Lokalmatadore is released on Teenage Rebel and brings together the band’s rarely compiled tracks. Besides songs from earlier singles, the release also documents contributions that were originally only found on compilations and EPs, offering a compact overview of less widely available recordings from the band’s history. The record contains 19 tracks and runs for about 42 minutes, presenting the band’s work in a condensed form.

Musically, “Armutszeugnisse” sits in the punk / hardcore realm; the selection showcases the raw, direct side of Die Lokalmatadore and focuses on short, concise songs that serve as a complement to their regular album releases. As a release on Teenage Rebel, the LP pulls together historical rarities and expands the label’s archive with a collection that makes both collector’s items and previously hard-to-find contributions accessible. The compilation offers insights into different phases of the band and underscores the role of Die Lokalmatadore within the regional punk network.

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The Schizophonics

Burning Floor

Release: 2026 / US – Original

Genre: Rock & Indie

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The Schizophonics have exploded out of San Diego, California, with the kind of raw, turbo-charged rock ’n’ roll that feels increasingly rare in the modern music scene. Led by frontman Pat Beers, the power trio has built a reputation for electrifying live shows that collide the fuzzed-out fury of proto-punk pioneers like The Stooges and MC5 with the sweat, swagger, and showmanship of James Brown and Little Richard. The result is a gritty, psychedelic blend of garage punk, classic rock, soul, and heavy groove.

At the heart of the band are Lety Beers’ distinctive, R&B-infused drumming and Sarah Linton’s Sabbath-inspired bass lines, providing the foundation for Pat’s wild dancing, incendiary guitar work, and gravity-defying one-handed playing. Together, they create a relentless sonic attack driven by pounding rhythms, fuzzed-out riffs, and the kind of feral energy that can only come from years spent on the road. The Schizophonics have put in the miles, and it shows in every sweat-soaked note.

That intensity comes through loud and clear on their fourth album, Burning Floor, due out Fall 2026 via longtime fan and supporter Jello Biafra’s Alternative Tentacles Records. Recorded in San Diego at The Golden Ghost and K Studios, with mixing and mastering completed at Rancho De La Luna in Joshua Tree, the album captures the band at their most spontaneous and unrestrained, equal parts rock ’n’ roll sweat, soul, stomp, and psychedelic abandon.

“We recorded this the day after we flew home from a month-long European tour,” says Pat Beers. “We’d been playing these songs on the road, so to come home and go directly into the studio, loopy and jet lagged, I think it captured the live energy as best we could.”

Drawing on classic Motown, ’60s garage rock, ’70s punk, and early heavy metal, Burning Floor distills the explosive immediacy of The Schizophonics’ infamous live shows into a collection of songs that never sit still.

“This album has been a whirlwind,” says Lety Beers. “It wraps up everything we’ve surrendered ourselves to over the past few years. It’s a purge of all the experiences and adventures in rock form.”

The album also marks a new chapter in the band’s long-running friendship with Jello Biafra. “We met Jello years ago when we were playing a show in a hot and sweaty hotel suite at a music festival,” Lety recalls. “Mike Stax made him come see us, telling him, ‘I think you’ll really like this band,’ and lo and behold, a beautiful friendship was born. We’re super honored to give this album a home with him and his killer team, who’ve been super helpful in making this baby a reality.”

With Burning Floor, The Schizophonics are doing what they’ve always done best, pushing rock ’n’ roll to the edge and bringing a little danger back to the stage.

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Ronnie Yoshiko Fujiyama & Cheetah Beat

Volume 1: Boy&Girl / Sabaku

7" | 2026 | JP | Original (Time Bomb)

20,99 €*

LP | 2026 | EU | Original (High Noon)

Release: 2026 / JP – Original

Genre: Rock & Indie

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Rock / Garage / Punk

________________________________________

Vinyl

________________________________________

■ronnie Yoshiko Fujiyama & Cheetah Beat - VOL.1: Boy&Girl / Sabaku (7")

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Fakoma

Life Sucks Then You Die

LP | 2026 | UK | Original (Fuzz Club)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “Life Sucks Then You Die” LP by Fakoma is released on High Noon and captures the second full-length album by the Cologne hardcore garage punk outfit. Ten short, direct tracks in roughly 20 minutes distill political frustration and the grinding-down of everyday life into raw, rabid noise; sharply distorted guitar melodies cut through noisy synths, joined by aggressive vocals that directly address anti-totalitarian themes like oppression and the loss of freedom. Fakoma keeps the tempo and intensity high and skips any unnecessary breathers.

Musically, “Life Sucks Then You Die” moves stylistically between uncompromising hardcore attitude and garage punk immediacy, with references to bands such as American Nightmare, Some Girls, and Antitainment. Individual tracks set deliberate accents: “Never Out For Good” and “Pain” combine raw aggression with a playful egg punk energy, “Likes” reveals a darker, more haunting side, while the title track and closer “Warning!” drive the record back into unfiltered violence. The production keeps the songs tight and concise, so that High Noon delivers a compact statement with this release, confirming Fakoma as a powerful voice in the current punk and hardcore scene.

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Black Doldrums

Repetition Compulsion

LP | 1980 | UK | Reissue (This Heat)

Release: 2026 / UK – Original

Genre: Rock & Indie

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The “Repetition Compulsion” LP by Black Doldrums is being released on Fuzz Club. Classified as an LP, the release bears the title “Repetition Compulsion” and is filed under punk / hardcore. With this edition, Black Doldrums present a physical release that documents the band’s name on a vinyl record, marking a new recording in the group’s body of work. Fuzz Club is responsible for issuing the LP and is releasing “Repetition Compulsion” on its label in the punk / hardcore field. The record thus represents a clearly defined addition to the Black Doldrums catalog and brings together the band’s artistic statement in this LP edition.

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This Heat

Health And Efficiency

Impenetrable Cerebral Fortress

Release: 1980 / UK – Reissue

Genre: Rock & Indie

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The "Health And Efficiency" LP by This Heat is released on This Heat. The release, pared down to two extended pieces, concentrates the trio’s energy on the title-opening track, which works with jagged, rhythmically displaced guitar patterns, driving drum figures, and a collage of voice, percussion, and found sounds. Its taut sense of drama makes the piece a focused example of how post‑punk aggression can be linked with avant‑garde sonic exploration.

This Heat were formed by Charles Bullen, Charles Hayward, and Gareth Williams; their approach connects instrumental versatility with tape manipulations and live improvisation. On the compositional side, the band relies on ruptures, unexpected textures, and an experimental method that fuses song-based structures with musique concrète elements. This way of working shaped both the group’s sense of identity and their lasting impact on subsequent scenes.

The flip‑side recording "Graphic/Varispeed" offers a quieter, hypnotic counterpoint and plays with variations in pitch and speed, depending on whether it is played at 45 or 33 rpm. Critics such as Simon Reynolds even regard "Health And Efficiency" as a "peak achievement" by This Heat, a concentrated synthesis of raw intensity and playful experimental exuberance that clearly brings out the special character of this ensemble.

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Gulch

LP | 2020 | Reissue (Closed Casket Activities)

7" | 2026 | Original (Damaged Goods)

Release: 2020 / Reissue

Genre: Rock & Indie

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The “Impenetrable Cerebral Fortress” LP by Gulch is released on Closed Casket Activities and presents the band’s debut album in physical form: eight short, concise tracks with a total running time of around 15 minutes that deliver the material in a compact, immediate way. The release was primarily offered as an LP and, in addition to the title track “Impenetrable Cerebral Fortress,” includes striking cuts such as “Self-Inflicted Mental Terror” that define the character of the record.

The album was recorded, mixed, and mastered by Jack Shirley at The Atomic Garden Studio in Oakland; the cover artwork is by Boone Naka, whose visual style complements the sonic character of the record. The production relies on clear, dense sound design that channels the band’s energy into tight structures and still leaves room, despite the short running times, for memorable riffs and aggressive vocals. The album was released digitally and on LP, added to streaming platforms, and quickly gained attention within the scene. For the physical edition, several vinyl variants were produced; the record is available both through the label’s webstore and via multiple distributors.

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Armitage Shanks

Thoughts Of Violence

12,99 €*

Release: 2026 / Original

Genre: Rock & Indie

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The "Thoughts Of Violence" 7" by Armitage Shanks was released on Damaged Goods. The release goes for straight punk / hardcore, delivering compact, high-energy performances on vinyl. Armitage Shanks rely on a raw expression and concise song structures that push the intensity of the tracks to the forefront. Damaged Goods presents the 7" with a clear, unadulterated sound that emphasizes the immediate impact of the recordings. The brief running time of the 7" concentrates the force of the tracks, making "Thoughts Of Violence" a pointed statement by Armitage Shanks in the realm of punk / hardcore.

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7" | 2025 | EU | Original (Goodbye Boozy)

Useless Eaters

Ego Shell / Rub

12,99 €*

7" | 2026 | US | Original (Alternative Tentacles)

Release: 2025 / EU – Original

Genre: Rock & Indie

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In 2022, Sutton returned to the Bay Area after being based in Berlin for five years, settling in Oakland and immediately reviving Useless Eaters with renewed focus. Over the past eighteen months, the band completed two European tours and a series of Calif

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Nasalrod

The Freinds 45

10,99 €*

Becks Pistols Black Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Alternative Tentacles Records is proud to partner with Nadine Records to present Nasalrod and their new release the "Friends" 45, a two-song 7" that takes a demented, sometimes humorous look at friendship, exploring not only what friends are for but also what might be lurking behind a friendly face.

Hailing from Portland, OR and once described by legendary underground artist Lydia Lunch as “harsh, hard...catchy, weird, arty” and “a very unique blend that defies category,” Nasalrod is a collaborative vision of punk rock chaos. In their years together, Nasalrod has built a reputation for its notoriously frantic live performances and an unapologetically unhinged approach. Their music has been described by Week in Pop as “raucous and radically defiant…a party crashing cavalcade of confidence and cavalier fancy.”

Led by Chairman's sneering, kooky yet soulful vocals, expanded by Mustin Douch’s wiley, dexterous guitar explosions, anchored by Mandy Morgan’s punchy, authoritative bass work, and driven by the relentless intensity of founding Fear drummer Spit Stix, the quartet combines ferocious spazz-punk, warped melodies and convulsive rock and roll into a sound that is as unpredictable as it is infectious.

"Friends" features a version of Fear's “What Are Friends For?”, originally written by Spit Stix! The reworked rendition here finally brings Spit's intended vision to life. Paired with the melodic intensity of “Behind Friendly Faces”, the two tracks offer contrasting perspectives on friendship, delivered with Nasalrod's signature blend of theatrical energy, twisted humor, precise musicianship, and explosive intensity. It’s this very unhinged creative vision which has been on Jello Biafra’s radar since the release of their split with Victim’s Family, In The Modern Meatspace on Nadine Records in 2024. He’s not the only one who has noticed, as Nasalrod has been making a name for itself and has shared stages with acts such as The Jesus Lizard, Mudhoney, Melt-Banana, Mike Watt, Alice Donut, Iggy Pop and more.

Recorded at Portland's Jackpot! Studios by Larry Crane (Tape Op Magazine, Sleater-Kinney, Cat Power, Elliott Smith) and mixed and mastered by Stephan Hawkes (Red Fang, High on Fire, Gaytheist), "Friends" perfectly captures Nasalrod's uniquely chaotic approach, pushing the boundaries of its own peculiar brand of punk rock and proving that originality and insanity can go hand in hand. As Joyzine.org recently stated, "In a musical climate often content with the familiar, Nasalrod’s audacity feels not only welcome but necessary."

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Pöbel & Gesocks

LP | 2026 | EU | Original (Sunny Bastards)

23,99 €*

Release: 2026 / EU – Original

Genre: Rock & Indie

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The black “Becks Pistols” LP by Pöbel & Gesocks is being released on Sunny Bastards as a “Black Vinyl Edition” and comes pressed on 180 g vinyl.

The album title completes a circle: The group originally formed under the name Beck’s Pistols in the late 1970s, singer Willi Wucher left a lasting mark on the band’s identity, and the song “Pöbel & Gesocks” became the band’s new name following legal disputes with a brewery. This reissue documents the band’s history and makes the studio album originally released in 2010 available again.

Musically, “Becks Pistols” brings together the drinking- and party-oriented punk songs characteristic of Pöbel & Gesocks, which are highly recognizable within their scene. After being unavailable for more than ten years, the album is now being reissued on black vinyl, giving fans the opportunity to experience a distinctive chapter of German Oi and punk tradition once again in physical form. The release is part of Sunny Bastards’ revitalized reissue program and brings the 2010 album back in a rematerialized, collector-friendly edition.

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12" | 1981 | US | Reissue (ORG Music)

Bonus Fat

30,99 €*

Release: 1981 / US – Reissue

Genre: Rock & Indie

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The Descendents’ “Bonus Fat” tape was released on ORG Music. The cassette features concise material in the punk/hardcore vein, characterized by short song structures, driving tempos, and direct vocal delivery. On “Bonus Fat,” tight arrangements and striking riffs take center stage, emphasizing the band’s raw, unvarnished character. The production focuses on immediate live energy and avoids unnecessary embellishments, allowing each section to make its impact right away. ORG Music is releasing the cassette as part of its catalog, making “Bonus Fat” an especially focused addition to the Descendents’ body of work.

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The Songs Of Tony Sly: A Tribute Fiona's Blue Vinyl Edition

LP | 2013 | US | Reissue (Fat Wreck Chords)

LP | 1997 | Reissue (Kung Fu)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Fiona’s Blue Colored Vinyl edition of the “The Songs of Tony Sly: A Tribute” compilation is released on Fat Wreck Chords as a double LP in gatefold packaging and comes with a poster, sticker, and download card containing seven additional songs.

The album documents 33 takes on by friends and contemporaries—including Bad Religion, Rise Against, NOFX, Alkaline Trio, and Simple Plan—and shows the diverse impact Tony Sly’s songwriting has had over the years. Standout moments include Karina Denike (Dance Hall Crashers) with a haunting a cappella version of “Biggest Lie,” Strung Out with a fast, riff-driven version of “Soulmate,” and Snuff’s Latin jazz-inspired arrangement of “On the Outside,” which help define the range of the contributions. The collection focuses on personal, carefully arranged takes on that reflect Sly’s influence on his scene.

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The Ataris

...Anywhere But Here

Based On A True Story Clear Vinyl Edition

Release: 1997 / Reissue

Genre: Rock & Indie

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The “...Anywhere But Here” LP by The Ataris was released on Kung Fu and is based on the 2002 remixed and remastered reissue of the 1997 debut album. Produced by Warren Fitzgerald, the recording was completed in a very short period of time; the band documented the material during studio sessions that spanned just a few days. Kris Roe handled most of the instrumental parts in addition to the vocals, giving the songs an immediate, personal character. Compared with the original release, this edition was expanded to include the bonus track “Anderson” as well as a hidden acoustic cover of Weezer’s “Butterfly.”

As a Punk/Hardcore release, the “...Anywhere But Here” LP features compact, melodically striking songs in which unfiltered energy and catchy hooks are closely intertwined. With this edition, Kung Fu brings early Ataris tracks to LP in a revised sonic form, with Fitzgerald’s production exploring the balance between angular guitar work and clear vocal presence. Overall, the record documents an early phase of the band dominated by skillful songwriting and narrative lyrics, offering a direct insight into The Ataris’ development into a distinctive voice within the punk scene.

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Sick Of It All

LP | 2010 | UK | Reissue (Back On Black)

A Life Less Plagued Yellow With Black Splatter Vinyl Edition

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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The clear vinyl edition of the “Based On A True Story” LP by Sick Of It All was released on Back On Black. This format puts the focus on the album’s physical presentation and brings together the band’s distinctive rhythmic lines and aggression in a clear vinyl pressing without blurring the songs’ gritty edge.

“Based On A True Story” documents the compact, direct approach of the New York punk / hardcore outfit and includes concise highlights such as “Dominated” and “Long As She’s Standing.” The recordings were made with producer Tue Madsen at Starstruck Studios in Copenhagen; the collaboration results in a dense, metallic, sharply defined sound aesthetic that emphasizes the tightly packed vocals and driving guitar parts. Back On Black presents the LP as a clear pressing that lets you experience the album in its original track sequence and renders the production in nuanced detail. For fans of Sick Of It All, this edition offers a straightforward, music-centered way to rediscover “Based On A True Story” and experience the band’s uncompromising energy on clear vinyl.

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Carry On

LP | 2026 | US | Original (Bridge Nine)

Harsh Reality Into The Deep Marble Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The Yellow w/ Black Splatter vinyl edition of the “A Life Less Plagued” LP by Carry On was released on Bridge Nine. Bridge Nine first issued the album on October 16, 2001; it was the label’s first full-length LP and had a lasting impact on the California hardcore scene. The LP includes twelve tracks, among them “The View,” “Waiting On Forever,” and the title track “A Life Less Plagued,” condensing its dense arrangements into just under 18 minutes. This pressing preserves the raw energy, fast tempos, and distinctive guitar riffs that define the album.

The release was originally planned with a gatefold sleeve designed by Jacob Bannon; for cost reasons, however, the first pressing came in a standard sleeve, while a 2011 repress reintroduced the gatefold. A very limited initial run featured hand-illustrated shrink-wraps by illustrator Linas Garsys. Several band members later went on to form bands such as Terror, Piece By Piece, Betrayed, and Internal Affairs, giving the album a direct link to later West Coast projects. This colored vinyl edition underscores the historical character of the album without making any changes to the music. As a compact, focused statement from the early 2000s, “A Life Less Plagued” documents both the band itself and the fertile ground from which later hardcore projects emerged.

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The Drowns

LP | 2026 | US | Original (Pirates Press)

Release: 2026 / US – Original

Genre: Rock & Indie

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Released on Pirates Press, the LP “Harsh Reality Into The Deep Marble Vinyl Edition” brings together 13 new songs and presents the fourth studio album by The Drowns on striking marbled vinyl. The release tightly condenses the band’s song-focused power and captures the clear melodies and high-energy playing style authentically on the medium.

Musically, the record moves in the realm of politically tinged punk rock: head voice and melodic leads meet driving rhythms and a distinctly lyric-centered approach that addresses social issues in direct language. The Drowns blend rough street punk with sophisticated arrangements, allowing catchy choruses and biting passages to merge into a cohesive whole.

A key feature of the production is the collaboration with major figures from the scene: it was recorded at the renowned The Blasting Room under the supervision of Bill Stevenson and mixed by Jason Livermore. Additional instrumental contributions from guest musicians – including extra guitars and accordion parts – expand the sonic palette and add well-placed accents.

The “Into The Deep Marble” pressing emphasizes the album’s physical character and offers a collector-worthy incarnation of the material that visually underscores the band’s direct, to-the-point sound and rounds off the overall package.

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7" | 2026 | JP | Original (Zion)

Gympie Gympie

Toss N' Turn / Akk34

22,99 €*

Suburban Decay Colored Vinyl Edition

Release: 2026 / JP – Original

Genre: Rock & Indie, Reggae & Dancehall

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The 7-inch “Toss N' Turn / Akk34” by Gympie Gympie, released on Zion Record, pairs a danceable calypso number with an atmospheric instrumental track. Gympie Gympie brings together seasoned musicians from Japan’s punk and reggae scenes, including members of Determinations, Bull The Dougs, Macrobiotics, The Miceteeth, Sayos and Zazz Riddim +. The release marks the group’s fifth 7-inch.

On the A-side, “Toss N' Turn” creates a buoyant yet slightly melancholic mood with its Jamaican rhythm and catchy melodic phrasing. Vocals are once again provided by ane, who is also active with Sofa Rockers. Her bright, distinctive voice gives the track a unique tension between lightness and wistfulness.

“Akk34” on the B-side is an instrumental piece dedicated to a family as a memorial. Guitar sounds, restrained arrangements and an atmosphere shaped by hope define this second side. Together, both tracks bring vibrant Jamaican music and Japanese melancholy into dialogue without flattening their contrasting moods. Released in a limited edition, the 7-inch carries catalog number ZR2010.

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Cosmic Joke

LP | 2026 | US | Original (Revelation)

Death To Tyrants Clear Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The colored vinyl edition of the “Suburban Decay” LP by Cosmic Joke was released on Revelation and presents the album in a deliberately intense format. With “Suburban Decay,” Cosmic Joke delivers a decidedly direct contribution to punk / hardcore and uses the LP format to capture its tracks in a compact, focused way. Revelation presents the release as part of its still-active program within the hardcore scene.

Musically, Cosmic Joke relies on tight song structures, pounding drum rhythms, and distorted guitars that carry the impulsive core of the tracks. The vocals remain unpolished and immediate, and the arrangements dispense with unnecessary ornamentation in favor of a clear performance geared toward presence. This approach gives “Suburban Decay” a palpable dynamic between aggression and melody, without diluting the simple, immediate impact of the songs.

The release on Revelation underscores Cosmic Joke’s aim to translate traditional hardcore elements into a contemporary form. The colored vinyl edition of the “Suburban Decay” LP thus offers a solid physical version for listeners who appreciate the unvarnished energy and dense compactness of this punk / hardcore contribution.

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Sick Of It All

LP | 2006 | UK | Reissue (Back On Black)

When In Rome Do As The Vandals

Release: 2006 / UK – Reissue

Genre: Rock & Indie

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The Clear Vinyl Edition of the “Death To Tyrants” LP by Sick Of It All has been released on Back On Black. Originally released in 2006 as the band’s eighth studio album, it features concise tracks like “Take The Night Off,” “Machete,” and “Uprising Nation,” and showcases the balance characteristic of Sick Of It All between precise aggression and catchy, short song structures. In just over 30 minutes, the record condenses fast arrangements, driving guitars, and distinctive vocals into a compact statement within the punk / hardcore spectrum.

This edition appeals to listeners who want to own the album in a clear vinyl pressing: the term “Clear Vinyl Edition” is taken from the product title and identifies the clear vinyl format as a distinct product feature. Musically, “Death To Tyrants” documents a concentrated, powerful expression that critics have described, in terms of its heaviness and directness, as one of the band’s more intense phases. The Back On Black version brings this material back to the market and focuses on the raw energy of the tracks, without making any additional changes to the original work.

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The Vandals

LP | 2026 | Original (Kung Fu)

Release: 2026 / Original

Genre: Rock & Indie

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The "When In Rome Do As The Vandals" LP by The Vandals is released on Kung Fu Records and documents the band's early work in compact form. The album features distinctive song ideas, fast arrangements, and repeatedly applies an ironic perspective; in addition to original tracks, the record also includes "Hocus Pocus," a recognizable cover take on the classic by Focus, whose writers are named in the credits.

For this edition, Thom Wilson served as producer; the recordings feature Jan Nils Ackermann (guitar), Joe Escalante (drums), and Stevo (vocals), with bass tracks contributed by Brent Turner, while on "Rico" Chalmer Lumary handled bass and vocals. The reissue was remastered by Michael Hateley; Dominic Davi was responsible for the reissue design, Mike Doud for the artwork, and Alan Newberg contributed the cover photos. Kung Fu Records presents the "When In Rome Do As The Vandals" LP as a documentary look at the band's unpolished, sarcastic punk and, through the credits listed, offers clear insight into the creation and production personnel of this release.

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Television

Live On Wnew-Fm 1978

LP | 2026 | EU (No Wave)

Balderdash From The Archives

Release: 2026 / EU

Genre: Rock & Indie

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The art-punk band Television performed a live set at The Bottom Line in New York City on July 27–28, 1978, with portions or select dates of the club's concert series famously captured and broadcast via Wnew-fm.

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The Dickies

LP | 2026 | Original (Cleopatra)

LP | 1980 | US | Reissue (Capitol)

Release: 2026 / Original

Genre: Rock & Indie

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“Balderdash From The Archives” LP by The Dickies is released on Cleopatra and documents a selection of previously unreleased studio and live recordings from various creative periods of the band. Cleopatra issued this edition in 2023; the vinyl version comes as a limited yellow-and-purple splatter pressing that underscores the archival character of the collection. The production emphasizes the collectible nature of the record, without added remixes or further post-production.

Musically, “Balderdash From The Archives” spans demos and alternate takes from the 1980s and 1990s as well as several live recordings; the material ranges from alternate versions such as “Out of Sight, Out of Mind (alternative take)” to early demos like “Jim Bowie” and “Monkey See, Monkey Do,” through to live versions of tracks such as “Monster Mash” and the cover of “Walk on the Wild Side.” The selection makes the band’s approach recognizable: concise, catchy melodies, multi-part vocal lines, and an ironic streak that has characterized The Dickies since their early days. As an LP on Cleopatra, “Balderdash From The Archives” offers a compact cross-section of rare recordings and expands the band’s discography with previously lesser-known studio fragments and live moments.

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The Cramps

Songs The Lord Taught Us

40,99 €*

Mediocre Generica Colored Vinyl Edition

Release: 1980 / US – Reissue

Genre: Rock & Indie

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The Songs The Lord Taught Us LP by The Cramps is released on Capitol. The debut album was recorded in Memphis at Phillips Recording Studio and produced by Alex Chilton; these sessions laid the foundation for the raw, rockabilly- and garage-driven sound that helped the band make its mark early on.

The record brings together punchy gem-like tracks such as “TV Set,” “I Was a Teenage Werewolf,” “Garbageman,” and “Tear It Up,” as well as cover takes on classic rock ’n’ roll and horror pulp motifs, rendered in an idiosyncratic, grimy sound. Characteristic are Poison Ivy’s twanging guitar riffs, the stripped-down rhythm work, and Lux Interior’s theatrical yet guttural vocals, which give the songs a pronounced retro aesthetic.

The album is regarded as a key document for the later psychobilly and garage revival scenes, because it places traditional rock ’n’ roll forms in a brutal yet playful context, creating new points of reference. Capitol has reissued the album in a new edition, keeping this historic material available on contemporary vinyl.

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Leftover Crack

LP | 2026 | EU | Original (Sbäm)

LP | 2026 | US | Original (Happy Happy Birthday To Me)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Go Public

You Are Traffic

LP | 2012 | EU | Reissue (Not Sorry)

Release: 2026 / US – Original

Genre: Rock & Indie

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'You are Traffic' is the debut album by Atlanta, Ga post punk mutant disco dance party band Go Public. The world is on fire what else can you do?

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Sport (FR)

Colors Brown Colored

23,99 €*

7" | 2026 | US | Original (Slouch)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Ughh

Little Angels

17,99 €*

Der Tanz Geht Weiter With New Artwork

Release: 2026 / US – Original

Genre: Rock & Indie

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Born of smoke. Born of ooze. Tremble all who live in the age of Ughh. Hide in the shadows! Do not leave your home. It will find you. Calamity and terror bearer, eclipse delivered, sink you wretch! Stand and be struck down, kneel and be brought low, the final shadow covers all. Ughh the ender, Ughh the final collector of debts, Ughh the pillaging despoiler. Hard crossover thrash and punk.

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Isolationsgemeinschaft

LP | 2022 | EU | Reissue (Phantom)

15,99 €*

12" | 2025 | EU | Original (Ghost Highway)

Release: 2022 / EU – Reissue

Genre: Rock & Indie, Pop

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"Rarely have I heard an album that made me want to pull my vampire cape out of the closet and tease my hair up so badly. *The Dance Goes On!* by Isolationsgemeinschaft is the perfect album for staring lethargically into the void or stomping around until you lose your senses. With snappy lyrics and even snappier synthesizers that would make even Depeche Mode turn green with envy: perfect for midnight trips to the nearest cemetery with your loved ones." (Richard C.)

IG 2022 — even colder, more urgent, and somehow more hopeless in relation to the present, the future, and the “Human” concept in general.

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Mala Vista

Snub Nose .38

21,99 €*

Kings Of The Wild Frontier Remastered Sunburst Splatter Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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The “Snub Nose .38” 12" by Mala Vista, released on Ghost Highway, is a clearly defined punk / hardcore release that puts the band name and title squarely in the spotlight. With this 12" on Ghost Highway, Mala Vista steps up and positions “Snub Nose .38” as an independent contribution within the punk / hardcore spectrum. The 12" format underscores the physically focused character of the release, while the label framework of Ghost Highway accompanies the presentation of the material. For listeners specifically looking for fresh releases from the punk / hardcore scene, “Snub Nose .38” offers a direct point of reference for Mala Vista’s artistic direction and its current label affiliation.

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Adam & The Ants

LP | 2026 | EU | Original (Sony)

Punk Ruins Coke Bottle Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Sunburst Splatter/colored vinyl edition of the “Kings of the Wild Frontier” LP by Adam & The Ants was released by Sony and presents the classic album in a remastered sound version. This edition is based on a new reworking in which Adam Ant, together with Walter Coelho, revisited the original recordings, bringing the twelve tracks of the original album together in focused form on LP. The packaging adheres to the established album structure and unites the album’s familiar tracks in updated audio quality.

Musically, the release gathers the concise compositions, including “Antmusic” and the title track “Kings of the Wild Frontier,” thereby documenting the core selection of songs that has historically defined the album. The remastered version aims to make the distinctive arrangements and the band’s original character stand out more clearly, without changing the running order of the tracks. As an LP edition with a specified Sunburst Splatter color scheme, it is aimed at listeners who value a visually distinctive vinyl presentation combined with the revised audio version.

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Fake Names

LP | 2026 | EU | Original (Epitaph Europe)

Revolutions Per Minute Purple Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Coke Bottle edition of the “Punk Ruins” LP by Fake Names was released on Epitaph Europe. This version documents the album “Punk Ruins” as an LP and highlights the colored Coke Bottle pressing as a striking production detail. Fake Names set catchy, direct song structures alongside high‑velocity hardcore energy; the tracks combine tight arrangements with driving guitars and open, expressive vocals.

On this release, the band puts the contrast between melodic accessibility and raw intensity front and center, anchoring the “Punk Ruins” LP in both punk‑style directness and hardcore‑style speed. The Coke Bottle vinyl edition emphasizes the tactile character of the release, while Epitaph Europe oversees it on behalf of the label. For collectors and listeners who value a clearly designated special edition, the “Punk Ruins” LP by Fake Names offers a distinct presentation of the band’s work within this stylistic tension.

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Rise Against

LP | 2003 | US | Reissue (Fat Wreck Chords)

No Spiritual Surrender Colored Vinyl Edition

Release: 2003 / US – Reissue

Genre: Rock & Indie

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The purple vinyl edition of the “Revolutions Per Minute” LP by Rise Against is released on Fat Wreck Chords and revisits the band’s early, uncompromising chapter as a colored pressing. This edition brings together the album’s compact, direct songs and puts the interplay of speed, melody, and political stance front and center.

Musically, Rise Against position themselves here at the intersection of classic punk rock and melodic hardcore; the arrangements combine tight, concise guitar riffs with driving drums and distinctive, often socially critical lyrics by Tim McIlrath. The recordings were made at the Blasting Room with Bill Stevenson and Jason Livermore as producers, capturing the band’s rough-edged energy in a clean and powerful way. The lineup of Tim McIlrath, Joe Principe, Todd Mohney, and Brandon Barnes shapes the record’s characteristic sound.

Songs like “Black Masks & Gasoline,” “Like The Angel,” and “Amber Changing” showcase the album’s breadth: from bursts of fast hardcore to more melodic, emphatic moments defined by multi-layered choruses and well-placed tempo changes. The production emphasizes clarity in the mix, lets the guitar attack hit hard, and still preserves space for the vocal urgency that makes the album an important point of reference in the early work of Rise Against.

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Inside Out

7" | 1990 | US | Reissue (Revelation)

13,99 €*

LP | 1987 | US | Reissue (BMG Rights Management)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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One of the most popular releases ever on Revelation Records. Intelligent and introspective lyrics combined with one of the most intense and heartfelt vocal performances ever captured on a hardcore record make this a must have for any fan of the genre. Vocalist Zack de la Rocha later went on to form and front Rage Against THE Machine. Lineup also features Vic Dicara (108) on guitar, Chris Bratton (chain OF Strength) on drums, and Mark Hayworth (hard Stance) on bass.

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Suicidal Tendencies

Join The Army

33,99 €*

LP | 2026 | US | Original (Indecision)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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The “Join The Army” LP by Suicidal Tendencies is released through BMG Rights Management, bringing one of the defining albums of the California hardcore scene back into the label’s catalog. Originally released in 1987, the band’s second studio album marks the transition from uncompromising hardcore punk to a harder, thrash metal-influenced style. Suicidal Tendencies combine fast guitar riffs, driving drum patterns, and Mike Muir’s distinctive vocals into an energetic crossover sound.

The album features tracks such as “Join The Army,” “War Inside My Head,” and “Possessed To Skate,” which remain among the group’s best-known songs to this day. The lineup on this album consists of Mike Muir on vocals, Louiche Mayorga on bass, Rocky George on guitar, and R. J. Herrera on drums. George and Herrera appeared on a studio release by the band for the first time and played a decisive role in shaping its musical development.

“Join The Army” was produced and technically overseen by Lester Claypool, with Suicidal Tendencies also contributing as producers. The LP contains thirteen tracks and captures the band at an important turning point in its early career: angry, direct, and rhythmically precise, while already embracing the metal elements that would continue to define the group’s later style.

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Russ Rankin

A Season In Hell

LP | 2026 | US | Original (Total Punk)

Release: 2026 / US – Original

Genre: Rock & Indie

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Russ Rankin is a singer, songwriter, columnist, poet, and screenwriter from Santa Cruz, CA. He is best known as the vocalist for seminal hardcore punk band Good Riddance, as well as the vocalist for Only Crime. “I had written these songs that maybe didn’t suit Good Riddance, and then there were these cover songs I kept finding myself drawn to, so I decided to record all of it. Adam Gomez (currently of THE Dickies) took care of the drumming, while I played all the other instruments and did the vocals,” explains Rankin. A Season In Hell consists of three new, original songs alongside three covers. It follows Rankin’s 2022 full-length, Come Together Fall Apart, this time leaning into a heavier hardcore direction. The EP reconnects Rankin with the style that first established him, while offering his own take on a handful of classics by THE Records, Avengers, and Leon Rosselson.

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Retail Simps

Real Simple

LP | 1978 | Reissue (Secret)

Release: 2026 / US – Original

Genre: Rock & Indie

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3 LPs, one 2LP, three 7"s, eight cassettes, one split lathe, 3 compilation appearances and a feature length documentary in, the Retail Simps cut their first 12" EP. If you haven't bought any of that other stuff stop being a loser and win big with "Real Simple". A wicked set featuring 8 songs recorded by Obediah Anderson with guest appearances by Kayla Mcneil, James Anderson and Trevor Turple. drum duties split 3 ways, some songs studio magic, some songs preformed live off the floor with the original 4. Tender moments, splendor moments, fried moments, rarified moments, the list goes on. there are 21 moments total so tip your hat to that moderate amount of moments! The gang will be out on the road in the Eu/uk in October. Totally loose, totally amateur, and 100% Totally Punk!

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Ken Boothe

Got To Get Away Showcase

Good Luck Rot-Transparent Colored

Release: 1978 / Reissue

Genre: Rock & Indie

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The “Got To Get Away Showcase” LP by Ken Boothe is released on Burning Sounds, an imprint of Secret Records, and delivers a presentation that puts voice and rhythm clearly center stage. The album goes back to the late 1970s and has been reissued for this edition in classic showcase style; Ken Boothe provides the soulful lead vocals, while selected cuts appear in extended and DJ versions. The arrangements combine vocal passages with extended riddims, giving the record a clear focus on sound system–ready versions.

Musically, “Got To Get Away Showcase” includes both core vocal tracks and deejay contributions from Jah Walton, as well as heavy dub versions laid down by The Revolutionaries. Phil Pratt is credited as the central producer and, through the versions, shapes the sound of this release; individual tracks appear in alternate dub or DJ takes, giving the album its showcase-style dramaturgy. Ken Boothe remains the unifying factor whose vocals tie the different versions together and lend the release its distinctive depth.

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Cava

LP | 2026 | DE | Original (Buback)

Nothing Changes Everything Colored Vinyl Edition

Release: 2026 / DE – Original

Genre: Rock & Indie

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What’s left once the champagne corks have popped, the mosh pit has turned into just another memory, and your own everyday reality takes over again?
CAVA are back with their new album, GOOD LUCK, a title that in no way equates to accepting defeat. Their third studio album is a journey toward realizing what a world shaped by black-and-white thinking ever more urgently needs: small and big moments of happiness, and above all a sense of community that can be brought to life in solidarity.
In 14 songs driven by urgent guitar riffs, flowing basslines, and relentless drums, the band delves into themes such as the anonymity of big-city life, the ongoing desire to break out of the capitalist system, and the power of community and sisterhood.

After touring Germany and Europe, CAVA are now setting out to bring GOOD LUCK to stages around the world. Because the two musicians now know better than ever where their strength as a punk duo lies: grabbing each other’s shoulders and saying, “We’re in this together!” And despite – or perhaps because of – the current harshness, frustration, and loneliness, they call on us to forge real, vibrant, chaotic, and beautiful connections – no matter where in the world.

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Dead Bob

LP | 2026 | US | Original (Wrong)

LP | 2026 | US | Original (Trustkill)

Release: 2026 / US – Original

Genre: Rock & Indie

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Exactly three years after the debut album, Life Like Dead BOB continues to mine the archives of old and new demos that John Wright has created over the years, including two of the last songs demoed for Nomeansno with brother ROB Wright.

Whereas Life Like was primarily a solo project of John, since the formation of the live band the gang, Ford Pier, Byron Slack, Kristy LEE Audette and Colin Macrae take a far more active role in this record.

Nothing Changes Everything is a 35 min. 8 song release that takes you on Bob's journey and keeps you wondering, “Where the f**k is this going next!” Balls to the walls and head in the clouds, you're in for a treat.

With a couple years under their belts and return of Selina Martin to collaborate on another song, Dead Bob takes it to the next level.

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Frozen Ground

Self Titled Deluxe Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Buffalo, Ny’s Frozen Ground features current and former members of IT Dies Today, Senses Fail, and Rhinoceros. Their self-titled debut EP is five tracks metallic hardcore including tracks with guest vocals from Michael Smith from Pain OF Truth and Mike Ryan from Missing Link.

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The Nerve Agents

LP | 1998 | US | Reissue (Revelation)

LP | 2026 | US | Original (Hells Headbangers)

Release: 1998 / US – Reissue

Genre: Rock & Indie

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THE Nerve Agents were born from the late-’90s, Bay Area Hardcore scene with vocalist Eric Ozenne, formerly of local stalwarts Unit Pride and Redemption 87, joining with Tim Presley and Andy Granelli of Model American. What resulted was a throwback sound to an era of hardcore punk not unlike early-YOUTH OF Today, Circle Jerks, 7 Seconds, and Agnostic Front, that still managed to showcase the members’ personalities and experiences, with art and lyrics reflecting on Ozenne’s time in the military with vivid references to the horrors of chemical weapons. With this eight-song EP as the catalyst, THE Nerve Agents steep trajectory in the West Coast hardcore and punk underground found them playing smaller, more formative shows and growing alongside bands like Tiger Army and THE Distillers (which Nerve Agents drummer Andy Granelli would join and play with from 2000 to present day). The EP was a perfect match for Revelation Records, who, in the late 1990s with THE Nerve Agents, IN MY Eyes, Where Fear AND Weapons Meet, and Better Than A Thousand, was finding a return to the fast hardcore sound that brought them to underground music fame ten years prior. This new pressing is the first vinyl pressing since 2014 and features a full-color obi strip plus an eight-page booklet with lyrics, and expanded artwork featuring flyers, and writings from both scene luminaries and casual fans of the band, showing THE Nerve Agents deep connection and reverence to all who they touched.

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Satanic Threat

In To Hell

37,99 €*

LP | 2026 | US | Original (Blowed Out)

Release: 2026 / US – Original

Genre: Rock & Indie

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Satanic Threat’s “In To Hell” LP is released on Hells Headbangers and brings together the Cleveland, Ohio band’s abrasive hardcore punk on a full-length record. Satanic Threat combines high speed, aggressive riffs and a deliberately blasphemous approach into uncompromising hardcore hell-punk that is both direct and biting.

At the center are the eight tracks from the originally released 2008 “In To Hell” 7-inch, including “Guilty Of Hating Christ,” “Small God, Big Cross” and “I Ain’t Gotta Worship.” The band consisted of musicians with connections to Nunslaughter and Midnight, shaping the rough transition between Cleveland hardcore, punk and an extreme metal attitude. The short songs rely on a compressed, angular dynamism and direct confrontation rather than expansive arrangements.

The studio material is supplemented by a complete live recording of Satanic Threat’s only concert, which took place in Cleveland in September 2008. As a result, “In To Hell” includes not only the familiar tracks but also live versions of songs such as “He’s On The Cross,” “Satanic Threat” and “Steppin’ Stone.” Hells Headbangers thus turns the band’s rare catalog into an LP that combines studio recordings and immediate onstage energy in a single release.

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Evil Island

Terraform The Afterlife

39,99 €*

The Day They Let You Out Is The Day They Might Not Let You Come Back

Release: 2026 / US – Original

Genre: Rock & Indie

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Evil Island’s “Terraform The Afterlife” LP is released on Blowed Out and marks the band’s official debut. Issued as an LP, the release brings together a lineup featuring Johnny Whitney, Cody Votolato, Mark Gajadhar, Autry Fulbright II, and Todd Weinstock. Produced by Ross Robinson, the album features guest contributions from Jordan Blilie, Guy Picciotto, and Alexis Krauss, among others, as well as additional vocal contributions. The technical credits list Mike “Lightning” Balboa for engineering and mixing and Dan Hearsh for mastering. The LP released on Blowed Out was also offered for preorder through the label’s online shop.

Musically, “Terraform The Afterlife” falls within the punk / hardcore realm, with clear post-hardcore influences. Rising melodic lines and unruly vocals overlay short, sharp-edged arrangements, standing out particularly on songs such as “Tiger Baby” and “Terminatrix.” Ross Robinson’s production emphasizes raw immediacy, while the guitar work and drumming repeatedly shift into fragmentary, driving motifs that run throughout the album. “Terraform The Afterlife” presents Evil Island as a union of experienced musicians, with their debut on Blowed Out translating the band’s rough energy into compact, short-form tracks.

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Peter Jefferies

LP | 2026 | EU | Original (Grapefruit)