Trance 366 Items

What defines our identity? Are we still the same person we were two decades ago?

In the immensity of space—a black hole roars, a distant rumble in the night… then silence.

What remains: time echoes.

With this first double 12” on Junction Forest, S.O.N.S explores the relationship between time and artistic identity.

The compilation “12 Inch Lovers 13” on the 541 label brings together nine complete club tracks on a double LP. The selection celebrates the 15th anniversary of 12 Inch Lovers, a Belgian concept that has been presenting house and club music exclusively on vinyl since 2011. Alongside established tracks, it features rare discoveries and titles making their vinyl debut here.

The compilation opens with Kollektiv Turmstrasse’s “Sorry I Am Late,” whose distinctive bassline gained wider recognition through Solomun’s Boiler Room performance in Tulum. Karmon and Terry Shand’s “Take My Hand” follows with a melodic club track featuring prominent vocals, while Tocadisco’s “Morumbi” emphasizes the collection’s driving character.

Another standout moment is “Marea (We’ve Lost Dancing)” by Fred Again.. and The Blessed Madonna, a track about the shared experience of dancing that is missed. Kotai’s “Sucker DJ” appears in a remix by Marcin “Highfish” Kozlowski, while Daddy’s Groove and Little Nancy deliver a grooving rendition of “It’s Not Right, But It’s Okay.” The compilation is rounded out by Martijn ten Velden’s remix of “Guitarra G” and “Lifetimes” by Slam featuring Tyrone Palmer. “12 Inch Lovers 13” thus combines house, trance, and timeless club music in a carefully curated selection.

The Orange Transparent Vinyl Edition of “The Age Of Love” 12" by Age Of Love was released on DiKi and brings the three most distinctive reworks of the classic together on one record: the legendary Jam & Spoon “Watch Out For Stella” Mix, the rendition by Charlotte de Witte and Enrico Sangiuliano, and Solomun’s Renaissance Remix. This compilation presents different phases and perspectives of the track in a compact format, making the 12" a functional release for DJs and collectors looking for a focused selection of prominent remixes.

The selection on the DiKi release emphasizes both continuity and renewal: the Jam & Spoon mix appears in a revised 2021 master version, while the versions by Charlotte de Witte & Enrico Sangiuliano and Solomun each reflect the production techniques of their respective eras. Age Of Love had already written and released its namesake hit in 1990; this 12" references that legacy without flattening the distinct character of the individual remixes. Technically situated within techno, minimal, and tech house, the record offers a direct link between early trance heritage and contemporary club production.

The "Asot Classics Series, Volume 1" by V.A. is released on Armada Music and joins the catalog of titles associated with the A State Of Trance label imprint. Issued as a 12-inch edition, the release is aimed at listeners and DJs who are looking for classic trance productions in a physical format; the concept picks up on the tradition of the ASOT series of bringing together selected classics of the genre.

Musically, the collection moves in the realms of melodic trance and progressive, driven by clear lead lines, familiar arpeggios, and soaring breaks that are characteristic of the A State Of Trance aesthetic. The compilation follows the approach of making concise, timeless tracks accessible without explicitly designating remix versions or renditions, unless they are listed separately. Such compilations document the stylistic cornerstones of the scene and offer a concise overview of formative motifs in trance production.

As a V.A. release, the 12-inch format offers not only collectability but also practical usability for deployment in DJ sets; the pressing is thus conceived equally for collectors and practitioners. Detailed information on tracks, contributing producers, or remixers should be verified using the label or retail listings, as these details are not provided here.

The Silver Vinyl edition of the "1998" 12" by Binary Finary is released on Armada and brings the classic to the format as a limited silver pressing.

"1998" is regarded as a milestone of late‑nineties trance: the melody and its rising tension arcs earned the track high positions in the UK dance charts and turned it into a defining soundtrack of the international scene. This edition brings together not only the extended version of the original but also legendary remix versions — including the definitive rework by Paul van Dyk and the powerful rendition by Victor Ruiz — and completes the set with a new remix by Paul Oakenfold featuring Marie Vaunt on the B‑side.

Musically, "1998" remains a textbook example of anthemic trance aesthetics: expansive arpeggios, ascending breaks and distinctive lead lines merge with a driving groove to form a grand, emotional structure. The included remixes open up different listening experiences — from euphoric uplifting to darker, more techno‑leaning moments — and demonstrate how flexibly the source material responds to modern production approaches. This 12" thus offers both historical context and fresh club perspectives on one of the most recognizable trance contenders of the nineties.

Released on Bosconi, the “Paths Lead Inward” 12" by Alex Barbu marks his debut on the Italian label and condenses into four tracks a precise exploration of electronic terrains. Alex Barbu, who has previously released on Digital Finesse and Maeteria, approaches on “Paths Lead Inward” the tension between minimal and techno as well as the finer shadings of tech house and deep house–leaning moments, augmented by subtly psychedelic touches.

In compact, cleanly drawn arrangements, the “Paths Lead Inward” 12" combines stripped-back rhythms with floating soundscapes; low-end foundations and precise percussion carry tracks that work both on the dance floor and reveal their details on closer listening. Alex Barbu relies on subtle variations and a carefully considered sense of dramaturgy, giving the release on Bosconi a coherent internal logic. The clear production and the focus on atmosphere and groove make “Paths Lead Inward” a compelling addition to the Bosconi catalog and a succinct statement by the artist that consistently continues the path he has taken with Digital Finesse and Maeteria.

Released on Punctuality, the “Echo-Chambered” 12" by Bliss Inc. brings together two distinctive tracks: “Carousel” and “The Shake.” The release carries catalog number PNCT011 and was written and produced by Alexander Starodubov; mastering and lacquer cut were handled by Marco Pellegrino, with artwork by Lucia Dominguez.

Bliss Inc. positions itself at the intersection of progressive house and tech house elements, with a focus on expansive soundscapes and driving rhythms suited both to laid-back sets and peak-time club contexts. Hallmarks include deft harmonic progressions, subtle breakdowns, and a strong sense of tension in the arrangements, giving the sound a clear DJ focus while also unfolding considerable melodic power.

This 12" emphasizes clean production and DJ usability: Marco Pellegrino’s precise lacquer cutting ensures dynamic low-end depth, while Alexander Starodubov’s compositions leave room for transitions and creative mixing. The work released on Punctuality fits seamlessly into the label’s spectrum of electronic club music and offers DJs as well as listeners a compact, clearly focused addition to the current scene.

The Static Collector EP 12" by Harry, released on High Altitude, marks the label’s third catalog entry and once again brings the Australian-born, Berlin-based producer to the center of the small but defining vinyl program. With this release, High Altitude continues to develop its label profile and presents Harry’s contribution as a standalone 12" that further explores the relationship between producer and imprint.

Musically, the Static Collector EP comprises four tracks, including the cuts listed in the announcement, “It’s Not Working” and “Paranormal Activities,” which, together with “French Inspection” and “Who Are You,” form the set and clearly underscore the electro focus of the record. The production puts emphasis on precise arrangements and compositional clarity, as suggested by the track titles themselves, without resorting to artificial genre expansions. For collectors and DJs, this 12" on High Altitude delivers a concise contribution to the contemporary electro scene and continues the label’s series with Harry’s third release on the imprint.

(black vinyl repress) Some tracks just refuse to age. A record that needs no introduction, Veracocha's Carte Blanche now returns on vinyl, reigniting the legacy of a track that shaped the sound of trance and continues to move dance floors more than two decades on.

Originally released in 1993 on Rising High Records, Voices Of The Rainforest is one of the most distinctive and underrated cuts from the early UK trance and ambient techno continuum.

The New London School Of Electronics was the collaboration of Caspar Pound and Laurence Elliott-Potter, two key figures around the Rising High orbit. Together, they created a track that sits in a strange and beautiful space between ambient techno, acid, early trance and rave.

Over more than ten minutes, Voices Of The Rainforest unfolds through rolling tribal percussion, deep hypnotic rhythms, spacious electronic textures and melancholic melodies. Constantly shifting between atmospheric passages and driving trance elements, it creates a hypnotic journey that feels both deeply immersive and unmistakably dancefloor-focused.

It is this balance that makes the record so special, connecting the psychedelic and ambient side of early-90s electronic music with the emerging trance and techno sounds coming from the UK and Germany at the time.

The original 12" also featured the extended Blackout Mix, recorded live at Erotica in Paris, pushing the hypnotic atmosphere even further.

The “Drifting Away” 12" by Lange feat. Skye was released on Armada. This new edition as a black vinyl repress brings an early classic of the trance scene back to the physical format and stays true to the original musical substance of the release.

The title is exemplary of Lange’s melodic signature: expansive lead synths, arpeggiated accompaniments, and a carefully calculated dramatic arc that culminates in an emotional breakdown featuring Skye’s vocals. Skye’s voice gives the piece a warm, anthemic quality that carries the melodic structure and respects the track both as a vocal song and as a DJ tool. On the production side, Lange’s focus on clear, spacious soundscapes and punchy kick arrangements remains unmistakable.

The reissue builds on the track’s ongoing resonance and is being presented in the context of its 25th anniversary; alongside the original versions, contemporary remixes support the campaign and highlight the material’s continued relevance for today’s DJs and producers. This creates a bridge between the source material and current takes on it.

All in all, “Drifting Away” remains a document of Lange’s compositional strength and Skye’s striking performance. The 12" offers a concise, once again available reference pressing both for collectors of classic trance releases and for DJs who want to work the original and extended versions into their sets.

“Mind Migration” by So-Fi is released as a 12-inch on the Superluminal label and marks the artist’s debut for the imprint. The record brings together four tracks whose compositions move between classic and contemporary techno reference points, deliberately emphasizing dense, rhythmic structures.

Musically, So-Fi operates from a clearly techno-oriented foundation, with tribal-tinged percussion entering into dialogue with spacious, at times dark textures. Tracks such as “Strange System,” “Nesting,” “Void Sun And Storm,” and “Sweaty Conversations” shift between driving groove phases and more open, atmospheric passages; this degree of contrast is characteristic of the project’s sound and at the same time reflects the artist’s experience as a DJ. The positioning within the field of techno is further underlined by the label’s presentation.

The record is dominated by instrumental arrangements; the tracks were composed and produced by So-Fi. Technical refinement was handled by Analog Cut Mastering Studio, which took care of both mastering and cutting. The visual design is by Cleymoore, with front-cover photography by Elena Tredici. As a 12-inch, the release is aimed both at DJs seeking distinctive vinyl tools and at listeners interested in compact, focused strains of techno.

“Schöneberg” by Marmion was released as a 12" on Superstition and is part of the canon of the label’s early club releases. The track appeared in various DJ sets and on represses, both as a standalone single and in EP contexts, and quickly established itself as a distinctive piece within the trance scene.

Marmion, the project of Mijk van Dijk and Marcos López, combines melodic lead synths with driving yet airy breaks on “Schöneberg”; ambient‑like passages create arcs of tension, while striking motifs underscore its club‑focused character. The tracks were produced at LoopLab and bear the hallmark of a producer duo known both for playful soundscapes and for immediate dancefloor appeal. The mastering credits and production notes document the professional studio work behind the sound.

The 12" appeared in several remix editions; alongside the original version, remixes by well‑known scene producers gained wide circulation, including versions by John Acquaviva and Kid Paul that adapted the track for different club contexts. “Schöneberg” was played by established DJs and thus became a recurring reference point in sets that bridged classic trance and contemporary club aesthetics.

The mysterious Witness of Venus takes command of the Zazù spacecraft and continues his cosmic exploration. With Lost & Found, he drifts into a dreamlike sound world inspired by a specific sound of the trance and techno of the 1990s — the one that evokes wonder without excess.

As the label’s second release, Lost & Found is a gentle tribute to a timeless spirit of dance music, where the dancefloor becomes a place not only to move, but to dream.

The "Happiness Happening" 12" by Lost Witness on Armada brings the track back into the spotlight, gathering both the extended version and well-known remixes into a compact single release. Lost Witness's distinctive vocal melody remains the central focus, while the arrangements by the remix partners carry the song into a range of DJ contexts.

The record features the original extended mix and Way Out West's rework on the A-side; the B-side contains the extended versions developed by Lange plus a remix by Rub!k, each bringing its own distinct energy and different tempo dynamics to a set. This lineup works both for weaving into DJ sets and for focused listening to individual versions.

The remixes highlight different facets of the song: Lange's version unfolds stadium-ready peaks and finely crafted build-ups, while Rub!k's rendition works with denser production and modern bass textures. Armada carries the release in its trance catalog and positions the "Happiness Happening" 12" as a look back at a defining late-'90s track, newly accented for today's dance floors and collections.

The "EP II" 12" by Dream Sonic Research, released on Dream Sonic Research, continues the label’s programmatic approach, fusing driving techno with trance-like and progressive elements. Opener "The Portal" builds on an unfussy, straight-ahead bassline, wobbling sub frequencies, and harmonic chord pads that recall classic Detroit forms, while "Rise of June" uses a grooving bassline and an inviting opening melody to set up a field of tension for the dancefloor.

On the B-side, "Blind Karma" unfolds a focused, psychedelic character that aims less for gimmicks and more for impact in adventurous sets. Closing track "Water Float" carries the EP into an ethereal realm and serves as an atmospheric homecoming without abandoning its rhythmic grounding. Throughout, the arrangements rely on solid bass foundations, modular textures, and melodic fragments that oscillate between club functionality and cosmic expansiveness. Mastering and final sound treatment were handled by Marco Antonio Spaventi; the record was pressed at R.A.N.D. Muzik, and the artwork was created by 物の哀れ. With "EP II," Dream Sonic Research presents a focused 12" offering conceptually interlinked tracks that further develop the label’s aesthetic signature.

The "Altered Reality" 12" by Sunaas is released on Test Of Time and brings together four tracks: "Computing System," "Liquid Dynamics," "Skylocked" and "Outro." This compact EP clearly positions itself within the electronic realm without resorting to unnecessary effects; instead, the pieces work with precise sequences and cleanly sculpted synthesizer textures, each building toward a central rhythmic framework.

Sunaas is distinguished by a calligraphic approach to modular sound generation: gradually evolving patterns, layered arpeggios and pinpoint percussive signals create a dense yet controlled sonic architecture. The arrangements move between club-ready tempos and experimental passages, with melodic fragments and rhythmic precision kept in balance, marking an independent approach to psychedelia-infused electronic music.

On a technical level, the production shows great finesse: according to the notes, the material was mastered by Rashad Becker at Clunk Studios, and the 12" realized as a 180 g heavyweight pressing, which supports the recordings’ sonic clarity and depth gradation. As TEST006, the release documents the expansion of a precise, live-oriented studio approach that Sunaas presents on Test Of Time.

Designed for her 5 Hour extended sets and refined on dancefloors worldwide, "Can't Stop Loving You" - out today on slash - captures Ki/ki's signature nostalgia-meets-future sound. Self-written and produced, it's an emotive trance burner built for peak time joy, unity and release, a sound that has defined her rise across global rave culture.

"Can't Stop Loving You" has become the closing moment in Ki/ki's 2025 sets. From her Radio One Essential Mix, her two 5 Hours at the Woolstore, Melbourne - the only artist to ever do two back-to-back - to her AMF headline set to 40,000 fans at the Johan Cruijff ArenA! "Can't Stop Loving You" has been the emotional closer all year long.

On the track Ki/ki says: I wrote this track during the biggest heartbreak of my life. Back then I was working on music for my liveshow, and needed a track to close the show with. Can't stop loving you was the result. Every note, every sound, every vocal helped me through how I was feeling and listening back now reminds me that eventually things will be okay again. The song evolves from an emotional track to an optimistic 172bpm banger and this perfectly describes my process - and maybe the story of almost every heartbreak? This record is living proof to me that music can be healing. I hope it does the same for you

In just a few years, Ki/ki has become one of the most exciting and influential voices in electronic music. She's sold out 20,000-capacity shows and graced the cover of DJ Mag. In 2026, she'll headline London, Dublin, Belfast, Paris, LA and NYC - all selling out in minutes.

With new music coming and her fanbase surging, "Can't Stop Loving You" now closes both her sets and her year - the emotional full stop on 2025 before an even bigger 2026.