Classic Rock 4870 Items

Pipe Dreams HHV EU Exclusive Black Vinyl Edition

2LP | 2026 | EU | Original (Smiling C)

LP | 1969 | US | Reissue (Atlantic Catalog Group)

Release: 2026 / EU – Original

Genre: Soul, Funk & Jazz, Rock & Indie, Electronic & Dance

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New and stunning release on Smiling C limited to 500 copies worldwide. Exclusively available through HHV in Europe.

More than four years in the making, Tiki Shack Recording Studios AKA Smiling C Records & Mike Patricola present Pipe Dreams — a compilation of sidewalk surf bands, tropical troubadours, and soothing sounds from just beyond the reef.

Compiled by Mike Patricola, Pipe Dreams is the culmination of years spent exchanging obscure recordings, pursuing a shared feeling, and uncovering a sub-genre of overlooked songs that could be woven into a story of surf, snorkel, and sun. Drawn from Patricola's collection, the compilation aims to capture the feeling of endless summer, and serves as an ode to the freedom of island living: Bikini-shaped sunburns, coconut stands closed due to perfect swells, slack guitars, perpetual sunsets, guppies darting through shallow water, and afternoons spent face-down in the sand.

Spanning the late 1970s through the mid 1980s, Pipe Dreams gathers forgotten pop, lounge, soft rock, AOR, disco, and private-press oddities into a time capsule that seeks to epitomize an era that existed before life became mediated by screens. One in which technology was more naive and society was less reliant upon it. Time moved slower, people were better able to connect with their surroundings, and the dream of moving to a coastal utopia felt more attainable.

Each side unfolds as its own chapter.

Side A begins with Midwestern lettermen The Sunset Kidds, whose hypnagogic harmonies on “Darlin’” evoke the Beach Boys mired in the post-summer doldrums. Australia's Simplex 2 follow with the previously unreleased “Tiger Bay”, capturing the slow pulse of a perfect beach day through low end groove. Don Moore's infectious “Water Lily” arrives via a romantic Fire Island love affair, while Cay Gottlieb contributes a dose of Bahamian Balearica. To close the side out, Tennessee crooner Ron Holmes delivers an extra dose of salt on the margarita rim for good measure.

Side B shifts into a more upbeat surf-disco and pub-rock mode. Montreal’s Dino Pacifici’s nostalgic ode to carefree summers long passed, followed by Marseille's own The Students "Ocean Lifestyle" — which sits somewhere between Shuggie Otis and The Stranglers. Another Montréalais artist Pierre Rochette delivers a chuggy surf-disco belter, while Special Edition Band ventures from boozy rock into a washed-out paradise with glistening guitars.

Side C serves as an ode to tropical troubadours — intimate songs that range from drum machine lounge to private island bedroom recordings. Japan's Twin Cosmos, actual identical twins, dream up beachfront breezes on "Coconuts Wind." Hawaiian songwriter Dennis Soares offers the delicate and deeply personal "One World," while Ossie Parker Jr. supplies some Bahamian barroom sophistication. Miles Corbin brings sounds straight from the tiki hut, and lounge lizard Glen Banks takes us into the final intermission with a lullaby live from the Coconut Grove.

Side D catches a wave back in. Meri-Lynn & The Key Lime Pie Band celebrate the Florida Key life, Dennis Soares returns for one final Hawaiian postcard, and the Latin band Acapulco contribute a hefty dose of sunny positivity akin to one of Brian Wilson’s cheerier tunes. To round it out, Rick Sharp injects a touch of Bossa cheek and fantasy, and British pub blokes Contrast steer the compilation back toward where it all began — a destination somewhere between a Beach Boy California paradise, a remote oceanside lounge for loners, and a sleazy coastal timeshare.

Pressed on vinyl in a deluxe die-cut, spot-glossed gatefold jacket featuring artwork by our man Charles Bals and cover “Breaking Wave” photo by Lex Thompson. Pipe Dreams is designed as both a listening experience and an object of escape. Drop the needle, lean back, and let the tide carry you away.

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Crosby, Stills & Nash

Wish You Were Here Yellow Flame Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The “Crosby, Stills & Nash” LP by Crosby, Stills & Nash is released on Atlantic Catalog Group in a Rhino High Fidelity edition and presents the group’s debut album in a meticulously reworked presentation. The release was newly cut from the original analog tapes and mastered by Kevin Gray; the result comes as a high-quality pressing manufactured at Optimal in Germany, and is delivered in a gatefold sleeve with insert and extensive liner notes. Issued as a numbered limited edition, it also includes an additional four-page insert with texts and notes on the making of the album.

Musically, the “Crosby, Stills & Nash” LP documents the trio’s early strengths: three-part harmony vocals, memorable songwriting highlights, and tracks such as “Suite: Judy Blue Eyes,” “Marrakesh Express,” and “Long Time Gone,” which continue to define the work to this day. Crosby, Stills & Nash appear here as both writers and producers of the recordings, which in this edition have been brought out in rich detail to emphasize the subtleties of the arrangements and vocals. For fans of classic rock, this release on Atlantic Catalog Group represents a carefully prepared reissue of the groundbreaking debut.

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Pink Floyd

LP | 2025 | EU | Original (Sony)

Release: 2025 / EU – Original

Genre: Rock & Indie

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To mark the 50th anniversary of Wish You Were Here, the album first appears on "Yellow Flame" vinyl. With 'Shine On You Crazy Diamond', the hypnotic 'Welcome To The Machine', the snappy 'Have a Cigar' and the indispensable title song, Wish You Were Here is undoubtedly one of the most important albums in the history of pop music. The album's themes - absence, isolation, transience, and criticism of the insincerity of the music industry - are reflected in the iconic album cover. Even 50 years after it's release, "Wish You Were Here" sounds as up-to-date and vibrant as ever.

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Queen

Live Aid (White Cover)

LP | EU (Easy Meal)

$ 16.09*

LP | 2026 | EU | Original (Stroom)

Release: EU

Genre: Rock & Indie, Pop

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The “Live Aid” LP by Queen is released on Easy Meal and comes with a white cover. Side A gathers the legendary Wembley set from July 13, 1985, including the immediate live versions of “Bohemian Rhapsody” and “Radio Ga Ga,” and juxtaposes these stadium performances with the band’s early De Lane Lea recordings. Side B features historic studio recordings such as “Keep Yourself Alive,” as well as tracks from the band’s early creative periods, giving the release a direct contrast between onstage presence and early band material.

The selection of tracks highlights defining moments of Freddie Mercury’s lead vocals and Brian May’s distinctive guitar work, complemented by the tight interplay of Roger Taylor and John Deacon. As a classic rock LP, the Easy Meal edition brings the dynamism of the Wembley performance into a concise format and complements it with studio recordings that have a documentary feel, so that both the theatrical stage performance and the unfiltered energy of the early tracks come through. The white cover design serves as a clear distinguishing feature of this edition.

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Richard

Loving You To Death

$ 29.34*

Sad Wings Of Destiny Original 1976 Masters Colored Vinyl Anniversary Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "Loving You To Death" LP by Richard is released on Stroom and presents the work as a vinyl and digital album with a deliberately stripped-back sound. At its center is the title track, which deals with the inner conflict of staying with someone who is hurting themself; Richard describes it as a snapshot—maybe of one night, maybe of a longer period—and lets this ambivalence flow into the arrangements. Before recording, he had tried stretching small, dark riffs into long, ambient-like sequences and experimenting with electronic manipulations, but then decided to keep the recordings lean and work without a band.

The LP comprises twelve tracks, including "Loving You To Death," "One For Jesse," and "Anything," and combines sing-song melodies with a certain intentional unprofessionalism as an aesthetic principle. The material was mastered by Nik Kozub; the front cover features a painting by Hoda Ackad, the back is a photograph by Ariana Molly, and the design is by Victor Verhelst. With "Loving You To Death," Stroom is releasing a record that brings together Richard’s fondness for obsessive narratives, mid-fi textures, and direct, unvarnished performances, keeping the focus on the emotional clarity of the songs.

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Judas Priest

LP | 1976 | EU | Reissue (Exciter)

Caspian Indie Exclusive Colored Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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The Colored Vinyl Anniversary Edition of the *Sad Wings of Destiny* LP by Judas Priest was released on Exciter and presents the original 1976 masters in a specially designed reissue. The release stays true to the iconic cover art and brings the album back on LP, with the Anniversary Edition designation emphasizing the historical character of the production. Musically, the record falls into classic rock and captures the band in a recording phase that documents the group’s early sound.

In terms of playback, this edition offers the 1976 master tapes in the form in which they were selected for this anniversary version, preserving the original presence of the recordings. The colored vinyl pressing gives the album a strong visual impact and highlights the edition as a distinct release within the Judas Priest catalog, without touching the musical foundations.

With this release, Exciter delivers an edition that both preserves the documentary integrity of the original masters and, through the colored-vinyl format, offers an alternative presentation of the work. For listeners who value the sonic substance of the 1976 recordings, the LP provides a direct connection to this phase of Judas Priest.

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Caspian

LP | 2026 | US | Original (Wax Bodega)

Once Upon A Twilight... Black Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Caspian” LP by Caspian is being released on Wax Bodega and marks the band’s first album in six years as well as their debut for the US label. The release contains six tracks with a running time of around 39 minutes; the album is scheduled for release on October 16, 2026, and will be available for pre-order through the label’s distribution. Wax Bodega is positioning the record as a key new title in its fall program and is accompanying the announcement with information on individual song excerpts and the available formats.

Musically, “Caspian” builds on the richly textured, dynamic gestures that have defined the collective: wide melodic arcs, dense guitar layers, and dramatic crescendos that unfold through patient arrangements. Standouts include the expansive, nine-minute composition “Remain,” with its slowly mounting tension, as well as the driving “No One Left to Tell” and the powerful “A Great Fire,” which exemplify the balance between atmosphere and impact. From a production standpoint, the album is closely tied to the band itself; the production emphasizes spatial depth and textural detail without sacrificing structural clarity. For fans of the band, the “Caspian” LP offers a focused yet forward-looking perspective on Caspian’s work and adds a prominently placed release to the Wax Bodega catalog.

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The Twilights

LP | 1968 | EU | Reissue (Guerssen)

LP | 2026 | US | Original (Artist Theory)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1968, Once Upon a Twilight… is the second and final album by Australian band The Twilights. Moving beyond the hit-making formula of the period, the group created an ambitious blend of sophisticated pop and psychedelia, shaped in part by their experiences in Britain and their celebrated live performances of Sgt. Pepper. Recorded at Bill Armstrong's Melbourne studio using then-new Australian 8-track technology, the album features songwriting by Terry Britten, vocals by Glenn Shorrock, orchestral arrangements by Johnny Hawker and production by David Mackay. This first vinyl reissue sourced from the original masters faithfully reproduces the original gatefold sleeve with pop-up centrefold and includes a four-panel insert with photographs and liner notes. Annotated and remastered by Grammy-nominated archivist Alec Palao.

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Nieve Ella

How Long Will It Take

$ 29.34*

LP | 2026 | US | Original (Many Hats Dist)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “How Long Will It Take” LP by Nieve Ella is being released on Artist Theory and marks the long-awaited debut album by the singer-songwriter. Announced as an eleven-track work, the LP is coming as a physical release via Artist Theory and compiles previously released singles like “Drive” and “Bite Back” together with new material. The album is scheduled for release on October 16, 2026.

Songwriting and production were developed in close collaboration with Jamie Rendle; many tracks were co-written with bandmate Finn Marlow. The songs range from concise, melodic pieces to dense arrangements that focus on personal lyrics about growing up, identity, and relationship dynamics. “Standing On A Pane Of Glass” was released as an advance track and highlights the combination of immediate hooks and carefully layered guitar textures.

On the LP, Nieve Ella relies on striking melodies, a clear vocal line, and carefully placed guitar parts that recall the guitar aesthetics of the 1990s without falling back on conventional templates. Jamie Rendle’s production emphasizes dynamics and intimacy, keeping Nieve Ella’s voice consistently at the center. With “How Long Will It Take,” Nieve Ella delivers a cohesive debut that makes the multilayered nature of her songs audible on Artist Theory.

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Barbarians Of California

Megatons

45 Volume 1 200g Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Megatons" LP by Barbarians Of California is being released on Many Hats Dist and brings together twelve compact tracks that transfer the band’s raw, direct impulse straight onto vinyl. The arrangements are short and concise, shifting between driving staccato riffs and deliberate tempo changes, allowing the medium to underline the songs’ unvarnished character.

Barbarians Of California emerged from the collaboration of seasoned musicians; the initial impetus came from, among others, Aaron Bruno and longtime engineer Eric Stenman, giving the band both punk roots and deep studio experience. With "Megatons," they continue the trajectory of their debut release and solidify a sound that combines classic hardcore elements with contemporary bite.

Musically, the album moves within a spectrum from hardcore to metallic post-hardcore: angular guitars, distinctive breaks, and a vocal delivery that oscillates between concentrated rage and an ironic undertone. Singles like "The Gnarlycore Class" offer early points of reference; the album is also shot through with collaborations and new song ideas that give the material additional definition. Taken as a whole, "Megatons" presents a focused contribution to the current hardcore scene that clearly brings out the band’s distinctive character.

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XTC

LP | 2026 | UK | Original (Panegyric)

Release: 2026 / UK – Original

Genre: Rock & Indie

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The “45 Volume 1” LP by XTC is being released on Panegyric as a 200 g vinyl edition and brings together the band’s A-sides from 1977 to 1980. With this compilation, Panegyric is issuing a selection of the early singles on vinyl for the first time since the early 1980s; the collection documents the band’s evolution from raw energy to refined, melodic songcraft. The physical presentation as 200 g vinyl underscores the release’s collector appeal, which is sourced from the original single audio tracks.

Musically, “45 Volume 1” offers a compact chronicle of key stand-alone singles, including “Science Friction,” “Making Plans for Nigel,” and the U.S. A-side version of “Ten Feet Tall,” complemented by the rare soundtrack recording “Take This Town.” For this edition, the singles were transferred from the original master tapes; the transfers were made at high sampling rates, and the final cuts were done by Jason Mitchell at Loud Mastering. This approach puts the emphasis on versions of the tracks that are as direct as possible, derived from the single masters, which, presented here in chronological order, clearly trace the development of Andy Partridge and Colin Moulding as songwriters. Panegyric is positioning the LP as the first part of a multi-volume collection of XTC’s early single releases.

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LP | 2026 | EU | Original (Forager)

Lonely Man's Dream

$ 34.08*

Frank Zappa / The Mothers Of Invention

Release: 2026 / EU – Original

Genre: Rock & Indie

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“Lonely Man's Dream” by V.A., released as an LP on Forager, brings together a curated selection whose main unifying element is less a single style than a sustained mood. The compilation presents itself with a restrained, almost dreamlike aesthetic: songs defined by gentle melodies, calm arrangements, and a subtly analog-sounding production. The result is an overall sound that shifts between introspection and warm nostalgia.

Here Forager brings its established touch as a collector and rediscoverer; according to the label, it works closely with artists and their estates to make rare recordings accessible in a respectful way. The result is a record that relies less on showmanship than on the power of voice and song—intimate accompaniments, smooth guitars, understated keyboard lines, and subtle rhythmic patterns form the foundation.

This compilation is suited to listeners who are looking for nuanced, melancholic music off the beaten path. The LP places emphasis on careful selection and atmospheric coherence; it documents a spectrum of musical nuances that appeals both to collectors and newcomers who are interested in historical subtleties and carefully curated discoveries.

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Freak Out! 60th Anniversary Limited Super Deluxe 5 Box

Box | 2026 | Original (Universal)

$ 131.62*

LP | 1973 | Reissue (Yonca Müzik)

Release: 2026 / Original

Genre: Rock & Indie

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The “Freak Out! 60th Anniversary Limited Super Deluxe 5 Box” by Frank Zappa and The Mothers Of Invention is being released as an elaborately designed 5LP box set and marks the 60th anniversary of the groundbreaking debut album “Freak Out!”. Universal is issuing this special edition in close coordination with the Zappa archive; the set focuses on the 1966 production period and presents the original recordings in newly reworked form alongside additional archival documents. The “Freak Out! 60th Anniversary” Super Deluxe 5LP box is conceived as a curated edition for collectors who want to experience the album anew in expanded audio versions and in conjunction with historical supporting documentation.

Musically, the release highlights the multifaceted nature of Zappa’s early work: in addition to the classic album material, the edition is expanded with rare studio and live recordings from 1966 that offer insight into the early lineup of The Mothers Of Invention. The scope of the box also includes editorial texts, some previously unpublished photos, and inserts that explain the context of the recordings and thoroughly document the “Freak Out!” chapter within Zappa’s body of work. Universal and the Zappa estate emphasize the archival character of the edition and the care taken in selecting and mastering the included materials.

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Mazar Ve Fuat

Türküz Türkü Cagiririz

Midnight Cruisin' 2LP Edition

Release: 1973 / Reissue

Genre: Rock & Indie

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The LP “Türküz Türkü Çağırırız!” by Mazhar ve Fuat was released on Yonca Müzik in 1973 and stands as one of the early examples of Turkish folk melodies being fused with Western guitar sounds and psychedelic arrangements.

The album documents Mazhar Alanson and Fuat Güner during a period preceding their later work with MFÖ. The tracks explicitly draw on the tradition of Turkish folk poetry, including a setting of a poem by Aşık Veysel and an adaptation of Yunus Emre, while combining acoustic guitars, organ textures, and occasional electric-guitar accents into a folk-infused rock sound. Production and arrangement contributions from figures such as Zafer Dilek also shape the album’s sonic character, which incorporates country and folk-rock influences alongside the English-language track “Upside Down,” broadening its stylistic scope. The record was rediscovered and reissued as a pioneering document of Anatolian psychedelia; early reissue projects emphasize physical editions on heavyweight vinyl as well as accompanying texts. Particularly noteworthy is the later impact of several individual tracks: “Adımız Miskindir Bizim” was sampled in productions such as Action Bronson’s “Easy Rider,” while “Sür Efem Atını” was also used by producers in a sampling context.

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Kingo Hamada

2LP | 1982 | US | Reissue (Warner Music Japan)

$ 52.07*

LP | 2026 | Original (Sometimes Occasionally)

Release: 1982 / US – Reissue

Genre: Soul, Funk & Jazz, Rock & Indie, Pop

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A leading figure in Japan’s AOR scene, Kingo Hamada originally released the album "midnight cruisin'" under the name Hamada Kingo during his time on the Alpha Moon label. This reissue brings back a supreme urban mellow masterpiece featuring top-tier music

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Bo Harwood

Melhor Do Que Parece Black Vinyl Edition

Release: 2026 / Original

Genre: Rock & Indie

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The “Bo Harwood” LP by Bo Harwood is released on Sometimes Occasionally and features nine pieces drawn from the surviving master tapes that document Harwood’s work for John Cassavetes. Alongside themes and on-screen cues, it includes intimate, partly improvised recordings such as “A Woman Under the Influence: Composite Themes” (1977) and “On-Screen Cues (Bach Train)” (1969); the 1976 song “Almost (In Love With You)” features vocals by Jack Sheldon, and the compositions are shared between Harwood and, at times, John Cassavetes or Anthony Harris. The sequencing avoids overblown arrangements in favor of direct takes, often originating as scratch tracks, that remain audible as self-contained pieces.

Benjamin “Bo” Harwood (1946–2022) started out as the singer and guitarist of a Southern California band before his collaboration with Cassavetes shaped him as a composer, sound editor, and mixer; his contributions can be found in *Husbands*, *A Woman Under the Influence*, *The Killing of a Chinese Bookie*, *Opening Night*, and *Love Streams*. The recordings collected on the LP reveal the working process between director and composer: sketches, experiments, and spontaneous dialogues on tape convey the emergence of the melodies and a preference for immediacy over polished studio production. As a compact document, the release marks a small but striking chapter in Harwood’s long-overlooked sound work.

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O Terno

LP | 2026 | UK | Original (Mr Bongo)

$ 25.56*

LP | 2026 | UK | Original (Popclaw / Rise Above)

Release: 2026 / UK – Original

Genre: Soul, Funk & Jazz, Rock & Indie

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Mr Bongo is proud to present a 10th anniversary reissue of O Terno’s contemporary Brazilian classic Melhor do Que Parece from 2016. Ranked by Rolling Stone Brazil as one of the best releases of 2016, it is a delicate blend of Tropicália-inspired, psychedelic rock and indie, rich in ‘60s and ‘70s influences, that feels as relevant and fresh now as it did 10 years ago.

O Terno is made up of three titans from the current Brazilian independent scene: Tim Bernardes on vocals and guitar, Guilherme d’Almeida on bass and Gabriel Basile on drums. Each has gone on to forge themselves as influential members in the Brazilian scene in their solo projects and collaborations with other artists since O Terno went on hiatus in 2024. Bernardes has since become a musical ambassador outside of Brazil, releasing two Latin Grammy nominated solo albums, collaborating with artists ranging from Gal Costa to Fleet Foxes, Maria Bethânia to Jards Macalé, and establishing himself among the musicians connected to the 1970s scene. Basile has worked closely with Sessa and features on records by Soyuz, anaiis, Bruno Berle and more. Both Basile and Guilherme also form part of the group Grand Bazaar, a dance-orientated outfit drawing on gypsy, Balkan, Mediterranean and Brazilian influences.

Recorded across an intense three-month period where the trio spent 12 hours a day in the studio, Melhor do Que Parece is a diverse, exploratory and kaleidoscopic listen. There are influences from classic Brazilian greats such as Os Mutantes and the beautiful string arrangements of Rogério Duprat, as well as classic ‘60s and ‘70s European and American groups from across the spectrum. Those influences are tied up in an experimental indie DIY aesthetic where distorted guitars are juxtaposed with lush string sections.

The album kicks off on a high note with the catchy single ‘Culpa’; there is an almost John Lennon texture to Tim’s vocals here. Next is the dreamy arrangement of ‘Nó’, which has a Tropicália-esque tone and features a beautiful harp intro played by Marina Mello.

A swirling psych-rock tinge runs through the record sucking you into its grasp. The crashing cymbals, blazing lead guitars and modulated vocals of ‘Não Espero Mais’ and ‘Lua Cheia’ are two fine examples. Elsewhere, there’s the deep fuzz, whirling organs and peaking horns of ‘O Orgulho E O Perdão’.

Contrasting this there are moments of reflection. The depth and delicacy of ‘Depois Que A Dor Passar’ and the ethereal heart swell of ‘Volta’ are a double dose of uplifting nourishment. Another highlight is ‘Vamos Assumir’, a song immortalised in pop culture when mentioned in Brazilian author Elayne Baeta's book Coisas óbvias sobre o amor.

The title track ‘Melhor do Que Parece’ is a grand opus, ranging from smooth angelic melodies with lush strings, to explosions of distorted guitar and horns. It’s an epic and fitting closer to this magnificent album.

There are no wasted moments on Melhor do Que Parece; it feels almost like a best-of album and is rightly viewed as a definitive work. Here at Mr Bongo we feel its greatness deserves a much wider global audience to lean in and enjoy its brilliance.

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The Crystal Teardrop

Love You More

Hippies Thugs And Heroes Indie Exclusive Black Splatter Vinyl Edition

Release: 2026 / UK – Original

Genre: Rock & Indie

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The “Love You More” LP by The Crystal Teardrop continues the blend of shimmering sixties sound and contemporary sharpness established by their debut, “THE CRYSTAL TEARDROP IS FORMING.” Released on Popclaw / Rise Above, the band delivers concise melodies and dense arrangements where jangly Rickenbacker guitars and surging organ layers are woven together with a clear, sustained lead vocal. Most of the tracks move in a bold, upbeat vein without shying away from lyrical darkness; themes of relationships, political statements, and existential reflection run throughout the album, giving the songs additional weight.

Characteristic moments are created by instrumental details and playful musicianship: the eruptive guitar solo in “It’s Too Late!” and the long, psychedelic stretching out on “Touch The Sun,” which raises questions about the meaning of being human, showcase the band’s range. For the production, The Crystal Teardrop opted for a deliberately immediate approach, recording live in the studio with as few overdubs as possible to capture atmosphere and performance flow. Trusted sixties-era instruments like Vox gear, Hammond, AC15 amps, and electric sitar meet more unusual sounds such as tanpura and swarmandal; this combination gives “Love You More” its warm yet stubbornly angular psychedelia and makes the album a distinctive contribution to the classic rock output of the Popclaw / Rise Above label.

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Richard Thompson

2LP | 2026 | US | Original (New West)

Release: 2026 / US – Original

Genre: Rock & Indie

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With the LP "Hippies Thugs And Heroes Indie Exclusive Black Splatter Vinyl Edition," released on New West, Richard Thompson takes his creativity to the next level while, for the most part, staying true to his style. For decades, Richard Thompson has been a mainstay between folk and rock; his songs combine narrative depth with precise guitar work and a distinctive melancholy all his own. Hallmarks of his music are the delicate, often unconventional guitar lines and his assured handling of melody and harmony, drawing on both acoustic folk traditions and rock-driven rhythms. Thompson’s lyrics are marked by keenly observed situations, subtle irony, and literary imagery, ranging thematically from personal reflections to scene-like storytelling. His arrangements are sparse, favoring clear instrumentation and giving the songs room to unfold, while a certain edge in guitar tone and rhythm remains palpable. His voice carries both a storytelling quality and a sense of introspection, creating an immediate sense of closeness for listeners. This LP edition brings together the characteristic elements of Richard Thompson’s work and offers a cohesive selection that appeals to longtime followers and new listeners alike.

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LP | 2011 | US | Reissue (Many Hats Dist)

La Dispute

Wildlife

LP | 2026 | US | Original (Invogue)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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The "Wildlife" LP by La Dispute is released by Many Hats Dist and presents the band’s second studio album in a durable vinyl pressing. The record offers 14 tracks and runs for nearly an hour, with the structure of the songs leaving room for extended narrative passages and dense musical build-ups.

Musically, La Dispute weave their post-hardcore roots together with literary-influenced lyrics and a theatrical yet direct vocal delivery; Jordan Dreyer’s voice often functions more as a spoken recitation than as a conventional carrier of choruses. The arrangements shift between driving guitars, precise drum patterns, and restrained, atmospheric passages, giving the record both narrative tension and emotional impact.

The recordings took place in multiple studios and were largely overseen by the band itself; the engineering teams around Andrew Everding and Joe Pedulla were responsible for capturing the raw, unvarnished sound. Characteristic of the recording process was the focused approach to the vocals and the deliberate avoidance of artificial reverb coloration in order to preserve the immediacy of the performance. These production choices emphasize the narrative density and sonic clarity of this defining album.

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Honey Revenge

Loving And Losing

$ 30.29*

Acid Head Black Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Loving And Losing" LP by Honey Revenge is released on Invogue and brings together fourteen songs that place the band thematically somewhere between euphoria and vulnerability. The record builds on the catchy melodies of its predecessor but keeps the arrangements more open to dynamic tempo changes and more sophisticated choruses.

Musically, the trio operates in the space between pop rock and modern power pop, with clear influences from the contemporary alternative spectrum: driving guitar riffs, dense hooks, and production that puts vocals and harmonies front and center. In terms of songwriting, the band explores questions of self-discovery, relationships, and loss; the compositions combine direct, radio-ready moments with more intimate passages. In announcements and press materials, this development is described as a logical progression of their body of work.

As a preview of the material, tracks such as "Butterfly Effect," "Risk," and "Jealousy Monster" have already been released, showcasing the tension between catchy pop and emotional rawness and road-tested live on dates of the "Loving And Losing" tour. The record is thus conceived both as a collection of songs for streaming and as a cohesive full-length album that further refines the band’s characteristic sound.

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The Velvet Illusions

LP | 1967 | EU | Reissue (Guerssen)

OST When You're Strange Documentry

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Velvet Illusions were a teenage garage-psych band formed in Yakima, Washington in 1966, with members aged only 14–17 when they began. Their debut “Acid Head” attracted controversy after radio stations misunderstood its anti-drug message and banned it. The band later moved to Los Angeles during the Summer of Love, recording at studios including Sunset Sound. This collection brings together their rare psychedelic garage recordings, including “Acid Head”, “Town Of Fools”, “Velvet Illusions”, “Born To Be A Rolling Stone”, “Lazy”, “Mini Shimmy” and “The Stereo Song”. Includes an insert with detailed liner notes and photographs. Eingefügter Text

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The Doors

LP | 2010 | US | Reissue (Rhino)

Life'll Kill Ya Clear Vinyl Edition

Release: 2010 / US – Reissue

Genre: Rock & Indie

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The “When You're Strange: Songs from the Motion Picture” LP by The Doors is released on Rhino and condenses the soundtrack to Tom DiCillo’s film into a compact listening experience. The Doors and Rhino present a mix of studio recordings and striking live moments, complemented by passages in which Johnny Depp recites texts and poems by Jim Morrison. The compilation focuses on concise band moments and puts Morrison’s voice, as well as defining keyboard and guitar parts, at the center without relying exclusively on hits.

As an LP edition, “When You're Strange: Songs from the Motion Picture” offers an accessible cross-section of the band’s body of work and also functions as a musical complement to the cinematic portrayal of The Doors. Rhino has curated the selection so that both well-known tracks and documentary-style live recordings come into their own, while the production preserves the band’s characteristic sonic space. The Doors remain tangible on this release as a powerful live and studio presence, while Rhino formally brings together the connection between film and record.

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Warren Zevon

LP | 2000 | US | Reissue (Friday Rights Management, Llc)

$ 40.71*

LP | 2026 | Original (Not On Label)

Release: 2000 / US – Reissue

Genre: Rock & Indie

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Life'll Kill Ya by Warren Zevon, released 7 August 2026.

This version of Life'll Kill Ya comes as a 1xLP.

The vinyl is pressed as a to be confirmed disc.

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Sean Being

Thank Goodness

LP | 1974 | US | Reissue (Rhino)

Release: 2026 / Original

Genre: Rock & Indie

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The “Thank Goodness” LP by Sean Being is a self-released record and comes with an insert. On the album, Sean Being unfolds a deliberately stripped-down, overdubbed “chamber band” setup of bass guitar, viola, piano, harpsichord, voice, and drums, developed between London and Ireland in the years 2023–26. These precisely chosen combinations of instruments give the “Thank Goodness” LP a chamber music framework that leaves room for subtle textures and dynamic nuances.

Long active at the sharper edges of the Irish music scene and initiator of the band Princ€ss, Sean Being brings to “Thank Goodness” the experience of a wide range of collaborations; connections to projects with Maria Somerville, Spellcaster, Nashpaints, Florian TM Zeizig, Jennifer Moore, Olan Monk, and others can be felt. Alongside conventional playing techniques, the album also incorporates unusual influences from Gregorian chant and sonic experiments such as car horn performances. This variety makes the “Thank Goodness” LP a personal statement in which compositional restraint and carefully crafted arrangements converge, clearly expressing Sean Being’s work as a producer and multi-instrumentalist.

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Doug Sahm

Groover's Paradise

Captain Marryat Black Vinyl Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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The “Groover's Paradise” LP by Doug Sahm is released on Rhino and brings together a collection of tracks that showcase Sahm’s blend of Texas rock, country, R&B, and Tex-Mex. The recording dates from the period of his early‑1970s work and features musical contributions from Doug Clifford as producer and drummer, as well as Stu Cook on bass and guitar; Link Davis Jr. stands out on the album for his turns on fiddle, saxophones, and keyboards.

Musically, “Groover's Paradise” ranges from laid‑back grooves like “Just Groove Me” through the reflective ballad “Beautiful Texas Sunshine” to the instrumental Tex‑Mex tune “La Cacahuata,” the only song not written by Sahm. The arrangements draw on a warm brass foundation, selective steel and Dobro shadings, and perfectly attuned harmony vocals that give the songs clear contours without overwhelming the unforced character of the performances. With the longer closing piece “Catch Me in the Morning,” the LP offers a winding‑down moment that distills the atmosphere of the entire album and clearly brings out Doug Sahm’s distinctive way of connecting different strands of American music.

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Captain Marryat

LP | 1974 | EU | Reissue (Guerssen)

LP | 2020 | US | Reissue (Mac Demarco)

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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The "Captain Marryat" LP by Captain Marryat is being released on Guerssen, reissuing the long-lost, privately pressed debut from the Glasgow band. This release makes a piece of Scottish progressive hard rock history accessible, originally issued in 1974 in an extremely small run on the band’s own Thor label.

The band formed in the early 1970s, expanding from a trio into a five-piece lineup featuring Tommy Hendry (vocals), Ian McEleny (guitar), Allan Bryce (organ), Hugh Finnegan (bass), and Jimmy Rorrison (drums). Initially in the studio to cut a single, the group used spare time to record five original compositions and rounded off the session with the improvised instrumental “Dance Of Thor.”

Musically, the album combines progressive rock and heavy psych with pronounced Hammond drive, raw guitar solos, and distinctly melodic vocals. The band clearly draws on the vocabulary of Deep Purple and Uriah Heep; impressive examples include the dramatic opener “Blindness,” the eight-minute epic “It Happened To Me,” and the more accessible track “Changes.”

Despite strong performances on the Scottish pub circuit, a lack of label interest led to the breakup in 1975; since then the album has achieved cult status and is regarded among collectors and fans of early‑70s prog heavyweights as a coveted document. Recommended for fans of Deep Purple, Uriah Heep, Beggars Opera, and Rare Bird.

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Mac DeMarco

Here Comes The Cowboy

$ 24.61*

Jazz Dreams Clear Purple Vinyl Edition

Release: 2020 / US – Reissue

Genre: Rock & Indie

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The "Here Comes The Cowboy" LP by Mac DeMarco is released on Mac's Record Label and translates his familiar songwriter aesthetic into lean, often understated arrangements. The tracks are characterized by warm guitar sounds, drawn-out melodies, and a laconic vocal delivery that blends melancholic moments with wry humor.

The album was written, recorded, and co-mixed at DeMarco's own Jizz Jazz Studio in Los Angeles; he plays nearly all the instruments himself, while touring bandmate Alec Meen contributes keyboards on a few tracks. Touring sound engineer Joe Santarpia shared engineering and mixing duties with DeMarco, shaping the album's intimate yet clearly defined sound.

Tracks like "Nobody," "Heart to Heart," and "All of Our Yesterdays" shift perspective between personal reflection and ironic distance; melodically, the compositions remain light on their feet, rhythmically they are often subtle, while the arrangements are carefully balanced. The record weaves together elements of lo-fi indie rock, singer-songwriter tradition, and retro pop, revealing a compact, characteristic chapter in Mac DeMarco's body of work.

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Fine

LP | 2026 | EU | Original (Escho)

Self Preserved While The Bodies Float Up 15th Anniversary Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Clear Purple edition of the “Jazz Dreams” LP by Fine is released on Escho and comes as a single LP in a gatefold sleeve. The release, which comprises thirteen tracks, builds directly on her 2024 debut “Rocky Top Ballads” and leads Fine into a wide, dreamlike sound world that moves between precise melodic writing and open, improvisatory moments.

The material was produced, recorded, and mixed by Fine herself; in the credits she appears as Fine Glindvad. Emil Thomsen is responsible for the mastering. Over roughly sixteen months, the songs took shape partly in public performances, partly in studio versions and during an NTS residency, so that “Jazz Dreams” comes across as an organically grown, collage-like construction in which vocal lines connect the shifting moods.

Selected advance releases such as “I Could,” “Run,” “Moment,” and “Portal” mark stages of this development and offer insight into the balance of longing, memory, and open intuition that shapes the album. On the LP, Fine shows a consistent turn toward melody: voice and song architecture lead through fragile scenes and allow the music to follow its own instincts like a kind of jazz improvisation.

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Oceansize

3LP | 2010 | UK | Reissue (Kscope)

$ 50.18*

LP | 1973 | EU | Reissue (Life Goes On)

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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15 YEAR ANNIVERSARY EDITION OF OCEANSIZE’S 2010 EPIC BLACK VINYL 3LP PRESENTED IN GATEFOLD PACKAGING, INCLUDES 6 BONUS TRACKS & AROUND 30 MINUTES OF PREVIOUSLY UNHEARD MATERIAL

“A band that never repeated themselves, yet always sounded like nobody else.” Prog Magazine

Originally released in 2010, ‘Self-Preserved While the Bodies Float Up’ marked both a culmination & a parting shot - the fourth & final full-length from Oceansize, a band widely regarded as one of the most innovative & uncompromising acts in modern British rock. Now, fifteen years on, this definitive 3LP edition casts fresh light on the landmark album.

Painstakingly remastered & presented across three black vinyl LPs, this anniversary edition includes around 30 minutes of previously unheard material - six bonus tracks, three of which feature newly recorded vocals by Mike Vennart, offering a rare glimpse into alternate futures that never came to pass. Far from studio offcuts, these are fully-formed works, some of which now sound eerily prophetic.

Self-produced & fiercely unfiltered, ‘Self Preserved…’ was Oceansize at their most direct. From the lurching menace of “Build Us A Rocket Then...” to the ethereal drift of “Pine,” the album pushes extremes in both aggression & atmosphere. Alongside core members Mike Vennart, Gambler, Steve Durose, Mark Heron & Steve Hodson, the record features guest vocals from Simon Neil (Biffy Clyro) & the haunting presence of Claire Lemmon (Sidi Bou Said, ex-Cardiacs).

This 15-year anniversary edition of ‘Self-Preserved While The Bodies Float Up’ is presented as a gatefold package with 3 black vinyl LPs. Includes newly remastered audio & six bonus tracks, three of which with newly recorded vocals by Mike Vennart.

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Friedhof

$ 18.93*

Waleeco Black Vinyl Edition

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Friedhof was a German band from the early 1970s that released a single self-titled album and then faded into oblivion. The album is a collection of totally insane jam sessions. The classic power trio had no vocals, and while retaining certain extreme krau

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Flat Earth Society

LP | 1968 | EU | Reissue (Guerssen)

LP | 2026 | EU | Original (Bright Carvings)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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Legendary late-'60s teen garage-psych album from Boston. Originally created after a young group from Lynn, Massachusetts was commissioned to record an album and advertising jingle for a local candy company, Waleeco was originally offered as a mail-order premium. This reissue is sourced from the surviving original ¼-inch master tapes and restores the stereo separation compromised on the original 1968 pressing. Musically, the album combines folk, classical, rock and West Coast psychedelia with fuzzy guitar, introspective songwriting and adventurous keyboard arrangements. Presented with the original artwork in a hard-cardboard sleeve and a four-panel insert featuring liner notes and photographs.

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Pink Cheeks

$ 42.61*

2LP | 2026 | Original (Pendragon - Toff)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Previously unreleased 1969 heavy psychedelic and early progressive rock rescued from the only known copy of a Shield Studios acetate. Side one delivers three guitar-driven psychedelic tracks backed by Hammond, bass and powerful drums, while side two moves through a garage-progressive interpretation of “Jerusalem” and a blues-tinged guitar epic. References include Open Mind, Harsh Reality, Pink Fairies and Human Beast. Limited to 227 copies with laminated sleeve and two inserts.

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Pendragon

Pure

The Mannheim Rock Ensemble

Release: 2026 / Original

Genre: Rock & Indie

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The “Pure” LP by Pendragon is released on Pendragon - Toff and documents the band’s 2008 phase, in which they steered their sound in a distinctly more modern rock direction without abandoning their characteristic melodicism. On this release, Pendragon combine dense guitar arrangements with striking melodies, which earned the record wide recognition at the time.

“Pure” features “Indigo,” one of the album’s most popular songs, as well as the three-part suite “Comatose” and the hard-hitting “Eraserhead,” which together showcase the work’s stylistic range. All compositions are by Nick Barrett; Barrett and Karl Groom were responsible for the production. Clive Nolan (keyboards), Peter Gee (bass), and Scott Higham (drums) shape the overall sound and create the dense, at times metallic texture of the album.

As an LP on Pendragon - Toff, “Pure” brings the intensity and dynamics of the recordings to life in analog format. Pendragon will be on a European tour in fall 2026 and will return to the Cruise To The Edge stage in April 2027, underscoring the lasting relevance of this chapter in their discography.

In 2008, the music press responded to “Pure” with mostly positive reviews; reader polls and critiques particularly highlighted the balance between melodic songwriting and heavier guitar work, which allowed the album to reach both long-time followers and new listeners from the metal scene.

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Rock Of Joy

LP | 1971 | JP | Reissue (Nippon Columbia)

Release: 1971 / JP – Reissue

Genre: Rock & Indie

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The "Rock Of Joy" LP by The Mannheim Rock Ensemble was released on Nippon Columbia and brings together unusual rock arrangements of classical melodies, marking the album as a curious intersection between classical music and psychedelic rock aesthetics.

The program on the "Rock Of Joy" LP transforms familiar templates such as "Für Elise" and the "Hungarian Dances" into dense, distortion‑laden instrumentation; particularly striking are Hammond organ textures and assertive guitar sounds that transpose the orchestral material into energetic rock formations. The arrangements rely on tightly layered riffs and driving grooves, casting the melodies in a new harmonic light without obscuring the recognizable origins of the pieces.

Originally released in the early 1970s, "Rock Of Joy" as a Nippon Columbia release has attracted collector interest over time and later saw reissues of the material; the label’s edition once again makes the ensemble’s approach—part experimental, part accessible—available. For listeners seeking unusual overlaps between classical repertoire and gritty rock instrumentation, the "Rock Of Joy" LP by The Mannheim Rock Ensemble on Nippon Columbia offers a distinctly individual chapter.

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2LP | 2026 | Original (Warner Music Group)

Sivert Høyem

The Rest Of Sivert Høyem

$ 44.50*

Live & Loud Across The USA

Release: 2026 / Original

Genre: Rock & Indie

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Sivert Høyem’s “The Rest Of Sivert Høyem” LP is released on Warner Music and comes as a gatefold double LP. The release expands the previously issued compendium of his best-known songs with a collection of previously unreleased recordings, bringing lesser-known facets of his career into focus.

Across two record sides, the selection comprises 18 tracks that combine studio fragments, live recordings and covers of songs by other artists. Alongside his own demos and outtakes, the collection offers surprising cover takes such as “Tougher Than The Rest” and “I’m On Fire,” directing attention to Høyem’s distinctive voice and the stripped-back instrumentation, often brightened by dramatic touches. Musically, “The Rest Of Sivert Høyem” moves within the realm of classic rock: quiet, guitar-driven arrangements alternate with sparse orchestral or piano colors, bringing ballad-like passages and more rocking moments into close proximity. For fans, the double LP delivers a compact yet intimate compendium of rarities from two decades of creative work, highlighting Høyem’s vocals as the unifying element more clearly than any production gimmickry. With this release, Warner Music takes a clear step toward a retrospective addition to his solo work.

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Foghat

3LP | 2026 | US | Original (Foghat)

$ 40.71*

2LP | 1975 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Live & Loud Across The USA” LP by Foghat is being released on Foghat Records and documents the band in full live form: recordings were made at concerts in several U.S. cities over the past two years and capture the direct energy of the current lineup. The release features well-known numbers like “My Babe” as well as takes on classic tracks such as “I Just Want to Make Love to You” in newly recorded live versions, putting a clear focus on Foghat’s onstage power.

As the first live recording from this lineup, the release not only includes the Foghat performances, but also the additional material “Shaken & Stirred” by Earl & The Agitators, combining both the live repertoire and a complementary studio/side project on one record. The lineup features Roger Earl on drums, Scott Holt on lead vocals and guitar, Bryan Bassett on slide and lead guitar, and Rodney O’Quinn on bass; percussion and backing vocals are contributed by Eddie LeFebvre. With “Live & Loud Across The USA,” the band offers a clear testament to its continuing life on the road and delivers a release that appeals equally to fans of classic rock arrangements and high-energy live recordings.

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Rush

Fly By Night

$ 70.07*

Release: 1975 / US – Reissue

Genre: Rock & Indie

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The "Fly By Night" LP by Rush is being released on Mobile Fidelity Sound Lab and documents the band’s stylistic shift toward more complex song structures and narrative lyrics. This reissue is part of a comprehensive series of audiophile re-releases that makes the band’s early Mercury years newly available in revised form.

The album marks the first full-length with drummer and lyricist Neil Peart, which significantly changed the band’s thematic direction; Geddy Lee and Alex Lifeson still provide the distinctive melodies and riffs, while Peart’s contributions sharpen the group’s lyrical profile. Producer Terry Brown, who guided the band’s sound during this phase, helped shape their characteristic sonic identity.

Musically, "Fly By Night" combines powerful hard rock elements with early progressive experiments: the anthem "Anthem" established the thematic range, the multi-part epic "By-Tor & the Snow Dog" already points toward later, more extended compositions, and the acoustic "Rivendell" demonstrates an unusual delicacy in its arrangement. Tracks such as "Making Memories" expand the palette with folk- and country-tinged elements, which is why the album is regarded as a transitional work between the band’s raw beginnings and its more ambitious prog era.

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12" | 2025 | EU | Original (Western Star)

Stop Muckin'about

Thee Michelle Gun Elephant

Release: 2025 / EU – Original

Genre: Rock & Indie

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The 10" edition of the “Stop Muckin' About” compilation is released on Western Star and joins the “Joe Meek's Tea Chest Tapes” series. The record features a selection of humorous and novelty‑oriented recordings from the 1950s and 1960s and, alongside the title track “Stop Muckin' About” by Dave Adams, includes cuts such as “Regimental Rock” by The Saga Satellites and “Three Coins In The Sewer” by Alan Klein. Well‑known names from the Meek circle like Ray Dexter & The Layabouts, The Checkmates, Geoff Goddard, The Victors, and Joy & Dave each contribute a track to the sequencing.

Many of the takes gathered on the compilation have not previously been commercially available and are presented here in newly reworked transfers that offer a direct glimpse into the holdings of the so‑called Tea Chest Tapes. Western Star realizes the compilation as a curated document of early British studio work and emphasizes the documentary nature of this chapter in the ongoing care of the Meek archive. As such, the compilation offers both rare finds and short, pointed pieces that vividly showcase the quirky and experimental potential of these productions.

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Casanova Snake

LP | 2025 | JP | Original (Nippon Columbia)

$ 49.23*

LP | 2026 | EU | Original (Stroom)

Release: 2025 / JP – Original

Genre: Rock & Indie

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THEE MICHELLE GUN ELEPHANT's 5th original album ''CASSANOVA SNAKE'' will be reissued on vinyl to commemorate the band's 30th anniversary!

This 180g 2LP reissue is part of the ''THEE 30TH'' project and features the latest remaster, newly cut for vinyl.

LISTEN: https://open.spotify.com/album/0VKV01LdjydgOvwUMuFhfi

Tracklist:
Side A

1. DEAD STAR END
2. COBRA
3. YOUNG JAGUAR
4. PLASMA DIVE

Side B

1. REVOLVER JUNKIES
2. DUST BUNNY RIDE ON
3. NAKED SUN
4. RHAPSODY

Side C

1. BOGIE'S DAWN
2. SILK
3. PINHEAD CRAMBERRY DANCE
4. ANGIE MOTEL

Side D

1. GT400
2. PISTOL DISCO
3. DROP

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Basma & Temir Alcy - Nad

Nad

2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “Nad” LP by Basma and Temir Alcy is released on Stroom and, within a classic rock idiom, unfolds a precise, emotionally rendered exploration of loss and the slow return to life. The album doesn’t seek quick consolation, but instead traces subtle transitions between pain and gentle processing.

On “Nad,” Basma and Temir Alcy guide listeners through a sequence of vulnerable scenes: the fragile moments after the death of a beloved friend, the attempt to stitch a broken love back together, and the sudden shock that seems to drain the inside. Fear pulses, the body carries memories that are too heavy, yet little by little the darkness loosens. Breath returns, help appears in unexpected places, and memories surface in a hypnotic whisper that points the way back to softness and hope. This is no report of instant healing, but rather a tender awakening: the past is worked through, the self is reclaimed, and loving learns a different form. The release on Stroom leaves room for silence and concentrated moments; melancholy and emerging confidence alternate.

With “Nad,” Basma and Temir Alcy create space for resonance and hope; the pieces unfold gently and leave lasting impressions. Intimate and at the same time universally resonant, the album feels fragile and alive.

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Rush

$ 70.07*

Crosby, Stills, Nash & Young

Release: 1974 / US – Reissue

Genre: Rock & Indie

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The "Rush" LP by Rush is being released by Mobile Fidelity Sound Lab as a numbered 180 g 45 RPM double LP. This edition is based on the band’s original analog tapes and has been specifically re-mastered for vinyl playback; Mobile Fidelity describes the transfer chain from the 1/4" 15 IPS Dolby A analog master through DSD 256 back to the analog cutting console in order to achieve the most tonally accurate pressing possible.

The 1974 debut captures Rush in their raw, blues-tinged hard rock form: concise, punchy guitar work from Alex Lifeson, Geddy Lee’s distinctive, high‑pitched vocals, and the original drumming of John Rutsey define the sound. Producer Dave Stock, as well as later revisions by Terry Brown, are part of the album’s production history and have given the songs more body and clarity. Classics like "Working Man" and "Finding My Way" are included in the track list and stand as prime examples of the trio’s early energy.

Musically, the album moves between gritty hard rock and blues‑leaning arrangements, with early signs of the sophisticated song structures that would later become Rush’s hallmark. This Mobile Fidelity pressing puts the emphasis on vocal imaging, spatial separation of the instruments, and controlled dynamics, allowing the structural subtleties of these early tracks to emerge with particular clarity.

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Deja Vu Atlantic 75 Series

2LP | US | Reissue (Analogue Productions)

$ 82.38*

Bad Luck Streak In Dancing School

Release: US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Déjà Vu — CSNY's first album as a quartet, No. 1 on the Billboard 200!

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing

"Déjà Vu" is the title track to Crosby, Stills, Nash & Young's first album as a quartet. With Neil Young now in the mix, the album reached No. 1 on the Billboard 200 after its release in March 1970. The album remains a high point for the supergroup, having sold more than 7 million copies. Also on the record are hit singles "Teach Your Children," "Our House," and a cover of Joni Mitchell's "Woodstock."

The late David Crosby penned "Déjà Vu" for the group. Though it wasn't released as a single, it gave that iconic album its name and has subsequently received its fair share of love from CSNY fans.

"I'm one of those people who thinks we go round again," said Crosby back in 2008. "The Buddhists have got it right. It's a wheel and we get on and get off. I think life energy gets recycled. That's why I wrote ‘Déjà Vu.'"

CSNY took a while to craft the album-which is largely considered their magnum opus. "Getting that second album out of us was like pulling teeth, there was song after song that didn't make it," Stephen Stills once said. "The track ‘Déjà Vu' must have meant 100 takes in the studio. But ‘Carry On' happened in a grand total of eight hours from conception to finished master. So you never know."

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering and cut at 45 RPM. Pressed at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket with textured stock by Stoughton Printing.

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Warren Zevon

2LP | 1980 | US | Reissue (Mobile Fidelity Sound Lab)

$ 70.07*

Live At The Whisky A Go Go

Release: 1980 / US – Reissue

Genre: Rock & Indie

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The LP *Bad Luck Streak in Dancing School* by Warren Zevon, released by Mobile Fidelity Sound Lab, presents the album’s expressive song material on vinyl in an audiophile edition. This release documents Zevon’s fourth studio album and puts the compact, tightly arranged songs front and center while still preserving the subtle orchestral interludes and synthesizer textures.

Musically, Warren Zevon moves between edgy rock and literary singer-songwriter craft; his style is characterized by darkly humorous, narrative lyrics, punchy melodies, and a fondness for unexpected motifs. On *Bad Luck Streak in Dancing School*, guitar-driven tracks alternate with quieter, synth-enhanced passages and two orchestral interludes, giving the record a varied yet cohesive sonic flow.

Key aspects of the recording include production by Greg Ladanyi and Warren Zevon, as well as numerous guest appearances: Jackson Browne, David Lindley, Leland Sklar, Rick Marotta, Don Felder, Glenn Frey, and Jorge Calderón all help shape the album’s sound, complemented by string arrangements conducted by Sid Sharp. Among the best-known tracks on the record are “Play It All Night Long,” the single version of “A Certain Girl,” and “Jeannie Needs a Shooter,” co-written with Bruce Springsteen, all of which showcase the breadth of Zevon’s songwriting.

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Enuff Z'nuff

LP | 2026 | US | Original (Cleopatra)

LP | 2016 | Original (Rhino)

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Live At The Whisky A Go Go" LP by Enuff Z'nuff is released on Cleopatra and documents the band in a straight live setting at the legendary Whisky a Go Go. This LP set puts the focus on the group's immediate onstage presence, with the title serving clearly as an identifying marker for the recording. With this release, Cleopatra presents an official live edition that delivers the performance in an authentic form.

On "Live At The Whisky A Go Go," Enuff Z'nuff highlights its classic rock side and conveys the club's energy through a direct band presentation and dynamic arrangements. The recording focuses on the interplay between vocals and instruments and captures the group's live dynamics as they can be experienced at one of Los Angeles's best-known venues. The production keeps the performance front and center, so the concert atmosphere remains clearly palpable.

This LP release by Cleopatra joins the ranks of documented club performances and offers an analog alternative to digital playback. The recognizable title choice "Live At The Whisky A Go Go" makes it clear that this is a live document that preserves the moment of an Enuff Z'nuff performance and makes it available on LP.

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T. Rex

$ 44.50*

LP | 1971 | EU | Reissue (Guerssen)

Release: 2016 / Original

Genre: Rock & Indie

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T. Rex by T. Rex, released 25 October 2016, includes the following tracks: "The Visit", "The Time Of Love Is Now", "Root Of Star", "Is It Love?" and more. This version of T. Rex comes as a 1xLP. The vinyl is pressed as a opaque disc.

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Irish Coffee

$ 24.61*

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Evaluations Black Vinyl Edition

The 2nd Coming

LP | 2026 | EU | Original (Guerssen)

What's In Between Indie Exclusive Cream Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "Evaluations Black Vinyl Edition" by The 2nd Coming brings a long-lost document of the evolution of American psychedelic and Southern rock to vinyl and is released on Guerssen. The LP compiles recordings originally tracked in April 1969 at Sound Laboratory in Jacksonville, which were only rediscovered and restored decades later from the original tapes.

The 2nd Coming emerged from the Floridian psych scene of the late 1960s; the lineup on these recordings features Larry Reinhardt on guitar, Reese Wynans on organ, and Richard “Hombre” Price on bass, joined by Monty Young and John Meeks on drums. Reinhardt would later gain recognition with Iron Butterfly and Captain Beyond, Wynans went on to work with, among others, Stevie Ray Vaughan and Joe Bonamassa, and Price is documented as an in-demand session musician.

The release is sourced from the original tapes and newly prepared for LP; the artwork is by Fez Moreno, and the included booklet contains liner notes by Richard “Hombre” Price. The set mixes original material with a medley take on "For What It's Worth/Season Of The Witch" and adds instrumental and live bonus tracks such as "Funk in 5/4" and an extended live version of "Shoot That Load Boogie."

Musically, "Evaluations" combines heavy, riff-driven psychedelia with organic jam passages and dual drumming, positioning the record as a link between hard blues rock and early Southern jam and offering listeners revealing insights into the formative period of this style.

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Radio Free Alice

LP | 2026 | US | Original (Atlantic)

LP | 1992 | US | Reissue (Rhino)

Release: 2026 / US – Original

Genre: Rock & Indie

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The Cream Vinyl edition of the “What’s In Between” LP by Radio Free Alice has been released on Atlantic and, with its special pressing, emphasizes the physical launch of this debut.

“What’s In Between” marks the first full-length by the Melbourne band and delivers eleven tracks, including the singles “Crying With You” and “Rule 31,” which had already appeared as advance releases. The production took place across several continents; the credited producers are Peter Katis, Ewan Pearson, and Finn Billingham, giving the album a dense, polished studio production. Vocalist Rachel Brown appears as a guest on the track “Big Ideas,” a richly detailed contribution that loosens up the arrangements. Radio Free Alice rely on concise song structures, melodic choruses, and clear guitar work that carries the album’s classic rock sensibility without sacrificing modern sonic finesse. Atlantic is issuing the LP in the described Cream Vinyl edition, which is offered as a standalone version alongside the standard release. In addition to the singles, fans will find further tracks on “What’s In Between,” such as “Kick in the Shins” and “Lunch Money,” which turn the album into a compact, cohesive debut release.

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Mudhoney

Piece Of Cake

Manfred Mann's Earth Band

Release: 1992 / US – Reissue

Genre: Rock & Indie

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The “Piece Of Cake” LP by Mudhoney is being released on Rhino in a remastered, expanded edition that presents the album sequence across 17 tracks. The release brings together well-known cuts such as “No End in Sight,” “Make It Now,” and the single “Suck You Dry,” and offers the concise running time of the original version, supplemented by remastered versions of the individual tracks.

The recordings were overseen by Conrad Uno; the production relies on direct, stripped-down arrangements and preserves the band’s gritty core character. Musically, the album works with lean, powerful riffs, targeted bursts of noise elements, and prominent lead lines, with the wah-wah-laden guitar in “Make It Now” standing out as a striking detail. Even upon its initial release, the record drew attention for its blend of aggressive energy and compact song forms, a balance that is preserved in this remastered edition.

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Roaring Silence

LP | 1976 | Reissue (Creature Music)

$ 95.64*

Release: 1976 / Reissue

Genre: Rock & Indie

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The *Roaring Silence* LP by Manfred Mann's Earth Band is released on Creature Music and brings together the most distinctive tracks from that phase of the band’s history. The record features the world-famous hit “Blinded By The Light,” the extended “Singing The Dolphin Through,” as well as “The Road To Babylon” and “This Side Of Paradise,” which together make the album a compact testament to the late 1970s. The selection of tracks includes both the single edit of “Blinded By The Light” and longer album versions, making this release appeal both to collectors and to listeners who value complete sequences.

Musically, the release documents the arrival of Chris Hamlet Thompson as vocalist and highlights Manfred Mann’s fondness for adapted melodies: “Questions” is based on a theme by Franz Schubert, “Starbird” draws on motifs from Stravinsky’s *Firebird*, and “Blinded By The Light” remains the striking Springsteen adaptation that gave the record its commercial breakthrough. The arrangements put Mann’s keyboard work front and center, complemented by incisive guitar and horn parts that give the songs clear contours. This reissue on Creature Music offers a clean presentation of a key album in the classic rock scene.

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Reimagining In The Court Of The Crimson King

LP | 2024 | Original (Cleopatra)

$ 26.50*

LP | 1983 | US | Reissue (Rhino)

Release: 2024 / Original

Genre: Rock & Indie

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The compilation "Reimagining In The Court Of The Crimson King" was released on Cleopatra and is available as a single LP. The project reassembles the five central compositions from King Crimson’s debut and translates the pieces into different sonic concepts without losing touch with the original. With this release, Cleopatra adds a curated rendition of this classic to the vinyl collection.

The lineup of contributors defines the character of the release: recordings and guest appearances come, among others, from Mel Collins and Jakko M. Jakszyk, Todd Rundgren, Ian Paice, James LaBrie, Joe Lynn Turner, Carmine Appice, and Chris Poland. Musically, the realizations range from straightforward cover approaches to clearly more alternative versions; for example, the edition includes several versions of "21st Century Schizoid Man" and a reimagined version of "The Court Of The Crimson King." The production combines classic rock instrumentation with modern arrangements and spotlights individual solo parts by prominent guests. With "Reimagining In The Court Of The Crimson King," Cleopatra presents a carefully conceived compilation that both preserves references to the original and opens up new perspectives on the compositions.

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ZZ Top

Eliminator

Release: 1983 / US – Reissue

Genre: Rock & Indie

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The *Eliminator* LP by ZZ Top is released by Rhino and presents the album that gave the band a new pop sensibility without sacrificing Billy Gibbons's distinctive guitar work. The release features the defining singles “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs,” which played a major role in the album’s lasting popularity and, with their accompanying music videos, attracted widespread attention. Rhino positions the record as a central chapter in the band’s discography and clearly emphasizes the connection between well-honed song structures and catchy hooks.

Produced by Bill Ham with key contributions from engineer Terry Manning, the album’s sound combines traditional blues rock elements with precise, contemporary studio arrangements; many arrangements were reworked in the studio and enhanced with electronic rhythms and synthesizer textures. The *Eliminator* LP thus documents a stylistic shift that opened ZZ Top up to new audiences and cemented the band’s media presence through striking videos and radio-friendly singles. Rhino accompanies the release with editorial background texts that highlight the studio production process and the memorable compositions.

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2LP | 1970 | US | Reissue (Analogue Productions)

Live At Leeds

$ 72.91*

Stone Garden Green Vinyl Edition

Release: 1970 / US – Reissue

Genre: Rock & Indie

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The "Live At Leeds" LP by The Who is being released on Analogue Productions and is presented here in an edition geared toward audiophile playback, sourced from the original analog master tapes and reworked for optimal sonic fidelity. The production adheres to the highest pressing and mastering standards; this edition emphasizes dynamics and detail without smoothing out the recording’s unpolished live energy.

The concert was recorded on February 14, 1970 at the University Refectory in Leeds, and the running order captures the band in a rousing live state: long, improvisationally extended versions, tight riffs, and expansive passages alternate with one another. This documentary concert portrait reflects The Who’s then-dominant live repertoire and shows the group playing with full abandon.

Characteristic of The Who are Roger Daltrey’s powerful vocals, Pete Townshend’s explosive chord assaults, John Entwistle’s distinctive bass lines, and Keith Moon’s volatile drumming; all of these elements contribute to the rough, immediate sonic character of "Live At Leeds." The release is regarded as a landmark in live recording and remains an important document of early rock history as well as a benchmark for listeners who value direct stage presence and sonic authenticity.

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Stone Garden

LP | 2026 | EU | Original (Out-Sider Music)

$ 31.24*

LP | 2026 | US | Original (Bomber)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Green Vinyl edition of the “Stone Garden” LP by Stone Garden was released on Out-Sider Music. The “Stone Garden” LP documents classic rock and is offered in a pressing designated as Green Vinyl. With this edition, Stone Garden presents the album in a vinyl format; the colored pressing shapes the visual presence of the record. Out-Sider Music released the “Stone Garden” LP as a clearly labeled edition that highlights the title and artist name in connection with the format. Overall, this edition represents a physical presentation of Stone Garden’s material in the context of classic rock.

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Dispatch

Bang Bang

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Bang Bang" LP by Dispatch is released on Bomber and brings together the songs with which the band sharpened its early identity as a self-contained indie-roots project. The record includes both studio and live recordings and presents the band’s early lineup in a sound that oscillates between acoustic songwriting and rhythm-driven arrangements.

Musically, the album moves in a tension field between folk-tinged melodies, reggae-influenced rhythms, and an open jam aesthetic; distinctive vocal harmonies and alternating lead vocals are characteristic of Dispatch’s style. Tracks like "Here We Go," "Bang Bang," and the band version of "The General" exemplify the blend of narrative lyrics, catchy choruses, and occasional excursions into driving groove passages. This mix makes the release an early document of the band’s musical direction.

The recordings were made at LakeWest Recording Studio in West Greenwich, Rhode Island; the album was produced jointly by Dispatch and Jack (John Paul) Gauthier, who also handled the mix. Mastering credits go to John Mailloux, and a later remastered version was completed in 2004 by Seth Foster. These production details help explain why many tracks retain an immediate, hand-made sonic aesthetic that clearly reveals the throughline of their early work.

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Ronnie Yoshiko Fujiyama & Cheetah Beat

Volume 1: Boy&Girl / Sabaku

7" | 2026 | JP | Original (Time Bomb)

$ 19.88*

Release: 2026 / JP – Original

Genre: Rock & Indie

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Rock / Garage / Punk

________________________________________

Vinyl

________________________________________

■ronnie Yoshiko Fujiyama & Cheetah Beat - VOL.1: Boy&Girl / Sabaku (7")

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3LP | 1975 | Reissue (Polydor)

The Who By Numbers

$ 75.75*

LP | 2026 | EU | Original (Ad 93)

Release: 1975 / Reissue

Genre: Rock & Indie

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This sophisticated 3-LP set includes the original album, newly remastered and expanded with “Who Put The Boot In” – a classic live recording captured in 1976 at Vetch Field in Swansea. The set is pressed on heavyweight vinyl and comes with a booklet featuring rare photos and memorabilia from that era.

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Superfan

My Piledriver Heart

LP | 2026 | US | Original (Iodine)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “My Piledriver Heart” LP by Superfan is being released on AD 93 and documents Kali Priya Flanagan’s evolution as a songwriter and producer. Superfan serves as the compositional veil of Flanagan, a Brooklyn-based multi-instrumentalist whose work is presented here for the first time outside the record deal he signed already in his teens. The record marks both a personal and ambitious step away from the debut “Tow Truck Jesus” toward a more open sonic vision.

At the core of “My Piledriver Heart” is Flanagan’s self-developed “Acousticello” concept: a low-tuned acoustic guitar meets elaborated cello arrangements by Omeed Almassi and experimental, Eastern-influenced melodies, produced and largely recorded live with Hudson Pollock. The productions balance chamber music intimacy with pop-rock immediacy and revolve around heartbreak, self-determination, and a hopeful melancholy that Flanagan describes as weighing “being (myself) versus becoming myself.”

Musically, the release is heralded by previously issued singles such as “Apeiron (Fantasy Football),” “Miss W Jones,” and “Picture of Return.” Flanagan’s range also shows in live contexts: following the debut, he opened for The Strokes at Red Rocks, is deeply rooted in the New York DIY scene, and is active in the up-and-coming emo band Holidays in United States. The “My Piledriver Heart” LP on AD 93 brings these developments together into a clear, forward-looking album.

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Quicksand

Manic Compression

Buffalo Springfield Again Atlantic 75 Series

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Manic Compression” LP by Quicksand is being released as a 30th Anniversary Deluxe Edition on Iodine, presenting the album in a newly reworked form that deliberately restores the sound and visual language of the original. The release was remastered for vinyl by Jack Shirley at The Atomic Garden from the original master tapes and comes in a gatefold edition with expanded artwork; it also includes a 64-page hardcover booklet with a foreword by Walter Schreifels, previously unpublished photographs, original sketches by Melinda Beck, and written contributions from contemporaries and peers. Iodine is offering several limited editions and variants of the pressing, with each vinyl version including a digital download code.

Musically, “Manic Compression” remains the abrupt, precise, and powerful continuation of what Quicksand started on their debut: a dense mix of forceful riffs and rhythmic clarity that locks in immediately on tracks like “Backward” and the single “Thorn in My Side.” Songs such as “Landmine Spring,” “Delusional,” and “Supergenius” showcase the balance between concise song structures and spacious guitar work; the reissue emphasizes this dynamic and brings out details in the bass and drums with greater clarity. The Iodine edition documents the album as a restored milestone for the band and makes “Manic Compression” once again a compelling listen and a desirable LP for collectors.

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Buffalo Springfield

2LP | 2023 | US | Reissue (Analogue Productions)

$ 82.38*

LP | 2026 | US | Original (Many Hats Endeavor)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Buffalo Springfield's second album

Featuring "Bluebird," "Rock & Roll Woman" and "Expecting to Fly"

180-gram 45 RPM double LP

Mastered directly from the original master tape by Chris Bellman at Bernie Grundman Mastering

Pressed at Quality Record Pressings

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Due in part to personnel problems which saw Bruce Palmer and Neil Young in and out of the group, Buffalo Springfield's second album did not have as unified an approach as their debut, writes AllMusic.

Still, the group continued to make major strides in both their songwriting and arranging, and this record stands as the band's greatest triumph, peaking at No. 44 on the Billboard Top LPs chart. As of 2012 the album was No. 188 on Rolling Stone's list of the 500 Greatest Albums of All Time.

Stephen Stills' "Bluebird" and "Rock & Roll Woman" were masterful folk-rockers that should have been big hits (although they did manage to become small ones); his lesser-known contributions "Hung Upside Down" and the jazz-flavored "Everydays" were also first-rate. Young contributed the Rolling Stones-derived "Mr. Soul," as well as the brilliant "Expecting to Fly" and "Broken Arrow," both of which employed lush psychedelic textures and brooding, surrealistic lyrics that stretched rock conventions to their breaking point.

Richie Furay (who had not written any of the songs on the debut) takes tentative songwriting steps with three compositions, although only "A Child's Claim to Fame," with its memorable dobro hooks by James Burton, meets the standards of the material by Stills and Young; the cut also anticipates the country-rock direction of Furay's post-Springfield band, Poco.

Analogue Production's reissue skill makes this record sound killer. Mastered from the original tape by Chris Bellman at Bernie Grundman Mastering. Double LP cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a Stoughton Printing tip-on old style gatefold jacket. That's how you upgrade a classic.

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Inoha

This Might Be Useful

LP | 2026 | US | Original (Mint)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “This Might Be Useful” LP by Inoha is being released on Many Hats Endeavor and features ten concise tracks that are already available digitally. With “This Might Be Useful,” Inoha delivers a compact running time and clear song structures; the album comprises around ten tracks, including the singles “Everything Is Nothing” and “Are We Cool.” Many Hats Endeavor is putting out the release as a physical LP, supporting the band in the next stage of its release trajectory.

Lyrically and musically, “This Might Be Useful” explores recurring motifs such as internal pressure, ambition, and interpersonal tension—themes that Inoha consistently works through in driving guitar passages and catchy melodies. The arrangements rely on sharp hooks and direct vocal delivery that accentuate the shifts between introspection and bursts of energy. With Inoha’s “This Might Be Useful,” Many Hats Endeavor presents a release that makes the band’s development clearly audible: the songs combine accessible melodies with tightly written lyrics and create space for both live impact and album presence. Fans of tightly defined rock songs will find in “This Might Be Useful” a focused, song-driven LP by Inoha that succinctly documents where the band’s production stands right now.

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Knitting

Souvenir

$ 31.24*

Release: 2026 / US – Original

Genre: Rock & Indie

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LP | 2026 | EU | Original (Psychic Reader)

Sas Group

Bad Shock

2LP | 2026 | UK | Original (Fire)

Release: 2026 / EU – Original

Genre: Soul, Funk & Jazz, Rock & Indie

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Psychic Reader announces Bad Shock: the first-ever reissue of 1970s Indonesian hard-rock trio SAS Group. Bad Shock is a compilation album featuring songs from SAS Group’s highly collectible first LP—a copy of which fetched $4,000 on Discogs back in June—as well as the band’s later hits. The first press was a limited 200-vinyl run that sold out two months after its February release. Composed of Arthur Kaunang (bass, keyboard, vocals), Soenatha Tanjung (guitar, vocals), and Syech Abidin (drums, vocals), SAS Group formed in Surabaya, Indonesia in 1975. SAS was the spiritual continuation of legendary rock band AKA, which featured the same personnel in addition to frontman Ucok Harahap. Harahap left AKA in the mid ‘70s to start his solo career, and SAS was formed. By 1991 SAS had produced 15 full-length albums and two compilation albums. Bad Shock focuses on their 1976-1981 output, delivering sprawling, prog-influenced hard rock laced with dueling synth and guitar solos. Almost every track is sung in English and holds its own against the best Western rock of the era. But “Jika Nanti Kau Panggil Namaku,” a mellow love ballad sprinkled with disco accents, closes the album on an unexpectedly sweet note.

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Roky Erickson

The Evil One

LP | 1971 | US | Reissue (Rhino)

Release: 2026 / UK – Original

Genre: Rock & Indie

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Roky Erickson’s “The Evil One” LP is released on Fire Records as a deluxe 15-track edition that fully brings together the recordings from the legendary 1978 and 1979 sessions. For the first time since 1981, this reissue restores the original cover from the San Francisco edition released by 415 Records. The album is cut across two LPs at 45 rpm and comes with an extensive booklet featuring an essay by Joe Nick Patoski, along with rare photographs and archival material from the collection of Roky’s then-manager, Craig Luckin.

Musically, “The Evil One” documents Roky Erickson and the Aliens in a characteristic interplay of raw rock energy, sharply defined guitar riffs, and horror and science-fiction themes. Producer Stu Cook brought the session recordings together, helping shape the distinctive sound of this material. Standout tracks include “Two Headed Dog (Red Temple Prayer)” and “I Walked With A Zombie,” which highlight Erickson’s unmistakable voice and surreal imagery. The Fire edition presents this chapter of his career in a focused format and with a clear sonic direction across its 45-rpm 2LP configuration.

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Mott The Hoople

Brain Capers

LP | 2026 | US | Original (Oh Boy)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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The “Brain Capers” LP by Mott The Hoople is being released on Rhino and is offered as part of the Rhino Reserve releases within the Rocktober campaign, placing the album in the label’s line of reissued classics. This release presents the band’s original work in an edition that makes the album available on LP and brings “Brain Capers” back into focus.

Musically, “Brain Capers” captures the moment when Ian Hunter emerges more clearly as a songwriter; originally released in 1971, the record combines driving rock tracks with expansive, multi-layered arrangements. Producer Guy Stevens was responsible for the rough, impulsive sound that shapes standouts like “Death May Be Your Santa Claus” and the epic “The Journey,” pushing the band into tougher, more immediate territory. Alongside Hunter’s own compositions, the LP also features interpretive turns and tight band performances that expand Mott The Hoople’s early catalog and confirm the album’s status as the group’s fourth studio release.

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John Prine

Found Dogs

All My Demons Greeting Me As A Friend

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Found Dogs” LP by John Prine is being released on Oh Boy and presents a curated collection of material from the making of “Lost Dogs & Mixed Blessings.” The compilation includes alternate takes, solo acoustic recordings, and five previously unreleased Prine originals that offer insight into his songwriting and studio work from that period. Initially issued as a limited Record Store Day edition of 2,000 individually numbered copies, the set is aimed equally at collectors and listeners interested in lesser‑known facets of his work.

As an advance track, the recording “World Without Love” was released along with a video; the album itself will be released on October 9, 2026, in physical and digital formats. With “Found Dogs,” Oh Boy presents a focused companion to the 1995 album, characterized by intimate takes and documentary snapshots of the sessions. As performer and songwriter, John Prine remains the unifying element of this LP, while the editing and sequencing place the focus on unreleased versions of his compositions. The “Found Dogs” LP on Oh Boy thus provides a precise addition to Prine’s body of work and offers new material for anyone who wants to explore his songs beyond the well‑known albums.

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Aurora

LP | 2016 | US | Reissue (Glassnote (Chord))

Illusion & Doubt White, Black, Marble Vinyl Edition

Release: 2016 / US – Reissue

Genre: Rock & Indie

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The "All My Demons Greeting Me As A Friend" LP by Aurora is released on Glassnote (Chord) and presents the Norwegian singer’s 2016 debut for the first time in the label’s characteristic physical format. The record includes the early singles "Runaway" and "Running with the Wolves," which significantly raised Aurora’s profile outside Norway and helped send the album to the top of the national charts. This LP presents the studio album in its entirety and makes the central songs from that early phase of Aurora’s career available on vinyl.

Musically, "All My Demons Greeting Me As A Friend" combines dense, at times stripped-back arrangements with strong melodicism and a distinctive, clear vocal delivery—qualities that reviews and write-ups have repeatedly highlighted. The production creates space for the voice and the song structures, allowing tracks like "I Went Too Far" to reveal additional shades of her songwriting palette. Aurora received national awards for the album, further elevating her position on the international pop landscape.

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Dead South

LP | 2026 | US | Original (Six Shooter)

Release: 2026 / US – Original

Genre: Rock & Indie

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The White, Black, Marble vinyl edition of the “Illusion & Doubt” LP by Dead South was released by Six Shooter and brings the album to vinyl in a striking colorway. This edition puts the distinctive collection of songs on a physical record and combines classic presentation with a visual accent that offers fans of the album a new tactile experience.

“Illusion & Doubt” showcases the narrative power of Dead South and includes classics like “Boots,” “Dead Man’s Isle,” and “Delirium,” distinguished by concise melodies and tight arrangements. The recordings were made under the technical direction of Jason Plumb; the project was supported by contributions such as violin parts from Eduard Minevitch, which add extra color to individual tracks. Produced and mixed in studio settings, the record captures the band’s immediate playing style and makes their compositional range clearly audible. For the band, “Illusion & Doubt” marks an important step in the evolution of their discography and was recognized with a Juno Award. With this vinyl edition, Six Shooter focuses on a careful presentation of the work and offers collectors and newcomers alike a focused physical version of “Illusion & Doubt” by Dead South.

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LP | 2026 | US | Original (Many Hats Dist)

Mildred

Fenceline

LP | 1968 | US | Reissue (Rhino / Warner)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Fenceline” LP by Mildred is released on Dog Day x Memorials of Distinction and presents the Oakland four-piece’s debut as a focused collection of collaboratively written songs. Across the album, Henry Easton Koehler, Jack Schrott, Matthew Palmquist, and Will Fortna share songwriting and vocals equally, recorded under the direction of Luke Temple, with additional recording by Will Fortna and one track, “Fish Sticks,” newly re-tracked in Bristol with Jack Ogborne. Production is handled by Will Fortna, with mastering by Jason Mitchell.

Musically, “Fenceline” leans on concise guitar lines, layered vocals, and a relaxed yet clearly structured song sequence; tracks like “UPS Brown,” “Fish Sticks,” “Charlie,” and the expansive “Mumblecore Melody” showcase a range that runs from laid-back groove to compositional finesse. “Hardcore Of Beauty” serves as a powerful closer with its dynamic build-ups, while “Pitch Boats” and “Aquinas” highlight the group’s melodic breadth. The “Fenceline” LP presents Mildred as a collective whose refrains and arrangements benefit from an immediate, in-the-room recording atmosphere, bringing the material together with a distinct, unified touch.

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Van Morrison

Astral Weeks

Release: 1968 / US – Reissue

Genre: Rock & Indie

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The “Astral Weeks” LP by Van Morrison was released on Rhino / Warner and presents the 1968 work in a carefully prepared edition. Van Morrison leads a tightly knit ensemble of jazz‑experienced studio musicians here: Richard Davis on double bass, Jay Berliner on acoustic guitar, and Connie Kay on drums define the rhythmic and textural foundation, while Warren Smith Jr. contributes vibraphone and percussion, joined by flute and polished string arrangements by Larry Fallon. Producer Lewis Merenstein oversaw the sessions and, together with Morrison, shaped the intimate, almost cyclical sequence of songs; tracks like “Astral Weeks,” “Madame George,” and “Cyprus Avenue” exemplify the album’s narrative density and its elusive, jazz‑inflected arrangements.

This edition has been technically reworked for the LP format and issued as a high‑quality Rhino pressing: the record comes as a 180‑gram pressing, cut by Kevin Gray, and the booklet includes new notes plus an insert with additional liner notes. Rhino / Warner present the production in a visually refined package with a glossy gatefold jacket that gives this historic recording a contemporary outer shell and documentary additions without altering the original, organic character of the performances.

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Tom Petty & The Heartbreakers

No Sleep Til L.A.

LP | 2026 | US | Original (Ume)

They're Only Chasing Safety

Release: 2026 / US – Original

Genre: Rock & Indie

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The “No Sleep Til L.A.” LP by Tom Petty & The Heartbreakers is being released on Ume. The record is dominated by classic rock arrangements: distinctive guitar riffs, nuanced keyboard textures, and clear, melodic lead vocals that give the band its unmistakable signature. Song-oriented structures and tight rhythms give the tracks room to unfold, while the production emphasizes the interplay between band and vocals. With this LP, Ume presents an edition that puts the characteristic sound of Tom Petty & The Heartbreakers front and center and uses “No Sleep Til L.A.” as a striking title for the release. The record is aimed at listeners who value the band’s classic rock foundations and it expands the body of physical releases in the band’s discography.

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Underoath

LP | 2024 | US | Reissue (Many Hats Dist)

LP | 1972 | EU (Vertigo Berlin)

Release: 2024 / US – Reissue

Genre: Rock & Indie

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The “They’re Just Chasing Safety” LP by Underoath is released on Many Hats Dist and brings the band’s fourth studio album, originally issued in 2004, back in a special anniversary edition. With this release, Many Hats Dist presents the distinctive set of songs in full length and opts for elaborate packaging that lends the reissue additional value for collectors. The production of the record remains true to the original sound and emphasizes the interplay between clear melodies and aggressive vocal passages.

Musically, “They’re Just Chasing Safety” documents the phase in which Underoath began to structure their style in a more accessible way: Spencer Chamberlain delivers the raw shouts, while Aaron Gillespie contributes striking clean vocal parts, shaping the contrast that carries the album. Producer James Paul Wisner was responsible for the compact overall sound; J. R. McNeely handled mixing, Troy Glessner did the mastering, and on track 10 Aaron Marsh adds vocal accents. Songs like “A Boy Brushed Red Living in Black and White,” “Reinventing Your Exit,” and “It’s Dangerous Business Walking Out Your Front Door” are exemplary of the melodically sophisticated arrangements and dynamic rhythmic work. The Many Hats Dist LP thus offers a carefully reworked version of a defining chapter in the band’s history and makes “They’re Just Chasing Safety” accessible to vinyl listeners once again.

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Agitation Free

Malesch

$ 21.77*

Live At The Fillmore East In NYC June 28 1971

Release: 1972 / EU

Genre: Rock & Indie

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The "Malesch" 12" by Agitation Free is released on Vertigo Berlin and documents the group's 1972 debut; the album-like sequence of pieces runs to around 40 minutes and was recorded at the Audio Studio in Berlin.

Musically, "Malesch" combines psychedelic rock elements with cosmic soundscapes and outward-looking melodies: the band transforms impressions from its travels through the Middle East into extended, meditative passages in which Hammond registrations, EMS synthesizer and interlaced guitar motifs encounter percussive rhythms. The result remains rooted in Krautrock while simultaneously opening up to oriental scales and droning organ sounds, giving the pieces a narrative, almost cinematic impact.

The key musicians include Lutz "Lüül" Ulbrich (lead guitar, twelve-string, zither, Hammond), Michael Hoenig (Synthi A, Vox Continental), Jörg Schwenke (rhythm guitar), Michael Günther (bass) and Burghard Rausch (drums, percussion); they are joined by Uli Pop (bongos) and Peter Michael Hamel on Hammond. Production was handled by Wolfgang Sandner and Peter Strecker.

As an early Vertigo release, "Malesch" stands as an exemplar of those days in the German rock scene when experimental playing, electronic textures and ethnic influences were woven into distinctive soundscapes; the 12" preserves this approach as a compact yet atmospherically dense document.

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Mountain

2LP | 2026 | EU | Original (Renaissance)

$ 39.77*

LP | 2026 | NO | Original (Gemini)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The colored vinyl edition of Mountain’s LP "Live At The Fillmore East In NYC June 28 1971" was released on Renaissance. The release documents the band in a historic club setting and transfers the raw intensity of the live performance to a warm, analog medium.

Mountain was defined by a massive guitar tone, prominent bass lines, and relentless percussive drive; Leslie West’s gritty vocals and searing riffs sit at the center of the sound, while Felix Pappalardi lays the foundation with melodic bass work and production finesse. Corky Laing’s precise yet driving drumming provides the necessary momentum, allowing the songs to maintain their tension through extended solos and dynamic shifts. This combination of blues roots and hard-rock power made Mountain a defining force of the early ’70s.

The Fillmore East recording stands alongside those live documents that bring out the band’s character with particular clarity: improvisational passages alternate with tight song structures, so that both the hard-rocking anthems and the longer, atmospheric sequences are convincing. The historical significance of the Fillmore shows as a showcase for American rock is reflected in the intensity of this performance and makes the LP an important document of that phase of Mountain’s career.

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Van Der Graaf Generator

Orbital Mechanics

$ 30.29*

Aviador Dro Y Sus Obreros Especializados

Release: 2026 / NO – Original

Genre: Rock & Indie

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The LP “Orbital Mechanics,” released on Gemini, brings together rare BBC radio recordings by the band and, for the first time, puts seven live tracks recorded at the BBC studios in Maida Vale in 1970 and 1971 on vinyl. The compilation presents the original lineup in vivid live presence and, alongside shorter pieces, includes extended performance passages that have not previously been available on vinyl.

Van Der Graaf Generator remains a unique presence in progressive rock thanks to its distinctive sonic identity: Peter Hammill’s shifting, expressive vocals, the relentless Hammond organ foundation, and the striking saxophone and flute lines shape the dramatic, often dark articulation of the pieces. Complex arrangements meet theatrical vocal lines and rhythmic displacements, clearly setting the group apart from its contemporaries. This range of expression comes across with particular clarity in the BBC sessions.

The selection on “Orbital Mechanics” includes key titles from the early phase such as “Theme One,” “After The Flood,” “Visions,” “Darkness,” “Refugees,” “ManErg,” and “Killer,” documenting the band in a critical creative period between studio albums and touring appearances. The LP thus offers both newcomers and longtime listeners a precise insight into the live dramaturgy of Van Der Graaf Generator.

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La Chica De Plexiglas / La Vision

12" | 1983 | EU | Reissue (Munster)

$ 25.56*

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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This release brings together the first two singles by Aviador Dro y Sus Obreros Especializados plus two lost 1980 tracks that were never issued as singles. Presented as on the original 1983 mini-LP with the original artwork from both singles. Futuristic electronic music with a punk attitude, combining elements reminiscent of Kraftwerk, Devo and The Residents. Out of print since 1985 and now reissued in collaboration with Discos Banana.

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2LP | 1969 | US | Reissue (Analogue Productions)

Tommy

$ 186.55*

LP | 2026 | NO | Original (Gemini)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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The “Tommy” LP by The Who is being released on Analogue Productions, bringing the band’s groundbreaking rock opera back to the format in an audiophile reissue.

“Tommy” is regarded as a central chapter in The Who’s body of work: Pete Townshend wrote the majority of the pieces and developed from them a continuous narrative about a deaf, mute, and blind boy, whose story finds its most striking episodes in songs like “Pinball Wizard” and “Amazing Journey.” Musically, the album fuses raw rock energy with orchestral arrangements and early synth elements, placing the record stylistically somewhere between beat‑driven rock, narrative songcraft, and avant‑garde touches.

The recordings were made under the supervision of producer Kit Lambert and benefited from the close collaboration between Townshend, Roger Daltrey, John Entwistle, and Keith Moon; the combination of powerful vocals, a driving rhythm section, and expressive guitar work defines the characteristic sound. Analogue Productions presents this historic work in a meticulously produced reissue that aims for the sonic precision and detail of the original, reintroducing the album in an audiophile context.

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Kevin Ayers

Scrapbook

$ 30.29*

Death Of The Walden Newspaper Co.

Release: 2026 / NO – Original

Genre: Rock & Indie

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The LP *Scrapbook*, released on Gemini, brings together twelve live session recordings that Kevin Ayers cut between 1973 and 1976 at the BBC Maida Vale studios for the Bob Harris and John Peel shows, none of which had previously been available on vinyl. The compilation emphasizes the intimate, slightly off‑kilter side of Ayers’ songwriting and transfers the in‑studio immediacy of the sessions directly onto the medium.

On *Scrapbook*, Kevin Ayers remains true to the melancholy yet playful melodic lines that have shaped his work since the early solo albums; the warm timbre of his voice, his dry pop imagination, and the finely crafted arrangements fuse folk elements with psychedelic hues. His role as a defining protagonist of the Canterbury scene and as a co‑founder of Soft Machine explains the organic, sometimes jazzy undertone that runs through many of the tracks.

Among the special qualities of this release are the notable collaborators who appear on individual session recordings, including Andy Summers, Mike Ratledge, Ollie Halsall, and Zoot Money, underscoring the selection’s historical and musical weight. Recorded titles such as “Stranger in Blue Suede Shoes,” “Lady Rachel,” and “Shouting in a Bucket Blues” display a range that stretches from laconic ballad to sly folk number. The colored vinyl, pressed in purple, highlights the collectable character of this physical edition.

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Driveway Ceiling

LP | 2026 | US | Original (Independent Project , Llc)

Stories - Definitive Collection Gold Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Death Of The Walden Newspaper Co.” LP by Driveway Ceiling captures a densely atmospheric sequence of songs that works its way through themes of newspaper metaphors and small-town scenarios. The album includes tracks such as “Sleepy River Dawn,” “Yellow Journalism,” “Mr Walden,” and “Obituary,” which together form a narrative fabric of melancholy, irony, and a storytelling gaze on the everyday. Driveway Ceiling relies on clear song structures, recurring motifs, and lyrical imagery that support the flow of a cohesive concept work without letting the individual tracks feel like mere sketches.

Released on November 17, 2023, it is available on LP; the production unfolds a raw yet carefully arranged sonic palette that stylistically draws on classic rock while still leaving room for quieter, introspective passages. On the record, Driveway Ceiling demonstrates a keen sense for melody and song structure, sustained by striking choruses and narrative lyrics. The “Death Of The Walden Newspaper Co.” LP confirms Driveway Ceiling as songwriters with a penchant for vivid imagery and offers listeners a focused, thematically unified album that comes across as coherent in part thanks to its tightly curated track list.

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John Elefante

2LP | 2026 | EU | Original (Girder)

$ 42.61*

Live At The Fillmore '68 Colored Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The gold vinyl edition of John Elefante’s "Stories - Definitive Collection" LP is being released on Girder and comes as a gatefold double LP; the compilation features 19 handpicked tracks from Elefante’s long career, offering a broad cross-section of his work as a singer, songwriter, and producer. The edition includes newly recorded versions, among them a previously unreleased re-recording of "Chasing Shadows" as well as a newly recorded version of "Dust in the Wind," and comes with a double-sided, full-color insert featuring an in-depth essay (approx. 1,400 words) and more than 50 photos.

John Elefante, who first came to prominence as the singer for Kansas and later worked with his brother Dino as a producer and co-founder of Pakaderm Records, blends melodic progressive rock with a distinct, thematically driven Christian rock aesthetic. His career encompasses successful solo albums, the Mastedon project, and extensive production work in Nashville; awards and decades of studio experience shape his signature style, evident in concise melodies and tightly structured arrangements.

Musically, the selection on "Stories - Definitive Collection" ranges from edgy AOR rock and soaring ballads to epic progressive tracks such as the roughly twelve-minute "This Is How The Story Goes." The compilation is conceived as a narrative retrospective, showcasing both Elefante’s vocal presence and his role as songwriter and producer, while the carefully considered sequencing traces the evolution of his body of work in a coherent way.

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It's A Beautiful Day

2LP | 2026 | EU | Original (Renaissance)

$ 39.77*

Live At Freak Valley Festival

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Colored Vinyl Edition of the "Live At The Fillmore '68" LP by It's A Beautiful Day is released on Renaissance and brings together a one- to two-hour live performance that captures the band in the prime of its early years at the Fillmore West in 1968. The set includes renditions of well-known pieces such as "White Bird," "Bombay Calling," and the extended "Time Is," documenting the stage versions of compositions that would shortly afterwards appear on the group’s debut album.

Musically, the recording combines elements of psychedelia and folk rock with a distinctive violin-centered focus: David LaFlamme shapes the overall sound with virtuosic violin lines, while Pattie Santos takes the lead vocals. The band’s early lineup – including Linda LaFlamme on keyboards, Hal Wagenet on guitar, Mitchell Holman on bass, and Val Fuentes on drums – showcases a tight, arranged approach that still leaves the compositions open to improvisational excursions.

As a historical live document, the release captures both the atmospheric breadth of the West Coast scene and the compositional strength of the group. The live arrangements emphasize melodic variety and dynamic contrasts – from quiet, almost orchestral passages to extended, rock-driven rhythmic sections. For listeners who appreciate the characteristic, violin-driven sound of It's A Beautiful Day, this Colored Vinyl Edition offers a nuanced insight into the band’s early concert practice.

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Blues Pills

2LP | 2026 | EU | Original (Heavy Psych Sounds)

$ 40.71*

LP | 1972 | US | Reissue (Antarctica Starts Here)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The double LP “Live At Freak Valley Festival,” released on Heavy Psych Sounds, documents an early high point in the band’s history and captures the live atmosphere of a festival night in Netphen-Deuz. The recording comes from their May 30, 2014 performance at Freak Valley Festival; this pressing appears as a repress with a new vinyl finish and emphasizes the raw dynamic energy of the show.

Here Blues Pills present their characteristic blend of blues rock, hard rock, and ’70s-inspired retro elements, driven by Elin Larsson’s powerful vocals and sustained, at times extended guitar solos. Tracks like “High Class Woman,” “Bliss,” and “Devil Man” gain extra space for improvisation and long, slow-building arcs in the live setting, giving the familiar studio arrangements a new, improvisational urgency.

Technically, the concert was prepared specifically for this release and mastered by Tony Reed; the artwork is by Marijke Koger-Dunham, with layout by Timo Pollinger, complemented by live photos from Clemens Mitscher and Martin Kreitl. The edition is thus aimed less at offering variants than at documenting a defining live performance by the band.

The group’s formation in Örebro in 2011 and their strong grounding in soul and psychedelic influences help explain why Blues Pills manage, even on record, to bridge the gap between a vintage-oriented sound and direct onstage presence. For fans of classic blues and psych rock forms, this double LP offers a carefully prepared snapshot in time.

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Willis Alan Ramsey

$ 25.56*

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Singer-songwriter Willis Alan Ramsey was 20 years old when he became the third signing to Leon Russell and Denny Cordell's Shelter Records – after Russell himself and the legendary J.J. Cale. The result was Ramsey's 1972 eponymous debut, a masterpiece of laid-back Texas country-rock, blues-inflected folk and outlaw ballads.

As a child, Ramsey was an obsessive radio listener – from Elvis and the Beatles to Delta blues, country and even classical music. By middle school, he had formed his first garage band and started writing songs. After a brief stint at the University of Texas, he took to the burgeoning coffeehouse circuit where he toured alongside folks like Townes Van Zandt, Jerry Jeff Walker and Keith Sykes. It was during these shows that Ramsey developed much of the material for his LP, a diverse yet coherent mix that revealed his varied influences.

Recorded in Memphis, Nashville and at Russell's home studio in the Hollywood Hills, the album features some of the era's greatest session musicians: Eddie Hinton on guitar, Red Rhodes on pedal steel and the rhythm section of Leland Sklar and Jim Keltner. A true songwriter's songwriter album, its tunes have been covered by Waylon Jennings ("Satin Sheets"), Jimmy Buffett ("The Ballad of Spider John") and, most famously, Captain & Tennille ("Muskrat Love"), but no cover can beat the originals from the wise-beyond-his-years Ramsey.

Though Willis Alan Ramsey has continued to perform regularly and write new songs, a second album is yet to be released. For years, whenever someone asked about it, Ramsey was known to answer "What's wrong with the first one?" The answer is, of course, absolutely nothing. In fact, it's perfect.

This first-time vinyl reissue reproduces the original lyric sheet. Includes new interview with Ramsey and liner notes by author Richie Unterberger.

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LP | 1971 | US | Reissue (Analogue Productions)

Who's Next

$ 156.24*

LP | 2026 | EU | Original (Bright Carvings)

Release: 1971 / US – Reissue

Genre: Rock & Indie

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The “Who’s Next” LP by The Who is being released on Analogue Productions and brings back one of the central chapters in the band’s history in an audiophile reissue. The album grew out of Pete Townshend’s abandoned Lifehouse project and captures the band’s upheavals around 1970/71; it includes defining tracks such as “Baba O’Riley,” “Won’t Get Fooled Again,” and “Behind Blue Eyes,” which made Who’s Next a landmark of rock.

Musically, the work combines monumental rock arrangements with an unusual synthesizer texture: Townshend’s work with analog synthesizers opens up new sonic spaces for the songs, while Roger Daltrey’s dramatic vocals and Keith Moon’s impulsive drumming preserve the raw, dynamic core. John Entwistle’s distinctive bass lines and Townshend’s powerful guitar riffs together shape the striking sound that characterizes the band.

The reissue on Analogue Productions emphasizes the technical remastering and the album’s original studio character without altering its musical impact; producer Glyn Johns’ classic studio craft remains clearly audible, and the arrangements emerge with clarity and detail. For listeners who want to trace The Who’s transition from concept project to arena-ready rock band, this LP offers an authentic and carefully crafted reference.

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Robin Bradshaw

Inner Space

$ 42.61*

LP | 2026 | US | Original (Rhino/Warner Bros.)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Recorded in 1974, Inner Space presents Robin Bradshaw's distinctive folk music shaped by his exploration of Transcendental Meditation. Drawn from more than 40 songs recorded that year onto acetates and lathe-cut vinyl, this carefully curated collection ranges from gothic folk and trippy excursions to Echoplex experiments, a Led Zeppelin cover and literate singer-songwriter material. An outsider-folk recording with echoes of the trippier side of Village Thing, Davey & Morris and Tom Rapp/Pearls Before Swine. Limited to 227 copies with laminated sleeve and two inserts.

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Mudhoney

Live! 1993-1998

LP | 2025 | US | Reissue (Loma Vista)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Live! 1993-1998” LP by Mudhoney is being released on Rhino/Warner Bros. and brings together live recordings that span the period from 1993 to 1998. The release documents various snapshot concert moments and presents Mudhoney as a powerful live band, with their stage presence and immediacy at the center. The edition has been announced for the physical market and is scheduled for a specific release date in fall 2026.

On this release, Mudhoney showcase their raw live profile: distorted guitars, driving rhythms, and Mark Arm’s distinctive vocals form the sonic backbone, joined by crowd noise and spontaneous interactions as partial sonic features. Individual tracks such as “Suck You Dry” and the live-documented “Ghost” are cited as exemplary moments and convey an impression of the band’s dynamics between punk directness and expansive rock. The selection underscores Mudhoney’s consistency as a high-energy live act and makes the “Live! 1993-1998” LP a compact live collection for fans who want to experience the band in their most immediate performing form.

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Militarie Gun

God Save The Gun

$ 31.24*

Gram Parsons & The Fallen Angels

Release: 2025 / US – Reissue

Genre: Rock & Indie

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The "God Save The Gun" LP by Militarie Gun is being released on Loma Vista and is available as a black LP as well as in digital formats; the album comprises 14 tracks with a running time of around 37 minutes. The selection ranges from short, pointed songs to compact arrangements that unfold within a clear, modern rock logic; the pressing features previously released singles alongside new material that carries the album’s structure and sustains its album-length dramatic arc.

Musically and lyrically, "God Save The Gun" moves within a jagged yet melody-driven territory; frontman Ian Shelton explores openness, self-critique, and the tension between self-destruction and perseverance, without forcing the songs exclusively into a single tonal mood. The production, led by Riley MacIntyre with significant input from Shelton himself, gives the album a clear, expansive sonic character. Standout tracks include "B A D I D E A," "Throw Me Away," "God Owes Me Money," and "Thought You Were Waving," which steer the album through different moods and showcase its compositional range.

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Sonic Sunset

LP | 2026 | NO | Original (Gemini)

$ 41.66*

Release: 2026 / NO – Original

Genre: Rock & Indie

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LP | 2003 | US | Reissue (Friday Rights Management)

Warren Zevon

The Wind

$ 44.50*

LP | 2026 | EU | Original (Saifam)

Release: 2003 / US – Reissue

Genre: Rock & Indie

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Warren Zevon’s *The Wind* LP is released on Friday Rights Management and documents the singer-songwriter’s final studio album, originally released in 2003. Available on LP, this edition continues Zevon’s distinctive signature and brings together arrangements in which acoustic guitar, slide and electric guitar, and restrained rhythm lines provide the framework for his often laconic, poetic lyrics. The release on Friday Rights Management brings this final chapter of his work to vinyl once again and places the album within the label’s current catalog.

*The Wind* was produced by Jorge Calderón, Noah Scot Snyder, and Warren Zevon himself. The production leaves room for intimate vocal recordings and subtle instrumentation without overshadowing the presence of the guest appearances. The album features numerous prominent musicians, including Ry Cooder, Jim Keltner, Mike Campbell, and Emmylou Harris, who expand the sound at select moments without taking focus away from Zevon’s compositions.

The record includes the widely acclaimed closing track “Keep Me in Your Heart,” as well as Zevon’s take on “Knockin’ On Heaven’s Door”—both moments that highlight the album’s distinctive balance of melancholy and laconic wit. This LP edition of *The Wind* therefore offers a focused view of Warren Zevon’s final chapter and his collaboration with a select group of contributors.

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Charlie Buon Vecchio

Buon Vecchio Charlie

LP | 1976 | US | Reissue (Rhino)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “Buon Vecchio Charlie” LP by Buon Vecchio Charlie is released on Saifam and re-presents the material recorded in 1972 by the Rome-based band. The album documents long-unreleased recordings from the early seventies that only became accessible to a wider audience decades later; Saifam enhances the reissue with expanded liner notes that explain the creation and rediscovery of the album.

Musically, the release showcases the period-typical blend of symphonic, jazzy, and folk elements, driven by flute, organ, and distinctive guitar passages; extended, suite-like compositions such as “Venite giù al fiume” and “All'uomo che raccoglie i cartoni” form the core of the sequence and convey a sense of orchestral density and instrumental virtuosity. The new edition thus brings a piece of Italian prog history back into focus and includes additional commentary on the scene and the recording sessions, adding further depth to the historical context of the tracks.

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Alice Cooper

Goes To Hell

Release: 1976 / US – Reissue

Genre: Rock & Indie

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The "Goes To Hell" LP by Alize Cooper is released on Rhino and presents itself as a focused classic rock release that places songwriting and studio work clearly at the center. The album features standout pieces such as "Go to Hell" and the ballad-style single "I Never Cry," which stand out through distinctive arrangements and clear, transparent song-structure decisions. Rhino puts particular emphasis on the musical presentation: vocals, guitar parts, and arranging keyboard passages are each clearly brought to the foreground.

Production is handled by Bob Ezrin; together with co-writer Dick Wagner, he shapes the compositional through-line that runs across the individual tracks. The LP structure allows for both rock-driven tracks with driving riffs and quieter moments with melodic focus and lyrics that create emotional space. Rhino stages the release in a technically restrained way, while the record’s track list, alongside the songs already mentioned, includes additional compositions that hold the concept together. The "Goes To Hell" LP by Alize Cooper is thus a streamlined edition that clearly puts the producer and co-writers in the spotlight and emphasizes the song-oriented quality of the release.

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First Tribute To Black Sabbath

Iron Claw

LP | 2026 | EU | Original (Yunque)

$ 60.59*

Insurgentes Clear Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "First Tribute To Black Sabbath" LP by Iron Claw is released on Yunque and presents the band with a clearly defined concept: the record consists exclusively of Black Sabbath covers, putting an early phase of the Scottish group front and center. The "First Tribute To Black Sabbath" LP shows Iron Claw in direct engagement with the material that grew out of the band’s early live sets, translating the concentrated weight of the originals into a raw, intimate recording aesthetic.

Musically, the release documents the band’s passion for Black Sabbath’s early songs and channels that energy into dense guitar riffs, powerful interplay, and unvarnished vocals; the arrangements highlight the proto-metal roots as Iron Claw were already performing them live in the 1970s. The LP format released on Yunque provides space for the complete sequence of cover tracks, turning it into a focused homage to the origins of heavy rock.

For collectors and listeners interested in the origins of heavy rock, the "First Tribute To Black Sabbath" LP by Iron Claw on Yunque provides a documentary-like testament to that early engagement with Sabbath material and adds a remarkable chapter to the published Iron Claw discography.

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Steven Wilson

2LP | 2008 | EU | Reissue (Transmission)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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2LP | 2024 | EU | Original (Cherry Red)

Producers

$ 41.66*

7" | 2026 | EU | Original (Stroom)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Producers by Producers, released 13 September 2024, includes the following tracks: "Your Life ", "Every Single Night in Jamaica ", "Barking Up the Right Tree ", "Watching You Out There " and more. This version of Producers comes as a 2xLP. This release comes with (a) Booklet.

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Lazaar Vanderschrick

Salut

$ 16.09*

LP | 2026 | US | Original (Smartpunk)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Lazaar Vanderschrick’s “Salut” 7-inch, released by Stroom, delivers a concise statement across two compact tracks. The A- and B-sides feature the titles “Faux Masques” and “Mauvaise Foi,” which combine dense arrangements and clear melodic lines within their brief running times without getting lost in superfluous ornamentation. Released by Stroom, the 7-inch relies on direct song structures and pared-back yet effective production that places Lazaar Vanderschrick’s voice and compositional direction at the center.

Behind the pseudonym is Victor De Roo, who returns to Stroom for “Salut” and presents the release as part of a larger artistic project: “Mauvaise foi (Feat. Iwza)” also serves as the single accompanying his literary debut, “Heil.” De Roo’s versatility as a producer, DJ, performer, and author is reflected in the track selection and the release’s theatrical density, which explores both narrative and musical tensions. The connection between the song and its accompanying writing project gives the “Salut” 7-inch an additional dimensional layer, further sharpening interest in Lazaar Vanderschrick as both a storyteller and a musician.

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Against The Current

Fever

LP | 2026 | US | Original (Todo)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Fever” LP by Against The Current is being released on Smartpunk and brings the 2021 release “fever” to vinyl for the first time. The release documents the EP with its seven songs, including the singles “that won’t save us” and “weapon”; the compact sequence of tracks remains in its original order, now available on LP for an analog listening experience.

Musically, “Fever” preserves the band’s direct, song-oriented approach: concise melodies meet densely layered arrangements, and individual tracks bear the distinctive touch of producer Matt Squire. The record features both driving moments and quieter passages and includes “again&again,” a collaboration that clearly stands out in the track listing. The Smartpunk edition is offered as a vinyl reissue and is aimed at collectors who want to experience the material on LP.

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Porcelain

Todays Minor Victories

Everybody Talks About The Weather Blue Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Today's Minor Victories" LP by Porcelain is being released on Todo.

Porcelain from Austin weaves together influences from noise rock, post-hardcore, post-punk, and shoegaze into a dense sonic landscape. Driving, often distorted guitars meet intricate melodies; the arrangements shift between immediate heaviness and restrained, almost weightless passages. Characteristic are the interplay of the two guitar voices and the alternating vocals, which give the tracks both rough edges and singable lines.

The band lineup is documented as Ryan Fitzgibbon (guitar, vocals), Steve Pike (guitar, vocals), Jordan Emmert (bass), and Eli Deitz (drums, percussion); the sonic palette is expanded by pedal steel from Zach Wiggs and saxophone from Benton Kaufman. The record was tracked at Estuary Recording Studio, with engineering and mixing handled by Scott Evans; mastering was done by Greg Obis at Chicago Mastering Service.

Musically, the production stands out for its clear, powerful guitar walls and a nuanced sense of space and dynamics. Porcelain links raw energy with compositional precision; in doing so, the band positions itself between gritty post-hardcore and atmospheric shoegaze and stakes out a distinctive voice within the current scene.

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Yummy Fur

LP | 2026 | WW | Original (Upset The Rhythm)

$ 20.83*

LP | 2026 | ZA | Original (Zambia Music Parlour)

Release: 2026 / WW – Original

Genre: Rock & Indie

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The "Everybody Talks About The Weather" LP by Yummy Fur is released on Upset The Rhythm and brings together ten tightly crafted songs that present the band’s first new material in more than 25 years. The record focuses on compact forms and dispenses with anything superfluous, giving the tracks a sharp directness while still leaving room for intricate references.

Musically, Yummy Fur operate in the tension between art punk and introspective indie, shot through with influences à la Eno and Cale as well as post‑punk‑inflected structures. The arrangements balance rough‑edged guitar figures, motorik drums, and occasional horn interjections; the lyrics trade in literary and cinematic allusions, shifting between dry observation and biting wit.

The recordings were made at The Workshop in Glasgow; the core trio — John McKeown (vocals, guitar), Brian MacDougall (guitar), and Paul Thomson (drums) — defines the compositional character of the record. The production allows for a new clarity, while Mikey Young’s mastering lends the songs a finely etched contour.

Lyrically, the album explores tensions between personal memory and cultural reference; figures from the art world and everyday life are linked in short, concentrated scenes. The result is a collection that brings together the band’s various incarnations as a collage and throws their distinctive traits into sharp relief.

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5 Revolutions

Mrs Brown

$ 34.08*