Punk | Hardcore 6282 Items

LP | 1981 | EU | Reissue (Superior Viaduct)

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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The Yellow/Black colored vinyl edition of the “Smash” LP by The Offspring has been released on Epitaph Europe. This version presents the album on LP in the track sequence characteristic of “Smash” and credits producer Thom Wilson as a key figure in its production. The record includes the standout singles “Come Out And Play” and “Self Esteem,” complemented by tracks such as “Gotta Get Away” and the title song “Smash,” which have largely defined the album’s identity. Epitaph Europe is issuing this edition as a visible nod to the original release, with the Yellow/Black colored vinyl clearly distinguishing this physical version.

Musically, this edition of “Smash” showcases the blend of fast punk tempos, guitar-driven riffs, and catchy choruses that brought lasting recognition to The Offspring. The Yellow/Black colored vinyl edition offers the LP in a striking visual presentation while preserving the original arrangements and song structures in analog form. For fans and listeners who value a visually distinctive edition, this “Smash” LP by The Offspring on Epitaph Europe combines the familiar tracks with a clearly defined vinyl variant.

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The Fall

77 - Early Years - 79

LP | 2026 | EU | Original (Bretford)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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The “77 – Early Years – 79” LP by The Fall is being released on Superior Viaduct as the first vinyl reissue of this early compilation. Originally issued by Step-Forward in 1981, the album brings together the band’s first four singles from 1977 to 1979: “Bingo-Master’s Break-Out,” “It’s The New Thing,” “Rowche Rumble,” and “Fiery Jack.” The track list is rounded out by “Dice Man” from the album “Dragnet.”

The recordings capture The Fall during their formative early period around Mark E. Smith, as the group developed a distinctive approach out of Manchester’s punk scene—somewhere between jagged punk, brittle guitars, repetitive bass lines, and creaking organ sounds. Smith’s unmistakable spoken-word delivery meets a changing lineup featuring Martin Bramah, Una Baines, Karl Burns, Marc Riley, Craig Scanlon, and Stephen Hanley.

In particular, “Repetition,” “Psycho Mafia,” and “Rowche Rumble” convey the early tension between raw directness and stubborn individuality. “Fiery Jack” was produced by Mayo Thompson and marks another important step in the development of the band’s sound. The Superior Viaduct edition also includes liner notes by Stephen Malkmus, which add historical context to these early recordings by The Fall. In this way, “77 – Early Years – 79” combines key singles and selected album tracks into a focused portrait of the years in which The Fall shaped their unmistakable style.

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Die Verlierer

Ideale

Still Wide Awake Silver Smoke Colored

Release: 2026 / EU – Original

Genre: Rock & Indie

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When you love a band, you want two things: for them to surprise you, and to remain true to themselves. And that is exactly what Die Verlierer achieve on their third album, Ideale. They seem completely unconcerned with what might be expected of them. Big choruses, long songs, instrumental passages and more experimental moments lead the songs down unfamiliar paths. Holding it all together is the band's unmistakable sound - a major part of their charm - and the infectious energy that has defined Die Verlierer since their first album. For all this musical freedom, their stance stays solid. The lyrics are openly political: against greed, war and the old men in power who make decisions over our heads, cash in and leave us with the consequences. (V.Varlet)

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Ignite

LP | 2027 | Original (93rpm)

Short Music For Short People Lime Vinyl Edition

Release: 2027 / Original

Genre: Rock & Indie

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The silver smoke-colored vinyl edition of “Still Wide Awake” marks the beginning of a new chapter for Ignite on the band’s own 93RPM Records label. The album brings the California melodic hardcore veterans together as a focused four-piece: Eli Santana handles vocals, Brett Rasmussen plays bass, Nik Hill plays guitar, and Craig Anderson plays drums.

Musically, Ignite reconnects with the hardcore and punk roots of its early years while expanding its hard-hitting foundation with heavier metal, thrash, and dark goth influences. The new songs are among the fastest and most aggressive the band has recorded to date, without sacrificing its signature melodies and direct expression. The title track, “Still Wide Awake,” and “Guilty Wounds” have already been released as two key tracks from the album.

Ignite also remains clearly outspoken in its subject matter. The lyrics address American immigration policy, reproductive rights, mental health, and personal responsibility. The title track takes aim at society’s tendency to turn a blind eye and calls on people to take responsibility for their own actions and for one another. “Still Wide Awake” is being released as an LP on 93RPM Records and also represents the band’s newly regained control over its releases.

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V.A.

LP | 1996 | US | Reissue (Blackout)

Release: 2026 / US – Original

Genre: Rock & Indie

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The lime vinyl edition of the compilation "Short Music For Short People" was released as an LP on Fat Wreck Chords and brings together 101 bands, each contributing an extremely short track. The concept is based on punchy mini-songs of around 30 seconds each, turning the record into a tightly sequenced run of quick ideas that showcases the scene’s diversity in compact snapshots.

The compilation originally dates back to 1999; the LP version reproduces the well-known tracklist, including Bad Religion with "Out Of Hand," NOFX with "See Her Pee," and Blink-182 with "Family Reunion." Fat Wreck Chords brings together established names alongside lesser-known acts, making the selection representative of the stylistic range within punk / hardcore.

The lime vinyl pressing highlights the reissue concept both sonically and visually: the colored format clearly sets this edition apart from earlier black vinyl pressings. The sequence of 101 compact contributions is preserved on a single LP, so the original concept of ultra-short tracks can be experienced directly.

With this release, Fat Wreck Chords brings a historic compilation back into its vinyl catalog while at the same time documenting an unusual format within the punk compilation tradition. The edition offers a focused way to experience these short, pointed songs in one place.

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H2O

H2o

The War On Errorism New Cover Art Starlight Yellow Vinyl Edition

Release: 1996 / US – Reissue

Genre: Rock & Indie

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The "H2O" LP by H2O was released on Blackout. This debut release on the label captured the band’s early sound and quickly became a reference point within the New York hardcore scene; the record brings together compact, to‑the‑point songs and was reissued on vinyl to mark its anniversary.

Musically, H2O presents a blend of raw hardcore energy and catchy melodies: short, direct arrangements meet anthemic choruses and a distinctly positive, upbeat attitude that defines the characteristic identity of the project. Tracks like "Family Tree" and "5 Yr. Plan" are among the album’s defining songs and illustrate the combination of drive and vocal melody that established H2O within the scene.

The recordings took place from January 15 to 17, 1996 at Brielle Studios in New York and were produced by Larry Buksbaum together with the band; the CD was recorded and mixed within three days. The lineup features Toby Morse (vocals), Todd Morse (guitar, backing vocals), Rusty Pistachio (guitar), Eric Rice (bass), and Todd Friend (drums), supplemented by guest appearances such as Dicky Barrett. This clear, no‑frills production approach underscores the songs’ direct impact.

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NOFX

LP | 2003 | US | Reissue (Fat Wreck Chords)

No Division Red / Gold Corona Vinyl Edition

Release: 2003 / US – Reissue

Genre: Rock & Indie

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The Starligt Yellow Vinyl edition of NOFX’s *The War On Errorism* LP was released on Fat Wreck Chords and presents the reissue with updated cover artwork. The release brings the album back to Fat Wreck Chords’ catalog and references the original release from the early 2000s; the reissue includes the complete tracklist, including well-known songs such as “Franco Un-American” and “The Separation of Church and Skate.” Fat Wreck Chords lists the various vinyl variants and also announces a planned shipment of the reissue.

Musically, the *The War On Errorism* LP maintains the original’s political tone: the lyrics take a satirical look at current political and social issues, driven by the distinctive punk attitude that has characterized NOFX for decades. The Starligt Yellow Vinyl reissue offers the familiar selection of songs in the same order as on the album and is aimed at listeners who appreciate the band’s political edge and fast, melodic punk sound. Additional information about the tracklist and the included songs can also be found on the Bandcamp and label pages, which document the complete album version.

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Hot Water Music

LP | 1999 | EU | Reissue (Cargo)

Last Temptation Of Reid Colored Vinyl Edition

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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With *No Division*, Hot Water Music released one of the defining melodic punk albums of their career in 1999, cementing their reputation as one of the most important bands in the U.S. underground scene. Combining raw emotion, captivating hooks, and the unmistakable dual vocals of Chuck Ragan and Chris Wollard, the album brings intensity and passion together in perfect fashion. This vinyl reissue returns a genre classic to the shelf—one that has lost none of its impact even decades later. Each limited to 500 copies.

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Lard

LP+12" | 1990 | US | Reissue (Alternative Tentacles)

Bonus Fat Weinerschnitzel Vinyl Edition

Release: 1990 / US – Reissue

Genre: Rock & Indie

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The colored vinyl edition of the *Last Temptation Of Reid* LP by Lard is being released on Alternative Tentacles, bringing the work, first issued in 1990, back in a fully revised form. The reissue was remastered under the personal supervision of Jello Biafra after the project had been delayed multiple times and test pressings reworked; each copy also includes a one-sided 12" pressing of “I Am Your Clock” as a bonus.

Musically, Lard combines industrial metal elements with a raw punk attitude, biting political critique, and dark humor; the result remains every bit as biting as it is abrasive. Classics like “Forkboy,” which later appeared on the *Natural Born Killers* soundtrack, alongside “Pineapple Face,” “Drug Raid at 4 AM,” and the unusual rendition of “They’re Coming to Take Me Away,” embody the confrontational blend of noise, rhythm, and sarcastic punchlines. The track sequence and unconventional arrangements underscore the album’s uncompromising character.

Behind the sound are Jello Biafra and Ministry leaders Al Jourgensen and Paul Barker, joined by musicians such as Jeff Ward and William Rieflin; the production fuses programmed, metallic grooves with solid guitars and precise drumming. This reissue presents the record with clearer, more powerful sound without diluting Lard’s rebellious attitude.

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Descendents

12" | 1981 | US | Reissue (ORG Music)

2LP | 1976 | US | Reissue (Analogue Productions)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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The “Bonus Fat Weinerschnitzel” tape by Descendents is released by ORG Music and brings together early recordings by the band in a compact cassette format. The collection combines the original debut single with the 1981 Fat EP and the outtake “Global Probing,” highlighting the band’s transition from surf-infused power pop to a concise hardcore sound. The tape edition features short tracks such as “Weinerschnitzel” and “I Like Food,” which stand out for their brief arrangements and distinctive staccato riffs.

Originally released by New Alliance Records in 1985, the reissue features the lineup of Milo Aukerman (vocals on side A), Bill Stevenson (drums, backing vocals), Frank Navetta (guitar, backing vocals; lead vocals on “Ride the Wild”), and Tony Lombardo (bass; lead vocals on “It's a Hectic World”). Production and engineering were handled by Spot, while the artwork was provided by Frank Navetta. The ORG Music tape edition comes as a cassette with a split red-and-white shell and offers a historically valuable document of this early Descendents material, making the band’s decisive steps toward their later debut, “Milo Goes to College,” easy to trace.

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Ramones

90,99 €*

As The Eternal Cowboy Gold Vinyl Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie

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The “Ramones” double LP released by Analogue Productions documents the New York band’s 1976 debut album of the same name. Pressed on 180-gram vinyl at 45 rpm, the release comes in a gatefold jacket and was mastered from the original master tape. Both LPs were pressed at Quality Record Pressings.

With “Ramones,” the band distilled rock ’n’ roll into a handful of immediately effective elements: short songs, driving guitars, simple melodies, and uncompromising speed. “Blitzkrieg Bop,” “Beat On The Brat,” and “Judy Is A Punk” rank among the defining moments on an album that played a decisive role in shaping American punk. “I Wanna Be Your Boyfriend” and “Now I Wanna Sniff Some Glue” also demonstrate how precisely Joey Ramone, Johnny Ramone, Dee Dee Ramone, and Tommy Ramone distilled their ideas.

Producer Craig Leon and engineer Rob Freeman captured the direct energy of the recordings without obscuring the melodic core of the songs. Alongside original material, the album includes a distinctive take on Chris Montez’s song “Let’s Dance.” Analogue Productions presents the classic as an audiophile double LP, combining the debut’s historical significance with an elaborate gatefold presentation. The release includes all fourteen original tracks, including “Havana Affair,” “53rd & 3rd,” and “Today You Love, Tomorrow The World.”

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Against Me!

LP | 2003 | US | Reissue (Fat Wreck Chords)

LP | 2026 | US | Original (Alternative Tentacles)

Release: 2003 / US – Reissue

Genre: Rock & Indie

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The “As The Eternal Cowboy Gold Vinyl Edition” LP by “Against Me!” is being released on Fat Wreck Chords and presents the band’s second album in a gatefold edition on gold-colored vinyl; the pressing is designed for 45 rpm playback and features references to Fat Wreck’s 35th anniversary.

The album documents Against Me! at a point when punk, blues, folk, and American rock converged; the original recording was produced by Rob McGregor, with the sessions taking place at Goldentone in Gainesville and Ardent Studios in Memphis. Standout songs such as “Sink, Florida, Sink” and “Cavalier Eternal” are among the best-known tracks on this release, which reached number 36 on the U.S. independent charts. Critics repeatedly praised the album for its explosive energy and songwriting; AllMusic, for example, described “As the Eternal Cowboy” as one of the early-2000s punk albums that transcends its genre. Frontwoman Laura Jane Grace shapes the sound of this album with her vocals and songwriting, and this special Fat Wreck edition presents it in a new collector’s format.

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The Schizophonics

Burning Floor

LP | 2026 | US | Original (Skin Graft)

Release: 2026 / US – Original

Genre: Rock & Indie

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The Schizophonics have exploded out of San Diego, California, with the kind of raw, turbo-charged rock ’n’ roll that feels increasingly rare in the modern music scene. Led by frontman Pat Beers, the power trio has built a reputation for electrifying live shows that collide the fuzzed-out fury of proto-punk pioneers like The Stooges and MC5 with the sweat, swagger, and showmanship of James Brown and Little Richard. The result is a gritty, psychedelic blend of garage punk, classic rock, soul, and heavy groove.

At the heart of the band are Lety Beers’ distinctive, R&B-infused drumming and Sarah Linton’s Sabbath-inspired bass lines, providing the foundation for Pat’s wild dancing, incendiary guitar work, and gravity-defying one-handed playing. Together, they create a relentless sonic attack driven by pounding rhythms, fuzzed-out riffs, and the kind of feral energy that can only come from years spent on the road. The Schizophonics have put in the miles, and it shows in every sweat-soaked note.

That intensity comes through loud and clear on their fourth album, Burning Floor, due out Fall 2026 via longtime fan and supporter Jello Biafra’s Alternative Tentacles Records. Recorded in San Diego at The Golden Ghost and K Studios, with mixing and mastering completed at Rancho De La Luna in Joshua Tree, the album captures the band at their most spontaneous and unrestrained, equal parts rock ’n’ roll sweat, soul, stomp, and psychedelic abandon.

“We recorded this the day after we flew home from a month-long European tour,” says Pat Beers. “We’d been playing these songs on the road, so to come home and go directly into the studio, loopy and jet lagged, I think it captured the live energy as best we could.”

Drawing on classic Motown, ’60s garage rock, ’70s punk, and early heavy metal, Burning Floor distills the explosive immediacy of The Schizophonics’ infamous live shows into a collection of songs that never sit still.

“This album has been a whirlwind,” says Lety Beers. “It wraps up everything we’ve surrendered ourselves to over the past few years. It’s a purge of all the experiences and adventures in rock form.”

The album also marks a new chapter in the band’s long-running friendship with Jello Biafra. “We met Jello years ago when we were playing a show in a hot and sweaty hotel suite at a music festival,” Lety recalls. “Mike Stax made him come see us, telling him, ‘I think you’ll really like this band,’ and lo and behold, a beautiful friendship was born. We’re super honored to give this album a home with him and his killer team, who’ve been super helpful in making this baby a reality.”

With Burning Floor, The Schizophonics are doing what they’ve always done best, pushing rock ’n’ roll to the edge and bringing a little danger back to the stage.

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Zeni Geva

Total Castration

Japanese New Wave On Dub 1980 - 1985

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Total Castration" LP by Zeni Geva is being released by SKiN GRAFT and marks the first official vinyl release of the 1991 album. The release documents the band’s first collaboration with Steve Albini; the recordings took place from September 8 to 10, 1991 at Basemen Studios in Chicago, produced by Zeni Geva and Steve Albini, with Albini also serving as recording engineer. For this new edition, the material was reworked and remastered in 2026 by K.K. Null in Tokyo.

The release comprises various editions, including a 24Hz GOLD color vinyl version, a CD in a digipack, and an ultimate edition bundle; the Ult-Ed and the CD include four additional live tracks recorded in 1992 at a show at 20000 Volts in Tokyo. The album credits list NULL (vocals, guitar), TABATA (guitar), and EITO (drums, metals); the artwork is by Stephen Holman, with sleeve design by Mark Fischer. With the "Total Castration" LP, SKiN GRAFT spotlights a historic chapter in the band’s history by restoring the original studio recordings and making them available in physical long-play form for the first time.

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V.A.

12" | 2026 | EU | Reissue (Miss You)

39,99 €*

The Number Twelve Looks Like You

Release: 2026 / EU – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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With the 12" “Japanese New Wave On Dub 1980 - 1985,” released on Miss You, V.A. takes his creativity to the next level while, by and large, remaining true to his style. The compilation brings together tracks from the early Japanese new wave scene that are re-accentuated through a dub aesthetic, carving out a distinct intersection between post-punk, synth pop, and reggae-leaning studio experiments. Tight, concise guitar riffs and coolly deployed synthesizers are characteristic, flanked by bass-heavy arrangements, reverb and delay effects, and deliberate work on the mix that gives the songs both space and a floating quality. Many contributions combine urban melancholy with a danceable, groove-oriented drive, as producers use echo and mixing tricks to create atmospheric depth without blurring the songs’ structural clarity. For listeners interested in the interweaving of Japanese new wave and dub-inspired production approaches, this collection offers a concise and stylistically focused journey through an exciting chapter of the early Eighties.

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Howls From The Holographic Heart Opaque Pink Vinyl

LP | 2026 | US | Original (Equal Vision)

LP | 1983 | EU | Reissue (Superior Viaduct)

Release: 2026 / US – Original

Genre: Rock & Indie

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The opaque pink vinyl edition of the “Howls From The Holographic Heart” LP by The Number Twelve Looks Like You is being released by Equal Vision and marks the band’s first full-length studio album in six years. Produced by Jeremy Cormitas, Trae Titus, and guitarist Alexis Pareja, the record gains a distinctly coherent feel and recognizable musical signature from vocalist Jesse Korman, Pareja, bassist Cody McCorry, and drummer Michael DeMarco.

Musically, “Howls From The Holographic Heart” showcases the band’s characteristic balance of technical finesse and melodic focus. The material ranges from chaotic, screamo-driven outbursts to unusual moments like the highlighted single “Joy Is A Weapon,” featuring Foxy Shazam, which toys with an almost salsa-like death metal impulse. Tracks such as “Trust Chaos” and the contemplative, progressive “Glow In The Dark Skin” demonstrate how the group weaves together structured complexity and hook-laden melodies without feeling compelled to follow prevailing trends.

The Equal Vision release underscores the band’s ambition to push familiar elements forward while daring to explore surprising arrangements; the opaque pink vinyl edition gives this chapter of the band’s history a strong visual and sonic presence.

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The Fall

Fall In A Hole

46,99 €*

Are You Ready: The First Studio Recording Colored Vinyl Edition

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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The “Fall In A Hole” double LP by The Fall is being released on Superior Viaduct and captures a particularly distinctive live moment from the British post-punk band. The concert was recorded in August 1982 at the Mainstreet Cabaret in Auckland, during the final night of their Australian and New Zealand tour. At the time, the band was in an incredibly dynamic phase between “Hex Enduction Hour” and “Room To Live.”

Chris Knox recorded the performance and also created the characteristic artwork. The lineup features Mark E. Smith, Marc Riley, Craig Scanlon, Stephen Hanley, and drummers Paul Hanley and Karl Burns. The twin-drum setup in particular gives the songs an angular, driving force. Alongside well-known numbers such as “Hip Priest,” “Prole Art Threat,” and “The Classical,” “Fall In A Hole” also includes extended live versions of “Fantastic Life,” “Backdrop,” and “Solicitor In Studio.”

The recording captures The Fall during an especially unpredictable period as a live band: raw, tension-filled, and marked by long, feedback-heavy passages. Superior Viaduct is presenting the album on vinyl again for the first time, with liner notes by Roy Montgomery and digital transfers from analog master tapes held in the Flying Nun and Chris Knox collections.

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Bad Brains

LP | 2026 | EU | Original (Trust)

Gotta Get Out Purple Pink Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Trans White/Vaseline Colored Vinyl edition of Bad Brains’ *Are You Ready: The First Studio Recording* LP is released by Trust and documents the previously unreleased studio recording session from Inner Ear Studio in March 1979. The release features six tracks, including the very first studio recording of “Pay to Cum,” and was remixed for the 2026 edition by Ian MacKaye and mastered by Pete Lyman at Infrasonic. The recordings come from an approximately one-hour studio session and capture the band’s raw, immediate energy at the beginning of its career; the package was assembled in collaboration with Bad Brains and will be released on November 6, 2026.

As a historical document, *Are You Ready: The First Studio Recording* presents the band in a state of pure intensity: concise, fast arrangements, punchy riffs, and a performance that already hinted at the direction of later classics. The LP artwork incorporates handwritten elements and a Duct-Tape logo created by Darryl Jenifer, which also appears as an engraving on Side B; the record is therefore aimed explicitly at collectors and fans of the early scene. Trust is releasing the LP on Colored Vinyl, offering an immediate glimpse into Bad Brains’ origins within punk and hardcore history.

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Linda Lindas

LP | 2026 | EU | Original (Reprise)

LP | 2026 | Original (Relapse)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Purple Pink vinyl edition of the “Gotta Get Out” LP by The Linda Lindas is being released on Reprise, bringing the Los Angeles band’s new album to market as a colored pressing. The release combines fresh singles like “Burning Out” with additional tracks that further refine the group’s songwriting; the album is part of the rollout for their upcoming Reprise release.

Musically, The Linda Lindas use this record to explore the spaces between punk, catchy guitar-driven music, and emo-adjacent melodies. Multi-part vocal choruses and dense guitar walls meet direct, at times bilingual lyrics; the album includes “Closer,” a collaboration with Hayley Williams, who appears both as vocalist and co-writer, adding extra dimensions to the track.

The band—Lucia de la Garza, Mila de la Garza, Bela Salazar, and Eloise Wong—has, since their viral breakthrough with “Racist, Sexist Boy,” grown into a fixture of the young punk scene. The move to Reprise also marks a new phase in their evolution, one in which they display a broader stylistic range without sacrificing the raw energy of their early performances.

What “Gotta Get Out” makes clear is the combination of youthful directness and ambitious song structures: influences from post-punk and new wave bands sit alongside pop-oriented hooks, while the lyrics weave together uncertainty and moments of departure—a clear statement by The Linda Lindas toward further evolution.

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Poison Ruin

Hymns From The Hills

12" | 1981 | US | Reissue (ORG Music)

Release: 2026 / Original

Genre: Rock & Indie

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POISON RUIN return with their highly anticipated sophomore LP, Hymns From the Hills. Building off the strengths of their existing oeuvre, the band has developed their signature approach to grim mythmaking and scythe-swinging aggression in bold new directions, offering up a new body of songs that strike one as equal parts natural, undeniably of this world, and phantasmal.

The band's vision has grown substantially, pushing well past the tales of peasants and serfs that stood as allegories for contemporary alienation in their previous work: on this newest offering, Their previous stories of toil and dispossession are revealed to be but one chapter etched upon a bleaker tapestry, one populated by spirits traversing sunless deserts and wilted hillsides, demonic torture objects limning the edges of the psyche, bodies transfigured into Luciferian snakes, Sadean prisoners bound to the screaming silence of abandoned castle towers. The record is at once a forceful restatement of POISON RUIN's trademark sound and a departure from it, the crackling, cassette-dubbed darkness and crushing rhythms listeners have become accustomed to buttressed by a carefully sculpted mosaic of new textures, from flourishes of Killing Joke hacksaw primitivism and blast-beats worthy of the Relapse catalogue number to crisp analog synth lines and ambient serenades reminiscent of Scott Walker and The Durutti Column. Like a serpent moving ever outward with spiraling circularity, Hymns From the Hills expands POISON RUIN's sonic landscape in imaginative new directions while maintaining its center of gravity firmly in the band's already established mythos.

Hymns From the Hills is meticulously composed. Much like the rest of POISON RUIN's body of work, this LP was self-recorded without the use of professional studio equipment. To meet the greater sonic demands of Hymns From the Hills, however, mastermind Mac Kennedy relocated to a private practice space, retiring from his previous routine of squeezing in tracking sessions around the rare moments that the band's shared practice space happened to be vacant. ''Having added time to breathe and really get things right felt crucial this time,'' he remarks. ''The stress of having to work quickly and at chaotic intervals used to feel productive in a lot of ways, in that it instilled a sort of rough, energetic ethos into the recordings, but I also started to realize that those working habits were becoming an easy way to let myself off the hook from pursuing certain ideas that required a more measured, methodical approach.'' To best serve the record's grander ambitions, the band enlisted the mixing prowess of Jonah Falco (Fucked Up, Career Suicide) and the mastering of Arthur Rizk (Power Trip, Trapped Under Ice, Cavalera, Integrity), who helped to elevate the record's teeming variety of sounds to new heights of self-assured fidelity. Kennedy lent a second hand to the mixing process, splicing in grittier tape recorded segments in order to maintain a certain tonal continuity with the band's previous work, creating a rich structure of unconventional frictions, crystalline flashes of polish ripping through abysses of hissing low end only to shatter against the whipping sting of rusted chains moments later.

Lyrically, Hymns From The Hills extends both the cynicism and the defiant bravado of POISON RUIN's established fantasy aesthetics. While the record continues POISON RUIN'S tradition of employing medieval-inflected fantasy imagery, Kennedy does not intend for these figures to be read as historically accurate: ''I'm not interested in the actual facts of medieval culture, and I'm not trying to draw a sort of literal comparison between peasant life and the political realities of today. Rather, I think in order to really make sense of the present you have to get outside of history altogether, in a certain way-you have to find some sort of mythic language for talking about the spiritual damage that surrounds us, a mythology that can somehow escape the limits on imagination that are imposed upon us. For me, medieval imagery and fantasy aesthetics have always felt like a powerful starting point for creating that sort of mythology. If one is forced to be in Babylon, how can you find a way to live both through it and beyond it?''

With Hymns From The Hills, POISON RUIN have accomplished a feat of creative labor which few have the courage to entertain, much less the capacity to execute so effectively. They have upped the ante: they have set out to make ''The Record''. Hymns From The Hills ambitiously rewrites the very rules of what punk is capable of achieving, pushing POISON RUIN's sound into expansive new terrains without sacrificing an ounce of the bleak symbolism and uncompromising aggression that first established them as an urgent new voice in the world of extreme music.

FFO: Rudimentary Peni, Straw Man Army, Killing Joke, Institute, (early) Iceage, Crass, Husker Du, Warthog

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Descendents

Bonus Fat

Release: 1981 / US – Reissue

Genre: Rock & Indie

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The Descendents’ “Bonus Fat” tape was released on ORG Music. The cassette features concise material in the punk/hardcore vein, characterized by short song structures, driving tempos, and direct vocal delivery. On “Bonus Fat,” tight arrangements and striking riffs take center stage, emphasizing the band’s raw, unvarnished character. The production focuses on immediate live energy and avoids unnecessary embellishments, allowing each section to make its impact right away. ORG Music is releasing the cassette as part of its catalog, making “Bonus Fat” an especially focused addition to the Descendents’ body of work.

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Television

Live On Wnew-Fm 1978

LP | 2026 | EU (No Wave)

LP | 2012 | EU | Reissue (Not Sorry)

Release: 2026 / EU

Genre: Rock & Indie

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The art-punk band Television performed a live set at The Bottom Line in New York City on July 27–28, 1978, with portions or select dates of the club's concert series famously captured and broadcast via Wnew-fm.

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Sport (FR)

Colors Brown Colored

23,99 €*

Kansanturvamusiikkikomissio

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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666 Red Vinyl Edition

LP | 1985 | EU | Reissue (Svart)

Impenetrable Cerebral Fortress

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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The Red Vinyl edition of the “666” LP by Kansanturvamusiikkikomissio is released by Svart and reissues the striking debut from the Oulu scene as a colored pressing. This version emphasizes the unfiltered energy of the recordings and brings the album back in a format that does justice to the band’s direct sonic aesthetic.

Kansanturvamusiikkikomissio formed in Oulu in the early Eighties; the band centered around Jarno Mällinen, Jyrki Raatikainen, and Pekka Salonsaari originally released the album in the middle of the decade. The record sits within the context of the Finnish punk underground of the time and documents a brief yet incisive creative phase of the group.

Musically, “666” moves between rough hardcore punk, post-punk passages, and touches of thrash; some tracks use dissonant interjections, while others rely on furious tempo shifts. Titles such as “Kalinka” or the eponymous “666” show the range from aggressive, no-frills arrangements to more jagged, experimental moments.

The reissue by Svart comes on red vinyl and is complemented by an insert, combining historical relevance with contemporary packaging and making the “666” LP appealing to listeners interested in Finnish punk of the Eighties and its unpolished forms of expression.

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Gulch

LP | 2020 | Reissue (Closed Casket Activities)

Victim In Pain Yellow Vinyl Edition

Release: 2020 / Reissue

Genre: Rock & Indie

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The “Impenetrable Cerebral Fortress” LP by Gulch is released on Closed Casket Activities and presents the band’s debut album in physical form: eight short, concise tracks with a total running time of around 15 minutes that deliver the material in a compact, immediate way. The release was primarily offered as an LP and, in addition to the title track “Impenetrable Cerebral Fortress,” includes striking cuts such as “Self-Inflicted Mental Terror” that define the character of the record.

The album was recorded, mixed, and mastered by Jack Shirley at The Atomic Garden Studio in Oakland; the cover artwork is by Boone Naka, whose visual style complements the sonic character of the record. The production relies on clear, dense sound design that channels the band’s energy into tight structures and still leaves room, despite the short running times, for memorable riffs and aggressive vocals. The album was released digitally and on LP, added to streaming platforms, and quickly gained attention within the scene. For the physical edition, several vinyl variants were produced; the record is available both through the label’s webstore and via multiple distributors.

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Agnostic Front

LP | 1984 | US | Reissue (Bridge Nine)

34,99 €*

John, Paul, George, Ringo & Richard

Release: 1984 / US – Reissue

Genre: Rock & Indie

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The Yellow Vinyl edition of Agnostic Front’s “Victim In Pain” LP was released by Bridge Nine and brings back the band’s early NYHC debut in a striking color variant. Bridge Nine produced the cover as a low-contrast halftone layout; the band name and album title are embossed and finished with spot UV varnish, while the included dust sleeve features a live photo on one side and the lyrics on the other. The reissue was released as a 2023 repress and is part of a series of color variants that also includes a yellow edition.

“Victim In Pain” documents Agnostic Front’s radical early period dating back to the original 1984 release; Bridge Nine had already reissued the album in remastered form in 2009 and is making it available again with the current edition. The lineup on this recording consists of Roger Miret (vocals), Vinnie Stigma (guitar), Craig Silverman (guitar), Mike Gallo (bass), and Pokey (drums). The record contains compact, no-frills tracks such as “Victim In Pain” and “United & Strong,” which clearly showcase the direct, concise character of punk/hardcore and underscore the album’s historical significance within the scene.

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Reflex

LP | 2026 | EU | Original (Phantom)

18,99 €*

LP | 2026 | US | Original (Last Laugh)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Jpgr&r ist das ungeliebte zweitgeborene Einzelkind von dem einen von Pisse. Zeitgenössische Tanzmusik für Leute die Clubs hassen, für Menschen die aufgegeben haben, für Kinder die in Brunnen gefallen sind, für Leute die sich zum Trost über das Scheitern an ihrer mangelnden Zuversicht hochziehen. Aber, wer sich ekelt, lebt wenigstens noch.

Reflex ist ein schmallippiges Verhandeln mittel-relevanter Zeitfragen auf bedingt tanzbarer Musik. High with little help from my friends: Theresa als Mitsängerin, Brezel Göring, der alles in seinem Kellerloch aufgenommen hat und zwei sinnstiftenden Fotografien von Oz Ozon auf dem Innersleeve.

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Cracked Actor

Nazi School

It's A Beautiful Day What A Beautiful Day

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Nazi School” LP by Cracked Actor is released on Last Laugh and brings together the well-known 1981 title single with demos and previously unreleased studio recordings in a compact collection, rounded out with a lyric insert and a vinyl pressing limited to 300 copies.

Musically, the record delivers raw, sleaze-oriented punk with an immediate, rock ’n’ roll–honed attitude and a distinctive guitar tone; the title track, already featured on KBD compilations, remains the standout moment. Individual cuts are marked by catchy hooks, such as “Epileptic Fit” or the driving “Slow Down,” while cover and length experiments like “Judy in Disguise” and the extended takes are sure to split opinions. Taken together, the LP’s twelve tracks paint a varied picture: several striking songs alongside a few excursions that likely won’t appeal to every listener.

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Skinhead

LP | 2026 | Original (Closed Casket Activities)

Sandbox Colored Vinyl Edition

Release: 2026 / Original

Genre: Rock & Indie

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The "It's A Beautiful Day What A Beautiful Day" LP by Skinhead is released by Closed Casket Activities and features material in the punk / hardcore genre. Skinhead is listed as the performing artist; the release is issued in LP format and was brought out by the label Closed Casket Activities. The title "It's A Beautiful Day What A Beautiful Day" clearly identifies the edition, while the genre classification punk / hardcore defines the stylistic orientation of the included tracks. As an LP, the release documents a clearly designated entry in the discography by Skinhead and presents the work in physical form as a vinyl long-playing record.

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The All-American Rejects

LP | 2026 | US | Original (Dark Operative)

37,99 €*

LP | 2026 | US | Original (Heartworm Press)

Release: 2026 / US – Original

Genre: Rock & Indie

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The colored vinyl edition of the “Sandbox” LP by The All-American Rejects is released on Dark Operative. The release brings the band back into focus after a longer creative hiatus and marks their first full studio effort since 2012’s “Kids in the Street.” This edition presents the album in a vinyl-tailored format that emphasizes the songs’ arrangement possibilities and dynamics.

Musically, “Sandbox” stays in the band’s familiar territory: catchy melodies, powerful choruses, and a pop-oriented rock aesthetic built on hooks and streamlined song structures. At the same time, the material shows a broader stylistic range; from driving, stadium-ready moments to more subtle, soulful passages, the production is varied throughout. Lyrics and vocal lines remain strongly melody-focused and define the band’s characteristic profile.

The Dark Operative release is complemented by a colored pressing that underscores the album’s tactile quality and puts the work front and center as a physical edition. For listeners who appreciate the band’s compositional signature, this LP compactly encapsulates the contemporary songwriting and rock-oriented pop power of The All-American Rejects.

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Die Tödin

38,99 €*

LP | 2026 | US | Original (Productions Mothland Inc.)

Release: 2026 / US – Original

Genre: Rock & Indie, Electronic & Dance

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The “Die Tödin” LP by Die Tödin is released on Heartworm Press and presents the band’s self-titled album in a distinctly indie rock / alternative vein. The material is characterized by striking guitar motifs, focused song structures, and compact arrangements; melodic lines and subtle rhythmic shifts create the songs’ arc of tension and give the album a clear internal dramatic contour.

Die Tödin hails from Gelsenkirchen and previously released individual singles such as “Wild” and “Dissonanz des Lebens,” which already combined catchiness with atmospheric density. On the LP, the band continues this trajectory: quieter passages lead into powerful moments, the vocals remain present and serve as the thematic focal point, while instrumental parts leave room for detail.

Heartworm Press is releasing the “Die Tödin” LP as a carefully crafted album whose production emphasizes the immediate presence of the recordings and gives lyrical and musical nuances equal weight. Taken as a whole, the release underscores the artistic individuality of Die Tödin and marks a clear step forward in the evolution of their indie rock / alternative sound.

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Truck Violence

Violence

An Undying Love For A Burning World Coke Bottle Smoke Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Violence [Colored Vinyl] [Limited Edition] Truck Violence Truck Violence's debut album Violence is a fusion of Western Canadian hardcore and folk, blending raw energy with poetic reflections on small-town life.

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Neurosis

2LP | 2026 | US | Original (Neurot)

38,99 €*

RockinnReelininAucklandNewZealandXXX Clear Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Evolution can be ugly and beautiful, painful and euphoric. An Undying Love For A Burning World is the first new release from Neurosis in a decade, and a potent statement of intent and rebirth - one that marks the first new steps of resolve and resilience.

An Undying Love For A Burning World is an epic album of colossal hypnotism - beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band’s own and a true kindred spirit.

“From the moment I first heard Neurosis over 30 years ago, I felt this was the music my heart and mind had been seeking but not yet heard. Now after many years travelling along various musical paths of my own, the singular sound and spirit embodied by Neurosis continues to speak to the depths of my being. It is an honor and a true pleasure to have been welcomed so warmly into a band that not only shaped my perspective on the limitless possibilities of music - but has lived and exemplified the necessity of upholding creative integrity and camaraderie above all else.” - AARON TURNER

Neurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis’cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression.

On every song in the band’s history, Neurosis shifts restlessly between tension and relief, invoking a feeling both feral and transcendent in listeners. The band describe their songwriting process as an inescapable impulse to create with each other - a need rather than a choice. Indeed, the band insist that their return is “not a reunion - we never broke up.”

The album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends this winter, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland.

Neurosis will play their first show in seven years on the traditional lands of the Blackfeet Nation in Montana as part of Fire in the Mountains festival by special invitation of Firekeeper Alliance, a non-profit dedicated to reducing youth suicide in Indian Country.

FITM, is a unique festival known for bringing epic music to epic landscapes with the intent of reconnecting and immersing oneself with the natural world, and strengthening our ancestral roots as human beings - an aim which aligns directly with Neurosis’ deep-rooted power.

Stay tuned for further news over the coming months.

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The Cramps

LP | 1987 | US | Reissue (Vengeance)

LP | 1981 | EU | Reissue (This Heat)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Featuring an over-the-top live set from Down Under, RockNReelinInAucklandNewZealandXXX was recorded at the 100th show of The Cramps’ 1986 Date With Elvis Tour. The album was originally released incognito in cahoots with Ace Records in 1987 as a fake “limited-edition import” bootleg LP, and was intended to compete with the glut of unofficial Cramps recordings. The woman you hear screaming throughout the first half actually fainted when she stopped screaming! Included alongside other classic tunes are fractured versions of actual Elvis Presley hits “Heartbreak Hotel” and “Do the Clam” (angora angst written for Elvis by film-maker Ed Wood’s wife Dolores Fuller!). This release is recommended for those who wonder what it would sound like to hear a microphone thrown around and garbled into (Lux Interior was known to destroy a half dozen microphones in one night). Hear The Cramps get dixie-fried!

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This Heat

Deceit

LP | 2026 | US | Original (Blowed Out)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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The “Deceit” LP by This Heat is released on This Heat Records and brings the ensemble of Charles Bullen, Charles Hayward, and Gareth Williams back in a newly reworked version. For this release, the band revisited the original tapes and had a 24-bit/96 kHz remaster created; the edition is pressed on 180 g vinyl and comes in a heavyweight sleeve with Pantone printing, matched to the original 1981 presentation.

Musically, “Deceit” documents the band’s turn toward more compact song structures and clear, often politically charged lyrics; central themes include media seduction and the threat of nuclear escalation. This reissue preserves the raw, unwieldy arrangements and restless dynamics that have always characterized the album, and brings selected tracks such as “Makeshift Swahili” and “Radio Prague” back to the fore in a fresh-sounding version. For North America, distribution is coordinated by Superior Viaduct, while This Heat Records oversees the release internationally.

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Evil Island

Terraform The Afterlife

39,99 €*

Hoss Colored Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Evil Island’s “Terraform The Afterlife” LP is released on Blowed Out and marks the band’s official debut. Issued as an LP, the release brings together a lineup featuring Johnny Whitney, Cody Votolato, Mark Gajadhar, Autry Fulbright II, and Todd Weinstock. Produced by Ross Robinson, the album features guest contributions from Jordan Blilie, Guy Picciotto, and Alexis Krauss, among others, as well as additional vocal contributions. The technical credits list Mike “Lightning” Balboa for engineering and mixing and Dan Hearsh for mastering. The LP released on Blowed Out was also offered for preorder through the label’s online shop.

Musically, “Terraform The Afterlife” falls within the punk / hardcore realm, with clear post-hardcore influences. Rising melodic lines and unruly vocals overlay short, sharp-edged arrangements, standing out particularly on songs such as “Tiger Baby” and “Terminatrix.” Ross Robinson’s production emphasizes raw immediacy, while the guitar work and drumming repeatedly shift into fragmentary, driving motifs that run throughout the album. “Terraform The Afterlife” presents Evil Island as a union of experienced musicians, with their debut on Blowed Out translating the band’s rough energy into compact, short-form tracks.

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Lagwagon

LP | 1995 | US | Reissue (Fat Wreck Chords)

Best Collection Red Marble Vinyl Edition

Release: 1995 / US – Reissue

Genre: Rock & Indie

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The colored vinyl edition of the “Hoss” LP by Lagwagon is released by Fat Wreck Chords and presents the band’s third album in a new pressing.

“Hoss” is regarded as a defining example of melodic skate/pop punk: Joey Cape is responsible for writing all the songs, combining short, catchy structures with driving guitars. Stand-out tracks like “Razor Burn,” “Move the Car,” and “Bombs Away” showcase the blend of speed, melody, and clear choruses that still characterizes the record today.

The album’s lineup features Joey Cape (vocals), Shawn Dewey and Chris Flippin (guitars), Jesse Buglione (bass), and Derrick Plourde (drums). The album was produced by Ryan Greene, with mastering by Eddie Schreier. This combination delivers precise, punchy production that gives the arrangements clear definition.

The colored vinyl edition offers fans and newcomers a tangible version of this milestone from the Fat Wreck catalog and once again puts the tight, melody-focused songs front and center. The release stays true to the original song structures and the energetic playing style that helped define Lagwagon.

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The Nerves

LP | 1976 | US | Reissue (Third Man)

Live In Los Angeles Transparent Yellow Vinyl Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie

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The Red Marble vinyl edition of the “Best Collection” double LP by The Nerves has been released on Third Man. With this edition, Third Man presents the definitive anthology of the band, compiled in close collaboration with Paul Collins, Peter Case, and Cynthia, the daughter of the late Jack Lee, and includes new accompanying material as well as exclusive liner notes by Peter Case.

The release comprises 66 minutes of studio, live, and demo recordings that Third Man assembled from the original source material. For this edition, the tapes were newly remastered by Warren Defever at Third Man Mastering, so many tracks can be heard in revised form. The selection documents both the early singles and material that has long been difficult to access; highlights such as “Hanging on the Telephone” and the refreshed presentation of “When You Find Out” stand as emblematic of the catalog.

Musically, “Best Collection” makes the origins of the band’s work audible: a combination of raw proto‑punk energy and concise, melodic songwriting that established The Nerves as an important reference point for the U.S. power‑pop scene. The Red Marble vinyl edition on Third Man brings these tracks together in a carefully curated form and places particular emphasis on sound and the documentary character of the collection.

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Osees

2LP | 2025 | EU | Original (Deathgod Corp)

41,99 €*

Truth Or Consequence - Live Album

Release: 2025 / EU – Original

Genre: Rock & Indie

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The Ultra Clear vinyl edition of the “Live In Los Angeles” LP by Osees was released by Deathgod Corp in a limited run of 300 copies. Compiled from the last three concerts of a six-night residency at the Teragram Ballroom in Los Angeles in 2025, it captures the band in an immediate live setting. On this edition, Brigid Dawson appears as a guest vocalist, lending distinct emphasis to individual passages of the live arrangements. With this pressing, Deathgod Corp presents a deliberately curated snapshot that brings together selected highlights of the residency and preserves the band’s raw energy on Ultra Clear vinyl.

The “Live In Los Angeles” LP stays true to the band’s punk / hardcore approach: compact takes, in-your-face guitar walls, and a live mix that leaves room for spontaneous excursions. The track selection draws a direct line across the three nights, presenting Osees in a minimally edited format that is rendered with clear definition and punch on the Ultra Clear pressing. For collectors and fans of Osees alike, this limited release expands the band’s body of work with a focused live document and showcases the collaboration with Brigid Dawson as a defining moment of the residency.

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Amyl And The Sniffers

LP | 2026 | UK | Original (Rough Trade)

LP | 1999 | EU | Reissue (Teenage Rebel)

Release: 2026 / UK – Original

Genre: Rock & Indie

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The “Truth Or Consequence” LP by Amyl And The Sniffers is being released on Rough Trade and doesn’t document a conventional live recording, but an intimate session that deliberately pushes the band into new territory. Recorded in the familiar setting of El Coyote in Los Angeles, Amyl And The Sniffers perform their well-known songs in stripped-down, country-inspired arrangements and add two previously unreleased tracks plus a cover of Slim Dusty’s classic “Lights On The Hill.” These renditions bring the songwriting to the forefront and show the band away from their usual high-energy rock shows in an unusually relaxed light.

“Truth Or Consequence” captures the atmosphere of a spontaneous session among friends: relaxed, playful moments alternate with clear, song-focused passages in which vocals and arrangements have an immediate impact. The release also includes an accompanying concert film with behind-the-scenes insights that visually complements the creation of the recordings. Rough Trade presents the LP as a stand-alone document of a band that reimagines popular songs and, in doing so, reveals surprising facets of its musical identity.

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Die Kassierer

Musik Für Beide Ohren

20,99 €*

The Day They Let You Out Is The Day They Might Not Let You Come Back

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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The “Musik für beide Ohren” LP by Die Kassierer is released on Teenage Rebel and captures the provocative quartet in a particularly diverse phase in 1999. On the album, the band combines its punk attitude with surprising stylistic breaks: jazz elements, polka, funk passages, and even a short audio play create unpredictable twists within the punk / hardcore context.

Lyrically, the record moves between dark humor and outright provocation; songs like “Blumenkohl am Pillemann” became centerpieces of their live setlist, while the more than six‑minute “Der Sackabreißer von Wattenscheid” serves as a narrative finale. In addition to original material, the release includes several cover takes, including a special take on “Du willst mich küssen.”

Frontman Wolfgang Wendland handles most of the vocals, and the ensemble works with shifting arrangements that give “Musik für beide Ohren” its tight yet varied running time of around 50 minutes. The record contains 20 tracks that combine short punk attacks with offbeat interludes. Die Kassierer and Teenage Rebel present with this LP a concise chapter in the band’s history that brings together both provocative lyrics and musical experimentation.

Reviews highlighted the uncompromising irony and dark humor of the lyrics.

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Peter Jefferies

LP | 2026 | EU | Original (Grapefruit)

Screaming Newborn Baby Blue Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “The Day They Let You Out Is The Day They Might Not Let You Come Back” LP by Peter Jefferies is being released on Grapefruit and brings the singer-songwriter back into the punk / hardcore universe with forceful presence. The LP picks up where Jefferies’ haunting voice and stripped-down arrangements have their most immediate impact; on Grapefruit, his comeback takes shape as a physical release and underscores the raw, direct character of the material.

Since the early 1980s, Peter Jefferies has been regarded as a defining figure of the New Zealand underground scene; his work with Nocturnal Projections and This Kind of Punishment, as well as his solo series, has made him a fixed point of reference. On this LP, you can hear the experience of a songwriter who, despite a long break, has preserved a sharply defined, haunting musical language.

The album is presented as his first new full-length release after a hiatus of several years and focuses on compact, energetic tracks that combine Jefferies’ signature melodic fragments with direct, hard-hitting lyrics. With this LP, Grapefruit documents a return that highlights both the artist’s biography and his unmistakable approach to voice and songwriting.

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Hi-Standard

Becks Pistols Black Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The baby blue edition of the “Screaming Newborn Baby” LP by Hi-Standard was released on Fat Wreck Chords. This colored LP presents the band’s material in a punk/hardcore context on baby blue vinyl. Hi-Standard rely on compact, punchy arrangements that emphasize the group’s song-oriented format. Fat Wreck Chords is issuing this version as an LP and lists the title prominently. Overall, the “Screaming Newborn Baby” LP expands Hi-Standard’s body of work with a visually striking color pressing on vinyl.

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Pöbel & Gesocks

LP | 2026 | EU | Original (Sunny Bastards)

23,99 €*

LP | 2026 | EU | Original (High Noon)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The black “Becks Pistols” LP by Pöbel & Gesocks is being released on Sunny Bastards as a “Black Vinyl Edition” and comes pressed on 180 g vinyl.

The album title completes a circle: The group originally formed under the name Beck’s Pistols in the late 1970s, singer Willi Wucher left a lasting mark on the band’s identity, and the song “Pöbel & Gesocks” became the band’s new name following legal disputes with a brewery. This reissue documents the band’s history and makes the studio album originally released in 2010 available again.

Musically, “Becks Pistols” brings together the drinking- and party-oriented punk songs characteristic of Pöbel & Gesocks, which are highly recognizable within their scene. After being unavailable for more than ten years, the album is now being reissued on black vinyl, giving fans the opportunity to experience a distinctive chapter of German Oi and punk tradition once again in physical form. The release is part of Sunny Bastards’ revitalized reissue program and brings the 2010 album back in a rematerialized, collector-friendly edition.

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Fakoma

Life Sucks Then You Die

Wolves In Wolves Clothing Yellow Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “Life Sucks Then You Die” LP by Fakoma is released on High Noon and captures the second full-length album by the Cologne hardcore garage punk outfit. Ten short, direct tracks in roughly 20 minutes distill political frustration and the grinding-down of everyday life into raw, rabid noise; sharply distorted guitar melodies cut through noisy synths, joined by aggressive vocals that directly address anti-totalitarian themes like oppression and the loss of freedom. Fakoma keeps the tempo and intensity high and skips any unnecessary breathers.

Musically, “Life Sucks Then You Die” moves stylistically between uncompromising hardcore attitude and garage punk immediacy, with references to bands such as American Nightmare, Some Girls, and Antitainment. Individual tracks set deliberate accents: “Never Out For Good” and “Pain” combine raw aggression with a playful egg punk energy, “Likes” reveals a darker, more haunting side, while the title track and closer “Warning!” drive the record back into unfiltered violence. The production keeps the songs tight and concise, so that High Noon delivers a compact statement with this release, confirming Fakoma as a powerful voice in the current punk and hardcore scene.

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NOFX

LP | 2006 | US | Reissue (Fat Wreck Chords)

The Gnomes Black Vinyl Edition

Release: 2006 / US – Reissue

Genre: Rock & Indie

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The Yellow Vinyl Edition of the NOFX LP “Wolves In Wolves Clothing” is released by Fat Wreck Chords and brings back the band’s tenth studio album, originally issued in 2006, as a colored reissue. The record gathers the compact, pointed songs from the album and, with tracks like “Seeing Double At The Triple Rock,” “Leaving Jesusland,” and “Doornails,” offers a cross-section of the thematic range of NOFX.

Musically, the release moves within the band’s established tension between fast punk rock and a melodic hardcore style: driving guitars, punchy drum work, and multi-part vocal lines combine with sarcastic, at times thoughtful lyrics. Some tracks also display quieter, more introspective traits, giving the album room for both direct political provocation and more personal moments.

For the recordings, NOFX worked with producers Bill Stevenson and Jason Livermore as well as band founder Fat Mike; according to the credits, the sessions took place in and around Motor Studios in San Francisco. The production relies on clear, powerful arrangements that bring out the signature NOFX sound — rapid playing, melodic hooks, and biting, ironic lyrics — in a clean and focused way.

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The Gnomes

LP | 2025 | EU | Original (Dog Meat)

LP | 2026 | US | Original (Invogue)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Although they emerged from Melbourne bayside outer suburbs onto the local live scene with their fresh and spirited indie-rock update of the garage-beat sounds of The Easybeats, Kinks and early Beatles only a year or so ago, Gnome actually started out as a bedroom solo project for teenaged singer/songwriter/ guitarist Jay Millar a few years back. Jay, playing everything himself, started recording and releasing a steady succession of material - quite a few albums' worth - on his own Goblin Records label via Bandcamp. Realizing he needed a band to start playing out, Jay approached some like minded players from Frankston's rehearsal hub Singing Bird, and with Jay on lead vocals and lead guitar, Ned Capp on guitar, Olly Katsianis on bass, and Ethan Robins on drums, Gnome became a band.
Early in 2025, the last solo Jay recordings released under the Gnome name caused something of an international underground sensation when the Bandcamp only I Like It EP - four songs of kranked up Kinks-style mono riffage - was posted by a Spanish garage-punk YouTube page and quickly clocked up over 50,000 views.

At the same time, the band quickly began gaining attention on the thriving Frankston scene and around Melbourne. They started breaking out, sharing bills with the likes of Drunk Mums, Skegss, Split System, The Prize, The Unknowns, Cosmic Psychos, Hockey Dad, Guitar Wolf, The 5.6.7.8's, The Breadmakers, Loose Lips, fellow Frankstoners/Singing Bird alumni The Belair Lip Bombs, and, on a quick trip to Sydney, Cammy Cautious & The Wrestlers.
And now, finally, we have The Gnomes' debut album. Twelve killer tracks that combine the best of the '60s with the best of today. Twelve killer tracks that show off assertive and accomplished songwriting, singing and playing and an explosive and authentic swinging group sound. Twelve killers slices of raw rock'n'roll running the gamut from the savage Rhythm & Blues of "Play With You" and “Better With You” to the vibrant beat pop of "I'll Be There" and "I'm Not The One", with forays into the heavy reverb psych of "Stung", the Cavern/Star Club stylings of "Flippin' Stomp" and the first flyte jangle of "Time Will Tell" along the way. There’s more of course, including a new version of that Kinks-style kranker “I Like It” for good measure.
Frankston’s Fab Four are taking their sound to the world. Join them for the ride!

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Catch Your Breath

Not Broken Enough

Everything Was Beautiful And Nothing Hurt

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Not Broken Enough" LP by Catch Your Breath is released on Thriller Records and brings together eleven tracks that can be understood as a consistent continuation of their 2023 debut, "Shame On Me." The record includes previously released singles such as "Blood Money," "Lost," "Dark," and "Control," as well as the collaboration "[Gen]inside" with Kami Kehoe. Compact song structures and concise choruses alternate with more suspended, spacious moments, bringing both aggression and melody clearly to the fore in the arrangements.

Catch Your Breath is a Texas-based band that has been active since 2017; the lineup of vocalist Josh Mowery, guitarist Teddy Herrera, bassist Cianan Madigan, and drummer Onell Hernandez shapes the group’s raw yet carefully crafted sound. Stylistically, the quartet operates in modern metalcore: heavy guitar riffs, driving drums, and an interplay of furious verses and catchy, almost anthemic choruses define the songs. Touring experience and festival appearances have further sharpened their compositional density.

A key aspect of "Not Broken Enough" is the weight of its subject matter: lyrics about loss, self-reflection, and relationship dynamics meet a production that puts the vocals front and center without sacrificing rhythmic punch. Tracks like "Control" highlight the thematic openness of the record and show how Catch Your Breath fuse raw emotion with sophisticated arrangements. Overall, the LP marks a mature step in the band’s evolution and consolidates the group’s distinctive sonic signature.

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Skinhead

LP | 2023 | Reissue (Closed Casket Activities)

LP | 2026 | Original (Teenage Rebel)

Release: 2023 / Reissue

Genre: Rock & Indie

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The LP “Everything Was Beautiful And Nothing Hurt” by Skinhead, released on Closed Casket Activities, brings together eight short, ruthlessly stripped-down tracks and runs for around 14 minutes. The record is available as a physical edition and compiles material that the band delivers with brisk tempos and direct address.

Musically, Skinhead moves between Oi, punk, and hardcore; the songs rely on lean arrangements, striking vocal lines, and catchy choruses that remain both raw and immediate. The tracks stand in the tradition of street-oriented forms of punk, but combine melodic moments with raw energy, so that elements of classic Oi aesthetics as well as contemporary hardcore impulses come through.

Behind the album stands a clear production profile: the material was written and recorded by Joshua Long; the recordings were engineered and mixed by Taylor Young at The Pit Recording Studio, while Brad Boatright handled mastering at Audio Siege. The artwork is by Matt Kerley, giving the overall package a clearly defined visual framework.

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Die Lokalmatadore

Armutszeugnisse

20,99 €*

Punk Ruins Coke Bottle Vinyl Edition

Release: 2026 / Original

Genre: Rock & Indie

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The “Armutszeugnisse” LP by Die Lokalmatadore is released on Teenage Rebel and brings together the band’s rarely compiled tracks. Besides songs from earlier singles, the release also documents contributions that were originally only found on compilations and EPs, offering a compact overview of less widely available recordings from the band’s history. The record contains 19 tracks and runs for about 42 minutes, presenting the band’s work in a condensed form.

Musically, “Armutszeugnisse” sits in the punk / hardcore realm; the selection showcases the raw, direct side of Die Lokalmatadore and focuses on short, concise songs that serve as a complement to their regular album releases. As a release on Teenage Rebel, the LP pulls together historical rarities and expands the label’s archive with a collection that makes both collector’s items and previously hard-to-find contributions accessible. The compilation offers insights into different phases of the band and underscores the role of Die Lokalmatadore within the regional punk network.

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Fake Names

LP | 2026 | EU | Original (Epitaph Europe)

Can't Slow Down 25th Anniversary Green Ripple Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Coke Bottle edition of the “Punk Ruins” LP by Fake Names was released on Epitaph Europe. This version documents the album “Punk Ruins” as an LP and highlights the colored Coke Bottle pressing as a striking production detail. Fake Names set catchy, direct song structures alongside high‑velocity hardcore energy; the tracks combine tight arrangements with driving guitars and open, expressive vocals.

On this release, the band puts the contrast between melodic accessibility and raw intensity front and center, anchoring the “Punk Ruins” LP in both punk‑style directness and hardcore‑style speed. The Coke Bottle vinyl edition emphasizes the tactile character of the release, while Epitaph Europe oversees it on behalf of the label. For collectors and listeners who value a clearly designated special edition, the “Punk Ruins” LP by Fake Names offers a distinct presentation of the band’s work within this stylistic tension.

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Saves The Day

LP | 1998 | US | Reissue (Equal Vision)

LP | 1995 | US | Reissue (Taang)

Release: 1998 / US – Reissue

Genre: Rock & Indie

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Saves The Day’s “Can’t Slow Down” LP is being released by Equal Vision as a 25th Anniversary Green Ripple Vinyl Edition. The debut by the band from Princeton, New Jersey, released in 1998, marked an important early milestone for the label, combining fast, catchy punk with melodic hardcore and emotional undertones.

Saves The Day recorded the album during winter break of their final year of high school. Chris Conley handled vocals and guitar, supported by Anthony Anastasio and Justin Gaylord on guitars, Sean McGrath on bass, and Bryan Newman on drums. Steve Evetts produced “Can’t Slow Down,” shaping the direct, powerful sound of the band’s early period. The songs combine short, punchy structures with melodic guitars and a distinctly emotional core.

Standout tracks include the energetic opener “Deciding,” the concise “The Choke,” and “Three Miles Down,” whose impact later contributed to the creation of the acoustic EP “I’m Sorry I’m Leaving.” “Jodie” also makes a distinctive closing statement with its comparatively extended running time. The 25th Anniversary edition includes 14 songs in total and brings Saves The Day’s debut back on Green Ripple Vinyl. Equal Vision thus revisits one of the defining early albums in its catalog.

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Slapshot

16 Valve Hate

Turn Up The Punk, We'll Be Singing

Release: 1995 / US – Reissue

Genre: Rock & Indie

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Slapshot’s “16 Valve Hate” LP was released on Taang and marks a sturdy chapter for the band in the mid-1990s; the release brings the band’s raw energy to vinyl and brings together essential material from this period.

Musically, “16 Valve Hate” focuses on short, hard-hitting songs with Jack Kelly’s rough vocal delivery, shifting between aggressive hardcore and melodic moments. The title track, “16 Valve Hate,” serves as a concise centerpiece, while songs such as “I Want You Dead” underscore the album’s direct, compact approach. The unusual rendition of The Smiths’ “Bigmouth Strikes Again” stands out, transforming the original into an uncompromising hardcore arrangement and broadening the record’s range.

The recordings were made during a period when Slapshot’s lineup had stabilized; the return of drummer Mark McKay and the studio work in the Boston area shaped the sound of the record. As an LP released on Taang, “16 Valve Hate” is therefore a documented chapter in the band’s history, standing out both for its concise songwriting ideas and its direct production.

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Latterman

LP | 2006 | US | Reissue (No Idea)

LP | 2002 | US | Reissue (Drive-Thru)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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The "Turn Up The Punk, We'll Be Singing" LP by Latterman is released on No Idea and brings the Long Island band's debut back as a remastered, newly designed reissue, reworked specifically for vinyl. The release has been tailored to the format and credits Dave Eck with the remastering, transferring the originally unpolished energy to LP in a clearer form.

Musically, "Turn Up The Punk, We'll Be Singing" documents early melodic punk impulses paired with a positive, community-oriented mindset; lyrics and vocals convey empathy and solidarity, making the album a striking testament to the DIY scene. The remastered edition emphasizes this dynamic without blurring the immediate directness of the original recordings. Members of the band later continued their careers in projects such as Bridge and Tunnel and RVIVR, further underscoring the historical importance of this record.

After a longer hiatus, No Idea is reissuing the LP; it is the first pressing in roughly a decade, once again making Latterman's early work accessible to a wider audience. The design of the new edition complements the sonic overhaul and turns the "Turn Up The Punk, We'll Be Singing" LP into a relevant reappraisal of this band classic.

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Homegrown

Kings Of Pop

38,99 €*

Volume 1: Teaching You The Fear

Release: 2002 / US – Reissue

Genre: Rock & Indie

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The “Kings Of Pop” LP by Homegrown is released on Drive-Thru and represents the band’s third studio album, marked by gripping melodies and striking hooks. Producer Steve Evetts guided the band through the recording sessions at Big Fish Studios in Encinitas and Sonik Wire in Irvine; mixing took place at Jake’s Place, with mastering handled by Steven Marcussen. The record features twelve tracks, including the singles “You’re Not Alone” and “Kiss Me, Diss Me.” The song “Disaster” closes the album and contains several hidden tracks that add extra moments of surprise.

Musically, “Kings Of Pop” sits in the indie rock / alternative realm with pronounced pop-punk elements: fast guitar work meets multi-part vocals and catchy choruses, while shifting tempos create a sense of dynamics. Homegrown combines ironic lyrics with carefully arranged melodic arcs, giving the record both raw energy and nuanced songwriting detail. The Drive-Thru release presents the material in a vinyl edition that brings out the production and arrangements with clarity and lends the album its distinctive presence.

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Really Red

LP | 1981 | US | Reissue (Alternative Tentacles)

Spike And The Gimme Gimmes

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Alternative Tentacles is proud to present the first-ever complete, three-volume collection of Texas punk legends Really Red. None of their catalog has been available for years—some not for decades! Really Red was the backbone of Houston’s underground from the early punk era clear through ’80s hardcore. Like The Dicks in Austin, they directly challenged an insanely violent police department at no small risk to their own lives. Their sound itself incorporated art and post-punk elements, with a musical and lyrical depth on par with bands like Mission of Burma, Wire, or Dead Kennedys. Singer Ronnie Bond (a.k.a. U-Ron Bondage) was never afraid to push intelligence or mess with Texas. Kelly Younger’s guitar style is as unique in its own way as that of The Gang of Four’s Andy Gill, while Bob Weber’s taut, precise and sometimes unorthodox drum patterns would not be heard again until the likes of John Wright of NoMeansNo. It’s all driven forward by the driving, elastic basslines of John Paul Williams. This collection presents the sound better then it has ever been, so hear them again for the first time—or the first time ever. Volume 1: Teaching You the Fear is the much-loved first album that’s been unavailable since Empty Records reissued it ten years ago. More manic and locked-in then the early singles, this is Really Red in their prime, fired up and focused to lay down what they likely thought was their one shot to get it all on vinyl. The title track even calls out specific murders by the Houston cops that they wouldn’t even admit were crimes! The release comes with part one of David Ensminger’s (Left of the Dial) extensive interview with Bond. A true classic of its time—or any time—Teaching You the Fear has been restored from the original tapes and re-mastered by Jello Biafra to sound better then ever!

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Shit The Bed Brown Vinyl Edition

I Built This Prison Myself

Release: 2026 / US – Original

Genre: Rock & Indie

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The brown vinyl edition of the “Shit the Bed” LP by Spike And The Gimme Gimmes was released on Fat Wreck Chords and presents the album in a vinyl-focused format with a 12" jacket and double-sided insert. The release brings together well-known pop and mainstream song titles in compact versions that, in the context of the record, stand out as striking renditions. With this edition, Spike And The Gimme Gimmes fold songs like “It’s Raining Men,” “Girls Just Want to Have Fun,” and “We Are the World” back into the LP’s repertoire, setting the melodies in punchy arrangements that leverage the band’s direct grip on catchy hooks and choral sections.

On the brown vinyl edition of the “Shit the Bed” LP, the production remains unadorned and focused on the essentials: short running times, clear guitar lines, and a vocal approach that preserves the original melodic lines while presenting them within a punk-oriented rhythmic framework. In doing so, Spike And The Gimme Gimmes continue the band’s tradition of exploring familiar material in surprisingly concise form, while Fat Wreck Chords offers the edition as part of its catalog. This LP places the emphasis on the choice of songs and the way they are executed, which comes across clearly on the release.

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Chastity

LP | 2026 | US | Original (Deathwish)

Nuisance Coke Bottle Clear Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The “I Built This Prison Myself” LP by Chastity is being released on Deathwish and is built around a distinctly narrative concept rooted in a true event from Whitby: the fire that destroyed a large barn on the grounds of the local psychiatric hospital in 1976. The album grapples with questions of responsibility, the failure of those close to you, and the attempt to escape self-constructed constraints, continuing the development the band began on previous releases.

Musically, the record moves within the punk / hardcore spectrum, combining short, concise song structures with a narrative density carried by sharply drawn vocal lines; advance tracks included, among others, “Misled Youth” and “Blink and See God.” Producer and driving force behind the project is Brandon Williams; the technical finishing touches were handled by John Paul Peters, who oversaw recording, mixing, and mastering. Songwriting credits go to Brandon Williams, Scott Downes, and Stefan Babcock, while the lineup, in addition to Williams, includes Scott Downes, Levi Kertesz, and Devon Savas. The “I Built This Prison Myself” LP stands as a deliberately conceived work within the Deathwish catalog, bringing together narrative ambition and the visceral energy of punk.

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Babe Haven

LP | 2026 | EU | Original (Hassle)

Revolutions Per Minute Purple Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Coke Bottle Clear Vinyl edition of the *Nuisance* LP by Babe Haven presents the album in a tangible format that emphasizes the unfiltered, immediate character of the songs. Pressed on Coke Bottle Clear Vinyl, it highlights the record’s visual presence and brings Babe Haven’s energetic aesthetic to your shelf; released as an LP, it captures the band in a compact, to-the-point form.

Musically, *Nuisance* condenses the nervous agility of punk and hardcore with touches of early‑2000s nu‑metal and riot‑grrrl impulses: short, driving arrangements, jagged guitars, and a vocal attitude that feels intensely in-the-room. The album comprises ten tracks with a total running time of about 23 minutes and includes “Die (and Rot)” and “Blind Yourself,” songs that have already stood out as singles and anchors of the live set. The clear, uncompromising production pushes vocals and rhythm to the forefront, while the lyrics repeatedly express a defiant stance. For listeners who appreciate the link between aggressive concision and melodic verve, the *Nuisance* LP offers a concentrated statement from Babe Haven.

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Rise Against

LP | 2003 | US | Reissue (Fat Wreck Chords)

LP | 2025 | US | Original (Feel It)

Release: 2003 / US – Reissue

Genre: Rock & Indie

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The purple vinyl edition of the “Revolutions Per Minute” LP by Rise Against is released on Fat Wreck Chords and revisits the band’s early, uncompromising chapter as a colored pressing. This edition brings together the album’s compact, direct songs and puts the interplay of speed, melody, and political stance front and center.

Musically, Rise Against position themselves here at the intersection of classic punk rock and melodic hardcore; the arrangements combine tight, concise guitar riffs with driving drums and distinctive, often socially critical lyrics by Tim McIlrath. The recordings were made at the Blasting Room with Bill Stevenson and Jason Livermore as producers, capturing the band’s rough-edged energy in a clean and powerful way. The lineup of Tim McIlrath, Joe Principe, Todd Mohney, and Brandon Barnes shapes the record’s characteristic sound.

Songs like “Black Masks & Gasoline,” “Like The Angel,” and “Amber Changing” showcase the album’s breadth: from bursts of fast hardcore to more melodic, emphatic moments defined by multi-layered choruses and well-placed tempo changes. The production emphasizes clarity in the mix, lets the guitar attack hit hard, and still preserves space for the vocal urgency that makes the album an important point of reference in the early work of Rise Against.

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Why Bother?

Case Studies

LP | 2026 | EU | Original (Nachti)

Release: 2025 / US – Original

Genre: Rock & Indie

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The “Case Studies” LP by Why Bother? is released on Feel It and presents the Mason City project in a dark, sharply contoured punk universe that deliberately operates outside common structures.

Musically, the record connects lo-fi garage punk with an undercurrent of pop melody; drawn-out, slightly drawling vocals meet hazy synth layers and sustained walls of guitar, resulting in a distinctive sonic identity. The lyrics move between reflection and unsettling imagery, which lends the work a contemplative gravity and shapes the songs beyond mere genre bounds.

As a design leitmotif, the vanitas theme of the cover foregrounds transience and time, underscoring the lyrical focus. The LP includes an insert with additional information and gathers the twelve tracks listed on digital services, including pieces like “In Between the Distance” and “Indoctrination,” which exemplify the balance between catchiness and an uncanny density.

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Frittenbude

Raveland

Years Of Lead Transculent Blue With Black And Red Splatter Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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“Raveland” by Frittenbude has been released as an LP on the Nachti label and continues the band’s signature blend of raw electronics and narrative spoken-word vocals. The album relies on punchy rhythms and clear melodies that allow for both danceable moments and punk-leaning directness, without lapsing into showy effect-seeking.

Musically, the record moves within a field of tension between electropunk, techno-inflected beats, and pop-oriented choruses; the arrangements make use of driving sequences, synthetic textures, and the occasional guitar-based accent, resulting in a distinctive, recognizable sonic space. Characteristic of Frittenbude is the balance between ironic distance and personal directness in the lyrics, which combine scene-like, narrative imagery with critical undertones.

In the context of the band’s history, “Raveland” ties in with Frittenbude’s long-standing practice of remixes and collaborations — the group has been active since the mid-2000s and has repeatedly provided remixes and guest contributions, including the well-known “Raveland” remix of a Kettcar track. Releasing the album on their own Nachti label situates the record in the band’s more recent phase, in which self-releases and independent production have gained importance.

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World I Hate

LP | 2023 | US | Reissue (War)

Suburban Decay Colored Vinyl Edition

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Music journalists love to celebrate hardcore that they perceive as clever, boundary-pushing, or innovative, but for all the lip service paid to novelty, hardcore’s efficacy can actually be gauged by one incredibly simple metric: Its ability to incite a room full of maladjusted goons to extreme violence. Measured with that barometer, Milwaukee’s World I Hate is ten times the hardcore band any flavor of the week act could ever hope to be. Initially formed at the end of 2018, World I Hate released their debut EP, Collapse, in 2020 and played their first show in 2021. The band performs a brand of hyper-competent, no-frills

hardcore that combines the best parts of the genre’s last 25 or so years into a potent and hard- hitting formula that’s nearly impossible to dislike. The fact that their lineup is bolstered by a

member of Texas stalwarts Judiciary doesn’t hurt matters. On their new LP, Years Of Lead (releasing on WAR Records), the band delivers on the promise of

Collapse and further hones their already razor-sharp edge. Unafraid to blend blazing fast, near- powerviolence tempos with battering-ram, New York hardcore stomps, Years Of Lead expands

upon the template put forth 20 years ago by Massachusetts legends Think I Care and rises to the standard set by likeminded contemporaries such as Spine or ODD MAN OUT. The record’s 19-minute runtime is replete with breakneck speed and room-clearing breakdowns, bolstered by production that is crushing and crisp without a hint of sterility.

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Cosmic Joke

LP | 2026 | US | Original (Revelation)

7" | 2026 | Original (Damaged Goods)

Release: 2026 / US – Original

Genre: Rock & Indie

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The colored vinyl edition of the “Suburban Decay” LP by Cosmic Joke was released on Revelation and presents the album in a deliberately intense format. With “Suburban Decay,” Cosmic Joke delivers a decidedly direct contribution to punk / hardcore and uses the LP format to capture its tracks in a compact, focused way. Revelation presents the release as part of its still-active program within the hardcore scene.

Musically, Cosmic Joke relies on tight song structures, pounding drum rhythms, and distorted guitars that carry the impulsive core of the tracks. The vocals remain unpolished and immediate, and the arrangements dispense with unnecessary ornamentation in favor of a clear performance geared toward presence. This approach gives “Suburban Decay” a palpable dynamic between aggression and melody, without diluting the simple, immediate impact of the songs.

The release on Revelation underscores Cosmic Joke’s aim to translate traditional hardcore elements into a contemporary form. The colored vinyl edition of the “Suburban Decay” LP thus offers a solid physical version for listeners who appreciate the unvarnished energy and dense compactness of this punk / hardcore contribution.

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Armitage Shanks

Thoughts Of Violence

12,99 €*

Dead FM Grape Vinyl Edition

Release: 2026 / Original

Genre: Rock & Indie

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The "Thoughts Of Violence" 7" by Armitage Shanks was released on Damaged Goods. The release goes for straight punk / hardcore, delivering compact, high-energy performances on vinyl. Armitage Shanks rely on a raw expression and concise song structures that push the intensity of the tracks to the forefront. Damaged Goods presents the 7" with a clear, unadulterated sound that emphasizes the immediate impact of the recordings. The brief running time of the 7" concentrates the force of the tracks, making "Thoughts Of Violence" a pointed statement by Armitage Shanks in the realm of punk / hardcore.

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Strike Anywhere

LP | 2006 | US | Reissue (Fat Wreck Chords)

Death To Tyrants Clear Vinyl Edition

Release: 2006 / US – Reissue

Genre: Rock & Indie

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The Grape colored vinyl edition of the “Dead FM” LP by Strike Anywhere was released on Fat Wreck Chords. “Dead FM” came out on September 5, 2006 and marks the band’s debut on the label; this edition includes 14 songs with a running time of around 31 minutes. Producer and engineer Brian McTernan was responsible for recording and mixing, while mastering was handled by George Marino. Tracks such as “Sedition,” “Prisoner Echoes,” and “House Arrest” stand out from the album and are highlighted on the track list as key reference points.

Strike Anywhere’s lineup features vocalist Thomas Barnett, guitarists Matt Sherwood and Matt Smith, bassist Garth Petrie, and drummer Eric Kane, and they combine melodic structures with direct, uncompromising hardcore energy. The lyrics address political and biographical themes; additional album notes provide commentary on the origins of individual songs. McTernan’s production emphasizes the interlocking guitars and the transparency of the mix, bringing the melodic lines clearly to the fore alongside the driving rhythms. The “Grape” edition on Fat Wreck Chords presents the material on colored vinyl, showcasing the recording with a focused sound.

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Sick Of It All

LP | 2006 | UK | Reissue (Back On Black)

LP | 2026 | US | Original (Mixto)

Release: 2006 / UK – Reissue

Genre: Rock & Indie

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The Clear Vinyl Edition of the “Death To Tyrants” LP by Sick Of It All has been released on Back On Black. Originally released in 2006 as the band’s eighth studio album, it features concise tracks like “Take The Night Off,” “Machete,” and “Uprising Nation,” and showcases the balance characteristic of Sick Of It All between precise aggression and catchy, short song structures. In just over 30 minutes, the record condenses fast arrangements, driving guitars, and distinctive vocals into a compact statement within the punk / hardcore spectrum.

This edition appeals to listeners who want to own the album in a clear vinyl pressing: the term “Clear Vinyl Edition” is taken from the product title and identifies the clear vinyl format as a distinct product feature. Musically, “Death To Tyrants” documents a concentrated, powerful expression that critics have described, in terms of its heaviness and directness, as one of the band’s more intense phases. The Back On Black version brings this material back to the market and focuses on the raw energy of the tracks, without making any additional changes to the original work.

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Son Rompe Pera

Marimbazos De Oro

35,99 €*

LP | 2018 | Reissue (Kung Fu)

Release: 2026 / US – Original

Genre: Soul, Funk & Jazz, Rock & Indie

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The “Marimbazos De Oro” LP by Son Rompe Pera is being released on Mixto and marks the band’s third album as well as their debut on the label. The record was produced by Adrian Quesada, a Grammy‑nominated guitarist and psychedelic bolerista who greatly expands the sonic space and pushes the Gama brothers’ marimba‑centered playing into new directions.

Musically, “Marimbazos De Oro” unfurls a spectrum that connects traditional marimba arrangements with punk, surf, and dance rhythms. Opener “Arboledas” draws on northern Mexican motifs and features Zac Sokolow (LA LOM) as a guest, while “Sombra” explodes in a pop‑punk/Oi! framework with Spike (Me First and the Gimme Gimmes) contributing background vocals. With “José Dolores,” the band ventures into a pronounced salsa direction, powered by the horn section of Colombian outfit La Pambelé.

On the bolero “Me Olvidaste,” Trish Toledo adds to the vocal palette, and on the single “Reptilio,” Quesada himself can be heard on guitar. Overall, the album, according to the band, tells the full story of their musical influences: at times raw and direct, at others smooth and danceable, always with the marimba as the leading voice and a surprising knack for arrangements. The “Marimbazos De Oro” LP thus documents a new chapter in the evolution of Son Rompe Pera.

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The Ataris

Silver Turns To Rust

OST 40 Years Of Fuckin' Up: Green-Yellow Vinyl Edition

Release: 2018 / Reissue

Genre: Rock & Indie

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The “Silver Turns To Rust” LP by The Ataris is being released on Kung Fu and, for the first time in an official format, brings together a set of new tracks, newly recorded early compositions, and additional bonus recordings. The album includes, among others, “All Soul’s Day” and “The Graveyard Of The Atlantic,” as well as an often-cited cover of “The Boys of Summer” in a rough demo version, which, together with further bonus tracks, rounds out this edition.

The material was recorded and mixed by Bob Hoag at Flying Blanket Recording; the sessions were done in analog, including through a 1978 Neve 8078 console and with vintage amplifiers and microphones, giving the songs a direct, unvarnished texture. Tracks 1–4 feature new material, while several pieces from the core repertoire of the band’s history are documented in this form for the first time; two acoustic demos complement the recordings and offer insight into the band’s songwriting process.

For fans of punk and hardcore, the “Silver Turns To Rust” LP offers a documentary-style look at the band’s songwriting phase, combining studio-fresh takes with unpolished demos. The release on Kung Fu thus serves both as an addition to The Ataris’ discography and as a focused collection of previously unreleased and newly reworked tracks.

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NOFX

LP | 2026 | EU | Original (ANTI FADE)

Release: 2026 / US – Original

Genre: Rock & Indie

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The colored vinyl edition of the “OST 40 Years Of Fuckin' Up: Green-Yellow Vinyl Edition” LP by NOFX was released on Fat Wreck Chords and brings together both the accompanying film score and the soundtrack to the documentary of the same name. The release combines more recent, previously unreleased tracks with rare material and the film music composed specifically for the movie, so the vinyl functions both as a documentary artifact and as a musical chronicle of the band.

For decades, NOFX have stood for fast, melodic punk with a sharp, ironic perspective and accessible hooks; their style is defined by catchy guitar lines, up-tempo drumming, and the distinctive vocals of Fat Mike, which often combine socially critical and personal themes. This stylistic blend runs through the selection of songs on the soundtrack and underscores the band’s role as an influential force in the independent punk scene.

Highlights of the release include an extensive catalog of songs with newly produced tracks, rare demos, and live recordings, as well as a separate original score by Fat Mike, realized in arrangements with orchestral accompaniment. The package is rounded out by selected audio snippets from the film and illustrated artwork by Tokyo Hiro that visually accentuates the retrospective character of the edition.

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R.M.F.C.

Club Hits

A Life Less Plagued Yellow With Black Splatter Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "Club Hits" LP by R.M.F.C. is released on ANTI FADE and is being reissued as a third pressing in the "Nightclub Hits Edition." This edition features new artwork with a black spine, silver-foil lettering, and an inverted back cover, clearly setting the release apart visually from earlier runs. The design gives the "Club Hits" LP a distinct presence within ANTI FADE’s release program.

The material for "Club Hits" was written, recorded, and mixed by Buz; the sessions took place between January 2022 and April 2023 in Burrill Lake and Sydney. Final touches were provided by Mikey Young in the mastering stage, giving the raw recordings a distinctive balance of highs and low end without smoothing out the direct force of the tracks. These production choices underscore the immediacy of the songs on the record.

Musically, the release showcases the uncompromising energy of punk and hardcore and captures R.M.F.C.’s classic debut in a concentrated form. ANTI FADE is deliberately issuing the "Club Hits" LP as a very limited, non-returnable pressing; the "Nightclub Hits Edition" is aimed at listeners who value the special packaging and the documented recording period of the album.

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Carry On

LP | 2026 | US | Original (Bridge Nine)

LP | 2026 | EU | Original (City Slang)

Release: 2026 / US – Original

Genre: Rock & Indie

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The Yellow w/ Black Splatter vinyl edition of the “A Life Less Plagued” LP by Carry On was released on Bridge Nine. Bridge Nine first issued the album on October 16, 2001; it was the label’s first full-length LP and had a lasting impact on the California hardcore scene. The LP includes twelve tracks, among them “The View,” “Waiting On Forever,” and the title track “A Life Less Plagued,” condensing its dense arrangements into just under 18 minutes. This pressing preserves the raw energy, fast tempos, and distinctive guitar riffs that define the album.

The release was originally planned with a gatefold sleeve designed by Jacob Bannon; for cost reasons, however, the first pressing came in a standard sleeve, while a 2011 repress reintroduced the gatefold. A very limited initial run featured hand-illustrated shrink-wraps by illustrator Linas Garsys. Several band members later went on to form bands such as Terror, Piece By Piece, Betrayed, and Internal Affairs, giving the album a direct link to later West Coast projects. This colored vinyl edition underscores the historical character of the album without making any changes to the music. As a compact, focused statement from the early 2000s, “A Life Less Plagued” documents both the band itself and the fertile ground from which later hardcore projects emerged.

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Die Anstalt

LP | 2010 | EU | Reissue (Teenage Rebel)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "Die Anstalt" LP by Die Anstalt is a self-released production that brings together eight concise tracks, combining the raw edge of post-punk with electronic precision. The stripped-down arrangements and tight running time ensure the record does without anything superfluous, allowing its motifs to unfold clearly and with focus.

Musically, the trio fuses driving synthesizer sequences with twangy, reverberant guitars that recall late‑1960s western soundtrack themes, and stoic vocals that oscillate between resistance and laconic observation. This mix of EBM elements, synth‑punk, and a dark surf aesthetic shapes the characteristic sound of the band and gives the songs a distinct, recognizable identity.

Die Anstalt themselves are responsible as songwriters and producers; the record was recorded by Jakob Feyerherm and Sasa Strauß, with additional recording contributed by Fabio Demontis. Sasa Strauß and Jakob Feyerherm also handled the mix; mastering was done at Nadel Eins Studio and Olo Mastering in Berlin. The artwork is by Max Theodor; portraits by Michael José and Max Theodor. These clearly stated production credits underscore the independent signature of the release.

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Die Lokalmatadore

Söhne Mülheims

20,99 €*

LP | 2026 | US | Original (Neurot)

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2026-12-04

The “Söhne Mülheims” LP by Die Lokalmatadore is released on Teenage Rebel and continues the direct, no-nonsense approach of the Mülheim outfit. This 2010 release delivers compact, tightly written punk material that structurally aims for catchiness and speed without diluting the band’s rough edge. The LP features just about sixteen tracks with a running time of around 31 minutes, whose brevity and punch are characteristic of the band.

Musically, “Söhne Mülheims” offers a mix of original numbers and striking cover ideas, including interpretations of the Buzzcocks and Peter and the Test Tube Babies, as well as the instrumental track “Surfin’ Tolstoi,” which provides some style-wise variety. The lyrics are marked by direct, at times coarse language and draw on everyday themes and local references, which preserves the record’s characteristic local patriotism. The material is recorded and performed by the lineup centered around Fisch, Bubba, Blüm, and Rommel, who deliver their familiar, unfiltered presence and in doing so give the release a distinctive identity. For fans of well-honed punk attitude, the “Söhne Mülheims” LP on Teenage Rebel stands as a cohesive chapter in Die Lokalmatadore’s discography.

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Great Falls

The Bite That Grows Up

Melodien Für Milliarden Goldvinyl Edition Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The *The Bite That Grows Up* LP by Great Falls is being released on Neurot Recordings and once again pushes the Seattle trio to both live and studio extremes. Recorded at Studio Litho with Scott Evans as engineer and producer, mixed at Antisleep, and mastered by Brad Boatright, the album documents just under forty minutes of hard-hitting, unflinchingly direct songs. With Demian Johnston on guitar and vocals, Shane Mehling on bass, and Nickolis Parks on drums, the band relies on an interplay that feels both brutal and surgically precise.

Johnston’s concise, striking lyrics work with fragments and confessions and find their expression in songs like “Nicotine In The Spine” and “Worse Than Sleep,” with the lead single featuring additional vocals by Peter Clement Lund, who passed away shortly after the recording sessions. Instrumentally, dissonant guitar tunings, lightning-fast, complex drum patterns, and a destructive bass tone define the sound; John Schork’s subtly deployed noise elements lend tracks like “Hailstone Numbers” a surprising dynamic arc in which percussion and drone build toward an emotional climax. Between Roadburn 2025, Northwest Terror Fest 2026, and tours with Botch and Primitive Man, the band has further sharpened its live presence.

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Terrorgruppe

LP | 1996 | EU | Reissue (Destiny)

LP | 2026 | UK | Original (Fuzz Club)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2026-11-13

The “Melodien Für Milliarden” LP by Terrorgruppe is released on Destiny as a gold vinyl edition, presenting the album in a visually distinctive vinyl format. The combination of title, band, and label is emphasized repeatedly: Terrorgruppe and Destiny join forces for this LP release, with the gold vinyl pressing highlighting the physical appearance of the record.

Musically, “Melodien Für Milliarden” moves in a punk / hardcore context; the tracks rely on compact song structures, striking guitar riffs, and direct, upfront vocals. Melodic fragments function as a counterpoint to the raw energy, giving the compositions a clear, concise profile. The arrangements make use of tempo changes and straightforward phrasing, lending the record its own specific momentum.

With this edition, Destiny presents the “Melodien Für Milliarden” LP in a bold version that emphasizes both the artwork and the physical presentation. Terrorgruppe remains firmly rooted in the core of their musical approach with this release, while the gold vinyl pressing offers a standout variant of the well-known record.

The track sequence on the LP is arranged so that individual songs are accentuated through well-placed pauses and targeted arrangements. The gold vinyl pressing directs attention to the material side of the album and makes the “Melodien Für Milliarden” LP a striking release in the Destiny catalog.

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Black Doldrums

Repetition Compulsion

LP | 1980 | UK | Reissue (This Heat)

Release: 2026 / UK – Original

Genre: Rock & Indie

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The “Repetition Compulsion” LP by Black Doldrums is being released on Fuzz Club. Classified as an LP, the release bears the title “Repetition Compulsion” and is filed under punk / hardcore. With this edition, Black Doldrums present a physical release that documents the band’s name on a vinyl record, marking a new recording in the group’s body of work. Fuzz Club is responsible for issuing the LP and is releasing “Repetition Compulsion” on its label in the punk / hardcore field. The record thus represents a clearly defined addition to the Black Doldrums catalog and brings together the band’s artistic statement in this LP edition.

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This Heat

Health And Efficiency

LP | 1997 | Reissue (Kung Fu)

Release: 1980 / UK – Reissue

Genre: Rock & Indie

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Preorder shipping from 2026-10-23

The "Health And Efficiency" LP by This Heat is released on This Heat. The release, pared down to two extended pieces, concentrates the trio’s energy on the title-opening track, which works with jagged, rhythmically displaced guitar patterns, driving drum figures, and a collage of voice, percussion, and found sounds. Its taut sense of drama makes the piece a focused example of how post‑punk aggression can be linked with avant‑garde sonic exploration.

This Heat were formed by Charles Bullen, Charles Hayward, and Gareth Williams; their approach connects instrumental versatility with tape manipulations and live improvisation. On the compositional side, the band relies on ruptures, unexpected textures, and an experimental method that fuses song-based structures with musique concrète elements. This way of working shaped both the group’s sense of identity and their lasting impact on subsequent scenes.

The flip‑side recording "Graphic/Varispeed" offers a quieter, hypnotic counterpoint and plays with variations in pitch and speed, depending on whether it is played at 45 or 33 rpm. Critics such as Simon Reynolds even regard "Health And Efficiency" as a "peak achievement" by This Heat, a concentrated synthesis of raw intensity and playful experimental exuberance that clearly brings out the special character of this ensemble.

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The Ataris

...Anywhere But Here

Kings Of The Wild Frontier - Remasteredcolored Vinyl Edition Sunburst Splatter

Release: 1997 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2026-11-27

The “...Anywhere But Here” LP by The Ataris was released on Kung Fu and is based on the 2002 remixed and remastered reissue of the 1997 debut album. Produced by Warren Fitzgerald, the recording was completed in a very short period of time; the band documented the material during studio sessions that spanned just a few days. Kris Roe handled most of the instrumental parts in addition to the vocals, giving the songs an immediate, personal character. Compared with the original release, this edition was expanded to include the bonus track “Anderson” as well as a hidden acoustic cover of Weezer’s “Butterfly.”

As a Punk/Hardcore release, the “...Anywhere But Here” LP features compact, melodically striking songs in which unfiltered energy and catchy hooks are closely intertwined. With this edition, Kung Fu brings early Ataris tracks to LP in a revised sonic form, with Fitzgerald’s production exploring the balance between angular guitar work and clear vocal presence. Overall, the record documents an early phase of the band dominated by skillful songwriting and narrative lyrics, offering a direct insight into The Ataris’ development into a distinctive voice within the punk scene.

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Adam & The Ants

LP | 2026 | EU | Original (Sony)

Based On A True Story Clear Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Sunburst Splatter/colored vinyl edition of the “Kings of the Wild Frontier” LP by Adam & The Ants was released by Sony and presents the classic album in a remastered sound version. This edition is based on a new reworking in which Adam Ant, together with Walter Coelho, revisited the original recordings, bringing the twelve tracks of the original album together in focused form on LP. The packaging adheres to the established album structure and unites the album’s familiar tracks in updated audio quality.

Musically, the release gathers the concise compositions, including “Antmusic” and the title track “Kings of the Wild Frontier,” thereby documenting the core selection of songs that has historically defined the album. The remastered version aims to make the distinctive arrangements and the band’s original character stand out more clearly, without changing the running order of the tracks. As an LP edition with a specified Sunburst Splatter color scheme, it is aimed at listeners who value a visually distinctive vinyl presentation combined with the revised audio version.

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Sick Of It All

LP | 2010 | UK | Reissue (Back On Black)

No Spiritual Surrender Colored Vinyl Edition

Release: 2010 / UK – Reissue

Genre: Rock & Indie

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Preorder shipping from 2026-11-20

The clear vinyl edition of the “Based On A True Story” LP by Sick Of It All was released on Back On Black. This format puts the focus on the album’s physical presentation and brings together the band’s distinctive rhythmic lines and aggression in a clear vinyl pressing without blurring the songs’ gritty edge.

“Based On A True Story” documents the compact, direct approach of the New York punk / hardcore outfit and includes concise highlights such as “Dominated” and “Long As She’s Standing.” The recordings were made with producer Tue Madsen at Starstruck Studios in Copenhagen; the collaboration results in a dense, metallic, sharply defined sound aesthetic that emphasizes the tightly packed vocals and driving guitar parts. Back On Black presents the LP as a clear pressing that lets you experience the album in its original track sequence and renders the production in nuanced detail. For fans of Sick Of It All, this edition offers a straightforward, music-centered way to rediscover “Based On A True Story” and experience the band’s uncompromising energy on clear vinyl.

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Inside Out

7" | 1990 | US | Reissue (Revelation)

13,99 €*

7" | 2025 | EU | Original (Goodbye Boozy)

Release: 1990 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2026-10-30

One of the most popular releases ever on Revelation Records. Intelligent and introspective lyrics combined with one of the most intense and heartfelt vocal performances ever captured on a hardcore record make this a must have for any fan of the genre. Vocalist Zack de la Rocha later went on to form and front Rage Against THE Machine. Lineup also features Vic Dicara (108) on guitar, Chris Bratton (chain OF Strength) on drums, and Mark Hayworth (hard Stance) on bass.

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Useless Eaters

Ego Shell / Rub

12,99 €*

7" | 2026 | US | Original (Alternative Tentacles)

Release: 2025 / EU – Original

Genre: Rock & Indie

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In 2022, Sutton returned to the Bay Area after being based in Berlin for five years, settling in Oakland and immediately reviving Useless Eaters with renewed focus. Over the past eighteen months, the band completed two European tours and a series of Calif

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Nasalrod

The Freinds 45

10,99 €*

Nothing Changes Everything Colored Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Alternative Tentacles Records is proud to partner with Nadine Records to present Nasalrod and their new release the "Friends" 45, a two-song 7" that takes a demented, sometimes humorous look at friendship, exploring not only what friends are for but also what might be lurking behind a friendly face.

Hailing from Portland, OR and once described by legendary underground artist Lydia Lunch as “harsh, hard...catchy, weird, arty” and “a very unique blend that defies category,” Nasalrod is a collaborative vision of punk rock chaos. In their years together, Nasalrod has built a reputation for its notoriously frantic live performances and an unapologetically unhinged approach. Their music has been described by Week in Pop as “raucous and radically defiant…a party crashing cavalcade of confidence and cavalier fancy.”

Led by Chairman's sneering, kooky yet soulful vocals, expanded by Mustin Douch’s wiley, dexterous guitar explosions, anchored by Mandy Morgan’s punchy, authoritative bass work, and driven by the relentless intensity of founding Fear drummer Spit Stix, the quartet combines ferocious spazz-punk, warped melodies and convulsive rock and roll into a sound that is as unpredictable as it is infectious.

"Friends" features a version of Fear's “What Are Friends For?”, originally written by Spit Stix! The reworked rendition here finally brings Spit's intended vision to life. Paired with the melodic intensity of “Behind Friendly Faces”, the two tracks offer contrasting perspectives on friendship, delivered with Nasalrod's signature blend of theatrical energy, twisted humor, precise musicianship, and explosive intensity. It’s this very unhinged creative vision which has been on Jello Biafra’s radar since the release of their split with Victim’s Family, In The Modern Meatspace on Nadine Records in 2024. He’s not the only one who has noticed, as Nasalrod has been making a name for itself and has shared stages with acts such as The Jesus Lizard, Mudhoney, Melt-Banana, Mike Watt, Alice Donut, Iggy Pop and more.

Recorded at Portland's Jackpot! Studios by Larry Crane (Tape Op Magazine, Sleater-Kinney, Cat Power, Elliott Smith) and mixed and mastered by Stephan Hawkes (Red Fang, High on Fire, Gaytheist), "Friends" perfectly captures Nasalrod's uniquely chaotic approach, pushing the boundaries of its own peculiar brand of punk rock and proving that originality and insanity can go hand in hand. As Joyzine.org recently stated, "In a musical climate often content with the familiar, Nasalrod’s audacity feels not only welcome but necessary."

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Dead Bob

LP | 2026 | US | Original (Wrong)

7" | 2025 | US | Original (Under The Gun)

Release: 2026 / US – Original

Genre: Rock & Indie

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Exactly three years after the debut album, Life Like Dead BOB continues to mine the archives of old and new demos that John Wright has created over the years, including two of the last songs demoed for Nomeansno with brother ROB Wright.

Whereas Life Like was primarily a solo project of John, since the formation of the live band the gang, Ford Pier, Byron Slack, Kristy LEE Audette and Colin Macrae take a far more active role in this record.

Nothing Changes Everything is a 35 min. 8 song release that takes you on Bob's journey and keeps you wondering, “Where the f**k is this going next!” Balls to the walls and head in the clouds, you're in for a treat.

With a couple years under their belts and return of Selina Martin to collaborate on another song, Dead Bob takes it to the next level.

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Prison Affair

Versiones Talegueras

15,99 €*

7" | 2026 | JP | Original (Zion)

Release: 2025 / US – Original

Genre: Rock & Indie

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Barcelona bad boys Prison Affair return with a new 7" single previously only available on a limited tour cassette from 2023! Versiones Talegueras is 2 covers of the band's favorite Spanish Rock songs. Limited to 1500 copies worldwide on black vinyl with reverse board pocket sleeves.

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Gympie Gympie

Toss N' Turn / Akk34

22,99 €*

7" | 2026 | US | Original (Slouch)

Release: 2026 / JP – Original

Genre: Rock & Indie, Reggae & Dancehall

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The 7-inch “Toss N' Turn / Akk34” by Gympie Gympie, released on Zion Record, pairs a danceable calypso number with an atmospheric instrumental track. Gympie Gympie brings together seasoned musicians from Japan’s punk and reggae scenes, including members of Determinations, Bull The Dougs, Macrobiotics, The Miceteeth, Sayos and Zazz Riddim +. The release marks the group’s fifth 7-inch.

On the A-side, “Toss N' Turn” creates a buoyant yet slightly melancholic mood with its Jamaican rhythm and catchy melodic phrasing. Vocals are once again provided by ane, who is also active with Sofa Rockers. Her bright, distinctive voice gives the track a unique tension between lightness and wistfulness.

“Akk34” on the B-side is an instrumental piece dedicated to a family as a memorial. Guitar sounds, restrained arrangements and an atmosphere shaped by hope define this second side. Together, both tracks bring vibrant Jamaican music and Japanese melancholy into dialogue without flattening their contrasting moods. Released in a limited edition, the 7-inch carries catalog number ZR2010.

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Ughh

Little Angels

17,99 €*

Essex Green Expanded Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Born of smoke. Born of ooze. Tremble all who live in the age of Ughh. Hide in the shadows! Do not leave your home. It will find you. Calamity and terror bearer, eclipse delivered, sink you wretch! Stand and be struck down, kneel and be brought low, the final shadow covers all. Ughh the ender, Ughh the final collector of debts, Ughh the pillaging despoiler. Hard crossover thrash and punk.

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Essex Green

LP | 2026 | US | Original (Happy Happy Birthday To Me)

12" | 2026 | EU | Original (Punk Art)

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Essex Green Expanded Edition” LP by Essex Green is released on Happy Happy Birthday To Me and presents the self-titled debut EP in expanded form. The edition adds early 7" singles and previously unreleased archival recordings to the original tracks and comes with a full-color cover, insert, and download card.

Essex Green, formed by members of the Ladybug Transistor and Guppyboy, rely on neo-psychedelic, melody-driven songwriting, documented here in its earliest stages. The edition includes core tracks from the early EP such as “Chester” and “Fabulous Day” along with additional single cuts; of particular note are two previously unreleased songs, “No Small Faces” and “Howard Street Tonight,” which shed light on the historical context of the release.

As an archival project from Happy Happy Birthday To Me, the “Essex Green Expanded Edition” offers a compact look at the band’s formative phase, shortly before they found their footing on Kindercore and later on Merge Records. In addition to the original EP, the collection delivers rare and newly issued documents from those early years, expanding the Essex Green discography with worthwhile material from the band’s archives.

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Mal-One

Future Nostalgia

16,99 €*

When In Rome Do As The Vandals

Release: 2026 / EU – Original

Genre: Rock & Indie

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Released on Punk Art, Mal-One’s “Future Nostalgia” 12" brings the title track to vinyl for the first time in a release tailored to the 12" format, and adds a signed, blind-embossed 12" art print that, within the PUNK50 activities (1976–2026), forms part of the package. Mal-One uses the single to emphasize the idea that looking back and remembering are part of collectively shaping the future; the line “Future Nostalgia we carry all our pasts” serves as a recurring motif throughout the release. The edition is limited and comes in a compact, cogent presentation that brings together the artist’s visual and musical work.

Musically, Mal-One expands the original version with an exclusive dub version titled “Future Dub” and shifts the B-side territory toward a dub take on the material: two tracks from the forthcoming dub album “Punk Dub Sessions” appear here in new versions. “Dub King” reworks the idea of “God Save The King” in updated form, while “Holiday Dub” continues the narrative behind “Holiday In Someone Else’s Misery.” In this way, Mal-One’s “Future Nostalgia” 12" on Punk Art presents itself as a focused four-track release that unites song, remix arrangement, and artist image in a compact yet precise package.

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The Vandals

LP | 2026 | Original (Kung Fu)

Balderdash From The Archives

Release: 2026 / Original

Genre: Rock & Indie

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The "When In Rome Do As The Vandals" LP by The Vandals is released on Kung Fu Records and documents the band's early work in compact form. The album features distinctive song ideas, fast arrangements, and repeatedly applies an ironic perspective; in addition to original tracks, the record also includes "Hocus Pocus," a recognizable cover take on the classic by Focus, whose writers are named in the credits.

For this edition, Thom Wilson served as producer; the recordings feature Jan Nils Ackermann (guitar), Joe Escalante (drums), and Stevo (vocals), with bass tracks contributed by Brent Turner, while on "Rico" Chalmer Lumary handled bass and vocals. The reissue was remastered by Michael Hateley; Dominic Davi was responsible for the reissue design, Mike Doud for the artwork, and Alan Newberg contributed the cover photos. Kung Fu Records presents the "When In Rome Do As The Vandals" LP as a documentary look at the band's unpolished, sarcastic punk and, through the credits listed, offers clear insight into the creation and production personnel of this release.

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The Dickies

LP | 2026 | Original (Cleopatra)

Gorilla Biscuits Pink Vinyl Edition

Release: 2026 / Original

Genre: Rock & Indie

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“Balderdash From The Archives” LP by The Dickies is released on Cleopatra and documents a selection of previously unreleased studio and live recordings from various creative periods of the band. Cleopatra issued this edition in 2023; the vinyl version comes as a limited yellow-and-purple splatter pressing that underscores the archival character of the collection. The production emphasizes the collectible nature of the record, without added remixes or further post-production.

Musically, “Balderdash From The Archives” spans demos and alternate takes from the 1980s and 1990s as well as several live recordings; the material ranges from alternate versions such as “Out of Sight, Out of Mind (alternative take)” to early demos like “Jim Bowie” and “Monkey See, Monkey Do,” through to live versions of tracks such as “Monster Mash” and the cover of “Walk on the Wild Side.” The selection makes the band’s approach recognizable: concise, catchy melodies, multi-part vocal lines, and an ironic streak that has characterized The Dickies since their early days. As an LP on Cleopatra, “Balderdash From The Archives” offers a compact cross-section of rare recordings and expands the band’s discography with previously lesser-known studio fragments and live moments.

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Gorilla Biscuits

7" | 1988 | US | Reissue (Revelation)

14,99 €*

Mediocre Generica Colored Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits’ first classic record by one of the most influential bands from the New York straight edge hardcore scene. Features Anthony Civarelli (civ) on vocals and Walter Walter Schreifels (quicksand, CIV, Rival Schools) on guitar.

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Leftover Crack

LP | 2026 | EU | Original (Sbäm)

34,99 €*

LP | 2026 | US | Original (Happy Happy Birthday To Me)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Go Public

You Are Traffic

Increase The Pressure Half White Half Clear With Black Splatters

Release: 2026 / US – Original

Genre: Rock & Indie

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'You are Traffic' is the debut album by Atlanta, Ga post punk mutant disco dance party band Go Public. The world is on fire what else can you do?

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Conflict

LP | 1984 | EU | Reissue (Cadiz - Foad Musick)

LP | 1987 | US | Reissue (BMG Rights Management)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2026-10-23

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Suicidal Tendencies

Join The Army

LP | 2026 | US | Original (Indecision)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2026-11-20

The “Join The Army” LP by Suicidal Tendencies is released through BMG Rights Management, bringing one of the defining albums of the California hardcore scene back into the label’s catalog. Originally released in 1987, the band’s second studio album marks the transition from uncompromising hardcore punk to a harder, thrash metal-influenced style. Suicidal Tendencies combine fast guitar riffs, driving drum patterns, and Mike Muir’s distinctive vocals into an energetic crossover sound.

The album features tracks such as “Join The Army,” “War Inside My Head,” and “Possessed To Skate,” which remain among the group’s best-known songs to this day. The lineup on this album consists of Mike Muir on vocals, Louiche Mayorga on bass, Rocky George on guitar, and R. J. Herrera on drums. George and Herrera appeared on a studio release by the band for the first time and played a decisive role in shaping its musical development.

“Join The Army” was produced and technically overseen by Lester Claypool, with Suicidal Tendencies also contributing as producers. The LP contains thirteen tracks and captures the band at an important turning point in its early career: angry, direct, and rhythmically precise, while already embracing the metal elements that would continue to define the group’s later style.

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Russ Rankin

A Season In Hell

LP | 2026 | US | Original (Iron Lung)

Release: 2026 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2026-10-16

Russ Rankin is a singer, songwriter, columnist, poet, and screenwriter from Santa Cruz, CA. He is best known as the vocalist for seminal hardcore punk band Good Riddance, as well as the vocalist for Only Crime. “I had written these songs that maybe didn’t suit Good Riddance, and then there were these cover songs I kept finding myself drawn to, so I decided to record all of it. Adam Gomez (currently of THE Dickies) took care of the drumming, while I played all the other instruments and did the vocals,” explains Rankin. A Season In Hell consists of three new, original songs alongside three covers. It follows Rankin’s 2022 full-length, Come Together Fall Apart, this time leaning into a heavier hardcore direction. The EP reconnects Rankin with the style that first established him, while offering his own take on a handful of classics by THE Records, Avengers, and Leon Rosselson.

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Fashion Change

Paranoid

LP | 2026 | US | Original (Total Punk)

Release: 2026 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2026-10-30

The raison d’etre of Fashion Change is sonic destruction. Paranoid is a temporal mosaic of how such goal was achieved from the band’s inception up until this record was captured over 4 years later. It is presented as one complete movement that explores this punishing concept.

The band started in 2020, when member Ryan Mathews was jobless and living in his mom’s basement. He lived in isolation. The only things to look forward to were walks to the beach by her house, smoking weed in the garage, and playing along to Sabbath or G.I.S.M. The idea had bounced around for years, but in this isolation Ryan reached such a moment of distress that something needed to come out. With the assistance of a Tascam 488 and the Chaos UK drum beat the first tape, Coward was created.

Over a timeline that fit almost perfectly into Biden’s dismal presidency, the project became a band. Perspectives increased, shows were played, records and tapes released, members changed, people moved around and were exposed to new things. Influences and interests flowed in and out, but the main goal of sonic destruction never left.

The band and this record specifically is an eclectic mix of influences channeled through a hardcore punk band. Aside from bands within their genre like their namesake Chaos UK, Gai, and Confuse (especially Stupid Life), musically there are elements of other extreme bands such as Napalm Death and Last Exit. It’s an existential record, with lyrics that range from the personal to the political, the autobiographical to the theoretical, the stone cold to the absurd. One of Kafka’s ill-fated protagonists fits into its logic.

Someone should want to listen to this record if they want to get taken on a ride that activates and does something to their brains in a psychotropic way. This is a demonstration of paranoia and it invites the listener to step into this world and be at its mercy for 17:30 minutes. It is a punishing listen but also one of humor, musical diversity, resolve, and hope.

500 copies on black 140gr vinyl housed in a 24pt jacket with big poster and 12 page booklet insert. Recorded, mixed, and mastered by Sasha Stroud. Art by Leo McClutchy, Riley Kerr, and Jensen Ward.

FFO: Confuse, Napalm Death, Gasmask, Gauze, S.O.B., G.I.S.M.

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