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Stardust - Music Sounds Better With You Maxi-Mix
Stardust
Music Sounds Better With You Maxi-Mix
12" | 1998 | EU | Reissue (Because Music)
14,49 €*
Release: 1998 / EU – Reissue
Genre: Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Music Sounds Better With You by Stardust, released 18 May 2022. This version of Music Sounds Better With You comes as a 1x12". The vinyl is pressed as a opaque disc.
Purple Disco Machine - Defected Presents House Masters - Purple Disco Machine
Purple Disco Machine
Defected Presents House Masters - Purple Disco Machine
3LP | 2026 | Original (Defected)
41,55 €*
Release: 2026 / Original
Genre: Electronic & Dance
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Preorder shipping from 2026-03-13
Grammy award-winning titan of dance music Purple Disco Machine joins the illustrious list of Defected House Masters with a celebratory compilation. The German producer, DJ and global household name Tino Pointek, AKA Purple Disco Machine, is the blueprint for what makes a successful dance music artist in the modern age; respected on the underground scene while achieving major crossover success with remixes for the likes of Sir Elton John, Dua Lipa and Mark Ronson. The crate digging kingpin of house and disco first landed on Defected over a decade ago, and has since delivered remixes of iconic tracks like Fatboy Slim’s ‘Praise You’ and the London label’s top tracks including Shakedown’s ‘At Night’ and ‘Coma Cat’ by Tensnake – as well as striking originals like ‘Beat Fantasy’. From edits of the classics to remixes of the modern, as well as uplifting originals, Purple Disco Machine has birthed a distinct sound that is instantly recognisable, one that is not afraid to reference or not reference and is always bursting with joy. Across Defected presents House Masters: Purple Disco Machine, the full breadth of the iconic German selector’s sound is felt from the 2019 smash hit ‘Dished (Male Stripper)’ to deep cuts like his re-work of Fallout’s ‘The Morning After’ as well as remixes of legendary tracks like ‘Lola’s Theme’ by The Shapeshifters and Spiller’s ‘Groovejet’ featuring Sophie Ellis-Bextor. Defected presents House Masters: Purple Disco Machine is here to showcase the sound of a bona fide electronic maverick in full.
Four Tet - Human Voice
Four Tet
Human Voice
12" | 2026 | UK | Original (Text)
16,42 €*
Release: 2026 / UK – Original
Genre: Electronic & Dance
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ICE MC - It's A Rainy Day Blue Translucent Vinyl Edition
ICE MC
It's A Rainy Day Blue Translucent Vinyl Edition
12" | 1994 | EU | Reissue (Dance On The Beat)
16,42 €*
Release: 1994 / EU – Reissue
Genre: Electronic & Dance, Pop
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Rüfüs Du Sol - Bloom White & Pink Vinyl Edition
Rüfüs Du Sol
Bloom White & Pink Vinyl Edition
2LP | 2021 | UK | Reissue (Sweat It Out)
40,58 €*
Release: 2021 / UK – Reissue
Genre: Electronic & Dance, Pop
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LTD Edition 2 x LP Pink & White, half & half vinyl version of Australian trio Rüfüs Du Sol's incredible sophomore album 'Bloom'. Featuring the singles 'You Were Right' and 'Like An Animal!' it's a journey through richly layered synths behind driving beats, atmospheric build ups and killer breakdowns - all married together with Tyrone Lindqvist's soulful vocals. From the heartfelt epic that is 'Innerbloom', to the uplifting melody of 'Say A Prayer For Me', 'Bloom' will have Rüfüs Du Sol fans falling in love all over again.
Moodymann, Noir & Haze, Chicken Lips, Solomun - Classics Volume 2
Moodymann, Noir & Haze, Chicken Lips, Solomun
Classics Volume 2
12" | 2019 | EU | Original (4 To The Floor)
15,46 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Classics Volume 2 kicks off with a slice of Defected 2012 goodness; ‘Around (Solomun Vox)’ by Noir & Haze. When Solomun took his turn at remixing this Ibiza anthem, it was heard everywhere from Hackney warehouses to Pacha Ibiza, and showed a different side to the heavier original. On the B-Side is the Moodymann Edit, where he makes subtle changes to Solomun’s mix by interweaving tribal drums and stripping back some of the techier elements, followed by Chicken Lips’ electro banger ‘He Not In’ which thunders through. An instantly recognisable record, even if they’re not aware of its name or who wrote it, with an unmistakable bassline that has truly stood the test of time.
The Shapeshifters - Lola's Theme
The Shapeshifters
Lola's Theme
12" | 2026 | UK | Original (Glitterbox)
16,42 €*
Release: 2026 / UK – Original
Genre: Electronic & Dance
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A song that has transcended time, genres and trends since it was released in 2004, 'Lola's Theme' continues to light up dancefloors over two decades since release. Now this modern day house classic is repressed for the first time since 2004 by Glitterbox featuring the original mix and Norman Jay’s Good Times Vocal from the 2004 release backed by Purple Disco Machine’s 2017 remix and 2025’s massive Tripolism remix.
Uknowho - Missy X Badoo
Uknowho
Missy X Badoo
12" | 2025 | UK | Original (Uknowho)
17,39 €*
Release: 2025 / UK – Original
Genre: Electronic & Dance
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A Missy Thing is a simple MPC work out of a famous female rapper, with a bouncy bassline and deep chords. A Badoo Thing is a deep slice of early 2000s west coast deep house, featuring the best neo soul singers of all time. Both produced by the same producer uknowho. And if you don’t, we can’t help you!
Charanjit Singh - Synthesizing: Ten Ragas To A Disco Beat HHV Exclusive Crystal Clear Vinyl Edition
Charanjit Singh
Synthesizing: Ten Ragas To A Disco Beat HHV Exclusive Crystal Clear Vinyl Edition
2LP | 1982 | US | Reissue (Light In The Attic)
48,31 €*
Release: 1982 / US – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2026-07-10
Limited to 300 copies. Exclusively available at HHV.

Light in the Attic is honored to announce the long-awaited reissue of Synthesizing: Ten Ragas to a Disco Beat, the revolutionary 1982 album from composer and musician Charanjit Singh. Pairing Indian classical ragas with then-state-of-the-art Roland synthesizers and drum machines, Singh created an electronic masterpiece that was far ahead of its time.

Recording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts, but that’s where the story begins…

Released in cooperation with Singh’s estate, Synthesizing: Ten Ragas to a Disco Beat arrives on June 26th. The 10-track album was remastered by Johanz Westerman at Ballyhoo Studio Mastering and stretched across 2-LPs for the highest quality listening experience. The vinyl was pressed at Optimal Media and housed in a gatefold jacket that replicates the original artwork.

An accompanying 16-page LP booklet features previously-unreleased photos and two new essays: the first from Arshia Fatima Haq and Jeremy Loudenback of Discostan—a multimedia collective and record label focusing on music from South West Asia and North Africa—while the other comes from filmmaker and writer Rana Ghose of event and film production entity REProduce Artists, who managed Singh in his final years and documented his triumphant return to the stage. Additionally, fans can find a limited-edition pressing of Synthesizing: Ten Ragas to a Disco Beat on ‘Pearlescent Transcendent Future’ Color Wax, while the album will also be reissued on CD with a 32-page booklet containing all of the above.

More on Synthesizing: Ten Ragas to a Disco Beat:

Indian multi-instrumentalist and composer Charanjit Singh (1940–2015) never intended to be an electronic dance music pioneer when he recorded 1982’s Synthesizing: Ten Ragas to a Disco Beat. Yet three decades later, his inventive use of state-of-the-art synthesizers and drum machines would prompt some to crown him the “Godfather of Acid House.” The real story, however, runs much deeper.

A native of Mumbai, Singh spent much of his career as a Bollywood session musician, collaborating with renowned composers like RD Burman and Shankar–Jaikishan, and appearing on some of the most iconic Hindi film hits of the ‘60s and ‘70s. Outside of the film industry, Singh recorded several of his own albums and toured the world alongside the era’s biggest stars—an opportunity which allowed him to collect new instruments, including synthesizers and other electronic devices. As psychedelia and disco wove their way into Bollywood scores, Singh was at the forefront, integrating a host of electronic textures into his work (his hypnotic Transicord introduction on “Dum Maro Dum” from 1971’s Hare Rama Hare Krishna is among his most recognizable performances).

By the turn of the ‘80s, however, Singh was disenchanted by the creative limitations of session work and embarked on a solo career. Not long after, on tour in Singapore, he discovered three Roland devices that had just hit the market: the TR-808 drum machine (released 1980), the TB-303 bass synthesizer (released 1981), and the Jupiter 8 synthesizer (released 1981). While this trio would fuel early electronic dance music in the coming years, Singh was among the first known artists to pair them on record when he was inspired to create his next album, Synthesizing: Ten Ragas to a Disco Beat.

Using only the three devices and recording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats, while programming the TB-303 to follow classical Hindustani scales. From the hypnotic drones of “Raga Bhairavi” to the uplifting jams of “Raga Bairagi” the album proved perhaps to be a bit too visionary for its time. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts.

Two decades later, Dutch DJ and record collector Edo Bouman was in New Delhi when he came across an old copy of Ten Ragas. Bouman was astounded by what he heard—electronic music that had all the hallmarks of acid house, recorded five years before Chicago DJs coined the term. Bouman spent the next few years tracking down Singh and, in 2010, reissued the album on his label, Bombay Connection.

Soon, Ten Ragas became a viral sensation, sparking disbelief and debates about the origins of acid house. But, as Haq and Loudenback explain, those in the conversation “Had little frame of reference for [Singh’s] music outside of the parameters of western club music.” Viewed through the lens of the Hindi film industry, they argue, the album’s through-line comes into focus. In the ‘60s, when Western artists were looking to India for inspiration, Bollywood was “A laboratory for discovering sounds, and for harnessing every new technology that could be found or repurposed…. Singh’s album is more fittingly placed within the framework of the expansion of Bollywood’s experiments in disco, rather than that of acid house.”

“Perhaps this is yet another example of how a public engages with those who are ahead of their time,” adds Rana Ghose. “This record is a direct consequence of a centuries-old classical music form, rendered through the lens of a visionary who used the vanguard of technology at the time to recast it, resulting in an artefact that, almost 40 years later, is finding entirely new audiences in an era marked by a changing and uncertain global landscape of soft-power assertion. Considering this reassessment is as exciting as it is fascinating. Much like this record.”

While Ten Ragas sparked plenty of conversations within the electronic music community, it also gave a bemused Singh a surge of newfound fame during the final years of his life, allowing him to play with his live collaborator Johanz Westerman (Thee J Johanz) to thousands of fans at packed club shows and festivals in Europe, the U.S., and India. Among those fans are Australian duo Glass Beams (who covered “Raga Bhairav”), German electronic duo Modeselektor, and Thom Yorke, who ranked “Raga Lalit” as one of his “6 Tracks You Need to Hear” via the BBC.

Most importantly, however, Ten Ragas resonated deeply with South Asian artists, who saw electronic music from India being recognized with new reverence. In the words of Vish Matre (of the UK DJ duo Dar Disku), “This record will be remembered for, not being the predecessor to another genre, but being a precursor to a lot of new music from the diaspora that relied on it as inspiration.”
The Bucketheads - The Bomb! (These Sounds Fall Into My Mind) Massivedrum Remix
The Bucketheads
The Bomb! (These Sounds Fall Into My Mind) Massivedrum Remix
12" | 1994 | EU | Reissue (High Fashion Music)
16,42 €*
Release: 1994 / EU – Reissue
Genre: Electronic & Dance
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2024 repress Edition

Masters at Work member Kenny “Dope” Gonzalez is the genius behind The Bucketheads – The Bomb! (These Sounds Fall Into My Mind). An established History of House hall of famer’, The Bomb’ is a 90’s house, party soundtrack essential that mixies electro, hip-hop and 4/4 house it features samples from Chicago’s ‘Street Player’ & Green Velvet’s ‘The Preacher Man’ fused into a disco-funk and house groove with edgy, funky, rough and ready beats and subtle latino flavour. It easy to see why its ranked in the 100 Greatest Dance Singles of All Time! Portuguese house producer Massivedrum is on remix duties. He has remixed dance royalty from Bob Sinclar, Axwell, Mory Kantè, Alexandra Stan, DJ Chus, Kentphonik, Yolanda B Cool among many others. He lends his house sensibilities and ear for the floor to enhance ‘The Bomb’ to new levels for an unforgettable experience. Besides the Massivedrum remix and it’s dub, also the full 14’51” minutes original version is available on this double A sided release! The Massivedrum remix is taken from the album “High Fashion Dance Music 5 – Mixed by Ben Liebrand”, which is available on Lp/cd/mc and DCC.
Michael Gray - The Weekend Blue Marbled Vinyl Edition
Michael Gray
The Weekend Blue Marbled Vinyl Edition
12" | 2004 | EU | Reissue (Groovin)
14,49 €*
Release: 2004 / EU – Reissue
Genre: Electronic & Dance
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Unknown Artist - Sunglasses
Unknown Artist
Sunglasses
12" | 2026 | EU | Original (Roche Edits)
13,52 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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The Iconic Roche Edits Label is back revisiting forgotten classics. Already played by all major players. Dont Sleep on it!
Armand Van Helden - I Want Your Soul (Avh Rework + Prospa Remix)
Armand Van Helden
I Want Your Soul (Avh Rework + Prospa Remix)
12" | 2024 | UK | Original (Southern Fried)
17,39 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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The Armand Van Helden classic ‘I Want Your Soul’ gets a fresh rework from the man himself and an incredible remix from UK star duo Prospa. Their job has been nailed with the original spirit of the record maintained, and with Prospa’s signature euphoric energy and melodics oozing throughout.
Blue Boy - Remember Me (Remixes) 2025 Clear Blue Vinyl Repress Edition
Blue Boy
Remember Me (Remixes) 2025 Clear Blue Vinyl Repress Edition
12" | 2020 | EU | Reissue (High Fashion Music)
16,42 €*
Release: 2020 / EU – Reissue
Genre: Electronic & Dance
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Following its release in 1997, ‘Remember Me’ was cemented as an international dance hit, peaking at #8 in the UK singles charts, as well as #2 in the American Dance Chart. Instantly recognizable for the iconic Marlena Shaw vocal samples and down-tempo chugging bassline, ‘Remember Me’ has gained cult status throughout the world as a dance-floor classic. Releasing the original over 20 years ago, the incomparable track has only received one previous official remix with Dutch producer and DJ, Franky Rizardo now injecting new life into an already seminal track also

The Dutch imprint has now asked non-other than David Penn to add his magic to this sure-fire repeat player!

Madrid based David Penn get to grips with the Blue Boy classic and the results are spectacular! Some of you may have already heard it on David’s recent Live lockdown streams all over social media?! Now you have been hand-picked to help break this house anthems!
Sweely - Bring It On 2026 Repress
Sweely
Bring It On 2026 Repress
12" | 2025 | EU | Original (Global Swing)
13,52 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Eddie Amador - House Music Remixes
Eddie Amador
House Music Remixes
12" | 2016 | EU | Original (Yoshitoshi)
17,39 €*
Release: 2016 / EU – Original
Genre: Electronic & Dance
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REPRESSED !!

Can you believe it Fall of 2014 marks the 20TH ANNIVERSARY of YOSHITOSHI, the seminal record label founded by Deep Dish in 1994.

To celebrate, we are bringing the classics back, remastered and with new remixes from an amazing group of heavy hitters from all corners of the dance world.

Given that Yoshitoshi's roots are ingrained in house music, it's only fitting to start the re-release campaign with Eddie Amador's classic House Music.

Released in 1997 it went on to become a global phenomena with its hypnotic hook and infectious Not Everyone Understands House Music that has become the preach anthem for generation of house music lovers.

Along with the remastered original the package includes remixes by Uto Karem, Robosonic & Anthony Attalla...
Alexander Skancke - Saga of Subvision
Alexander Skancke
Saga of Subvision
12" | 2026 | EU | Original (Quirk)
14,49 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2026-03-20
Alexander Skancke returns on his own Quirk label with Saga of Subvision, a focused 12" that further refines his sound between Minimal, House, Garage and Techno. Based in Berlin, the Norwegian producer is deeply rooted in analog production and club culture, with a clear dedication to vinyl-oriented, raw and tactile sound aesthetics.

The A-side is built for the dancefloor: driving, groove-led and marked by Skancke’s characteristic garage influences, delivering direct and functional club tools. On the B-side, the EP shifts into more hypnotic territory, with reduced arrangements and a stronger techno lean, while retaining the raw analog feel throughout.

Saga of Subvision works equally well in peak-time club settings and deeper DJ selections, underlining Skancke’s ability to balance functionality with character.
2 Eivissa - Oh La La La Yellow Vinyl Edition
2 Eivissa
Oh La La La Yellow Vinyl Edition
12" | 1997 | EU | Reissue (Dance On The Beat)
16,42 €*
Release: 1997 / EU – Reissue
Genre: Electronic & Dance, Pop
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Boogie Down Edits - Volume 2: ATCQ House Edits
Boogie Down Edits
Volume 2: ATCQ House Edits
12" | 2026 | EU | Original (Boogie Down Edits)
16,42 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2026-03-13
After the massive success of Vol 1 Boogie Down Edits are back with Vol 2 keeping the same winning formula with another group of Hip Hop legends Atcq. re-inventing some of their best-loved hip-hop cuts as party-starting house jams. Wisely, they've chosen to retain many of the key musical ingredients of their source material, subtly shifting the grooves to aid slick mixing and peak-time joy.

Limited Pressing get your orders in fast.
Kevin De Vries - Dance With Me Ep 2026 Repress
Kevin De Vries
Dance With Me Ep 2026 Repress
12" | 2022 | EU | Reissue (Afterlife)
13,52 €*
Release: 2022 / EU – Reissue
Genre: Electronic & Dance
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Hollis P. Monroe - I'm Lonely
Hollis P. Monroe
I'm Lonely
12" | 1996 | EU | Reissue (Groovin)
13,52 €*
Release: 1996 / EU – Reissue
Genre: Electronic & Dance
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Daft Punk - Random Access Memories
Daft Punk
Random Access Memories
2LP | 2013 | EU | Reissue (Columbia)
37,67 €*
Release: 2013 / EU – Reissue
Genre: Electronic & Dance
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2022 press. Believe it or not: Daft Punk just split up. This album remains a classic. Released after an eight year hiatus with massive help from Pharrell Williams! 180g Vinyl
Abacus - The Relics E.P.
Abacus
The Relics E.P.
EP | 1994 | Reissue (Clone Classic Cuts)
15,46 €*
Release: 1994 / Reissue
Genre: Electronic & Dance
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Abacus - The Relics E.P. - A Deep-House Masterpiece from 1994 Re-Released

Somewhere around 1993 or '94, a quietly profound landmark in deep house emerged: The Relics E.P. by Austin Bascom, better known as Abacus, originally released on Chicago's Prescription Records (catalogue #006). With four tracks spanning roughly 26 minutes, this record has since gained cult status among DJs, collectors, and aficionados of the deeper, more soulful yet futuristic side of house music. Abacus crafted a quintessential deep-house journey: warm grooves, lush textures, scorched sub-bass, and a deeply introspective futuristic atmosphere. Bascom produced a record that never chased trends, but instead quietly built a lasting legacy. This record remained rare and highly sought after.

In an era when house music was splintering into countless directions - even reaching the pop charts - The Relics E.P. planted its flag firmly in the underground, soulful terrain. Collectors and DJs continue to cite it as essential deep house, often describing it as "one of the finest deep-house records of all time." Its scarcity and enduring emotional pull have only strengthened its legend.

Decades on, The Relics E.P. continues to surface in DJ mixes and playlists, and as a touchstone for producers seeking that timeless balance of groove and emotion.

Now, three Decades later, Clone Classic Cuts is proud to present a fully remastered edition of The Relics E.P., including previously unreleased material from the same recording sessions. Pressed on 140-gram virgin black vinyl, this edition restores and elevates a true cornerstone of deep-house history.
Charanjit Singh - Synthesizing: Ten Ragas To A Disco Beat Black Vinyl Edition
Charanjit Singh
Synthesizing: Ten Ragas To A Disco Beat Black Vinyl Edition
2LP | 1982 | US | Reissue (Light In The Attic)
47,35 €*
Release: 1982 / US – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2026-06-26
Light in the Attic is honored to announce the long-awaited reissue of Synthesizing: Ten Ragas to a Disco Beat, the revolutionary 1982 album from composer and musician Charanjit Singh. Pairing Indian classical ragas with then-state-of-the-art Roland synthesizers and drum machines, Singh created an electronic masterpiece that was far ahead of its time.

Recording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts, but that’s where the story begins…

Released in cooperation with Singh’s estate, Synthesizing: Ten Ragas to a Disco Beat arrives on June 26th. The 10-track album was remastered by Johanz Westerman at Ballyhoo Studio Mastering and stretched across 2-LPs for the highest quality listening experience. The vinyl was pressed at Optimal Media and housed in a gatefold jacket that replicates the original artwork.

An accompanying 16-page LP booklet features previously-unreleased photos and two new essays: the first from Arshia Fatima Haq and Jeremy Loudenback of Discostan—a multimedia collective and record label focusing on music from South West Asia and North Africa—while the other comes from filmmaker and writer Rana Ghose of event and film production entity REProduce Artists, who managed Singh in his final years and documented his triumphant return to the stage. Additionally, fans can find a limited-edition pressing of Synthesizing: Ten Ragas to a Disco Beat on ‘Pearlescent Transcendent Future’ Color Wax, while the album will also be reissued on CD with a 32-page booklet containing all of the above.

More on Synthesizing: Ten Ragas to a Disco Beat:

Indian multi-instrumentalist and composer Charanjit Singh (1940–2015) never intended to be an electronic dance music pioneer when he recorded 1982’s Synthesizing: Ten Ragas to a Disco Beat. Yet three decades later, his inventive use of state-of-the-art synthesizers and drum machines would prompt some to crown him the “Godfather of Acid House.” The real story, however, runs much deeper.

A native of Mumbai, Singh spent much of his career as a Bollywood session musician, collaborating with renowned composers like RD Burman and Shankar–Jaikishan, and appearing on some of the most iconic Hindi film hits of the ‘60s and ‘70s. Outside of the film industry, Singh recorded several of his own albums and toured the world alongside the era’s biggest stars—an opportunity which allowed him to collect new instruments, including synthesizers and other electronic devices. As psychedelia and disco wove their way into Bollywood scores, Singh was at the forefront, integrating a host of electronic textures into his work (his hypnotic Transicord introduction on “Dum Maro Dum” from 1971’s Hare Rama Hare Krishna is among his most recognizable performances).

By the turn of the ‘80s, however, Singh was disenchanted by the creative limitations of session work and embarked on a solo career. Not long after, on tour in Singapore, he discovered three Roland devices that had just hit the market: the TR-808 drum machine (released 1980), the TB-303 bass synthesizer (released 1981), and the Jupiter 8 synthesizer (released 1981). While this trio would fuel early electronic dance music in the coming years, Singh was among the first known artists to pair them on record when he was inspired to create his next album, Synthesizing: Ten Ragas to a Disco Beat.

Using only the three devices and recording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats, while programming the TB-303 to follow classical Hindustani scales. From the hypnotic drones of “Raga Bhairavi” to the uplifting jams of “Raga Bairagi” the album proved perhaps to be a bit too visionary for its time. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts.

Two decades later, Dutch DJ and record collector Edo Bouman was in New Delhi when he came across an old copy of Ten Ragas. Bouman was astounded by what he heard—electronic music that had all the hallmarks of acid house, recorded five years before Chicago DJs coined the term. Bouman spent the next few years tracking down Singh and, in 2010, reissued the album on his label, Bombay Connection.

Soon, Ten Ragas became a viral sensation, sparking disbelief and debates about the origins of acid house. But, as Haq and Loudenback explain, those in the conversation “Had little frame of reference for [Singh’s] music outside of the parameters of western club music.” Viewed through the lens of the Hindi film industry, they argue, the album’s through-line comes into focus. In the ‘60s, when Western artists were looking to India for inspiration, Bollywood was “A laboratory for discovering sounds, and for harnessing every new technology that could be found or repurposed…. Singh’s album is more fittingly placed within the framework of the expansion of Bollywood’s experiments in disco, rather than that of acid house.”

“Perhaps this is yet another example of how a public engages with those who are ahead of their time,” adds Rana Ghose. “This record is a direct consequence of a centuries-old classical music form, rendered through the lens of a visionary who used the vanguard of technology at the time to recast it, resulting in an artefact that, almost 40 years later, is finding entirely new audiences in an era marked by a changing and uncertain global landscape of soft-power assertion. Considering this reassessment is as exciting as it is fascinating. Much like this record.”

While Ten Ragas sparked plenty of conversations within the electronic music community, it also gave a bemused Singh a surge of newfound fame during the final years of his life, allowing him to play with his live collaborator Johanz Westerman (Thee J Johanz) to thousands of fans at packed club shows and festivals in Europe, the U.S., and India. Among those fans are Australian duo Glass Beams (who covered “Raga Bhairav”), German electronic duo Modeselektor, and Thom Yorke, who ranked “Raga Lalit” as one of his “6 Tracks You Need to Hear” via the BBC.

Most importantly, however, Ten Ragas resonated deeply with South Asian artists, who saw electronic music from India being recognized with new reverence. In the words of Vish Matre (of the UK DJ duo Dar Disku), “This record will be remembered for, not being the predecessor to another genre, but being a precursor to a lot of new music from the diaspora that relied on it as inspiration.”
The Ones - Flawless
The Ones
Flawless
12" | 1999 | EU | Reissue (Groovin)
13,52 €*
Release: 1999 / EU – Reissue
Genre: Electronic & Dance
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Sweely - Erasmus DJ EP
Sweely
Erasmus DJ EP
12" | 2026 | EU | Original (Display)
14,49 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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The wizard Sweely opens his own label with a five-track EP of woozy, sensual house that blends G-funk-tinted synths, rolling rhythms and a strong emotional pull. From the nostalgic opener “Erasmus DJ” to the sexy live favourite “Sex Pills”, via the hypnotic tool “This Is Perfect”, each track is built for deep, late-night moments. Final cut “Samples n Scratch” goes one step further, offering not just a DJ tool but also drum kits, scratches and stems for producers who want to chop and remix the record.
Glenn Underground - The Jerusalem EP's 35th Anniversary Smokey Vinyl Edition w/ OBI-Strip
Glenn Underground
The Jerusalem EP's 35th Anniversary Smokey Vinyl Edition w/ OBI-Strip
2LP | 2026 | UK | Original (Peacefrog)
42,52 €*
Release: 2026 / UK – Original
Genre: Electronic & Dance
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Preorder shipping from 2026-05-08
35th Anniversary Edition obi strip. Smokey Vinyl 2LP.

Glenn Underground is the founding member of the Strictly Jaz Unit. He was raised on disco classics and freeform jazz in Chicago's Southside, the place where house music was born. Taking inspiration from Chicago's original pioneers, Larry Heard, Ron Hardy, Lil' Louis, and the like, Glenn has produced many sought after house gems for some of the most well respected deep house labels such as Prescription and Guidance. The Jerusalem EP's, GU's second album for Peacefrog originally released in 1997 still sounds so fresh, so deep and so soulful. Blending jazz-tinged chord progressions with sax accents, and rolling basslines the album evokes the sound of late-’90s hypnotic Chicago house. Timeless, quality, underground house music for the mind, the body and especially the soul.
ANF - Mauna Kea EP
ANF
Mauna Kea EP
12" | 2019 | EU | Reissue (Dust World)
15,46 €*
Release: 2019 / EU – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2026-03-26
We are excited to bring you a repress of ANF's Mauna Kea EP which was originally released on Pacific Rhythm in 2019.
Paul Johnson - Get Get Down Blue Vinyl Edtion
Paul Johnson
Get Get Down Blue Vinyl Edtion
12" | 2025 | EU | Original (Groovin)
14,49 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2026-04-10
Martin Solveig - Hello Feat. Dragonette White Vinyl Edition
Martin Solveig
Hello Feat. Dragonette White Vinyl Edition
12" | 2010 | EU | Reissue (Dance On The Beat)
13,52 €*
Release: 2010 / EU – Reissue
Genre: Electronic & Dance, Pop
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Âme - Rej EP 2025 Repress Black Vinyl Edition
Âme
Rej EP 2025 Repress Black Vinyl Edition
12" | 2003 | EU | Reissue (Innervisions)
12,56 €*
Release: 2003 / EU – Reissue
Genre: Electronic & Dance
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The possibly most important Innervisions record of all time got the repress treatment a lot of us have been waiting for. Âme’s ‘Rej EP’ is back, more than 15 years after the original release.
Florence Funk - FF012
Florence Funk
FF012
7" | 2026 | EU | Original (Florence Funk)
13,52 €*
Release: 2026 / EU – Original
Genre: Organic Grooves, Electronic & Dance
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Vinyl in Presale!!!

Florence getting funky....very exclusive & limited 7" Pressing. Vinyl Only as usual.

12th Release of the limited Florcene Funk Sublabel including 2 rare Gems and for the first Time in fresh 4C full Cover....Vinyl Only & limited as usual.

Comes for the first Time in 4 C full Cover !
Nacho Marco - Colors In Dub Volume 1
Nacho Marco
Colors In Dub Volume 1
12" | 2026 | EU | Original (Phonogramme)
15,46 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Nacho Marco drops Colors in Dub Vol.1—deep house soaked in warm analog dub. From the hypnotic “Midnight Blue” and its Satoshi Tomiie remix to the raw pulse of “Bumblebee Yellow” and “Electric Green,” this wax rides late-night frequencies straight from Valencia to Paris.
Garrett David - The Dirty Work 2026 Repress
Garrett David
The Dirty Work 2026 Repress
12" | 2022 | EU | Reissue (Global Swing)
13,52 €*
Release: 2022 / EU – Reissue
Genre: Electronic & Dance
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2026 Repress

Attention! Attention! Calling all sonic travelers, DJ’s, movers and groovers: This is an emergency! We are global swing. We present to you a vision of the future, informed by the past, for the here and now.

First up, Garrett David comes out swingin’ with “The Dirty Work”. 4 hard knockin’,boot stompin’, body rockin’, floor ready tunes. Underground attitude with unmistakable style. Getting it right can be ‘dirty work’, but it had to be done. This is what we’re all about, like the earth’s orbit around the sun! Nonstop funk for infinity and beyond. Now swing ya hips to the fix of this mix!
Picture
Coming Soon
Lovebirds
Want You In My Soul
12" | 2011 | UK | Reissue (Winding Road)
17,39 €*
Release: 2011 / UK – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2026-03-27
Kapote Presents - Wildstyle House Volume 1
Kapote Presents
Wildstyle House Volume 1
2LP | 2026 | Original (Toy Tonics)
23,18 €*
Release: 2026 / Original
Genre: Electronic & Dance
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A new TOY TONICS compilation!

WILDSTYLE HOUSE is a new compilation series where Toy Tonics invites producers and DJs that have a very special, funky, unique sound to make one new track. The compilation should show the variability and diversity of house and disco TODAY. Like the wild music mix you can hear at the Toy Tonics events and the way Toy Tonics DJs combine many different styles of "4 to the floor" music into one new soulful, multi-style, and warm-sounding blended "genre." It's about the groove, about a new soul sound, the human feel, the organic and Y2K-inspired dance music that is growing and appeals to a new generation of dance music lovers.

This first part of the compilation includes unreleased music by:

Afro-funk and salsa-house producer talents ELADO, MUSTA, and ALMA NEGRA.

Garage house maestros MELON BOMB and Italian musician DANIEL MONACO (known for his New Wave disco and proto-house releases on Rush Hour and his work for Antal).

MARLA KETHER, the London bass player and DJ, who is known for her work with Little Simz, Oscar Jerome, and Loyle Carner, and has now started to release her own tracks.

Argentinian singer, musician, and DJ ALOT, combining proto-house vibes with Spanish rap.

Funk house producer and edit maestro PAUL OLDER, who is starting to become one of the key names of the new soul house scene (supported by DJs like Folamour, David Penn, Seth Troxler, Kirollus, Breakbot...).

And also Toy Tonics' own GEE LANE, KAPOTE, and ARPY BROWN contributed new tracks.
Rüfüs Du Sol - Innerbloom Remixes Clear Vinyl Edition
Rüfüs Du Sol
Innerbloom Remixes Clear Vinyl Edition
12" | 2021 | UK | Original (Sweat It Out)
18,35 €*
Release: 2021 / UK – Original
Genre: Electronic & Dance
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Limited edition, ultra clear vinyl version of Rüfüs DU SOL's standout Innerbloom Remix EP. Calling on a who's who of modern electronic’s greats, they harness the unquestionable expertise of this all-star cast to adapt their dark, emotive and gargantuan single 'Innerbloom'. The result is an array of dancefloor-destined destruction from the legendary UK superstar Sasha, melodic deep house wizard Lane 8, and Germany's very own H.O.S.H.
Marshall Jefferson / Jamie Principle - Move Your Body / Baby Wants To Ride
Marshall Jefferson / Jamie Principle
Move Your Body / Baby Wants To Ride
12" | 1986 | EU | Reissue (Trax)
14,49 €*
Release: 1986 / EU – Reissue
Genre: Electronic & Dance
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More quality from the Trax vaults. One of the biggest all time house music anthems from Marshall Jefferson, mixed by Ron Hardy and produced by Virgo. Re mastered versions from the Traxbox compilation.
Charanjit Singh - Synthesizing: Ten Ragas To A Disco Beat Pearlescent Transcendent Future Vinyl Edition
Charanjit Singh
Synthesizing: Ten Ragas To A Disco Beat Pearlescent Transcendent Future Vinyl Edition
2LP | 1982 | US | Reissue (Light In The Attic)
48,31 €*
Release: 1982 / US – Reissue
Genre: Electronic & Dance
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Light in the Attic is honored to announce the long-awaited reissue of Synthesizing: Ten Ragas to a Disco Beat, the revolutionary 1982 album from composer and musician Charanjit Singh. Pairing Indian classical ragas with then-state-of-the-art Roland synthesizers and drum machines, Singh created an electronic masterpiece that was far ahead of its time.

Recording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts, but that’s where the story begins…

Released in cooperation with Singh’s estate, Synthesizing: Ten Ragas to a Disco Beat arrives on June 26th. The 10-track album was remastered by Johanz Westerman at Ballyhoo Studio Mastering and stretched across 2-LPs for the highest quality listening experience. The vinyl was pressed at Optimal Media and housed in a gatefold jacket that replicates the original artwork.

An accompanying 16-page LP booklet features previously-unreleased photos and two new essays: the first from Arshia Fatima Haq and Jeremy Loudenback of Discostan—a multimedia collective and record label focusing on music from South West Asia and North Africa—while the other comes from filmmaker and writer Rana Ghose of event and film production entity REProduce Artists, who managed Singh in his final years and documented his triumphant return to the stage. Additionally, fans can find a limited-edition pressing of Synthesizing: Ten Ragas to a Disco Beat on ‘Pearlescent Transcendent Future’ Color Wax, while the album will also be reissued on CD with a 32-page booklet containing all of the above.

More on Synthesizing: Ten Ragas to a Disco Beat:

Indian multi-instrumentalist and composer Charanjit Singh (1940–2015) never intended to be an electronic dance music pioneer when he recorded 1982’s Synthesizing: Ten Ragas to a Disco Beat. Yet three decades later, his inventive use of state-of-the-art synthesizers and drum machines would prompt some to crown him the “Godfather of Acid House.” The real story, however, runs much deeper.

A native of Mumbai, Singh spent much of his career as a Bollywood session musician, collaborating with renowned composers like RD Burman and Shankar–Jaikishan, and appearing on some of the most iconic Hindi film hits of the ‘60s and ‘70s. Outside of the film industry, Singh recorded several of his own albums and toured the world alongside the era’s biggest stars—an opportunity which allowed him to collect new instruments, including synthesizers and other electronic devices. As psychedelia and disco wove their way into Bollywood scores, Singh was at the forefront, integrating a host of electronic textures into his work (his hypnotic Transicord introduction on “Dum Maro Dum” from 1971’s Hare Rama Hare Krishna is among his most recognizable performances).

By the turn of the ‘80s, however, Singh was disenchanted by the creative limitations of session work and embarked on a solo career. Not long after, on tour in Singapore, he discovered three Roland devices that had just hit the market: the TR-808 drum machine (released 1980), the TB-303 bass synthesizer (released 1981), and the Jupiter 8 synthesizer (released 1981). While this trio would fuel early electronic dance music in the coming years, Singh was among the first known artists to pair them on record when he was inspired to create his next album, Synthesizing: Ten Ragas to a Disco Beat.

Using only the three devices and recording live at Mumbai’s HMV studios, Singh married the past to the future—blending the ancient Indian tradition of ragas (a melodic framework, similar to a scale, from which musicians can improvise or compose) with pulsating, electronic dance beats, while programming the TB-303 to follow classical Hindustani scales. From the hypnotic drones of “Raga Bhairavi” to the uplifting jams of “Raga Bairagi” the album proved perhaps to be a bit too visionary for its time. Released without fanfare, it faded into obscurity and Singh retired from recording to focus on private concerts.

Two decades later, Dutch DJ and record collector Edo Bouman was in New Delhi when he came across an old copy of Ten Ragas. Bouman was astounded by what he heard—electronic music that had all the hallmarks of acid house, recorded five years before Chicago DJs coined the term. Bouman spent the next few years tracking down Singh and, in 2010, reissued the album on his label, Bombay Connection.

Soon, Ten Ragas became a viral sensation, sparking disbelief and debates about the origins of acid house. But, as Haq and Loudenback explain, those in the conversation “Had little frame of reference for [Singh’s] music outside of the parameters of western club music.” Viewed through the lens of the Hindi film industry, they argue, the album’s through-line comes into focus. In the ‘60s, when Western artists were looking to India for inspiration, Bollywood was “A laboratory for discovering sounds, and for harnessing every new technology that could be found or repurposed…. Singh’s album is more fittingly placed within the framework of the expansion of Bollywood’s experiments in disco, rather than that of acid house.”

“Perhaps this is yet another example of how a public engages with those who are ahead of their time,” adds Rana Ghose. “This record is a direct consequence of a centuries-old classical music form, rendered through the lens of a visionary who used the vanguard of technology at the time to recast it, resulting in an artefact that, almost 40 years later, is finding entirely new audiences in an era marked by a changing and uncertain global landscape of soft-power assertion. Considering this reassessment is as exciting as it is fascinating. Much like this record.”

While Ten Ragas sparked plenty of conversations within the electronic music community, it also gave a bemused Singh a surge of newfound fame during the final years of his life, allowing him to play with his live collaborator Johanz Westerman (Thee J Johanz) to thousands of fans at packed club shows and festivals in Europe, the U.S., and India. Among those fans are Australian duo Glass Beams (who covered “Raga Bhairav”), German electronic duo Modeselektor, and Thom Yorke, who ranked “Raga Lalit” as one of his “6 Tracks You Need to Hear” via the BBC.

Most importantly, however, Ten Ragas resonated deeply with South Asian artists, who saw electronic music from India being recognized with new reverence. In the words of Vish Matre (of the UK DJ duo Dar Disku), “This record will be remembered for, not being the predecessor to another genre, but being a precursor to a lot of new music from the diaspora that relied on it as inspiration.”
Fk + Dfp - The Nassau Excursion
Fk + Dfp
The Nassau Excursion
12" | 2026 | Original (Rush Hour)
15,46 €*
Release: 2026 / Original
Genre: Electronic & Dance
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Some 30 years after they first met in the DJ booth of Tokyo’s Spacelab Yellow nightclub, close friends François Kevorkian and Dimitri From Paris have finally joined forces in the studio. The result is The Nassau Excursion, a dazzlingly good three-track EP inspired by their joint love of disco and boogie-era dance records made at Island Records’ Compass Point Studio in the Bahamas.

Across three essential tracks, François and Dimitri explore and celebrate this distinctive Caribbean post-disco sound – one where weighty basslines and heavy drum machine beats rub shoulders with early ‘80s synths, dub-style production, heady hand percussion patterns and arrangements drenched in space echo and tape delay.
Pete Heller's Big Love - Big Love David Penn & The Dronez Remixes
Pete Heller's Big Love
Big Love David Penn & The Dronez Remixes
12" | 2019 | EU | Original (Defected)
15,46 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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It’s almost hard to believe that a record with anthem status like Pete Heller’s ‘Big Love’ was created out of a happy accident, but that is exactly how it happened. Left to his own devices as his studio partner Terry Farley went to watch a Chelsea game, Pete Heller was playing around with his Akai sampler when he produced what is arguably one of the most recognisable pieces of dance music of the 1990’s. Earlier this summer Urbana Records boss and Spanish powerhouse David Penn took to remixing this enduring classic. Winning over dancefloors in Ibiza and beyond with his signature rolling bassline and infectious groove, the record soaring to both Beatport and Traxsource #1. Now Defected present a special 12” package that features David’s remix, joined on the A-Side by The Dronez Remix, where house masters Erick Morillo, Harry Romero and Jose Nunez lend their classic house capabilities to the track. On the B-Side is Pete Heller’s original, sounding as incredible as ever over twenty years after its original release, once again proving the timelessness of ‘Big Love’.
Corona - The Rhythm Of The Night
Corona
The Rhythm Of The Night
12" | 1993 | EU | Reissue (Dance On The Beat)
17,39 €*
Release: 1993 / EU – Reissue
Genre: Electronic & Dance, Pop
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Florence - Florence 015 Random Color Marbled Vinyl Edition
Florence
Florence 015 Random Color Marbled Vinyl Edition
12" | 2023 | EU | Reissue (Florence)
13,52 €*
Release: 2023 / EU – Reissue
Genre: Electronic & Dance
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2025 Reissue on Random Color marbled Vinyl
V.A. - Detroit On The Move Volume 2
V.A.
Detroit On The Move Volume 2
12" | 2025 | US | Original (Upstairs Asylum)
14,49 €*
Release: 2025 / US – Original
Genre: Electronic & Dance
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Susumu Yokota - Acid Mt. Fuji Remastered 30th Anniversary Edition
Susumu Yokota
Acid Mt. Fuji Remastered 30th Anniversary Edition
3LP | 2024 | EU | Original (Musicmine)
36,71 €*
Release: 2024 / EU – Original
Genre: Electronic & Dance
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Triple gatefold heavyweight 180g vinyl, Remastered original LP , Incl. 5 unreleased tracks released for the 1st time on vinyl`see tracklist below for details!

"A mesmerizing Japanese ambient techno masterpiece that that completely rewires how you perceive music" Electronic Beats

"A mountainous Masterpiece. A powerful testament to rave culture's establishment and the birth of a new scene in Japan emerging in the mid '90s. One of Yokota's most celebrated work that merges Japanese new age and minimal techno"
Alex From Tokyo (Japan Vibrations, world famous, Paris)

GENRE/S: Techno, Acid, Ambient

New liner notes by Alex From Tokyo

On July 26th Susumu Yokota's venerated 1994 classic 'Acid Mt. Fuji' is reissued in expanded, deluxe fashion, as part of the 30th anniversary celebrations of the label that originally presented it. Japan's Musicmine - specifically it's electronic subsidiary Sublime Records - released the album on June 29th 1994, simultaneously with Ken Ishii's 'Reference To Difference', as their inaugural joint offering.

'Acid Mt. Fuji' is an enchanting mix of mystical ambient acid and futurist minimal techno, taking the listeners on a psychedelic pilgrimage, where 303, synths and electronic percussion are scented with reverb, echo and forest recordings. Merging Japanese new age and sparse electronica, the recording is free, organic, and energized - proffering a unique blend of early 90s western styles and the essence of his home country.

Yokota originally planned an ambient record, but 'Acid Mt. Fuji' evolved into a concept work featuring the Roland TB-303, which he recorded live at home alongside a sampler, yielding experimental and innovative results.

The longplayer found its muse in the famed 18th-19th century artist Hokusai's red rendition of Mt. Fuji, known as 'Red Fuji' or 'Akafuji'. Part of the painter's renowned 'Thirty Six Views of Mt. Fuji' series from the 1830s, 'Red Fuji' depicts the iconic sacred mountain aglow in red at dawn, symbolizing spirituality and creativity. With references to Japanese folklore, nature and shrines, tracks like 'Kinoko' and 'Meijijingu' invite the listener to immerse themselves in the album's spiritual depths.

Yokota's own homage-to-Hokusai drawing graces the record's cover, and was inspired by the concept of wa (harmony) - highlighting his diverse skills not only as a musician, but an artist and designer too.

'Acid Mt. Fuji' is a powerful testament to the establishment of rave culture in Japan, which rapidly developed within just two years, from 1992 to 1994. Largely due to praise for the breathtaking originality of the LP, within this burgeoning national techno scene, Yokota rose to prominence as one of its key figures.

He then became one of the most renowned artists to emerge from his homeland and enter the global electronic pantheon. He inspired a new wave of Japanese producers and DJs, contributing significantly to the growth of the techno movement in Japan.

Yokota was a solitary figure, an artist who expressed his life through the continuous creation of music. For those seeking something different; mystical, soothing, pristinely ergonomic and uniquely Japanese, this record stands as iconic as Mt. Fuji itself.

-

This triple vinyl Deluxe Edition includes the original album's eleven tracks alongside five raw and jacking rare gems, available on wax for the first time, which were previously included only in the Japanese 2016 Deluxe Edition CD.

There are also two digital-only bonus tracks. One is a live performance by Yokota, titled 'Live at Shibuya Beam Hall', which was recorded at Sublime Records' label launch party, held in September 1994. It was previously only released on the aforementioned 2016 Japanese CD edition. This event, titled 'Sublime Records Presents New Style of Electronic Ambient Party' featured performances by Susumu Yokota, Ken Ishii, Yoshihiro Sawasaki, Speedy J and DJ Wada. This ten minute long, rare live recording captures Yokota playing a dynamic, fast paced acid house live jam, using two TB-303s and a drum machine. The other digital only bonus track is an alternative version of 'H', which was discovered recently whilst excavating a DAT.

The liner notes are written by DJ/producer Alex From Tokyo, who was a good friend of Yokota, and experienced the 90s Tokyo club scene first-hand as an insider. His compilation 'Japan Vibrations Vol. 1' captures this golden era, and features music by Prism (Susumu Yokota), Ryuichi Sakamoto, Haruomi Hosono, Yasuaki Shimizu, Quadra (Hiroshi Watanabe) and more.

3LP Vinyl
Catalogue no: MMDS24004LP

Side A
1. Zenmai (2024 Remaster)
2. Kinoko (2024 Remaster)
3. Meijijingu (2024 Remaster)

Side B
1. Saboten (2024 Remaster)
2. Oh My God (2024 Remaster)
3. Tambarin (2024 Remaster)

Side C
1. Oponchi (2024 Remaster)
2. Ao-oni (2024 Remaster)
3. Akafuji (2024 Remaster)

Side D
1. Alphaville (2024 Remaster)
2. Tanuki (2024 Remaster)

Side E
1. Floating G (2024 Remaster)**
2. H (2024 Remaster)**
3. B (2024 Remaster)**

Side F
1. F (2024 Remaster)**
2. 2 H (2024 Remaster)**

**= 5 unreleased tracks released for the 1st time on vinyl.

New liner notes by Martyn Pepperell
Michel Cleis - La Mezcla
Michel Cleis
La Mezcla
12" | 2009 | EU | Reissue (Groovin)
13,52 €*
Release: 2009 / EU – Reissue
Genre: Electronic & Dance
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Ninetoes - Finder (Picture Disc)
Ninetoes
Finder (Picture Disc)
12" | 2026 | EU | Original (Kling Klong)
18,35 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Recut & Represed!

As always Kling Klong gives space for new artists and supports upcoming talents. This time Martin Eyerer & Rainer Weichhold had no doubts signing this debut release from Stuttgart's dj/producer Ninetoes as 'Finder' is obviously a massive stand-out track which has the words 'summer hit' written all over it. So it was just easy to convince Leon and Re-UP from Italy to do the remixes and help to make this release even more oustanding.
Garrett David - Gary's Dreamland 2026 Repress
Garrett David
Gary's Dreamland 2026 Repress
12" | 2023 | EU | Reissue (Global Swing)
13,52 €*
Release: 2023 / EU – Reissue
Genre: Electronic & Dance
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2026 Repress

Welcome to Gary’s Dreamland, the ultimate getaway for lovers and dreamers alike.. This ain't just music, it's a whole damn experience! This premium package is all inclusive and guaranteed to add a touch of magic to the next funktion. Forget time and dance ‘til dawn, baby! Though the dream eventually fades, the memories remain. things change, but the message is still the same; Global purpose, essential swing.
Wink - Higher State Of Consciousness Red / White Splatter Vinyl Edition
Wink
Higher State Of Consciousness Red / White Splatter Vinyl Edition
12" | 1996 | EU | Reissue (Strictly Rhythm)
18,35 €*
Release: 1996 / EU – Reissue
Genre: Electronic & Dance
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Limited Edition Splatter Vinyl
Emmanuel Top - The Legacy Of Attack Records 2025 Clear Marbled Vinyl Edition
Emmanuel Top
The Legacy Of Attack Records 2025 Clear Marbled Vinyl Edition
Box Set | 2024 | EU | Reissue (Attack)
96,63 €*
Release: 2024 / EU – Reissue
Genre: Electronic & Dance
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Emmanuel Top's Attack Records stands as a milestone in the 1990s techno-acid scene. The French producer pioneered a unique sound that continues to resonate today. Tracks like "Turkish Bazar" and "Acid Phase" remain iconic, even considered among the best techno productions of the 90s. Thirty years after their original release, all the key tracks by Emmanuel Top on his own Attack Records return to vinyl, remastered in a 5 x 12" boxset.
DJ Hell - Neoclash Transparent Red & Crystal Clear Vinyl Edition
DJ Hell
Neoclash Transparent Red & Crystal Clear Vinyl Edition
2LP | 2025 | DE | Original (International Deejay Gigolo)
29,95 €*
Release: 2025 / DE – Original
Genre: Electronic & Dance
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2LP,limited Edition (1000) Transparent Red (A/B) and Crystal Clear (C/D) Vinyl!

NEOCLASH is DJ Hell's new work.
The Electroclash of the early 2000s is reconstructed here, its characteristic codes extracted and reshaped into a modern, reflective form.
NEOCLASH is a cultural experiment - music as a medium of reflection, a structure for space and time, and a vehicle for exploring the tensions between technology, the body, and perception.
Electroclash now - or a manifesto for the aesthetic relevance of electronic club music, combining strong old-school references with a new understanding.
DJ Hell, a.k.a. Helmut Josef Geier, delivers a contemporary reinterpretation of the Electroclash genre.
International Deejay Gigolo Records was the pulse of the movement 25 years ago - and Hell, its very namesake. Godfather of Electroclash reloaded.
25 years and many milestones later, DJ Hell returns to his roots with NEOCLASH, proving that Electroclash in 2025 can sound not nostalgic, but forward-thinking and visionary.
NEOCLASH builds a bridge between past and present within electronic dance culture and club music.
Italo Disco, New Wave, Indie Dance, Disco, Pop, Chicago House, Acid, Detroit Techno, and Avantgarde Music merge here into a bold new interpretation.
Sash! - 30th Anniversary - The Extended Edition
Sash!
30th Anniversary - The Extended Edition
2CD | 2025 | EU | Original (High Fashion Music)
15,59 €* 16,42 € -5%
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Sash! burst onto the scene in the mid-‘90s and quickly became a worldwide force in trance and Eurodance. With his signature mix of high-energy beats, infectious melodies, and multilingual vocals, Sash! lit up clubs and charts around the globe. It all started with “It’s My Life”, the underground anthem that laid the foundation. But it was 1997’s “Encore Une Fois” that changed everything, an explosive French-vocal trance classic that hit #2 in the UK and made Sash! a household name. The hits kept coming: “Ecuador” (feat. Rodriguez), “Stay” (feat La Trec), “La Primavera”, and “Mysterious Times” (feat. Tina Cousins), all Top 5 UK smashes that helped define a generation of dance music. By the late ’90s and early 2000s, Sash! was untouchable. From the reggae-infused “Colour the World” with Dr. Alban to the hard-hitting “Adelante”, the emotional “Just Around the Hill”, and a surprise collab with Boy George on “Run”, he proved again and again his sound could evolve while staying true to the rhythm. This cd is the only CD including Sash’s most recent hit “Rock My Body” (with R3hab & Inna) which did a quarter of a billion streams. With over 22 million records sold, Sash! remains one of the most iconic dance acts of all time. This 30th anniversary edition celebrates the legacy with only full-length and re-mastered extended mixes that brings the energy of the original era straight back today’s dancefloor.
Daphni - Butterfly Opaque Pink & White Vinyl Edition
Daphni
Butterfly Opaque Pink & White Vinyl Edition
2LP | 2026 | UK | Original (Jiaolong)
41,55 €*
Release: 2026 / UK – Original
Genre: Electronic & Dance
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Daphni's fourth studio album Butterfly - to be released on 6 February 2026 - at first picks up where his last album, 2022's Cherry ("Bar for bar, this might be the most fun there is to be had on a dance record this year" - 8.2 'Best New Music' Pitchfork), left off.

Listen to new single:
https://daphni.lnk.to/Butterfly

Waiting So Long youtube:
https://daphni.lnk.to/WSL_Video

Pitchfork https://pitchfork.com/news/daphni-announces-new-album-butterfly-shares-songs-listen/

Brooklyn Vegan https://www.brooklynvegan.com/daphni-caribous-dan-snaith-announces-new-album-butterfly-hear-waiting-so-long-lucky/

Exclaim https://exclaim.ca/music/article/daphni-and-caribou-finally-become-one-for-new-album-butterfly

Stereogum https://stereogum.com/2479460/caribous-dance-music-alter-ego-daphni-announces-new-album-butterfly-hear-waiting-so-long/music

At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.

Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.

One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Vinyl Tracklist:
V.A. - Jane Fitz And David Fogarty Present: Mysterious Vastness
V.A.
Jane Fitz And David Fogarty Present: Mysterious Vastness
2LP | 2026 | EU | Original (Transmigration)
33,81 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Barking-born Jane Fitz, and Transmigration label founder David Fogarty, curate a collection of tracks from East London and Essex’s rich but largely overlooked constellation of independent record labels and distributors operating from London’s E16 to the e
V.A. - DJax-Up-Beats 1990-2005: Volume 1 - The Acid Trip
V.A.
DJax-Up-Beats 1990-2005: Volume 1 - The Acid Trip
2LP | 2026 | Original (Delsin)
35,74 €*
Release: 2026 / Original
Genre: Electronic & Dance
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Preorder shipping from 2026-03-27
Delsin is pleased to announce an extensive compilation series combing through the catalogue of landmark Dutch techno label Djax-Up-Beats. The series, curated by Rush Hour co-founder Christiaan Macdonald, launches with a look at the label's legacy in the development of acid music through the 90s.

In total, this first entry in the Djax-Up-Beats 1990-2005 series comprises 20 tracks, presented as a main triple-vinyl album plus two additional 12" EPs. The compilation also features all-new illustrations from Alan Oldham, the Detroit-rooted visual artist who gave Djax-Up-Beats a distinctive visual identity from very early on, and design by Lost Communication. Each volume of the series also features liner notes from music journalist Oli Warwick. Crucially, every track featured on the series has been carefully mastered by Johanz Westerman, bringing the best out of tracks that often had very little post-production treatment before they were originally pressed to wax.

Volume 1 - The Acid Trip focuses on an area the label is best known for - acid house and techno. After the pioneering breakthroughs Chicago-based producers made with the Roland TB-303 in the late 1980s, acid music creation was starting to become more widespread when Djax-Up started in late 1990. The rebellious, rave-ready sound was an instant draw for label founder Miss Djax, and so her label ended up reflecting the development of acid as it spread from the Chicago roots across the world. Volume 1 - The Acid Trip looks at the diverse approaches to acid taken by artists on Djax-Up. Tracks on the compilation include an early outing from Ludovic 'St Germain' Navarre and Bjorn Torske's Ismistik alias, as well as Dutch pioneers such as Edge Of Motion, Spasms, Random XS and Acid Junkies, and Chicago heavyweights Mike Dearborn and Gene Hunt.

With five more, equally extensive, volumes to come in this series, Djax-Up-Beats 1990-2005 is a thorough exploration of a true totem of techno culture - a renegade label that operated on its own terms and carried surprises and slammers in equal measure.
St. David - Deep House Damage EP
St. David
Deep House Damage EP
12" | 2025 | CA | Original (Definitive)
16,42 €*
Release: 2025 / CA – Original
Genre: Electronic & Dance
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St. David Unleashes 'Deep House Damage EP' on Definitive Recordings.

Definitive Recordings is proud to present a brand-new four-track outing from Italian house innovator St. David, titled 'Deep House Damage EP'. Following his acclaimed remixes earlier this year for label classics like 'Good Music' (John Acquaviva, Dan Diamond, Alex D'Elia, Nihil Young) and 'Do It' (Las Americas), St. David now steps forward with a full EP that delivers nothing less than pure oldschool house fire.

The release opens with 'Touch Me (Sexy Hard Dub)', a shuffling house cut with a vintage edge, driven by a rolling bassline and a sensual spoken-word female vocal that sets a playful, club-ready tone. 'I Like It Deep' heads into deep house territory, pairing organ stabs and a steady oldschool beat with both male and female spoken-word phrases, creating a hypnotic, afterhours mood. On 'Dub Swagin'', the energy kicks back up with stomping drums, chopped samples, and filtered percussion. All wrapped in unmistakable 90s house flavor. Closing things out, 'Gonna Work It' is a peak-time smasher stacked with classic vocal samples and grooving organ chords that lift the track into euphoric territory.

Born in Bari, St. David (real name Davide Disanto) has carved a reputation as one of today's most authentic purveyors of oldschool house. Deeply inspired by the American house scene, his tracks blend groove, funk, and raw analog warmth, consistently topping vinyl charts and earning support from global heavyweights like The Martinez Brothers, Riva Starr, Jovonn, and Chris Stussy. He is the founder of Theory of Swing Records, a vinyl-only label dedicated to preserving the magic of 90s house. His music has been featured on Cinthie's DJ-Kicks and he has released on respected imprints including Snatch! Records, Body N' Deep, Heist Recordings, Skylax, and Let's Play House.

With 'Deep House Damage EP', St. David confirms his role as one of the most vital voices in contemporary house, channeling the spirit of the past into tracks made for the dancefloors of today.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact:
Jeku - Peyote Trance
Jeku
Peyote Trance
12" | 2025 | EU | Original (Non-Temporal Revival)
14,49 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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In our era of post-truth & questioned realities, tin foil hatted folk project their insecurities onto the puppet masters, those holding the strings to us all, the endless psy-op at play. For those opting for psychedelic enlightenment over psychological te
Purple Disco Machine - Body Funk Remixes
Purple Disco Machine
Body Funk Remixes
12" | 2019 | EU | Original (Club Sweat)
17,39 €*
Release: 2019 / EU – Original
Genre: Electronic & Dance
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Releasing four of the biggest dance tracks of 2018 and crowned as the #2 Beatport Artist Of All Time, Dresden born disco-house producer Purple Disco Machine has quickly become one of the most prolific and sought after producers in the industry.
Following on from the hit single ‘Dished (Male Stripper)’, Purple Disco Machine returns to his club anthem ‘Body Funk’, teaming up with industry icons Carl Cox, Claptone, and Australian rising star Dom Dolla, serving up this mammoth 'Body Funk' remix EP.
Metro Area - Metro Area 15th Anniversary Remastered
Metro Area
Metro Area 15th Anniversary Remastered
3LP | 2017 | EU | Original (Environ)
33,81 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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A download code is included.

Environ is proud to present the Metro Area 15th Anniversary Edition, Metro Area's eponymous debut album, meticulously remastered using the original source tapes and generously spread across three slabs of vinyl. The12-track triple LP and digital package combines all the songs from both the original US and licensed European releases, and features new commemorative artwork unique to this edition.
Pancratio - Automatic House
Pancratio
Automatic House
2LP | 2025 | EU | Original (Faith Beat)
27,05 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Faith Beat’s 12th signal will be an album from Pancratio. “Automatic House” - 8 tracks of intelligent, introspective, highly playable house music. Deep yet driving, hypnotic yet commanding, serious yet so much fun. “The are internal things that we are not conscious of - which are Automatic”
Fedde Le Grand - Put Your Hands Up For Detroit Blue Vinyl Edtion
Fedde Le Grand
Put Your Hands Up For Detroit Blue Vinyl Edtion
12" | 2006 | EU | Reissue (Dance On The Beat)
13,52 €*
Release: 2006 / EU – Reissue
Genre: Electronic & Dance
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Mousse T - Horny - Remixes
Mousse T
Horny - Remixes
12" | 2024 | UK | Original (Peppermint Jam)
17,39 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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2nd In the series of releases celebrating 30 years of Peppermint Jam see's the label release one of its biggest tracks from label boss Mousse T - 'Horny'. Remixes from Riva Starr, Radio Slave & Thomas Gandey alongside the classic original mix, comes in a freshly made Pep Jam Branded Sleeve.
Dames Brown - Take Me As I Am (Presented By Amp Fiddler)
Dames Brown
Take Me As I Am (Presented By Amp Fiddler)
2LP | 2025 | EU | Original (Defected)
29,95 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2026-03-13
Detroit powerhouse vocal trio Dames Brown make their long-awaited debut with ‘Take Me As I Am’, a bold, soulful celebration of the Motor City’s sound and a heartfelt tribute to their late mentor, Amp Fiddler.

Crafted at Amp’s legendary home studio, the album captures the essence of Detroit through rich instrumentation, gospel-infused harmonies, and unfiltered soul. Blending house, funk, techno, and 70s groove, Take Me As I Am embodies the city’s spirit; timeless, raw, and full of life.

Featuring collaborations with Detroit icons Andrés, Eddie Fowlkes, and Waajeed, standout tracks like ‘You’re The One For Me’, ‘Glory’, and ‘What Would You Do’ showcase the trio’s unmatched energy and vocal chemistry.

Across fourteen tracks, Athena Johnson, Teresa Marbury, and LaRae Starr channel the soul of Motown, the groove of Parliament Funkadelic, and the power of Aretha Franklin, uniting their influences into one authentic, uplifting sound.

With nearly a decade of releases on Defected and its sub-labels, including collaborations with Sophie Lloyd, The Vision, Floorplan, and Horse Meat Disco, Dames Brown continue to shine as one of Detroit’s most dynamic vocal collectives.

‘Take Me As I Am’ is more than an album… it’s a declaration of love, legacy, and Detroit soul.
Christopher Rau / Hakim Murphy / Nathan Jonson / Mezigue - Totally Together 001
Christopher Rau / Hakim Murphy / Nathan Jonson / Mezigue
Totally Together 001
12" | 2016 | EU | Original (Totally Together)
5,65 €* 12,56 € -55%
Release: 2016 / EU – Original
Genre: Electronic & Dance
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Listen here… I’m totally together. The new label project from Christopher Rau. Various collaborations, features and guest appearances…. the whole together thing, Baby! First drop with Hakim Murphy, Mezigue and a live stage recording from NC 17 aka Nathan Jonson & Christopher Rau. Dig it.
Boo Williams - Residual EP
Boo Williams
Residual EP
12" | 2010 | EU | Original (Rush Hour)
15,46 €*
Release: 2010 / EU – Original
Genre: Electronic & Dance
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Back in! Late nineties saw three releases of Boo Williams on Titonton Duvante run Residual Records. From these three eps we pulled the four best tracks, which make up this ‘Residual EP’. Four times raw, deep, melancholic, late night grooves at which Boo is a master. Essential house music!
DJ Swella - Ep 3
DJ Swella
Ep 3
EP | 2026 | EU | Original (Clone Royal Oak)
15,46 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Australian talent DJ Swella making his debut on the Clone Royal Oak series! Known for his warm, chord-driven house sound (highlighted on his Pleasure Trax releases). He continues the trajectory here: classic-leaning, groove-focused club music with that late-night energy.
V.A. - Ibiza House
V.A.
Ibiza House
LP | 2025 | EU | Original (Wagram)
27,05 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Discover the Sound of IBIZA with our new vinyl collection !One double vinyl focussing on Techno with gems from Laurent Garnier, Stve Bug, Chrstopher Just...One double vinyl dedicated to House Music with perls from Ultra Naté, Kings of Tomorrow, Bob Sinclar...
Whirlpool Productions - From: Disco To: Disco Repress Edition
Whirlpool Productions
From: Disco To: Disco Repress Edition
12" | 1996 | EU | Reissue (Groovin)
12,56 €*
Release: 1996 / EU – Reissue
Genre: Electronic & Dance
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Comes with generic cover.
The Unknown Artist - Enjoy
The Unknown Artist
Enjoy
12" | 2025 (White Label)
16,42 €*
Release: 2025
Genre: Electronic & Dance
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The chances are you've already heard this track being played all over the place this summer; It's been causing some damage on the dancefloor all over, and is now it's finally available on wax for a limited time
The Morning Kids - In A Golden Haze
The Morning Kids
In A Golden Haze
12" | 1996 | Reissue (Balihu)
17,39 €*
Release: 1996 / Reissue
Genre: Electronic & Dance
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*2026Repress**

Recording as the Morning Kids, Daniel Wang dropped this classic in 1996 on his own great Balihu Records.Released, produced and engineered bya true DIY disco-punk -the samples are huge and Wang weaves his own playing into the mix with killer effect.

This much sought after EP has been remastered is now available again after a very long time.

HUGE TIP!
Shabi - Golden High EP
Shabi
Golden High EP
12" | 2026 | EU | Original (Groove Culture)
17,39 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Shabi’s ‘Golden High' EP is a vibrant, disco-infused collection that merges classic grooves with modern production. The title track, ‘Golden High', is a light, fun disco gem, capturing a funky 70s mood with a fresh house twist and that guitar magic touch. ‘Mellow Scene' takes the funk further, building up to a funky house crescendo that's perfect for late-night floors. On the flip side, ‘Deep Vibration' offers a deeper vibe, giving the EP a well-rounded feel with its rich bassline and smooth production. Finally, ‘This Is 1979' is catchy and playful, bringing a polished sound that keeps the rhythm flowing. Altogether, ‘Golden High’ is a solid pick for those craving both nostalgic and modern dancefloor moments.
Deep Dish - Flashdance / Say Hello
Deep Dish
Flashdance / Say Hello
12" | 2024 | UK | Original (Armada Music)
17,39 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Grammy-winning DJ and producer duo Deep Dish are back with a bang and return with 2 new versions of two seminal classics, both with 2024 reworks.

The 2004 hit ‘Flashdance’ has a fresh new Redux Remix along with a Deep Dish Does The Chug Remix, something to spark a fond memory whilst appealing to the sound of now.

The new versions of ‘Say Hello’ again offer a nod to the classic sound of 2004, whilst bringing the legends that are Deep Dish back to where they belong…the dancefloors.
Keinemusik (&Me, Rampa, Adam Port) - Send Return 2024 Repress
Keinemusik (&Me, Rampa, Adam Port)
Send Return 2024 Repress
3LP | 2021 | EU | Reissue (Keinemusik)
28,98 €*
Release: 2021 / EU – Reissue
Genre: Electronic & Dance
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It's been four eventful years since Keinemusik's Adam Port, &ME and Rampa joined forces and laid down their collaborative debut album ‘You Are Safe.’ Taking time to explore new territories and sourcing material for their second offering, 'Send Return' is the product of this creative 'time-out:' a positive message requiring positive feedback, and hopefully making things a little better along the way. To get that message across, the boys invited a variety of voices from both past collaborative projects and new ties built over the last few years, to take part.
Theo Parrish - Lovely Edits Volume 1
Theo Parrish
Lovely Edits Volume 1
12" | 2024 | UK | Original (Lovely Edits)
14,49 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Following Chicago’s tradition in special edits and dj personal reworks to extend crucial parts and surprise the dancers, Theo Parrish has always sparkled his legendary sets with his own versions of classic and obscure disco, funk and soul cuts to maximum effect! Some of those were available to fans in mid 2000s via the Ugly Edits series, now it’s finally time for the LOVELY EDITS.

Officially licensed and using the original parts from the master tapes, here we have Theo’s takes on two absolute staples: BT EXPRESS ‘Peace Pipe’ and GEORGE DUKE ‘I Want You For Myself’.
Moderat (Apparat & Modeselektor) - More Love (Rampa &ME Remix)
Moderat (Apparat & Modeselektor)
More Love (Rampa &ME Remix)
12" | 2023 | EU | Original (Keinemusik)
11,59 €*
Release: 2023 / EU – Original
Genre: Electronic & Dance
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2025 Repress

Moderat, the electronic music Voltron formed by Apparat and Modeselektor, released ‘more D4ta’ last year to critical acclaim, their first full-length album since 2016. Keinemusik’s Rampa & &ME put their spin on the Moderat albums’ third single ‘more LOVE.“ — the vinyl single of the remix will be out December 8th, 2023.
Purple Disco Machine - Soulmatic Limited Edition Record Store Day 2026 Gold & Purple Splatter Effect Vinyl Edition
Purple Disco Machine
Soulmatic Limited Edition Record Store Day 2026 Gold & Purple Splatter Effect Vinyl Edition
2LP | 2026 | EU | Original (Sweat It Out)
39,62 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Coming Soon 2026-04-18, 10:00 CEST
Experience Purple Disco Machine's iconic debut LP ‘Soulmatic’ in a limited edition pressing. Now presented on a unique Purple and Gold Splash Vinyl this special product is reflective of the music’s vibrant and euphoric energy. Blending Nu-Disco, Funk, and House in major hits ‘Body Funk’ and ‘Devil In Me,’ as well as collaborations with renowned artists CeeLo Green and Faithless.
Demuja - Bsmt EP Black Vinyl Edition
Demuja
Bsmt EP Black Vinyl Edition
12" | 2025 | EU | Original (Chiwax)
13,52 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Rawax welcomes Demuja to the artist family! We are very happy to present you this outstanding artist from Austria with his first release on Chiwax. Great house vibes full of groove and good vibrations! Highly recommended!
Mammo - Lateral
Mammo
Lateral
2LP | 2026 | UK | Original (Short Span)
41,55 €*
Release: 2026 / UK – Original
Genre: Electronic & Dance
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Preorder shipping from 2026-04-10
Bright morning. To noon and into afternoon. To dusk and the inky night.
A major new exhibition of Mammo’s music spread across a triple disc, twelve track album. Call it a compendium or summary, a network of sparking neurons and painted landscapes in techno.
It folds in all the aspects of his other identities (self-)released over the last few years into an ultimate package ~ Heaven Smile, A∞x, CoA-A, E35, Puddlerunner; really any other project Fabiano has assumed an identity under. It all finds its way into the code and format of Lateral in some way or another.
Here the ground is given for the listener to hear just how much range and individual language there is in the music he’s been making. Fully immersive, inventive and detailed while also elegant and light of touch. It’s quite a package from one of the most talented techno producers right now, gesturing towards different genres and novel ideas in beautiful and intuitive fashion.
Break the pack down for your preferred disc of the day if you like. It’s designed with that modularity in mind. Disc one sparkles with vitality and a buoyancy. The middle disc has more drive and harder bites that you may want to amplify and split out to slot in a DJ bag. Sides five and six move into deeper, dreamier and more emotional techno in twilight. Each one is a little distinct and has its own orbit.
But give it your full attention on the turntable platter too. A listen from beginning to end. There’s lovely dynamics and interplays in the narrative, and its a remarkable new body of work to let your time dilate to.
Mastered and cut by Rashad Becker.
Art by Mammo.Works.
The Unknown Artist - Ijzeren Rots
The Unknown Artist
Ijzeren Rots
12" | 2017 | EU | Original (Digwah)
17,39 €*
Release: 2017 / EU – Original
Genre: Electronic & Dance
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The DIGWAH imprint returns with another dance floor dub, kicking up a storm.
Argy - New World 2026 Repress
Argy
New World 2026 Repress
2LP | 2024 | EU | Reissue (Afterlife)
28,98 €*
Release: 2024 / EU – Reissue
Genre: Electronic & Dance
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Dam Swindle - Backyard Galaxy EP
Dam Swindle
Backyard Galaxy EP
12" | 2025 | EU | Original (Heist)
14,49 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Dam Swindle's new 'Backyard Galaxy' EP is an ode to house music and the classic Swindle sound.

It's only been a few months since Dam Swindle released their highly acclaimed album "Open" and already the boys are back on Heist with a new release that takes you right back to the dancefloor. Where they've spent the better part of the last 3 years writing their album with all its sonic explorations and collabs, this new EP sees the duo return to their roots of club-ready house music. The 'Backyard Galaxy' EP comes with 4 high-energy house tracks made in their Amsterdam studio that have been road-tested all summer.

EP opener "Feel it much?" has all the ingredients of a classic Swindle heater, with warm pads, rich organic percussion and tons of soul. There's a simple and effective vocal running throughout the track that blends nicely with the classic house elements and electronic textures that are layered throughout the track. There's an effortless flow to this track and it comes as no surprise that it has been a highlight in their sets this summer.

The EP title track 'Backyard Galaxy' is an up-tempo Latin-themed jam with a hint of old school techno. The synth stabs hit you just right and the modulated vocal chops are a lovely boost for the build ups and add a touch of swing to a track that already has a tight groove. Add to that a huge breakdown and drum roll and you've got yourself a track that'll light up any dancefloor.

On the flip, we're moving into garage territory with the shuffling vibes of 'Rhythm Baby'. The current popularity of the genre is not missed on Dam Swindle, but when you look closely, you'll see this track is full of elements that the duo have built their legacy on. The vocal chops, transposed key samples and swing are all on point and work just as well below, as above 130 bpm if speed is your thing.

The EP closes with the NY-style house cut 'What you give', which reminds us of Dam Swindle's remix of Cinthie's Heist hit 'Won't U take me' with its lush organs and moody keys. It's perhaps the most classic house track they've made in a long time and you can hear they had a great time recording this. It's playful, vibey and catchy. Just the way we like it.

Dam Swindle might have delivered one of the standout cross-over albums of 2025, but on this EP the message is clear: Once a househead, always a househead.

As always, enjoy the music and play it loud!

Much love,
Heist HQ
V.A. - Defected In The House Ibiza 2025
V.A.
Defected In The House Ibiza 2025
3LP | 2025 | EU | Original (Defected)
44,45 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Marking the return of one of house music’s most revered compilation series, Defected In The House Ibiza 2025 arrives to showcase the label’s sonic identity in full. This definitive 12-track release spans three LPs, shining a spotlight on iconic must-haves, tastemaker originals and Ibiza favourites from Defected Records and its associated imprints.

Reconnecting with the importance of curation, a longstanding cornerstone of the Defected ethos, this expansive collection celebrates the label’s role as a trusted voice in house music. Echoing the spirit of its flagship ITH series, which featured the likes of Gilles Peterson, Louie Vega, and Dimitri From Paris, this special 2025 edition continues its legacy by offering a cohesive snapshot of house music now.

Defected In The House Ibiza 2025 bridges the London label’s impressive catalogue with artists old and new, from new summer club anthems ‘Got The Funk’ by Low Steppa & Capri and Nic Fanciulli’s ‘Hold On’ with Marc E. Bassy, to Tripolism’s transformative reimagining of The Shapeshifter’s ‘Lola’s Theme’ and Dennis Ferrer’s fresh remix of Girls of the Internet’s ‘Affirmations’ featuring Anelisa Lamola.

Capturing the energy and emotional pull of the label’s events; Defected’s brand new residency at Pacha Ibiza in 2025 serves as inspiration for the collection. As such, the three volume collection also contains standout records from definitive artists of today’s Ibiza scene including Keinemusik, The Martinez Brothers, Peggy Gou, Armand Van Helden & A-Track as Duck Sauce, Mau P plus many more.
Mike Dunn - DJ Beat That Shhh / Move It, Work It
Mike Dunn
DJ Beat That Shhh / Move It, Work It
12" | 2017 | EU | Reissue (More About Music)
16,42 €*
Release: 2017 / EU – Reissue
Genre: Electronic & Dance
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Preorder shipping from 2026-03-27
On 7th August the godfather Mike Dunn presents an EP fuelled by a pumping heart of pure house, entitled ?DJ Beat That Shhh? / ?Move It Work It?. Taken from his forthcoming album due for release in October 2017.
Chaos In The CBD - A Deeper Life
Chaos In The CBD
A Deeper Life
2LP | 2025 | UK | Original (In Dust We Trust)
31,88 €*
Release: 2025 / UK – Original
Genre: Electronic & Dance
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“We created a holiday inside our heads.”

A Deeper Life, Chaos In The CBD’s debut album over 10 years in the making, is nostalgic for the duo’s nature-filled youth, exploring the magical coastline and lush rainforest of New Zealand. “The title refers to our childhood, which was idyllic,” says Ben. “It was just the sun, the sand, the sea, waterfalls, birds and fish…” The album’s blissful setting is also depicted on the album cover: a painting, by a childhood friend, of the beach where they grew up in Devonport. A Deeper Life whirls that profound love of house music and wide-ranging influences – from Brazilian to R&B, ambient to Italo to deep house and downtempo pop – into a serene, cohesive whole with their signature finesse. The result is an international dance sound that feels unmistakably like Chaos and ebbs and flows from the beach party to the club to the afterhours. On the album they’ve teamed up with a number of US legends and married their vocals with the UK underground: Josh Milan of house pioneers Blaze brings his soulful vocals to the bossa nova beats of ‘I Wanna Tell Somebody,’ a future jazz-dance anthem. Unheralded Chicago house hero and Larry Heard collaborator Lee Pearson Jr. goes deep over ‘More Time’s broken beat flex. And on ‘Maintaining My Peace’, the brothers have matched veteran house singer-songwriter Stephanie Cooke with UK grime MC Novelist, on a slinky LDN interpretation of LA hip-hop and g-funk. Also featured on the album are New Zealand jazz artist Nathan Haines, frequent collaborator Isaac Asaeili and more.
Salif Keita - Madan (Martin Solveig Remixes)
Salif Keita
Madan (Martin Solveig Remixes)
12" | 2024 | UK | Original (South Street International)
17,39 €*
Release: 2024 / UK – Original
Genre: Organic Grooves, Electronic & Dance
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Originally released in 2002 the Martin Solveig remixes of Madan by Salif Keita is one of those rare releases that even now, 22 years on still gets played everywhere from festivals in Croatia to super clubs in Ibiza. Anyone who has graced any dancefloor in the past 20 years will no doubt instantly recognise this one!

Afro house with a French touch, Salif Keita, often referred to as the 'Golden Voice of Africa' lends his impeccable vocals to flawless production by Martin Solveig.

Until now the only way to obtain a copy on vinyl would be to pay close to £50 on second hand market. For the first time since its original release in 2002, South Street International have remastered and officially reissued this modern classic. Both the Exotic Disco Mix & Exotic Disco Dub are included here, one side each & cut loud for maximum enjoyment.
Jürgen Paape - So Weit Wie Noch Nie 2024 Repress Edition
Jürgen Paape
So Weit Wie Noch Nie 2024 Repress Edition
12" | 2002 | EU | Reissue (Kompakt)
14,49 €*
Release: 2002 / EU – Reissue
Genre: Electronic & Dance
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2024 Repress

The original version of this gorgeous schlager techno track, released in august 2001 on Kompakt's Total 3, would put a smile on a lot of people's faces. Apart from the reworked original version, you'll get two sensational remixes: The one from Frankfurt's high-aesthete, super hipster, club- and label-owner with a three-letter name: Ata. Since the very beginning, his Playhouse label has always been a guarantee for finest German House music. It's his first (!) remix ever and his first studio work since the legendary first Playhouse release 'Holy Garage' in 1993. The 'Playhouse Mix' turns the original version into a mega-hip, late-night monster and reminds a bit of the great Larry Levan and Metro Area's congenious adaption of early-80s disco music. The 'Robert Johnson' club is going down on its knees. Wonderful. The other remix comes from one of Kompakt's in-house pioneers of pop ambient: it's Olaf Dettinger. Who didn't want to miss this chance and has interrupted his creative pause only for doing this wonderful 'Moonlight Mix'. Dettinger's cosy hi-tech sounds and Sonja Luebke's seraphic voice, both singing a duet to the moon. Very, very beautiful, indeed.
Maara - Ultra Villain
Maara
Ultra Villain
2LP | 2026 | EU | Original (Naff)
28,98 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2026-03-13
Announcing Maara’s new album Ultra Villain, a deeply personal, narrative-driven record that explores desire, heartbreak, obsession, and the freedom that comes with choosing yourself. Written from a place of hard-won self-trust, the song marks a shift toward clarity. “I realized people can only meet you where they’ve met themselves.”
Vakula - U're Made Of Sound
Vakula 
U're Made Of Sound
12" | 2026 | EU | Original (Phonogramme)
15,46 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Preorder shipping from 2026-03-20
Vakula flips the script with U’re Made Of Sound – cosmic textures meet raw basement energy straight from Konotop. Deep beats, hypnotic layers, every groove tells a story. Elevate your set, ride the soundwave.
V.A. - Toolroom Sampler Volume 21
V.A.
Toolroom Sampler Volume 21
12" | 2025 | EU | Original (Toolroom)
17,39 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Toolroom’s next Sampler showcases 4 big releases from Hatiras, Mark Knight, Roland Clark, Alaia, Gallo, Illyus, Barrientos and Gene Farris.
Da Lukas - Re-Disco Volume 1
Da Lukas
Re-Disco Volume 1
12" | 2026 | EU | Original (Legofunk)
14,49 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Brand-new release for Legofunk Records. With this vinyl, Da Lukas officially inaugurates the new series “Re-Disco”.
NY Stomp - Can You Feel It? 2026 Re-Cut
NY Stomp
Can You Feel It? 2026 Re-Cut
12" | EU | Reissue (4lux White)
14,49 €*
Release: EU – Reissue
Genre: Electronic & Dance
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With second hand copies fetching for 40 euros and over, we thought it was time to serve you with a limited repress with these two club tracks originally released in 2012: The NY House Trak and Can You Feel It? One track per side this time. You know what this means: extra loud pressing for ultimate sound quality.
Mr. K - Remember The Time / Any Time, Any Place
Mr. K
Remember The Time / Any Time, Any Place
7" | 2026 | US | Original (Most Excellent)
12,56 €*
Release: 2026 / US – Original
Genre: Electronic & Dance
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Produkt-Beschreibung/sales note (ohne Pressetexte) Danny Krivit pays tribute to the royal family of soul with a double A-side of classic house remixes from Michael and Janet, both appearing on 7-inch for the first time. Standouts from the revered era of ’
Ghostdog - Lenox Ave. Blues
Ghostdog
Lenox Ave. Blues
12" | 2026 | US | Original (Apt-9)
16,42 €*
Release: 2026 / US – Original
Genre: Electronic & Dance
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The enigmatic Ghostdog of NYC delivers 4 cuts of ultra-deep, hypnotic groove to breathe soul into our machine drenched society. Vinyl Only release. For fans of Berg Audio, Yoyaku Records, Seasons Recordings, Plastic City, F Comms, etc.
Chris Pascoe - Mong Juice / Trippy Breakfast
Chris Pascoe
Mong Juice / Trippy Breakfast
12" | 2004 | EU | Reissue (Evasive)
14,49 €*
Release: 2004 / EU – Reissue
Genre: Electronic & Dance
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We rewind to 2004, revisiting a quietly influential moment in the Evasive Records catalogue. Following earlier collaborations with Asad Rizvi and Haris, UK producer Chris Pascoe steps out solo with Mong Juice / Trippy Breakfast— a release that captured his deep, late-night take on tech house at the time.
Ácido Pantera - S/T
Ácido Pantera
S/T
7" | 2026 | Original (Sun Of A Beach)
17,39 €*
Release: 2026 / Original
Genre: Electronic & Dance
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" A very limited 7” for the tropical heads, beat travellers and cosmic cumbia astronauts on the new imprint Sun Of A Beach — the free-spirited daughter of Editions de Lux, who skipped town, fell in love somewhere between Kingston and Cartagena, and came back glowing, barefoot, and heavy on the bass.

At home in the steaming rainforest as much as the urban jungle of the Chapinero district of Bogotá, Colombia’s psychedelic groove pilots Ácido Pantera deliver a double-sided tropical weapon aimed straight at late-night sweatboxes, boat parties, and sun-soaked terraces.

"Te quiero, te amo” is a declaration of love at 132 bpm, bouncing along like a low-rider over cobblestones while neon synths float in the humid air.

Flip it for “Pájaro cantor”, a sound system destroyer that will lock the floor in an acid trance that feels both ancestral and futuristic in the same breath. This one’s featured on the FC26 soundtrack and will have you shimmying like Luis Díaz right before he bangs one into the top corner!

You know what to do!"
V.A. - Peppermint Jam Allstars Volume 6
V.A.
Peppermint Jam Allstars Volume 6
12" | 2026 | EU | Original (Peppermint Jam)
16,42 €*
Release: 2026 / EU – Original
Genre: Electronic & Dance
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Kicking off 2026 in style Pep Jam All Stars Vol 6 is here.

First up, Kiinjo teams with The Patchouli Brothers and Planet B for Love On The Dancefloor – a proper disco-house jam that’s all about love, groove, and good vibes. Then Hungarian duo Soneec & Soultizer hook up with Hazel Fernandes for Get Down, a feel-good floorfiller with soul and energy to spare.

On the flip, Phil Fuldner brings us Afrodesia, a sun-soaked, disco-powered groove that’s been a long time coming. And finally, Lovebirds take us back with The Path 2011, a cheeky classic that still hits just right.

Four tracks, one 12 inch loads of love for the dancefloor – enjoy!
Daphni - Butterfly
Daphni
Butterfly
2LP | 2026 | UK | Original (Jiaolong)
29,95 €*
Release: 2026 / UK – Original
Genre: Electronic & Dance
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Daphni's fourth studio album Butterfly - to be released on 6 February 2026 - at first picks up where his last album, 2022's Cherry ("Bar for bar, this might be the most fun there is to be had on a dance record this year" - 8.2 'Best New Music' Pitchfork), left off.

At the start of this summer, following a three-year hiatus for Daphni (punctuated only by his first ever collaborative Daphni track 'Unidos' alongside Sofia Kourtesis), he dropped 'Sad Piano House'. The track represented something of a continuation in the Daphni catalogue, its roots growing from Cherry's 'Cloudy' and its subsequent Kelbin remix, something in that song's makeup having a profound effect when played on dancefloors by Snaith and countless others. 'Sad Piano House' deployed more intangibly irresistible bendy piano to equally satisfying effect and continues to achieve similarly rhapsodic dancefloor saturation.
Though a sizeable gap for Daphni releases, between Cherry and Butterfly however of course sits Honey, the latest Caribou album and one that saw the more instantaneous and dancefloor leaning traits of Daphni peaking through the cracks more than ever before. This blurring of the lines leads to an intriguing collaboration in Butterfly's lead single 'Waiting So Long (feat. Caribou)'. An unlikely duo - in that both artists are the same man, Dan Snaith - 'Waiting So Long' is not so much an identity crisis, ego trip, or the result of a chemical spill in the Snaith laboratory. It's simply a track that Snaith felt for the first time belongs to both aliases, and might appeal to fans of both. He has never sung on a Daphni track before, and did not set out with the intention to do so this time, and yet this strange billing was born.

Daphni music has always been Snaith's way of hitting directly to the core of the dancefloors he spends so much of his time playing to, and those dancefloors have been steadily expanding as his name grows, with the music following suit. This album however also draws from further back with a definite kinship to the very first Daphni album, the invigorating bag of ideas that was Jiaolong.
Butterfly is a showcase of the wonderful variety and surprising twists and turns that made that album such an exciting new prospect and that still to this day make Snaith such an intriguing DJ. There are more heavy hitters here, tracks that fill those dancefloors better than anyone, like 'Clap Your Hands' which picks up the energy of 'Sad Piano House' and flips it, exposing the gritty and intoxicating underbelly of Snaith's hitmaking side, while retaining the playful urgency that runs through all of his work of late. Meanwhile 'Hang''s comic-strip horns are unpinned by gleeful force, unrelenting and thrillingly unshakeable. Elsewhere though comes a clutch of other tunes that might creep out somewhere more off the beaten path, a path Snaith has never stopped seeking in amongst his larger billings. 'Lucky' is squirmy and elusively intoxicating, 'Invention' skitters down meandering, inviting corridors, 'Talk To Me' grumbles and broods in the murk, and 'Miles Smiles' could roll on endlessly, so confident in its groove. There are no obvious peaks in these tracks or unifying moments, in fact many of them really have no business being on the dancefloor at all, and yet in the right setting, they could be the most fun to be had all night.

One such club is a good microcosm for the ethos of Butterfly as a whole. "Around the time I was finishing up this album I played a long set in a club called Open Ground in Wuppertal, Germany." Snaith recalls, "It's kind of, in one sense, the platonic ideal of the kind of club I'd want to play in. Every single decision has been taken, at great expense, with the aim of making the perfect sounding medium sized club room. But on top of it being the perfect acoustic environment it also is run by an amazing collection of people in a way that gives it a sense of community that dance music at its best provides. It is an absolute pleasure to play in that room to a crowd of people who come from all over. Playing in there you feel like you can play anything, and I played works in progress of pretty much every track on this album in my set there. Don't get me wrong, I love playing a short set at a festival or in a more raw warehouse kind of club where you bang it out and only really functional music works but on record I guess the point of these Daphni records is to keep in mind a more expansive idea of dance music where the parameters are broad and the church is broad. I think that actually, putting really functional stuff next to weirder tracks (both on an album and in a dj set) might be the thing that's still most interesting to me."
This is the feeling that's most palpable on Butterfly, and in every single time you see Snaith DJ. Right from the inception of the Daphni alias - and even before that - the thrill of trying stuff out, pushing at the boundaries has always been there and on Butterfly is present in all its twists and turns. It leaps all over the place and yet it hangs together, never feeling like a grab bag of dancefloor utilities but rather a distillation of all the strings to Snaith's bow, exhilaratingly human and unified by one singular concept - simple and joyful exploration.
Chloé Caillet & Luke Alessi - The One Feat. Jocelyn Brown
Chloé Caillet & Luke Alessi
The One Feat. Jocelyn Brown
12" | 2025 | UK | Original (Smile)
17,39 €*
Release: 2025 / UK – Original
Genre: Electronic & Dance
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Following a breakout summer, “The One” is now getting a vinyl release.

The track became a viral hit on TikTok, amassing over 5.5 million lifetime engagements, and has solidified its status as one of the year’s defining dance anthems — surpassing 14.6 million streams and continuing to grow rapidly across platforms.

Included on the vinyl release are the acclaimed remixes from HAAi, Bashkka, and Obskur that have further expanded the track’s reach.

With a Grammy nomination and club backing from global tastemakers including Peggy Gou, Chris Stussy, Jamie Jones, Solomun, Tsha, Eliza Rose, and others, “The One” continues to dominate both the underground and mainstream dance scenes.
Kerri Chandler - Downtown EP Part 1
Kerri Chandler
Downtown EP Part 1
12" | 2025 | US | Original (Kerri Chandler)
20,29 €*
Release: 2025 / US – Original
Genre: Electronic & Dance
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Kerri Chandler begins a brand-new chapter with the launch of his self-titled label, Kerri Chandler, and its debut release the ''Downtown EP Pt. 1''.
The release includes four tracks reconnecting with the spirit of Kerri's iconic Downtown Records era while offering something fresh for the next generation of listeners. Three of the tracks come straight from that timeless catalog, recorded between 2006 to 2020, and firm favorites among Kerri's community, now beautifully presented on vinyl once again. Part 1 also features one brand-new, exclusive track rout on digital in 2024, giving fans something truly special: a glimpse of Kerri's sound, and an invitation to join him on a journey through his remarkable catalog. This release marks the start of an ongoing celebration of Kerri's music, his evolution, and the sound that continues to inspire house music lovers around the world. Every detail, from the sleek new sleeve design to the thoughtful presentation, reflects Kerri's care and respect for his music and the people who've supported it. It marks the beginning of something bigger; it's a series of reworks, reissues, and rediscoveries that will guide listeners through the depth of Kerri's catalogue and his lifelong love for house music. For long-time followers and new listeners alike, ''Downtown EP Pt. 1'' captures everything Kerri Chandler represents, soulful, honest, and made with nothing but heart.
Paul St. Hilaire - W/ The Producers
Paul St. Hilaire
W/ The Producers
2LP | 2025 | EU | Original (Kynant)
35,74 €*
Release: 2025 / EU – Original
Genre: Electronic & Dance
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Building on the success of Paul St. Hilaire’s landmark solo album for Richard Akingbehin’s label Kynant in 2023, w/ The Producers switches up the formula to pair St. Hilaire’s with a different producer on each track. Referencing fellow dub techno pioneers Mark Ernestus & Moritz von Oswald’s acclaimed album w/ The Artists as Rhythm & Sound, St. Hilaire flips the concept to feature as the lone vocalist.

Over the album’s nine tracks, St. Hilaire offers a range of conscious song-writing and headtop musings, such as the spoken-word dread of “What’s This” or the sparse call-to-action of “Send Them On”. The record weaves through all shades of contemporary dub evolutions, showing the vocal range and versatility of St. Hilaire. w/ The Producers is yet another essential record in St. Hilaire’s unmatched discography.

The producers were curated by label owner and DJ Richard Akingbehin to give the new album a future-facing feel and mark 10 years of Kynant Records. Akingbehin sourced beats from luminaries such as Digital Mystikz boss and dubstep trailblazer Mala or elusive Chain Reaction artist Shinichi Atobe. They sit alongside some of the most exciting names in recent electronic music - Batu, Gavsborg, Azu Tiwaline, Priori, Cousin, Russell E.L. Butler, Aurora Halal and DJ G - all of whom bring different elements of dub techno into their productions.

w/ The Producers finds Kynant Records bridging the original voice of dub techno with the genre’s new wave. It’s a statement of intent from the label, which began 10 years ago with deep, hypnotic techno and has veered gradually towards more dubwise sounds
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