Folk 3980 Items

Leslie Winer & Maxwell Sterling / Tim Buckley

Release: 2022 / US – Original

Genre: Rock & Indie

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Bonus Coins

Angel Olsen covers “Something On Your Mind,” while Karen Dalton’s version is found on the flip The latest release in Light in the Attic’s 7" Covers Series Artwork by Los Angeles-based fine artist Robbie Simon Pressed at Third Man Pressing

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Once I Was

7" | US | Reissue (Light In The Attic)

$ 7.98*

Release: US – Reissue

Genre: Rock & Indie

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Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

$ 33.55* $ 55.92 -40%

Reputation Record Store Day 2025 Pink Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Dusty Springfield

LP | 2025 | WW | Original (Warner)

Release: 2025 / WW – Original

Genre: Rock & Indie

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Imagine That: The Lost Recordings 1954-1963 Record Store Day 2025 Edition

Patsy Cline

2LP | 2025 | WW | Original (Elemental Music)

$ 51.36*

Dave Does Dylan Record Store Day 2025 Edition

Release: 2025 / WW – Original

Genre: Rock & Indie

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The legacy of the late, legendary country vocalist Patsy Cline, whose storied recordings of the 1950s and 1960s with producer Owen Bradley helped establish the genre’s pop-crossover “Nashville Sound,” receives a new chapter on Record Store Day (April 12) with Imagine That: The Lost Recordings (1954-1963), a revelatory collection of previously unreleased recordings from Elemental Music/Deep Digs.

This unprecedented, limited edition two-LP set, fully endorsed by the Patsy Cline Estate, features 48 unissued tracks, all released legitimately for the first time. They survey the full breadth of the singer’s artistry, from her first days as a professional musician with Bill Peer & the Melody Boys and Girls in the early ‘50s to the apex of her popularity, just weeks before she tragically died at the age of 30 in a plane crash on March 5, 1963.

Drawn from radio broadcasts, TV shows, and private recordings, these meticulously restored performances cast a fresh spotlight on Cline’s luminous, erful voice, and eschew the opulent strings and vocal choruses of Bradley’s productions in favor of an intimate, unadorned, earthy sound. Affecting alternate versions of Cline’s chart-topping crossover hits “Walking After Midnight,” “I Fall to Pieces,” “Crazy,” and “She’s Got You” are included. She is heard duetting with such fellow country stars as Cowboy Copas (who died in the crash that took Cline’s life), Ferlin Husky, Red Foley, Bobby Lord, Ernest Tubb, and Lonzo & Oscar.

Co-produced by award-winning archival producer Zev Feldman, Cline discographer and authority George Hewitt, and engineer Dylan Utz, Imagine That features a detailed track-by-track discography; a historical note by writer Martin Melhuish; reflections on Cline’s art by musicians k.d. lang, Marty Stuart, and Ray Benson; and more.

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Dave Stewart

LP | 2025 | WW | Original (Surfdog)

$ 17.11*

Release: 2025 / WW – Original

Genre: Rock & Indie

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Preorder shipping from 2025-04-25

Nancy Sinatra & Lee Hazlewood

Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

$ 27.16* $ 38.80 -30%

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Country Funk Volume 3 1975-1982

2LP | 2021 | US | Original (Light In The Attic)

$ 36.74* $ 52.50 -30%

Tracy Chapman 35th Anniversary Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Volume 3 in LITA’s acclaimed Country Funk series! Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others Includes previously unreleased track by Tony Joe White Special 2xLP edition pressed on Clear wax with Red & Blue Swirl and housed in a foil-stamped jacket Newly remastered audio New original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band) Description: The horse still bucks, the band still funks, and well…the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (lita 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975-1982 (lita 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co-producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.

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Tracy Chapman

LP | 1988 | Reissue (Rhino)

$ 38.80*

12" | 2025 | EU | Original (Music Takes Me Up)

Release: 1988 / Reissue

Genre: Rock & Indie

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TRACY CHAPMAN - Originally released by Elektra Records in April 1988, Tracy Chapman has long been unavailable on vinyl. This anniversary reissue has been prepared for release by Chapman and the album's original producer, David Kershenbaum, pressed on 180-gram vinyl and sourced from an analogue master. The album package includes an insert of translated lyrics, which accompanied the original international release. Featuring the classic singles'Fast Car', 'Talkin' Bout A Revolution', and 'Baby Can I Hold You', the album earned three Grammy Awards and went on to become one of the most successful debuts of all time, peaking at #1 in multiple countries and selling more than 20 million copies worldwide.

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Fatima

Douz Douz

$ 19.39*

In My Own Time 50th Anniversary Edition

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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First time re-issue of this Arabic language gem from 1984. Fronted by Moroccan singer Fatima Makdadi and recorded in Paris, Douz Douz featured on the B Side on a now very hard to find 7". Now pressed loud on a 45rpm 12” with an extended version on the flip.

"Half a decade after Zohra’s spellbinding Badala Zamana launched the label, Mtmu returns with an equally obscure and catchy piece of Arab funk by Fatima. "

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Karen Dalton

2LP+7" | 1972 | US | Reissue (Light In The Attic)

$ 66.20*

Nancy Sinatra & Lee Hazlewood

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Two 180-gram, 45 RPM LPs cut from new 2021 transfers and pressed at RTI, featuring bonus tracks from the original album sessions
Previously unreleased 7” single: Live at Beat Club, Germany (April 1971)
Repro of 1971 French edition 7” single: Something On Your Mind b/w One Night Of Love
Both 7” singles pressed at Third Man Pressing and housed in old-style tip-on jackets
20-page booklet featuring unseen photos and liner notes by Lenny Kaye with contributions from Nick Cave and Devendra Banhart
Housed in a special, expanded trifold jacket

Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Light in the Attic is honored to celebrate the 50th anniversary of In My Own Time with a special edition of this monumental classic.

Featuring Dalton’s interpretations of songs like “Are You Leaving for the Country,” “When a Man Loves a Woman,” “Katie Cruel,” and her posthumously recognized signature performance, “Something On Your Mind,” the album will be available in a 50th anniversary Deluxe Edition, which expands exponentially upon Light in the Attic’s 2006 reissue of the album, co-produced by Nicholas Hill.

This 50th Anniversary Deluxe Edition features the newly remastered (2021) In My Own Time album, presented on three sides of 45-RPM, 180-gram vinyl pressed at Record Technology Inc. (RTI), with the fourth side showcasing alternate takes from the album sessions. The set also contains two 7-inch singles, featuring previously-unreleased live recordings captured at Germany’s Beat Club in 1971, both pressed at Third Man Record Pressing and housed in tip-on jackets. All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters. A 20-page booklet—featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart—rounds out the package, which comes housed in a special trifold jacket.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early 60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process but was also willing to offer gentle encouragement and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While 70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, many artists would name Karen Dalton as an influence including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recently acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul… you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971

11–13: Alternate Takes from album sessions, 1970/71

14–15: Recorded live at Beat Club, Germany, April 21, 1971

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Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

$ 27.38* $ 34.23 -20%

Cowboy In Sweden Deluxe Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Lee Hazlewood

2LP | 2016 | US | Reissue (Light In The Attic)

$ 40.17* $ 50.21 -20%

2LP | 1972 | US | Reissue (Light In The Attic)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Newly Expanded Deluxe Double LP Edition! Double LP expanded edition includes outtakes, demos and instrumentals, including 10 previously unreleased recordings 26 total tracks Album remastered from pristine LHI master tapes by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Torbjörn Axelman, Suzi Jane Hokom, Nina Lizell, Don Randi, Hal Blaine and Shel Talmy Rare film production photos from the Torbjörn Axelman archive Double LP housed in a gatefold jacket By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin...Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.

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Lee Hazlewood

13 Deluxe Edition

$ 33.78* $ 42.22 -20%

Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Newly Expanded Deluxe Double LP Edition! Includes the original 1972 album, plus all of Larry Mark's acoustic demos and tracks from his unreleased 1970 LHI LP for the first time on vinyl Previously unreleased session outtake of “Cold Hard Times” plus demos of obscure Hazlewood compositions “Drums,” “The Start,” “Susie,” “Miracle on 19th Street,” and “Peppermint Morning” 30 total tracks Remastered by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Larry Marks, Joe Cannon, Torbjörn Axelman & Suzi Jane Hokom Lee Hazlewood comic strip, the story of 13 told through original artwork by Jess Rotter Double LP housed in a gatefold jacket “Pimps… whores… pushers… dopers… gangsters… and bottom of the human chain shitheels. Now you’re probably thinking I’m writing about major record companies and their unscrupulous executives… and lawyers. You could be right… but this time… You’re Wrong! I’m describing the characters in my album ‘13’ …Some I knew… some I invented … some are true… some are false… some I liked… some I didn’t. But they all had a story to tell and I told it…none of ‘em seem to care… and I don’t either… have fun…" Lee Hazlewood

“He (Lee) took my voice off the album and put his voice on the album. Now don’t forget these were in my keys, it was my charts, it was my everything. Lee Hazlewood was not even remotely going to be considered as an artist for this album and that’s the way he wanted it.” Larry Marks

The album 13 was never supposed to be a Lee Hazlewood album. It is perhaps the strangest record in one of the most varied discographies in music. The Bombastic brass heavy funk, deep blues and soul paired with Hazlewood’s subterranean baritone would be best enjoyed with a tall Chivas in an offstrip seedy Vegas lounge. By 1972 Lee Hazlewood had settled in his new homeland of Sweden. His days were spent carousing, making movies with Torbjӧrn Axelman and releasing albums. To keep up his prolific recorded output, Lee began to mine the recently defunct LHI Records archives for material. One such gem, was an unreleased album by Larry Marks (lhi producer, artist and the voice of the first ScoobyDoo theme). Larry’s concept was to take Hazlewood’s strongest compositions and arrange them in a soul vibe. An album was completed, but with no distribution in America and no funding, Lee had no vehicle to release Larry’s record. The tapes were taken to Sweden, Larry’s voice was wiped and Hazlewood’s was dubbed… 13 was born.

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

$ 27.38* $ 50.21 -45%

4LP | 2025 | US | Original (Big Loud)

Release: 2023 / US – Original

Genre: Rock & Indie

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Stephen Wilson Jr.

Son Of Dad

$ 120.99*

Julian Knoth von Die Nerven

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-05-30

Stephen wilson jr / son of dad

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Unsichtbares Meer HHV Exclusive Coke Bottle Green Vinyl Edition

LP | 2025 | EU | Original (Italic)

$ 26.24*

1976 U.S. Tour Record Store Day 2025 Edition

Release: 2025 / EU – Original

Genre: Rock & Indie, Classical Music

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Limited to 100 copies only available at HHV.

Julian Knoth (Die Nerven, Die Benjamins) will release his first solo album Unsichtbares Meer on 23 May 2025. ‘I started writing this album alone in a state of great depression and melancholy. In the end, it became a project of solidarity with many friends,’ says Julian Knoth. Close, fragile, honest, folk & lo-fi, voice, guitar & strings. Influenced by Johnny Cash, Cat Power, Feist, Adrienne Lenker.

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Joni Mitchell

3LP | 2025 | WW | Original (Warner)

$ 110.71*

Release: 2025 / WW – Original

Genre: Rock & Indie

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Chrissy Zebby Tembo & Ngozi Family

I'm Not Made Of Iron Record Store Day 2025 Vinyl Edition

LP | 2025 | WW | Reissue (Now Again)

Spyboy Record Store Day 2025 Edition

Release: 2025 / WW – Reissue

Genre: Rock & Indie

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"I’M NOT MADE OF IRON Sees Its First Ever Commercial Release On Record Store Day 2025
Ngozi Family drummer and vocalist Chrissy Zebby Tembo's first album My Ancestors is one of the best known and most sought after international rock
records. A mix of hard rock, proto-punk and Zambian folklore, Tembo and his
best friend Paul Ngozi’s efforts were followed by a promotional-only second
album that came out the year after My Ancestors.
For the first time, Now-Again Records presents the first commercial issue of this
rare Zamrock album I’m Not Made Of Iron under license from both
the Tembo and Ngozi Estates.
Includes An Oversized 8 page Booklet that details Paul Ngozi and the Ngozi
Family's Arc including rare photographs, discography and annotation."

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Emmylou Harris

2LP | 2025 | US | Original (New West)

$ 43.37*

The LHI Years: Singles, Nudes & Backsides (196871)

Release: 2025 / US – Original

Genre: Rock & Indie

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Spyboy is a live album by Emmylou Harris and her backing band, Spyboy which she formed for a tour to perform songs from her 1995 career-redefining album, Wrecking Ball. Taking a stripped-down approach, Harris is backed by a trio comprising country singer-songwriter Buddy Miller on guitar and New Orleans musicians Daryl Johnson on bass and Brady Blade on drums. Along with songs from Wrecking Ball, such as "Where Will I Be" and "Deeper Well", Harris performs other songs from earlier in her career, such as "Born to Run" from Cimarron, "Love Hurts", which she first performed with Gram Parsons, "I Ain't Living Long Like This" from Quarter Moon in a Ten Cent Town and her ode to Parsons, "Boulder to Birmingham", from her 1975 debut album, Pieces of the Sky. Originally released on CD in 1998, Spyboy is now available on vinyl for the first time ever. This pressing is limited to 3,000 units and packaged in a gatefold along with an 11x.5 x11.5 insert featuring written reflections from Emmy Lou Harris as well as Buddy Miller. The pressing includes the original 14-song tracklist as well as 5 previously unreleased bonus tracks.

This is a 2025 Record Store Day release.

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Lee Hazlewood

2LP | 2012 | US | Reissue (Light In The Attic)

$ 40.17* $ 50.21 -20%

LP | 2025 | EU | Original (Habibi Funk)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Cuts from essential albums like Cowboy In Sweden Features duets with Suzi Jane Hokom, AnnMargret and Nina Lizell Audio remastered from original tapes Unreleased song “I Just Learned To Run” Indepth liner notes & unseen photographs As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

With his handlebar moustache and booming baritone, Lee Hazlewood was one of the defining stars of the late ‘60s. Though he’s perhaps best known for his work with Nancy Sinatra (including writing megahit “These Boots Are Made For Walking”), Hazlewood did stunning work away from that particular glamour queen and found latter day champions in Beck, Sonic Youth, and Jarvis Cocker. Now, for Record Store Day 2012, we are kicking off our excavation of the Lee Hazlewood archives with this anthology, Singles, Nudes & Backsides, collecting the best of Lee’s solo songs and duets from his LHI (Lee Hazlewood Industries) imprint.

As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee’s influence continues to reverberate today. Between 196871, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acidfolk and countryrock to poppsych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (remastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.

See the sleeve: surrounded by nude girls, each wearing a fake moustache, Hazlewood wears a suit, eversoslightly awkwardly playing the role of the ‘60s playboy. Just like the picture, the songs present a man conflicted; he’s the tenderhearted romantic, the brokenhearted loser and the rugged cowboy, all in one. It’s there in the western swing of “Califia (Stone Rider)”, the loneliness of ”The Bed” and the bleak beauty of ”If It’s Monday Morning.” Hazlewood’s tremulous voice was made for duets (indeed, he wrote ”Some Velvet Morning”, one of the greatest of all time); here, Suzi Jane Hokom, AnnMargret and Nina Lizell play counterpart to his manly tones.

In the wonderful liner notes, written by British journalist Wyndham Wallace, the writer describes his friend Hazlewood as “a curmudgeonly, unpredictable sort at the best of times, as impatient with his own talent as he is with other people.” The Hazlewood Wallace knew was puzzled by the growing interest in him in the last two decades of his life, which was ended by cancer at age 78. That late flurry of interest saw him perform at the Royal Festival Hall in 1999, his first ever solo performance in the UK.

A natural wanderer, Lee lived a big life, fighting in the Korean War, working as a radio DJ in Phoenix, Arizona, setting up Viv Records in the ‘50s, working as a bigshot LA producer in the ‘60s, signing Phil Spector to his Trey Records label and prematurely announcing retirement in the wake of the mid‘60s British invasion. He didn’t: Nancy Sinatra came along, the hits started flowing and he continued producing characterful solo albums into the ‘70s, which saw his move to Sweden. By 2007, Hazlewood was living in Vegas, and begrudgingly enjoying that flurry of latterday interest in his work. This landmark compilation promises to create many more converts.

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Charif Megarbane

Hawalat

Strange Trails 10th Anniversary Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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If Hawalat sounds like a world tour that’s because it essentially is. “As much as Marzipan is a picture of Lebanon from the inside, Hawalat kind of picks up from where Marzipan finished but more looking to the outside, the diaspora, to the notion of exile.” Megarbane says he is interested in the connections between the global and the domestic, the mundane and the cosmic, and wanted to create space for non-linear progression.

Hawalat is based on the idea of hawala, informal money transfers that you can make to certain countries impacted by a lack of currency or unstable political and economic contexts. His use of the term on this album is not a financial one, Megarbane explains, but a nod to notions of creative exchange between “places, persons, generations.” It is the first time Megarbane called on other musicians in this way to inform his sound, including a collaboration with Sven Wunder on the song Helia featuring strings by the Stockholm Studio Orchestra.

The album opens with first single Hanadi, a punchy Somali-inspired track with warm non-lexical vocals and saxophone. It immediately pivots to the Dreams of an Insomniac, which balances soft, effortless vocals and keys with urgent violin intrusions. Al Dollarji feels like Megarbane’s bread and butter, that is Mediterranean sounds with intricate strings, while Al Bahriye takes this staple and introduces hip hop inflections. The result is a rich 17 track album that effortlessly blends genres and styles.

Including 8 page, 12" sized booklet with unseen photos and liner notes by Armani Syed.

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Lord Huron

LP | 2015 | US | Reissue (Imperial Distribution)

$ 49.07*

Muschelsammlung 2025 Repress

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Lord Huron - "Strange Trails (10th Anniversary Edition)" 10th Anniversary Edition of Lord Huron's seminal, multiplatinum album Strange Trails. Includes re-illustrated artwork and brand-new 20-page comic book, The Yawning Grave. Virgin Music; IMPERIAL; Alternative; Catalog Limited Edition 2 LP set on 180g vinyl, gatefold jacket, printed inner sleeves. EXPLICIT

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Brannten Schnüre

LP | 2017 | EU | Reissue (Milder Wahn)

Release: 2017 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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The Original Sound Of Mali 2

LP | 2025 | UK | Original (Mr Bongo)

2LP+CD | 1998 | EU | Reissue (Because)

Release: 2025 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The liberation of Mali from French rule in 1960 led to an explosive musical renaissance, and on this latest 2xLP compilation, Mr Bongo seek to remonstrate the nation's excellence in the face of much strife. After 1970, amid revived drives to document many national and regional music productions from the West African nation, Malian culture underwent a fertile transformation, with state-sponsored bands and orchestras able to record with sound engineers for the first time. Compiled by French writer and journalist Florent Mazzoleni and Mr Bongo's own David Buttle, we hear here the likes of Ousmane Kouyate & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystere Jazz de Tombouctou and many more, where bright, fuzz-packed tones whirl about our ears in serene squalls of balafon-driven funk, rumba, wassoulou, jeli and blues.

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Manu Chao

Clandestino

Fore & After Pt.I Record Store Day 2025 Vinyl Edition

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO

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Trees

2LP | 2025 | WW | Reissue (Earth)

Release: 2025 / WW – Reissue

Genre: Rock & Indie

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1000 copies pressed. Vinyl rarities release of original Trees' demos and BBC sessions circa 1969/70, plus 2007 remixes of tracks from 'On The Shore' and 2018 live performances of 'She Moved Thro' The Fair' and 'Murdoch'. Trees helped define 'Acid Folk',

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Tsapiky! Modern Music From Southwest Madagascar

LP | 2025 | EU | Original (Sublime Frequencies)

All I've Got To Give / Hunk Of Heaven

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Tsapiky music from Southwest Madagascar features wild ecstatic vocals, distorted electric guitars, rocket bass, and the amphetamine beat! Unlike anything else, this is THE high life music you've always wanted - ceremonial music played with abandon and ext

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Lemuria

7" | 2018 | JP | Reissue (P-Vine)

LP | 2021 | EU | Original (Habibi Funk)

Release: 2018 / JP – Reissue

Genre: Rock & Indie

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"Lemuria" is a project led by Kirk Thompson, an original member of the band Kalapana, which is iconic in the Hawaiian AOR scene. Kirk is not only a player but also as a producer, he has left behind numerous classic albums. The only album released in 1978 features high-quality sound production and songwriting filled with an island vibe, leading many artists to cover their songs. P-vine is reissuing this album's representative hits, "All I've Got To Give" and "Hunk Of Heaven," on a 7-inch vinyl for the first time in a long while.

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Roger Fakhr

Fine Anyway

$ 28.53*

LP | 1963 | EU | Reissue (Sony Legacy)

Release: 2021 / EU – Original

Genre: Rock & Indie

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"Beautiful melange of folk, jazz and sound from Lebanon. Recorded in late 1970s Beirut by Rogér Fakhr who at the time also played guitar for Ziad Rahbani and Fairouz.“

Rogér Fakhr is a musician from Lebanon. He recorded these songs in the late 1970s in Beirut (and some during a brief exile in Paris). Some were circulated on hand copied cassettes among friends, others like "Had To Come Back Wet" were never released. His music effortlessly combines folk with touches of jazz and soul. He wrote, composed and arranged all songs. While working on his own music he also played for Ziad Rahbani, Fairouz and other musicians.

When we first heard Roger's music we were blown away! The music was a mixture of folk with touches of other genres. Maybe one could also refer to it as “singer-songwriter”, since all of the songs were Roger’s own compositions. Songs of unique beauty both musically as well as lyrically. At the same time they gave me the feeling of them being somehow time and space isolated capsules. Nothing really revealed, where they could’ve been recorded and without knowing it was Beirut, my first guess maybe would have rather been California, sometime in the 1970s. The immersive effect of his compositions and voice are just incredible. I was stunned and proposed Roger to work on a re-release, which he politely declined, saying he had no interest in this music being reissued.

The vinyl version comes with a 8 page booklet and a DL code.

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Bob Dylan

Freewheelin Bob Dylan

The Slam! Years (1983-1988)

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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Vinyl LP pressing including digital download. The Freewheelin' Bob Dylan is the second studio album by legendary singer/songwriter Bob Dylan. Whereas his self-titled debut album Bob Dylan had contained only two original songs, Freewheelin' represented the beginning of Dylan's writing contemporary words to traditional melodies. Eleven of the thirteen songs on the album are Dylan's original compositions. The album opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul & Mary soon after the release of Freewheelin'. The album featured several other songs which came to be regarded as among Dylan's best compositions and classics of the 1960s folk scene: "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right".

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Hamid El Shaeri

LP | 2022 | EU | Original (Habibi Funk)

$ 28.53*

Release: 2022 / EU – Original

Genre: Rock & Indie

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If you were to ask for a defining Habibi Funk track, there are a few that come to mind: from Fadoul’s “Sid Redad,” Dalton’s “Soul Brother” to Ahmed Malek’s “Omar Gatlato.” However, none are as widely connected with us at this point as Hamid Al Shaeri’s “Ayonha.” We heard the track for the first time when we were working on selecting tracks for your first compilation and we instantly loved it. We obviously had heard of Hamid El Shaeri’s music before, but only material from his Al Jeel phase when he was already the full-blown superstar he is now. Listening to his releases from the early 1980’s opened a whole new door for us. At the time, Hamid had just left Libya to pursue his career in Egypt via a detour in London, where he recorded his first album.

Hamid’s distinct sound of the sound is quintessentially reliant on heavy synths and so it was particularly important to purchase these synths in a timely manner. “Whenever a new one [synthesizer] would come out, we would have to buy it immediately, otherwise someone else would get their hands on that sound.” London also played an important role for Hamid as a musical epicenter. He fondly reminisces about the many live shows he attended there, including some of the biggest international musicians like Freddie Mercury and Michael Jackson.

After returning to Cairo where he also recorded his following albums, he connected with Slam! for the release of his debut, laying the foundation of a collaboration that lasted for 5 albums.

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LP | 2009 | US | Reissue (Warner)

Far Clear Vinyl Edition

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Far (Velum Clear LP) Regina Spektor's 2009 follow-up to Begin to Hope, available on limited edition Velum Clear vinyl. On Far, Spektor invites four esteemed producers; Jeff Lynne, Mike Elizondo, David Kahne and Garret "Jacknife" Lee, to collaborate on intricate and adventurous soundscapes for her songs. Includes "Two Birds", "Eet, "Laughing With", "Dance Anthem of the 80's" and more.

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Born In The City Of Tanta - Lower Egyptian Urban Folklore And Bedouin Shaabi From Libya's Bourini Records 1968-75

LP | 2025 | EU | Original (Sublime Frequencies)

LP | 2025 | US | Original (Atlantic)

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Egypt’s “official” popular music throughout much of the 20th Century was a complex form of art song steeped in tradition, well-loved by the middle and upper classes, and even accommodating to certain non-Arabic influences. It was highly structured by prof

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Sam Barber

Restless Mind

$ 47.93*

LP | 2021 | EU | Original (Not Now)

Release: 2025 / US – Original

Genre: Rock & Indie

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Double vinyl LP pressing.

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Ink Spots

Best Of

$ 20.54*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 1965 | US | Reissue (Antarctica Starts Here)

Jackson C. Frank

LP | 2025 | EU | Original (Oh Dear)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Jackson C. Frank’s eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside.

Frank’s backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly became a fixture of the bustling folk scene. Performing a mix of blues standards and originals, he met fellow ex-pat Paul Simon who would put up the money to record Frank’s only LP.

For such a sparsely recorded work, Jackson C. Frank covers a lot of ground. From the rugged, world-weary opener “Blues Run The Game” to the stunning melancholy of “Milk And Honey,” Frank’s nimble acoustic guitar and passionate howls are all that is needed to power such authentic songwriting. Captured in a single-day session, these ten tracks are stark, gritty and seemingly out-of-place with time. There may be no ‘60s folk record that is simultaneously as rare and influential as Jackson C. Frank’s self-titled debut.

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Sophie Zelmani

Lake Geneva

LP | 1970 | UK | Reissue (BGP)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Her fourteenth studio album, Lake Geneva, marks a new milestone in Sophie Zelmani's 30-year career and features 10 new songs, including the singles The Human Heart, Back to the Sea, and All I See Is You. With Lake Geneva, she will also embark on an extensive tour across Europe. The album is produced by Lars Halapi.

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Kathy Mccord

Keep Walkin': Singles, Demos & Rarities 1965-1978 Sugar Me Pink Splatter Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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When Creed Taylor was setting up his CTI label one of his proposed signings was Billy Vera. This led to a deal for Vera’s younger sister Kathy McCord. In fact, McCord was the first artist signed and recorded by CTI. Her debut, “Kathy McCord” was released in 1970.

Although the label would go on to establish a fine reputation in jazz, “Kathy McCord” was a folk rock album. A gifted young poet the 17-year old McCord wrote many of the tracks on the album which were then interpreted in the studio by a crack team of jazz musicians that included Harvey Brooks (bass), Hubert Laws (flute), John Hall (guitar) and Wells Kelly and Ed Shaugnessy (drums). Musically and lyrically both the musicians and McCord stretched out on tracks like ‘Rainbow Ride’, ‘Jennipher’, ‘Candle Waxing’ and ‘Take Away This Pain’ to conjure up an amazing fusion of folk and jazz. The only cover on show was a version of Lennon and McCartney’s ‘She’s Leaving Home’ which McCord repurposed as ‘I’m Leaving Home’.

Upon release the album sold poorly. Creed’s expertise and contacts were in the jazz field and he had no idea how to market an album of folk jazz songs sung with fragile beauty by a good looking girl still in her late teenage years. Also, when Billy Vera did not sign to CTI McCord was dropped.

Over time “Kathy McCord” attracted a dedicated following amongst folk-rock collectors in America and the UK. In many respects it was an echo of something like Deena Webster’s 1968 folk rock LP, “Tuesday’s Child” that also came, went and is now sought after.

Ace are delighted to give the world the first vinyl reissue of “Kathy McCord” since 1970. Pressed on black 180gm vinyl it also includes liner notes from Billy Vera - who has this to say about his late beloved sister: “My sister had the goods. She could sing, she could write and she looked great. Like so many other talented people, she just failed to get lucky. Listen and enjoy her. I love her stuff”. You will too...

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

$ 30.24* $ 60.49 -50%

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Wagram)

Italian Rare Groove

Release: 2024 / EU – Original

Genre: Rock & Indie

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Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume 100% italian, discover rare gems from soundtracks of erotic and detective movies as well as more confidential music libraries.With Ennio Morricone, Goblin, Piero Piccioni, Guido e Maurizio De Angelis, Armando Trovajoli, Alessandro Alessandri, Toto Cutugno...

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2LP | 2023 | EU (Nukleuz Blue)

Istanbul 70 Volume I-VI

$ 61.63*

LP | 2023 | EU | Original (Habibi Funk)

Release: 2023 / EU

Genre: Rock & Indie

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Quantity: 950
Release type: 'RSD First' Release

The original 2011 release is one of the first projects that globally focused on the golden era of Turkish popular music of the 1970s. Back then, both originals and a selection of remixes were released and created serious hype in collector scenes with rare (300 copies each) 7"s that have never been pressed again. Meanwhile, the Turkish psychedelic-folk-disco style got more popular and some collectors discovered it via this series.

Now at its 10th anniversary Nublu Records is compiling these 12 remixes under a special edition double-LP pressed on 180g purple vinyl.

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Ahmed Ben Ali

Subhana

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Gather In The Mushrooms - The British Folk Underground 1969-1975

2LP | 2025 | UK | Original (Ace)

$ 37.66*

LP | 2025 | EU | Original (Wewantsounds)

Release: 2025 / UK – Original

Genre: Rock & Indie

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Compiled by Bob Stanley to document the acid folk scene, “Gather In The Mushrooms” was first issued in 2004 on Sanctuary as a CD-only release; it proved popular enough for a sequel entitled “Early Morning Hush” two years later.

This new edition of “Gather In The Mushrooms” contains the cream of both long-deleted compilations with a few additions – COB, Roy Harper, Fotheringay – that weren’t available to Sanctuary at the time. Though they aren’t traditional, these songs have an authenticity of their own, an autumnal atmosphere and a naivety which proved influential in the 00s neo-folk boom (Devendra Banhart, Joanna Newsom, Alasdair Roberts, Tunng et al) but impossible to replicate. For many of these acts at the end of the 60s, folk music and the hippy world that surrounded them was a way of life, a way of opting out from the Vietnam war, Angry Brigade and three-day-week early 70s. Anne Briggs lived in a caravan in Suffolk, Shelagh McDonald lived in a tent, Vashti Bunyan eschewed electricity; they weren’t part-timers. Listening to “Gather In The Mushrooms”, we are transported to a time when no one used the term post-modernist.

It may not have resonated with dyed-in-the wool political folkies, but over five decades later this music sounds very evocative of an England of yore – not necessarily one of poachers and pedlars, but one of long-haired youths in tie-dye T-shirts, bikers and hippies, acoustic guitars played in white stone cottages. Groups like Stone Angel (Bonus Track), Midwinter and Oberon made primitive, privately recorded folk albums; today they sound as distant and mystical as the field recordings of Alan Lomax. The sincerity and folk knowledge of a group like Forest becomes irrelevant once you hear something as eerie and evocative as ‘Graveyard’. Home-made, homely, warm as soup or chilling as a hoar frost, this is music of innocence and rare beauty.

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Al-Qasar

Uncovered

LP | 2023 | EU | Original (Glitterbeat)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Wewantsounds is delighted to announce the release of Al-Qasar"s new album, "Uncovered", is a side-project from the group featuring covers from the Western and Arabic repertoires, as well as new originals composed by the group. The album was recorded in Europe and Africa and features guest appearances by Alsarah, Mamani Keita, Cheick Tidiane Seck and Sami Galbi. The group, who has recently come out of a US tour will give more concerts in 2025 to support the album and spread further their Arab-futurist psych rock sound.

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Altin Gün

Ask

LP | 2019 | EU | Original (Glitterbeat)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The first thing that grabs you about Altin Gün"s new album is the energy. With Ask, the Amsterdam-based sextet turn away from the electronic, synth-drenched sound of their 2021 albums, Alem and Yol. While those two, created at home during the pandemic, paid homage to the electronic pop of the 80s and early 90s, Ask, marks an exuberant return to the 70s Anatolian folk-rock sound that characterised Altin Gün"s first two albums, On (2018) and Gece (2019). But there’s development here too. Ask is the closest the band have come so far to capturing the infectious energy of their live performances. "It"s definitely connecting more with a live sound - almost like a live album," says bassist Jasper Verhulst. "We, as a band, just going into a rehearsal space together and creating music together instead of demoing at home." "We didn't record it like we did the last album," agrees vocalist Merve Dasdemir. "We basically produced that one at home because of the pandemic. Now we've gone back to recording live on tape." How many more worlds do Altin Gün visit in this joyful expedition? "Rakiya Su Katamam" is glowering space rock, as though Gong had taken a stopover on the Bosphorus. "Canim Oy" is a psychedelic freak-beat stomper from a world where Istanbul's Kadiköy district was the Carnaby Street of the east. "Güzelligin On Para Etmez" is a dreamy acid-folk anthem. And the finale, "Doktor Civanim," is an irresistible slice of sci-fi disco camp with lava-lamp synth squiggles that wouldn't sound out-of-place next to Baris Manço"s "Ben Bilirim." Fresh yet timeless. Rooted in antiquity yet yearning for heavenly futures. Ask wants to take you places.

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Altin Gün

Gece

Francoise Hardy Gatefold Sleeve Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Nominated for a Grammy!

Following their hotly tipped 2018 debut album “On” – Altın Gün returns with an exhilarating second album. “Gece” firmly establishes the band as essential interpreters of the Anatolian rock and folk legacy and as a leading voice in the emergent global psych-rock scene. Explosive, funky and transcendent.

The world is rarely what it seems. A quick glance doesn’t always reveal the full truth. To find that, you need to burrow deeper. Listen to Altın Gün, for example: they sound utterly Turkish, but only one of the Netherlands based band’s six members was actually born there. And while their new album, Gece, is absolutely electric, filled with funk-like grooves and explosive psychedelic textures, what they play – by their own estimation – is folk music.

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Francoise Hardy

LP | 2017 | EU | Original (Dol)

$ 17.11*

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 1972 | DE | Reissue (Universal)

Nick Drake

Pink Moon

Release: 1972 / DE – Reissue

Genre: Rock & Indie

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Proxima Estacion: Esperenza

Manu Chao

2LP+CD | 2001 | EU | Reissue (Because)

With Trampled By Turtles Cream White Vinyl Edition

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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No vinyl of any Manu Chao album has been available for ages. Now the wait is over, all studio & live albums are back on double or triple gatefold vinyl incl. the CD version. Go!

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Alan Sparhawk

LP | 2025 | US | Original (Sub Pop)

Melodies From A Byrd In Flyte: 1963-1973 Record Store Day 2025 Translucent Milky White Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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No one can help you build something beautiful quite like those who know you best. Alan Sparhawk knows this well. In his years in Low, he built decades of stirring music with his wife and lifelong creative partner Mimi Parker. In recent years, he has performed around Minnesota with his son Cyrus in DERECHO Rhythm Section, a funk band that also frequently features his daughter Hollis on vocals. There's an irreplaceable naturalism that comes with this kind of dynamic. Those who know you understand you. They love you. They want to help you bring your greatest passions to fruition.So it made sense that Sparhawk would turn to fellow Duluth musicians Trampled by Turtles to realize his latest record. As friends and mentees of Low's, taken under Sparhawk and Parker's wing from their earliest days as a bar band, Trampled by Turtles have performed with Sparhawk countless times over the years. The Duluth ties run deep: "There's a certain vibe that has to do with underdog syndrome, coming from a small town," Sparhawk muses. "Some of it is the weird grind and slackness that being at the mercy of Mother Nature puts in you. It humbles you."The two artists hold the kind of ironclad bond. Following Parker's passing in 2022, Trampled by Turtles invited Sparhawk to join them on tour to give him a space to be surrounded by friends. Occasionally, he would join them onstage. The outpouring of love was palpable every time they played together, a surge of warmth.When playing together is that powerful, why stop there? In winter, 2024, Sparhawk and Trampled by Turtles created With Trampled by Turtles, a record exactly as its name implies: Collective. Communal. Fraternal. Empathetic. A vessel for comfort, a reminder of the harmony that can exist when surrounded by those closest to you.Where White Roses, My God, Sparhawk's last album, plunged headfirst into electronica and radical vocal modulation, With Trampled by Turtles leans into the folk and bluegrass stylings of its backing band, Sparhawk's voice now completely unvarnished....

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Clarence White

LP | WW | Original (Liberation Hall)

$ 26.24*

Marty Stuart & His Fabulous Superlatives

Release: WW – Original

Genre: Rock & Indie

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Quantity: 1200
Release type: 'RSD First' Release

US-Import. A mix of fourteen rare acoustic and electric tracks from the late country-rock pioneer and legendary member of The Byrds and Kentucky Colonels. The set includes tracks recorded both at the beginning and at the peak of his career, showcasing his critically acclaimed flat-picking guitar style. Features guest players such as Eric Weissberg, the Byrds' Roger McGuinn, Gene Parsons, and Skip Battin, the Flying Burrito Brothers' Byron Berline, and a rare rehearsal performance with the Everly Brothers with Gram Parsons on rhythm guitar.

White said of his guitar technique, ''I always maintain that I'm an electric country guitarist working in rock, rather than a rock n' roll guitarist like, say, Clapton or Beck, who came up through blues.''

He may be best known as the second-longest member of The Byrds and leader of the Kentucky Colonels, but White also left his mark as a pioneer of country rock and his flat-picking guitar stylings; his ability to cross between acoustic and electric made him unique. His session work included recordings with Linda Ronstadt, Joe Cocker, Randy Newman, Rick Nelson, Pat Boone, The Monkees, Arlo Guthrie, and Jackson Browne, among others. Side One (Acoustic selections) 1. No Title Yet Blues (with Eric Weissberg) 2. Fire on the Mountain 3. (Now and Then There's) A Fool Such as I 4. New Soldier's Joy 5. Yesterday's Train (with Gene Parsons, Skip Battin) 6. Sally Goodin Meets the Byrds 7. Banjo Dog 8. Alabama Jubilee Side Two (Electric selections) 1. Ode to Billie Joe 2. Buckaroo 3. Nashville West 4. Byrd Jam aka White's Lightning (with Roger McGuinn) 5. Around the Barn 6. I'm on My Way Home Again * (with The Everly Brothers & Gram Parsons)

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Space Junk Record Store Day 2025 Edition

2LP | WW | Original (Snakefarm)

$ 75.33*

LP | 2025 | EU | Original (Morphine)

Release: WW – Original

Genre: Rock & Indie

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US-Import. Space Junk', a 20-track Double LP, is the first full instrumental album from country legend Marty Stuart And His Fabulous Superlatives. This Limited Edition release features previously unreleased recordings, focussing on a celebrated aspect of Marty's longstanding recording career. 'Dreamcatcher', the artwork for Space Junk, has been provided by Herb Alpert of Tijuana Brass and A&M Records fame. Graveyard All The Pretty Horses Catalina Over The Moon Slipnote Serenade Space Junk El Zorro Coastline The Ballad of the Lonely Surfer Bat Patrol Till We Meet Again Waiting on Sundown La Tingo Tango Rhapsidio Sangre de Cristo in E Major Showcake Jody the Fly (Romance in Laguna) Malibu Dawn The Surfin' Cowboy California Pt. 1 (Bobbie Gentry, Please Call Home) Waltz of the Waves

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Raed Yassin

Phantom Orchestra

LP | 2025 | EU | Original (Subject To Restriction Discs)

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Crafted from solo recordings of 42 top-notch improviser musicians mostly drawn from Berlin’s multi-layered experimental scene, the monumental Phantom Orchestra project by Raed Yassin is finally getting released on Morphine Records. More than 1000 minutes of source material, recorded at the Morphine Raum during the fall of 2021, is distilled into a cogent work marked by a dazzling display of editing and blending, and packed into a double LP containing 7 “movements” of the Phantom Orchestra composition.

Crafted from solo recordings of 42 top-notch improviser musicians mostly drawn from Berlin’s multi-layered experimental scene, the monumental Phantom Orchestra project by Raed Yassin is finally getting released on Morphine Records. More than 1000 minutes of source material, recorded at the Morphine Raum during the fall of 2021, is distilled into a cogent work marked by a dazzling display of editing and blending, and packed into a double LP containing 7 “movements” of the Phantom Orchestra composition.
The Lebanese composer, musician and visual artist Raed Yassin has built a career straddling artistic mediums and communities, his devotion to improvisation, his connection to experimental electronic music, and his interest in the archive distinguishing a progressive impulse rooted in historic exploration. In 2020 Morphine Records released his wildly ambitious Live in Sharjah, made by a kaleidoscopic expansion of Praed, his duo with clarinetist Paed Conca. He resumes his interest in large-scale projects with Phantom Orchestra, conceived during the pandemic when most European improvisers were forced to redirect their energies into solo work,

Each set of the Phantom Orchestra’s solos was cut on a Dubplate, ready to be performed on 12 turntables routed to a six-channel setup, to create a unified and breathtaking composition from the spontaneous material. The resulting material was then edited and prepared to be cut on a Double LP format, marshalling a staggering variety of improvised footage into an air-tight collage that locates abstract consonance, stunning sonic rhymes, and unusual harmonies without shutting out the sort of exhilarating collisions and fraught tensions inherent in collaborative improvisations. With this final stage of the composition, Yassin offers a vibrant testimony to the diversity of Berlin’s community of improvisers, to say nothing of his own refined artistic sensibility in achieving such a remarkable feat of blending so many contrasting voices into a truly unified piece of music. “For me it's about how to learn to be a community again,” he says. “And how to live in a world together again, which is a very difficult question for me.”

“This Album was published with the support of the Arab Fund for Arts and Culture – Afac”

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Don Kashew

Bellows

Lookaftering - Expanded Edition

Release: 2025 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Don Kashew returns to Subject To Restrictions Discs with the album ‘Bellows’. A haunting, melodic, maudlin affair, as one would expect from the Zurich-based producer, with a variety of ‘breathing’ instruments as a fulcrum, that challenges any physicality.

The compositions draw from the pool of New Age music and neo-folk of the 80s and 90s. But ‘Bellows’ stretches and looks at the future, deliberately blurring lines that were supposedly anchored. So, Don Kashew has begun a new phase in his musical expression; quivering, but grounded and interwoven in a rich arras of synth work and overlapping woodwind sounds.

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Vashti Bunyan

2LP | 2025 | UK | Original (FatCat)

$ 37.66*

Release: 2025 / UK – Original

Genre: Rock & Indie

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Tracklist 2LP:A-Seite01. Lately02. Here Before03. Wayward04. Hidden05. Against The Sky06. Turning BacksB-Seite01. If I Were02. Same But Different03. Brother04. Feet Of Clay05. Wayward HumC-Seite01. Lately (Live, The Echo, Los Angeles, 2006)02. Here Before (Demo, 2005)03. Wayward (Alternative take, 2005)04. Hidden (Demo, 2002)05.Against The Sky (Demo, 2004)D-Seite01. Turning Backs (Demo, 2003)02. If I Were (Demo, 2001)03. Same But Different (Demo, 2005)04. Brother (Demo, 2002)05. Feet Of Clay (Demo, 2002)

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Tokyo Bliss - Japanese Funk, Boggie And City Pop From King Records 1974-1988

LP | 2025 | EU | Original (Wewantsounds)

Parallelograms Blue Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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Following the success of the "Tokyo Glow" and "Funk Tide" sets, Wewantsounds once again teams up with Tokyo-based DJ Notoya for a breezy selection of Funk and Boogie recorded in Japan for King Records in the 70s and 80s. Most tracks here are making their debut on vinyl outside of Japan and the album, like its predecessors, has been designed by Optigram"s Manuel Sepulveda and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by King Records and remastered for vinyl by Colorsound in Paris.

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Linda Perhacs

LP | 1970 | EU | Reissue (Elemental)

$ 43.37*

7" | 2024 | EU | Original (Les Rythmes Ruban)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Limited blue colored vinyl LP pressing. Released by the Kapp label in 1970, Parallelograms was the first album by American psychedelic folk singer Linda Perhacs. Disappointed by the meagre promotion of the LP by Kapp, she retired from the music world and continued working in her profession as a dental hygienist. Perhacs wouldn't record again until 2014, when she presented The Soul of All Natural Things. Despite all of these things, Parallelograms slowly developed a cult following and is now highly acclaimed by music lovers and critics.

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Blundetto

La Playa

$ 14.83*

Afro-Indigenous Music From The North-Western Andes

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"La Playa" is a folk single infused with very acoustic sounds produced by Blundetto. It's a cover of originally sung by Marie Laforêt in 1970. It features the French singer Juliette Magnevasoa, a voice of rare singularity. Together, they have crafted the perfect blend for a moment of softness, melancholic and soothing, already resonating as a classic gem.

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Juyungo

LP | 2024 | UK | Original (Honest Jon's)

LP | 2025 | US | Original (Stones Throw)

Release: 2024 / UK – Original

Genre: Rock & Indie

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‘Since the 16th century, the Ecuadorian province of Esmeraldas has been home to a unique Afro-Indigenous culture originating in the integration of the Indigenous Chachi and Nigua peoples with African Maroon communities. Juyungo documents significant Esmeraldan artists and bands playing the Afro-Ecuadorian folklore of the province, as well as including some older field recordings. Based mostly on the marimba, whose origins lie partly in the African balafon, partly in Indigenous percussion instruments, the music is laced with call and response chants, ambient insect and bird noise, the filigree finger-styles of the Andean guitar tradition and the panpipes of the mountains. This is resonant insider roots music at its headiest — the mystic revelation of Esmeraldas, gully deep and lustral.’ - Francis Gooding, The Wire.

The fifth in our series of LPs compiling classic music from Ecuador. Customary Honest Jons runnings: a beautiful gatefold sleeve; superior pressing, with vivid, intimate sound; full-size, sixteen-page booklet, in colour throughout, with detailed, fascinating, bi-lingual notes, and stunning photographs.

The music is transfixing, magical; not like anything else. From start to finish, this album is continuously, profoundly immersive; a kind of journeying, trippy meditation about slavery and cultural resistance, identity and mix, places and spaces, futures and pasts. It’s inscrutable to net-surfing, algorithms, Shuffle. But for a taste try the insurgent marimba roller Agua Largo, jet-propelled by Rosa Huila’s rapturous blend of African spiritualist and Christian chant. ‘Healing music,’ Zakia called it on Gilles Peterson’s BBC show recently. And the ravishing pasillo Kasilla Shungulla — ‘calm your heart’ in the Quichua language — a duet between the Peruvian master-guitarist Raúl García Zárate and viola da gamba by Juan Luis Restrepo from Medellin, recorded in a baroque church in Buzbanza, Colombia.

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Eddie Chacon

Lay Low

Release: 2025 / US – Original

Genre: Rock & Indie

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"Low-key R&B legend" Eddie Chacon returns with Lay Low, out January 31st. Having collaborated with John Carroll Kirby on his last two albums, Eddie Chacon teamed up with Nick Hakim to produce this new collection of songs of loving and letting go.

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Hillbillies In Hell: The Bards Of Prey Red Vinyl Edition

LP | US (Iron Mountain Analogue Research)

$ 33.78* $ 42.22 -20%

Release: US

Genre: Rock & Indie

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LP | 2024 | JP | Original (Sony Music Japan)

Mari Nakamoto

Mari Nakamoto III

$ 50.21*

LP | 1974 | JP | Reissue (P-Vine)

Release: 2024 / JP – Original

Genre: Rock & Indie

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Originally released in 1975Pressed on black vinylRemastered and cut by "the Master of Sounds" Bernie GrundmanMari Nakamoto's third Three Blind Mice (TBM) release showcases her tender vocal style, complemented by the masterful accompaniment of Isao Suzuki on bass and Kazumi Watanabe on guitar.

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Mulatu Astatke

Ethio Jazz

$ 41.08*

Release: 1974 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

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"Ethio Jazz" is an album released by the Ethiopian master musician Mulatu Astatke in 1974 on his homeland Ethiopia's Amha Records. It stands as a milestone not only in his career but also in the history of contemporary Ethiopian music, continuing to shine brightly. With melancholic melodies played by wind instruments, a polyrhythmic rhythm section creating robust waves, sultry vibes from the vibraphone, and smoky organ tones, the album is enveloped in the sounds of jazz inherited from the States. This work, where various musical elements are miraculously fused in perfect balance, undoubtedly reigns at the pinnacle of Ethio Jazz, showcasing Mulatu's ambitious creativity in seeking out new sounds.

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Begin To Hope Yellow Vinyl Edition

LP | 2006 | US | Reissue (Warner)

LP | 2022 | EU | Original (Habibi Funk)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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Regina Spektor's 2006 break-out album available on limited edition Yellow Flame vinyl. As the follow-up to 2004's Soviet Kitsch, which was recorded live to tape, Begin to Hope sees Spektor's first collaboration with producer David Kahne. - She broadens her palette and expands her sonic vision with synth keyboards, drum machines, electronic loops, and layered vocal harmonies. The result is a trailblazing pop record. Includes "Fidelity", "Better", "On the Radio", "Samson" and more.

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Maha

Orkos

$ 28.53*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Completely unknown album by Salah Ragab's Cairo Jazz Band vocalist Maha, recorded in Cairo in 1979. Features productions by Hany Shenoda of Al Massrieen. Maha’s “Orkos,” originally released on cassette, is one of these standout musical diamonds that combines Jazz and Egyptian vocal traditions with Funk, Latin and Soul.

Maha’s “Orkos” immediately catches your ear as a unique album. A strong and energetic voice, equally grounded in jazz as well as Egyptian vocal traditions, Maha sings over instrumentals that offer a wide palette of influences, sonically emblematic of the cultural changes that were occurring in the country. The album features rich compositions and productions by renown Egyptian musician Hany Shenoda, who’s group, Al Massrieen, Habibi Funk worked with in 2017 (the release led to sync placements in Hulu’s “Ramy” TV Series).

At the time of its release, however, the “Orkos” cassette quickly faded away among the growing number of releases populating the Egyptian musical soundscape. For more than 40 years, it sat in near obscurity before being given new life in the form of a properly licensed vinyl release. Habibi Funk and Disco Arabesquo are honored to play a part in sharing Maha’s story. Below is a bit more context around the release as well as the campaign schedule.

The arrival of the cassette brought a seismic shift in how music was produced and consumed around the world. Smaller bands and labels were able to release music without the logistical and financial barrier present in vinyl manufacturing. At the same time, in Egypt, a new crop of musicians and composers made their way into the scene, seeking to bring something fresh to what was perceived as the widely monophonic musical traditions of Egypt. Hany Shenoda, Mohamed Mounir, Magdy El Hossainy, Omar Korshid, Salah Ragab and Hamid El Shaeri are some names that come to mind. Many built their sounds combining their own musical upbringing with influences coming from the outside. The success of these projects varied widely, but for each there were numerous lesser-known bands and singers. Many of these often-short-lived projects would release their music on cassettes on tiny labels only to fade into the musical ether.

Maha’s “Orkos” album fits this category. Put out in a small run of cassettes, it’s fair to say that the singer’s sole recording outing was not a financial success when it was originally released by Egyptian label Sout El Hob in 1979. While it may not have found an engaged and open-eared audience upon its release, the first few bars of the album indicate this is a special, timeless album that transcends the musical boundaries that many artists were seeking to break through at the time.

From the funk sounds of “Law Laffeina El Ard” (Single 1, out September 1 with Pre-Order announcement); the moody, mellow sounds of “Kabl Ma Nessallem We Nemshy” (Single 2, out September 23) or “We Mesheet;” to excursions into Latin sounds in the title track “Orkos,” and disco with “Ana Gaya” (Album Focus Track, out October 10) the album is an amalgamation of genres that stands out from the immense creativity present in Egypt at the time.

We connected Maha in late 2021 and she was clearly surprised to have someone call about music she recorded more than 40 years ago. She also seemed interested in the idea in bringing her music back to people’s attention. A few weeks later we were speaking with our friend Moataz, who runs the Disco Arabesquo project and showed him this great new album we found and to our surprise he knew the album, having found a copy of it a year or two before, in Cairo. It was then obvious to team up for a collaboration for this project. You can find Moataz’s story about Maha and her music, as well as extensive interviews with Maha herself, in the booklet accompanying the release.

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Habibi Funk: An Eclectic Selection Part 2

2LP | 2021 | EU | Original (Habibi Funk)

$ 37.66*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Second compilation by Habibi Funk, following the success of the first part, featuring a wide range of music from North Africa and the Middle East.

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Jugoton Funk Vol.1 - A Decade Of Non-Aligned Beats, Soul, Disco And Jazz 1969-1979

2LP | 2020 | EU (Everland Yu)

Release: 2020 / EU

Genre: Rock & Indie

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Yugoslavia - six republics, four decades, one dictator and a single record label that ruled them all: Jugoton (Zagreb, Croatia). Jugoton was by far the country's largest label with the strongest and most diverse output that stretched from Balkan roots to contemporary trends and the sound of tomorrow . The early days of Yugoslavia featured strong censorship but by the end of the 60's the Communist party views softened up by a large degree. Westernized music already had a solid presence and first James Brown influenced compositions were released. Yugo funk, a term coined by DJ’s and crate diggers from the Balkans, encompasses a wide variety of performers and genres: from the 60's merseybeat rock bands, prog rock groovers and big band jazz orchestras to the late 70's sophisticated 4x4 funk and essentially everything in between. Jugoton Funk Vol.1, a first of its kind, celebrates the pioneer years of funk infused music released by Jugoton. While in pursuit of these treasures all over the Balkan region and beyond, the compilation’s selectors, Dr. Smeđi Šećer & Višeslav Laboš, both active as DJ's and crate diggers from the sole beginnings of the ex-Yu craze, wanted to capture the authentic and idiosyncratic funk sound of Jugoton and Yugoslavia. So here it is, comb your moustache, light up a fat one, turn up the amplifier and headbang away to these amazing tunes remastered from original master tapes dug out of the Jugoton vaults (now Croatia Records). - Compiled by Dr. Smeđi Šećer & Višeslav Laboš. Here’s the exclusive interview with Dr. Smeđi Šećer: www.psychedelicbabymag.com/2020/09/jugoton-funk-vol-1-a-decade-of-non-aligned-beats-soul-disco-and-jazz-1969-1979.html

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2LP | 2016 | EU | Original (Efficient Space)

Sky Girl

$ 27.38*

Release: 2016 / EU – Original

Genre: Rock & Indie

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2024 restock. Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. It's a DIY collection of different genres, from different countries across different decades, that are all bound by the same longing sentiment. A concept compilation! A seemingly disparate suite of selections of forgotten fables by more or less never-knowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery. From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience. If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release "Sarra" after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening. Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled Fire Star, a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection. Released by popular NTS show "Noise In My Head" offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe. Includes digital download. Also features: Linda Smith, Bruce Langhorne, The Seraphims, Some of My Best Friends Are Canadians, The Rising Storm, Warfield Spillers, Joyce Heath, Angel, Nora Guthrie and Once.

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What We Saw From The Cheap Seats Red Vinyl Edition

LP | 2012 | US | Reissue (Warner)

LP | 2025 | UK | Original (Lovemonk)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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What We Saw from the Cheap Seats (Translucent Red LP) Regina Spektor's 2012 album available on limited edition Translucent Red vinyl. What We Saw From The Cheap Seats sees Spektor reunited with production partner Mike Elizondo. - Sonically, the album is warm and full of live performances from Spektor on piano and vocals, and Elizondo on acoustic and electric bass. Together they flesh out lush arrangements, so that each song lives in a world of it's own. Includes "Don't Leave Me (Ne Me Quitte Pas), "All The Rowboats", "How" and more.

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Danzon El Gato

El Sonido Bastardo

Release: 2025 / UK – Original

Genre: Rock & Indie

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Mangekyou Red Vinyl Edtion

Yoshiko Sai

LP | 1976 | JP | Reissue (P-Vine)

LP | 2025 | EU | Original (The Helen Scarsdale Agency)

Release: 1976 / JP – Reissue

Genre: Rock & Indie

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Yoshiko Sai’s 1975 debut album was a groundbreaking work, showcasing her deeply aesthetic and fantastical musical world. Blending traditional Japanese folk elements with an ethereal, dreamlike atmosphere, this masterpiece transports listeners into a mystical realm. The album’s hauntingly beautiful melodies are further elevated by Yuji Ohno’s masterful arrangements. A deep crimson red suits this mesmerizing classic perfectly.

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Neutral

Lagliv

$ 30.81*

The Jamaican Episode Record Store Day 2025 Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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Neutral is the no wave / anti-rock duo of Dan Johansson (Sewer Election, Ättestupa, Amateur Hour, etc.) and Sofie Herner (Leda, Enhet För Fri Musik), both with deep connections to the Swedish noise scene. As Neutral, the two smear voice, guitar, organ, and smoldering noise into narcoleptic songs that rewire the strategies of Dome by way of Gate and Mars. Lågliv translates to ‘lowlife,’ an apt metaphor for neutral’s subterranean murk and shambolic discontent that they languidly manifest as a punk dourness emptied of all rock ’n’ roll theatrics. Desperate, demolished, and dejected.

Lågliv was originally published as part of the instantly out of print boxset, On Corrosion - a 10 cassette anthology from 2019 that was housed in a handcrafted wooden box and featuring full albums from Kleistwahr, Neutral, Pinkcourtesyphone, Alice Kemp, She Spread Sorrow, G*Park, Relay For Death, Francisco Meirino, Fossil Aerosol Mining Project, and Himukalt. The collection also stood as the 50th release for The Helen Scarsdale Agency.

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Snoop Dogg

CD | 2025 | WW | Original (Culture Factory)

$ 27.38*

LP | 2025 | US | Original (Island)

Release: 2025 / WW – Original

Genre: Rock & Indie

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Limited Vinyl Replica CD! Purple Colour CD with LP Groove Design!

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Charley Crockett

Lonesome Drifter

LP | 1971 | EU | Reissue (Different Strokes)

Release: 2025 / US – Original

Genre: Rock & Indie

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Charley Crockett - Lonesome Drifter - VinylLonesome Drifter is the new album from GRAMMY Award-nominated artist Charley Crockett. Crockett co-produced the album alongside multi-GRAMMY Award-winning musician and producer Shooter Jennings. Over the course of just 10 days, they cut 12 tracks live at the legendary Sunset Sound in Los Angeles. Crocketts Island Records debut is a culmination of all that has come before, with the same unapologetic spirit, die-hard work ethic, and no nonsense honesty that has driven his artistry across his 14 previous studio albums. In the end, Lonesome Drifter takes stock of Charleys road in the rearview as it paves a path into the future. Available on 180g black vinyl housed in a printed inner sleeve.

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Shelagh McDonald

Stargazer

Tea For The Tillerman 2 Blue Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Originally released in 1971, produced by the legendary Sandy Roberton and featuring the likes of Richard & Danny Thompson, Keith Christmas and members of Mighty Baby & Fotheringay, the album has been talked about in glowing terms by an ever increasing fanbase over the years & is highly sought after. It's a beautiful mixture of folk, psychedelic flourishes and adventurous production combining majestically with Shelagh's exquisite songwriting and purity of voice. It will immediately appeal to fans of Pentangle, Incredible String Band and Joni Mitchell, as well as the solo records from members of some of the biggest U.S. bands of the 1970s; David Crosby's 'If Only I Could remember My Name' and Gene Clark's 'No Other', and is presented here for the first time ever on vinyl re-issue. Born in Edinburgh in 1948 before moving to Glasgow and attending the Glasgow School of Art, Shelagh McDonald's reputation grew rapidly on the London and Bristol folk circuit, gaining a cult following. In her early twenties she cut her first album titled simply 'Shelagh McDonald', the following year entering the studio with producer Sandy Roberton (Ian Matthews, John Martyn, Chocolate Watch Band, Steeleye Span) to cut 'Stargazer'. Unfortunately for Shelagh, following a bad LSD experience, she withdrew from not only the music industry but public life shortly before commencing work on her third album. However, it is 'Stargazer' that continues to grow it's reputation, with original copies changing hands for hundreds of pounds. Imbued with the finest instrumentation and vocal delicacy in late '60s folk, the record is heightened by a progressive production approach; the slow organ grooviness in the traditional 'Dowie Dens of Yarrow', uplifting gospel overtones of 'Odyssey' and the perfect match of melancholic piano and haunting strings by Robert Kirby on the title track. These sublime arrangements all serve Shelagh's songwriting and soulful voice that invoke the finest folk traditions but at the same time look forward. The album is the inaugural release on new label Different Strokes For Different Folks with more genre bending, rare and cult records scheduled for 2025.

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Cat Stevens

LP | 1971 | Reissue (Universal)

$ 50.21*

LP | 2024 | UK | Original (Hive Mind)

Release: 1971 / Reissue

Genre: Rock & Indie

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BLUE VINYL - 180 GRAM VINYL

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Maalem Houssam Guinia

Dead Of Night

Tape | 2024 | US | Original (Jackpot)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Maalem Houssam Guinia Dead of Night

Hmrlp035 LP £12 Allah Allah Daym Molana Jangari Jahwari Bouri Bouriama Ya Jowadi Samaoui Matinba Mosawiyin (Souiri)

"Raw, deep and spiritual Gnawa music from Morocco to carry you through the night...

Recorded in a single late night session in a house in Casablanca, using a Tascam field recorder and 2 microphones, Dead of Night is the incredible new solo album from Maalem Houssam Guinia, the son of Maalem Mahmoud Guinia, and one of Morocco's most exciting young Gnawa masters.

The album was recorded live on the night of 3rd January 2022 in a relaxed session that lasted into the early hours of the next morning, and it captures Houssam at his most natural, singing and playing the Gnawa songs that have been with him since his birth, completely solo and free without percussion or backing vocals. Houssam described the album as containing the songs he knows best as these were the pieces his father would play and sing late into the night in their home when he was an infant.

What you'll hear on Dead of Night is raw, deep Gnawa music in its purest form played by a young Maalem who has been immersed in the culture his whole life and is a master of his craft. The whole performance has been beautifully and sympathetically captured by bassist and producer Karl-Erik Enkelman."

Voice & Guimbri by Maalem Houssam Guinia. Recording & Production by Karl-Erik Enkelmann. Mastering by Julian Tardo. Photography by Bader Naggay. Design by Marc Teare.

With thanks to Hamza Guinia, Khalil Mounji, Karl-Erik Enkelmann & Karl Jonas Winqvist.

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Mustafa Özkent

Genclik Ile Elele

$ 19.39*

Hard Believer 10 Year Anniversary Edition

Release: 2024 / US – Original

Genre: Organic Grooves, Rock & Indie

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Originally released in Turkey 1973, Özkent’s masterpiece creation of an all instrumental Turkish Psychedelic Funk album filled with classic beats and breaks still inspires long time fans and first time listeners. The funky rhythms, hypnotic percussions, and heavy break beats makes this a holy grail amongst DJ’s and music fans alike. The original concept was futuristic and eluded categorization: traditional folk songs mixed with rock, jazz, blues, funk and psych, reconstructed for the new “hip” generation. (The monkey on a microphone album jacket also eludes categorization too.... or comprehension). The album was recorded live in just one day with some of the best studio musicians in Turkey. Lacking a multi-channel recording deck, Özkent used microphone techniques to emulate a total stereo effect and capture the heavy psychedelic effects and close-miked beat breaks. Özkent created his own unique guitar sound by adding extra frets and a clutch of effect pedals in order to create quarter notes and emulate turkish traditional scales. Mustafa Özkent has since made arrangements for hundreds of other artists in Turkey, but this unique album documents his most revered work—and the world is still just discovering this gem. The fact that only a handful of copies from the original pressing are known to still exist partly explains why, making this reissue a welcome addition to any record collection.

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Fink

LP | 2024 | Original (R'COUP'D)

$ 54.78*

Old Five And Dimers Like Me Vinyl Me, Please Edition

Release: 2024 / Original

Genre: Rock & Indie

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The 3LP reissue includes session & live versions of album tracks available on vinyl for the very first time. It also includes an expanded booklet featuring additional photos & "writing off” extract about the album.

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Billy Joe Shaver

LP | 2024 | US | Reissue (Vinyl Me, Please)

Mount Matsu Black Vinyl Edition

Release: 2024 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
There are a lot of important records in this world, but what you hold in your hands is nothing less than the blueprint for outlaw country music. Old Five and Dimers Like Me is also the semi-secret classic that marked the debut of a true Texas legend. In 1960s and ‘70s Nashville, there was the commercial boom brought on by the “Countrypolitan” sound, those lush strings and angel choirs. And then there was the opposition party. It arrived in a pick-up truck and denim, and Billy Joe Shaver occupied the corner office.

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Yin Yin

LP | 2024 | EU | Original (Glitterbeat)

Greatest Hits International Version

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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YĪN YĪN, the highly touted Dutch quartet from Maastricht, returns with a sonically expansive third album Mount Matsu. Recorded collectively in their own studio in the Belgian countryside, the album is a kaleidoscope of sounds and influences, occupying a no man's land between Khruangbin and Kraftwerk, surf music and Southeast Asian psychedelia, Stax soul and mutant 80s disco, City pop and Japanese instrumental folk (sōkyoku). Mount Matsu sees YĪN YĪN at their most mature and adventurous stage yet. Infectious pentatonic melodicism calling for multiple rewinds.

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Shania Twain

2LP | 2023 | CZ | Original (Mercury)

Release: 2023 / CZ – Original

Genre: Rock & Indie

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Fela With Ginger Baker Live!

Fela Kuti

LP | 1971 | Reissue (Knitting Factory)

Release: 1971 / Reissue

Genre: Rock & Indie

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What's My Name (1967-1970)

Henson Cargill

LP | 2023 | Original (Iron Mountain Analogue Research)

$ 11.40*

Taiji No Yume Clear Vinyl Edtion

Release: 2023 / Original

Genre: Rock & Indie

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* Limited Edition Deluxe Gatefold LP with exclusive scholarly liner notes! * Full dynamic range 2023 remasters direct from the first-generation analogue master tapes! * Limited Edition 500 LPs – 250 ‘Plastic People’ Red LPs! / 250 ‘Gnashville Nihilist’ Black LPs! (randomly inserted) From the people who brought you 'Hillbillies In Hell'... Stellar songs, heartfelt performances, the finest Nashville players and the greatest set of tonsils to ever wrap themselves around Activist Country-Pop... Here are the almost forgotten masterpieces of Henson Cargill, sourced directly from the Monument Records vault and presented together for the first time on LP. Hear Henson's smooth baritone lambast apathy ('None of My Business'), chide neglectful parenting ('Skip A Rope'), ponder the byzantine tableaux of love ('Four Shades of Love'), dismiss the space race and dissect de-evolution ('Going Backwards') and name-check both Adolph Eichmann and Cecil B. DeMille in one very lysergic song ('What's my Name?'). Across 1967-1970, Cargill pioneered a unique and radical New Nashville Sound. Swinging, dobro-led shuffles with controversial, cosmic/striking themes and insightful lyrics. Dystopian and defiant anti-war laments. Tender and timeless brooding ballads of regret. Wise, worldly and weary. 16 prime cuts of Psyche-Gnashville brilliance. Witness the Hillbilly Zen of 'Row Row Row', the Apocalyptic revelations of 'This Generation Shall Not Pass' and the acerbic disestablishmentarianism of 'Reprints (Plastic People)'. Nashville 1967, something was in the water and Henson Cargill drank his fill.

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Yoshiko Sai

LP | 1977 | JP | Reissue (P-Vine)

Grace & The Hodge Podge Bowers

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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Continuing from her debut album, Yuji Ohno once again joins as arranger, further enriching the musical depth of Sai’s surreal and eerie world, reminiscent of Kyusaku Yumeno’s literary strangeness. As suggested by the title Taiji (Fetus), this album delves even deeper into an introspective spiritual journey. At just 24 years old, Yoshiko Sai stood as a poet, painter, and singer—an artist in a league of her own. The album’s artwork is a masterpiece, and the reissue features a nearly transparent clear vinyl, evoking the ethereal world of the unborn.

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Wine On Venus

LP | 2025 | US | Original (Grace Bowers Music)

The Albums: 1968-1972 Black Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Wine On Venus Grace Bowers & The Hodge Podge / Wine on Venus, her debut, finds her part of a crack band-which includes Josh Blaylock on keyboards, Brandon Combs on drums, Eric Fortaleza on bass, and Prince Parker on rhythm guitar, plus Esther Okai-Tetteh on lead vocals-and produced by John Osborne of the Osborne Brothers.

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Pentangle

LP | 2025 | EU | Original (Svart)

$ 328.74*

LP | 1977 | JP | Reissue (P-Vine)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Pentangle: The Albums: 1968-1972 boxset to be released on vinyl for the very first time via Svart Records on 16th April 2025

1968 to 1972, saw the release of 6 studio albums from Folk’s first supergroup Pentangle. Featuring the songwriting talents of guitarists Bert Jansch and John Renbourn, alongside bassist Danny Thompson, drummer Terry Cox and singer Jacqui McShee, their innovative folk-fusion encompassed elements of jazz as well as pop, which left a lasting influence and legacy.

The first 5 albums were released on legendary Folk label Transatlantic, while Solomon’s Seal (1972), on the Reprise label, was their final album with the original line-up.

Now for the first time ever, these albums are available as a 14lp deluxe box set. Each album has been expanded with a wealth of bonus material, including choice selections from contemporaneous solo LPs by Bert Jansch and John Renbourn, out-takes and live tracks. Across the package, there is an impressive amount of 22 recordings which are previously unreleased on LP. Some of the albums are being reissued on vinyl for the first time in decades with Solomon’s Seal last being released as an LP in 1977, shortly followed by Reflection in 1980.

Each album is presented in a gatefold sleeve replicating the original artwork. These are housed in an rigid slipcase box alongside an special gatefold holding a 64-page book awash with rare images and over 20,000 words of sleeve-notes, which include: a Q&A culled from past interviews by author Mick Houghton with Bert, John and Jacqui; essays about each album by a variety of music journalists (Stuart Penney, Trevor Leeden, Nigel Cross, Colin Irwin, Lois Wilson and Jim Wirth); a lengthy chronology; and track-by-track details.

The records have been remastered from the best available sources, with careful referencing of original tapes and vinyl where relevant. The master disc cutting is handled by Pauler Acoustics in Germany, renowned for their audiophile-quality releases. They utilize original Neumann Vms-82 cutting lathes and the Direct Metal Mastering (dmm) process, ensuring unmatched transparency and clarity. From there, the records are pressed at Puristamo in Helsinki, Finland, a plant known for its meticulous attention to detail and sustainability practices. Every record undergoes thorough hand inspection for quality. We’ve spared no effort to preserve the integrity of these brilliant albums—you can expect a listening experience worthy of their legacy.

Jacqui McShee from the band comments on the boxset:

“I am honoured to see our work as Pentangle celebrated with this special vinyl boxset release. The collection represents a journey through a significant chapter in music history—one in which we sought to experiment and explore each other’s talents and just enjoy making music together.

Each song and album hold a special place in my heart, not only for the music itself but for the incredible memories and experiences that we shared as a band. I hope this release brings listeners, both old and new, the same joy and connection that we felt while creating this music together.

To all our fans who have supported our music over the years, thank you. You are keeping the Pentangle legacy alive, and I hope this boxset serves as a celebration of all that we accomplished together”.

This vinyl boxset will be available in 3 variations: black, Solomon’s Seal edition - natural transparent w/ blue and white marble and the Svart exclusive multicolour limited 250 copies edition, which is only available via Svart Records webstore.

Their debut, The Pentangle (1968), was hailed as a Folk Rock classic and reached No. 21 in the UK album charts. This was swiftly followed in the same year by their ambitious double album Sweet Child. The band’s 3rd LP Basket Of Light (1969) was their most commercially successful, reaching number 5 in the charts. 1970’s album Cruel Sister, saw the group reinterpret traditional folk songs, while Reflection (1971), is seen by many as their most adventurous, with them continuing to explore new musical ground.

Pentangle’s first three albums and three singles were produced by the legendary Shel Talmy (The Who, The Kinks, etc.) while Peter Blake designed the sleeve for Sweet Child (one of only three such commissions in the 60s).

Pentangle'sThe Albums: 1968-1972 boxset is released by Svart Records on 16th April 2025.

“during that five-year period they were so creative, atmospheric and driven that you’d be hard-pressed to imagine any of their modern descendants achieving anything on this level” – The Quietus

“gorgeous pop melody soars over glistening guitars and a fidgety groove” – The Guardian

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Yoshiko Sai

Mikkou Blue Vinyl Edtion

LP | 2013 | US | Reissue (Now-Again)

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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Centered around the theme of stowaways, this masterpiece album unfolds Yoshiko Sai’s mesmerizing fantasy world, rich with the exotic atmosphere of the Silk Road. A realm only a woman could depict, this sonic journey gently leads the listener into an introspective trance. The deep blue of the Silk Road, wandering through the restless nights of the mind, is beautifully reflected in the vinyl color.

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Salty Dog

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Definitive reissue of a Zamrock masterpiece, ranging from hard psych to wistful folk. Contains bonus track "Sunday Morning Sunshine," never before on LP. "Zambia's Zamrock movement that exploded in the 1970s... provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats.... enlivening a scene that included bands like Musi O Tunya, Amanaz and the Ngozi Family." - The New York Times Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria's was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as its newly-named country, formerly known as Northern Rhodesia. Zamrock is startling in its completeness, especially for a scene that emerged, unfurled, and disappeared so quickly. From Musi-O-Tunya's fusion of Fela's Afro-beat, Hendrix's rock, South African jazz and traditional Zambian melodies and rhythms to Salty Dog's acid folk/rock, Zambia's rock scene contained all of rock's subgenres. Zamrock was much more than an imitation of American and European rock music: it quickly became a uniquely Zambian movement, befitting of its name. Witch, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent - or elsewhere. Zamrock came from a nation's youth carrying forth the momentum of a political and social revolution with a musical revolution that maintained the fiery power of early rock - in the mid-to late-'70s. From that era, Zamrock's energy is matched only by the punk and hip hop scenes of England and America.

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Live In London Blue Vinyl Edition

2LP | 2010 | US | Reissue (Warner)

$ 51.36*

LP | 1986 | TR | Reissue (Sn Muzik)

Release: 2010 / US – Reissue

Genre: Rock & Indie

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Live In London (Curacao 2LP) The first live recording from Regina Spektor, available on limited edition Curacao double vinyl. Captured primarily at London's famed Hammersmith Apollo Theatre in 2009, Live in London features 22 remarkable performances that span her brilliant catalog of music, including three unrecorded songs that had only ever been performed live: "Silly Eye-Color Generalizations", "Bobbing For Apples" and "Love, You're A Whore

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Sezen Aksu

Git

$ 27.38*

American IV: The Man Comes Around

Release: 1986 / TR – Reissue

Genre: Rock & Indie

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This is one of the best albums of the diva's musical career. Originally released in 1986 on CD and cassette, her 7th studio album is finally available on vinyl. With lyrics by Aysel Gurel, album concept and music by Onno Tunç, this album contains many hits such as "Değer mi", "Git", "Kolay Değil", "Unzile" and "Beni Unutma".

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Johnny Cash

2LP | 2002 | EU | Reissue (Universal)

The Series Of Music For Young Adults: Iranian Folk Songs Blue Vinyl Edition

Release: 2002 / EU – Reissue

Genre: Rock & Indie

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Reissue of this classic produced by Rick Rubin on 180 gram vinyl

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Pari Zangeneh

LP | 1976 | EU | Reissue (Pharaway Sounds)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Blue Vinyl Limited TO 318 Hand-numbered Copies

Travel back in time to the modern pre-Revolution Teheran and dig this wonderful, ear-catching album from 1976 by Iranian female singer Pari Zangeneh. Traditional Persian folk songs with a lovely, sweet psychedelic flavor with the use of beautiful strings, flutes, charming and tasty drumming, some organ and orchestration, percussions… imagine a Persian version of Mellow Candle or Vashti Bunyan and you’re there! Born in 1939 in Kermanshah (Iran), Pari Zangeneh is a Soprano singer that lost her sight after a car accident in 1972. Her work over the years on restoring traditional Persian music and regional folk songs is invaluable. In 1976 she recorded this very unique album commissioned by Kānoon (Institute for the Intellectual Development of Children and Young Adults), a social organization that produced many kinds of materials (books, films, records) for children in Iran. The arrangements were done by Varoujan (famous for his work with Googoosh, Dariush, etc…) *Sourced from the original masters *Hard cardboard sleeve + OBI

* Includes download card

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2LP | 2022 | EU | Original (Analog Africa)

Perú Selvático

Tamino Ep Gold Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Less than a hundred miles inland from the capital city of Lima lies the great Peruvian jungle, an untamed land of impenetrable forests and endless winding rivers. In its isolated cities, cut off from the fashions of the capital, a unique style of music began to develop, inspired equally by the sounds of the surrounding forests, the roll of the mighty Amazon and Ucayali Rivers, and the rhythms of cumbia picked up from distant stations on transistor radios. With the arrival of electricity, a new generation of young musicians started plugging in their guitars and trading in their accordions for synthesizers: Amazonian cumbia was born.

Powered by fast-paced timbale rhythms, driven by spidery, treble-damaged guitar lines, and drenched in bright splashes of organ, Amazonian cumbia was like a hyperactive distant cousin of surf music crossed with an all-night dance party in the heart of the forest. While many of the genre’s greatest tracks were instrumental, and others were simple celebrations of life in the jungle, the goal of every song was to keep the party going.

Radio stations in Lima remained unaware of the new electric sounds emanating from the jungle, but a handful of pioneering record producers ventured over the mountain passes to the cities of Tarapoto, Moyobamba, Pucallpa – even Iquitos, a city reachable only by boat or plane – and lured dozens of bands to the recording studios of the capital to lay down their best tracks. Although many became local hits, few were ever heard outside the Amazonian region … until now. With eighteen tracks from some of the greatest names in Amazonian cumbia, Perú Selvatico is both the improbable soundtrack to a beach party on a banks of the Amazon and a psychedelic safari into the sylvan mysteries of the Peruvian jungle.

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Tamino

10" | 2022 | EU | Original (Unday)

$ 23.96*

Eden's Island Extended Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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The 2017 groundbreaking debut EP for Tamino-Amir Moharam Fouad, Tamino in short. The grandson of Egyptian actor/musician Moharam Fouad stormed the charts with the brilliant single 'Habibi', a song that envelops itself in a mist of melancholy and gloom. Tamino's phenomenal voice, ranging from a deep croon to a towering falsetto, goes right to the bone. He combines the tradition of the greatest singer-songwriters with his own Arabic roots. Belpop history was made right there.

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Eden Ahbez

2LP | 2021 | EU | Original (Everland Psych)

LP | 1990 | EU | Reissue (Invitation)

Release: 2021 / EU – Original

Genre: Rock & Indie

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The ultimate reissue of one of the world’s most important albums in the field of Exotica, Jazz and even Proto Psychedelic Music from 1960 - and the first official reissue ever!

Eden Ahbez was said to be "the first Hippie on earth", his enchanting life and his amazing music laid the foundation of the Hippie movement.

This reissue of Eden Ahbez' sole album includes 20 almost unreleased bonus songs from different sessions, carefully restored and remastered from original master tapes by prolific grammy nominated sound engineer Jessica Thompson.

Co Produced by movie maker Brian Chidester, who now, after 20 years of research, completed the full time documentary movie

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Geinoh Yamashirogumi

Ecophony Gaia

Release: 1990 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Warte Mein Land, Warte HHV Exclusive Beige Vinyl Edition

Ozan Ata Canani

LP | 2021 | EU | Original (Fun In The Church)

$ 15.68* $ 28.53 -45%

LP | 2017 | US | Original (P.W. Elverum & Sun)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Limited to 300 units. Only at HHV.

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Mount Eerie

A Crow Looked At Me

$ 30.35* $ 31.95 -5%