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Phoebe Bridgers - Lost Weekend HHV European Exclusive Enceladus Geysers Vinyl Edition
Phoebe Bridgers
Lost Weekend HHV European Exclusive Enceladus Geysers Vinyl Edition
2LP | 2026 | CA | Original (Dead Oceans)
44,99 €*
Release: 2026 / CA – Original
Genre: Rock & Indie
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With the LP "Lost Weekend HHV European Exclusive Enceladus Geysers Vinyl Edition," released on Dead Oceans, Phoebe Bridgers presents the next level of her creativity while, on the whole, remaining true to her style. On this record, Bridgers once again leans into her distinct singer‑songwriter signature: precise, vulnerable vocal lines, finely calibrated arrangements, and a dense, often contemplative texture that shifts between melancholy and laconic wit.

The compositions are frequently built around acoustic guitars and piano, but are expanded through subtle layering — from subtly arranged strings to atmospheric synthesizers — so that intimate moments coexist with expansive, cinematic passages. Bridgers’ ability to fuse personal imagery with universal emotions remains central; lyrical imagery and memorable refrains give the songs a lasting impact without sacrificing their vulnerability.

This LP fits seamlessly into the artist’s consistent evolution: clear melodic lines, careful production, and a strong emphasis on songwriting ensure that emotion and arrangement come to the fore in equal measure. In doing so, Phoebe Bridgers once again affirms her role as one of the most distinctive songwriters of her generation.
Danielle Ponder - Everything Has Changed Crystal Clear Vinyl Edition
Danielle Ponder
Everything Has Changed Crystal Clear Vinyl Edition
LP | 2026 | US | Original (Dead Oceans)
26,99 €*
Release: 2026 / US – Original
Genre: Pop
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The crystal clear vinyl edition of the *Everything Has Changed* LP by Danielle Ponder has been released on Dead Oceans and documents the next step for the Rochester-born, Atlanta-rooted singer-songwriter. *Everything Has Changed* is her second album and also her label debut on Dead Oceans; it comes out on October 9 and was created in collaboration with Phoebe Bridgers.

Production is handled by Grammy winner Mike Elizondo and Barney Lister, who precisely frame Ponder’s distinctive voice in terms of arrangement and overall sound. On the record, her vocals emerge as the central vehicle of expression, with the arrangements giving them space without dulling their emotional edge. The first single, “Sun and Moon,” exemplifies this approach: an understated yet compelling anthem to the grinding cycle of a love that only appears once you’ve already started to turn away. “You ain't no catcher, you just want to chase me,” Ponder sings, turning personal heartache into a sober act of self-examination.

With this edition, Dead Oceans focuses on careful presentation and sonic fidelity; the crystal clear variant emphasizes the LP’s physical character and complements the album with a listenable, collectible format. With *Everything Has Changed*, Danielle Ponder remains a voice that demands attention and rewards attentive listening.
Mitski - Puberty 2 10th Anniversary Edition
Mitski
Puberty 2 10th Anniversary Edition
LP | 2016 | US | Reissue (Dead Oceans)
27,99 €*
Release: 2016 / US – Reissue
Genre: Rock & Indie
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Preorder shipping from 2026-10-30
The "Puberty 2 10th Anniversary Edition" by Mitski brings together the artist’s influential fourth album in an expanded version: as a digital release with two additional cover versions and as a limited edition on Forest Shadow-colored vinyl, out October 30 via Dead Oceans. This anniversary edition adds surprising takes on songs by One Direction and Frank Sinatra to the original tracklist, giving the existing sequence of songs new and unexpected points of reference.

Musically, "Puberty 2" remains a transitional work between jagged indie rock and finely contoured pop arrangements; the record weaves together elements of emo, dreamy dream-pop, hushed electronic textures, and rough folk-punk phrasing, which lends the collection its distinctive sense of tension. Mitski’s voice shifts between restrained singing and explosive release, sharpening the impact of the personal lyrics about longing, identity, and abandonment.

The sound is rooted in Mitski’s close collaboration with producer Patrick Hyland; the original album was created as a duo project, with Hyland and Mitski playing numerous instruments themselves, giving the production an immediate, tightly focused character. Dead Oceans highlights this working method as a central factor in the density and clarity of the arrangements.

The edition takes the opportunity to cast the work in a new light: the bonus covers open up perspectives on Mitski’s compositional instincts and her ability to translate outside material into her own emotional language. In this way, the "Puberty 2 10th Anniversary Edition" offers both a look back at a formative album and a careful expansion of its artistic horizon.
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Durand Jones & The Indications
Flowers
LP | 2025 | US | Reissue (Dead Oceans)
57,99 €*
Release: 2025 / US – Reissue
Genre: Organic Grooves
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The "Flowers" LP by Durand Jones & The Indications is released on Dead Oceans. The album came out in June 2025 and gathers eleven tracks, including the singles "Been So Long" and "Flower Moon," which set the tone for the record.

Musically, "Flowers" is characterized by a blend of Southern soul, classic funk, and a shimmering disco touch; the arrangements remain focused on serving the songs while still rich in detail. Themes of maturity, return, and personal openness run through the lyrics, while bass lines, string sections, and horn accents lend the material warmth and depth. Songs like "Paradise" and "Really Wanna Be With You" clearly showcase this stylistic range.

At its core, the band worked as a trio — Durand Jones (vocals), Aaron Frazer (drums, vocals), and Blake Rhein (guitar) — and played a major role in the production; in addition, select guest vocalists, horns, and strings round out the arrangements. Recording took place at several studios, with Jon Castelli handling the mixing and Dale Becker the mastering. This collective approach shapes the album’s vibrant, organic sonic aesthetic.

What sets the group’s music apart is the balance between classic soul traditions and modern refinement: distinctive lead vocals, tight vocal harmonies, and occasional falsetto passages merge into a warm yet precise sound. "Flowers" continues along this path and highlights the strengths of Durand Jones & The Indications as songwriters and performers.
Jensen McRae - I Don't Know How But They Found Me...Again!
Jensen McRae
I Don't Know How But They Found Me...Again!
LP | 2026 | US | Original (Dead Oceans)
31,99 €*
Release: 2026 / US – Original
Genre: Rock & Indie
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The pink vinyl edition of the "I Don't Know How But They Found Me...Again!" LP by Jensen McRae was released on Dead Oceans and brings the clear, narrative power of her songs to a physical format. The album was produced primarily by Brad Cook, who worked with McRae in North Carolina; the recordings also feature, among others, Nathan Stocker (guitar), Matthew McCaughan (drums), and her brother Holden McRae (keys), which accounts for the dense, organic instrumentation.

Musically, the album moves between contemporary folk pop and singer‑songwriter‑driven folk, with McRae combining direct, pointed language with melodic subtlety. Lyrics about self‑assertion, love, and the lingering effects of problematic relationships set the tone; songs like "Savannah," "Daffodils," and the acerbic "Praying For Your Downfall" show the range from delicate ballad to biting snapshot. This balance of intimacy and sharpness runs throughout the record.

A key stylistic hallmark is McRae’s versatile voice: at times restrained, at times cuttingly clear, always marked by precise articulation and emotional contour. The arrangements rely on warm piano and guitar textures, subtle drum patterns, and occasional synthesizer shadings that support the narrative lines without overloading them. The release solidifies McRae’s position as a songwriter who fuses classic song structures with modern production elements.
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Slowdive
Everything Is Alive
LP | 2023 | US | Reissue (Dead Oceans)
59,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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The *Everything Is Alive* LP by Slowdive is released on Dead Oceans and presents the band’s fifth studio album, from 2023. The record weaves familiar shoegaze textures together with clearer songwriting and makes room for vocal duets between Neil Halstead and Rachel Goswell, allowing dense guitar layers and catchy melodies to come to the fore at the same time.

Musically, the album moves between expansive, ambient soundscapes and immediate, pop-leaning moments; tracks like “Kisses” highlight its penchant for concise melodies, while other songs rely on atmospheric density built from reverb, tremolo, and subtle electronic elements. This balance is emblematic of Slowdive’s style and defines the album’s mood.

Recording began with Halstead’s home demos; he also took on production duties, while the mixing was handled primarily by Shawn Everett, with Halstead mixing a few tracks himself. Heba Kadry is responsible for the mastering, which brings out the sonic detail and spatial cohesion of the material.

On the album, Slowdive operate as a well-rehearsed quintet: Neil Halstead, Rachel Goswell, Christian Savill, Nick Chaplin, and Simon Scott. The recordings reflect the band’s long shared history and carry their characteristic blend of melancholy and melody forward in a mature, nuanced sound.
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Shame
Cutthroat
LP | 2025 | US | Reissue (Dead Oceans)
58,99 €*
Release: 2025 / US – Reissue
Genre: Rock & Indie
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The "Cutthroat" LP by Shame is released on Dead Oceans and marks a return to more direct rock moments that clearly push the band’s aggressive foundations to the forefront. The album was produced by John Congleton, whose distinctive style, geared toward punch and clarity, ensures that the live energy of the five-piece band is captured in the studio.

Musically, "Cutthroat" combines jagged post-punk approaches with a raw rock-and-roll attitude; again and again, electronically tinged textures and synthetic colors break through, contributed by guitarist Sean Coyle-Smith via his loops. The title track opens the record with a gripping riff, while songs like "Quiet Life" add rockabilly-flavored moments and "After Party" fuses dance and punk elements, so the album keeps surprising in both its tempo and its dynamics.

Behind the sound are Charlie Steen (vocals), guitarists Sean Coyle-Smith and Eddie Green, bassist Josh Finerty, and drummer Charlie Forbes, whose shared agenda is to craft immediate, physical songs. The arrangements rely on punchy riffs, precise drumming, and a vocal presence that shifts between defiance and irony; in this way, Shame present "Cutthroat" as a tight, focused statement of their work.
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Japanese Breakfast
Jubilee
LP | 2021 | US | Reissue (Dead Oceans)
54,99 €*
Release: 2021 / US – Reissue
Genre: Rock & Indie
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The "Jubilee" LP by Japanese Breakfast is released on Dead Oceans and showcases Michelle Zauner’s move toward a more expansive, pop‑oriented sound: dense walls of synths, orchestral string lines, and striking brass arrangements combine with carefully placed piano passages and driving snare rhythms to create a vibrant album that deliberately centers on joy as a counterpoint to her earlier work.

Musically, the record moves between alternative and indie pop with elements of dream and chamber pop; songs like "Be Sweet" anchor the album in catchy ’80s pop, while tracks such as "Paprika" and "Posing for Cars" explore larger song forms and dramatic arcs. Zauner expanded her compositional repertoire by studying piano and employs more complex chord progressions and versatile arrangements that give the songs layered textures and an orchestral sense of space.

In the making of the album, Zauner establishes herself as the primary producer; Craig Hendrix, Jack Tatum, Ryan Galloway, and Alex G contributed in co‑producer roles on the production and on individual songs, amplifying both the stylistic range and the craftsmanship of the arrangements. Critics have praised the record for its combination of pop immediacy and compositional ambition.

"Jubilee" marks a turning point in the artistic development of Japanese Breakfast: the album fuses narrative density with radiant instrumentation and underscores Michelle Zauner’s ability to translate personal themes into sweeping, melodic forms.
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Japanese Breakfast
For Melancholy Brunettes & Sad Women
LP | 2025 | US | Reissue (Dead Oceans)
57,99 €*
Release: 2025 / US – Reissue
Genre: Rock & Indie
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The "For Melancholy Brunettes & Sad Women" LP by Japanese Breakfast is being released on Dead Oceans and marks a pivotal step in Michelle Zauner’s body of work. Produced by Blake Mills and recorded at the renowned Sound City Studios, it’s the first time Zauner’s songwriting fully takes shape in a comprehensive studio environment. This production choice makes the arrangements feel both more spacious and more focused.

Musically, the album weaves lush string textures together with jagged guitars and elements of Americana and rock; its compositional approach follows a romantic visual language that often draws on classical influences and literary references. Standout moments include the dramatic “Picture Window,” accompanied by a cinematic video, as well as more energetic tracks like “Mega Circuit” and the playful “Orlando in Love.” A duet with Jeff Bridges is also part of the album.

For Zauner, this album represents a new balance between intimacy and theatrical gesture: the songs are compact yet rich in detail, revealing an artist who uses her melancholic focus as an aesthetic tool. Mills’s precise production and the sonic clarity of the studio recordings highlight the subtle shadings of her voice and the instrumental textures.
Claud - Me And The Music Limited Clear Cobalt Vinyl Edition
Claud
Me And The Music Limited Clear Cobalt Vinyl Edition
LP | 2026 | US | Original (Dead Oceans)
29,99 €*
Release: 2026 / US – Original
Genre: Rock & Indie
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The limited Clear Cobalt vinyl edition of the “Me and the Music” LP by Claud was released on Dead Oceans. The “Me and the Music” edition is offered as an LP in a colored-vinyl variant and credits Claud as the sole artist; the format underscores the physical character of the release on the Dead Oceans label.

“Me and the Music” situates itself within indie rock / alternative and documents Claud’s current work under this musical umbrella. On the LP, Claud brings together the tracks of the work, placing a clear focus on song structure and the arrangement of moods, as is characteristic for the genre. The release appears on Dead Oceans, making it another entry in the artist’s catalog on this label.

The Clear Cobalt vinyl edition of the “Me and the Music” LP offers the familiar combination of artistic presentation and visibly distinctive product feature; the colored pressing makes the release recognizable as a physical object. Claud, “Me and the Music,” and Dead Oceans are mentioned multiple times in the edition, so the publication is clearly identifiable both as a release by the artist and as part of the Dead Oceans program.
Khruangbin - A La Sala
Khruangbin
A La Sala
LP | 2024 | Original (Dead Oceans)
49,99 €*
Release: 2024 / Original
Genre: Organic Grooves
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Used Vinyl
Medium: Near Mint, Cover: VG+
• Sleeve still shrink-wrapped
• Limited edition on purple/orange swirl vinyl
• Includes original inner sleeve with seam split

Released on Dead Oceans, the LP “A La Sala” brings together twelve tracks and presents Khruangbin in a compact, focused form that harkens back to the trio’s roots. The 2024 release marks a return to the three-piece core and works with deliberately reduced overdubs, giving the recordings an airy, immediate feel.

Musically, “A La Sala” moves between lean funk, gentle psychedelic inflection, and hints of Americana; Mark Speer’s reverb-drenched guitar motifs orbit Laura Lee Ochoa’s almost dub-like bass lines, while Donald “DJ” Johnson’s precise drumming provides rhythmic grounding. Occasional ambient pieces and field recordings create atmosphere without overloading the instrumental clarity. Several tracks point to global influences yet remain direct and arrangement-wise understated.

For the production, the band worked closely with their longtime engineer Steve Christensen; Mark Speer and Steve Christensen are credited as producers, and Steve Christensen also handled the mixing, while mastering was done by Chris Longwood. The record emphasizes organic in-studio interplay and small textural details such as Moog and synth arrangements as well as subtle percussion that shape the sound. In doing so, Khruangbin present on “A La Sala” a concentrated, distinctive evolution of their collective sound.
Slowdive - Slowdive
Slowdive
Slowdive
LP | 2016 | US | Reissue (Dead Oceans)
30,99 €*
Release: 2016 / US – Reissue
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
• bumped corners
• 2024 reissue

The LP "Slowdive," released on Dead Oceans, marks the return of the band of the same name after a long hiatus and channels their rediscovered feel for dense soundscapes and melodic restraint into a compact album from 2017. The production combines familiar shoegaze elements with clearer structures without giving up the songs’ characteristic sense of drift.

Musically, "Slowdive" moves between atmospheric noise and intricate songwriting; shimmering walls of guitar meet carefully placed melodies and a harmonized vocal duet that ranks among the band’s most distinctive trademarks. Behind the arrangements are Neil Halstead and Rachel Goswell as singers and guitarists, joined by Christian Savill on guitar, Nick Chaplin on bass, and Simon Scott on drums and electronics, which gives the sound its depth.

In making the album, Neil Halstead took on key production duties; the mixing was handled by Chris Coady, who translates the dense layers into precise spatial forms. Overall, the release comprises a tightly focused selection of tracks that both hark back to the band’s early work and open up new, subtly dramatic moments.
Khruangbin - Live At Stubb's
Khruangbin
Live At Stubb's
LP | 2023 | US | Original (Dead Oceans)
30,99 €*
Release: 2023 / US – Original
Genre: Organic Grooves
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Used Vinyl
Medium: Sealed, Cover: Near Mint
• Light wear on the cover

The LP "Live At Stubb's," released on Dead Oceans, captures Khruangbin in a short, focused live set that brings studio energy directly onto the stage. The release is part of a series of live albums the band puts out together with artist friends as snapshots of their tour; this pressing features contributions from local Texans as well as performances by the band itself.

On this live recording, Khruangbin remains committed to their distinctive style: shimmering guitar lines, a sparse yet pronounced bass foundation, and a rhythmic sensibility that merges influences from Thai funk, surf, and psychedelia. The three protagonists—Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson Jr. on drums—play with calm precision, allowing melody and groove to stand out clearly. This characteristic sound also shapes the arrangements of the live versions.

A defining feature of the record is the inclusion of guests: the A-side puts contributors from Texas center stage, while the B-side highlights the instrumental density of Khruangbin themselves. Recorded at Stubb’s in Austin, the album conveys both the intimate atmosphere of small clubs and the structural clarity that distinguishes the band’s live performances. For listeners who appreciate the ensemble, "Live At Stubb's" offers a focused document of their live aesthetic.
Khruangbin - Live At Sydney Opera House
Khruangbin
Live At Sydney Opera House
2LP | 2023 | US | Original (Dead Oceans)
31,99 €*
Release: 2023 / US – Original
Genre: Organic Grooves
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Medium: Sealed, Cover: VG
• Sleeve with beginning seam split at upper spine
• Creased corner on sleeve

The double LP "Live At Sydney Opera House" captures Khruangbin in a particularly representative concert moment and brings together 17 live-performed tracks from the band’s repertoire. The selection ranges from early pieces like "A Calf Born in Winter" to more recent arrangements such as "People Everywhere (Shifting Sands Remix)" and shows the band in full live form at the renowned opera house. This edition was released in December 2023 on the Dead Oceans label.

Musically, the recording stays true to the group’s characteristic sound: a bass-led foundation, sparse, psychedelically tinged guitar lines, and laid-back, groove-oriented drumming that often opens up instrumental space. Influences of Thai funk, surf elements, and classic psychedelic funk are audible and shape the blended, cross-genre aesthetic for which Khruangbin is known. The live performance breathes both precision and a joy for improvisation, as evidenced by the extended live versions.

The credits document the creative and technical team: all tracks are by Khruangbin; Laura Lee (bass & vocals), Marko (guitar & vocals), and DJ (drums, keys & vocals) are listed as the performing musicians. The recording was handled by Jade Payne, mixing by Steve Christensen, and mastering by Chris Longwood. In this way, the release combines the band’s recognizable signature with a carefully crafted live production.
Durand Jones & The Indications - Private Space Random Colored Vinyl Edition
Durand Jones & The Indications
Private Space Random Colored Vinyl Edition
LP | 2021 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2021 / US – Reissue
Genre: Organic Grooves
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The colored vinyl edition of the “Private Space” LP by Durand Jones & The Indications is released on Dead Oceans. The vinyl format translates the album into a physical release that emphasizes both the band’s modern soul approach and their connection to classic soul aesthetics.

Musically, “Private Space” widens the group’s spectrum: synth-based, contemporary soul arrangements meet disco and funk elements, complemented by string-driven passages that add extra spaciousness to the songs. The record moves between danceable moments and quieter ballads without abandoning the band’s retro-inspired foundation.

The band’s collective work remains the central hallmark: Durand Jones’s soulful lead vocals and Aaron Frazer’s falsetto and drumming form a characteristic harmonic pairing, supported by Blake Rhein on guitar, Steve Okonski on keys, and Mike Montgomery on bass. To broaden the sound palette, the sessions also feature a guest turn on vibraphone, an eight-piece string ensemble, and background vocals that refine the arrangements. The production bears the collective signature of the band members and highlights organic instrumentation alongside modern tonal colors.

Lyrically, the album moves between introspective writing and open optimism; themes such as solidarity, comfort, and the search for closeness recur throughout. In this way, Durand Jones & The Indications achieve a contemporary rendition of classic soul forms that conveys both familiarity and forward motion.
Khruangbin & Leon Bridges - Texas Sun
Khruangbin & Leon Bridges
Texas Sun
12" | 2019 | US | Reissue (Dead Oceans)
22,99 €*
Release: 2019 / US – Reissue
Genre: Organic Grooves, Rock & Indie
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Medium: Near Mint, Cover: Near Mint
• Light corner wear
• A few traces of paper scuffing on the cover
• 2023 reissue

The 12" titled "Texas Sun" brings together the four tracks from the joint EP by Khruangbin & Leon Bridges and offers a warm blend of soul, funk, and country elements that unfolds within a compact running time. Released on the Dead Oceans label, it pairs the band’s laid-back calm with Leon Bridges’ clear voice to create a sound that feels both focused and open.

Musically, the collaboration moves between nostalgic soul and a world-spanning guitar aesthetic: Khruangbin’s signature, sinuous guitar lines meet Bridges’ retro-soul vocal melodies, complemented by subtle pedal steel and vibraphone arrangements that bathe the songs in a wide, sun-drenched atmosphere. The tracks vary in tempo and density while remaining understated yet precisely arranged.

The band co-produced the record with Steve Christensen; the recording features Mark Speer (guitar), Laura Lee (bass, backing vocals), and Donald Johnson Jr. (drums, keyboards), alongside Leon Bridges (vocals, acoustic guitar). Additional contributions come from, among others, Will Van Horn (pedal steel), Ruben Moreno (accordion), and Chase Jordan (vibraphone). The production’s hallmark is an emphasis on transparency and space, allowing every instrumental color to come through clearly.
Aaron Frazer - Introducing... Revinyl Edition
Aaron Frazer
Introducing... Revinyl Edition
LP | 2020 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2020 / US – Reissue
Genre: Organic Grooves
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The "Introducing... Revinyl Edition" by Aaron Frazer presents the singer’s debut album as a ReVinyl pressing; the vinyl is made from 100% recycled material and the color of the record is selected at random. This edition brings the warm arrangements onto a physical medium that does justice to the album’s retro sound character.

Musically, on "Introducing..." Aaron Frazer combines classic elements of 1960s soul with echoes of disco, gospel, and doo-wop; the lyrics range from political statements to narrative love songs, resulting in a sensual and compelling palette. Frazer appears as a falsetto singer whose clear upper register and melodic phrasing give the songs an immediate, personal voice. Standout tracks include "Over You," "Bad News," and "Ride with Me," which showcase different facets of his stylistic range.

The album was produced by Dan Auerbach and released in collaboration with Easy Eye Sound and Dead Oceans, which lends the careful arrangements and production additional definition. The ReVinyl Edition preserves the original’s cohesive tonal colors and is aimed at listeners who value the connection between skilled craftsmanship and timeless songwriting.
Wednesday - Twin Plagues Revinyl Edition
Wednesday
Twin Plagues Revinyl Edition
LP | 2026 | US | Original (Dead Oceans)
26,99 €*
Release: 2026 / US – Original
Genre: Rock & Indie
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The "Twin Plagues Revinyl Edition" by Wednesday is being released as a reissue on Dead Oceans, bringing the album back into circulation in a newly prepared vinyl edition.

Musically, the record moves between rough‑edged indie rock, shoegaze textures, and country‑tinged moments; Karly Hartzman’s songwriting combines laconic, narrative lyrics with haunting sequences of images and a penchant for personal, often unsettling details. This blend of introspection and scuff is characteristic of the project and has already received wide critical attention.

The lineup on the recordings features Karly Hartzman (vocals, guitar), Jake Lenderman (guitar), Xandy Chelmis (lap/pedal steel), Margo Schultz (bass), and Alan Miller (drums). The songs were recorded and produced primarily at Drop of Sun Studio in Asheville with Alex Farrar and Adam McDaniel; a few tracks are self‑produced by Jake Lenderman, and the mastering was handled by Scoops Dardaris. This craftsmanship contributes to the clear yet dirty, gritty sonic aesthetic of the album.

Tracks like "Twin Plagues," "The Burned Down Dairy Queen," and "One More Last One" show the album’s range: short, concise narratives meet expansive walls of guitars and subtly deployed pedal steel shadings. The Revinyl edition gathers these qualities on a physical format and makes the music’s multi‑layered compositions tangible on vinyl.
Kevin Morby - Little Wide Open Ecomix Vinyl Edition
Kevin Morby
Little Wide Open Ecomix Vinyl Edition
2LP | 2026 | US | Original (Dead Oceans)
30,99 €*
Release: 2026 / US – Original
Genre: Rock & Indie
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Vieux Farka Touré & Khruangbin - Ali Marmalade Vinyl Edition
Vieux Farka Touré & Khruangbin
Ali Marmalade Vinyl Edition
LP | 2022 | US | Reissue (Dead Oceans)
27,99 €*
Release: 2022 / US – Reissue
Genre: Organic Grooves
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Shame - Songs Of Praise Revinyl Edition
Shame
Songs Of Praise Revinyl Edition
LP | 2018 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2018 / US – Reissue
Genre: Rock & Indie
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The "Songs Of Praise Revinyl Edition Edition" by Shame presents the debut album as an LP on Dead Oceans, putting the original tracks from their first record front and center. This release preserves the concise brevity of many of the songs and transfers the unpolished yet precisely arranged material to a physical format. For fans, the edition documents the period of the band when these tracks established themselves as powerful entries in the up-and-coming British scene.

Musically, the record clearly sits at the intersection of post-punk and indie rock: cutting guitar riffs, tight drumming, and a conversational, sharply pointed vocal delivery shape the sound. Lyrics in songs like "Concrete," "One Rizla," and "Gold Hole" combine keen observation with ironic twists; the arrangements shift between direct aggression and melodic breaks. The South London band draws on familiar reference points but molds them into a signature sound of their own.

The recordings were made at Rockfield Studios; production and mixing were handled by Dan Foat and Nathan Boddy, with mastering by Matt Colton. The lineup of Charlie Steen (vocals), Sean Coyle‑Smith and Eddie Green (guitars), Josh Finerty (bass), and Charlie Forbes (drums) plays a crucial role in the album’s tonally dense overall impact; additional contributions such as backing vocals round out individual tracks.
The Tallest Man On Earth - Sometimes The Blues Is Just A Passing Bird Revinyl Edition
The Tallest Man On Earth
Sometimes The Blues Is Just A Passing Bird Revinyl Edition
12" | 2010 | US | Reissue (Dead Oceans)
19,99 €*
Release: 2010 / US – Reissue
Genre: Rock & Indie
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The 12-inch edition of the *Sometimes The Blues Is Just A Passing Bird Revinyl Edition*, released on Dead Oceans, brings together the five-part chapter from The Tallest Man On Earth’s body of songs and clearly translates the stripped-down instrumentation to the physical medium. The release includes the tracks “Little River,” “The Dreamer,” “Like the Wheel,” “Tangle in This Trampled Wheat,” and “Thrown Right At Me,” documenting a focused period between album and tour.

Musically, the collection moves between folk and folk rock; at its center are Matsson’s distinctive voice and his precise guitar playing, which feels both delicate and direct. Notable is the first, subtly integrated use of electric guitar on the track “The Dreamer,” while “Like the Wheel” was already known as a live favorite and exists in different arrangements. The songs follow a songwriter-centered structure in which lyrical imagery and melody remain tightly interwoven.

The recordings were made during a brief creative pause after the album *The Wild Hunt* and bear the unmistakable imprint of Kristian Matsson, who is responsible for the project as The Tallest Man On Earth; production and songwriting are largely his own work. Dead Oceans supported the release and the subsequent tour, which helped to firmly establish the title in both material and technical terms as well as with audiences.
Cassandra Jenkins - My Light, My Destroyer
Cassandra Jenkins
My Light, My Destroyer
LP | 2024 | Original (Dead Oceans)
25,99 €*
Release: 2024 / Original
Genre: Rock & Indie, Pop
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Medium: Sealed, Cover: Sealed
The LP *My Light, My Destroyer* by Cassandra Jenkins brings together 13 tracks and expands on the finely tuned balance between songwriting and sound collage that Jenkins is known for. The record moves between guitar-driven indie rock, reconfigured New Age textures, understated sophisti-pop, and jazzy interludes; field recordings and found sounds repeatedly enter as a dramaturgical element. The compositions shift from clearly arranged songs to more instrumental passages that open up atmospheric spaces.

For the recording, Cassandra Jenkins assembled a tight-knit circle of longtime collaborators; Andrew Lappin handled production, recording, and mixing, while among others Meg Duffy (Hand Habits), El Kempner (Palehound), Josh Kaufman, and Katie Von Schleicher contributed as instrumentalists. The recordings and arrangements draw not only on classic guitar and piano textures, but also on muted synth pads and subtly used brass. In particular, the track “Delphinium Blue” makes use of a wide range of analog synthesizers and a fretless bass part.

Lyrically, the album explores opposites: wonder and doubt, departure and decay. Vignette-like scenes such as stargazing with Jenkins’s mother in “Betelgeuse” or the laconic observations in “Petco” combine personal storytelling with small, surprising images. Released in July 2024 on Dead Oceans, the album positions Cassandra Jenkins as a songwriter who consciously varies the form and density of her songs.
Greg Mendez - Beauty Land Crystal Clear Vinyl Edition
Greg Mendez
Beauty Land Crystal Clear Vinyl Edition
LP | 2026 | US | Original (Dead Oceans)
27,99 €*
Release: 2026 / US – Original
Genre: Rock & Indie
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Japanese Breakfast - Soft Sounds From Another Planet
Japanese Breakfast
Soft Sounds From Another Planet
LP | 2022 | Reissue (Dead Oceans)
21,99 €*
Release: 2022 / Reissue
Genre: Rock & Indie, Pop
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
New and sealed.
Julianna Barwick - Will
Julianna Barwick
Will
LP | 2016 | US | Original (Dead Oceans)
16,99 €*
Release: 2016 / US – Original
Genre: Electronic & Dance
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Still in shrink, but opened
Kevin Morby - Gift Horse / I Was On Time
Kevin Morby
Gift Horse / I Was On Time
7" | 2025 | US | Original (Dead Oceans)
17,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Avalon Emerson & The Charm - Written Into Changes HHV Exclusive Blue Bone Splash Vinyl Edition
Avalon Emerson & The Charm
Written Into Changes HHV Exclusive Blue Bone Splash Vinyl Edition
LP | 2026 | US | Original (Dead Oceans)
29,99 €*
Release: 2026 / US – Original
Genre: Electronic & Dance
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Mitski - Laurel Hell
Mitski
Laurel Hell
LP | 2022 | US | Original (Dead Oceans)
32,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Laurel Hell by Mitski, released 4 February 2022. This version of Laurel Hell comes as a 1xLP. The vinyl is pressed as a opaque, grey disc.
Shame - Songs Of Praise Gold Nugget Vinyl Edition
Shame
Songs Of Praise Gold Nugget Vinyl Edition
LP | 2026 | US | Original (Dead Oceans)
27,99 €*
Release: 2026 / US – Original
Genre: Rock & Indie
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Shame thrives on confrontation. Whether it be the seething intensity crackling throughout debut LP Songs of Praise or the adrenaline-pumping chaos that unfolds at Shame's shows, it's all fueled by feeling. NPR's Bob Boilen noted, "Of the 70 bands I saw at this year's SXSW, the band Shame seemed to mean what they played more than any other."Comprised of vocalist Charlie Steen, guitarists Sean Coyle-Smith and Eddie Green, bassist John Finerty, and drummer Charlie Forbes, the London-based five-piece began as school boys. From the outset, Shame built the band up from a foundation of DIY ethos while citing The Fall and Wire among its biggest musical influences.Utilizing both the grit and sincerity of that musical background, Shame carved out a niche in the South London music scene and then barreled fearlessly into the angular, thrashing post-punk that would go on to make u...
Mitski - Land Is Inhospitable And So Are We Pink Vinyl Edition
Mitski
Land Is Inhospitable And So Are We Pink Vinyl Edition
LP | 2023 | US | Reissue (Dead Oceans)
32,99 €*
Release: 2023 / US – Reissue
Genre: Pop
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Mitski - Nothing's About To Happen To Me
Mitski
Nothing's About To Happen To Me
Tape | 2026 | US | Original (Dead Oceans)
16,99 €*
Release: 2026 / US – Original
Genre: Rock & Indie
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Aaron Frazer - Into The Blue
Aaron Frazer
Into The Blue
LP | 2024 | Original (Dead Oceans)
28,99 €*
Release: 2024 / Original
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: Near Mint
Marbled Vinyl Edition.
Includes original inner sleeve.
Khruangbin & Nubya Garcia - Live At Radio City Music Hall
Khruangbin & Nubya Garcia
Live At Radio City Music Hall
LP | 2023 | EU | Original (Dead Oceans)
27,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
It's only fitting that Khruangbin's first-ever official live releases would be albums paired with their tourmates: artists whose music they love and admire, friends who've become family along the way. Khruangbin's 'Live At' series of live LP straces just one small slice of the band's flight plan through the years: it's a taste of some of their most beloved cities, stages and nights. Most of all, Khruangbin's 'Live at' series ignites both sides of the band's magic: the warm, prismatic feeling of their albums and the bewitching energy of their performances.
Destroyer - Kaputt
Destroyer
Kaputt
LP | 2011 | US | Reissue (Dead Oceans)
37,99 €*
Release: 2011 / US – Reissue
Genre: Rock & Indie
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Kevin Morby - This Is A Photograph
Kevin Morby
This Is A Photograph
LP | 2022 | US | Reissue (Dead Oceans)
33,99 €*
Release: 2022 / US – Reissue
Genre: Rock & Indie
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White Hinterland - Baby
White Hinterland
Baby
LP | 2014 | US | Original (Dead Oceans)
32,99 €*
Release: 2014 / US – Original
Genre: Pop
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Mark Mcguire - Along The Way
Mark Mcguire
Along The Way
LP | 2014 | US | Original (Dead Oceans)
36,99 €*
Release: 2014 / US – Original
Genre: Electronic & Dance
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Bright Eyes - Down In The Weeds Where The World Once Was
Bright Eyes
Down In The Weeds Where The World Once Was
2LP | 2020 | US | Original (Dead Oceans)
36,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Marlon Williams - Vampire Again
Marlon Williams
Vampire Again
LP | 2025 | US | Original (Dead Oceans)
18,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Bright Eyes - Persona Non Grata Bw Flirted With You All My
Bright Eyes
Persona Non Grata Bw Flirted With You All My
EP | 2020 | US | Original (Dead Oceans)
22,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Wednesday - Bleeds Eco Mix Vinyl Edition
Wednesday
Bleeds Eco Mix Vinyl Edition
LP | 2025 | US | Original (Dead Oceans)
29,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Can a self-portrait be a collage? Can empathy be autobiographical? What's the point of living if we're not trying to understand all the horror and humor that surrounds everything? These are a few of the questions lurking under the bleachers of Wednesday's new album Bleeds, an intoxicating collection of narrative-heavy Southern rock that_like many of the most arresting passages from the North Carolina band's highlight reel so far_thoughtfully explores the vivid link between curiosity and confession. Bleeds is not only the best Wednesday record_it's also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman_founder, frontwoman, and primary lyricist_creditsWednesday's tightened grasp on their own identity to time spentcollaborating on previous albums, plus a tour schedule that's been both rewarding and relentless. "Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential `Wednesday Creek Rock' album," Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they've refined the formula that makes them one of the most interesting rock bands of their generation. "This is what Wednesday songs are supposed to sound like," she said. "We've devoted a lot of our lives to figuring this out_and I feel like we did." Just like Rat Saw God, one of the defining rock & roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who's been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates _X andy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake "M.J." Lenderman (guitar) _ worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the preciseproportions were steered by the lyricism_not only its tone orsu...
Toro Y Moi - Mahal Blue Marble Vinyl Edition
Toro Y Moi
Mahal Blue Marble Vinyl Edition
LP | 2022 | US | Reissue (Dead Oceans)
30,99 €*
Release: 2022 / US – Reissue
Genre: Rock & Indie
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Wednesday - Rat Saw God Seafoam Green Vinyl Edition
Wednesday
Rat Saw God Seafoam Green Vinyl Edition
LP | 2023 | US | Reissue (Dead Oceans)
27,99 €*
Release: 2023 / US – Reissue
Genre: Rock & Indie
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A Wednesday song is a quilt. A short story collection, a half-memory,a patchwork of portraits of the American south, disparate momentsthat somehow make sense as a whole. Karly Hartzman, the songwriter/vocalist/guitarist at the helm of the project, is a story collector asmuch as she is a storyteller: a scholar of people and one-liners. RatSaw God, the Asheville quintet's new and best record, is ekphrastic butautobiographical...
Kevin Morby - Moonshiner / Bridge To Gaia
Kevin Morby
Moonshiner / Bridge To Gaia
7" | 2015 | US | Original (Dead Oceans)
18,99 €*
Release: 2015 / US – Original
Genre: Rock & Indie
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Medium: Near Mint, Cover: Near Mint
Toro Y Moi - Hole Erth Silver Smoke Vinyl Edition
Toro Y Moi
Hole Erth Silver Smoke Vinyl Edition
LP | 2024 | US | Reissue (Dead Oceans)
29,99 €*
Release: 2024 / US – Reissue
Genre: Rock & Indie
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Hole Erth, Chaz Bear's eighth full-length studio record as Toro y Moi, is the genre shapeshifter's most unexpected and boldmove to date, with Bear diving headlong into rap-rock, Soundcloud rap and Y2K emo. The album blitzes anthemic pop-punk next to autotuned, melancholic rap - two genres that inform one another now more than ever before _ and packs in the most features e...
Alex Lahey - I Love You Like A Brother
Alex Lahey
I Love You Like A Brother
LP | 2020 | US | Original (Dead Oceans)
32,99 €*
Release: 2020 / US – Original
Genre: Rock & Indie
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Shame - Cutthroat Hot Shots Vinyl Edition
Shame
Cutthroat Hot Shots Vinyl Edition
LP | 2025 | US | Original (Dead Oceans)
27,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Scowl - Are We All Angels Eco Mix Vinyl Edition
Scowl
Are We All Angels Eco Mix Vinyl Edition
LP | 2025 | US | Original (Dead Oceans)
26,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Scowl is a band that sounds exactly like their name implies. Venomous, fierce, antagonistic. A sneer not to be crossed. Over the last five years, the Santa Cruz, California, band has firmly planted their flag in the hardcore scene with their vicious sound and ripping live show, sharing stages around the world with Circle Jerks, Touché Amoré, and Limp Bizkit, and filling slots at prominent festivals like Coachella, Sick New World, and Reading and Leeds. But with their new album, Are We All Angels (Dead Oceans), Scowl is aiming to funnel all that aggression through a more expansive version of themselves.Much of Are We All Angels grapples with Scowl's newfound place in the hardcore scene, a community which has both embraced the band and made them something of a lightning rod over the past few years. Standout single "Not Hell, Not Heaven" outright rejects the narratives cast onto them by outsiders. "It's about feeling victimized and being a victim, but not wanting to identify with being a victim," explains vocalist Kat Moss. "It's trying to find grace in the fact that I have my power. I live in my reality. You have to deal with whatever you're dealing with, and it ain't working for me." The band breaks from a sense of disassociation to seek deeper connections on "Fantasy." "It's incredibly challenging to try to balance my love for the scene while also feeling, in some spaces, extremely alienated and hated," Moss says. "`Fantasy' is about feeling like I don't know how to connect with these people anymore, because I have shelled myself away so hard." The album ends in a philosophical place on the closing, titular track, "Are We All Angels," asking questions like, "Is this all there is?" and ultimately putting it on the listener to decide. "It's about the personal struggle between good and evil. It doesn't matter how `good' or `bad' you are, there are systems that will try to rewrite your narrative no matter what you actually do," explains Moss, noting that punctuation on "Are We All Angels" has been deliberately...
Fenne Lily - Big Picture
Fenne Lily
Big Picture
LP | 2023 | US | Original (Dead Oceans)
31,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Big Picture by Fenne Lily, released 14 April 2023. This version of Big Picture comes as a 1xLP. The vinyl is pressed as a opaque disc.
MRCY - Volume 2 Yellow Vinyl Edition
MRCY
Volume 2 Yellow Vinyl Edition
LP | 2025 | US | Original (Dead Oceans)
29,99 €*
Release: 2025 / US – Original
Genre: Organic Grooves
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In dark and difficult times, the music of Barney Listerand Kojo Degraft-Johnson lifts us up. As MRCY, the productionand vocal duo are confronting the many crises of modern lifewith a fresh sound full of punchy instrumentation, envelopingorchestration and lyrical honesty. On their latest project,VOLUME 2, Barney and Kojo deliver emotive music that surprisesas much as it comforts, referencing timeless sounds as much asa sense of the cutting edge. Channeling soulful vocal melodyalongside afrobeat polyrhythms, jazz soloing and driving,distorted grooves, tracks like "Man" address the challenges ofmodern masculinity, while standout number "Fear" drives amessage that encourages us to fight the terror we might feelabout the state of the world with optimism. Following theacclaimed release of their 2024 debut project VOLUME 1, whichsaw the duo nominated as Rising Stars at the Rolling StoneAwards and named as one of DIY's Class of 2025, MRCY returnswith vital music that addresses the complexities of being alivetoday. "We're trying to extinguish fear with optimism and worrywith love," Barney says. "VOLUME 2 breaks the mould to presenta bigger picture of who we are - something with angst, surprisesand more guts. The main feeling of the project is that the worldis fucked but let's dance through it."
Bishop Allen - Lights Out Limited Colored Edition
Bishop Allen
Lights Out Limited Colored Edition
LP | 2014 | US | Original (Dead Oceans)
26,99 €*
Release: 2014 / US – Original
Genre: Rock & Indie
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Japanese Breakfast - For Melancholy Brunettes (& Sad Women) Frosted Shadow Vinyl Edition
Japanese Breakfast
For Melancholy Brunettes (& Sad Women) Frosted Shadow Vinyl Edition
LP | 2025 | US | Original (Dead Oceans)
26,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Marlon Williams - My Boy Forest Green Vinyl Edition
Marlon Williams
My Boy Forest Green Vinyl Edition
LP | 2022 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2022 / US – Reissue
Genre: Rock & Indie
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My Boy, the third solo record from New Zealand singer/songwriter Marlon Williams, announces an artist emerging anew. Gone is thesolemn, country-indebted crooner with the velvet voice - in his place comes aplayful, shapeshifting creature.Following the release of his second album, 2018's Make Way ForLove, Williams' toured the world, playing major festivals and collaborating withLorde, Yo-Yo Ma and Florence Welch. He also forged a fledgling acting careerwith roles in films The True History of the Kelly Gang and Netflix series SweetTooth, as well as a cameo in Oscar winning film A Star Is Born. My Boy parlaysthis flush of worldly experience into a vivid record as spirited and kinetic asthe unfolding life of its performer. "I've always explored different characterelements in my music," says Williams. "And the more I get into acting, the moretricks I'm learning about representation and presentation. To get braver andbolder with exploring shifting contexts and new ways of doing things."As the pandemic paused global travel, Williams found himself athome in New Zealand, reconnecting with family and friends. Soon new demosand lyrical themes emerged: of self-identity and escapism; tribalism and agnarled family tree; and ruminations on the role of masculinity and mateship.Co-produced with Tom Healy and recorded at Roundhead Studiosin New Zealand, My Boy finds Williams' leading a new band through a set ofgenre-hopping tunes: from the cheery sway of `My Boy' and chugging `80s noirsheen of `Thinking Of Nina', to the charging synth of `River Rival', and the sultrypop jam `Don't Go Back.' All this sonic and emotional whiplash is intentional,and ultimately My Boy sees Williams having fun, even while interrogating thebehaviors of himself and those around him.
Bright Eyes - Lifted Or The Story Is In The Soil, Keep Your Ear Colored Vinyl Edition
Bright Eyes
Lifted Or The Story Is In The Soil, Keep Your Ear Colored Vinyl Edition
2LP | 2002 | US | Reissue (Dead Oceans)
33,99 €*
Release: 2002 / US – Reissue
Genre: Rock & Indie
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Yellow & Black Vinyl."The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll.Bright Eyes had officially broken through. It was a heady, exciting time, but also fraught and tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God."These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of "harmonica and mandolins - folky vibes," Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.
Phosphorescent - Live At The Music Hall Opaque Gold Vinyl Edition
Phosphorescent
Live At The Music Hall Opaque Gold Vinyl Edition
3LP | 2025 | US | Original (Dead Oceans)
41,99 €*
Release: 2025 / US – Original
Genre: Rock & Indie
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Opaque Gold Vinyl.Recorded over four nights at The Music Hall of Williamsburg, this triple LP is a veritable best-of from a band at the height of their performative powers. Featuring scorching renditions of the best-loved songs of the Phosphorescent catalog, from Los Angeles to Song for Zula, Phosphorescent delivers a live album for all-time. Comes with album download.
Phosphorescent - C'est La Vie
Phosphorescent
C'est La Vie
Tape | 2018 | US | Original (Dead Oceans)
16,99 €*
Release: 2018 / US – Original
Genre: Rock & Indie
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Matthew Houck's first new Phosphorescent release in five years chronicles a life-altering period which saw him fall in love, start a family, leave New York for Nashville, and build a studio from the ground up. With a focus on translating these profound experiences to music as intuitively as he could, Houck pushes the boundaries of what a Phosphorescent record can sound like, balancing the earthy and the incandescent, the troubled and the serene, creating his own musical cosmos in the process. 'C'est La Vie', was produced by Houck and recorded at his Spirit Sounds Studio in Nashville, newly built specifically with these sessions in mind. The album was mixed by Matthew and Vance Powell (Jack White, Chris Stapleton, Arctic Monkeys). 'C'est La Vie' is Phosphorescent's seventh studio LP and follows the 2013 Phosphorescent album `Muchacho,' Houck's best-reviewed and best-selling album to date featuring the undeniable standout track "Song For Zula." `C'est La Vie' reveals a crystallization of what made...
Kane Strang - Two Hearts And No Brain
Kane Strang
Two Hearts And No Brain
Tape | 2017 | US | Original (Dead Oceans)
16,99 €*
Release: 2017 / US – Original
Genre: Rock & Indie
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A winning blend of careful precision and mercurial abandon, Kane Strang's new album Two Hearts and No Brain is constantly surprising. With a penchant for melodic earworms to rival those of the world's best pop songwriters, the New Zealand artist's glittering hooks twist and turn in perfect synch with meticulous band arrangements. Hints of 60s pop (NB: Zombies, Stooges) and early 00s alt-rock (Interpol, Elliott Smith) shine through, but there's a contemporary crunch, sheen and bald lyrical tone to Strang's sound that places him firmly in the here and now. "Strang has a gift for pulling diamonds from the rough," says Pitchfork, "[his] songs have a way of making modest acts seem heroic." Strang's proclivity for writing smart, anthemic guitar pop shines brightest now that he has moved away from the bedroom and into the studio. Showcasing his new collaborative approach to recording and writing with his band, the four-piece twists Strang's melodies upside down and pushes his hooks inside out. Two Hearts and No Brain proves emotive and playfully laced with a tongue-in-cheek nostalgia - timelessly old and new in the same breath.
Night Beds - Ivywild Limited White Colored Edition
Night Beds
Ivywild Limited White Colored Edition
2LP | 2015 | US | Original (Dead Oceans)
29,99 €*
Release: 2015 / US – Original
Genre: Rock & Indie
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Limited edition, white colored vinyl!Night Beds, the musical project of 26-year-old Colorado Springs native Winston Yellen, received much acclaim for his 2013 debut album, Country Sleep, scoring plaudits for its tortured take on alt country and Yellen's soaring vocals. But Yellen has always been much more than another singer-songwriter. "When Country Sleep came out, I had never made songs like that befor...
Greylag - Greylag Colored Vinyl Edition
Greylag
Greylag Colored Vinyl Edition
LP | 2014 | US | Original (Dead Oceans)
26,99 €*
Release: 2014 / US – Original
Genre: Rock & Indie
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Like the wild goose that the Portland-based trio are named after, the members of Greylag have all undertaken amazing journeys, migrating as if by homing instinct from different parts of the US, to create a self-titled debut album that's the latest must-have slice of verdant, far-reaching Americana. Greylag is rich in melody, mood and detail with a range that mirrors the distance between their individual birthplaces, creating a personal twist on some timeless musical traditions, embracing electric and acoustic with a sound that's both subtle and forceful.Meet Andrew Stonestreet (lead vocal, acoustic guitar, originally from West Virginia), Daniel Dixon (lead guitar and other stringed things, keyboards, from Northern California) and Brady Swan (drums, from Texas). The venerated Phil Ek (Band of Horses, Fleet Foxes, Modest Mouse, The Shins) produced the album at Seattle's Avast! Studio, who clearly knows a sublime enterprising combination of roots and rock music when he hears it. The name G...
Mt. St. Helens Vietnam Band - Where The Messengers Meet
Mt. St. Helens Vietnam Band
Where The Messengers Meet
LP | 2010 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2010 / US – Reissue
Genre: Rock & Indie
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Greg Mendez - Greg Mendez
Greg Mendez
Greg Mendez
LP | 2024 | US | Original (Dead Oceans)
30,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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For Greg Mendez, reflection doesnüft mean a static imagein a mirror, or even a face he recognizes. Itüfs more akaleidoscopic mirage, where paths taken shapeshift withthe prospect of paths untread, and the subconsciousmerges with the intentional. On his self-titled new album,the Philadelphia-based songwriter andmulti-instrumentalist investigates the shaky camera ofmemory, striving to carve out a collage that points to atruth. But there isnüft a regimented actuality here; instead,Mendez highlights the merit in many truths, and manylives, and how even the hardest truths can still containsome humor.While this is technically Mendezüfs third full-length album,his back catalog boasts an extensive range of EPs and liverecordings. Heüfs a prolific and thoughtful songwriter,understanding the joy in impulse, and shying away fromthe clinical sheen of overproduction. 2017üfs ügüP/ _(c)_ /üPüh and2020üfs Cherry Hell garnered acclaim for their quiet, lo-fiurgency, exploring themes of addiction and heartbreakwith an intentional, authentic haze, and itüfs this approachthat has solidified Mendez as a staple in the DIYcommunity for years.Greg Mendez was written in fragments, some stretchingacross more than a decade, with Mendez reworking oldideas and arrangements, and others blossoming muchmore recently. The weight of time..and perhaps theanxiety in running out of it..clouds the album, as Mendezprods at some painful experiences from his childhood andearly adulthood. The common thread connecting thecharacters is their evident imperfections, and the variousdegrees of damage they cause, both knowingly andunknowingly. But where do we draw the line between agood person and a bad person? For Mendez, itüfs neverbeen that easy.Greg Mendez is an intimate dialogue between thechapters weüfve experienced, and how they can inform thereality we perceive. Itüfs a reminder that we are constantlyshifting, ever-changing selves and that if we ruminate toolong, we may find...
Greg Mendez - First Time / Alone
Greg Mendez
First Time / Alone
7" | 2024 | US | Original (Dead Oceans)
19,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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First Time / Alone, Greg Mendez's new EP and first release withDead Oceans, came together in late summer and early fall of2023; the songs here appear in the order in which they werewritten, recorded straight to four-track in the small spare roomof his West Philadelphia apartment. It's a four song arc, aspectral passageway, one brief and fluid body of work thathangs together from the mournful opening of "Mountain DewHell" to the pitched-up vocals on "Pain Meds," a tiny songfloundering in the enormity of grief. The experience of listeningthrough is like waking up from a half-remembered dream, ashadow in the corner of the room, a strange solitude, a temporalNew York autumn with gray skies and naked trees. But whilethe release is sparse and spontaneous, it's tactile andconsuming, a glimpse into the beautiful, lonely worlds that livein the core of a Greg Mendez song.First Time / Alone is the inverse of his 2023 self-titled album, ameticulous and labored-over collection of songs that went on tobecome a surprise slowburn success. Mendez has releasedmusic in various capacities across 15 years living in Philadelphiaand New York, but the self-titled was what propelled him to awider attention, a critical breakthrough on best-of lists fromRolling Stone, Pitchfork, Paste, and more. That forwardmomentum came to a quick halt following an intensive surgeryon his right wrist in the summer of 2023 - a four-monthpurgatory of bad TV, canceled touring, and physical therapyensued, a painful stretch of boredom leaving Mendez unable toplay guitar. "Mountain Dew Hell" and "First Time," the funerealA-side of the EP, are time capsules of that fever-dream; "Alone"was the first song Mendez wrote once he was able to play guitaragain. Likely none of the songs would have existed as-is ifMendez's right hand hadn't been out of commission, but they'reartful in their directness and simplicity. He initially thought hewould need to refine them, building them out to the same scaleas...
Brazos - Saltwater
Brazos
Saltwater
LP | 2013 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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Martin McNulty Crane V comes from a long line of exceptional Martins. There's an orphan who became attorney general of Texas and fought the KKK, a lieutenant who fought in WWI, an airline pilot who raised his family in Iran, and a scient...
Dirty Projectors - Rise Above
Dirty Projectors
Rise Above
LP | 2007 | US | Reissue (Dead Oceans)
27,99 €*
Release: 2007 / US – Reissue
Genre: Rock & Indie
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Over three full lengths, an EP, and five different live bands in four years, David Longstreth has created in Dirty Projectors a body of music of original and variegated beauty. The breadth of his talents as a songwriter, arranger, bandleader and singer call to mind Prince, Joni Mitchell, and Bjork. His constantly evolving sound -- both live and on record -- the sheer intensity of the music, and the originality of his voice set him apart. Among modern music makers, he is a maverick: a loner and a rebel. From beginning to end, Dirty Projectors' new offering, Rise Above, is a reimagining of Black's Flag seminal 1981 record Damaged. It is not a covers record. Longstreth attempted to rewrite his favorite adolescent album word for word, from memory. From an interview with daytrotter.com: I didn't listen to the album or read the lyrics while I was doing it, and I hadn't heard the record since middle school, more or less. I relied on memory and intuition mostly. I wanted to see if I could make this album myself: not as plagiarism or mimicry, but as an original creative act. Writing a song is like pulling a shape out of the air, but I didn't want to write just any song -- I wanted to write...
Bright Eyes - Five Dice, All Threes Ghostly Blue Vinyl Edition
Bright Eyes
Five Dice, All Threes Ghostly Blue Vinyl Edition
2LP | 2024 | US | Original (Dead Oceans)
42,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Triathalon - Sleep Cycle Neon Orange Vinyl Edition
Triathalon
Sleep Cycle Neon Orange Vinyl Edition
LP | 2024 | US | Original (Dead Oceans)
26,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Formed back in 2011 in Savannah, GA, Triathalon consists of Chad Chilton, Hunter Jayne and Adam Intrator. Over the years the band has experimented with multiple sounds, releasing 3 albums, one EP and has shared collaborations with several artists. Their newest release "Sleep Cycle" blends fresh but familiar sounds; there's a meditative quality to the music that is especially welcoming in the current climate. Mastered by long time collaborator Alex Previty, a few of the tracks across the EP have mantra-like lyrics - simple thoughts repeated over and over that twist and turn and slowly morph into subtle ear worms.
Akron/Family - Sub Verses
Akron/Family
Sub Verses
LP | 2013 | US | Reissue (Dead Oceans)
29,99 €*
Release: 2013 / US – Reissue
Genre: Rock & Indie
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The album started with visions of large monumental sounds inspired by Heizer and Turrell; American works on a grand scale, monuments, dirty hands and an epic American masculinity. Dust, Stone, Sky, Earth. These broad, bold strokes would come to pass but not quite as expected. A Sci F...
Gauntlet Hair - Gauntlet Hair
Gauntlet Hair
Gauntlet Hair
LP | 2011 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2011 / US – Reissue
Genre: Rock & Indie
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Written and recorded in Spring 2011 at Andy's grandmother's Chicago-area house while she was away on vacation, Gauntlet Hair is a subtle refinement of the sounds we've come to associate with the band - the trunk-rattling bass; the ecstatic, tinny post-punk guitar; the din of ecstasy. But what was once simply jarring in its audacity is now also bursting with new colors. It's music made with the sole purpose of losing yourself - both mind and body - inside of it. They take the listener into the red, evoking that unmistakable feeling of being squarely in front of the speaker as it is screaming blissfully loud melodies.
Citay - Dream Get Together
Citay
Dream Get Together
LP | 2010 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2010 / US – Reissue
Genre: Rock & Indie
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On Fillmore - Extended Vacation
On Fillmore
Extended Vacation
LP | 2009 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2009 / US – Reissue
Genre: Rock & Indie
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Califone - All My Friends Are Funeral Singers
Califone
All My Friends Are Funeral Singers
LP | 2009 | US | Reissue (Dead Oceans)
41,99 €*
Release: 2009 / US – Reissue
Genre: Rock & Indie
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Phosphorescent - Pride
Phosphorescent
Pride
LP | 2007 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2007 / US – Reissue
Genre: Rock & Indie
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Marlon Williams - Make Way For Love (5 Year Anniversary) Blue Vinyl Edition
Marlon Williams
Make Way For Love (5 Year Anniversary) Blue Vinyl Edition
LP | 2018 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2018 / US – Reissue
Genre: Rock & Indie
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New Zealand's Marlon Williams has quite simply got one of the most extraordinary, effortlessly distinctive voices of his generation-a fact well known to fans of his first, self-titled solo album, and his captivating live shows. An otherworldly instrument with an affecting vibrato, it's a voice that's earned repeated comparisons to the great Roy Orbison, and even briefly had Williams, in his youth, consider a career in classical singing, before realizing his temperament was more Stratocaster than Stradivarius. But it's the art of songwriting that has bedeviled the artist, and into which he has grown exponentially on his second album, Make Way For Love, out in February of 2018. It's Marlon Williams like you've never heard him before-exploring new musical terrain and revealing himself in an unprecedented way, in the wake of a fractured relationship. In early December, Williams and his longtime girlfriend, musician Aldous (Hannah) Harding, broke up. While personally wrenching, the split seemed to open the floodgates for Williams as a writer. "_I wrote about fifteen songs in a month," he recalls. Sure enough, while Make Way For Love draws on Williams' own story, in remarkably universal terms it captures the vagaries of relationships that we've all been through: he bliss (opener "Come To Me"); ache ("Love Is a Terrible Thing"); nagging questions ("Can I Call You"); and bitterness ("The Fire Of Love", whose lyrics Williams says he "agonized over" more than any). And there's "Nobody Gets What They Want Anymore", a duet with Harding, recorded after the two broke up, with Williams directing Harding's recording via a late-night long distance phone call. "We finally got to talk it out," he adds. "We still love each other very much."If "breakup record" is a trope-and certainly it is-then Marlon Williams has done it proud. Like the best of the lot, Make Way For Love doesn't shy away from heartbreak, but rather stares it in the face, and mines beauty from it.
Ryley Walker - Primrose Green Black Vinyl Edition
Ryley Walker
Primrose Green Black Vinyl Edition
LP | 2015 | US | Original (Dead Oceans)
24,99 €*
Release: 2015 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: VG+
Original inner sleeve included.
Khruangbin & Toro Y Moi - Live At The Fillmore Miami HHV European Exclusive New York Edition
Khruangbin & Toro Y Moi
Live At The Fillmore Miami HHV European Exclusive New York Edition
LP | 2023 | US | Original (Dead Oceans)
38,99 €*
Release: 2023 / US – Original
Genre: Organic Grooves
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It's only fitting that Khruangbin's first-ever official live releases would be albumspaired with their tourmates: artists whosemusic they love and admire, friends who'vebecome family along the way. Khruangbin'sseries of live LPs traces just one small sliceof the band's flight plan through the years:it's a taste of some of their most belovedcities, stages and nights. Each release comeswith a limited-edition unique album coverexclusive for the recording's home turf, just alittle something extra for the fans that bring alittle something extra. Most of all, this seriesignites both sides of the band's magic: thewarm, prismatic feeling of their albums andthe bewitching energy of their performances.`Live at The Fillmore Miami' featuresperformances by Toro Y Moi andKhruangbin.
Khruangbin & Men I Trust - Live At RBC Echo Beach HHV European Canada Edition
Khruangbin & Men I Trust
Live At RBC Echo Beach HHV European Canada Edition
LP | 2023 | US | Original (Dead Oceans)
32,99 €*
Release: 2023 / US – Original
Genre: Organic Grooves
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It's only fitting that Khruangbin's first-ever official live releases would be albumspaired with their tourmates: artists whosemusic they love and admire, friends who'vebecome family along the way. Khruangbin'sseries of live LPs traces just one small sliceof the band's flight plan through the years:it's a taste of some of their most belovedcities, stages and nights. Each release comeswith a limited-edition unique album coverexclusive for the recording's home turf, just alittle something extra for the fans that bring alittle something extra. Most of all, this seriesignites both sides of the band's magic: thewarm, prismatic feeling of their albums andthe bewitching energy of their performances.`Live at RBC Echo Beach' featuresperformances by Men I Trust and Khruangbin
Bright Eyes - A Christmas Album Clear Red Vinyl Edition
Bright Eyes
A Christmas Album Clear Red Vinyl Edition
LP | 2002 | US | Reissue (Dead Oceans)
29,99 €*
Release: 2002 / US – Reissue
Genre: Rock & Indie, Christmas
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Bright Eyes' Christmas Album begins with a piano, flute, ambientnoise, and musical saw-driven version of "Away in a Manger,"helping weed out casual Christmas music enjoyers, but all tootempting for the most devout of Conor Oberst's disciples,who originally learned that the warmth of the holiday season istrumped only by its potential for melancholy back in 2002 withthe original Saddle Creek release. Oberst and a small army offriends at his house proceed to jamboree through Christmasclassics like "Have Yourself a Merry Little Christmas," "GodRest Ye Merry Gentlemen," and "Oh Little Town of Bethlehem,"Clear Red Vinyl.Holiday cheer, when delivered with Oberst's trademark tremble,sounds more like a lament than it does hymns of ecclesiasticaljoy. But the spirited listener will find that the fragile, homespun,and somewhat blinkered vibe that permeates the album setsitself apart from the bog-standard, less sonically humbleofferings...
Kevin Morby - More Photographs (A Continuum) Black Vinyl Edition
Kevin Morby
More Photographs (A Continuum) Black Vinyl Edition
LP | 2023 | US | Original (Dead Oceans)
26,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Kevin Morby writes (and records, and imagines) at an almost incomparable clip, and his most recent album, This Is A Photograph, studies life, time and mortality through myriad lenses. It's a dynamic, buoyant record on big, heavy themes, so it only makes sense that Morby found he wasn't quite done with it on its completion. More Photographs (A Continuum) finds new nooks, corners and vantage points. "If This Is A Photograph is a house that you have been living inside of," says Morby, "then More Photographs is, perhaps, the same home just experienced differently. As if you, its inhabitant, have taken a tab of something psychedelic and now, suddenly, you've replaced your eyeglasses with kaleidoscopes." Here, Morby returns to his landmark album's bottomless themes with new wisdom, new imagination, and the winking, looping call backs that tie his full body of work together in uniquely special ways." Everything you once thought was familiar," he continues, "suddenly appears differently, shifting shapes, color and sonic landscapes." "Five Easy Pieces Revisited" captures the same moment from Bobby's point of view; "This Is A Photograph II" takes a similar tact, revisiting its predecessor from a different angle. "Triumph" explores more of the myths and deaths that surround Memphis, TN, this time inspired by Big Star's Chris Bell. And "Kingdom Of Hearts" arrives as an origin story to both This Is A Photograph and its new companion." With every collection of songs," says Morby, "I feel I must cast them out of me before moving onto the next project, and here I knew that what I had begun with This Is A Photograph was not finished. Releasing this collection is my tying a bow on that time and place in my creative life." With a luxurious nine tracks - three re-imaginings and six brand new songs - More Photographs (A Continuum) is prequel, sequel and primer to an already rich and generous record from one of our most luminous modern songwriters.
Bill Fay / Mary Lattimore - Love Is The Tune
Bill Fay / Mary Lattimore
Love Is The Tune
7" | 2022 | US | Original (Dead Oceans)
7,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: VG+, Cover: Near Mint
Toro Y Moi - Sandhills
Toro Y Moi
Sandhills
LP | 2013 | US | Original (Dead Oceans)
27,99 €*
Release: 2013 / US – Original
Genre: Rock & Indie
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The Tallest Man On Earth - Shallow Grave
The Tallest Man On Earth
Shallow Grave
LP | 2011 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2011 / US – Reissue
Genre: Rock & Indie
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The Tallest Man on Earth released one of 2008's most powerful records, one that Pitchfork praised, calling Kristian Matsson "a natural-born folksinger, earnest, clever, and comforting." Shallow Grave could not have been more simple, just Matsson's commanding vocals with an acoustic guitar or banjo, recorded at his home in Dalarna, Sweden. Although the album was released on the Swedish label Gravitation without the help of widespread distribution, the story of The Tallest Man on Earth spread far and wide through word of mouth. In April 2010 The Tallest Man on Earth released the critically acclaimed album The Wild Hunt and has played dozens of sold-out shows on both sides of the Atlantic. Now, Gravitation is pleased to make Shallow Grave widely available on vinyl for the first time.
Bright Eyes - The People's Key Tangerine Orange Vinyl Edition
Bright Eyes
The People's Key Tangerine Orange Vinyl Edition
2LP | 2011 | EU | Reissue (Dead Oceans)
30,99 €*
Release: 2011 / EU – Reissue
Genre: Rock & Indie
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Bright Eyes - Noise Floor (Rarities:1998-2005) Champagne Wave Vinyl Edition
Bright Eyes
Noise Floor (Rarities:1998-2005) Champagne Wave Vinyl Edition
2LP | 2006 | EU | Reissue (Dead Oceans)
38,99 €*
Release: 2006 / EU – Reissue
Genre: Rock & Indie
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Bright Eyes - The People's Key: A Companion Opaque Gold Vinyl Edition
Bright Eyes
The People's Key: A Companion Opaque Gold Vinyl Edition
LP | 2023 | EU | Original (Dead Oceans)
26,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Bright Eyes - Noise Floor: A Companion Opaque Gold Viny Edition
Bright Eyes
Noise Floor: A Companion Opaque Gold Viny Edition
LP | 2023 | EU | Original (Dead Oceans)
26,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Bright Eyes - Cassadaga: A Companion Opaque Gold Vinyl Edition
Bright Eyes
Cassadaga: A Companion Opaque Gold Vinyl Edition
LP | 2023 | EU | Original (Dead Oceans)
26,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Durand Jones - Wait Til I Get Over Black Vinyl Edition
Durand Jones
Wait Til I Get Over Black Vinyl Edition
LP | 2023 | US | Original (Dead Oceans)
26,99 €*
Release: 2023 / US – Original
Genre: Organic Grooves
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Durand Jones's Wait `Til I Get Over is a memoir and a love letter. It is the story of Jones's life, his growth and revelations, the wisdom of his hometown and the wisdom he could only gain once he left. In it, he writes through Hillaryville's contradictions: the pristine beauty and the ragged roads; his teenage desire to leave and his adult desire to honor his tangled roots; the plantation history and the ups and downs of the Black community that made homes of this reparation town. "Hometowns have a way of keeping a part of you," says Jones, "and if I'm making something young-me would be proud of, Hillaryville is a big part of that." Jones finds something transformative in his memories there and the life he has led since, ultimately claiming and embracing his whole self. The result is vulnerable, personal, touching on Jones's relationship to church life, to his mother, to his queerness, to his worth. "I wish I could tell my younger self `you don't have to stick to the dreams people have for you,'" says Jones, "'you can dream bigger. You are more than capable, you are more than able. I think about some nerdy punk kid in the rural south who needs to hear that now.'" Wait `Til I Get Over does exactly that.
Mitski - Bury Me At Make Out Creek
Mitski
Bury Me At Make Out Creek
LP | 2015 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2015 / US – Reissue
Genre: Rock & Indie
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Since releasing Bury Me at Makeout Creek in November 2014, Mitsku has received international acclaim for her distinct, arresting sound and profoundly reflective lyrics.
Wednesday - I Was Trying To Describe You To Someone
Wednesday
I Was Trying To Describe You To Someone
LP | 2020 | US | Reissue (Dead Oceans)
26,99 €*
Release: 2020 / US – Reissue
Genre: Rock & Indie
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I Was Trying to Describe You to Someone is Wednesday's second fulllength album & first as a full band. The Asheville, NC quintet (guitarist/ vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz & drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman's bell-clear vocals & wisps of half-recalled memories & literary references that make up her lyrics. I Was Trying to Describe You to Someone's eight songs meld elements of shoegaze, grunge, indie pop & southern American culture into a uniquely personal style of modern rock music that resonates with power & tenderness. The ever-darkening & deepening of Wednesdays' sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, & their continued collaboration with MJ Lenderman (who lends backing vocals to the songs "Billboard" & "November"). I Was Trying to Describe You to Someone was recorded at Hartzman's home with engineering assistance from her roommate Colin Miller. The depth & clarity of the recordings balance the distorted volume of Wednesday's live performances with the intimacy of Hartzman's voice. Her words hold the center of the chaos, unobscured by the power of the band. Hartzman describes her lyrics as "attempts to access old personal memories & do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O'Connor, David Berman & Tom Robbins, & movies like Steel Magnolias."
Mitski - Bury Me At Makeout Creek
Mitski
Bury Me At Makeout Creek
Tape | 2015 | US | Reissue (Dead Oceans)
16,99 €*
Release: 2015 / US – Reissue
Genre: Rock & Indie
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Since releasing Bury Me at Makeout Creek in November 2014, Mitsku has received international acclaim for her distinct, arresting sound and profoundly reflective lyrics.
The Tallest Man On Earth - There's No Leaving Now
The Tallest Man On Earth
There's No Leaving Now
LP | 2012 | US | Reissue (Dead Oceans)
23,99 €*
Release: 2012 / US – Reissue
Genre: Rock & Indie
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LP version comes with download of the album."There's No Leaving Now", the newest record from Kristian Matsson's aptly titled moniker, The Tallest Man On Earth, finds the Swedish troubadour trading in the sense of urgency that fueled his first two records for a confidently relaxed approach. The results are paralyzing. Drums, piano, baritone guitar, woodwinds and pedal steel layer this collection of songs that never compromise virtuosity for immediacy. The songwriting is every bit as detailed and captivating as his previous work, but this time around, Matsson is showing a few more cards. The music of the Tallest Man on Earth has traditionally centered around the power of performance and has served as a reminder that directness is the best course of action. However,...
Bill Fay / Julia Jacklin - Just To Be A Part
Bill Fay / Julia Jacklin
Just To Be A Part
7" | 2022 | US | Original (Dead Oceans)
26,99 €*
Release: 2022 / US – Original
Genre: Rock & Indie
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Shame - Food For Worms Yellow Vinyl Edition
Shame
Food For Worms Yellow Vinyl Edition
LP | 2023 | US | Original (Dead Oceans)
24,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Food for Worms, their explosive third record, sees shame enter a new, surreal landscape, as reflected in the cover art designed by acclaimed artist Marcel Dzama. It's suggestive of what is left unsaid, what lies beneath the surface, the farcical and fantastical everyday that we are living in, in a society where both everything and nothing is possible. On the one hand, new album Food for Worms calls to mind a certain morbidity, but on the other, it's a celebration of life; the way that, in the end, we need each other. The album is an ode to friendship, and a documentation of the dynamic that only five people who have grown up together - and grown so close, against all odds - can share. For the first time, the band are not delving inwards, but seeking to capture the world around them. Now they arrive, finally, at a place of hard-won maturity. Enter: Food for Worms, which singer Charlie Steen declares to be "the Lamborghini of shame records." The album crashed into life faster than anything they'd created before. The band recorded it while playing festivals all over Europe. That live energy, what it's like to witness shame in their element, is captured perfectly on record - like lightning in a bottle. The album marks a sonic departure: shame have abandoned their post-punk beginnings for far more eclectic influences, drawing from the sharp yet uncomplicated lyrical observations of Lou Reed and the more melodic works of 90s German band, Blumfeld. They called upon renowned producer Flood (Nick Cave, U2, PJ Harvey, Foals) to execute their vision. Recording each track live meant a kind of surrender: here, the rough edges give the album its texture; the mistakes are more interesting than perfection. In a way, it harks back to the title itself and the way that with this record, the band are embracing frailty and by doing so, are tapping into a new source of bravery.
Mitski - Be The Cowboy
Mitski
Be The Cowboy
Tape | 2023 | US | Original (Dead Oceans)
16,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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The breakout success of 2016's Puberty 2 saw Mitski hailed as the new vanguard of indie rock, the one to save the genre from the white dudes who've historically dominated it. But the often overlooked aspect of being a rising star is the sheer amount of work that goes into it. "I had been on the road for a long time, which is so isolating, and had to run my own business at the same time," Mitski explains, "a lot of this record was me not having any feelings, being completely spent, but then trying to rally myself and wake up and get back to Mitski. I was feeling really nihilistic and trying to make pop songs."We want our artists to be strong but we also expect them to be vulnerable. Rather than avoiding this dilemma, she addresses directly the power that comes from appearing impenetrable and loneliness that follows. "With a lot of the romantic infatuations I've had," she says, "when I look back, I wonder, Did I want them or did I want to be them? Did I love them or did I want to absorb whatever power they had? I decided I could just be my own cowboy figure that I so desire." In Be The Cowboy, delves into the loneliness of being a symbol and the loneliness of being someone, and how it can feel so much like being no one.
Khruangbin - Mordechai Black Vinyl Edition w/ Seamsplit
Khruangbin
Mordechai Black Vinyl Edition w/ Seamsplit
LP | 2020 | US | Original (Dead Oceans)
30,99 €*
Release: 2020 / US – Original
Genre: Organic Grooves
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Khruangbin has always been multilingual, weaving far-flung musical languages like East Asian surf-rock, Persian funk, and Jamaican dub into mellifluous harmony. But on its third album, it's finally speaking out loud. Mordechai features vocals prominently on nearly every song, a first for the mostly instrumental band. It's a shift that rewards the risk, reorienting Khruangbin's transportive sound toward a new sense of emotional directness, without losing the spirit of nomadic wandering that's always defined it. And it all started with them coming home. By the summer of 2019, the Houston group_bassist Laura Lee Ochoa, guitarist Mark Speer, drummer DJ Johnson_had been on tour for nearly three-and-ahalf years, playing to audiences across North and South America, Europe, and southeast Asia behind its acclaimed albums The Universe Smiles Upon You and Con Todo El Mundo. They returned to their farmhouse studio in Burton, Texas, ready to begin work on their third album. But they were also determined to slow down, to take their time and luxuriate in building something together. Musically, the band's ever-restless ear saw it pulling reference points from Pakistan, Korea, and West Africa, incorporating strains of Indian chanting boxes and Congolese syncopated guitar. But more than anything, the album became a celebration of Houston, the eclectic city that had nurtured them, and a cultural nexus where you can check out country and zydeco, trap rap, or avant-garde opera on any given night. In those years away from home, Khruangbin's members often felt like they were swimming underwater, unsure of where they were going, or why they were going there. But Mordechai leads them gently back to the surface, allowing them to take a breath, look around, and find itself again. It is a snapshot taken along a larger journey_a moment all the more beautiful for its impermanence. And it's a memory to revisit again and again, speaking to us now more clearly than ever.
Ryley Walker - Deafman Glance
Ryley Walker
Deafman Glance
LP | 2018 | US | Original (Dead Oceans)
29,24 €* 44,99 € -35%
Release: 2018 / US – Original
Genre: Rock & Indie
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Used Vinyl
Medium: Near Mint, Cover: Near Mint
Clear and blue vinyl version!
Bright Eyes - Lifted Or The Story: A Companion EP Opaque Gold Vinyl Edition
Bright Eyes
Lifted Or The Story: A Companion EP Opaque Gold Vinyl Edition
LP | 2022 | EU | Original (Dead Oceans)
23,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Opaque Gold Vinyl! "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of "harmonica and mandolins - folky vibes," Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.
Bright Eyes - I'm Wide Awake, It's Morning: A Companion EP Opaque Gold Vinyl Edition
Bright Eyes
I'm Wide Awake, It's Morning: A Companion EP Opaque Gold Vinyl Edition
LP | 2022 | CA | Original (Dead Oceans)
23,99 €*
Release: 2022 / CA – Original
Genre: Rock & Indie
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Opaque Gold Vinyl! "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of "harmonica and mandolins - folky vibes," Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.
Bright Eyes - Digital Ash In A Digital Urn: A Companion EP Opaque Gold Vinyl Edition
Bright Eyes
Digital Ash In A Digital Urn: A Companion EP Opaque Gold Vinyl Edition
LP | 2022 | EU | Original (Dead Oceans)
23,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Opaque Gold Vinyl! "The first three are innocent in a way, because we didn't have an audience when we were making them," Oberst says. "But from Lifted on, I was definitely aware of an audience. Lifted was well-received right away, and then everything happened with Wide Awake and Digital Ash." Those two albums came out simultaneously. And their lead singles - "Take It Easy (Love Nothing)," from the austere, remote Digital Ash, and "Lua," from the warm, folky Wide Awake - debuted in the top two slots on the Billboard Hot 100. "First Day of My Life," also from Wide Awake, would later be voted the Number One love song of all time by NPR Music's reader's poll. Bright Eyes had officially broken through. It was a heady, exciting time, but also fraughtand tense, both because of the band's careening new fame, and because of the state of the world. When Bright Eyes made their Tonight Show debut in 2006, they chose to perform none of their shiny new hits, instead delivering a searing, harrowing rendition of their caustic anti-Bush anthem, "When The President Talks To God." These days, Oberst is still amusing himself by messing with the extremes Bright Eyes baked into this era's releases, extremes that reflected the polar, with-us-or-against-us, fractious feel of the times. The reworked Digital Ash tracks, originally so clean and elegant, are, on the companion EP, full of "harmonica and mandolins - folky vibes," Oberst says. While the analogue sweetness of the Wide Awake songs have been put through a detached nihilism filter.
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