Folk 4126 Items

LP | 2025 | EU | Original (Habibi Funk)

Release: 2022 / US – Original

Genre: Rock & Indie

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Bonus Coins

Angel Olsen covers “Something On Your Mind,” while Karen Dalton’s version is found on the flip The latest release in Light in the Attic’s 7" Covers Series Artwork by Los Angeles-based fine artist Robbie Simon Pressed at Third Man Pressing

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Charif Megarbane

Hawalat

Reputation Record Store Day 2025 Pink Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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If Hawalat sounds like a world tour that’s because it essentially is. “As much as Marzipan is a picture of Lebanon from the inside, Hawalat kind of picks up from where Marzipan finished but more looking to the outside, the diaspora, to the notion of exile.” Megarbane says he is interested in the connections between the global and the domestic, the mundane and the cosmic, and wanted to create space for non-linear progression.

Hawalat is based on the idea of hawala, informal money transfers that you can make to certain countries impacted by a lack of currency or unstable political and economic contexts. His use of the term on this album is not a financial one, Megarbane explains, but a nod to notions of creative exchange between “places, persons, generations.” It is the first time Megarbane called on other musicians in this way to inform his sound, including a collaboration with Sven Wunder on the song Helia featuring strings by the Stockholm Studio Orchestra.

The album opens with first single Hanadi, a punchy Somali-inspired track with warm non-lexical vocals and saxophone. It immediately pivots to the Dreams of an Insomniac, which balances soft, effortless vocals and keys with urgent violin intrusions. Al Dollarji feels like Megarbane’s bread and butter, that is Mediterranean sounds with intricate strings, while Al Bahriye takes this staple and introduces hip hop inflections. The result is a rich 17 track album that effortlessly blends genres and styles.

Including 8 page, 12" sized booklet with unseen photos and liner notes by Armani Syed.

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Dusty Springfield

LP | 2025 | WW | Original (Warner)

Release: 2025 / WW – Original

Genre: Rock & Indie

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Tracy Chapman 35th Anniversary Black Vinyl Edition

Tracy Chapman

LP | 1988 | Reissue (Rhino)

33,99 €*

4LP | 2025 | US | Original (Big Loud)

Release: 1988 / Reissue

Genre: Rock & Indie

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TRACY CHAPMAN - Originally released by Elektra Records in April 1988, Tracy Chapman has long been unavailable on vinyl. This anniversary reissue has been prepared for release by Chapman and the album's original producer, David Kershenbaum, pressed on 180-gram vinyl and sourced from an analogue master. The album package includes an insert of translated lyrics, which accompanied the original international release. Featuring the classic singles'Fast Car', 'Talkin' Bout A Revolution', and 'Baby Can I Hold You', the album earned three Grammy Awards and went on to become one of the most successful debuts of all time, peaking at #1 in multiple countries and selling more than 20 million copies worldwide.

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Stephen Wilson Jr.

Son Of Dad

102,99 €*

LP | 2025 | US | Original (Atlantic)

Release: 2025 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2025-06-13

Stephen wilson jr / son of dad

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Sam Barber

Restless Mind

40,99 €*

Keep Walkin': Singles, Demos & Rarities 1965-1978 Sugar Me Pink Splatter Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Double vinyl LP pressing.

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

26,49 €* 52,99 € -50%

Nancy Sinatra & Lee Hazlewood

Release: 2023 / US – Original

Genre: Rock & Indie

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Definitive collection of Nancy's rare singles, demos and previously unreleased cuts. Includes 3 previously unreleased tracks, plus 3 tracks making their vinyl debut. Deep booklet includes new Q&As with Nancy & Don Randi (The Wrecking Crew) - both conducted by Grammy®-nominated co-producer Hunter Lea Plus never-before-seen photos from Nancy Sinatra’s personal archive. Features audio freshly remastered from the original analog tapes by Grammy®-nominated engineer John Baldwin. Vinyl pressed at RTI. Double LP housed in a gatefold jacket with 24-page book Light in the Attic continues to celebrate the influential career of singer, actress, activist, and icon *Nancy Sinatra* with a captivating new collection, Keep Walkin’: Singles, Demos & Rarities 1965-1978. Exploring the lesser-known gems from Sinatra’s rich catalog through 25 B-sides, rare singles, covers, demos, and previously-unreleased recordings, Keep Walkin’ was remastered by the *Grammy®-nominated engineer John Baldwin* and available in a variety of formats, including vinyl, CD, 8-track, and digital. The 2LP set, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and accompanied by a 24-page booklet featuring an array of photos from the artist’s personal collection, as well as a new in-depth Q&A with Sinatra, conducted by the reissue’s Grammy®-nominated co-producer, Hunter Lea. The booklet also contains a fascinating interview with keyboardist Don Randi (The Wrecking Crew), who recently spoke to Lea about his hit-filled career and his 50 years of work with Nancy. Keep Walkin’: Singles, Demos & Rarities 1965-1978 serves as a companion to the widely-acclaimed 2021 career-spanning retrospective, Start Walkin’ 1965-1976, and marks the latest release in LITA’s ongoing Nancy Sinatra Archival Series, a partnership with the legendary artist, which honors her musical legacy through lovingly curated reissues (including her 1966 debut, Boots and the 1968 classic, Nancy & Lee), limited-edition merch, and other special releases. In 1965, 25-year-old Nancy Sinatra scored her first No.1 hit with “These Boots are Made for Walkin’,” a bold anthem for female empowerment. Brazen, sassy, and utterly infectious, it was a reintroduction of sorts for the eldest daughter of Frank Sinatra, who had been struggling to find a spotlight of her own amid a changing musical landscape. Suddenly, audiences who had initially brushed off Sinatra as too demure or out-of-touch were paying attention. Written and produced by Oklahoma-born songsmith Lee Hazlewood (with swaggering instrumentals, courtesy of Billy Strange and The Wrecking Crew), the song launched the singer’s career, as well as one of music’s most unlikely, yet compelling, creative partnerships. Over the next decade, Sinatra continued to notch multiple hits on both sides of the Atlantic, including “Sugar Town,” “How Does That Grab You, Darlin?,” and a haunting rendition of the Sonny Bono-penned “Bang Bang (My Baby Shot Me Down).” The singer also paired up with Hazlewood for a series of popular duets (“Summer Wine,” “Jackson,”* and *“Some Velvet Morning”) and collaborative albums. In between best-selling LPs like Boots (1966), How Does That Grab You (1966), and Nancy & Lee (1968), Sinatra performed the theme song to the 1967 James Bond film, You Only Live Twice, and collaborated with her father on the global chart-topper, “Somethin’ Stupid.” While these career landmarks are well-documented in the annals of pop culture history, however, much of Sinatra’s catalog remains sorely overlooked. As Keep Walkin’ co-producer Hunter Lea explains, “With the changing taste of the record-buying public in the late 1960s and the counterculture taking over, artists like Nancy Sinatra weren’t in the mainstream as they once were.” Despite that fact, “[Sinatra] kept working, recording, and performing at a voracious pace.” Lea continues, “This compilation is a celebration of some of the many glorious recordings that may have been overlooked, forgotten, or never even released at the time. The obscurity of some of these recordings doesn’t mask the genius, brilliance, and effort that went into them; on the contrary, it’s incredible to learn that some of the lost gems are just as rich as the national treasures.” Among the highlights is the spritely opener “The City Never Sleeps at Night,” which served as the B-Side to “These Boots Were Made for Walkin’.” Overshadowed by the colossal success of its A-side, it’s no surprise that the cinematic tune never had its proper due. Yet, Lea reveals, Hazlewood initially intended to make it the focus single. Another long-lost B-side is “The Last of the Secret Agents?,” which was paired with the Top 10 hit, “How Does That Grab You, Darlin’?” The playful song, written by Hazlewood, served as the theme to the 1966 comedy of the same name, in which Sinatra co-starred alongside Marty Allen and Steve Rossi. Keep Walkin’ also features several choice A-sides that were never included on albums and were overlooked for one reason or another. Among them is 1966’s “In Our Time,” a rebellious anthem for ‘60s youth, which references drug culture and women’s liberation, among other topics. Speaking to the Hazlewood-penned track, Sinatra recalls, “That was a fun song. Lee was starting to do his ‘anti’ stuff. He was cynical and it showed in his writing at some point.” But, despite the themes of the song, Nancy laments that she was never embraced by the counterculture. “[drugs] knocked me out of the picture completely. I was so far removed from the hip people in those days. I think they probably made fun of my stuff.” Another stylistic departure for both artists is “Love Eyes,” a bluesy, soulful single from 1966. The song, Nancy shares, is “one of my favorites. I think what helped Lee’s writing at that point was the bigger sound.… I really love it. I think it holds up to this day.” She adds that her dreamy vocal performance was inspired by early female R&B stars like Ruth Brown and LaVern Baker. The collection also features several outstanding covers, including a previously-unreleased rendition of the Barry Mann/Cynthia Weil classic, “I Just Can’t Help Believing” (a hit for both B.J. Thomas and Elvis Presley). This 1978 recording, reimagined as a duet, marked one of Sinatra’s brief reunions with Hazlewood, following his abrupt move to Sweden not long after 1972’s Nancy & Lee Again. Another choice track finds Nancy interpreting Neil Diamond’s “Glory Road.” Released as a single in 1971, it features one of the singer’s most cherished vocal performances. “After I worked on my voice and improved as a performer and as a singer, I embraced Neil Diamond. Anything I did by Neil Diamond, to me, is my best work.” Nancy also looks back fondly on her moving rendition of Bill Withers’ “Ain’t No Sunshine," released in 1973 as the B-side to “Sugar Me.” The recording (which features particularly lush orchestral arrangements by Billy Strange) reunited Nancy with another close collaborator, Jimmy Bowen, who produced the singer in the early ‘60s and later introduced her to Hazlewood. “I love Jimmy,” she declares. “The records we did early on…had a depth to them that I appreciated. He heard me and saw me in a different light; he saw me as a much more serious performer, which I appreciated.” Listeners will also be delighted to hear a pair of previously-unreleased demos: “Something Pretty” (the 1968 country hit, made famous by Wynn Stewart) and the theme to the 1965 Richard Rogers/Stephen Sondheim musical, Do I Hear a Waltz?, both of which were intended for a self-described “disco” record. Despite the two catchy takes featured on Keep Walkin’, Sinatra calls the shelved album “A disaster. I called it the disco fiasco!” Offering additional insight into Sinatra’s career is music director, songwriter, and keyboardist, Don Randi. A member of the hallowed *Wrecking Crew* collective, Randi was one of the most prolific session musicians of the ‘60s and ‘70s with hundreds of credits to his name, including The Beach Boys’ “Good Vibrations,” Linda Ronstadt’s “Different Drum,” and “These Boots are Made For Walkin’” – his first recording with Sinatra. For the next fifty years, he would be a fixture at her sessions and live shows. He also appears on nearly every track in this collection. Speaking to Lea, Randi delves deep into his time with Sinatra, with a palpable admiration for the singer. *“She was easy to work with,”* he shares. “She was always wonderful to musicians; nobody even comes close.” The keyboardist, who met Sinatra through Hazlewood, also recalls the magic of that partnership. “I always liked working with Nancy & Lee. They had something very special that they could get out of each other. It was a good team.” He continues, “Sinatra stood up for herself [around Lee]…He could be so cantankerous…but that’s Lee…. [Nancy] saw through it. She was so lovely and helpful to him a number of times when he really needed someone to talk to.” That said, Randi also appreciates the power of Sinatra’s solo performances. “I never thought she really needed [Hazlewood},”* he reveals. “I thought her shows were just as well with everybody else; they were excellent.” After stepping back from the industry in the ‘70s to focus on her young family, Sinatra returned to the spotlight in the mid-90s, releasing a string of new albums, including the star-studded Nancy Sinatra, which paired the artist with some of her biggest fans, including Morrissey, U2, Calexico, and Sonic Youth. Since then, Nancy’s legacy has only continued to grow. In more recent years, her impact has been recognized by the likes of Pitchfork, NPR, and Rolling Stone, while in 2020, “Boots” was inducted into the Grammy® Hall of Fame*. Today, Sinatra remains a force in the industry, as new generations discover her influential catalog, which boasts nearly 20 studio albums and dozens of charting singles.

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Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

22,09 €* 33,99 € -35%

Warte Mein Land, Warte HHV Exclusive Beige Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Ozan Ata Canani

LP | 2021 | EU | Original (Fun In The Church)

14,99 €* 24,99 € -40%

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Limited to 300 units. Only at HHV.

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Tsapiky! Modern Music From Southwest Madagascar

LP | 2025 | EU | Original (Sublime Frequencies)

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Tsapiky music from Southwest Madagascar features wild ecstatic vocals, distorted electric guitars, rocket bass, and the amphetamine beat! Unlike anything else, this is THE high life music you've always wanted - ceremonial music played with abandon and ext

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The Original Sound Of Mali 2

LP | 2025 | UK | Original (Mr Bongo)

12" | 2025 | EU | Original (Music Takes Me Up)

Release: 2025 / UK – Original

Genre: Organic Grooves, Rock & Indie

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The liberation of Mali from French rule in 1960 led to an explosive musical renaissance, and on this latest 2xLP compilation, Mr Bongo seek to remonstrate the nation's excellence in the face of much strife. After 1970, amid revived drives to document many national and regional music productions from the West African nation, Malian culture underwent a fertile transformation, with state-sponsored bands and orchestras able to record with sound engineers for the first time. Compiled by French writer and journalist Florent Mazzoleni and Mr Bongo's own David Buttle, we hear here the likes of Ousmane Kouyate & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystere Jazz de Tombouctou and many more, where bright, fuzz-packed tones whirl about our ears in serene squalls of balafon-driven funk, rumba, wassoulou, jeli and blues.

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Fatima

Douz Douz

16,99 €*

Keep Walkin': Singles, Demos & Rarities 1965-1978 Black Vinyl Edition

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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First time re-issue of this Arabic language gem from 1984. Fronted by Moroccan singer Fatima Makdadi and recorded in Paris, Douz Douz featured on the B Side on a now very hard to find 7". Now pressed loud on a 45rpm 12” with an extended version on the flip.

"Half a decade after Zohra’s spellbinding Badala Zamana launched the label, Mtmu returns with an equally obscure and catchy piece of Arab funk by Fatima. "

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

21,99 €* 43,99 € -50%

LP | 2023 | US | Reissue (Fake Estate)

Release: 2023 / US – Original

Genre: Rock & Indie

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Bill Orcutt

The Anxiety Of Symmetry

LP | 1965 | US | Reissue (Antarctica Starts Here)

Release: 2023 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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"Bill Orcutt’s latest 'counting' album, The Anxiety of Symmetry, completes a trilogy on his Fake Estates label that started with Pure Genius (2020) and A Mechanical Joey (2021), all realized with his own Cracked computer music software. Comprising two 15-minute-long improvisations, the album’s terrain is limited to six samples of female voices singing the number of the corresponding note value in the first six pitches of a major scale. These are fashioned into compact phrases (1-2, 1-2-3, 1-2-3-4, etc.) that are looped and layered. As the loops combine in multiple permutations and cycles, their uneven lengths create polyrhythms and syncopations as well as harmonies. On the surface, Anxiety is unusually placid for Orcutt, reminiscent of Minimal classics like the 'Knee Plays' of Phillip Glass’ Einstein on the Beach (which also features sung numbers, although without the one-to-one relationship between pitch and interval number) and the breathy soprano voice loops in '2/1' from Brian Eno’s Music for Airports. However, the album’s title is adapted from Orcutt’s essay of the same name in the Spectres III anthology about a compulsive behavioral condition known as 'Just Right' and its parallels and possible applications to music, which suggests that this titular music’s inspiration is not trance- inducement, but rather a kind of mental obsession with ordering and re-ordering. In the essay, Orcutt posits that 'for the ‘Just Right’ subject composing or performing with the computer, the fixation with repetition, symmetry and arrangement in sound can be mediated with software, creating new prospects for both therapeutic engagement with their compulsions and the creation of music with a length, density and scale not possible without machines... Offloading one’s 'Just Right' auditory compulsions onto the computer fulfills the promise of automatic art, allowing the full expression of the subconscious by removing the need to focus on anything but the arrangement and rearrangement of elements, and the sounds themselves become merely a byproduct of the process of satisfying these feelings.'

The Anxiety of Symmetry might then be comparable to artist Hanne Darboven’s quasi-Minimal compositions and their basis in odd mathematical calculations derived from the calendar, in taking its cue from an extra-musical process. The two pieces’ polyphony is not far off from Orcutt’s recent Music for Four Guitars, but also marks Anxiety as a departure from both Pure Genius and A Mechanical Joey. The latter bypassed melody and harmony altogether; its relentless, phantasmagorical looping and subdivisions of Joey Ramone’s trademark onstage count-offs could be seen as a wry comment on the repetitions within repetitions of rock songs and their ongoing performances, or simply the monomania of years of touring for months on end. Pure Genius presented a male and female voice stolidly reciting the numbers that correspond to the notes of a scale that are simultaneously generated with sine tones (i.e., when a voice says 'one,' the first note of a scale is heard at the same time); Anxiety collapses Pure Genius’ juxtaposition of pitch and counting by having the numbers sung. Stripped down yet excessive (in the tradition of his other works with Cracked), Anxiety seems less like its predecessors’ deconstructions than a new kind of subversive easy listening."— Alan Licht

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Jackson C. Frank

Chrissy Zebby Tembo & Ngozi Family

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Jackson C. Frank’s eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside.

Frank’s backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly became a fixture of the bustling folk scene. Performing a mix of blues standards and originals, he met fellow ex-pat Paul Simon who would put up the money to record Frank’s only LP.

For such a sparsely recorded work, Jackson C. Frank covers a lot of ground. From the rugged, world-weary opener “Blues Run The Game” to the stunning melancholy of “Milk And Honey,” Frank’s nimble acoustic guitar and passionate howls are all that is needed to power such authentic songwriting. Captured in a single-day session, these ten tracks are stark, gritty and seemingly out-of-place with time. There may be no ‘60s folk record that is simultaneously as rare and influential as Jackson C. Frank’s self-titled debut.

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I'm Not Made Of Iron Record Store Day 2025 Vinyl Edition

LP | 2025 | WW | Reissue (Now Again)

LP | 1971 | WW | Reissue (Earth)

Release: 2025 / WW – Reissue

Genre: Rock & Indie

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"I’M NOT MADE OF IRON Sees Its First Ever Commercial Release On Record Store Day 2025
Ngozi Family drummer and vocalist Chrissy Zebby Tembo's first album My Ancestors is one of the best known and most sought after international rock
records. A mix of hard rock, proto-punk and Zambian folklore, Tembo and his
best friend Paul Ngozi’s efforts were followed by a promotional-only second
album that came out the year after My Ancestors.
For the first time, Now-Again Records presents the first commercial issue of this
rare Zamrock album I’m Not Made Of Iron under license from both
the Tembo and Ngozi Estates.
Includes An Oversized 8 page Booklet that details Paul Ngozi and the Ngozi
Family's Arc including rare photographs, discography and annotation."

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Dave Evans

The Words In Between

20,79 €* 31,99 € -35%

Release: 1971 / WW – Reissue

Genre: Rock & Indie

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Mount Matsu Black Vinyl Edition

Yin Yin

LP | 2024 | EU | Original (Glitterbeat)

Keep Walkin': Singles, Demos & Rarities 1965-1978 Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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YĪN YĪN, the highly touted Dutch quartet from Maastricht, returns with a sonically expansive third album Mount Matsu. Recorded collectively in their own studio in the Belgian countryside, the album is a kaleidoscope of sounds and influences, occupying a no man's land between Khruangbin and Kraftwerk, surf music and Southeast Asian psychedelia, Stax soul and mutant 80s disco, City pop and Japanese instrumental folk (sōkyoku). Mount Matsu sees YĪN YĪN at their most mature and adventurous stage yet. Infectious pentatonic melodicism calling for multiple rewinds.

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Nancy Sinatra

2LP | 2023 | US | Original (Light In The Attic)

29,39 €* 48,99 € -40%

LP | 2017 | US | Original (P.W. Elverum & Sun)

Release: 2023 / US – Original

Genre: Rock & Indie

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Mount Eerie

A Crow Looked At Me

LP | 2017 | EU | Original (Rykodisc)

Release: 2017 / US – Original

Genre: Rock & Indie

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A new Mount Eerie album unlike anything else in the Mount Eerie or Microphones back catalog. Eleven stark songs about basic deep grief, loss, real death, love, significance and non-significance, reality. Nothing wise or learned, just the described experience of living through unimaginable domestic obliteration, with names and dates.

contains: 11 songs, 42 minutes, very nice sounding vinyl, foil stamped front and back covers, heavy old style gatefold tip-on jacket with special Neenah “Slide” paper as the inner liner, silver on black, all the lyrics, double sided art poster, free download card

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Gillian Welch

The Harrow & The Harvest

Release: 2017 / EU – Original

Genre: Rock & Indie

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Leslie Winer & Maxwell Sterling / Tim Buckley

Once I Was

7" | US | Reissue (Light In The Attic)

6,99 €*

Release: US – Reissue

Genre: Rock & Indie

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Cowboy In Sweden Deluxe Edition

Lee Hazlewood

2LP | 2016 | US | Reissue (Light In The Attic)

43,99 €*

10" | 2024 | UK | Original (Decca)

Release: 2016 / US – Reissue

Genre: Rock & Indie

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Newly Expanded Deluxe Double LP Edition! Double LP expanded edition includes outtakes, demos and instrumentals, including 10 previously unreleased recordings 26 total tracks Album remastered from pristine LHI master tapes by GRAMMY®nominated mastering engineer John Baldwin Liner notes by GRAMMY®nominated reissue producer Hunter Lea including interviews with Torbjörn Axelman, Suzi Jane Hokom, Nina Lizell, Don Randi, Hal Blaine and Shel Talmy Rare film production photos from the Torbjörn Axelman archive Double LP housed in a gatefold jacket By the end of the 1960s Lee Hazlewood’s LHI Records had burned piles of cash, gone through a half dozen distributors and failed to achieve the kind of chart success “Boots” had promised. Fortunately for Lee there was a land where he was still on the top of the charts, a place where women flowed like Brännvin...Sweden was calling. Released as the last LHI LP, Cowboy in Sweden was a soundtrack to the 1970 cult classic film of the same name starring Lee Hazlewood. The film was a surreal psychedelic account of Lee’s journey to his new homeland, while the soundtrack was a perfect compilation of Hazlewood’s orchestral melancholy country pop songs. Recorded over a prolific globe trotting three year period, Lee’s peak on LHI records was ironically the label’s swan song.

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Salif Keita

Remixed

17,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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We Carry Eden Feat. Omar Ka

Son Of Chi

LP | 2025 | EU | Original (Music From Memory)

Grace & The Hodge Podge Bowers

Release: 2025 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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An immersive long-form composition in two parts that seamlessly blends a collage of spoken word, field recordings and drones with elements of dub, jazz, fourth world and ambient music.

Son Of Chi is the latest project of Rotterdam-based multi-instrumenta

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Wine On Venus

LP | 2025 | US | Original (Grace Bowers Music)

33,99 €*

LP | 1990 | EU | Reissue (Invitation)

Release: 2025 / US – Original

Genre: Rock & Indie

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Wine On Venus Grace Bowers & The Hodge Podge / Wine on Venus, her debut, finds her part of a crack band-which includes Josh Blaylock on keyboards, Brandon Combs on drums, Eric Fortaleza on bass, and Prince Parker on rhythm guitar, plus Esther Okai-Tetteh on lead vocals-and produced by John Osborne of the Osborne Brothers.

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Geinoh Yamashirogumi

Ecophony Gaia

Release: 1990 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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LP | 2019 | EU | Original (Glitterbeat)

Altin Gün

Gece

Derya Yıldırım & Grup Şimşek

Release: 2019 / EU – Original

Genre: Rock & Indie

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Nominated for a Grammy!

Following their hotly tipped 2018 debut album “On” – Altın Gün returns with an exhilarating second album. “Gece” firmly establishes the band as essential interpreters of the Anatolian rock and folk legacy and as a leading voice in the emergent global psych-rock scene. Explosive, funky and transcendent.

The world is rarely what it seems. A quick glance doesn’t always reveal the full truth. To find that, you need to burrow deeper. Listen to Altın Gün, for example: they sound utterly Turkish, but only one of the Netherlands based band’s six members was actually born there. And while their new album, Gece, is absolutely electric, filled with funk-like grooves and explosive psychedelic textures, what they play – by their own estimation – is folk music.

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Nem Kaldi

12" | 2017 | CH | Original (Bongo Joe / Catapulte)

16,99 €*

Release: 2017 / CH – Original

Genre: Rock & Indie

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The debut-EP of this Anatolian psych-pop sensation consists of four heart-melting gems in which Turkish folk music meets groove and electric action! Singer/multi-instrumentist Derya Yildirim teams up with fantastic drummer Greta Eacott (G-Bop Orchestra, One-Take Records) and three-quarters of Orchestre Du Montplaisant (Antonin Voyant, Graham Mushnik and Andrea Piro). With members originating from Turkey, Germany, France, Italy and Great Britain, Grup Simsek encapsulates the Outernational generation. Unlike in western pop culture, Turkish pop music is often focused on traditionalised songs and endless ways of reimagining these. Grup Simsek take the righteous and rich Turkish poetry to the future whilst not losing awareness of the past.

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Born In The City Of Tanta - Lower Egyptian Urban Folklore And Bedouin Shaabi From Libya's Bourini Records 1968-75

LP | 2025 | EU | Original (Sublime Frequencies)

Parallelograms Blue Vinyl Edition

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Egypt’s “official” popular music throughout much of the 20th Century was a complex form of art song steeped in tradition, well-loved by the middle and upper classes, and even accommodating to certain non-Arabic influences. It was highly structured by prof

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Linda Perhacs

LP | 1970 | EU | Reissue (Elemental)

36,99 €*

Bill Orcutt Guitar Quartet

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Limited blue colored vinyl LP pressing. Released by the Kapp label in 1970, Parallelograms was the first album by American psychedelic folk singer Linda Perhacs. Disappointed by the meagre promotion of the LP by Kapp, she retired from the music world and continued working in her profession as a dental hygienist. Perhacs wouldn't record again until 2014, when she presented The Soul of All Natural Things. Despite all of these things, Parallelograms slowly developed a cult following and is now highly acclaimed by music lovers and critics.

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Four Guitars Live

2LP | 2024 | US | Original (Palilalia)

42,74 €* 44,99 € -5%

Live At The Ryman Red Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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As Bill Orcutt’s most mature and exhilarating LP to date, Music for Four Guitars was a slab of undeniable Apollonian beauty. Its approachability and obvious novelty landed it not only on the year- end lists of every key-pushing codger in the underground in 2022, but also on NPR in the form of the Bill Orcutt Guitar Quartet, an ensemble assembled to perform this music and featuring Wendy Eisenberg, Ava Mendoza, and Shane Parish in addition to Orcutt. But while their Tiny Desk Concert gave a whiff of the quartet’s easy intimacy, the sterile confines of the virtual recital medium still left a puzzle unsolved: how might these brutally mannered bricks of minimalist counterpoint sound on a stage in front of actual breathing bodies?" "This was the question foremost in my mind when I first saw the quartet in San Francisco a few months before this double live LP was recorded. I was already familiar with the prowess of Eisenberg and Mendoza, two of the most technically intimidating shredders to blast out of the noise/improv underground, and knew Parish as the mastermind behind the epic translation of Orcutt's quartet recordings into a fully notated score. I was ready to be 'blown away'—and I most assuredly was. The quartet navigated Orcutt's jaggedly spiraling right angles into the shining core of the compositions with joyous ease, faithful to the originals in nearly every way (though their tempos were slightly ramped up, Blakey style, to communicate their breathless rush). The renditions were flawless, stellar and inspiring. I had expected nothing less." "Which leads us to this album, Four Guitars Live, recorded in November of 2023 at Le Guess Who? festival during the quartet’s first European tour. The true essence of this set is not simply in its faithfulness to the source compositions, but in the group's easy familiarity (no doubt the result of weeks on the road) and the generosity of their improvisations, both collective and solo. Orcutt, clearly cognizant of both the caliber of his collaborators and the singularity of their voices, has given everyone room to stretch out, and all have delivered some of their most moving passages to date." "One of this record's great thrills for me is imagining a listener, perhaps unfamiliar with the outer limits of contemporary guitar improvisation (or the Tzadik catalog), slammed into catatonia by Mendoza's liquefying lines on Out of the corner of the eye, then revived and healed by the languid, breathy lines of Parish's unaccompanied, spaced-out breakdown of the track's main theme, finally only to be crushed by Eisenberg’s staggering extended solo on Only at dusk (somehow channeling both Eugene Chadbourne and Buck Dharma)." "There's another peak, which begins at the end of side B, in Orcutt's own languid solo, encapsulating the flowing focus of his recent solo LPs, and serving as an introduction to the next side's ensemble tour de force, the psychic heart of the album, On the horizon: its melodic core passing first to Orcutt, launching into a sublime solo turn by Eisenberg, a duo of Parish and Mendoza, before parachuting back into the ensemble for a smashup rendition of Barely visible and Glimpsed while driving (renamed Barely driving) knitted together with an softly bubbling ensemble improvisation. The transfer is orchestrated yet seamless, its tonal form undeniable even in the presence of obvious dissonance." "The breadth of Four Guitars Live gives lie to the false notion that agile, polytonal improv is necessarily without soul, is necessarily inaccessible. Rather, Four Guitars posits a human avant-garde music that the most conservative will recognize as virtuosic and revel in its classic intervals, boiling counterpoint, and precisely- layered facets. Even the rockers in your life might dig it, so why not pass it on?"—Tom Carter

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Red Clay Strays

LP | 2025 | US | Original (RCA)

35,99 €*

Release: 2025 / US – Original

Genre: Rock & Indie

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The Red Clay Strays - Live At The Ryman - Vinyl 2 LPOpaque Candy Red VinylThe Red Clay Strays bring the house down in their performance at Live At The Ryman. Produced by the multi-Grammy award winning Dave Cobb, the Live At The Ryman vinyl features four previously unreleased live performances including the fan favorite Till Things Get Right.

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Ryukyu Rare Groove Revisited Okinawa Pops 1957-1978

2LP | 2025 | JP | Original (Nipponophone)

40,99 €*

LP | 2009 | US | Reissue (Warner)

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Preorder shipping from 2025-08-08

The album features 14 precious tropical groove tracks, including songs from Yara Families, the symbolic figures of this series, Shoukichi Kina, the pioneer of Okinawan folk rock, Mitsuko Sawamura, who made her way from Okinawa to American musical films, a

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Regina Spektor

Far Clear Vinyl Edition

Release: 2009 / US – Reissue

Genre: Rock & Indie

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Far (Velum Clear LP) Regina Spektor's 2009 follow-up to Begin to Hope, available on limited edition Velum Clear vinyl. On Far, Spektor invites four esteemed producers; Jeff Lynne, Mike Elizondo, David Kahne and Garret "Jacknife" Lee, to collaborate on intricate and adventurous soundscapes for her songs. Includes "Two Birds", "Eet, "Laughing With", "Dance Anthem of the 80's" and more.

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Ryukyu Rare Groove Crossover

LP | 2025 | JP | Original (Nipponophone)

40,99 €*

Mangekyou Red Vinyl Edtion

Release: 2025 / JP – Original

Genre: Organic Grooves, Rock & Indie

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A compilation featuring jazz-funk, crossover, and big band jazz arrangements of Okinawan folk songs, including works by Kiyoshi Yamaya, which were previously highlighted in Diggers Dozen (bbe) by DJ Muro, known as the "King of Diggin'," as well as in Wamo

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Yoshiko Sai

LP | 1976 | JP | Reissue (P-Vine)

Dancing At The Edge Of The World

Release: 1976 / JP – Reissue

Genre: Rock & Indie

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Yoshiko Sai’s 1975 debut album was a groundbreaking work, showcasing her deeply aesthetic and fantastical musical world. Blending traditional Japanese folk elements with an ethereal, dreamlike atmosphere, this masterpiece transports listeners into a mystical realm. The album’s hauntingly beautiful melodies are further elevated by Yuji Ohno’s masterful arrangements. A deep crimson red suits this mesmerizing classic perfectly.

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Brooke Combe

LP | 2025 | Original (Modern Sky)

Release: 2025 / Original

Genre: Rock & Indie

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The Albums: 1968-1972 Black Vinyl Edition

Pentangle

LP | 2025 | EU | Original (Svart)

287,99 €*

LP | 2015 | TR | Original (Bayar Müzik)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Pentangle: The Albums: 1968-1972 boxset to be released on vinyl for the very first time via Svart Records on 16th April 2025

1968 to 1972, saw the release of 6 studio albums from Folk’s first supergroup Pentangle. Featuring the songwriting talents of guitarists Bert Jansch and John Renbourn, alongside bassist Danny Thompson, drummer Terry Cox and singer Jacqui McShee, their innovative folk-fusion encompassed elements of jazz as well as pop, which left a lasting influence and legacy.

The first 5 albums were released on legendary Folk label Transatlantic, while Solomon’s Seal (1972), on the Reprise label, was their final album with the original line-up.

Now for the first time ever, these albums are available as a 14lp deluxe box set. Each album has been expanded with a wealth of bonus material, including choice selections from contemporaneous solo LPs by Bert Jansch and John Renbourn, out-takes and live tracks. Across the package, there is an impressive amount of 22 recordings which are previously unreleased on LP. Some of the albums are being reissued on vinyl for the first time in decades with Solomon’s Seal last being released as an LP in 1977, shortly followed by Reflection in 1980.

Each album is presented in a gatefold sleeve replicating the original artwork. These are housed in an rigid slipcase box alongside an special gatefold holding a 64-page book awash with rare images and over 20,000 words of sleeve-notes, which include: a Q&A culled from past interviews by author Mick Houghton with Bert, John and Jacqui; essays about each album by a variety of music journalists (Stuart Penney, Trevor Leeden, Nigel Cross, Colin Irwin, Lois Wilson and Jim Wirth); a lengthy chronology; and track-by-track details.

The records have been remastered from the best available sources, with careful referencing of original tapes and vinyl where relevant. The master disc cutting is handled by Pauler Acoustics in Germany, renowned for their audiophile-quality releases. They utilize original Neumann Vms-82 cutting lathes and the Direct Metal Mastering (dmm) process, ensuring unmatched transparency and clarity. From there, the records are pressed at Puristamo in Helsinki, Finland, a plant known for its meticulous attention to detail and sustainability practices. Every record undergoes thorough hand inspection for quality. We’ve spared no effort to preserve the integrity of these brilliant albums—you can expect a listening experience worthy of their legacy.

Jacqui McShee from the band comments on the boxset:

“I am honoured to see our work as Pentangle celebrated with this special vinyl boxset release. The collection represents a journey through a significant chapter in music history—one in which we sought to experiment and explore each other’s talents and just enjoy making music together.

Each song and album hold a special place in my heart, not only for the music itself but for the incredible memories and experiences that we shared as a band. I hope this release brings listeners, both old and new, the same joy and connection that we felt while creating this music together.

To all our fans who have supported our music over the years, thank you. You are keeping the Pentangle legacy alive, and I hope this boxset serves as a celebration of all that we accomplished together”.

This vinyl boxset will be available in 3 variations: black, Solomon’s Seal edition - natural transparent w/ blue and white marble and the Svart exclusive multicolour limited 250 copies edition, which is only available via Svart Records webstore.

Their debut, The Pentangle (1968), was hailed as a Folk Rock classic and reached No. 21 in the UK album charts. This was swiftly followed in the same year by their ambitious double album Sweet Child. The band’s 3rd LP Basket Of Light (1969) was their most commercially successful, reaching number 5 in the charts. 1970’s album Cruel Sister, saw the group reinterpret traditional folk songs, while Reflection (1971), is seen by many as their most adventurous, with them continuing to explore new musical ground.

Pentangle’s first three albums and three singles were produced by the legendary Shel Talmy (The Who, The Kinks, etc.) while Peter Blake designed the sleeve for Sweet Child (one of only three such commissions in the 60s).

Pentangle'sThe Albums: 1968-1972 boxset is released by Svart Records on 16th April 2025.

“during that five-year period they were so creative, atmospheric and driven that you’d be hard-pressed to imagine any of their modern descendants achieving anything on this level” – The Quietus

“gorgeous pop melody soars over glistening guitars and a fidgety groove” – The Guardian

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Neset Ertas

Ölümsüz Türküler 1

Nancy Sinatra & Lee Hazlewood

Release: 2015 / TR – Original

Genre: Rock & Indie

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Neşet Ertaş is a Turkish folk poet, the last great representative of Turkish culture and musical tradition. He is also known as the "Bozkırın Tezenesi ". On the albums he released from the 1950’s onwards, he recorded Central Anatolian folk songs and dance tunes as well as the folk songs he learned from his father Muharrem Ertaş. Starting in the 1960’s, he began to write both lyrics and compositions. He used the pseudonym "Garip", and from the 1970’s onwards, his folk songs were interpreted by many artists of the period. In 2009, he was deemed worthy of being included in UNESCO's Living Human Treasure inventory. This album contains 10 songs performed by the great master in 1998. "Güzel Ne Güzel Olmuşsun", "Hapishanelere Güneş Doğmuyor", "Neredesin Sen" and "Zahide" are the most remarkable tracks on the album

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Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

23,99 €* 29,99 € -20%

Derya Yildirim, Graham Mushnik

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Hey Dostum.Cak!

LP | 2023 | EU | Original (Buback)

11,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Saigon Supersound Volume 2

LP | 2018 | EU | Original (Saigon Supersound)

LP | 1963 | EU | Reissue (Sony Legacy)

Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

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Bob Dylan

Freewheelin Bob Dylan

LP | 1972 | DE | Reissue (Universal)

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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Vinyl LP pressing including digital download. The Freewheelin' Bob Dylan is the second studio album by legendary singer/songwriter Bob Dylan. Whereas his self-titled debut album Bob Dylan had contained only two original songs, Freewheelin' represented the beginning of Dylan's writing contemporary words to traditional melodies. Eleven of the thirteen songs on the album are Dylan's original compositions. The album opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul & Mary soon after the release of Freewheelin'. The album featured several other songs which came to be regarded as among Dylan's best compositions and classics of the 1960s folk scene: "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right".

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Nick Drake

Pink Moon

Release: 1972 / DE – Reissue

Genre: Rock & Indie

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2LP+CD | 1998 | EU | Reissue (Because)

Manu Chao

Clandestino

LP | 2025 | DE | Original (Friends With Oranges)

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO

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Lisa Harres

Time As A Frame

Julian Knoth von Die Nerven

Release: 2025 / DE – Original

Genre: Rock & Indie

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All songs written and composed by Lisa Harres Recorded, produced and mixed at Funkhaus Berlin, 2023-2024, by Ralph Heidel 5 and 11 co-produced by Lisa Harres Mastered by Martin Ruch

Piano, guitar, e-organ and vocals by Lisa Harres Saxophone, clarinet, flute, synth and e-bass performed and arranged by Ralph Heidel

Children’s choir on 11 performed by Arne Harres, Frida Harres, Karl Elges, Martha Elges, Nils Harres, Takki Harres Additional vocals on 12 by Ralph Heidel

Photography by Finn Ronsdorf Layout by Lisa Harres and Nicolas Fehr

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Unsichtbares Meer HHV Exclusive Coke Bottle Green Vinyl Edition

LP | 2025 | EU | Original (Italic)

22,99 €*

LP | 2025 | EU | Original (FatCat)

Release: 2025 / EU – Original

Genre: Rock & Indie, Classical Music

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Limited to 100 copies only available at HHV.

Julian Knoth (Die Nerven, Die Benjamins) will release his first solo album Unsichtbares Meer on 23 May 2025. ‘I started writing this album alone in a state of great depression and melancholy. In the end, it became a project of solidarity with many friends,’ says Julian Knoth. Close, fragile, honest, folk & lo-fi, voice, guitar & strings. Influenced by Johnny Cash, Cat Power, Feist, Adrienne Lenker.

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Tara Nome Doyle

Ekko Clear Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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Rainy Day Beer Colored Vinyl Edition

Rainy Day

LP | 1984 | EU | Reissue (Klimt)

21,99 €*

7" | 1972 | UK | Reissue (Dynamite Cuts)

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Rainy Day was an album released in 1984 on the now-defunct indie label Enigma. It consisted of cover songs performed by various musicians from California's so-called "Paisley Underground" scene. This loose collective was assembled by David Roback, who was then a member of Rain Parade and later of Opal and Mazzy Star. Other participants included Roback's Rain Parade mates (brother Stephen Roback, Matthew Piucci, Will Glenn) and members of the then-little-known Bangles (Susanna Hoffs and Vicki Peterson), the Dream Syndicate (Kendra Smith, Dennis Duck, Karl Precoda), and the Three O'Clock (Michael Quercio). The songs that were chosen indicated the influences that were generally shared by bands from that scene; not only is a Velvet Underground song covered, but also one by Big Star, and two by the Buffalo Springfield which both happen to be Neil Young compositions. Some other selections are old folk songs which are best remembered as Byrds and Beach Boys recordings. Hendrix and the Who also made the list.

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Rodriguez

Sugar Man

16,99 €*

The Whole Love (Expanded) Record Store Day 2024 Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Rock & Indie

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Just had to do it, this timeless classic "Sugar man" by Sixto Rodriguez. An immense tune. OG released on the funk and soul label; Sussex records. With a top line up of musicains - Bob Babbitt on bass and Dennis coffey on Guitar; Gordon Staples did the stunning Strings arrangment and Mike Theodore producer... This was previously issued as a 7" in the 70s, but sell for well over £100.00. We have used the OG White colour sleeve design instead of the South African issue with a black sleeve, in keeping with format styles. On the flip we have take another track from the LP "Only good for conversation" Heavy groove with nice bass drum loop, it has a Eugene McDaniels vibes. x500 copies Don;t miss out!!! credits releases June 21, 2024

Sixto Rodriguez Vocals, Acoustic Guitar Bob Babbitt Bass Andrerw Smith Drums Dennis Coffey Electric Guitar Gordon Staples Leader [Strings] Mike Theodore Arranged By , Keyboards Carl Reatz Baritone Saxophone, Leader, Trombone Bob Pangborn Percussion Theo-Coff Productions Producer Dennis Coffey & Mike Theodore Producer, Arranged By Detroit Symphony* Strings

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Wilco

3LP | 2011 | EU | Reissue (Sony Music Catalog)

61,99 €*

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Quantity: 4500
Release type: RSD Exclusive Release

Wilco’s legendary 2011 album now on three LP’s. Expanded to include all related single, EP and bonus tracks - plus A selection from The Loft's archive of live in-studio performances and previously unreleased alternate mixes and demos. Includes Wilco classics "Art of Almost", "Dawned on Me”, "Sunloathe” . 3LP Box

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Folkadelic Volume 2 - The Acid Jam

2LP | 2023 | EU | Original (Mood Mosaic)

31,34 €* 32,99 € -5%

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Powerfull nice grooves from a series that might be beer named: "Acid folk renaissance " – as most of the work here come from the 70s, and a lot from those great years of the UK and US scene where it also seemed like there was plenty of folk in the music as well! A few of these cuts are downright acid , and all are filled with great instrumenta&on – in an approach that's a nice change from some of the more familiar Brit and US manners of the same genera&on. The &tles include, among the others: Nirvana’s Nova Sketch , Fi.y Foot Hose’s Rose, Pyranha ‘s Clepsydre , Kaleidoscope’s Keep your mind open, and more .

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2LP | 2023 | EU (Nukleuz Blue)

Istanbul 70 Volume I-VI

53,99 €*

LP | 2023 | EU | Original (Habibi Funk)

Release: 2023 / EU

Genre: Rock & Indie

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Quantity: 950
Release type: 'RSD First' Release

The original 2011 release is one of the first projects that globally focused on the golden era of Turkish popular music of the 1970s. Back then, both originals and a selection of remixes were released and created serious hype in collector scenes with rare (300 copies each) 7"s that have never been pressed again. Meanwhile, the Turkish psychedelic-folk-disco style got more popular and some collectors discovered it via this series.

Now at its 10th anniversary Nublu Records is compiling these 12 remixes under a special edition double-LP pressed on 180g purple vinyl.

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Ahmed Ben Ali

Subhana

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Taiji No Yume Clear Vinyl Edtion

Yoshiko Sai

LP | 1977 | JP | Reissue (P-Vine)

LP | 2025 | EU | Original (Wewantsounds)

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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Continuing from her debut album, Yuji Ohno once again joins as arranger, further enriching the musical depth of Sai’s surreal and eerie world, reminiscent of Kyusaku Yumeno’s literary strangeness. As suggested by the title Taiji (Fetus), this album delves even deeper into an introspective spiritual journey. At just 24 years old, Yoshiko Sai stood as a poet, painter, and singer—an artist in a league of her own. The album’s artwork is a masterpiece, and the reissue features a nearly transparent clear vinyl, evoking the ethereal world of the unborn.

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Al-Qasar

Uncovered

21,99 €*

The Legendary Lost Tapes 1969

Release: 2025 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-06-06

Wewantsounds is delighted to announce the release of Al-Qasar"s new album, "Uncovered", is a side-project from the group featuring covers from the Western and Arabic repertoires, as well as new originals composed by the group. The album was recorded in Europe and Africa and features guest appearances by Alsarah, Mamani Keita, Cheick Tidiane Seck and Sami Galbi. The group, who has recently come out of a US tour will give more concerts in 2025 to support the album and spread further their Arab-futurist psych rock sound.

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Earth

LP | 2025 | Original (Big Bear)

Release: 2025 / Original

Genre: Rock & Indie

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Preorder shipping from 2025-07-11

What We Saw From The Cheap Seats Red Vinyl Edition

Regina Spektor

LP | 2012 | US | Reissue (Warner)

LP | 1996 | TR | Reissue (Sn Muzik)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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What We Saw from the Cheap Seats (Translucent Red LP) Regina Spektor's 2012 album available on limited edition Translucent Red vinyl. What We Saw From The Cheap Seats sees Spektor reunited with production partner Mike Elizondo. - Sonically, the album is warm and full of live performances from Spektor on piano and vocals, and Elizondo on acoustic and electric bass. Together they flesh out lush arrangements, so that each song lives in a world of it's own. Includes "Don't Leave Me (Ne Me Quitte Pas), "All The Rowboats", "How" and more.

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Sezen Aksu

Dus Bahceleri

LP | 1982 | TR | Reissue (Sn Muzik)

Release: 1996 / TR – Reissue

Genre: Rock & Indie

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Sezen Aksu's 13th studio album, originally released in 1996 on CD + cassette and released on LP in 2018. Pop Music Diva Sezen Aksu dedicated the album to her best friend,composer and arranger Onno Tunç, who recently passed away. There are many hit songs on the album. Some of them are "Seni Yerler", "Kaçın Kurası", "Rakkas", "Bile Bile", "Zalim" and "Onursuz Olmasın Aşk".

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Sezen Aksu

Firuze

26,99 €*

LP | 1986 | TR | Reissue (Bayar Müzik)

Release: 1982 / TR – Reissue

Genre: Rock & Indie

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It is the 5th studio album of the artist's oeuvre and was originally released in 1982 on cassette. The track "Firuze" is a ballad that can be considered an anthem in Turkish pop music.Sezen Aksu, who has a very special voice, strengthened her place in the Turkish Pop Music scene with this album. Other important tracks on the album are "Ayrılıklar Bitmez", "İkinci Bahar", "Beni Unutma" and "Dümtek".

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Müslüm Gürses

Küskünüm

22,99 €*

LP | 1981 | TR | Reissue (Modern Plakcliik)

Release: 1986 / TR – Reissue

Genre: Rock & Indie

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This album was originally released in 1986 on MC and LP. This record was re-released in 2020 and reached the highest sales figures of the King of Arabesk's artistic career, including works such as Küskünüm, Hasret Rüzgarları, Seni Kalbime Gömdüm and Unutamadım, which are among the classics of Müslüm Gürses. You will be surprised by the artist's unique interpretation technique on this record

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Müslüm Gürses

Mutlu Ol Yeter

22,99 €*

LP | 2023 | EU | Original (Glitterbeat)

Release: 1981 / TR – Reissue

Genre: Rock & Indie

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Arabesk and Turkish folk music singer Müslüm Gürses released more than 70 albums, concert recordings and compilations between 1975 and 2014. Gürses starred in 38 movies between 1979 and 2011, reaching a wide audience as a popular cult figure from the 2000s onwards. The Mutlu Ol Yeter album, originally dated in 1981,is back on the shelves in 2017.The songs that stand out in the album are “Mutlu Ol Yeter” and “İtirazım Var”,which also give the album its title. Orhan Akdeniz and Burhan Bayar are the musical directors and producers of the album, who also wrote most of the tracks.

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Altin Gün

Ask

Borga Revolution! Ghanaian Music (1983-1992)

Release: 2023 / EU – Original

Genre: Rock & Indie

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The first thing that grabs you about Altin Gün"s new album is the energy. With Ask, the Amsterdam-based sextet turn away from the electronic, synth-drenched sound of their 2021 albums, Alem and Yol. While those two, created at home during the pandemic, paid homage to the electronic pop of the 80s and early 90s, Ask, marks an exuberant return to the 70s Anatolian folk-rock sound that characterised Altin Gün"s first two albums, On (2018) and Gece (2019). But there’s development here too. Ask is the closest the band have come so far to capturing the infectious energy of their live performances. "It"s definitely connecting more with a live sound - almost like a live album," says bassist Jasper Verhulst. "We, as a band, just going into a rehearsal space together and creating music together instead of demoing at home." "We didn't record it like we did the last album," agrees vocalist Merve Dasdemir. "We basically produced that one at home because of the pandemic. Now we've gone back to recording live on tape." How many more worlds do Altin Gün visit in this joyful expedition? "Rakiya Su Katamam" is glowering space rock, as though Gong had taken a stopover on the Bosphorus. "Canim Oy" is a psychedelic freak-beat stomper from a world where Istanbul's Kadiköy district was the Carnaby Street of the east. "Güzelligin On Para Etmez" is a dreamy acid-folk anthem. And the finale, "Doktor Civanim," is an irresistible slice of sci-fi disco camp with lava-lamp synth squiggles that wouldn't sound out-of-place next to Baris Manço"s "Ben Bilirim." Fresh yet timeless. Rooted in antiquity yet yearning for heavenly futures. Ask wants to take you places.

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Kalita Records Presents

2LP | 2022 | EU | Original (Kalita)

Be Right Back Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Kalita are proud to unveil the first ever compilationvfocussing on the phenomenon of 'Burger Highlife', avcrossover of West African melodies with synthesizers, discovand boogie that took over Ghanaian airwaves during the 1980's and beyond. Highlighting key recordings fromvgenre-defining artists including Thomas Frempong andvGeorge Darko, as well as more obscure sought-after tracksvby elusive bands such as Aban and Uncle Joe's Afri-Beat,vKalita come to the rescue of audiophiles, DJs andvmusic-lovers alike with 'Borga Revolution!' Spread over avdouble-LP housed in a gatefold sleeve. Accompanied by av16-page booklet featuring extensive interview-based liner notes on each artist and never-before-seen archival photos.

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Jorja Smith

LP | 2021 | EU | Original (Membran)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Poison The Unreleased Demos

Jay-Jay Johanson

10" | 2021 | EU | Original (Wort)

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2025-05-23

Includes five unreleased songs, three early demo recordings and two Robin Guthrie covers.

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Jugoton Funk Vol.1 - A Decade Of Non-Aligned Beats, Soul, Disco And Jazz 1969-1979

2LP | 2020 | EU (Everland Yu)

LP | 2020 | EU | Original (ZYX)

Release: 2020 / EU

Genre: Rock & Indie

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Yugoslavia - six republics, four decades, one dictator and a single record label that ruled them all: Jugoton (Zagreb, Croatia). Jugoton was by far the country's largest label with the strongest and most diverse output that stretched from Balkan roots to contemporary trends and the sound of tomorrow . The early days of Yugoslavia featured strong censorship but by the end of the 60's the Communist party views softened up by a large degree. Westernized music already had a solid presence and first James Brown influenced compositions were released. Yugo funk, a term coined by DJ’s and crate diggers from the Balkans, encompasses a wide variety of performers and genres: from the 60's merseybeat rock bands, prog rock groovers and big band jazz orchestras to the late 70's sophisticated 4x4 funk and essentially everything in between. Jugoton Funk Vol.1, a first of its kind, celebrates the pioneer years of funk infused music released by Jugoton. While in pursuit of these treasures all over the Balkan region and beyond, the compilation’s selectors, Dr. Smeđi Šećer & Višeslav Laboš, both active as DJ's and crate diggers from the sole beginnings of the ex-Yu craze, wanted to capture the authentic and idiosyncratic funk sound of Jugoton and Yugoslavia. So here it is, comb your moustache, light up a fat one, turn up the amplifier and headbang away to these amazing tunes remastered from original master tapes dug out of the Jugoton vaults (now Croatia Records). - Compiled by Dr. Smeđi Šećer & Višeslav Laboš. Here’s the exclusive interview with Dr. Smeđi Šećer: www.psychedelicbabymag.com/2020/09/jugoton-funk-vol-1-a-decade-of-non-aligned-beats-soul-disco-and-jazz-1969-1979.html

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Amália Rodrigues

Fado Milagroso

17,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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I'm Burning, I'm Burning Songs From The Greek Underground 1925-1940

LP | 2020 | EU | Original (Take It Acid Is)

14,99 €*

LP | 2010 | EU | Reissue (Warner)

Release: 2020 / EU – Original

Genre: Rock & Indie

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This compilation features some great examples of rebetika songs from the 20's and 30's including some well known artists like Rosa Eskenazi, Markos Vamvakaris, Anestis Delias, Rita Abadzi and others. An excellent overview of the phenomenon for anyone interested in southern European folk music history.

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Zaz

24,99 €*

The Royal Albert Hall 1966 Concert

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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180 GRAM VINYL

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Bob Dylan

2LP | 2016 | EU | Original (Sony)

Release: 2016 / EU – Original

Genre: Rock & Indie

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2LP | 2016 | EU | Original (Efficient Space)

Sky Girl

The Cutting Edge 1965-1966: The Bootleg Series Volume 12

Release: 2016 / EU – Original

Genre: Rock & Indie

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2024 restock. Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. It's a DIY collection of different genres, from different countries across different decades, that are all bound by the same longing sentiment. A concept compilation! A seemingly disparate suite of selections of forgotten fables by more or less never-knowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery. From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience. If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release "Sarra" after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening. Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled Fire Star, a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection. Released by popular NTS show "Noise In My Head" offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe. Includes digital download. Also features: Linda Smith, Bruce Langhorne, The Seraphims, Some of My Best Friends Are Canadians, The Rising Storm, Warfield Spillers, Joyce Heath, Angel, Nora Guthrie and Once.

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Bob Dylan

3LP+2CD | 2015 | EU | Original (Columbia)

68,99 €*

Release: 2015 / EU – Original

Genre: Rock & Indie

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Staying: Leaving Records Aid To Artists Impacted By The Los Angeles Wildfires

2LP | 2025 | US | Original (Leaving)

Låt Oss Vada Genom All Ängslan Tillsammans

Release: 2025 / US – Original

Genre: Hip Hop, Rock & Indie, Electronic & Dance

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Preorder shipping from 2025-05-23

Everything has changed, and it is changing still. The early days of 2025 (an already baleful year, vis-a-vis America’s darkening political horizon) have wrought heretofore unimaginable destruction in the land we now call Los Angeles. The wildfires that began on the morning of Tuesday, January 7th—and which are still raging—are, in scope and intensity, unlike any other disaster, natural or manmade, in the city’s living memory. Thousands of homes destroyed. Twenty four lives lost at the time of writing (that number will almost certainly rise), and innumerable lives forever altered. The devastation arrived suddenly, and has persisted over the course of a punishing and surreal week.

We rise in the morning after not sleeping. We check the air quality. We check the fires’ progress on the same app we’ve all installed (the City’s alert system keeps misfiring). We add another photo to the go bag. We wonder what the fuck the phrase “8% containment actually means,” or what distinguishes “ready” from “set” when the evacuation warnings are fired off within mere minutes of one another. And what happens when warnings turn to orders. We evacuate. If we have time, we walk through our homes, recording each room, narrating all our possessions, for “insurance purposes.” If we don’t have time we just go. We arrive somewhere…safe…safer? We exhale. Another alert... more

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Enhet För Fri Musik

LP | 2015 | EU | Reissue (Discreet Music Discreet Music)

Die Demokratie Indie Exclusive Red Vinyl Edition

Release: 2015 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Originally released on Förlag För Fri Musik back in 2015, now finally reissued on Discreet Music. The debut album from Enhet För Fri Musik and a very important piece in the Gothenburg-puzzle and the milieu around acts like Amateur Hour, Blod, Leda, Arv &

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Ozan Ata Canani

LP | 2025 | EU | Original (Fun In The Church)

LP | 2025 | US | Original (Fluff And Gravy)

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Ltd. Coloured Vinyl / Gatefold, printed Innersleaves w/ Obi Strip.

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Kassi Valazza

From Newman Street

37,99 €*

Release: 2025 / US – Original

Genre: Rock & Indie

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LP | 2025 | EU | Original (Oh Dear)

Sophie Zelmani

Lake Geneva

Lys Natural Colored Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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Her fourteenth studio album, Lake Geneva, marks a new milestone in Sophie Zelmani's 30-year career and features 10 new songs, including the singles The Human Heart, Back to the Sea, and All I See Is You. With Lake Geneva, she will also embark on an extensive tour across Europe. The album is produced by Lars Halapi.

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Kati Ran

LP | 2015 | EU | Reissue (Svart)

Muschelsammlung 2025 Repress

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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In April 2025, Dark Nordic Pagan Folk singer and multi-instrumentalist Kati Rán celebrates the ten-year anniversary of her debut album LYS (meaning “light” in Norwegian) with a brand-new physical release, available through Svart Records.

The 2025 Anniversary Edition of LYS features the album’s ten original songs and the acoustic bonus track “Vinda” featuring Helisir.

In 2015, LYS was recorded, produced, and released by Kati Rán and producer Christopher Juul (Heilung) at the renowned Lava Studios in Denmark. Together, they shaped, recorded, and performed all the tracks, bringing Kati Rán’s inner world, voice, and historical instrumentation to life. LYS contains ten original tracks performed in Norwegian, English, German, and Old Norse, including the hit song “Suurin,” featuring Kai Uwe Faust and Maria Franz of the Danish act Heilung.

Svart Records is re-releasing LYS in its very first vinyl format for listeners and collectors of the Nordic & Dark Folk music genre, along with a digipak CD format. All editions include updated artwork, a booklet with original lyrics and English translations, and the bonus track “Vinda Acoustic.”

As a testament to her passion for music and her determination to stay true to her vision, Kati Rán originally released LYS in 2015 as a solo artist after her folk band L.E.A.F dissolved over artistic differences. During this transition to a solo career, Christopher Juul provided his immersive audio production expertise, which continues to shape the Nordic folk genre today through various projects and bands. The magic of their collaboration is evident in the LYS album, as well as in Kati Rán’s singles “Blodbylgje” and “Unnr Mindbeach,” which were featured on her latest album, Sála, in 2024. Since its original release, LYS has sold out all physical editions, garnered over 10 million streams across music platforms, and is widely considered a genre-defining record in Nordic Dark Folk.

LYS impresses not only with its sound but also through its collaborations with various artists and bands. These include Oliver S. Tyr of the German pagan folk act Faun, Kai Uwe Faust’s signature throat vocalizations on “Suurin,” a duet with Maria Franz (Heilung, Euzen) on “Vinda,” soothing harmonizing vocals by drummer Kristian Uhre (Euzen) on “Sol,” and instrumental contributions from Kati Rán’s former bandmates in L.E.A.F. The album also features Rán’s first duet recordings with Heilung’s Kai Uwe Faust on the opening track “Flamme.”

LYS was originally crowdfunded by listeners and supporters of Kati Rán’s dark pagan folk band L.E.A.F and her solo musical journey. Several international artists contributed campaign support videos, helping to make her first album an international success.

The 2025 anniversary edition of LYS offers an exclusive vinyl print with a bonus track, alongside other formats available through Kati Rán’s label, Svart Records. This release is a must-have for music collectors and listeners worldwide. The LYS 2025 Anniversary Album will be released in April 2025, with pre-sales starting on January 24, 2025, to meet the demand from fans of Kati Rán and Heilung.

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Brannten Schnüre

LP | 2017 | EU | Reissue (Milder Wahn)

Release: 2017 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Spyboy Record Store Day 2025 Edition

Emmylou Harris

2LP | 2025 | US | Original (New West)

36,99 €*

Imaginary Appalachia Red Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Spyboy is a live album by Emmylou Harris and her backing band, Spyboy which she formed for a tour to perform songs from her 1995 career-redefining album, Wrecking Ball. Taking a stripped-down approach, Harris is backed by a trio comprising country singer-songwriter Buddy Miller on guitar and New Orleans musicians Daryl Johnson on bass and Brady Blade on drums. Along with songs from Wrecking Ball, such as "Where Will I Be" and "Deeper Well", Harris performs other songs from earlier in her career, such as "Born to Run" from Cimarron, "Love Hurts", which she first performed with Gram Parsons, "I Ain't Living Long Like This" from Quarter Moon in a Ten Cent Town and her ode to Parsons, "Boulder to Birmingham", from her 1975 debut album, Pieces of the Sky. Originally released on CD in 1998, Spyboy is now available on vinyl for the first time ever. This pressing is limited to 3,000 units and packaged in a gatefold along with an 11x.5 x11.5 insert featuring written reflections from Emmy Lou Harris as well as Buddy Miller. The pressing includes the original 14-song tracklist as well as 5 previously unreleased bonus tracks.

This is a 2025 Record Store Day release.

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Colter Wall

LP | 2024 | Original (RCA)

LP | 1970 | UK | Reissue (BGP)

Release: 2024 / Original

Genre: Rock & Indie

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RCA Records - Imaginary Appalachia - Colter Wall - Red Vinyl Reissue of Imaginary Appalachia.

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Kathy Mccord

Michael Hurley / Range Rats

Release: 1970 / UK – Reissue

Genre: Rock & Indie

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When Creed Taylor was setting up his CTI label one of his proposed signings was Billy Vera. This led to a deal for Vera’s younger sister Kathy McCord. In fact, McCord was the first artist signed and recorded by CTI. Her debut, “Kathy McCord” was released in 1970.

Although the label would go on to establish a fine reputation in jazz, “Kathy McCord” was a folk rock album. A gifted young poet the 17-year old McCord wrote many of the tracks on the album which were then interpreted in the studio by a crack team of jazz musicians that included Harvey Brooks (bass), Hubert Laws (flute), John Hall (guitar) and Wells Kelly and Ed Shaugnessy (drums). Musically and lyrically both the musicians and McCord stretched out on tracks like ‘Rainbow Ride’, ‘Jennipher’, ‘Candle Waxing’ and ‘Take Away This Pain’ to conjure up an amazing fusion of folk and jazz. The only cover on show was a version of Lennon and McCartney’s ‘She’s Leaving Home’ which McCord repurposed as ‘I’m Leaving Home’.

Upon release the album sold poorly. Creed’s expertise and contacts were in the jazz field and he had no idea how to market an album of folk jazz songs sung with fragile beauty by a good looking girl still in her late teenage years. Also, when Billy Vera did not sign to CTI McCord was dropped.

Over time “Kathy McCord” attracted a dedicated following amongst folk-rock collectors in America and the UK. In many respects it was an echo of something like Deena Webster’s 1968 folk rock LP, “Tuesday’s Child” that also came, went and is now sought after.

Ace are delighted to give the world the first vinyl reissue of “Kathy McCord” since 1970. Pressed on black 180gm vinyl it also includes liner notes from Billy Vera - who has this to say about his late beloved sister: “My sister had the goods. She could sing, she could write and she looked great. Like so many other talented people, she just failed to get lucky. Listen and enjoy her. I love her stuff”. You will too...

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Jane / Go My Way

7" | 2024 | US | Original (Mississippi)

11,99 €*

Spirits Indie Exclusive Purple Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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A commemorative record to celebrate Portland's official holiday—Dead Moon Night! Side A features Michael Hurley, live at Portland City Hall. Michael covered a Dead Moon song under a full moon at the first Dead Moon Night. (the most well attended non protest event in the history of Portland's City Hall). Side B features an unreleased Range Rats recording from 1986. A home recording by Fred Cole, Toody Cole and Rolly (their Roland drum machine). First recording of "Go My Way." Dead Moon covered this Range Rats song in 2004. Front cover art by Michael Hurley! Limited one time edition. Get right with history and pick it up while you can!

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The Devil Makes Three

LP | 2025 | US | Original (New West)

7" | 2024 | EU | Original (Les Rythmes Ruban)

Release: 2025 / US – Original

Genre: Rock & Indie

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The beauty of The Devil Makes Three is the way they take an old-time musical genre and, by putting their own imprint on it, turn it into something that lives and breathes anew, passing the torch to a new generation, just as stateside rock fans learned about the likes of pioneers Little Richard, Chuck Berry, Jerry Lee Lewis and Buddy Holly from the first wave of British Invasion bands. With their latest album, Spirits, the band continues this tradition by incorporating their signature punk, folk and bluegrass sound along with country and singer-songwriter leanings.
“That’s what we set out to do. We wanted to use these musical forms to talk about current issues,” explains Pete Bernhard. “Folk music should be about what’s happening now, just as it was when Woody Guthrie and Bob Dylan did it.”
The song titles alone describe the band’s return to a stripped-down, drum-less sound and songs that reflect the ongoing struggle to survive amid the uncertainties of the current volatile climate: “Dark Gets the Best of You,” “Divide and Conquer,” “Ghost are Weak,” “Hard Times,” “I Love Doing Drugs,” “Poison Well” and “The Devil Wins.” The tracks were recorded at Dreamland, part of a converted church compound outside Woodstock in upstate New York which offered some haunted moments of its own, with plenty of spooky thunderstorms and lightning.
“There’s definitely a theme of ghosts and death running through this album,” acknowledged Bernhard, who lost his mother, brother and closest childhood friend while making the record. “It also has a good amount of political material, a reflection on how divided people are these days, just trying to find common ground. Not being able to perform our music live led to some deep reflections.”

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Blundetto

La Playa

12,99 €*

LP | 2024 | UK | Original (Hive Mind)

Release: 2024 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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"La Playa" is a folk single infused with very acoustic sounds produced by Blundetto. It's a cover of originally sung by Marie Laforêt in 1970. It features the French singer Juliette Magnevasoa, a voice of rare singularity. Together, they have crafted the perfect blend for a moment of softness, melancholic and soothing, already resonating as a classic gem.

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Maalem Houssam Guinia

Dead Of Night

21,99 €*

Big Brother & The Holding Company

Release: 2024 / UK – Original

Genre: Rock & Indie

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Maalem Houssam Guinia Dead of Night

Hmrlp035 LP £12 Allah Allah Daym Molana Jangari Jahwari Bouri Bouriama Ya Jowadi Samaoui Matinba Mosawiyin (Souiri)

"Raw, deep and spiritual Gnawa music from Morocco to carry you through the night...

Recorded in a single late night session in a house in Casablanca, using a Tascam field recorder and 2 microphones, Dead of Night is the incredible new solo album from Maalem Houssam Guinia, the son of Maalem Mahmoud Guinia, and one of Morocco's most exciting young Gnawa masters.

The album was recorded live on the night of 3rd January 2022 in a relaxed session that lasted into the early hours of the next morning, and it captures Houssam at his most natural, singing and playing the Gnawa songs that have been with him since his birth, completely solo and free without percussion or backing vocals. Houssam described the album as containing the songs he knows best as these were the pieces his father would play and sing late into the night in their home when he was an infant.

What you'll hear on Dead of Night is raw, deep Gnawa music in its purest form played by a young Maalem who has been immersed in the culture his whole life and is a master of his craft. The whole performance has been beautifully and sympathetically captured by bassist and producer Karl-Erik Enkelman."

Voice & Guimbri by Maalem Houssam Guinia. Recording & Production by Karl-Erik Enkelmann. Mastering by Julian Tardo. Photography by Bader Naggay. Design by Marc Teare.

With thanks to Hamza Guinia, Khalil Mounji, Karl-Erik Enkelmann & Karl Jonas Winqvist.

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Live At The Grande Ballroom Detroit; March 2, 1968 Black Friday Record Store Day 2024 Edition

2LP | 2024 | Reissue (Legacy)

37,99 €*

LP | 2019 | US | Reissue (Palilalia)

Release: 2024 / Reissue

Genre: Rock & Indie

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RSD Exclusive, Limitation: 3500; For the first time, listen to the complete concert from the Grande Ballroom in Detroit on May 2, 1968. On black double vinyl for RSD Black Friday.

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Bill Orcutt

Odds Aginst Tomorrow

Release: 2019 / US – Reissue

Genre: Rock & Indie

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After two LPs and over half a decade spent toiling in the margins of the American Songbook, Bill Orcutt returns to original composition and the blues with his latest LP, Odds Against Tomorrow. Taking its title from Robert Wise 's 1959 film noir, Odds Against Tomorrow retrofits familiar folk/blues forms to the unique sound of Orcutt's guitar and the result crackles with a freshness and authority that nostalgic retreads cannot deliver. Odds Against Tomorrow is more than an expansion of the territory charted by Bill Orcutt, his eponymous 2017 studio electric debut, although it's certainly that. With its nods to existing musics, half-step fluctuations, and near-songwriter-ly manipulations of tension/release, Odds Against Tomorrow is a rock record—almost. Clearly and simply recorded through a clattering Fender Twin in Orcutt's living room and lovingly mixed by Bay Area neighbor and pedal-steel savant Chuck Johnson, no one would mistake it for any era's radio fodder, yet the precision of its technique and the swaying Child-ballad logic of its gentler improvisations comfortably seats it between John Mayall and Richard Thompson in your Ikea Kallax... Odds Against Tomorrow challenges contemporary solo guitar practice in a way that simultaneously nullifies hazy dreams of folk purity and establishes a new high-water mark for blues-rock reconstruction."—Tom Carter

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LP | 2024 | EU | Original (Wagram)

Italian Rare Groove

Release: 2024 / EU – Original

Genre: Rock & Indie

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Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume 100% italian, discover rare gems from soundtracks of erotic and detective movies as well as more confidential music libraries.With Ennio Morricone, Goblin, Piero Piccioni, Guido e Maurizio De Angelis, Armando Trovajoli, Alessandro Alessandri, Toto Cutugno...

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2LP | 2024 | EU | Original (Efficient Space)

Someone Like Me

26,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.

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Club Coco Colored Vinyl Edition

LP | 2021 | EU | Reissue (Les Disques Bongo Joe)

24,99 €*

Crosby, Stills & Nash Atlantic 75 Series

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Bongo Joe presents "Club Coco", a summary outernational latin and afro rooted music compilation curated by Coco María.

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Crosby, Stills & Nash

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

LP | 1975 | US | Reissue (Discos Fantastico)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm. Analogue Productions (Atlantic 75 Series)
Celebrating the 75th Anniversary of Atlantic Records!
Crosby, Stills & Nash — The debut studio album from the rock supergroup!
180-gram 45 RPM double LP
Mastered directly from the original master tape by Bernie Grundman
Pressed at Quality Record Pressings
Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Several unique features set the debut studio album by folk rock supergroup Crosby, Stills & Nash, released in 1969 by Atlantic Records, apart. It's the only album by the band before adding Neil Young to their lineup. The album spawned two Top 40 singles, "Marrakesh Express" and "Suite: Judy Blue Eyes," which peaked respectively at No. 28 during the week of August 23, 1969, and at No. 21 during the week of December 6, 1969, on the U.S. Billboard Hot 100. The album itself peaked at No. 6 on the U.S. Billboard Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales in excess of 4 million copies.

Instantly lifting the group to stardom, along with the Byrds' Sweetheart of the Rodeo and the Band's Music from Big Pink, the previous year, the album is cited by music reviewers for initiating sweeping changes in popular music. In 2021 the album held the rank of No. 161 on Rolling Stone's 500 Greatest Albums of All Time list.

Crosby, Stills & Nash was "the perfect blend of David Crosby's social conscience, Stephen Stills's virtuoso musicianship and Graham Nash's ability to craft the perfect pop melody for radio," writes Rolling Stone, in its review.

The band was brought together after Crosby was fired from The Byrds, Stills's band, Buffalo Springfield had broken up (a band which also featured later member, Neil Young) and Nash's departure from The Hollies. The three decided to form a band after an informal jam led them to discover how well their voices harmonized. Released in May 1969, the band would perform nine of the album's 10 songs at Woodstock, which was the second time they ever did, in August of the same year.

The album features some of CSN's most well known and iconic songs; "Suite: Judy Blue Eyes," "Marrakesh Express," "Guinnevere," "Wooden Ships," "Helplessly Hoping" and "Long Time Gone." This album saw a shift in sound to what was popular at the time — blues based rock, opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the ‘70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Grupo Celeste

El Fabuloso

19,99 €*

7" | 2025 | US | Original (Wax Thematique)

Release: 1975 / US – Reissue

Genre: Rock & Indie

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Never before had the lyrics of Peruvian cumbia been able to touch the reality of migrants from the countryside living in the capital. In 1974, Grupo Celeste, under the direction of Víctor Casahuamán Bendezú, recorded 'En el campo', a first single that not only broke sales records, but also brought thousands of people into contact with their homeland. The band not only wove the nets of that urgent, necessary reconnection, but also gave birth to one of the most relevant popular singers in the history of Peru: Lorenzo Palacios Quispe 'Chacalón'. The year was 1974. Until then, only Los Destellos had recorded a non-instrumental cumbia song, 'Elsa', in 1970. Víctor Casahuamán Bendezú, a musician, creator and the composer behind Grupo Celeste understood that in order to continue the legacy of Peruvian bands from the sixties like Los Demonios de Corocuchay, Los Yungas and Los Demonios del Mantaro, it was necessary to address in his lyrics a special and urgent topic: the feeling of displacement from the homeland and the vicissitudes of the migrant sector. The experiences of those who traveled from the provinces to the capital in search of opportunities they could not find in their towns of origin; the process of settling and adapting in a foreign city; the challenges derived from this change of environment; the recognition of a different culture and the creation of a space they understood as their own were the stories that had to be told in the songs. This is why Grupo Celeste was the backbone of cumbia in Peru: it established a common story that thousands of migrants would identify with. From this idea and impetus was born 'En el campo', the band's first single.

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Nathan Womack

Song Of The White Crane

17,99 €*

LP | 1977 | JP | Reissue (P-Vine)

Release: 2025 / US – Original

Genre: Organic Grooves, Rock & Indie

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The A-side of Wax Thématique's 20th release, "Song Of The White Crane" pays tribute to China's iconic and mythical bird, often seen gracefully arcing through the country's skies and posting up near canals in Womack's home base of Kunming. The track begins

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Yoshiko Sai

Mikkou Blue Vinyl Edtion

LP | 2025 | UK | Original (Clay Pipe Music)

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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Preorder shipping from 2025-07-18

Centered around the theme of stowaways, this masterpiece album unfolds Yoshiko Sai’s mesmerizing fantasy world, rich with the exotic atmosphere of the Silk Road. A realm only a woman could depict, this sonic journey gently leads the listener into an introspective trance. The deep blue of the Silk Road, wandering through the restless nights of the mind, is beautifully reflected in the vinyl color.

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Cate Francesca Brooks

Lofoten

26,99 €*

LP | 2021 | US | Reissue (Fake Estate)

Release: 2025 / UK – Original

Genre: Rock & Indie

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Preorder shipping from 2025-06-27

There are imagined landscapes we all carry within us—dreamed, half-remembered, or just beyond reach. Lofoten, the new album by Cate Francesca Brooks on Clay Pipe Music, is a musical reflection on one such place. Located above the Arctic Circle, Norway's Lofoten Islands are known for their dramatic peaks, open seascapes, and distinctive red fishing cabins dotting the shoreline. Though Brooks has never visited this remote northern region, it became an unexpected source of inspiration. The project began when Cate listened to a narrated "sleep story" set in the islands. Intrigued, she researched the region and found herself drawn to its stark beauty."I fell in love with creating an impression of somewhere I would probably never visit, but felt a real affinity with," she explains. This ambitious album translates that connection into sound. Through carefully crafted electronics, melodic themes, richly layered textures and big production, Brooks captures the essence of Lofoten—its icy light, vast horizons, and profound quiet."The other thing that happened around the same time was the first lockdown here in the UK. I had taken the opportunity of having some extra time to learn a new (to me) method of synthesis; that of the Synclavier, which uses one aluminium wheel and an array of buttons to control every parameter of the sound. "I took to it with intrigue and before I knew it, I had built up hundreds of original sounds, many of which were perfect for the textures I could hear in my head for Lofoten. So that (along with a Prophet synth and a Tr-808) became the sound world." Lofoten stands as an evocative testament to how music can transport us to distant places, transforming geographical limitations into imagined creative possibilities.

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Bill Orcutt

A Mechanical Joey

Okay Crawdad. Violet Vinyl Edition

Release: 2021 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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"Bill Orcutt is of course famous for his bluesy free improv acoustic guitar playing, which he has been performing since he re-emerged with the 2009 solo album A New Way To Pay Old Debts, 12 years after the dissolution of his seminal noise rock band Harry Pussy. He has also held down day jobs as a software engineer at various Silicon Valley companies for the last two decades.

Apart from certain errant excursions such as Harry Pussy’s final album Let’s Build A Pussy, which consists of Orcutt timestretching a second of the voice of Harry Pussy drummer Adris Hoyos into an hour, and notwithstanding the fact that since 2011 his albums have been released by electronic music label Editions Mego, there was previously a marked divergence between the computers of Orcutt’s career and the eschewal of digital manipulation in the uncompromisingly visceral playing of his vocation, in which the pluck of every string is palpable. This changed in 2016, when he released the avowedly primitive open source live coding audio program Cracked, which consists only of a window in which commands are typed.

Since then, Orcutt has been intermittently releasing music made with the app on his DIY label Fake Estates, A Mechanical Joey being the latest. Its two sides comprise one continuous track, lasting 35 minutes in total, during which Orcutt creates the illusion that a sample of Joey Ramone counting in a song accompanied by drumbeats is moving forwards and backwards in space. It is a sequel of sorts to last year’s Pure Genius, another release by Orcutt made on Cracked, which consists of various computer generated voices counting, accompanied by bleeps ascending the chromatic scale. The blurb for that record claims that it was borne of the fact that 'while stuck out on the left coast surrounded by braying tech bros,' Orcutt 'realized that we, the plebs, will eventually be here only to serve the machines'. But perhaps the return of the human

voice on A Mechanical Joey is his indication that we might be able to resist after all.”—Daniel Neofetou, Wire

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Nick Shoulders

LP | 2025 | Original (Gar Hole)