Folk 4785 Items

Garip HHV Exclusive White Vinyl Edition

LP | 2026 | EU | Original (Glitterbeat)

2LP | 2026 | US | Original (Drag City)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Limited to 250 copies.

Altın Gün, the Turkish psychedelic band from Amsterdam, releases their sixth studio album, Garip, an ambitious and multifaceted work that serves as a tribute to Turkish folk music legend Neşet Ertaş (1938–2012). ‘Garip’ features ten of Ertaş's iconic compositions, uniquely reinterpreted and musically expanded by Altın Gün. The band combines a variety of influences, from classical Anatolian folk music to Arabesque and Bollywood soundtracks to Western rock and synth vibes. The album is a creative evolution of Altın Gün's already established sound, which combines elements of funk, rock and Turkish folklore. With hypnotic bass lines, powerful drum rhythms and delicate synthesiser arpeggios, ‘Garip’ creates an atmosphere that captures the essence of Ertaş's emotionally charged songs while reflecting the band's experimental energy. Known for their captivating live performances, the band proves once again with ‘Garip’ that they are among the most innovative representatives of the modern Turkish music scene.

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Bill Callahan

My Days Of 58

38,99 €*

2LP | 2026 | US | Original (Palilalia)

Release: 2026 / US – Original

Genre: Rock & Indie

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My Days of 58 is the eighth Bill Callahan album, his first since 2022. The twelve tunes here open uncanny depths of expression as Bill continues to blaze one of the most original songwriting-and-performance trails out there. Applying the living, breathing energies of his concerts to this album production, he sharpens his slice-of-life portraiture to cut deeper, releasing a stream of singalong consciousness: poetic, cinematic, novelistic, comedic - and above all - musical.

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Shane Parish

Autechre Guitar

Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Release: 2026 / US – Original

Genre: Rock & Indie

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This record shouldn’t, strictly speaking, be possible at all.

It’s not just that Autechre’s music is electronic and Shane Parish’s is acoustic. It’s not just that Autechre come from electro and techno, while Shane’s solo guitar music is rooted in jazz, folk, and the blues. Those borders, between mediums and genres, are as porous as you want them to be. But Autechre are synonymous with difficulty, opacity, inscrutability—known for unparseable rhythms, cryptic riffs, and shapeshifting timbres. Even on their early records, before they’d begun building out the mind-bending software systems that have defined the past quarter-century of their music, the duo of Sean Booth and Rob Brown were working at the very limits of their machines: eking melodies out of drum sounds, programming intricate polyrhythms of superhuman complexity, and writing sequences that defy attempts to decipher them. I’ve been listening to “Yulquen” for 31 years, and I still couldn’t tell you just what is happening between the melody and the beat; try as I might, I simply can’t count out the steps.

Now take Shane: one guy, one guitar, two hands. Six strings. Ten fingers. (Throw in a tapping foot for when the timekeeping gets tricky.) That’s the sum total of what he’s working with. These are not the kinds of tools you’d think would be equipped for Autechre’s music. But if anyone could take on a project like this, it’s Shane. Informed by his years spent playing standards as a working musician in supper clubs and resorts around Asheville, North Carolina, he’s been arranging music for solo fingerstyle guitar for decades—much of it material originally written for and recorded on other instruments. On his astonishing 2024 album Repertoire, he tackled songs by Ornette Coleman, Charles Mingus, Eric Dolphy, Alice Coltrane, and even Kraftwerk and Aphex Twin, zeroing in on the essence of each and rendering it into his own sure-footed yet exploratory style.

The origins of Autechre Guitar run deep. Last year, Shane posted a low-key nylon-string performance of “Slip,” recorded in his living room, on YouTube. But his first attempt at the song was actually way back in 2004, when he notated his first rudimentary transcription of its serpentine melody—a 29-beat phrase that seems to slip and slide over a 4/4 pulse, to subtly unsettling effect. He had returned to the song over the years, with a vague idea of eventually doing something more with it; finally, after Repertoire’s Kraftwerk and Aphex Twin covers—and with the urging of his wife, a die- hard Autechre fan—he decided to try his hand at an entire album of Autechre covers, and sat down to begin notating songs, one by one. Puzzling out the sequences. Arranging the counterpoints. Translating shades of pewter and graphite into something resembling a 12-tone scale. And, most importantly, finding ways to distill Autechre’s seemingly limitless details in ways that could be played by just 10 fingers without losing the soul of the song. It was, in essence, a kind of sleight of hand.

The material on Autechre Guitar is drawn entirely from the 1990s—specifically, from the albums Incunabula (“Maetl,” “Eggshell,” “Bike,” “Lowride”), Amber (“Slip,” “Nine,” “Yulquen”), Tri Repetae (“Eutow,” “Clipper”), and LP5 (“Corc”). The reason is simple: That’s the melodic golden age of Autechre, when Booth and Brown were writing hooks that would go down as some of the most enduring, and emotionally satisfying, in the past three decades of electronic music.

Shane has done a remarkable job of capturing those melodies and translating them for the steel strings of his Taylor 214e-g. Anyone who knows Autechre’s “Bike,” a dreamy highlight of their debut album, will instantly recognize the melody Shane has pulled out of it, high notes drizzling down like raindrops on the windshield while octaves in the bass swish back and forth, steady as wipers.

But what I find even more fascinating are the examples where the connection isn’t so clear. Where the melody in the original song isn’t so obvious, say—like “Clipper,” with its droning pads and rigid bursts of arpeggio, or “Corc,” with its gamelan shimmer and open-ended riffs. “Eutow” is another one that stops me in my tracks every time: How on earth did Shane get from the original’s smear of supersaw pads, arcing glissando, and whipcrack electro beat to what he gives us here: a somber, Faheyesque report from the depths of solitude? Or just listen to “Nine,” whose portamento attacks he turns into pitch-bent blue notes straight out of the American South. (The album version of “Nine” is actually the original demo recording Shane made of the song; it’s the only take where he feels like he really captured the magic of that song.) Listening to Shane’s versions of these tracks, you intuit the way he’s had to reach deep inside each song, working by feel alone, to grasp its contours and come back with something that communicates its ideas, even if it sounds all but unrecognizably different.

Ultimately, Autechre Guitar works on multiple levels. It’s a celebration of Autechre’s music, shining a spotlight on the durability and flexibility of their songwriting. At the same time, it’s an invitation to listen deep inside the music, to take part as active listeners in the process of translation and interpretation. And while it hardly needs to be said, it’s an invitation to simply get lost in Shane’s astonishingly fleet playing, which takes these songs of unfathomable difficulty and makes them seem practically effortless.

–Philip Sherburne

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Tapestry: Koto & The Occident Country

LP | 1976 | EU | Reissue (Cinedelic)

15,99 €*

El Bueno Y El Malo Black Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Following the release of the first volume of the Koto: Tapestry series, Cinedelic completes the series of 3 with the release of the remaining two valuable albums. 'Tapestry: Koto' is a 3-album series produced by Nippon Columbia in the mid-1970s dedicated to one of the main instruments of Japanese traditional music: Koto. The beauty of the trilogy curated by composer Kiyoshi Yamaya, whose chapters are respectively dedicated to Sea, Hillside and Country, lies in the fact that they are a modern translation of tradition using newer and more avant-garde sound idioms, integrating the koto with jazz musicians. An original mix, a 'crossover’ that allows for the awakening and the consequential spread of traditional music in larger contexts. The extreme accuracy of the marvellous recordings is also remarkable. The performers on this fabulous album are: Toshiko Yonekawa - learned to play the koto at an early age, performing in a public concert as early as 8 years old. For three years, from 1941 to 1944, she won prizes as the best performer in the Japanese Cultural Federation's competition for traditional trios. She also received an award from the Prime Minister. Many other important recognitions followed until she became president of the Reichokai and executive director of the Sankyoku Association. In 1996, she was appointed Living National Treasure. As a koto player, her best-known characteristics are her extreme precision of intonation and rhythm and the unparalleled beauty of her sound. Kiyoshi Yamaya - born March 1932. He attended the Kunitachi College of Music. Between 1956 and 1960, he performed with 'Nobuo Hara and His Sharps & Flats' (clarinet, saxophone, etc.) and was responsible for composition and arrangement. In 1959, he formed the 'Modern Jazz Three Association' with Norio Maeda and Keitaro Miho, which contributed to the improvement of the level of composition and arrangement in Japanese jazz. In 1965, he became conductor of the 'Tokyo Union Orchestra' and received the Japan Record Award's Arrangement Award. His name appears on more than 100 albums. An unmissable session for those seeking new sounds. Original masters licensed by Nippon Columbia for the first ever reissue. Includes OBI and insert.

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Hermanos Gutiérrez

LP | 2022 | EU | Original (Concord)

LP | 1977 | US | Reissue (Superior Viaduct)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The two Swiss brothers Estevan and Alejandro Gutiérrez start with their album "El Bueno Y El Malo", again a musical journey. With their Latin American family history, the music is heavily influenced by instrumental Latin and also Western elements and almost feels like an Ennio Morricone, David Lynch or Jim Jarmusch soundtrack.

Working with Dan Auerbach, the duo, through their brotherly bond on "El Bueno Y El Malo," once again proves their knack for lively compositions and intimate guitar playing, perfectly blending interesting rhythms and catchy melodies. Recorded and produced at Auerbach's Nashville studio, Hermanos Gutiérrez also takes things a few steps further musically, as evidenced by exciting drums and percussion pats. Fittingly, on the song "Tres Hermanos," Auerbach himself plays an additional guitar. The title track pays homage to Sergio Leone's legendary 1966 western The Good, The Bad And The Ugly, but the phrase has a deeper meaning: "We think that every person has a good as well as a bad side in them. It shows in every person, in every moment, and in any situation. Everyone has it. It also has less of a cynical meaning, but rather shows the depths and dualities of people, which is perfectly transferable to music," says Estevan Gutiérrez.

The LP is now released Indie - Exclusive as Serenity Opaque Blue Edition, which reflects in color exactly what the Guitar attests to the album as "minimalist & soulful aesthetics".

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Luciano Cilio

Dialoghi Del Presente

With His Hot and Blue Guitar

Release: 1977 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Luciano Cilio was born in Naples, Italy, in 1950. He studied music and architecture and, in the late '60s, collaborated with local artist Alan Sorrenti, American expat Shawn Phillips and various avant-garde theater groups. A virtuoso guitarist and self-taught composer, Cilio released only one LP before his untimely death at the age of 33. Dialoghi Del Presente (1977) is a work like no other, one that sounds both ancient and ahead of it's time. Produced by Renato Marengo, it features a series of muted tableaux for strings, woodwinds, guitar, chorus, piano and percussion. Cilio carves out a space where subtle, repetitive phrases yield-almost imperceptibly-to breathtaking silence. As Jim O'Rourke writes, "These recordings sound as if they were to please no one but himself; they feel self-contained, introspective, and determined... You can feel in the music a sort of necessity that can be rarely found, like in This Heat's debut or Nick Drake's Pink Moon." While each subsequent "quadro" grows slightly more abstract, Cilio draws the listener into an expansive, pastoral soundscape. The closing piece, "Interludio," begins with a plaintive guitar, which is joined by haunting strings and woodwinds before concluding, poignantly, as the album began, with Cilio and his guitar, alone once more. Superior Viaduct's edition reproduces the original sleeve design. Recommended for fans of Johann Johannsson, Talk Talk's Spirit of Eden, Arvo Part and Popol Vuh.

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Johnny Cash

LP | 1957 | US | Reissue (Intervention)

43,99 €*

Acoustic Record Store Day 2026 Clear Vinyl Edition

Release: 1957 / US – Reissue

Genre: Rock & Indie

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180G Deluxe 45 RPM All-Analog MONO Edition!
Cut to Vinyl from the Original Master Tapes for the First Time in Decades!
100% Analog Mastered by CoHEARent Audio's Kevin Gray
Ultra-Quiet 180-Gram Vinyl Pressed at Gotta Groove Records
Plating and 3-Step Processing by RTI
Beautifully Restored ''Old Style '' Jacket Printed by Stoughton

Intervention Records will continue its Sun Records Hi-Fi Series-featuring classic titles from the Memphis label, mastered to vinyl from original master tapes in the Sun vaults-with a brilliant new pressing of Johnny Cash with His Hot and Blue Guitar!, the first long-playing record from one of country music's most enduring icons. The album, featuring ''I Walk The Line, '' ''Cry, Cry, Cry, '' and ''Folsom Prison Blues, '' has been given the ultimate treatment for this 180-gram, 45 RPM mono release, featuring audio from original master tapes mastered to vinyl in an all-analog process, plus restored artwork featuring new liner notes.

''I never imagined that I'd hear the iconic voice of Johnny Cash on Intervention Records! '' said Shane Buettner, Intervention Records' founder. ''And I don't think music fans around the world have ever heard Johnny's voice, or Sam Phillips' famous Sun Studio sound, as clearly and definitively as they will on this new 45 RPM mono cut. This is as close you can get to a time machine back to Memphis in the 1950s! ''

Originally issued in the fall of 1957-the first long-player for Sam Phillips' Sun Records-Johnny Cash with His Hot and Blue Guitar! showcases the stripped-down sound that would make the future Man in Black one of the most enduring and respected musicians of the 20th century. Backed only by his ''Tennessee Two '' (Luther Perkins on lead guitar and Marshall Grant on upright bass) and augmented by Phillips' signature studio slapback that gave Cash's ''boom-chicka-boom '' sound its kick, Hot and Blue Guitar! is the album that introduced many to Cash's sonorous baritone.

The LP features Cash's first three single A-sides for Sun, all self-penned: ''Cry, Cry, Cry, '' (a No. 14 country chart hit), ''So Doggone Lonesome '' (which peaked at No. 4 on the country charts) and Cash's signature original ''I Walk The Line. '' The latter was a No. 1 country smash for six non-consecutive weeks in the summer of 1956 before crossing over into the Top 20 of Billboard's pop charts. Additional standouts include Cash's renditions of fare like ''The Wreck Of The Old 97 '' and ''Rock Island Line, '' as well as a fourth original song, ''Folsom Prison Blues ''-which would top the country charts more than a decade later when Cash performed it as part of his landmark 1968 live album At Folsom Prison.

Johnny Cash with His Hot and Blue Guitar! is the second title in Intervention's Sun Records Hi-Fi Series, offering exquisite pressings of definitive country and rock material from the label's storied discography. It follows the debut release in the series (and Sun's second LP), Dance Album of Carl Perkins. The 1957 album served as a defining introduction to Perkins' pioneering rockabilly songbook, including the standards ''Blue Suede Shoes, '' ''Matchbox, '' and ''Honey Don't. '' ( ''Blue Suede Shoes, '' later covered by Elvis Presley, Buddy Holly, Eddie Cochran and countless others, celebrates the 70th anniversary of its release in 2026.)

Intervention has handled the audio presentation and packaging of these vital albums with great care and attention to detail. Johnny Cash with His Hot and Blue Guitar! was sourced from flat transfers of '' monaural master reels sourced from the Sun Records archive, which compiled the label's original 7 '' single masters. This exhaustive research process resulted in the best-sounding tape version of each of the 12 songs on the original album, as well as the first vinyl edition of the album in decades to be sourced from these tapes. Acclaimed mastering engineer Kevin Gray at CoHEARent Audio has overseen this pressing of Hot and Blue Guitar!; lacquers were plated using RTI's three-step process and pressed on ultra-quiet 180-gram vinyl by boutique pressing plant Gotta Groove Records, offering crystal-clear audio fidelity that sacrifices none of the spark of the original recordings.

The beautifully restored ''old-style '' jacket, manufactured by Stoughton Printing Co., features a new essay by noted Sun Records historian and two-time Grammy Award winner Colin Escott. His liner notes offer rich context on Johnny Cash with His Hot and Blue Guitar!, from recording to packaging, and how the album planted the seeds for Cash's singular career, spanning more than half a century. ''[Hot and Blue Guitar] was... a summary of Johnny Cash's roots and his story so far, '' he writes. ''The breadth of his song choices gave some idea of what awaited us in the years and decades ahead. ''

Tracklist:
A1 The Rock Island Line 2:08
A2 I Heard That Lonesome Whistle 2:21
A3 Country Boy 1:48
A4 If The Good Lord's Willing 1:37
A5 Cry, Cry, Cry 2:25
A6 Remember Me 1:56
B1 So Doggone Lonesome 2:33
B2 I Was There When It Happened 2:13
B3 I Walk The Line 2:42
B4 The Wreck Of Old '97 1:42
B5 Folsom Prison Blues 2:47
B6 Doin' My Time 2:33

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Tanita Tikaram

LP | 2026 | EU | Original (Cooking Vinyl)

LP | 1975 | JP | Reissue (Three Blind Mice)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Coming Soon 2026-04-18, 10:00 CEST

Tanita Tikaram’s Acoustic Album makes its long-awaited debut on vinyl for Record Store Day 2026. Available on Crystal Clear LP, this intimate collection strips her songs back to their emotional core, highlighting Tikaram’s unmistakable voice and timeless songwriting. Featuring her signature track, “Twist in My Sobriety”.

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Hidefumi Toki

Toki

LP | 2026 | UK | Original (Clay Pipe Music)

Release: 1975 / JP – Reissue

Genre: Rock & Indie

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180g vinyl LP with original obi strip and liner notes reproduction, remastered and cut by Bernie Grundman, pressed and printed in Japan. Original release completely reproduced as faithfully as possible!

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Andrew Wasylyk

Irreparable Parables

Greg Foat & Sokratis Votskos With The Giorgos Pappas Trio

Release: 2026 / UK – Original

Genre: Rock & Indie

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For his new album, Irreparable Parables, Andrew Wasylyk felt a strong desire to write a set of songs featuring an element hitherto rare in his work: the human voice. Equally strong was the conviction that he did not want to sing them himself.

The Scottish multi-instrumentalist and composer set about assembling a group of guest singers, sending out the songs to wherever they were in the world. The vocals were recorded remotely and then, like migrating birds, winged their way back to Scotland. The result is an album of great beauty which, perhaps preeminently in Wasylyk’s work, expresses the vulnerability and resilience of the human spirit.

Six singers appear on the record, represented by six songbirds illustrated on the sleeve by Clay Pipe Music’s Frances Castle. The cuckoo is a nod to Belle and Sebastian’s 2004 single ‘I’m A Cuckoo’, that band’s Stuart Murdoch being the first voice you hear on the new album. When the vocal for ‘Private Symphony #2’ arrived, says Wasylyk, “it was everything that I was looking for and more. But this is Stuart Murdoch. Of course he’s going to make something incredibly beautiful and thoughtful.”

The song lyrics were, for the most part, written by the singers. The music is Wasylyk’s creation. He navigates a sound world that lies somewhere beyond the borders of classical and jazz, ambient and abstract. It is difficult to describe, but easy to understand, which is to say to feel. That is the way Wasylyk’s work is experienced: as a feeling. It takes you back to childhood, perhaps, to feelings of comfort and safety, or to memories of walks at sunrise and sunset, or to the way a shadow falls on a particular field in a particular place at a particular time in your life. This is consoling music. That is why, though pretty, it is not merely pretty. These are songs to shore up the soul.

Wasylyk writes in a room, in his native Dundee, full of “half broken” instruments. He picks these up, plays a little, seeking an idea, a feeling, a door that lies ajar. The musical palette of Irreparable Parables includes brass and woodwind, a six-piece string section, guitar, bass, drums, vibraphone, Mellotron, Fender Rhodes, tape loops, synthesisers and percussion. The strings were arranged by the cellist Pete Harvey, a long-term collaborator.

Among the other guest vocalists are Gruff Rhys of the Super Furry Animals, Saya Ueno from Japan’s Tenniscoats and Peter Brewis from Field Music. Wasylyk himself takes the lead vocal on the title track, though a throat infection and touch of pitch-shifting have altered his singing in a way that even he, having fallen out of love with his own voice, finds acceptable.

The heart of the record can, arguably, be found in two tracks, ‘Love Is A Life That Lasts Forever’ and ‘Spectators In The Absence of God’, sung respectively by Molly Linen and Kathryn Joseph. The former, bright with trumpets, was inspired by the writing of Derek Jarman. “I was feeling deeply upset about the world and wanted to try and write some- thing that was obviously hopeful,” Wasylyk says.

‘Spectators …’ offers an emotional counterpoint. It is an “apocalyptic hymn” that seems to grapple with watching human suffering from afar, too distant to be at physical risk, but experiencing the psychological wounding, and feelings of helplessness, even complicity, that come with constant awareness of other people’s pain. “Kathryn’s a pal, I love her dearly, and she’s a brilliant artist who really feels what she writes,” Wasylyk says. “The cracked tenderness of her voice is spellbinding.”

The album closes with an instrumental piece, ‘Soul Enters The Ocean Sun Climbs Out Of The Sea’, all piano and strings, that offers a sense of resolution and ascension. A good moment, too, for Wasylyk to reflect upon the artistic companionship that he enjoyed while making this record – the songbirds that answered his call: “These humans are incredible at what they do. I’m deeply grateful and feel so lucky. It blows my mind.”

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Impressions Of Samos

LP | 2026 | UK | Original (Blue Crystal)

Release: 2026 / UK – Original

Genre: Organic Grooves, Rock & Indie

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When most of us go on holiday to Greece, we hang out by the pool, go to the beach and maybe bring home a souvenir or two. Last year Greg went on holiday to Greece and made an album.

Synthesizer, Grand Piano and traditional Folk Instruments are blended with Field recordings to create an intriguing album of Authentic Greek Modal Folk-Jazz and soundscapes.

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2LP | 1995 | US | Reissue (Sony Legacy)

MTV Unplugged

Release: 1995 / US – Reissue

Genre: Rock & Indie

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First official 2-LP vinyl release of the classic MTV taping from 1995 featuring the standards ''The Times They Are A-Changin''' and ''Like a Rolling Stone.'' Also includes ''Knockin' on Heaven's Door,'' ''All Along the Watchtower,'' ''Rainy Day Women # 12 & 35,'' plus ''Dignity'' that had just been released on his Greatest Hits Vol. 3 that previous November, as well as ''John Brown,'' a powerful antiwar song from 1963 + ''Love Minus Zero / No Limit'' which wasn't available on the original release.

MTV Unplugged Track Listing:

Side A
1. Tombstone Blues
2. Shooting Star
3. All Along The Watchtower
Side B
1. The Times They Are A-Changin'
2. John Brown
3. Desolation Row
Side C
1. Rainy Day Women # 12 & 35
2. Love Minus Zero / No Limit
3. Dignity
Side D
1. Knockin' On Heaven's Door
2. Like A Rolling Stone
3. With God On Our Side

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Garip Black Vinyl Edition

LP | 2026 | EU | Original (Glitterbeat)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Jamie Colored Vinyl Edition

Montell Fish

LP | 2023 | US | Original (Lord's Child, Llc)

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 1975 | Reissue (Knitting Factory)

Fela Kuti

Expensive Shit

Music In Continuous Motion

Release: 1975 / Reissue

Genre: Rock & Indie

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Expensive Shit by Fela Kuti, released 1 September 2014. This version of Expensive Shit comes as a 1xLP. The vinyl is pressed as a opaque disc.

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Bill Orcutt

LP | 2026 | CZ | Original (Palilalia)

Release: 2026 / CZ – Original

Genre: Rock & Indie

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Saving Grace: All That Glitter Record Store Day 2026 Edition

Robert Plant

12" | 2026 | WW | Original (Warner)

Release: 2026 / WW – Original

Genre: Rock & Indie

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Coming Soon 2026-04-18, 10:00 CEST

Part 2 - Instrumental Gems From The 78rpm Era

Indian Talking Machine

2LP | 2026 | EU | Original (Sublime Frequencies)

Toshiko Yonekawa, Kiyoshi Yamaya & Contemporary Sound Orchestra

Release: 2026 / EU – Original

Genre: Rock & Indie

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This double LP of instrumental Hindustani, Carnatic and folk 78rpm shellac records from India comes with a full color 12-page insert of gramophone record ephemera, shops, labels, manufacturing details and graphics. The LPs feature over 25 artists recorded

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Tapestry: Koto & The Occident Hillside

LP | 1976 | EU | Reissue (Cinedelic)

15,99 €*

2LP+CD | 1998 | EU | Reissue (Because)

Release: 1976 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Manu Chao

Clandestino

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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NO VINYLE OF ANY MANU CHAO ALBUM HAS BEEN AVAILABLE ON SALE FOR AGES. ALL STUDIO & LIVE ALBUMS ARE BACK ON DOUBLE VINYL GATEFOLD FEAT. THE CD
TRACKLIST
A1. CLANDESTINO - A2. DESAPARECIDO - A3. BONGO BONG - A4. JE NE T’AIME PLUS - B1. MENTIRA... - B2. LAGRIMAS DE ORO - B3. MAMA CALL - C1. LUNA Y SOL - C2. POR EL SUELO - C3. WELCOME TO TIJUANA - C4. DIA LUNA... DIA PENA - D1. MALEGRIA - D2. LA VIE A 2 - D3. MINHA GALERA - D4. LA DESPEDIDA - D5. EL VIENTO

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Garip Golden Indie Vinyl Edition

LP | 2026 | EU | Original (Glitterbeat)

Release: 2026 / EU – Original

Genre: Rock & Indie

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2LP | 2026 | Original (Warner)

Zach Bryan

With Heaven On Top

38,99 €*

LP | 1975 | US | Reissue (Now-Again)

Release: 2026 / Original

Genre: Rock & Indie

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Zach Bryan - With Heaven On Top - Vinyl 2 LP

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Amanaz

Africa

Derya Yıldırım & Grup Şimşek

Release: 1975 / US – Reissue

Genre: Rock & Indie

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Issued in 1975, this is the articulation of Zambia’s Zamrock ethos. Its' musicians were anti-colonial freedom fighters, it envelops Zambian folk music traditions, and it rocks - hard. Amanaz were serious, and they made a serious stab at an album. They titled their album Africa, according to original band member Keith Kabwe, “because of how it was shared and how its inhabitants were butchered and enslaved, its resources stolen... all the atrocities slave drivers committed. “ Thus, their “Kale,” a blues sung in Nyanja, that traced the continent’s arc from slavery to Zambia’s independence closes the album. Kabwe and rhythm guitarist John Kanyepa have a winsome softness to their vocals, which sit politely aside the feral growl of drummer Watson Baldwin Lungu, bassist Jerry Mausala and bandleader/lead guitarist Isaac Mpofu. Africa’s vibe ranges from anxious (“Amanaz”) to escapist (“Easy Street”) to straight-up pissed-off. On the “History of Man,” his voice whiskey-burned, his distorted guitar buzzing like swarming hornets, Mpofu indicts his species. There’s a darkness to Africa not found on any other Zamrock records, and a melancholy drifts throughout, specifically on Mpofu’s more restrained “Khala My Friend,” which stands as an effective, bleak situation for the Zambian everyman, the average citizen of a struggling, new nation, who might have had relatives in conflict-torn countries on the horizon, who might have been struggling to find his next meal, who might have seen a bleaker future than his president promised. Then there’s the clear Velvet Underground-influence on the nostalgic “Sunday Morning,” which, as Kabwe recalls, was the first song written for the album, back in 1968, when Velvet Undergound and Nico was a new release - and the underground funk of “Making The Scene.” The album also tackles traditional Zambian music and early-‘60s rock – punctuated, of course by Kanyepa’s wah-wah and Mpofu’s fuzz guitars. But every time Amanaz get too deep, too violent, they come back with an accessible song and woo their listener back to the groove. “Green Apple” is a civil song, featuring Kanyepa’s sighing guitar.

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Nem Kaldi

12" | 2017 | CH | Original (Bongo Joe / Catapulte)

16,99 €*

Roger Izeidi Presents Vita Matata with African Fiesta

Release: 2017 / CH – Original

Genre: Rock & Indie

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The debut-EP of this Anatolian psych-pop sensation consists of four heart-melting gems in which Turkish folk music meets groove and electric action! Singer/multi-instrumentist Derya Yildirim teams up with fantastic drummer Greta Eacott (G-Bop Orchestra, One-Take Records) and three-quarters of Orchestre Du Montplaisant (Antonin Voyant, Graham Mushnik and Andrea Piro). With members originating from Turkey, Germany, France, Italy and Great Britain, Grup Simsek encapsulates the Outernational generation. Unlike in western pop culture, Turkish pop music is often focused on traditionalised songs and endless ways of reimagining these. Grup Simsek take the righteous and rich Turkish poetry to the future whilst not losing awareness of the past.

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African Fiesta

2LP | 2025 | EU | Original (Planet Ilunga)

LP | 1976 | EU | Reissue (Wewantsounds)

Release: 2025 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The creation of the band African Fiesta, founded in 1963 by three well-known musicians, Nicolas
Kasanda, Tabu Ley Rochereau and Roger Izeidi, and the contributions of the VITA label, established by
Roger Izeidi, occupy an exciting chapter in the history of Congolese popular music. During the mid1960s, African Fiesta consistently reached the top of the hit parade. The band, which back in the day
positioned itself as a competitor to a current called ‘Fiesta Cubana’, breathed new life into Congolese
Rumba, continuing the tradition of the African Jazz school started by Joseph Kabasele.
The VITA label, with African Fiesta as their sole provider, besides four songs of Eduardo De Veracruz
Vinagre et Son Orchestre, ran between May 1963 and early 1966. It created a spectacular legacy and
back catalog full of tasteful sentiments and sensual melodies, deeply rooted in the Afro-Latin sound.
This new compilation offers a few of the classic African Fiesta songs and complements them with an
eclectic and original selection, divided into four thematic sides: Showcase, Rumba Lingala, Cha Cha
Cha & Bolero.
This double LP album comes with a 16-page booklet featuring the history of VITA and African Fiesta,
song commentary by Congolese journalist Herman Bangi Bayo, and a written catalog of the VITA
label. The heirs of Roger Izeidi kindly gave permission in Kinshasa to release this album of African
Fiesta on Planet Ilunga.

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Yoshiko Sai

Mikkou

Tether Red Clay Vinyl Edition

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Wewantsounds is delighted to continue its Yoshiko Sai reissue program with the release of "Mikkou", the Japanese singer-songwriter"s 2nd album released in 1976 on Black Records. The album, produced by ace arranger Isamu Haruna, keeps the same formula as "Mangekyou" with Yoshiko Sai"s beautiful songs and dreamy vocals over cool funky arrangements, this time featuring legendary guitarist Masayoshi Takanaka. This is the first time "Mikkou" is widely available outside of Japan, with remastered audio, original artwork and a 4 page insert including new liner notes by Hashim Kotaro Bharoocha who interviewed Yoshiko Sai for this special occasion.

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Annahstasia

LP | 2025 | EU | Original (Drink Sum Wtr)

Release: 2025 / EU – Original

Genre: Rock & Indie

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"My career has been a lesson in patience," says Annahstasia, having cultivated her musical language between blazes of intimacy and independence across different lives, locations, and iterations, loves lost and gained, expectations evaded and recreated. The rising troubadour's proximity to love for and from others, in society at large, and deeply within herself guides the spirit of her soulful, poetic folk songcraft. Love is the elemental constant, alongside her distinctly resonant voice, shading the singer-songwriter's music since her earliest self-taught recordings, back when a 17-year-old Annahstasia Enuke was discovered and propelled into the pressures of an industry that nearly stifled her greatest strengths. Artistic resilience, gratitude, and dedication to process have yielded Tether, Annahstasia's full-length debut on art-forward indie label drink sum wtr, a collection of beaming torch songs, orchestral hymns, and astral anthems that feel lived-in, drawn from the human experience and the spectrum of love.Annahstasia assembled the pieces of Tether slowly and with deep intention; she's carried these songs with her on the road, sang them for friends and strangers, and evolved them over time alongside her personal revelations. "The song is written, and then I have to live with it and see if I really believe what I'm saying," she explains. She brought material to sessions at the storied Valentine Studios in Los Angeles, joined by producers Jason Lader (ANOHNI and the Johnsons, Frank Ocean, Lana Del Rey), Andrew Lappin (Cassandra Jenkins, L'Rain, Luna Li), Aaron Liao (Liv.e, Moses Sumney, Raveena) and a range of accomplished musicians, including featured guests aja monet and Obongjayar. The recording became instinctual, done only in live takes to capture the feeling of the room, the community of the music. The sequencing was just as essential; she arrived at a flow with shifting energies and poignant arcs. The instrumentation swells, at times understated and others supremely lush, and through each arran...

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LP | 2024 | EU | Original (Wagram)

Italian Rare Groove

Mount Matsu Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume 100% italian, discover rare gems from soundtracks of erotic and detective movies as well as more confidential music libraries.With Ennio Morricone, Goblin, Piero Piccioni, Guido e Maurizio De Angelis, Armando Trovajoli, Alessandro Alessandri, Toto Cutugno...

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Yin Yin

LP | 2024 | EU | Original (Glitterbeat)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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YĪN YĪN, the highly touted Dutch quartet from Maastricht, returns with a sonically expansive third album Mount Matsu. Recorded collectively in their own studio in the Belgian countryside, the album is a kaleidoscope of sounds and influences, occupying a no man's land between Khruangbin and Kraftwerk, surf music and Southeast Asian psychedelia, Stax soul and mutant 80s disco, City pop and Japanese instrumental folk (sōkyoku). Mount Matsu sees YĪN YĪN at their most mature and adventurous stage yet. Infectious pentatonic melodicism calling for multiple rewinds.

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2LP | 2023 | EU (Nukleuz Blue)

Istanbul 70 Volume I-VI

53,99 €*

Release: 2023 / EU

Genre: Rock & Indie

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Quantity: 950
Release type: 'RSD First' Release

The original 2011 release is one of the first projects that globally focused on the golden era of Turkish popular music of the 1970s. Back then, both originals and a selection of remixes were released and created serious hype in collector scenes with rare (300 copies each) 7"s that have never been pressed again. Meanwhile, the Turkish psychedelic-folk-disco style got more popular and some collectors discovered it via this series.

Now at its 10th anniversary Nublu Records is compiling these 12 remixes under a special edition double-LP pressed on 180g purple vinyl.

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2LP | 2026 | EU | Original (Mississippi)

Men With Broken Hearts

33,99 €*

Confluence Record Store Day 2026 Colored Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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Double LP compilation of amazing deep Country Music. The most popular title in the Mississippi tape series - now on vinyl! This is the real stuff. Comes with a poster!

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Howe Gelb

LP | 2026 | UK | Original (Fire)

37,99 €*

Songs Of Gentleness 1972-1976

Release: 2026 / UK – Original

Genre: Rock & Indie

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Coming Soon 2026-04-18, 10:00 CEST

First time on vinyl since its original release in 2001. Following Giant Sand's celebrated 'Chore Of Enchantment', 'Confluence' is a beatnik travelogue traversing moods and mindsets with Howe joined by a host of friends and family along for a trip that mixes spidery piano, an Elvis cover and plenty of dustbowl ambience. "A wandering troubadour in search of treasured happenstance, Howe Gelb is an enigma." The Quietus. Pressed on Color Vinyl, 1000 copies worldwide

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John Phillips

4LP | 2025 | EU | Original (Sharp Flat)

136,99 €*

LP | 2021 | EU | Original (Not Now)

Release: 2025 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2026-03-20

Songs of Gentleness 1969-1976 is a 4LP box set that casts John Phillips of Rhodesia as the last great outsider folk discovery of the 20th century.

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Ink Spots

Best Of

20,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Best Of by The Ink Spots, released 11 June 2021, includes the following tracks: "If I Didn't Care", "I'm Beginning To See The Light", "You Were Only Fooling (while I Was Falling In Love)", "Into Each Life Some Rain Must Fall (with Ella Fitzgerald)" and more. This version of Best Of comes as a 1xLP. The vinyl is pressed as a opaque disc.

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Habibi Funk: An Eclectic Selection Part 2

2LP | 2021 | EU | Original (Habibi Funk)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Second compilation by Habibi Funk, following the success of the first part, featuring a wide range of music from North Africa and the Middle East.

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2LP | 2016 | EU | Original (Efficient Space)

Sky Girl

Gate Crash '78 Record Store Day 2026 Edition

Release: 2016 / EU – Original

Genre: Rock & Indie

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2024 restock. Sky Girl is a mysteriously unshakeable companion, a deeply melancholic and sentimental journey through folk-pop, new wave and art music micro presses that span 1961-1991. It's a DIY collection of different genres, from different countries across different decades, that are all bound by the same longing sentiment. A concept compilation! A seemingly disparate suite of selections of forgotten fables by more or less never-knowns, Sky Girl forms a beautifully coherent and utterly sublime whole deftly compiled by French collectors DJ Sundae and Julien Dechery. From Scott Seskind's adolescent musical road movie to Karen Marks' icy Oz-wave, the charming DIY storytelling of Italian-American go-getter Joe Tossini and the ethereal slow dance themes of Parisian artists Nini Raviolette and Hugo Weris, Sky Girl resonates on a wide spectrum historically, geographically and stylistically. It unites in a singular, longing, almost intangible ambience. If the names sound wholly unfamiliar that doesn't matter, the nature of the compositions swiftly nurtures an intimacy with these lonely, poignant, openhearted wanderers. Most were available in a very limited capacity at the time of their release, some were never really released at all - Gary Davenport declined to release "Sarra" after he split with the girl for whom the track is named - years later a friend convinced Davenport to allow him to put 100 copies online to sell and DJ Sundae was quick enough to snare one. Beyond their scarcity, these tracks are bound together by a certain raw beauty that's achievable when music is made and no one is listening. Sky Girl comprises of fifteen officially licensed songs, a two year international scavenger hunt through long-folded home label operations, the depths of internet forums and traceless acetates. Both compilers are well trained record sleuths - DJ Sundae's labels Hollie and Idle Press have reissued Arthur Russell affiliate Nirosta Steel and DIY relic Pitch, while Julien Dechery previously compiled Fire Star, a retrospective on Tamil film composer Ilaiyaraaja, for Bombay Connection. Released by popular NTS show "Noise In My Head" offshoot Efficient Space, Sky Girl is enriched with artwork from Perks and Mini mutant Misha Hollenbach and appropriately elegant sleeve notes courtesy of Ivan Smagghe. Includes digital download. Also features: Linda Smith, Bruce Langhorne, The Seraphims, Some of My Best Friends Are Canadians, The Rising Storm, Warfield Spillers, Joyce Heath, Angel, Nora Guthrie and Once.

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Ngozi Family

LP | 2026 | US | Original (Now-Again)

36,99 €*

LP | 2026 | US | Original (Blue Arrow)

Release: 2026 / US – Original

Genre: Rock & Indie

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Coming Soon 2026-04-18, 10:00 CEST

The lost Ngozi Family/Chissy Zebby Tembo album! Only ever test pressed and never commercially released, Now-Again presents the ultimate Zamrock rarity and an essential entry from Zambian guitarist and bandleader Paul Ngozi's catalog. Zamrock was a bona-fide rock scene: on the African continent, only Nigeria can claim one so comprehensive, and Nigeria's was largely catalyzed and funded by subsidiaries of the European major labels. Zamrock was as independent as its newly-named country, formerly known as Northern Rhodesia. Now-Again now issues this never before released full-length which includes an 8 page booklet, filled with rare photos and details on the Ngozi Family's musical journey, for Record Store Day 2026. A1. Apongozi A2. Jealousy A3. Poem Writer A4. Munzanga B1. Gate Crash B2. Easy Baby B3. Bukoko B4. Tikonde Alendo

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Jonathan Richman

Only Frozen Sky Anyway

For The Roses Record Store Day 2026 Colored Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Vinyl LP pressing of this 2025 album from the veteran singer/songwriter.

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Joni Mitchell

LP | 2026 | WW | Original (Warner)

42,99 €*

LP | 2025 | US | Original (Light In The Attic)

Release: 2026 / WW – Original

Genre: Rock & Indie

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Coming Soon 2026-04-18, 10:00 CEST

Joni's 1972 album For The Roses, was her first for David Geffen's Asylum Records. Joni originally had intended the album cover to be art that she created that was illustrative of the song, "For The Roses," and showed her cynicism to the music business at the time. Geffen vetoed her artwork because he thought it was not a good look to have a horse with roses coming out of its ass! So Joni ultimately compromised to use the Joel Bernstein photo that was ultimately the cover. This special limited edition for Record Store Day restores Joni's original vision for the cover artwork for the first time. Pressed on rose color vinyl.

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Nancy Sinatra

Nancy

Release: 2025 / US – Original

Genre: Rock & Indie

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Light in the Attic is proud to present Nancy Sinatra’s 1969 self-titled album. This definitive new edition and first ever vinyl re-release celebrates one of Nancy’s most unexplored eras.

After three years in the spotlight and at the forefront of pop music, Nancy Sinatra found herself in an unexpected yet familiar position — much like in early 1965. She was once again without a producer, without new songs, and fighting to stay on her label.

Lee Hazlewood had been Nancy’s producer, duet partner and he had written many of her hits. After an unbelievable three-year run of hits, Lee suddenly moved to Sweden without saying goodbye. Nancy was surprised and hurt, but she kept moving and evolving. She found a producer in her longtime arranger Billy Strange and discovered a young songwriter (and future superstar) named Mac Davis, who would help redefine her sound.

Simply titled Nancy, this album sits alone in her discography, hidden between her iconic 1960s albums and her funkier 1970s work. The album features country fried soul (God Knows I Love You, Son of a Preacher Man), timeless ballads (Memories) and a breathtaking orchestral, bluesy, downtempo funk version of The Doors’ Light My Fire that sounds like David Axelrod in Las Vegas, in the best possible way. It’s a transitional album, her swan song for Reprise Records, a fan favorite of the faithful and ripe for rediscovery.

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The Original Freewheelin' Bob Dylan Black Friday Record Store Day 2025 Edition

LP | 2025 | WW | Reissue (Sony)

33,99 €*

Wheels Turn Beneath My Feet II

Release: 2025 / WW – Reissue

Genre: Rock & Indie

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First ever release of The Freewheelin’ Bob Dylan as it was originally conceived, including four tracks that were withdrawn before the album came out: Rocks And Gravel, Let Me Die in My Footsteps, Rambling, Gamblin Willie and Talking’ John Birch Paranoid Blues. With the original never-before seen liner notes.

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Fink

2LP | 2025 | Original (R'COUP'D)

48,99 €*

Fire Of God's Love Deluxe Edition

Release: 2025 / Original

Genre: Rock & Indie

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Elegant pop music. Colossal hooks. Drenched in strings. Think Scott Walker, Perfume Genius, early John Grant. Lyrically it walks on the shady side of the street. Musically it's the real deal.

Previous collabs with Perfume Genius, Caroline Polachek, Laetitia Stereolab, Phoebe Bridgers and Deafheaven. Synchs on Dept Q and The Queens Gambit.

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Sister Irene O'connor

LP | 2025 | EU | Original (Freedom To Spend)

Release: 2025 / EU – Original

Genre: Rock & Indie

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LP | 2025 | US | Original (Jesse Welles)

Jesse Welles

Middle

LP | 1973 | JP | Reissue (Three Blind Mice)

Release: 2025 / US – Original

Genre: Rock & Indie

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Jesse Welles is a breakout Americana artist whose raw storytelling and unmistakable voice have struck a chord with audiences across the country. His third studio album, Middle, produced by Eddie Spear (Sierra Ferrell, Zach Bryan), delivers a mix of timeless songwriting and modern grit - anchored by the single ''Horses'', currently holding steady at #3 at Billboard AAA.
After making his national TV debut on Jimmy Kimmel Live and earning a 2025 Americana Awards nomination for Emerging Act of the Year, Welles will take the stage at Newport Folk Festival this summer, solidifying his place among Americana's darlings.
Now available on vinyl, Middle captures the spirit of an honest artist on the rise. Perfect for fans of folk, roots-driven records that stay on the turntable.

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Isao Suzuki

Blow Up

Against The Dying Of The Light White Vinyl Edition

Release: 1973 / JP – Reissue

Genre: Rock & Indie

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180g vinyl LP with original obi strip and liner notes reproduction, remastered and cut by Bernie Grundman, pressed and printed in JapaJapan importLabel: Three Blind Mice / Sony Music Labels, Inc.Cat#: MHJL322Remastered and cut by Bernie GrundmanOriginal release completely reproduced as faithfully as possiblePressed and printed in JapanOfficial Three Blind Mice reissue. Original release date: 1973 (TBM-15)

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Jose Gonzales

LP | 2026 | EU | Original (City Slang)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Kind Of Lonely: Live At Montreux Jazz Festival 1988

Tracy Chapman

LP | 2026 | EU (Dear Boss)

22,99 €*

BBC Session Record Store Day 2026 Edition

Release: 2026 / EU

Genre: Rock & Indie

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Recorded live at the Montreux Jazz Festival (Switzerland) July 1988.

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John Prine

2LP | 2026 | WW | Original (Warner)

35,99 €*

Sittin' By The Road Black Vinyl Edition

Release: 2026 / WW – Original

Genre: Rock & Indie

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Coming Soon 2026-04-18, 10:00 CEST

John Prine recorded live for BBC radio. Featuring solo performances of songs from his first two albums. First official release. 1-LP 140g black vinyl

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Blaze Foley

LP | 2025 | US | Original (Lost Art)

LP | 2005 | EU | Reissue (Balloon Ranger)

Release: 2025 / US – Original

Genre: Rock & Indie

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First time vinyl release captures legendary singer-songwriter Blaze Foley's earliest recordings. Simple, straightforward and strong, Sittin' By The Road contains 12 tracks recorded during Blaze's `tree house' days in Georgia.The tracks featured here were recorded in the mid-1970s on Blaze's home reel-to-reel machine he carried with him on his travels between Texas and rural Georgia. These songs showcase Blaze's talent in early form. The album includes several of Blaze's songs now considered classics such as Cold, Cold World; Election Day; Clay Pigeons & If I Could Only Fly. The album also boasts three Foley songs that do not appear on any other recordings; The Way You Smile, Fat Boy, and the title track.At the time of Blaze's tragic murder in 1989 he was little known outside of Austin's renegade songwriter circles. He is now revered among the pantheon of Texas' great songwriters. Townes Van Zant and Lucinda Willliams both penned moving tributes to Blaze. His songs have been covered by John Prine, Merle Haggard, Lyle Lovett, Billy Strings, and Willie Nelson.

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Ane Brun

A Temporary Dive

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Reflections Record Store Day 2026 Black Vinyl Edition

Jerry Garcia

LP | 1976 | US | Reissue (Round)

66,99 €*

Jackson C Frank Record Store Day 2026 Edition

Release: 1976 / US – Reissue

Genre: Rock & Indie

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Coming Soon 2026-04-18, 10:00 CEST

One of Garcia's most artistically unified statements of harmony, affirmation, and joy celebrates its golden anniversary with an expanded 3xLP set. Reflections (50th Anniversary Edition) presents the remastered original studio album, recorded with the Grateful Dead and the Jerry Garcia Band - plus two bonus LPs featuring studio outtakes, jams and four previously unreleased live recordings. The collection is housed in a tri-fold mirror board jacket and pressed in a limited edition of 5,000. Side A A1. Might As Well A2. Mission in the Rain A3. They Love Each Other A4. I'll Take a Melody

Side B B1. It Must Have Been the Roses B2. Tore Up Over You B3. Catfish John B4. Comes a Times

Side C C1. Mystery Train (Studio Jam) C2. All By Myself (Studio Jam) C3. Oh Babe, It Ain't No Lie C4. You Win Again

Side D D1. Orpheus

Side E E1. They Love Each Other (Live - Nov. 12th, 1976) E2. Catfish John (Live - Feb. 25th, 1976)

Side F F1. Tore Up Over You (Live - Feb. 25th, 1976) F2. Mission in the Rain (Live - Oct. 17th, 1975)

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Jackson C. Frank

2LP | 1965 | WW | Reissue (BMG Rights Management)

42,99 €*

Release: 1965 / WW – Reissue

Genre: Rock & Indie

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Coming Soon 2026-04-18, 10:00 CEST

Found Dogs Record Store Day 2026 Edition

John Prine

LP | 2026 | Original (Oh Boy)

Nancy Sinatra & Lee Hazlewood

Release: 2026 / Original

Genre: Rock & Indie

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Coming Soon 2026-04-18, 10:00 CEST

To celebrate the 30th anniversary of Lost Dogs & Mixed Blessings, Found Dogs uncovers rare recordings from the original sessions. The record includes alternate takes, acoustic versions, and four never-before-heard tracks all newly mastered for vinyl that offer a deeper look into John Prine's creative process. Featuring gems like "Hey Ah Nothin'," "World Without Love," and "Dogs in Burlington," the collection captures Prine's humor, heart, and storytelling. This foil-numbered LP is exclusive to Record Store Day, giving fans the first chance to experience these long-lost moments before any digital or D2C release.

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Nancy & Lee Again Big Red Balloon Swirl Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

18,99 €*

Nancy Sinatra & Lee Hazlewood

Release: 1972 / US – Reissue

Genre: Rock & Indie

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* LP available on Standard Black Wax plus Special Limited Color Editions
* First ever reissue of Nancy & Leeâ€™s 1972 classic
* Includes bonus tracks â€œMachine Gun Kellyâ€ and the previously unreleased â€œThink Iâ€™m Coming Downâ€
* Newly remastered from the original analog tapes by GRAMMYÂ®-nominated engineer John Baldwin
* Vinyl pressed at RTI
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMYÂ®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatraâ€™s personal archive
* CD housed in a digipak and featuring a 28-page booklet
* 8-track also available
* Actual LP pressing color may differ from mock-up image

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Nancy & Lee Again Black Vinyl Edition

LP | 1972 | US | Reissue (Light In The Attic)

18,99 €*

Estrela Acesa Black Vinyl Edition

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pairâ€™s most enduring and ambitious duets including the epic â€Arkansas Coal (Suite),â€ the sensual â€œParis Summerâ€ and the incredibly powerful Dolly Parton-penned â€œDown From Dover.â€ Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activistâ€™s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissueâ€™s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, â€œMachine Gun Kellyâ€ (first time on vinyl) and the previously unreleased â€œThink Iâ€™m Coming Down.â€

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancyâ€™s Bootique at *NancySinatra.com*.

Nancyâ€™s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the weekâ€™s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972â€™s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with â€œThese Boots Are Made For Walkinâ€™.â€ Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancyâ€™s solo hits. Soon, the duo found success with a series of duets, including â€œSand,â€ â€œSummer Wine,â€ and â€œSome Velvet Morningâ€ â€“ all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. â€œTrivial music and not profound music became unimportant,â€ recalls Nancy, speaking to Hunter Lea. â€œIt was a tough time.â€ And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood â€“ who reprised his role as producer â€“ chose to take a new direction with the duoâ€™s sophomore album. Nancy recalls, â€œIt was more dramatic; it was more fun to do, more challenging to doâ€¦. It was more grandiose.â€ For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presleyâ€™s TCB band, whose early â€˜70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewoodâ€™s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the albumâ€™s cinematic opener, â€œArkansas Coal (Suite).â€ Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the minerâ€™s daughter and his wife. Hazlewoodâ€™s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in â€œParis Summer,â€ which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, â€œDid You Ever,â€ which was released as the albumâ€™s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Partonâ€™s â€œDown From Dover.â€ The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Partonâ€™s 1970 version was sung from the teenagerâ€™s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the manâ€™s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is â€œCongratulations,â€ which describes a soldier coming home from Vietnam. â€œHis face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,â€ Hazlewood sings, pointedly. Nancy, who performs as the vetâ€™s wife, argues that the song had a deeper meaning for her duet partner. â€œLee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didnâ€™t talk about it, but at some point, he changed radically. â€˜Congratulationsâ€™ was almost like an apology from him. I donâ€™t want to put words in his mouth, but it was as though he was saying â€˜Iâ€™m really sorry.â€™â€

The song â€œFriendship Trainâ€ could also be interpreted as an apology of sorts â€“ this time to Nancy. â€œYou've been hurt and I've been hurt/Now we're living pain,â€ the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. â€œI felt pretty betrayed. I mean, who does that? Who just up and disappears like that? Iâ€™ll never understand it,â€ she reveals. But the uplifting duet â€“ a slice of â€˜70s pop perfection â€“ offers reaffirming words of love between friends. â€œ[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,â€ explains Nancy.

The 10-track album closes with the stripped-down â€œGot It Together.â€ Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. â€œI wish that weâ€™d quit getting so old,â€ laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings â€“ this time asking his partner, â€œCan I go back to Sweden?â€ With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo â€“ but fit right in with the psychedelic pop of the era. The first one, â€œThink Iâ€™m Coming Down,â€ is a harmony-filled reflection on a toxic relationship. â€œI think that was one of [Leeâ€™s] drug things. I donâ€™t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,â€ explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is â€œMachine Gun Kelly,â€ penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed â€œMachine Gun Kellyâ€ during their residency at Las Vegasâ€™ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancyâ€™s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. â€œWe didnâ€™t have label support at all in those days,â€ recalls Nancy. â€œWithout the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. Itâ€™s a very ageist kind of business.â€ Nevertheless, she adds, â€œI think itâ€™s a very good album. I think itâ€™s timeless.â€ Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancyâ€™s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums â€“ her duets with Hazlewood among them â€“ and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when â€œThese Boots Are Made For Walkinâ€™â€ was inducted into the Grammyâ® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkinâ€™ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatraâ€™s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

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Sessa

LP | 2022 | EU | Original (Mexican Summer)

Be Right Back Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Vinyl LP pressing. So Paulo's Sessa returns with Estrela Acesa, an enchanting collection of songs adorned with elegant strings and hypnotic rhythms, honoring post-tropicalia masters like Arthur Verocai, Jorge Ben, and Milton Nascimento. If Grandeza, Sessa's acclaimed debut album, was about the drunkenness of love, Estrela Acesa is about love's hangover. Side A Gostar do Mundo Cancao da Cura Sereia Sentimental Msica Helena Pele da Esfera Side B Dor Fodida Irmao de Nuvem Que Lado Voce Dorme? Ponta de Faca Voce e a Musica Estrela Acesa

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Jorja Smith

LP | 2021 | EU | Original (Membran)

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2019 | EU | Original (Glitterbeat)

Gece

LP | 1965 | US | Reissue (Antarctica Starts Here)

Release: 2019 / EU – Original

Genre: Rock & Indie

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Nominated for a Grammy!

Following their hotly tipped 2018 debut album “On” – Altın Gün returns with an exhilarating second album. “Gece” firmly establishes the band as essential interpreters of the Anatolian rock and folk legacy and as a leading voice in the emergent global psych-rock scene. Explosive, funky and transcendent.

The world is rarely what it seems. A quick glance doesn’t always reveal the full truth. To find that, you need to burrow deeper. Listen to Altın Gün, for example: they sound utterly Turkish, but only one of the Netherlands based band’s six members was actually born there. And while their new album, Gece, is absolutely electric, filled with funk-like grooves and explosive psychedelic textures, what they play – by their own estimation – is folk music.

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Jackson C. Frank

Francoise Hardy Gatefold Sleeve Edition

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Jackson C. Frank’s eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside.

Frank’s backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly became a fixture of the bustling folk scene. Performing a mix of blues standards and originals, he met fellow ex-pat Paul Simon who would put up the money to record Frank’s only LP.

For such a sparsely recorded work, Jackson C. Frank covers a lot of ground. From the rugged, world-weary opener “Blues Run The Game” to the stunning melancholy of “Milk And Honey,” Frank’s nimble acoustic guitar and passionate howls are all that is needed to power such authentic songwriting. Captured in a single-day session, these ten tracks are stark, gritty and seemingly out-of-place with time. There may be no ‘60s folk record that is simultaneously as rare and influential as Jackson C. Frank’s self-titled debut.

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Francoise Hardy

LP | 2017 | EU | Original (Dol)

16,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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LIMITED EDITION 500 COPIES INDIVIDUALLY NUMBERED ON CLEAR VINYL! Francoise Hardy became an international sensation during the early 1960s through her albums on Disques Vogue, the French jazz label that then began showcasing chanson. She signed to the label at seventeen after answering a newspaper advertisement recruiting unknown singers while she was a freshman at the Sorbonne, the B-side of debut single, 'Tous Les Garcons Et Les Filles,' brought her to the forefront of the Yé-yé movement, mixing chanson with Anglophone rock and pop, and paving the way for this debut LP, which was lauded by the likes of Bob Dylan and Mick Jagger. This first offering is still arguably her best - grab it now to understand why!

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Bringing It All Back Home

LP | 1965 | EU | Reissue (Sony)

18,99 €*

Release: 1965 / EU – Reissue

Genre: Rock & Indie

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La Onda De Elia Y Elizabeth

Elia Y Elizabeth

LP | 2014 | EU | Original (Vampisoul)

Live From NPR's Tiny Desk Record Store Day 2026 Edition

Release: 2014 / EU – Original

Genre: Rock & Indie

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The recordings that the sisters Elia and Elizabeth Fleta made, hand in hand with music arranger Jimmy Salcedo in the early seventies in their native Colombia, remained hidden like lost pearls in the undervalued musical pop history of Latin America until today. Their concise and natural mix of styles sways between soft-pop with a touch of tropical-pastoral funk, singer-songwriter sweetened by the subtle perfume of Caribbean music and the psychedelia of a world in the midst of discovering all the possibilities offered by the recording studio. These elements blended graciously and fortuitously, brimming with freshness, in a perfect partnership of sharp melodies with lyrics inspired by a genuine juvenile curiosity about life's mysteries, love and nature in their simplest forms.

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Billy Strings

LP | 2026 | WW | Original (Reprise)

LP | 2026 | EU | Original (Discreet Music)

Release: 2026 / WW – Original

Genre: Rock & Indie

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Coming Soon 2026-04-18, 10:00 CEST

Recorded Nov. 6, 2025 at NPR Studios in Washington, DC. Video/Audio content was released on YouTube and NPR on Dec 10, 2025. This vinyl EP will be the first physical media made available. Limited to 7000 copies.

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Roy Montgomery

Guitars Infernal

Another Year Older Green Marbled Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Roy Montgomery was born in London, England but lives in ?tautahi Christchurch, Aotearoa New Zealand. Roy is essentially a home recording artist who makes compositions on six-string electric guitar some of which have vocals added. Across several decades he

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Larry Fleet

LP | 2026 | US | Original (Empire)

2x7" | 2026 | JP | Original (Forth Wave Factory)

Release: 2026 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2026-03-27

On "Another Year Older," Larry Fleet cements his status as country music’s premier blue-collar soul-singer, delivering a masterclass in honest, salt-of-the-earth storytelling. Shifting his gaze toward the reflective milestones of adulthood, the White Bluff, Tennessee native trades the restless energy of his earlier work for a grounded, hard-won perspective on what truly lasts. The project seamlessly blends the grit of classic 70s country with the soaring, gospel-infused vocal power that has become his trademark, capturing the quiet dignity of the working class and the profound beauty found in the everyday. From the steady wisdom of the title track to the heartfelt odes to faith and family, Fleet treats the passage of time not as a burden, but as a teacher. It is a record for the dreamers and the doers alike—a soulful, unvarnished progress report from a man who has clocked the miles, felt the weight of the world, and realized that getting older is just another word for getting it right.

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Sean Wolcott

Nine Lives Aren't Enough

2LP | 2026 | US | Original (Big Loud)

Release: 2026 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Exclusive Japan-only 7-inch release featuring vocal and instrumental versions

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Kashus Culpepper

Act I Red Vinyl Edition

48,99 €*

Death In The Business Of Whaling

Release: 2026 / US – Original

Genre: Rock & Indie

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The 18-song collection from acclaimed Southern crooner Kashus Culpepper, recorded in Muscle Shoals, channels all the Alabama-native's layered influences of country, folk, rock, blues and soul into a cohesive debut project for the ages. Featuring GRAMMY Award-winning collaborators Sierra Ferrell (''Broken Wing Bird'') and Marcus King (''Southern Man''), Act I includes career defining lyrical masterworks like ''After Me?,'' ''Cherry Rose'' and ''Alabama Beauty Queen.'' Culpepper's husky, sandpaper growl bellows like a freight train over his self-penned stories that are as raw and real as they are haunting.

Tracklisting

SIDE A:
1. Intro
2. Southern Man (feat. Marcus King)
3. Alabama Beauty Queen
4. Woman
5. Break Me Like
SIDE B:
6. Believe
7. Stay
8. Mean To Me
9. Broken Wing Bird (feat. Sierra Ferrell)
SIDE C:
10. Better Weather
11. That's The Feeling
12. Man Of His Word
13. In Her Eyes
SIDE D:
14. Is It True
15. After Me?
16. Out Of My Mind
17. House On A Hill
18. Cherry Rose

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Searows

LP | 2026 | Original (Last On Earth)

LP | 2025 | UK | Original (All Night Flight)

Release: 2026 / Original

Genre: Rock & Indie

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Searows-aka Pacific Northwest singer-songwriter and guitarist Alec Duckart-is pleased to announce his new album Death in the Business of Whaling, set for release on Friday 23rd January 2026 via Last Recordings On Earth. Though Death in the Business of Whaling arrives as Searows' second album, it's the product of many firsts, including his first time recording outside the creative cocoon of his bedroom. His 2022 debut Guard Dog was written, recorded and self-produced in Duckart's Portland home and independently released with little expectation as to how it would be received. The music soon found a passionate audience that were already sharing snippets of Duckart's music via communities on TikTok and received co-signs from prominent artists such as Ethel Cain and Gracie Abrams, both of whom he went on to support on tour.

Tracklist
Belly of the Whale
Kill What You Eat
Photograph of a Cyclone
Hunter
Dirt
Dearly Missed
Junie
In Violet
Geese

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Jemima

Even The Dog Knows

22,99 €*

LP | 2025 | UK | Original (Prah)

Release: 2025 / UK – Original

Genre: Rock & Indie

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Ready? …and record.

A wobbly loop of found sound. Almost inaudible speech from an unidentified documentary. Lapping waves of folk guitar created at the edges of the player’s ability. A haunted melodica. Mumbled vocals that reinvent the singer’s uncertain

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Clemanetine March

Powder Keg

Release: 2025 / UK – Original

Genre: Rock & Indie

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London-based French chanteuse, multi-instrumentalist & composer Clémentine March shares her new single of entrancing avant-pop ‘After The Solstice’, from her upcoming new album ‘Powder Keg’.

Enriched by influences from jazz, folk and Brazilian music, ‘After The Solstice’ was initially inspired by a time spent touring the UK with acclaimed folk singer Naima Bock. For Clémentine, the song explores “the theme of memory and reminiscence” and employs an absorbing sense of cyclical repetition; a musical device used “to evoke the deja vu sensations we all experience in life”.

Out of life on the road, everyday recurrence and contemplative retrospection, Clémentine creates a profoundly hypnotic anthem on ‘After The Solstice’, both mellow and fervent. Evoking the likes of Stereolab, The Raincoats and Cate Le Bon, it’s a mesmeric singalong of graceful vocal lilts and poised musicianship, with every element moving in beautiful unison.

Recorded & arranged with Ollie Chapman (bass) & Sophie Lowe (drums), and featuring vocal contributions from Naima Bock, Sophie Jamieson, Katy J Pearson, MF Tomlinson, Marika Tyler-Clark, Robyn's Rocket and Alabaster DePlume, ‘After The Solstice’ is the first glimpse of Clémentine’s third album ‘Powder Keg’, following the rich international eclecticism of her debut album ‘Le Continent’, and the beguiling intimacies of her second LP ‘Songs of Resilience’.

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Une Voix M'appelle The Modern Lebanese Sounds Of The Voix De L'Orient Label 1967-1984 V.1

LP | 2025 | US | Reissue (Now-Again)

LP | 2025 | US | Original (No Quarter)

Release: 2025 / US – Reissue

Genre: Rock & Indie

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Now-Again Records Presents – Une Voix M’Appelle: The Modern Lebanese Sounds Of The Voix De L’Orient Label. Vol. 1. 1967 – 1984 Arabic Pop, Oriental Funk, Jazz Fusion And Experimental Synth: The Birth Of The Modern Lebanese Musical Adventure, Presented As A Survey Spanning The High Points Of Two Decades Of Releases On The Groundbreaking Voix De L’Orient Label Those profiled include Egyptian guitarist Omar Khorshid, maverick producer/arranger/composer Elias Rahbani, mysterious talents like Nicolas Dick and Robert Maalouf and the father of the label’s founder, Abdallah Chahine, a pianist of immense talent. As told in detailed liner notes by DJ, music researcher and legacy-keeper Ernesto Chahoud and Natalie Shooter, this period of Lebanese music formed the soundtrack to the city of Beirut during its multiple transformations, from its 1950s to 1960s heyday as ‘the Switzerland of the Orient’ through to the mid 1970s and 1980s, when it soundtracked the tragic days of the Lebanese Civil War. From Chahoud’s liner notes: “I spent years going through thousands of titles from one of the largest catalog of Lebanese and Arabic music, by one of the earliest labels in the Arab world, Voix De L’Orient, to handpick the 12 songs that represent a survey into this momentous catalog.The Lebanese musical experiment, stretching almost seven decades, has offered one of the most complex and fully fledged modern Oriental scenes of the Arab world. These 12 songs were released in different periods and embody a wide range of musical ideas from the most adventurous on the Voix De L’Orient label, those musicians that played major roles in the renaissance of ancient musical traditions. So, from the ’60s and ’70s, you’ll hear Adballah Chahine improvising on Oriental scales on a custom-made piano that he developed in order to play quarter tones; you’ll engage the radical approach to folkloric music from the legendary Iraqi composer and oud player Munir Bechir; you’ll enjoy the timeless blend of Occidental and Oriental forms as fused by the genius Elias Rahbani. The songs by Georgette Sayegh, Adib Abou Antoun and Robert Maalouf give a sense of Lebanon’s unique ’70s and ’80s pop sounds.You might think that this music comes from a foreign, faraway culture, and I suppose it does, for some, but this music is close to us all. This anthology is presented 100 percent free of cultural appropriation. This album is a genuine attempt to escape the ephemeral aspect of everyday, fast music fashions. This album is absolute beauty to play out loud, while waiting for the second volume to come.”

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Michael Hurley

Broken Homes And Gardens

Taiji No Yume Clear Vinyl Edtion

Release: 2025 / US – Original

Genre: Rock & Indie

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Broken Homes and Gardens, the final studio album from Michael Hurley, was completed inMarch 2025 just before Hurley left for his final shows in Asheville and Knoxville. He had beenworking on these 11 tracks for the past three years at The Rope Room studio in Astoria,Oregon with the same crew as his 2021 LP The Time of the Foxgloves (Kati Claborn andLuke Ydstei of The Hackles and engineer Brian Bovenizer). As was common with HurleyLP's: there are re-workings of older compositions ("Indian Chiefs and Hula Girls","Abomidable Snowman") alongside new songs ("Fava", "The Monkey") making for abrilliant final collection, and capping off one of the most consequential bodies of workof any American songwriter.

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Yoshiko Sai

LP | 1977 | JP | Reissue (P-Vine)

35,99 €*

Low Sun / Los Chicos Tristes (El Michels Affair Remix)

Release: 1977 / JP – Reissue

Genre: Rock & Indie

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Continuing from her debut album, Yuji Ohno once again joins as arranger, further enriching the musical depth of Sai’s surreal and eerie world, reminiscent of Kyusaku Yumeno’s literary strangeness. As suggested by the title Taiji (Fetus), this album delves even deeper into an introspective spiritual journey. At just 24 years old, Yoshiko Sai stood as a poet, painter, and singer—an artist in a league of her own. The album’s artwork is a masterpiece, and the reissue features a nearly transparent clear vinyl, evoking the ethereal world of the unborn.

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Hermanos Gutiérrez

7" | 2024 | US | Original (Easy Eye Sounds)

16,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Palilalia)

Bill Orcutt

How To Rescue Things

LP | 2023 | EU | Original (Melody As Truth)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Charlie Parker's first album with a string section landed in 1950, ten years after his debut recordings. Although the overtly lush arrangements of Charlie Parker with Strings were Parker's idea, the record must've been something of a relief to producer Norman Granz, especially when the sides went on to become Bird's best-seller, by a long shot. The record (and its follow-up) sparked something of a jazz-strings virus, infecting Nina Simone, Paul Desmond, Clifford Brown, and (later) Miles and Trane. And while the latter entries in that list were clearly bending their arrangements into space-age forms (and the arrangers—Gil Evans, Eric Dolphy—were becoming much hipper), these ubiquitous strings albums established a jazz cliché of sorts. They were a shot for the charts at worst, an attempted reinvigoration of tired easy-listening ear candy at best. How to Rescue Things, landing 15 years into Bill Orcutt's 'rediscovery' years, marks a somewhat tardy entry into the string- sweetening sweepstakes. In a post-chart, post-irony world, no one is going to mistake this as a bid for mainstream ears—nor are too many pop-gobblers going to paste this into their 'Chillax' playlist. With loops of dulcet, birdsong choruses, syrupy strings, and plucked harps clipped from an RCA easy-listening disc, the zombie strings conjure not red leather couches, cotton slankets, and yuzu martinis, but rather a clockwork mortuary, an undead Who-ville and a cigarette butt drowned in bottom-shelf scotch. In contrast to Orcutt's previous reanimation of yesterday's hit parade, How to Rescue Things instead takes as its foundation the oily underbelly of the American songbook, the relentless gears that churn melody into newly consumable and marketable forms—simultaneously ersatz, soothing, and funereal. It's easy to use saccharine, easy-listening settings to deconstruct the romanticism of the past. Yet How to Rescue Things is not an ironic record. True to its title, the transparently corny strings serve not as a meditation on cultural vacuity, but as an attempt to rehabilitate the clichés of the past, 'rescuing' them as improvisational grist for new melodic content. They serve as a harmonic substrate for some of Orcutt's most complex playing, and free him to explore the solo-as-such without the need to imply an underlying tune (unlike Orcutt's previous acoustic explorations of nostalgic song). Orcutt's razor-sharp Fender slices through the satiny settings in angular and unexpected ways, particularly in the final tracks 'Requiem in Dust' and 'The Wild Psalms,' where his double picking swerves into almost Sharrock-ian territory. But ultimately, true to the Parker records that started this whole trope in the first place, Orcutt sticks to a complex yet tonal path throughout, imbuing tracks like 'Not Reconciled' (with its crooned 'Oh my god' and a cheeky 'amen' tacked to the end) with wide-eyed romantic optimism that goes down strange in a deathbed ballad. But ultimately, it's not strange at all. Rather, this palliative track celebrates a necessary, death-defying joy in the face of darkness—whether genuine or performative is unimportant. And what's more genuinely American than whistling past the graveyard? Just ask Judy Garland."—Tom Carter

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Jonny Nash

Point Of Entry

Cloud 9: Megan's Signature Pink Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Melody As Truth founder Jonny Nash returns to action with his first solo album in four years.

Over the course of eleven mesmerising tracks, Nash points the compass gently inwards, casting aside any conceptual frameworks in favour of exploring an imaginative and idealised “personal folk music” that combines elements of traditional acoustic music with the producer’s richly immersive interpretation of ambient, a sound he has been developing for well over a decade.

From the smudged acid-folk bliss of ‘Theories’ and ‘Eternal Life’, to the layered acoustic guitars of ‘All I Ever Needed’ and the delay-soaked, Durutti Column-esque ‘Light From Three Sides’, a wide variety of musical textures weave their way throughout the album.

Point of Entry is much more than a mere ‘guitar album’ – it draws on a rich and diverse palette to achieve its purpose. The delicate saxophone work of ambient-jazz contemporary Joseph Shabason swells on ‘Ditto’ and ‘Light From Three Sides’. Cascading piano lines ripple through the crystal clear sonic waters of ‘Face of Another’, whilst echoes of Nash’s work with Gigi Masin and Young Marco as Gaussian Curve appear in the dancing synth sequences of ‘Ditto’ and ‘Golden Hour’. Nash’s reverb-laden voice also appears for the first time since 2016’s critically acclaimed Exit Strategies, used delicately throughout the album to conjure up a world of dusk and golden light.

Combining the delicate human touch and naivety of earlier Melody As Truth releases with widened scope and vision, Point Of Entry is arguably Nash’s most complete work to date – an album that’s as much a statement of his “personal folk” vision as a future ambient classic.

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Megan Moroney

LP | 2026 | US | Original (Columbia)

35,99 €*

LP | 2025 | US | Original (Royal Oakie)

Release: 2026 / US – Original

Genre: Rock & Indie

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Megan Moroney - Cloud 9: Megan's Signature Pink VinylCloud 9 is the third studio album from MULTI-PLATINUM phenomenon Megan Moroney. Building on the massive momentum of 2024s era-defining Am I Okay, the Country superstars latest LP features her Billboard Hot 100 smash 6 Months Later and hit ballad Beautiful Things.Packaging includes a gatefold jacket with 24x36 poster on Megans Signature Pink vinyl.

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Mia Wilson

42,99 €*

Agogo Makes The World Go Round 2

Release: 2025 / US – Original

Genre: Rock & Indie

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Mia Wilson is the debut album from Southern California singer-songwriter Mia Wilson. Produced by Tim Ramsey (Vetiver, Little Wings, Kacey Johansing), the album blends piano and guitar based compositions with lush orchestral arrangements to create a backdrop for Wilson's introspective lyrics and captivating mezzo-soprano vocals.

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Nené Vasquez & Super Oud

7" | 2026 | UK | Original (Agogo)

13,99 €*

2LP | 2026 | UK | Original (Lobby Art Editions)

Release: 2026 / UK – Original

Genre: Rock & Indie

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This 7" record by Agogo Records features two remixes by Mo' Horizons. Track one is a cover of Nat King Cole's "Calypso Blues", performed by percussionist and singer Nené Vasquez, who is part of the Mo' Horizons family and used to play in Shakira's band in a former life. Super Oud is a musical project from Bremen, Germany, combining traditional Middle Eastern sounds with modern electronic grooves.
a. Nené Vasquez - Calypso Blues (Mo' Horizons Remix) Written by Nat King Cole & Don George. Published by Crestview Music. Original production by Nené Vasquez. Remix production by Ralf Droesemeyer. Lead Vocals by Inna Vizotska. Additional Remix Vocals by Frankie Figueroa. b. Super Oud - Zala (Mo' Horizons Remix) Written by Claas Bösling & David Niedermayer. Original production by Claas Bösling. Remix production by Ralf Droesemeyer. Oud by David Niedermayer. Remix Vocals by Marriam.

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Old Saw

The Wringing Cloth

39,99 €*

Dandelion White Vinyl Edition

Release: 2026 / UK – Original

Genre: Rock & Indie

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'Like the sharpshooting carnival contestant who knows that the winning practice isn’t to aim for the red star itself, but rather to shoot out a perimeter around the star and thus remove it, Old Saw have historically dealt with forms by tracing their boundaries rather than going for the target outright. If the first three records hinted at but never touched song-shaped forms, The Wringing Cloth makes at least glancing contact while retaining the layered haze and drawl that threads their sound together.
'Contrary to the often-used ambient tag, Old Saw shows up here in a markedly active and sculpted form — manipulating, unwinding, and pivoting with a strange and warped precision. What has always been uncanny about this music is that it arrives in a state at once familiar and obscured, like a memory weighed down with sensory information but no identifying details to place it.
'The Wringing Cloth walks off further into that geographical dream without time or language until it’s just a speck of light.'

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Ella Langley

LP | 2026 | Original (Sony)

43,99 €*

LP | 2021 | EU | Reissue (Astigmatic)

Release: 2026 / Original

Genre: Rock & Indie

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Ella Langley's second studio album features 18 tracks centred on themes of growth, resilience, and hope. The album includes the US Billboard Hot 100 hit 'Choosin' Texas', released in October 2025, alongside the title track 'Dandelion'.

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Jaubi

Nafs At Peace 7th Press

Gift From Euphoria Record Store Day 2026 Edition

Release: 2021 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.

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Euphoria

LP | 1969 | US | Reissue (Jackpot)

LP | 2025 | US | Original (Big Loud)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Coming Soon 2026-04-18, 10:00 CEST

Originally released on Capitol Records in 1969, Euphoria's debut album A Gift From Euphoria is an unsung album; one with incredible sonic radiance, masterful songwriting, and everlasting harmonies-with their fantastical combination of psychedelic, folk, country, and hard rock.

The 15 songs set up a journey through the best of what had been happening within modern music by 1969. Comparisons to The White Album are apt as it leaps from genre to genre with shocking confidence, as if they knew this was their only chance to say it all

But it was too good to last as this was the only album Euphoria made, one that is critically championed in hindsight and highly sought after nowadays, and it is Jackpot Records honor to be able to bring it to you.

Now reissued from the original analog master tapes with the original cover artwork exclusively for RSD 2026. Limited to 1000 copies

All Analog Process (aaa) From The Original Master Tapes Pressed on Premium Black Vinyl Cut by Kevin Gray at Cohearent Audio RSD Exclusive Limited to 1000 copies for RSD 2026 Side A 1. Lisa 2. Stone River Hill Song 3. Did You Get The Letter 4. Through A Window 5. Young Miss Pflugg 6. Lady Bedford 7. Suicide On The Hillside, Sunday Morning, After Tea

Side B 1. Sweet Fanny Adams 2. I'll Be Home To You 3. Sunshine Woman 4. Hollyville Train 5. Docker's Son 6. Something For The Milkman 7. Too Young To Know 8. World

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Stephen Wilson Jr

Blankets

LP | 2012 | US | Reissue (Dead Oceans)

Release: 2025 / US – Original

Genre: Rock & Indie

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The four-track collection is a love letter to beloved alternative rock and indie songs from the nineties and early aughts. A member of Rolling Stone's 2025 Future of Music class, Stephen Wilson Jr. offers his take on Nirvana's ''Something In The Way,'' ''Hunger Strike'' (Temple of the Dog), ''Clark Gable'' (The Postal Service) and ''Tonight, Tonight'' by The Smashing Pumpkins. Available on 12'' vinyl with B-side etching in standard jacket.

Tracklisting

SIDE A:
1. Something In The Way
2. Hunger Strike
3. Clark Gable
4. Tonight, Tonight
SIDE B:
(Etching)

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The Tallest Man On Earth

There's No Leaving Now

7" | 1973 | EU | Reissue (Arsivplak)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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LP version comes with download of the album."There's No Leaving Now", the newest record from Kristian Matsson's aptly titled moniker, The Tallest Man On Earth, finds the Swedish troubadour trading in the sense of urgency that fueled his first two records for a confidently relaxed approach. The results are paralyzing. Drums, piano, baritone guitar, woodwinds and pedal steel layer this collection of songs that never compromise virtuosity for immediacy. The songwriting is every bit as detailed and captivating as his previous work, but this time around, Matsson is showing a few more cards. The music of the Tallest Man on Earth has traditionally centered around the power of performance and has served as a reminder that directness is the best course of action. However,...

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Figen Han

Pisi Pisi / Haydi Bastir

2LP | 2021 | EU | Original (Columbia Local)

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Incredibly cool & rare Turkish 45 from 1973 with super-groovy, psychedelic, jazzy, hot sounds reminding both Rita or Cal Tjader. Not to mention the cover artwork! You will Never find this original in more than VG+, no care what you’re willing to pay. Get this super reissue now and get your party on fire!!! Licensed 1000 copies press.

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Wardruna

Kvitravn

The Slam! Years (1983-1988)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Kvitravn by Wardruna, released 22 January 2021, includes the following tracks: "Skugge", "Gylgjutal" and more. This version of Kvitravn comes as a 2xLP in a(n) Gatefold Sleeve, Printed Inner Sleeve(s) packaging. This release comes with (a) LP-Booklet. The vinyl is pressed as a opaque disc. Another vinyl is pressed as a opaque disc.

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Hamid El Shaeri

LP | 2022 | EU | Original (Habibi Funk)

The Age Of Aquarius Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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If you were to ask for a defining Habibi Funk track, there are a few that come to mind: from Fadoul’s “Sid Redad,” Dalton’s “Soul Brother” to Ahmed Malek’s “Omar Gatlato.” However, none are as widely connected with us at this point as Hamid Al Shaeri’s “Ayonha.” We heard the track for the first time when we were working on selecting tracks for your first compilation and we instantly loved it. We obviously had heard of Hamid El Shaeri’s music before, but only material from his Al Jeel phase when he was already the full-blown superstar he is now. Listening to his releases from the early 1980’s opened a whole new door for us. At the time, Hamid had just left Libya to pursue his career in Egypt via a detour in London, where he recorded his first album.

Hamid’s distinct sound of the sound is quintessentially reliant on heavy synths and so it was particularly important to purchase these synths in a timely manner. “Whenever a new one [synthesizer] would come out, we would have to buy it immediately, otherwise someone else would get their hands on that sound.” London also played an important role for Hamid as a musical epicenter. He fondly reminisces about the many live shows he attended there, including some of the biggest international musicians like Freddie Mercury and Michael Jackson.

After returning to Cairo where he also recorded his following albums, he connected with Slam! for the release of his debut, laying the foundation of a collaboration that lasted for 5 albums.

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Yin Yin

LP | 2022 | EU | Original (Glitterbeat)

Tony Allen & Hugh Masekela

Release: 2022 / EU – Original

Genre: Rock & Indie

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“Yīn Yīn hop and bound along, being whisked up by the pure joy of their experimentation, unafraid to see how far from home it takes them...eccentric, boundary-bashing, genre-melding groove.” – The Line of Best Fit

Funk and disco beats. Electro experimentation. Global retro vibes. A shimmering, cinematic sweep.

The Dutch band YĪN YĪN’s dazzling second album dives even deeper into dance floor propulsion and space travel atmospherics than their lauded debut The Rabbit that Hunts Tigers (2019).

While there is an expanded sonic richness on the new album as samples, drum computers and otherworldly synthesizers intertwine with the band’s taut playing, more than anything The Age of Aquarius is a simple, direct appeal to dance. The record’s groove manifesto can be put down to YĪN YĪN’s experiences on the road, where the positive energies picked up from their audiences fed back into a sound that increasingly “kept people moving.”

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Rejoice Special Edition

2LP | 2020 | EU | Reissue (World Circuit)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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‘Rejoice’ is the classic collaboration between Tony Allen, the legendary drummer and co-founder of Afrobeat, and Hugh Masekela, the master trumpet player of South African jazz. The record, released to great acclaim in March 2020, became the first posthumous release from Masekela, and the last release from Allen, who sadly passed away a month later. For this Special Edition, World Circuit have gone back to the original 2010 mixes and added previously unheard parts from the 2019 sessions to create 8 reimagined bonus mixes. The CD and LP releases also feature a booklet with sleeve notes and photos. Having first met in the 70s thanks to their respective close associations with Fela Kuti, the two world-renowned musicians talked for decades about making an album together. When, in 2010, their touring schedules coincided in the UK, the moment presented itself and producer Nick Gold took the opportunity to record their encounter. The unfinished sessions, consisting of all original compositions by the pair, lay in archive until after Masekela passed away in 2018. With renewed resolution, Tony Allen and Nick Gold, with the blessing and participation of Hugh Masekela’s estate, unearthed the original tapes and finished recording the album in summer 2019 at the same London studio where the original sessions had taken place. ‘Rejoice’ can be seen as the long overdue confluence of two mighty African musical rivers – a union of two free-flowing souls for whom borders, whether physical or stylistic, are things to pass through or ignore completely. According to Allen, the album deals in “a kind of South African-Nigerian swing-jazz stew”, with its roots firmly in Afrobeat. Allen and Masekela are accompanied on the record by a new generation of well-respected jazz musicians including Tom Herbert (Acoustic Ladyland / The Invisible), Joe Armon-Jones (Ezra Collective), Mutale Chashi (Kokoroko) and Steve Williamson.

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Country Funk Volume 3 1975-1982 Black Vinyl Edition

2LP | 2021 | US | Original (Light In The Attic)

22,49 €* 29,99 € -25%

LP | 2020 | EU | Original (Korsan Plak)

Release: 2021 / US – Original

Genre: Rock & Indie

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Volume 3 in LITA’s acclaimed Country Funk series! Featuring Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others Includes previously unreleased track by Tony Joe White Special 2xLP edition pressed on Clear wax with Red & Blue Swirl and housed in a foil-stamped jacket Newly remastered audio New original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon & Willie album, and LP covers for the Charlie Daniels Band) Description: The horse still bucks, the band still funks, and well…the fire still burns.

That’s right—Country Funk is back.

In the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.

Country Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (lita 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.

With Country Funk Volume III 1975-1982 (lita 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ/collector) and Patrick McCarthy (co-producer/compiler of Volume I & II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary & Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume III shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.

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Beynelmilân

Yeralti Oyun Havalari

24,99 €*

LP | 1964 | EU | Reissue (Right Track)

Release: 2020 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Beynelmilân is delivering some funky turkish sound to your ears. A drumbreak in each track, psychedelic vibes and funky groove revisited classic turkish folk songs. If you like 70's anatolian Rock/Pop, Yeralti Oyun Havalari (Underground Belly Dances) is for you for sure. He recently contributed 2 tracks to the new Arşivplak record 'Mirror', which is a compilation of turkish disco folk with the typical psychedelic touch.

After it was only released on tape finally with the slightly different vinyl version of Yeralti Oyun Havalari, there is a full length LP containing 10 delightful tracks to take you on a trip to the turkoholic mekka of 70's anatolian psychedelic rock. Beynelmilân knows how to bring some heat to the dancefloor with tunes like 'Adam Mi Oldun' but also brings you down to a hypnotizing trip with tracks like 'Yaniyorum' which is topped with some melancholic vocals. Never missing the heavy drum breaks and intense melodies topped with some discoid flavour. Limited edition of 500 copies!

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Fairuz

Bayaa El Khawatem

Nighthawks At The Diner Remastered Edition

Release: 1964 / EU – Reissue

Genre: Rock & Indie

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This reissue comes on 180g. Right Track is a specialized music label based in Beirut - Lebanon. As an IFPI certified member they are the exclusive Licensee and distributor of multiple international and regional labels in addition to a range of Lebanese Artists. From Omar Khorshid’s arabian-funk to Fairuz’s eerie songs, from Ziad Rabani’s proto-disco to lebanese traditional Wadih Al Safi compositions, Right Track is committed to re-releasing the Immortal Arabic music repertoire on 180 g vinyls, delivering the highest possible quality from remastered audio to satisfy the demanding audiophile connoisseurs.

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Tom Waits

2LP | 1975 | EU | Reissue (Anti)

Release: 1975 / EU – Reissue

Genre: Rock & Indie

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LP | 1963 | EU | Reissue (Sony Legacy)

Freewheelin Bob Dylan

LP | 1972 | DE | Reissue (Universal)

Release: 1963 / EU – Reissue

Genre: Rock & Indie

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Vinyl LP pressing including digital download. The Freewheelin' Bob Dylan is the second studio album by legendary singer/songwriter Bob Dylan. Whereas his self-titled debut album Bob Dylan had contained only two original songs, Freewheelin' represented the beginning of Dylan's writing contemporary words to traditional melodies. Eleven of the thirteen songs on the album are Dylan's original compositions. The album opens with "Blowin' in the Wind", which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul & Mary soon after the release of Freewheelin'. The album featured several other songs which came to be regarded as among Dylan's best compositions and classics of the 1960s folk scene: "Girl from the North Country", "Masters of War", "A Hard Rain's a-Gonna Fall" and "Don't Think Twice, It's All Right".

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Nick Drake

Pink Moon

Proxima Estacion: Esperenza

Release: 1972 / DE – Reissue

Genre: Rock & Indie

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Pink Moon by Nick Drake, released 2 February 2017, includes the following tracks: "Road", "Horn", "Know", "Free Ride" and more. This version of Pink Moon comes as a 1xLP. The vinyl is pressed as a opaque disc.

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Manu Chao

2LP+CD | 2001 | EU | Reissue (Because)

LP | 1970 | DE | Reissue (Motown)

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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No vinyl of any Manu Chao album has been available for ages. Now the wait is over, all studio & live albums are back on double or triple gatefold vinyl incl. the CD version. Go!

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Nick Drake

Bryter Layter

24,99 €*