Punk | Hardcore 6290 Items

Truth Or Consequence - Live Album

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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The pink vinyl edition of the *Fiends of Dope Island* LP by The Cramps is being reissued on Vengeance, bringing back the band’s farewell set, first released in 2003, in a striking color pressing. This version stands out through its colored vinyl format and makes the final studio album by The Cramps available again in a new edition, with Vengeance overseeing the release and presenting the record as an LP.

Musically, *Fiends of Dope Island* captures the band’s raw essence: catchy, psychobilly-soaked guitar riffs collide with punk directness and late-period blues outbursts, arranged into tight, demonically witty songs. The recordings were made in August 2002 in Hollywood; production was handled by Poison Ivy and Lux Interior themselves, giving the album its immediate, idiosyncratic sonic world. Tracks like “Big Black Witchcraft Rock” and “Dopefiend Boogie” illustrate the blend of off-kilter rock ’n’ roll and rough-edged blues that defines the record.

The *Fiends of Dope Island* pink vinyl edition on Vengeance is aimed at collectors and listeners who want to experience The Cramps’ final studio work in a carefully presented pressing; the combination of the original track sequence, the self-produced sessions, and the colored vinyl pressing makes this LP a distinctive chapter in the band’s history.

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Amyl And The Sniffers

LP | 2026 | UK | Original (Rough Trade)

23,99 €*

A Life Less Plagued Yellow With Black Splatter Vinyl Edition

Release: 2026 / UK – Original

Genre: Rock & Indie

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The “Truth Or Consequence” LP by Amyl And The Sniffers is being released on Rough Trade and doesn’t document a conventional live recording, but an intimate session that deliberately pushes the band into new territory. Recorded in the familiar setting of El Coyote in Los Angeles, Amyl And The Sniffers perform their well-known songs in stripped-down, country-inspired arrangements and add two previously unreleased tracks plus a cover of Slim Dusty’s classic “Lights On The Hill.” These renditions bring the songwriting to the forefront and show the band away from their usual high-energy rock shows in an unusually relaxed light.

“Truth Or Consequence” captures the atmosphere of a spontaneous session among friends: relaxed, playful moments alternate with clear, song-focused passages in which vocals and arrangements have an immediate impact. The release also includes an accompanying concert film with behind-the-scenes insights that visually complements the creation of the recordings. Rough Trade presents the LP as a stand-alone document of a band that reimagines popular songs and, in doing so, reveals surprising facets of its musical identity.

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Carry On

LP | 2026 | US | Original (Bridge Nine)

Release: 2026 / US – Original

Genre: Rock & Indie

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The Yellow w/ Black Splatter vinyl edition of the “A Life Less Plagued” LP by Carry On was released on Bridge Nine. Bridge Nine first issued the album on October 16, 2001; it was the label’s first full-length LP and had a lasting impact on the California hardcore scene. The LP includes twelve tracks, among them “The View,” “Waiting On Forever,” and the title track “A Life Less Plagued,” condensing its dense arrangements into just under 18 minutes. This pressing preserves the raw energy, fast tempos, and distinctive guitar riffs that define the album.

The release was originally planned with a gatefold sleeve designed by Jacob Bannon; for cost reasons, however, the first pressing came in a standard sleeve, while a 2011 repress reintroduced the gatefold. A very limited initial run featured hand-illustrated shrink-wraps by illustrator Linas Garsys. Several band members later went on to form bands such as Terror, Piece By Piece, Betrayed, and Internal Affairs, giving the album a direct link to later West Coast projects. This colored vinyl edition underscores the historical character of the album without making any changes to the music. As a compact, focused statement from the early 2000s, “A Life Less Plagued” documents both the band itself and the fertile ground from which later hardcore projects emerged.

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Japanese New Wave On Dub 1980 - 1985

12" | 2026 | EU | Reissue (Miss You)

38,99 €*

The Argument Blue Marble Vinyl Edition

Release: 2026 / EU – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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With the 12" “Japanese New Wave On Dub 1980 - 1985,” released on Miss You, V.A. takes his creativity to the next level while, by and large, remaining true to his style. The compilation brings together tracks from the early Japanese new wave scene that are re-accentuated through a dub aesthetic, carving out a distinct intersection between post-punk, synth pop, and reggae-leaning studio experiments. Tight, concise guitar riffs and coolly deployed synthesizers are characteristic, flanked by bass-heavy arrangements, reverb and delay effects, and deliberate work on the mix that gives the songs both space and a floating quality. Many contributions combine urban melancholy with a danceable, groove-oriented drive, as producers use echo and mixing tricks to create atmospheric depth without blurring the songs’ structural clarity. For listeners interested in the interweaving of Japanese new wave and dub-inspired production approaches, this collection offers a concise and stylistically focused journey through an exciting chapter of the early Eighties.

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Fugazi

LP | 2001 | US | Reissue (Dischord)

21,99 €*

An Undying Love For A Burning World Coke Bottle Smoke Vinyl Edition

Release: 2001 / US – Reissue

Genre: Rock & Indie

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The Blue Marble Vinyl Edition of the “The Argument” LP by Fugazi is being released on Dischord and presents the band’s sixth studio album in a newly reissued pressing. This edition brings the record’s dense, multilayered material into a carefully produced format and is aimed at listeners who value clear mixing and nuanced arrangements.

With “The Argument,” released in 2001, Fugazi delivered a work that combines the energy of their earlier albums with more subtle layers of sound; the record features eleven tracks that move between immediate impact and more open melodicism. The album also marks the band’s first studio release since “End Hits” and showcases expanded song structures that leave room for dynamic breaks and melodic development.

The album was recorded with Don Zientara at the legendary Inner Ear Studios; Zientara and Fugazi share responsibility for production and mixing. Particularly striking is the inclusion of additional voices and percussion: longtime roadie Jerry Busher appears on studio recordings for the first time as a second drummer and percussionist, joined by contributions from other guest musicians who broaden the album’s textural range. These production choices underscore Fugazi’s ambition to unite raw intensity with fine sonic detail.

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Neurosis

2LP | 2026 | US | Original (Neurot)

Last Temptation Of Reid Black Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Evolution can be ugly and beautiful, painful and euphoric. An Undying Love For A Burning World is the first new release from Neurosis in a decade, and a potent statement of intent and rebirth - one that marks the first new steps of resolve and resilience.

An Undying Love For A Burning World is an epic album of colossal hypnotism - beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band’s own and a true kindred spirit.

“From the moment I first heard Neurosis over 30 years ago, I felt this was the music my heart and mind had been seeking but not yet heard. Now after many years travelling along various musical paths of my own, the singular sound and spirit embodied by Neurosis continues to speak to the depths of my being. It is an honor and a true pleasure to have been welcomed so warmly into a band that not only shaped my perspective on the limitless possibilities of music - but has lived and exemplified the necessity of upholding creative integrity and camaraderie above all else.” - AARON TURNER

Neurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis’cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression.

On every song in the band’s history, Neurosis shifts restlessly between tension and relief, invoking a feeling both feral and transcendent in listeners. The band describe their songwriting process as an inescapable impulse to create with each other - a need rather than a choice. Indeed, the band insist that their return is “not a reunion - we never broke up.”

The album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends this winter, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland.

Neurosis will play their first show in seven years on the traditional lands of the Blackfeet Nation in Montana as part of Fire in the Mountains festival by special invitation of Firekeeper Alliance, a non-profit dedicated to reducing youth suicide in Indian Country.

FITM, is a unique festival known for bringing epic music to epic landscapes with the intent of reconnecting and immersing oneself with the natural world, and strengthening our ancestral roots as human beings - an aim which aligns directly with Neurosis’ deep-rooted power.

Stay tuned for further news over the coming months.

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Lard

LP+12" | 1990 | US | Reissue (Alternative Tentacles)

Minor Threat (First 2 7"S) Salmon Vinyl With Pink Jacket Edition

Release: 1990 / US – Reissue

Genre: Rock & Indie

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The "Last Temptation Of Reid" LP by Lard is released on Alternative Tentacles and returns as a newly remastered reissue; after multiple test pressings and production delays, the project was personally halted by Jello Biafra to initiate a complete remix, so this edition appears as a sonically reworked version.

The record brings together the characteristic blend of powerful industrial sound and direct punk rock, driven by Biafra’s biting lyrics, Al Jourgensen’s guitar work, and Paul Barker’s propulsive bass. This conglomeration of political indictment, sardonic humor, and distorted density shapes tracks like "Forkboy," "Pineapple Face" and "Drug Raid at 4 AM," making the release a striking chapter in the work of the musicians involved.

As a special extra, the new pressing also includes a one-sided 12" featuring "I Am Your Clock," previously available only as a UK single and now reissued for the first time. Alternative Tentacles highlights the improved sound quality of this edition; according to the label, it is a more defined, remastered version that presents the album with contemporary dynamics.

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Minor Threat

LP | 1984 | US | Reissue (Dischord)

Stray Dogs Pink Rose Vinyl Edition

Release: 1984 / US – Reissue

Genre: Rock & Indie

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The Salmon Vinyl Edition of the "Minor Threat (First 2 7"s) Salmon Vinyl With Pink Jacket Edition" LP by Minor Threat is being released on Dischord.

The release compiles the band’s early Dischord singles in a newly remastered reissue; the collection includes the two original EPs and brings the short, punchy tracks back to vinyl with updated sound. The recordings were made in the context of the early Washington, D.C. scene and reflect the raw production aesthetic of that era, with sharp guitar riffs, stripped-down arrangements, and direct, hard-hitting drum work.

Minor Threat are regarded as a defining voice of Washington, D.C. hardcore punk; vocalist Ian MacKaye, guitarist Lyle Preslar, bassist Brian Baker, and drummer Jeff Nelson helped shape an ethos with songs like "Straight Edge" and "In My Eyes" that has resonated far beyond the tracks themselves. The songs thrive on speed and concision, lyrically shifting between personal statements and social observations; the compact format of the tracks makes the band’s energy feel immediate. This reissue thus offers a documented retrospective on an early cornerstone of the scene.

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Nothing But Thieves

LP | 2026 | EU | Reissue (Sony)

39,99 €*

LP | 2026 | EU | Original (City Slang)

Release: 2026 / EU – Reissue

Genre: Rock & Indie

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The “Stray Dogs Pink Rose Vinyl Edition” by Nothing But Thieves is released on Sony and presents the band’s new album as an LP in a special version. The release collects the tracks from the current record and is aimed at both long-time listeners and vinyl collectors; the package is part of the official pre-order offerings from the band’s store and the label.

Musically, the work ties into the band’s alternative rock tradition while also leaning into expansive, anthemic moments; community and belonging were cited as the guiding theme during the songwriting process. The recordings once again took place in a studio environment that reminded the band of earlier, more independent ways of working, and the album comprises twelve tracks, including the single “Evolution.”

All five permanent members were involved in the making of the record: Conor Mason, Joe Langridge-Brown, Dominic Craik, Philip Blake, and James Price; for the lead single “Evolution,” Dom Craik takes producer credit alongside co-writers such as Julian Emery and Jim Irvin. This in-house production work underscores the growing role of the band members in shaping the songs.

The Sony edition offers the album in a collectible format and documents the current phase in Nothing But Thieves’ body of work, which relies both on dense band arrangements and on striking vocal parts.

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Die Anstalt

The Day They Let You Out Is The Day They Might Not Let You Come Back

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "Die Anstalt" LP by Die Anstalt is a self-released production that brings together eight concise tracks, combining the raw edge of post-punk with electronic precision. The stripped-down arrangements and tight running time ensure the record does without anything superfluous, allowing its motifs to unfold clearly and with focus.

Musically, the trio fuses driving synthesizer sequences with twangy, reverberant guitars that recall late‑1960s western soundtrack themes, and stoic vocals that oscillate between resistance and laconic observation. This mix of EBM elements, synth‑punk, and a dark surf aesthetic shapes the characteristic sound of the band and gives the songs a distinct, recognizable identity.

Die Anstalt themselves are responsible as songwriters and producers; the record was recorded by Jakob Feyerherm and Sasa Strauß, with additional recording contributed by Fabio Demontis. Sasa Strauß and Jakob Feyerherm also handled the mix; mastering was done at Nadel Eins Studio and Olo Mastering in Berlin. The artwork is by Max Theodor; portraits by Michael José and Max Theodor. These clearly stated production credits underscore the independent signature of the release.

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Peter Jefferies

LP | 2026 | EU | Original (Grapefruit)

Something To Prove Orangered Splattered

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “The Day They Let You Out Is The Day They Might Not Let You Come Back” LP by Peter Jefferies is being released on Grapefruit and brings the singer-songwriter back into the punk / hardcore universe with forceful presence. The LP picks up where Jefferies’ haunting voice and stripped-down arrangements have their most immediate impact; on Grapefruit, his comeback takes shape as a physical release and underscores the raw, direct character of the material.

Since the early 1980s, Peter Jefferies has been regarded as a defining figure of the New Zealand underground scene; his work with Nocturnal Projections and This Kind of Punishment, as well as his solo series, has made him a fixed point of reference. On this LP, you can hear the experience of a songwriter who, despite a long break, has preserved a sharply defined, haunting musical language.

The album is presented as his first new full-length release after a hiatus of several years and focuses on compact, energetic tracks that combine Jefferies’ signature melodic fragments with direct, hard-hitting lyrics. With this LP, Grapefruit documents a return that highlights both the artist’s biography and his unmistakable approach to voice and songwriting.

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Spermbirds

LP | 2021 | EU | Reissue (Rookie)

Bring On The Psychics Yellow With Black Splatter Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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The Orangered-Splattered edition of the “Something To Prove” LP by Spermbirds has been released by Rookie Records and brings the band’s early material back onto the record shelf in a striking colored pressing. The edition highlights the album’s historical significance and showcases the band’s most well-known era with a design that strongly appeals to collectors.

Musically, this release documents the eponymous tracks from “Something To Prove” and expands the program with songs from the album “Nothing Is Easy” as well as several bonus tracks; the repertoire includes standout cuts such as “Something To Prove,” “My God Rides A Skateboard,” and “Try Again,” which clearly underscore the band’s punchy, fast style. The running order and additional recordings offer a concise overview of Spermbirds’ early years and their place within punk/hardcore.

Rookie Records has overseen this edition as a reissue, once again making a piece of European hardcore history accessible; since their debut, Spermbirds have been regarded as a defining voice of the scene, driven by raw, direct energy and a clear, unadulterated vocal style. This LP reissue of “Something To Prove” presents the material in an edition that feels both historically relevant and distinctive as a product in its own right.

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Quicksand

LP | 2026 | US | Original (Equal Vision)

Release: 2026 / US – Original

Genre: Rock & Indie

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It’s impossible to overstate the influence that Quicksand has had on the hardcore scene. Formed in New York City in 1990 out of the ashes of Gorilla Biscuits, Youth OF Today, Burn, and Bold, the band took the aggression of hardcore and added a more groove-driven crunch to it, unintentionally inventing the genre known today as post-hardcore. After releasing two major-label masterpieces in the nineties—1993’s Slip and 1995’s Manic Compression—the band split up at the peak of their powers, only to reunite in 2012 and release Interiors and Distant Populations. Inspired by a quote from scientist Carl Sagan, Bring On The Psychics, Quicksand’s first album in five years and Equal Vision Records debut, sees guitarist/vocalist Walter Schreifels examining his past through his present reality. “For this album, I was going back to a lot of my earlier influences like Break Down The Walls or Start Today,” he explains. “Regardless of whether you’re into hardcore or youth crew, they’re really cool records because they’re speaking to the time and providing possible paths to a better future … with mosh parts. That’s the energy that I wanted to bring to this.” From the hook-driven heaviness of the opener “Get To It” to the shoegaze splendor of “Crystallize,” the band covers a lot of sonic ground on Bring On The Psychics, but it always sounds like Quicksand. Its technical virtuosity is on full display here as well, from bassist Sergio Vega’s locked-in bass grooves on “Cool Guy” to Alan Cage’s dynamic drumming on the album’s title track. The band also stretched out musically on the album as evidenced by the breezy ballad “Days You Run To,” a song that might even surprise longtime fans. “To me, that is the kind of thing that Fugazi would do on their more chill kind of tunes,” Schreifels says of the laid-back feel of the aforementioned track. “It’s nice to have something that was more expansive to show the Pink Floyd side of Quicksand.” That aspect of the band has never been a secret; anyone who has seen the band’s psychedelic light show can attest to that consciousness-expanding vibe. Bring On The Psychics just sees the band encapsulating their creative vision in a fully, more integrated manner. “I’m really psyched to play these songs live,” Schreifels summarizes. “I feel really fortunate to still be playing music with these guys and be able to take it to different places.”

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Short Music For Short People Lime Vinyl Edition

Wolves In Wolves Clothing Yellow Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The lime vinyl edition of the compilation "Short Music For Short People" was released as an LP on Fat Wreck Chords and brings together 101 bands, each contributing an extremely short track. The concept is based on punchy mini-songs of around 30 seconds each, turning the record into a tightly sequenced run of quick ideas that showcases the scene’s diversity in compact snapshots.

The compilation originally dates back to 1999; the LP version reproduces the well-known tracklist, including Bad Religion with "Out Of Hand," NOFX with "See Her Pee," and Blink-182 with "Family Reunion." Fat Wreck Chords brings together established names alongside lesser-known acts, making the selection representative of the stylistic range within punk / hardcore.

The lime vinyl pressing highlights the reissue concept both sonically and visually: the colored format clearly sets this edition apart from earlier black vinyl pressings. The sequence of 101 compact contributions is preserved on a single LP, so the original concept of ultra-short tracks can be experienced directly.

With this release, Fat Wreck Chords brings a historic compilation back into its vinyl catalog while at the same time documenting an unusual format within the punk compilation tradition. The edition offers a focused way to experience these short, pointed songs in one place.

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NOFX

LP | 2006 | US | Reissue (Fat Wreck Chords)

LP | 2026 | US | Original (Bouncing Souls)

Release: 2006 / US – Reissue

Genre: Rock & Indie

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The Yellow Vinyl Edition of the NOFX LP “Wolves In Wolves Clothing” is released by Fat Wreck Chords and brings back the band’s tenth studio album, originally issued in 2006, as a colored reissue. The record gathers the compact, pointed songs from the album and, with tracks like “Seeing Double At The Triple Rock,” “Leaving Jesusland,” and “Doornails,” offers a cross-section of the thematic range of NOFX.

Musically, the release moves within the band’s established tension between fast punk rock and a melodic hardcore style: driving guitars, punchy drum work, and multi-part vocal lines combine with sarcastic, at times thoughtful lyrics. Some tracks also display quieter, more introspective traits, giving the album room for both direct political provocation and more personal moments.

For the recordings, NOFX worked with producers Bill Stevenson and Jason Livermore as well as band founder Fat Mike; according to the credits, the sessions took place in and around Motor Studios in San Francisco. The production relies on clear, powerful arrangements that bring out the signature NOFX sound — rapid playing, melodic hooks, and biting, ironic lyrics — in a clean and focused way.

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Bouncing Souls

Born To Be

Release: 2026 / US – Original

Genre: Rock & Indie

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New York Noise New Edition

LP | 2026 | UK | Original (Soul Jazz)

Live In Los Angeles Transparent Yellow Vinyl Edition

Release: 2026 / UK – Original

Genre: Rock & Indie

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“New York Noise New Edition” by V.A. brings together on a single LP Soul Jazz’s central exploration of the New York underground: a selection of post-punk, punk-funk, synth wave, and no wave from around 1978–82. This new 2026 edition has been freshly remastered with an emphasis on a powerful presentation, so the balance between dance rhythms and jagged guitar textures comes through more clearly.

The compendium brings together both better-known names and rare tracks: Arthur Russell (Dinosaur L), James White and the Contortions, Theoretical Girls, Mars, Konk, Material (Bill Laswell), Bush Tetras, and Lizzy Mercier Descloux sit alongside rarities by Alan Vega (Suicide), Chain Gang, and Implog. Characteristic is the blend of driving bass, jerky rhythms, and experimental synth or guitar sounds; in this way, the compilation documents the moment when club music and punk collided.

Key features of this edition are the curated track sequence and the emphasis on historical contexts: selected productions and lo-fi recordings have been newly remixed or remastered for the reissue to capture the sonic spectrum more clearly. The LP is thus suitable both for collectors and for listeners who want to trace the early intersections between dance music and the avant-garde.

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Osees

2LP | 2025 | EU | Original (Deathgod Corp)

40,99 €*

Dead Fm Blue Colored Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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The Ultra Clear vinyl edition of the “Live In Los Angeles” LP by Osees was released by Deathgod Corp in a limited run of 300 copies. Compiled from the last three concerts of a six-night residency at the Teragram Ballroom in Los Angeles in 2025, it captures the band in an immediate live setting. On this edition, Brigid Dawson appears as a guest vocalist, lending distinct emphasis to individual passages of the live arrangements. With this pressing, Deathgod Corp presents a deliberately curated snapshot that brings together selected highlights of the residency and preserves the band’s raw energy on Ultra Clear vinyl.

The “Live In Los Angeles” LP stays true to the band’s punk / hardcore approach: compact takes, in-your-face guitar walls, and a live mix that leaves room for spontaneous excursions. The track selection draws a direct line across the three nights, presenting Osees in a minimally edited format that is rendered with clear definition and punch on the Ultra Clear pressing. For collectors and fans of Osees alike, this limited release expands the band’s body of work with a focused live document and showcases the collaboration with Brigid Dawson as a defining moment of the residency.

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Strike Anywhere

LP | 2006 | US | Reissue (Fat Wreck Chords)

Hoss Colored Vinyl Edition

Release: 2006 / US – Reissue

Genre: Rock & Indie

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The blue-colored vinyl edition of the “Dead FM” LP by Strike Anywhere was released on Fat Wreck Chords and presents the album pressed on blue vinyl in LP format. This edition brings the 2006 release into a physical format that puts the title front and center: “Dead FM” documents the songs of a band that expresses its stance without dilution in melodically charged punk and hardcore arrangements.

“Dead FM” gathers 14 tracks; well-known songs like “Sedition,” “Prisoner Echoes,” and “House Arrest” form the core of the set and convey a sense of the songwriting structure and thematic density. For the recording, Strike Anywhere once again worked with producer Brian McTernan, which makes the live intensity and the clear mix of the guitar parts especially apparent. The lineup of vocalist Thomas Barnett, guitarists Matt Sherwood and Matt Smith, bassist Garth Petrie, and drummer Eric Kane shapes the album’s characteristic sound.

The “Dead FM” LP on Fat Wreck Chords includes the original tracks in their familiar sequence and appears here as a colored vinyl edition that offers collectors and fans of the band both an aural and visual alternative to the standard pressing. The album has a total running time of about 31 minutes.

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Lagwagon

LP | 1995 | US | Reissue (Fat Wreck Chords)

LP | 2026 | US | Original (Total Punk)

Release: 1995 / US – Reissue

Genre: Rock & Indie

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The colored vinyl edition of the “Hoss” LP by Lagwagon is released by Fat Wreck Chords and presents the band’s third album in a new pressing.

“Hoss” is regarded as a defining example of melodic skate/pop punk: Joey Cape is responsible for writing all the songs, combining short, catchy structures with driving guitars. Stand-out tracks like “Razor Burn,” “Move the Car,” and “Bombs Away” showcase the blend of speed, melody, and clear choruses that still characterizes the record today.

The album’s lineup features Joey Cape (vocals), Shawn Dewey and Chris Flippin (guitars), Jesse Buglione (bass), and Derrick Plourde (drums). The album was produced by Ryan Greene, with mastering by Eddie Schreier. This combination delivers precise, punchy production that gives the arrangements clear definition.

The colored vinyl edition offers fans and newcomers a tangible version of this milestone from the Fat Wreck catalog and once again puts the tight, melody-focused songs front and center. The release stays true to the original song structures and the energetic playing style that helped define Lagwagon.

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Itchy & The Nits

Greeting From ...

Suicidal Tendencies White Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Greeting From..." LP by Itchy & The Nits was released via Total Punk (in collaboration with Anti Fade) and brings together the Australian trio’s new, tightly arranged set of songs. The record, released in February 2026, further develops the band’s already evident fondness for concise, catchy melodies.

Musically, the album moves between fuzzy garage rock, proto pop-punk, and bubblegum melodies. The tracks rely on stripped-down harmonies, tight chord progressions, and group choruses that invite you to sing along; time and again there are playful touches like classic sound effects and gang-style backing vocals that give the material a cheerful, sun-bleached feel. Songs like "Cartoon" and "Secrets" exemplify this approach, while the ending of "City Line" features a rare, deliberately placed guitar-solo passage.

Behind the warm, upfront sound is the work of producer David Forcier, who on this record brings out the band’s clear, immediate voice without overpolishing their raw energy. Lyrically, the material ranges from tongue-in-cheek beach stories to personal observations of everyday life, underscoring the project’s lightness and humor. The tracklist includes twelve compact songs that add up to a cohesive, entertaining album.

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Suicidal Tendencies

LP | 1987 | US | Reissue (Frontier)

33,99 €*

LP | 1980 | UK | Reissue (This Heat)

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Exclusive limited edition white vinyl reissue of the landmark 1983 self-titled debut from Suicidal Tendencies!

Suicidal Tendencies' self-titled debut album, released in 1983, is a landmark hardcore punk record known for its fast, aggressive sound, intelligent lyrics about alienation, and breakthrough single "Institutionalized," which gained significant MTV airplay and launched the band's career. It's considered a classic in punk and a major influence on the emerging crossover thrash genre, featuring tracks like "I Shot the Devil" and "Possessed to Skate".

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This Heat

Health And Efficiency

Never Enough Snow Colored Vinyl Edition

Release: 1980 / UK – Reissue

Genre: Rock & Indie

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The "Health And Efficiency" LP by This Heat is released on This Heat. The release, pared down to two extended pieces, concentrates the trio’s energy on the title-opening track, which works with jagged, rhythmically displaced guitar patterns, driving drum figures, and a collage of voice, percussion, and found sounds. Its taut sense of drama makes the piece a focused example of how post‑punk aggression can be linked with avant‑garde sonic exploration.

This Heat were formed by Charles Bullen, Charles Hayward, and Gareth Williams; their approach connects instrumental versatility with tape manipulations and live improvisation. On the compositional side, the band relies on ruptures, unexpected textures, and an experimental method that fuses song-based structures with musique concrète elements. This way of working shaped both the group’s sense of identity and their lasting impact on subsequent scenes.

The flip‑side recording "Graphic/Varispeed" offers a quieter, hypnotic counterpoint and plays with variations in pitch and speed, depending on whether it is played at 45 or 33 rpm. Critics such as Simon Reynolds even regard "Health And Efficiency" as a "peak achievement" by This Heat, a concentrated synthesis of raw intensity and playful experimental exuberance that clearly brings out the special character of this ensemble.

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Turnstile

LP | 2025 | EU | Original (Roadrunner)

34,99 €*

Gorilla Biscuits Pink Vinyl Edition

Release: 2025 / EU – Original

Genre: Rock & Indie

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The colored vinyl edition of the "Never Enough" LP by Turnstile is released on Roadrunner and comes in the "Snow" vinyl variant.

Musically, the record picks up on the band’s hardcore roots, but significantly broadens the spectrum with dense layers of synthesizers, effects processing, and catchy song structures that integrate pop and alternative elements. Short, impulsive passages alternate with more melodic moments, creating a distinctive sonic identity that fuses unbridled energy with studio opulence.

The album is largely shaped by the production of Brendan Yates and the additional work of Will Yip; the mix was handled by Adam Hawkins, with mastering by Chris Gehringer. Numerous guest contributions expand the sound palette: cello parts and guest vocals by Devonté Hynes, additional vocals by Hayley Williams and Faye Webster, as well as brass and woodwind contributions from Leland Whitty and Shabaka Hutchings serve as colorful accents. The compact craft of the arrangements, the precise band performance, and the idiosyncratic guest features make this LP a consistent continuation of Turnstile’s evolution.

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Gorilla Biscuits

7" | 1988 | US | Reissue (Revelation)

14,99 €*

No Gimmicks Needed Black Red & Silver Hand Pour Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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Gorilla Biscuits’ first classic record by one of the most influential bands from the New York straight edge hardcore scene. Features Anthony Civarelli (civ) on vocals and Walter Walter Schreifels (quicksand, CIV, Rival Schools) on guitar.

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Kill Your Idols

LP | 2025 | US | Original (Blackout)

Gotta Get Out Purple Pink Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Their first full-length, No Gimmicks Needed, elevated Kill Your Idols to the forefront of early 2000's hardcore. Tracks like Autumn, Words Without Action, and Hardcore Circa 1999 showcase their fast-paced, aggressive style while incorporating introspective lyrics. The album further defined the band's stance against trends, reinforcing their position as one of the most respected names in hardcore.

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Linda Lindas

LP | 2026 | EU | Original (Reprise)

33,99 €*

I Don't Wanna Say Goodbye

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Purple Pink vinyl edition of the “Gotta Get Out” LP by The Linda Lindas is being released on Reprise, bringing the Los Angeles band’s new album to market as a colored pressing. The release combines fresh singles like “Burning Out” with additional tracks that further refine the group’s songwriting; the album is part of the rollout for their upcoming Reprise release.

Musically, The Linda Lindas use this record to explore the spaces between punk, catchy guitar-driven music, and emo-adjacent melodies. Multi-part vocal choruses and dense guitar walls meet direct, at times bilingual lyrics; the album includes “Closer,” a collaboration with Hayley Williams, who appears both as vocalist and co-writer, adding extra dimensions to the track.

The band—Lucia de la Garza, Mila de la Garza, Bela Salazar, and Eloise Wong—has, since their viral breakthrough with “Racist, Sexist Boy,” grown into a fixture of the young punk scene. The move to Reprise also marks a new phase in their evolution, one in which they display a broader stylistic range without sacrificing the raw energy of their early performances.

What “Gotta Get Out” makes clear is the combination of youthful directness and ambitious song structures: influences from post-punk and new wave bands sit alongside pop-oriented hooks, while the lyrics weave together uncertainty and moments of departure—a clear statement by The Linda Lindas toward further evolution.

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Haywire 617

LP | 2026 | EU | Original (Roadrunner)

33,99 €*

LP | 2026 | US | Original (Siltbreeze)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “I Don't Wanna Say Goodbye” LP by Haywire 617 is released on Roadrunner and presents the band’s second album in a compact format. Produced by Mat Kerekes and mixed by Taylor Young at The Pit Studio, the record took shape over roughly three months in studios in Leeds and Toledo; the LP includes eight tracks and is introduced by the previously released song “Interstate Love Affair” as a defining lead single.

As a result of Haywire 617’s intense period of touring and releasing music since their debut “Conditioned For Demolition” (2024), “I Don't Wanna Say Goodbye” concentrates the band’s honed energy and adds new momentum through guest contributions from members of NOTHING and The Aggrolites. The album marks a deliberate move on Roadrunner: concise arrangements, direct song structures, and a production that unites rawness and precision. The Roadrunner LP appears as the physical release of the new material and expands the band’s already extensive release and touring history.

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Eraser

Operator!

LP | 2026 | Original (KB)

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Operator!" LP by Eraser is coming out on Siltbreeze and channels the untamed energy of their debut "Hideout" into an even sharper form. Here, Eraser respond with a furious push that relies less on showy effects and more on stark precision. On the LP, the band ties punk directness to a nervy synth undercurrent; the arrangements are lean and drive forward without detours.

Eraser’s Panic-wave tracks are clearly rooted in the charged days of Soho and TriBeCa; the foundation is Juliette and Kat on bass and drums, whose propulsive backline gives the songs a constant tremor. Pier delivers razor-sharp guitar lines that cut in immediately, while Sonam’s voice swings between rough declarations and pinpointed synth twitchery. The songs maintain tension through short, pointed structures and abruptly placed breaks.

Lyrically, "Operator!" probes physical, confrontational themes; the record carries its explosiveness in both the arrangements and the vocals. With this LP, Siltbreeze presents Eraser in an immediate, uncompromising form in which the band carves out their musical signatures with clarity. The "Operator!" LP by Eraser stands as a striking, concise statement within the punk / hardcore scene.

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Haymaker

Good Intentions

Revolutions Per Minute Purple Vinyl Edition

Release: 2026 / Original

Genre: Rock & Indie

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The “Good Intentions” LP by Haymaker is released on KB and presents the band with a clear, raw take on their punk/hardcore sound. Haymaker rely on a direct, no-frills delivery; the production puts more emphasis on rock-oriented riffs and rolling grooves than on a polished punk sound, so the songs hit with a palpable aggressiveness and an immediate presence. The “Good Intentions” LP comes across as a focused collection in which melody and punch stand side by side as equals, positioning the title as a statement within the KB catalog.

Musically, on “Good Intentions” Haymaker work with short, concise arrangements and lyrical themes that deal with life in the scene and anthemic calls for subcultural solidarity. The selection of tracks showcases a band that combines traditional punk forms with a harder rock approach; tempo shifts and striking guitar lines provide clear structure and impact. For listeners who want to discover “Good Intentions,” the LP offers a compact picture of the band’s identity and underscores KB’s continued commitment to sturdy, craft-oriented releases in the punk realm.

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Rise Against

LP | 2003 | US | Reissue (Fat Wreck Chords)

7" | 2025 | US | Original (Under The Gun)

Release: 2003 / US – Reissue

Genre: Rock & Indie

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The purple vinyl edition of the “Revolutions Per Minute” LP by Rise Against is released on Fat Wreck Chords and revisits the band’s early, uncompromising chapter as a colored pressing. This edition brings together the album’s compact, direct songs and puts the interplay of speed, melody, and political stance front and center.

Musically, Rise Against position themselves here at the intersection of classic punk rock and melodic hardcore; the arrangements combine tight, concise guitar riffs with driving drums and distinctive, often socially critical lyrics by Tim McIlrath. The recordings were made at the Blasting Room with Bill Stevenson and Jason Livermore as producers, capturing the band’s rough-edged energy in a clean and powerful way. The lineup of Tim McIlrath, Joe Principe, Todd Mohney, and Brandon Barnes shapes the record’s characteristic sound.

Songs like “Black Masks & Gasoline,” “Like The Angel,” and “Amber Changing” showcase the album’s breadth: from bursts of fast hardcore to more melodic, emphatic moments defined by multi-layered choruses and well-placed tempo changes. The production emphasizes clarity in the mix, lets the guitar attack hit hard, and still preserves space for the vocal urgency that makes the album an important point of reference in the early work of Rise Against.

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Prison Affair

Versiones Talegueras

15,99 €*

Best Collection Red Marble Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Barcelona bad boys Prison Affair return with a new 7" single previously only available on a limited tour cassette from 2023! Versiones Talegueras is 2 covers of the band's favorite Spanish Rock songs. Limited to 1500 copies worldwide on black vinyl with reverse board pocket sleeves.

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The Nerves

LP | 1976 | US | Reissue (Third Man)

Release: 1976 / US – Reissue

Genre: Rock & Indie

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The Red Marble vinyl edition of the “Best Collection” double LP by The Nerves has been released on Third Man. With this edition, Third Man presents the definitive anthology of the band, compiled in close collaboration with Paul Collins, Peter Case, and Cynthia, the daughter of the late Jack Lee, and includes new accompanying material as well as exclusive liner notes by Peter Case.

The release comprises 66 minutes of studio, live, and demo recordings that Third Man assembled from the original source material. For this edition, the tapes were newly remastered by Warren Defever at Third Man Mastering, so many tracks can be heard in revised form. The selection documents both the early singles and material that has long been difficult to access; highlights such as “Hanging on the Telephone” and the refreshed presentation of “When You Find Out” stand as emblematic of the catalog.

Musically, “Best Collection” makes the origins of the band’s work audible: a combination of raw proto‑punk energy and concise, melodic songwriting that established The Nerves as an important reference point for the U.S. power‑pop scene. The Red Marble vinyl edition on Third Man brings these tracks together in a carefully curated form and places particular emphasis on sound and the documentary character of the collection.

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State Of The Art: Punk And New Wave From The United States

LP | EU (Shout It Out Loud)

19,99 €*

Hum Of Hurt Gold Vinyl Edition

Release: EU

Genre: Rock & Indie

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Welcome to another chapter of rare and off-kilter tracks conceived in the bloody era of Reaganomics. Classic statement from Texas heroes Hugh Beaumont Experience and Bobby Soxx & Teenage Queers (led by Bobby Calverley, vocalist of influential punk band Stickmen With Rayguns) mix with the urgent new wave style of Phoenix own Killer Pussy or the more out rock vein of Anti-Band (with Jimmy Leach of historical Dangerhouse act Eyes). Venturing further with The Pudz addictive power-pop and Rock Bottom & The Spys wild synth-punk (with founding member of Zolar X Stephen Della Bosca on guitars), this compilation shows a darker side of the American underground with a host of hard to find contributions.

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Converge

LP | 2026 | US | Original (Deathwish)

Release: 2026 / US – Original

Genre: Rock & Indie

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OST 40 Years Of Fuckin' Up: Green-Yellow Vinyl Edition

NOFX

No Spiritual Surrender Colored Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The colored vinyl edition of the “OST 40 Years Of Fuckin' Up: Green-Yellow Vinyl Edition” LP by NOFX was released on Fat Wreck Chords and brings together both the accompanying film score and the soundtrack to the documentary of the same name. The release combines more recent, previously unreleased tracks with rare material and the film music composed specifically for the movie, so the vinyl functions both as a documentary artifact and as a musical chronicle of the band.

For decades, NOFX have stood for fast, melodic punk with a sharp, ironic perspective and accessible hooks; their style is defined by catchy guitar lines, up-tempo drumming, and the distinctive vocals of Fat Mike, which often combine socially critical and personal themes. This stylistic blend runs through the selection of songs on the soundtrack and underscores the band’s role as an influential force in the independent punk scene.

Highlights of the release include an extensive catalog of songs with newly produced tracks, rare demos, and live recordings, as well as a separate original score by Fat Mike, realized in arrangements with orchestral accompaniment. The package is rounded out by selected audio snippets from the film and illustrated artwork by Tokyo Hiro that visually accentuates the retrospective character of the edition.

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Inside Out

7" | 1990 | US | Reissue (Revelation)

13,99 €*

Release: 1990 / US – Reissue

Genre: Rock & Indie

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One of the most popular releases ever on Revelation Records. Intelligent and introspective lyrics combined with one of the most intense and heartfelt vocal performances ever captured on a hardcore record make this a must have for any fan of the genre. Vocalist Zack de la Rocha later went on to form and front Rage Against THE Machine. Lineup also features Vic Dicara (108) on guitar, Chris Bratton (chain OF Strength) on drums, and Mark Hayworth (hard Stance) on bass.

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Poison Idea

Kings Of Punk

Tape | EU (City Noise)

12,99 €*

Our Dream Is Not Dead Yellow Vinyl Edition

Release: EU

Genre: Rock & Indie

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"Kings Of Punk" is now being released on tape for the first time by City Noise, bringing Poison Idea’s influential debut back into the catalog in compact cassette form; the label’s website announces the release for June 2026.

Originally issued in 1986 on Pusmort, the album is regarded as a milestone of U.S. hardcore, combining blistering bursts of speed with surprisingly rock-oriented passages and distinctive bass lines. The Bandcamp page also documents a 2021 remaster that emphasizes the clarity of the arrangements and presents the song material in a new light. Stylistically, the record moves between pure hardcore aggression and a raw hard rock tone that gives the songs more room for melodic as well as rhythmic variety.

Characteristic of Poison Idea are the tight, concise compositions and Jerry A.’s rough, multi-voiced vocals; the original lineup with Tom “Pig Champion” Roberts on guitar, Chris Tense on bass, and Dean Johnson on drums shaped the unmistakable sound of the recordings. City Noise’s tape edition is aimed at collectors and listeners who want to experience the raw, immediate material in an alternative physical format.

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Dizzy Sunfist

LP | 2026 | US | Original (Feel It)

Release: 2026 / US – Original

Genre: Rock & Indie

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The Yellow Vinyl Edition of the "Our Dream Is Not Dead Yellow Vinyl Edition" LP by Dizzy Sunfist is being released on Fat Wreck Chords and showcases the Japanese band’s high-energy pop-punk aesthetic in a striking pressing.

Dizzy Sunfist are known for their fast, melodic approach: driving guitars, clear vocal lines, and concise choruses come together in songs that draw on punk roots while embracing catchy pop structures. The Fat Wreck versions of "The Dream Is Not Dead" and "Carry On" included on this release, along with other reworked tracks, emphasize the connection between live dynamics and studio-optimized production.

Musically, the album is defined by tight arrangements and a strong sense of melody; tempo shifts and precisely played riffs give the songs immediate drive, while the songwriting-focused compositions leave room for clear hooks. As a release on Fat Wreck Chords, this LP project marks a significant step for the band toward international recognition, bringing together twelve tracks in a coherent whole.

The Yellow Vinyl Edition underscores the visual profile of the release without overstating its musical statement and offers fans a tangible snapshot of this phase of Dizzy Sunfist on the established label Fat Wreck Chords.

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Mesh

No Fun At All

Release: 2026 / US – Original

Genre: Rock & Indie

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The "No Fun At All" LP by Mesh was released on Feel It and gathers eleven new tracks in which the band distills its post‑punk and indie‑inflected vocabulary. The record trades the lo‑fi aesthetic of earlier demos for greater sonic clarity, but retains the sharp, slightly off‑kilter melodicism that defines the project.

Mesh hail from Philadelphia and formed in 2019; band members Sims Hardin (guitar/vocals), Allison Durham (12‑string guitar/vocals), Tom Riese (bass), and Steve Darling (drums) shape the concise songwriting with shifting, accented guitar figures and tightly interlocked rhythms. Their self‑titled debut tape appeared in 2021 on Born Yesterday Records and laid the groundwork for the full‑length now on offer.

Musically, "No Fun At All" moves between crisp, British‑leaning post‑punk and airy ’80s indie melodicism; Durham and Hardin trade off on the lead parts, often as interlocking voices. Tracks such as "Hold On To" and "Boots On The Pavement" lean on punchy riffs and driving arrangements, while pieces like "Atrophy" stand out through 12‑string strums and bright harmonies. The record presents a band that preserves its rough‑edged roots while channeling them into a focused, varied LP format.

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Poison Idea

War All The Time

Tape | EU (City Noise)

12,99 €*

Release: EU

Genre: Rock & Indie

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The cassette “War All The Time” by Poison Idea is being released on City Noise, bringing the band’s second full-length album, originally recorded in 1987, back to market in tape format; the label is indicating a release window in June 2026.

Musically, “War All The Time” marks the transition from raw hardcore to a harder, more rock-infused sound: concise, punchy song structures meet heavier guitar riffs and driving drums that give the songs more heft. The record includes eleven tracks, among them the high-energy opener “The Temple” and a powerful cover version of “Motorhead” that lays bare the breadth of the band’s influences.

The lineup that shaped the recording featured vocalist Jerry A., Tom “Pig Champion” Roberts on guitar, Eric “Vegetable” Olson on second guitar, Chris Tense on bass, and Steve “Thee Slayer Hippy” Hanford on drums; Hanford demonstrably contributed not only his playing but also production work to the album. The new cassette is aimed at collectors and fans of classic hardcore productions, as it makes this key work in the band’s history available in a compact analog format.

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Poison Idea

Feel The Darkness

Tape | EU (City Noise)

12,99 €*

Punk Ruins Coke Bottle Vinyl Edition

Release: EU

Genre: Rock & Indie

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The cassette edition of *Feel The Darkness* presents Poison Idea’s seminal 1990 album on tape via City Noise and clearly situates the release within the label’s broader project of archiving punk and hardcore. The recording remains listed in the label’s catalog as a cassette release; City Noise provides collector notes and pre-order information on its release page.

Musically, *Feel The Darkness* documents the fusion of brutal hardcore and raw, rock-oriented guitar riffs that define the band’s characteristic sound. Songs like “Plastic Bomb,” “The Badge,” and the title track combine tempo shifts with melodic passages, carried by Jerry A.’s distinctive voice. The record is regarded as the first to feature bassist Myrtle Tickner and the only one with guitarist Aldine Strycnine; it was recorded at Sound Impressions in Milwaukie, Oregon.

Regarding lineup and arrangements: in addition to core members Pig Champion and Thee Slayer Hippy, the album includes extra piano parts by Mondo, Tony Lash, and Bob Stark that add color to individual tracks. Thee Slayer Hippy and the band themselves are credited as producers; later reissues assembled expanded editions with singles and cover versions. The City Noise cassette documents this chapter of the band’s history on an analog medium and is aimed at listeners seeking the historically grounded sound of this work.

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Fake Names

LP | 2026 | EU | Original (Epitaph Europe)

Tangled Up With The Two Tailed Rat

Release: 2026 / EU – Original

Genre: Rock & Indie

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The Coke Bottle edition of the “Punk Ruins” LP by Fake Names was released on Epitaph Europe. This version documents the album “Punk Ruins” as an LP and highlights the colored Coke Bottle pressing as a striking production detail. Fake Names set catchy, direct song structures alongside high‑velocity hardcore energy; the tracks combine tight arrangements with driving guitars and open, expressive vocals.

On this release, the band puts the contrast between melodic accessibility and raw intensity front and center, anchoring the “Punk Ruins” LP in both punk‑style directness and hardcore‑style speed. The Coke Bottle vinyl edition emphasizes the tactile character of the release, while Epitaph Europe oversees it on behalf of the label. For collectors and listeners who value a clearly designated special edition, the “Punk Ruins” LP by Fake Names offers a distinct presentation of the band’s work within this stylistic tension.

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The Carp

LP | 2026 | US | Original (Total Punk)

LP | 2026 | US | Original (Productions Mothland Inc.)

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Tangled Up With The Two Tailed Rat" LP by The Carp is being released on Total Punk and brings together eleven short, to-the-point tracks that concentrate the band’s raw energy into their second full-length. Pressed in a limited edition of 350 copies, the record taps into the direct, proletarian tone the group has consistently pursued in their recordings.

Musically, The Carp fuse street punk and Oi! into a relentless brew of combative riffs, driving beats, and distinctive, sarcastic vocal lines. Lyrically, the album takes aim at surveillance, bloated data centers, the unaffordability of housing, and the power of billionaires; these themes run through the songs and give the record its political bite.

The origin story is part of its character: out of a PERVERTS AGAIN rehearsal that Alex Ward didn’t show up for, this powerhouse came together, marked by its direct, anthemic arrangements. Tracks like "Fish Militia," "I Crave The City," and "Nothin's Gonna Help Nothin" present the band as a loud, uncompromising voice of the street. All in all, "Tangled Up With The Two Tailed Rat" remains sardonic, gripping, and plain and simple TOTAL PUNK.

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Truck Violence

Violence

The Weathervane Is My Body Colored Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Violence [Colored Vinyl] [Limited Edition] Truck Violence Truck Violence's debut album Violence is a fusion of Western Canadian hardcore and folk, blending raw energy with poetic reflections on small-town life.

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Truck Violence

LP | 2026 | CZ | Original (The Flenser)

LP | 2026 | US | Original (Celluloid Lunch)

Release: 2026 / CZ – Original

Genre: Rock & Indie

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“We learn to speak from people, and to be silent from gods.” – Plutarch

Truck Violence’s second full length record, The weathervane is my body, is an attempt to answer, an attempt at conciliation through refusal.

Karsyn Henderson and Paul Lecours grew up in a French Canadian town of six hundred people, graduating in a class of nine. By fifteen they were running a local studio and radio station. There was no industry support, no infrastructure, no template for what they were trying to do, only the work itself and the conviction that it was worth doing.

At seventeen they relocated to Montreal, joined by Chris Clegg and Thomas Hart, assembled from different corners of the country, and began building Truck Violence from the ground up. The weathervane is my body, the band’s second full-length record and first with San Francisco’s The Flenser, is the product of that process. Every element reflects this. The group composition, the recording, the mixing and the visual media were all produced in house without outside intervention. DIY here is not an aesthetic choice or a marketing angle, it is the only honest option available.

The album cover was shot on film by the band on Avenue du Parc in Montreal. A figure perches atop a small Quebecois-style house, handbuilt from reclaimed materials, spine curved, legs pulled in, bare-backed against a skyline that dwarfs everything beneath it. A rural thing dropped into the grit of the city, small and out of place and refusing to disappear. The body is naked and defenseless, open to every stimulus the world cares to deliver. This is the album in a single image.

The weathervane is my body is a continuation, an expansion, a further scribbling together of that angry statement of purpose that is their debut album, aptly titled Violence. Rooted in the noise rock and post-hardcore traditions, and steeped in a DIY ethic that runs deep in Canadian underground culture, the record is uncompromising in its refusal to be anything other than what it is: immediate, self-determined, and built entirely by the hands that imagined it.

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Drainolith

Drainolith's Montreal

LP | 2026 | US | Original (Heartworm Press)

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Drainolith's Montreal" LP by Drainolith is being released on Celluloid Lunch and expands the spatial and historical frame of the project into an idiosyncratic, sparse psychic cartography of the city. The work picks up where 2020’s "On The Electric Hearse" left off, but shifts the perspective toward Montreal’s terrain vague: abandoned lots, makeshift dance floors, and the visible traces of rapid gentrification shape the narrative thread and give the pieces their documentary density.

Musically, the record combines collage elements with electronic economy: the opening track is a version of "les objets mutantes," a poem by Cassie Cornette, overlaid with creaking synthesizers, spray-can sounds, and interstellar radio tones. Later, tight 808 kicks, a nasally honed Québécois tenor, and a supple disco break come to the fore; in between, Moskos sketches images of urban history in clipped sentences, from Jesuits and the fur trade to references to Voivod.

Alex Moskos, known among other things as a guitarist in Montreal’s noise rock scene, brings his experience as a composer and amateur historian to the project; his work as Drainolith is marked by a fondness for collage, local topography, and finely wrought ironic observations. The "Drainolith's Montreal" LP maintains a matter-of-fact gaze and finds an apt form in its stripped-down arrangements.

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Die Tödin

Don't Turn Away Blue Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie, Electronic & Dance

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The “Die Tödin” LP by Die Tödin is released on Heartworm Press and presents the band’s self-titled album in a distinctly indie rock / alternative vein. The material is characterized by striking guitar motifs, focused song structures, and compact arrangements; melodic lines and subtle rhythmic shifts create the songs’ arc of tension and give the album a clear internal dramatic contour.

Die Tödin hails from Gelsenkirchen and previously released individual singles such as “Wild” and “Dissonanz des Lebens,” which already combined catchiness with atmospheric density. On the LP, the band continues this trajectory: quieter passages lead into powerful moments, the vocals remain present and serve as the thematic focal point, while instrumental parts leave room for detail.

Heartworm Press is releasing the “Die Tödin” LP as a carefully crafted album whose production emphasizes the immediate presence of the recordings and gives lyrical and musical nuances equal weight. Taken as a whole, the release underscores the artistic individuality of Die Tödin and marks a clear step forward in the evolution of their indie rock / alternative sound.

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Face To Face

LP | 1992 | US | Reissue (Fat Wreck Chords)

LP | 2025 | US | Original (Feel It)

Release: 1992 / US – Reissue

Genre: Rock & Indie

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The Blue Vinyl Edition of the "Don't Turn Away" LP by Face To Face is released on Fat Wreck Chords and brings the California punk band’s debut back onto the turntable in a colored pressing. This edition stays close to the original cover design and is aimed at listeners who want to experience the band’s early songwriting in remastered form.

Musically, "Don't Turn Away" captures the early Face To Face sound: melodic punk with skate-punk roots, tight arrangements, and catchy choruses. The record includes, among other tracks, the classic "Disconnected," which later gained wider attention as a single and in a revised version. Lyrics and compositions by Trever Keith and Matt Riddle define the material and highlight the balance between raw energy and melodic clarity.

The band took on production duties themselves for the recordings; the core trio of Trever Keith (guitar, vocals), Matt Riddle (bass), and Rob Kurth (drums) shaped the characteristic sound. Technical work such as engineering and mastering was handled by professionals including Jim Goodwin, Donnell Cameron, and John Golden, giving the reissue additional sonic clarity.

The reissue on Fat Wreck Chords enhances the original with bonus material and a refined sonic balance, without compromising the raw core of the recordings. In this way, "Don't Turn Away" remains preserved as an early chapter in the history of Face To Face and, in this edition, takes on a presentable, collector-worthy form.

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Why Bother?

Case Studies

Making Friends Brown Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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The “Case Studies” LP by Why Bother? is released on Feel It and presents the Mason City project in a dark, sharply contoured punk universe that deliberately operates outside common structures.

Musically, the record connects lo-fi garage punk with an undercurrent of pop melody; drawn-out, slightly drawling vocals meet hazy synth layers and sustained walls of guitar, resulting in a distinctive sonic identity. The lyrics move between reflection and unsettling imagery, which lends the work a contemplative gravity and shapes the songs beyond mere genre bounds.

As a design leitmotif, the vanitas theme of the cover foregrounds transience and time, underscoring the lyrical focus. The LP includes an insert with additional information and gathers the twelve tracks listed on digital services, including pieces like “In Between the Distance” and “Indoctrination,” which exemplify the balance between catchiness and an uncanny density.

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No Use For A Name

LP | 1997 | US | Reissue (Fat Wreck Chords)

LP | 2005 | US | Reissue (Equal Vision)

Release: 1997 / US – Reissue

Genre: Rock & Indie

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The brown vinyl edition of the "Making Friends" LP by No Use For A Name is released on Fat Wreck Chords and captures the band's fourth studio album, originally issued in 1997. This edition translates the original production’s sharp melodies and driving tempo to vinyl, offering a focused perspective on this key title from the Fat Wreck era.

Musically, "Making Friends" links classic skate punk with melodic hardcore: short, pointed song structures meet catchy choruses and Tony Sly’s distinctive voice. Produced by Ryan Greene together with the band, the sound took shape at Motor Studios in San Francisco; the compositions remain compact without sacrificing harmonic density. On the album, Chris Shiflett (guitar), Matt Riddle (bass), and Rory Koff (drums) provide the foundation, complemented by guest contributions from Dicky Barrett and Karina Deniké.

The tracklist combines driving punk cuts with surprising moments such as the band’s take on "Fields of Athenry" and the hidden Kiss cover "Beth," giving the album stylistic range. The lean running time and precise production make every composition land directly, while the presence of melodic hooks leaves a lasting imprint on the sound. The release is a concise chapter in the band’s history and underscores the connection between energy and songwriting for which No Use For A Name is known.

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The Fall Of Troy

Doppelganger

LP | 2026 | US | Original (Triple-B)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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The “Doppelganger” LP by The Fall Of Troy is released on Equal Vision and presents the trio’s second studio recording in a focused, compact form. The record translates the band’s bold range to vinyl: technically intricate guitar runs collide with off-kilter song structures and shifting vocal parts, creating a characteristic tension between moments of melodic openness and feral outbursts.

The lineup of Thomas Erak (guitar, vocals, keys), Tim Ward (bass, vocals), and Andrew Forsman (drums) shapes the distinct sound; the album was produced by Barett Jones, and the final mix and mastering ensure clarity in spite of the densely interwoven arrangements. Style-wise, “Doppelganger” sits at the intersection of post-hardcore, math rock, and progressive rock forms, with the use of odd time signatures and abrupt tempo changes defining the project’s sound.

In terms of content, the album combines new recordings of earlier pieces with further developed compositions: several songs from its predecessor were reworked, and material from the previously circulating demos also found its way into the final tracklist, which makes the record understandable as a documented phase of the band’s growth. The recording took place in 2004/2005 at Sound House in Ballard, Washington.

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Spirit Crusher

Future

Breaking Down Blue Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Germany's Spirit Crusher has been making noise in Europe since their 2015 demo and with 2023's "Dream World" on Triple-B Records, and have become a recognized name in the global hardcore community. "Future" is the band's second full-length and first for Triple-B, taking influence from the more groove-laden New York hardcore of Leeway and "Best Wishes"-era Cro-Mags, giving their sound a life all its own. Limited edition of 506 copies.

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Wall Breaker

LP | 2026 | US | Original (Indecision)

Suburban Teenage Wasteland Blues Orange Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Hailing from Baltimore, MD, and New Jersey, Wall Breaker has been at it for near a decade. After eight long years since their first full-length, a global pandemic, and the rise of fascism, Wall Breaker returns with 13 pissed-off blasts of unrelenting hardcore punk. "Breaking Down" revels in all things Poison Idea, SSD, and Ripcord with a heavy dose of 2000s-era thrashcore. CD version includes two additional tracks.

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Strung Out

LP | 1996 | US | Reissue (Fat Wreck Chords)

Less Talk More Rock Olive Green Vinyl Edition

Release: 1996 / US – Reissue

Genre: Rock & Indie

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The Orange Vinyl Edition of the "Suburban Teenage Wasteland Blues" LP by Strung Out is released by Fat Wreck Chords and reissues the California band’s second studio album as a colored pressing. This edition emphasizes the clear, melodic focus of the songs and transfers the characteristic guitar lines and driving drums into a remastered version that presents the album format in a modern way.

Musically, Strung Out combine high-speed punk rock arrangements with touches of punk metal on this record: precise, melodic leads, dense rhythm sections, and distinctive vocal lines define the sound. The tracks are tightly composed and bear the hallmark of Jason Cruz (vocals), Jake Kiley and Rob Ramos (guitars), and Jim Cherry on bass; the recordings also involved engineers such as Ryan Greene. This lineup and production team shape the characteristic sound of the album.

The LP includes 13 tracks and has a running time of around 33 minutes; it was originally released in 1996 and was later reworked for anniversary editions, most recently as part of the label’s 20th-anniversary editions. Standout titles such as "Firecracker" and "Bring Out Your Dead" rank among the defining tracks on the album and illustrate the blend of melody and speed that characterizes Strung Out.

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Propagandhi

LP | 1996 | US | Reissue (Fat Wreck Chords)

LP | 1987 | US | Reissue (ORG Music)

Release: 1996 / US – Reissue

Genre: Rock & Indie

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The Olive Green Vinyl Edition of the *Less Talk More Rock* LP by Propagandhi is released on Fat Wreck Chords and brings the band’s second album back into focus in a colored pressing.

Musically, *Less Talk More Rock* marks an intensification of the band’s sound: the tracks fuse skate punk roots with more melodic hardcore passages and a distinctly tighter, more aggressive arrangement. Lyrically, political positions move further into the foreground; even the artwork of the release communicates clear social standpoints that are reflected in the lyrics.

The LP assembles short, sharply produced songs characterized by driving drumming, pointed guitar riffs, and distinctive vocal lines. Producer Ryan Greene was responsible for the studio work, giving the material both edge and clarity. The core lineup consists of Chris Hannah (guitar, vocals) and Jord Samolesky (drums), with John K. Samson also contributing on bass for this album.

The Olive Green Vinyl Edition thus offers an audible snapshot of that phase of Propagandhi in which the band sharpened its political stance musically while at the same time moving toward a denser, more technical punk sound.

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Descendents

All Black Vinyl Edition

Entropy White Vinyl Edition Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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The "All" LP by Descendents is being released on ORG Music, bringing the 1987 album back into print on vinyl in a carefully curated reissue. The pressing carries the distinctive melodies and breakneck pace of the original recording over to the format, and for the vinyl edition it includes for the first time the bonus tracks “Jealous of the World” and “Uranus,” previously available only on CD and cassette. The reissue also features a reproduction of the original insert, preserving the historical context of the recordings.

Musically, “All” represents the signature Descendents blend of direct punk rock and surprisingly melodic moments: short, pointed songs with catchy choruses alternate with more playful, at times almost jazzy interludes; lyrically, the themes range from vulnerable self-reflection to ironic everyday sarcasm. Classics like “Coolidge” and “Clean Sheets” highlight the band’s ability to combine pop-leaning catchiness with unpolished energy.

The recordings feature Milo Aukerman (vocals), Karl Alvarez (bass), Stephen Egerton (guitar), and Bill Stevenson (drums); production was handled by Bill Stevenson, with recording taking place in January 1987 at Radio Tokyo Studios. For this reissue, the album was lacquered for vinyl and pressed at Furnace Record Pressing, ensuring that both sound fidelity and physical presentation stay true to the original aesthetic.

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Leap

LP | 2026 | EU | Original (Epitaph Europe)

House Of Strombo Live In Toronto On 2019

Release: 2026 / EU – Original

Genre: Rock & Indie

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Released on white vinyl, Leap’s “Entropy White Vinyl Edition Edition” comes out via Epitaph Europe and presents the album’s eleven tracks in distilled form; the record brings together, among others, the already familiar songs “Exit Signs,” “Energies,” and “The Downfall,” following a tight song structure that leans on catchy choruses and concise arrangements.

Musically, Leap operate somewhere between indie rock and an alternative pop aesthetic, with the band defined by powerful guitar riffs, driving drum patterns, and instantly memorable vocal lines. Lyrically, the songs are marked by personal openness and existential themes; core motifs include mental health, loss, and the search for stability, causing the tracks to oscillate between surging energy and reflective intimacy.

The recording was shaped by producer Tom Leach, whose work was central to the project; the close interplay between band members Jacky Scott (vocals), Hector Cottam (drums), Adam Mason (guitar), and Declan Brown (bass) defines the album’s distinctive sound. The white LP appears as a European pressing and is distributed via the Diggers Factory Edition; technical specs list 140 g vinyl and a matte cover finish.

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Alexisonfire

LP | 2026 | CA | Original (Dine Alone)

Release: 2026 / CA – Original

Genre: Rock & Indie

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Meet Me On The Floor Tonight

Devils Cigarette

LP | 2026 | Original (Wild Kingdom)

LP | 1996 | US | Reissue (Blackout)

Release: 2026 / Original

Genre: Rock & Indie

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With raw energy and uncompromising attitude, Devil's Cigarette has quickly become a rising force on Sweden's rock scene. Their music blends the nerve of classic garage rock with fresh, modern intensity - delivering big choruses, blazing riffs, and irresistible grooves. On stage, they are more than a band: they are an explosive statement. Sweaty, intense, and unforgettable, their shows turn every night into a party where the audience is part of the chaos. Their new album Meet Me On The Floor Tonight, recorded by Otto Perrin and refined by Robert Pehrsson (The Hellacopters, Thunder Express, Tribulation), captures youthful passion with sharper focus and dynamic sound. It proves Devil's Cigarette is not only a powerful live act but a band pushing rock'n'roll into the future.

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H2O

H2o

LP | 2026 | EU | Original (Sterbt Alle)

Release: 1996 / US – Reissue

Genre: Rock & Indie

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The "H2O" LP by H2O was released on Blackout. This debut release on the label captured the band’s early sound and quickly became a reference point within the New York hardcore scene; the record brings together compact, to‑the‑point songs and was reissued on vinyl to mark its anniversary.

Musically, H2O presents a blend of raw hardcore energy and catchy melodies: short, direct arrangements meet anthemic choruses and a distinctly positive, upbeat attitude that defines the characteristic identity of the project. Tracks like "Family Tree" and "5 Yr. Plan" are among the album’s defining songs and illustrate the combination of drive and vocal melody that established H2O within the scene.

The recordings took place from January 15 to 17, 1996 at Brielle Studios in New York and were produced by Larry Buksbaum together with the band; the CD was recorded and mixed within three days. The lineup features Toby Morse (vocals), Todd Morse (guitar, backing vocals), Rusty Pistachio (guitar), Eric Rice (bass), and Todd Friend (drums), supplemented by guest appearances such as Dicky Barrett. This clear, no‑frills production approach underscores the songs’ direct impact.

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V- Mann Joe

Punkrock Berlin West

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "Punkrock Berlin West" LP by V‑Mann Joe is released on Sterbt Alle and documents the raw energy of a band rooted in Berlin’s early‑’90s squatter scene; this release brings the 1990 demo material to vinyl for the first time, pressed on 180‑gram records and housed in a hand‑stamped sleeve in a strictly limited edition.

V‑Mann Joe operated as a quartet whose lineup combined vocals and unusual additions such as flute and saxophone with classic guitar, bass, and drums, giving the songs a distinctive twist within Deutschpunk. The repertoire draws on an immediate DIY aesthetic and reflects both the political and personal attitudes of the scene.

Musically, the record is characterized by direct, no‑frills arrangements: punchy riffs, driving drums, and distinctive vocals create a sonic framework that leaves room for both biting and self‑reflective lyrics. The release on Sterbt Alle joins the reissue of rare documents of Berlin punk history and underscores the importance of the band for local subcultural archives.

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LP | 2026 | US | Original (Hello Goodbye)

Alive & Kicking

Release: 2026 / US – Original

Genre: Rock & Indie

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7" | 1978 | US | Reissue (Artifix)

Bags

Survive

15,99 €*

Live On Wfmu / At Carabar Blue Vinyl Edition

Release: 1978 / US – Reissue

Genre: Rock & Indie

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The “Survive” 7" by Bags, released on Artifix, is an official reissue of the single originally put out by Dangerhouse in 1978, bringing the two original tracks “Survive” and “Babylonian Gorgon” back into the present. Artifix has designed the release so that the historical studio version from the Dangerhouse session is preserved; the 7" thus brings an early chapter of Los Angeles punk history into focus and makes the band’s immediate sound accessible again.

The recordings come from the lineup of Alice Bag, Pat Bag, Craig Lee, Rob Ritter, and Terry Graham, who on “Survive” stand out with a distinctive vocal performance and concise guitar work. The two tracks document the raw energy and tight arrangements that made The Bags known in the late-1970s scene and convey the direct character of the early L.A. punk scene. With this 7", Artifix adds a significant release from the band’s history to the label’s catalog and offers both fans and the merely curious an easily accessible version of these two central songs.

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Cheater Slicks

LP | 2026 | US | Original (Almost Ready)

Bauta Splatter Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The LP "Live On Wfmu / At Carabar Blue Vinyl Edition," released on Almost Ready, documents two incisive performances by Cheater Slicks: a studio session for WFMU’s The Cherry Blossom Clinic and a live show at Carabar in Columbus. The selection of nine tracks runs from raw rockers like "Refried Dreams" and "In This Town" to the surprising cover of "Mystery Ship," capturing the band somewhere between thunderous garage punk and off-kilter melodicism.

Cheater Slicks have operated as a three-piece unit since 1987 and, over that time, have forged a signature sound built on rough-hewn guitars, lean arrangements, and a bassless approach à la the Cramps; vocal shifts between Tom Shannon and Dana Hatch add to the jittery immediacy of the songs. The live setting heightens the raw dynamics while remaining song-oriented, leaving room for longer, almost hypnotic passages like "Train Of Dreams."

The WFMU session was handled in the studio, as is typical for the station’s series of radio sessions, and this edition was prepared specifically for the vinyl format; for the band’s similar reissue series, Marco Butcher served as mastering engineer, while WFMU sessions are often engineered by Gil Shuster. These production details give the live material a clear yet immediate presentation. Beyond the collector appeal of the limited pressing, the real draw of this release lies in its documentary closeness to the Cheater Slicks’ live experience.

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Ondt Blod

LP | 2026 | EU | Original (Playground Music)

Just Can't Hate Enough Dead City Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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Splatter vinyl, limited to 300 copies.A decade has passed since the debut album Finnmark left a solid northern Norwegian mark on the rock and hardcore scene, and eight years since Natur pushed both genre boundaries and the listener's limits. Now, the Kirkenes-based band Ondt Blod returns with their third full-length album, Bauta.Here, the band distills the blend of hard-hitting hardcore and strong melodies they've become known for.The opening track "AUX" kicks the door in with a desire to tear down the established order, while songs like "Kembo" and "Flamma" (featuring guest vocals from Ida Maria) reveal a more nostalgic and melodic side of the band.Throughout their career, Ondt Blod has held firmly onto their northern Norwegian identity and Sámi roots. This has taken them from Kirkenes to stages across Europe and Japan, earning them both Norwegian Grammy (Spellemann) nominations and a loyal fanbase. Bauta confirms that the band still has plenty to say.

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Sheer Terror

LP | 1989 | US | Reissue (Blackout)

LP | 2026 | UK | Original (Fuzz Club)

Release: 1989 / US – Reissue

Genre: Rock & Indie

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The "Just Can't Hate Enough Dead City Edition" LP by Sheer Terror is released on Blackout and brings together the defining tracks that shaped the band’s early output. The release delivers the compact song structures and raw arrangements that made the album a staple of the New York hardcore scene; the edition features the familiar track sequence with a running time of about 38 minutes.

Sheer Terror are characterized by a heavy, metal‑laden hardcore sound: gnarled guitar riffs, crushing rhythms, and Paul Bearer’s unmistakable, rough vocals form the core of the songs. Lyrics and delivery rely on direct, confrontational wording, while the arrangements shift between fast, aggressive passages and slow, pounding sections, giving the material its distinctive intensity.

The version released on Blackout fits into the series of reissues and collector’s editions through which the band has been making its early albums available again; in parallel, curated editions exist that keep the work accessible to a new audience. As a concise example of Sheer Terror’s style, the "Just Can't Hate Enough Dead City Edition" offers a focused look at the raw energy and compositional clarity that have defined the band for decades.

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Black Doldrums

Repetition Compulsion

Cassette | 1987 | US | Reissue (ORG Music)

Release: 2026 / UK – Original

Genre: Rock & Indie

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The “Repetition Compulsion” LP by Black Doldrums is being released on Fuzz Club. Classified as an LP, the release bears the title “Repetition Compulsion” and is filed under punk / hardcore. With this edition, Black Doldrums present a physical release that documents the band’s name on a vinyl record, marking a new recording in the group’s body of work. Fuzz Club is responsible for issuing the LP and is releasing “Repetition Compulsion” on its label in the punk / hardcore field. The record thus represents a clearly defined addition to the Black Doldrums catalog and brings together the band’s artistic statement in this LP edition.

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Descendents

Liveage!

16,99 €*

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Released on ORG Music, the "Liveage!" cassette by Descendents documents a concert on July 13, 1987 at First Avenue in Minneapolis during the so‑called FinALL Tour and captures the band’s raw, untamed energy. The live set brings together key tracks like "I'm Not a Loser," "Silly Girl," and "Coolidge" and at the same time functions as a kind of best-of the band’s live performances from that period, before singer Milo Aukerman stepped away to pursue his scientific career.

Musically, "Liveage!" showcases the characteristic blend of straight-ahead punk and catchy melodies that defines Descendents: short, concise songs with driving drums, prominent bass lines, and clear, pointed guitar parts. The matter-of-fact vocals sit within tight arrangements that gain speed and impact in the live setting. The recording was overseen by drummer and producer Bill Stevenson; the mix was done at 3rd Wave Studios, allowing the recording to retain its immediate live character.

As a tape/cassette, this ORG edition presents the lineup of Karl Alvarez, Stephen Egerton, Bill Stevenson, and Milo Aukerman in a clearly documented live context; mastering and lacquer credits go to Dave Gardner (DSG Mastering). The cassette offers a direct, compact point of access to a key moment in the band’s history and makes the intensity of their stage performance fully tangible.

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Television

Live On Wnew-Fm 1978

LP | 2026 | EU (No Wave)

Greatest Hits - Slashes & Cross-Checks White With Black Splatter Vinyl Edition

Release: 2026 / EU

Genre: Rock & Indie

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The art-punk band Television performed a live set at The Bottom Line in New York City on July 27–28, 1978, with portions or select dates of the club's concert series famously captured and broadcast via Wnew-fm.

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Slapshot

2LP | 2001 | UK | Reissue (Back On Black)

34,99 €*

LP | 2026 | US | Original (Invogue)

Release: 2001 / UK – Reissue

Genre: Rock & Indie

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The White With Black Splatter vinyl edition of the “Greatest Hits, Slashes & Crosschecks” LP by Slapshot was released on Back On Black. This limited double LP is also available as a standard CD, presenting the band in a compact, physically packaged collection.

The compilation includes 22 uncompromising versions of their most distinctive anthems and captures the raw, often brutal energy of Boston hardcore that has defined Slapshot since 1985. The album prominently showcases their characteristically high speed and striking sing-along parts, highlighting both the aggression of the arrangements and the shout-along moments. Back On Black brings together key tracks from the band’s career here, letting the direct, unvarnished power of the songs speak for itself.

This release focuses on the intensity of the original recordings and, with the White With Black Splatter vinyl edition, offers an eye-catching, collector-friendly version of the compilation. The “Greatest Hits, Slashes & Crosschecks” LP by Slapshot on Back On Black thus provides a concise overview of the band’s history, appealing both to long-time fans and to new listeners looking for the classic hardcore sound.

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Catch Your Breath

Not Broken Enough

LP | 2026 | Original (Post Present Medium)

Release: 2026 / US – Original

Genre: Rock & Indie

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The "Not Broken Enough" LP by Catch Your Breath is released on Thriller Records and brings together eleven tracks that can be understood as a consistent continuation of their 2023 debut, "Shame On Me." The record includes previously released singles such as "Blood Money," "Lost," "Dark," and "Control," as well as the collaboration "[Gen]inside" with Kami Kehoe. Compact song structures and concise choruses alternate with more suspended, spacious moments, bringing both aggression and melody clearly to the fore in the arrangements.

Catch Your Breath is a Texas-based band that has been active since 2017; the lineup of vocalist Josh Mowery, guitarist Teddy Herrera, bassist Cianan Madigan, and drummer Onell Hernandez shapes the group’s raw yet carefully crafted sound. Stylistically, the quartet operates in modern metalcore: heavy guitar riffs, driving drums, and an interplay of furious verses and catchy, almost anthemic choruses define the songs. Touring experience and festival appearances have further sharpened their compositional density.

A key aspect of "Not Broken Enough" is the weight of its subject matter: lyrics about loss, self-reflection, and relationship dynamics meet a production that puts the vocals front and center without sacrificing rhythmic punch. Tracks like "Control" highlight the thematic openness of the record and show how Catch Your Breath fuse raw emotion with sophisticated arrangements. Overall, the LP marks a mature step in the band’s evolution and consolidates the group’s distinctive sonic signature.

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Guiding Light

Fear On My Own Time

Everything I Ever Saw Coke Colored Vinyl Edition

Release: 2026 / Original

Genre: Rock & Indie

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Released on Post Present Medium, the “Fear On My Own Time” LP by Guiding Light brings together eight concise tracks that pick up the thread of post-punk anew and give it a distinctive edge. The record relies on lean arrangements, striking guitar melodies, and a rhythmic framework that shifts between nervy precision and immediate force.

Guiding Light is defined by a clear vocal presence, carried by Elise Cook’s voice, which delivers lyrics in German as well as, for the first time, in English translation. Thematically, the album explores personal ruptures, self-critique, and the difficulties of collective connectedness; the final pairing of tracks turns these reflections into an explicit stance against fascism. Musically, jangly guitars, a cutting bass, and driving drum patterns take center stage, complemented by sparse synth accents that lend the songs atmosphere and spaciousness.

The production captures Guiding Light’s band dynamics: John Morales on guitar, Rachel Kirk on bass, and Charles Powell on drums join Elise Cook. Recording took place in Austin, Texas with Max Deems, who also handled the mixing; mastering was done by Will Killingsworth (Dead Air Studios). The LP was released in August 2026 as a limited 12" pressing.

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The Menzingers

LP | 2026 | EU | Original (Epitaph Europe)

Release: 2026 / EU – Original

Genre: Rock & Indie

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Giddy Up / Big Attraction

Amyl And The Sniffers

LP | 2017 | EU | Reissue (Virgin Music International)

12" | 2026 | UK | Original (Awrite)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Ten years ago, in a sharehouse on Chapel Street, four 20-year-olds with zero expectations wrote and recorded an EP in a single afternoon. Those six blistering minutes of music became Giddy Up. An hour later, Amyl and The Sniffers had a name, a Bandcamp upload, and the beginnings of a legacy.
Following a year of backyard gigs, playing for friends and partying across Melbourne's sticky carpet music scene, the band released their iconic second EP Big Attraction in 2017.
Now, to celebrate a decade of raw power and reckless spirit, Giddy Up/Big Attraction returns in a definitive 10th anniversary 12-inch vinyl edition — fully remastered for maximum punch.
Featuring early classics like “I’m Not A Loser” and “Stole My Pushbike,” plus enduring live favourites “Balaclava Lover Boogie” and “Westgate,” this is the sound of Amyl and The Sniffers before the world caught up — feral, funny, and unstoppable.
The LP is housed in a gatefold sleeve showcasing Chris Sutherland’s iconic 2017 band photo, alongside an exclusive new essay from Amy Taylor and a heap of never-before-seen behind-the-scenes shots from the band’s earliest days by Jamie Wdziekonski. As Amy recalls: “We recorded and wrote over the afternoon… we’d never played together before that day… it’s spontaneous, and fun and achievable in that time because to us it sounded more than good and we weren’t perfectionists and it didn’t matter.”
From DIY house shows in Melbourne to international stages, it all started here.

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Skids

Skids 1977

Nobody's Heroes 2026 Remaster

Release: 2026 / UK – Original

Genre: Rock & Indie

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The 12" “Skids 1977” by Skids, released on Awrite, brings together the band’s first studio demos, recorded in October 1977 and officially released here for the first time. The selection documents Stuart Adamson’s early contributions as a songwriter and showcases the original lineup of Richard Jobson (vocals), Stuart Adamson (guitar), Bill Simpson (bass), and Tom Kellichan (drums). Compiled and released with the support of the band and Stuart Adamson’s estate, the record offers a direct glimpse into the group’s formative period and captures the raw energy of the Scottish punk scene during those months.

Musically, the 12" features early tracks such as “Test Tube Babies,” “My Life,” “Nationwide,” and “Victims Of The Weekend” on side A, plus “New Daze,” “Mouth to Mouth,” and “Don't Want To Go” on side B; the CD edition expands the collection with “Sick Club.” The recordings are marked by lean arrangements, direct guitar work, and unpolished vocals—elements that here become a tangible historical snapshot of the band. For Skids fans and anyone interested in the early history of UK punk, “Skids 1977” offers a focused collection of previously unreleased demos that makes the blueprint of those later successful songs and the band’s early sound clearly audible.

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Stiff Little Fingers

LP | 2026 | Original (Parlophone Label Group (Plg))

Harsh Reality Into The Deep Marble Vinyl Edition

Release: 2026 / Original

Genre: Rock & Indie

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The "Nobody's Heroes" LP by Stiff Little Fingers is being released by Parlophone Label Group (Plg) as a 2026 remastered edition. This reissue brings the album, originally released in 1980, back on vinyl in a newly reworked sound and places emphasis on a more transparent reproduction of vocals, guitars, and drums. The 2026 remastered edition preserves the original arrangements and song structures but delivers a more modern, fine-tuned sound profile that brings out the punch of the compositions and defines the band’s distinctive melodies with greater clarity.

As an LP release on Parlophone Label Group (Plg), this edition is aimed at collectors and fans of the early British punk scene who value remastered versions of historic recordings. Issued under the title "Nobody's Heroes," it includes well-known tracks such as "Nobody's Hero" and documents a formative chapter in the discography of Stiff Little Fingers. With this reissue, Parlophone and the band present a revised archival version that makes the album newly accessible for modern playback setups.

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The Drowns

LP | 2026 | US | Original (Pirates Press)

Melodien Für Milliarden Goldvinyl Edition Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2026-09-25

Released on Pirates Press, the LP “Harsh Reality Into The Deep Marble Vinyl Edition” brings together 13 new songs and presents the fourth studio album by The Drowns on striking marbled vinyl. The release tightly condenses the band’s song-focused power and captures the clear melodies and high-energy playing style authentically on the medium.

Musically, the record moves in the realm of politically tinged punk rock: head voice and melodic leads meet driving rhythms and a distinctly lyric-centered approach that addresses social issues in direct language. The Drowns blend rough street punk with sophisticated arrangements, allowing catchy choruses and biting passages to merge into a cohesive whole.

A key feature of the production is the collaboration with major figures from the scene: it was recorded at the renowned The Blasting Room under the supervision of Bill Stevenson and mixed by Jason Livermore. Additional instrumental contributions from guest musicians – including extra guitars and accordion parts – expand the sonic palette and add well-placed accents.

The “Into The Deep Marble” pressing emphasizes the album’s physical character and offers a collector-worthy incarnation of the material that visually underscores the band’s direct, to-the-point sound and rounds off the overall package.

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Terrorgruppe

LP | 1996 | EU | Reissue (Destiny)

Cassette | 1987 | US | Reissue (ORG Music)

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Preorder shipping from 2026-11-13

The “Melodien Für Milliarden” LP by Terrorgruppe is released on Destiny as a gold vinyl edition, presenting the album in a visually distinctive vinyl format. The combination of title, band, and label is emphasized repeatedly: Terrorgruppe and Destiny join forces for this LP release, with the gold vinyl pressing highlighting the physical appearance of the record.

Musically, “Melodien Für Milliarden” moves in a punk / hardcore context; the tracks rely on compact song structures, striking guitar riffs, and direct, upfront vocals. Melodic fragments function as a counterpoint to the raw energy, giving the compositions a clear, concise profile. The arrangements make use of tempo changes and straightforward phrasing, lending the record its own specific momentum.

With this edition, Destiny presents the “Melodien Für Milliarden” LP in a bold version that emphasizes both the artwork and the physical presentation. Terrorgruppe remains firmly rooted in the core of their musical approach with this release, while the gold vinyl pressing offers a standout variant of the well-known record.

The track sequence on the LP is arranged so that individual songs are accentuated through well-placed pauses and targeted arrangements. The gold vinyl pressing directs attention to the material side of the album and makes the “Melodien Für Milliarden” LP a striking release in the Destiny catalog.

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Descendents

All

17,99 €*

Buddha Picture Disc Edition

Release: 1987 / US – Reissue

Genre: Rock & Indie

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Released on ORG Music, the All cassette by Descendents presents the California punk band’s fourth studio album in the running order typical for the format and includes the bonus tracks “Jealous of the World” and “Uranus,” originally intended for the first CD and cassette editions. This edition puts the compact, energetic song structures of the original recordings onto tape and thus provides the version of the release that, historically, preserves the complete track set of the album.

Musically, All moves between concise punk hooks and more elaborate, melodic arrangements; the arrival of Karl Alvarez on bass and Stephen Egerton on guitar brought new harmonic ideas and a collaborative songwriting dynamic that gave the album more nuance and technical ambition. Lyrically and compositionally, the work explores the balance between personal themes and the maxim encapsulated in the “ALL” concept.

The lineup on this recording consists of Milo Aukerman (vocals), Stephen Egerton (guitar), Karl Alvarez (bass), and Bill Stevenson (drums); the album was produced by Bill Stevenson and recorded in early 1987 at Radio Tokyo Studios. The cassette thus captures both the historical significance of this step in the band’s history and the sonic evolution of Descendents in a compact tape format.

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Blink 182

LP | 1998 | Reissue (Kung Fu)

36,99 €*

OST 40 Years Of Fuckin' Up Pink Vinyl Edition

Release: 1998 / Reissue

Genre: Rock & Indie

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The “Buddha” LP by Blink‑182 is released on Kung Fu and documents the band’s early recordings as a remastered reissue of demo material originally recorded in 1994. The recordings were reworked by Kung Fu Records and re-released in 1998, making the early songs accessible to a wider audience.

Musically, “Buddha” showcases the band’s still-raw yet already distinctive skate punk: short, melodic choruses, driving tempos, and alternating lead vocals between Mark Hoppus and Tom DeLonge define the overall sound. The tracks combine immediate catchiness with a directness characteristic of punk; you can hear the influence of the Descendents as well as early traces of the melodic sensibility that would later become one of the band’s trademarks. The sessions were recorded in a short span of time at Doubletime Studios in Santee, California.

The release stands out because of its origin story: as an early collection, partly recorded in a live-style setup, it forms the foundation for later reworkings on subsequent albums. Kung Fu carried out digital post-production and remixing, giving the remastered version a noticeably clearer sound and placing the archival material in an improved sonic context. The songs were written by Mark Hoppus, Tom DeLonge, and Scott Raynor, who were already carving out the band’s distinctive songwriting here.

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NOFX

Nothing Changes Everything Colored Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie, Soundtracks

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“OST 40 Years Of Fuckin’ Up” by NOFX collects the soundtrack and accompanying score to the documentary of the same name on a single LP; it was released via Fat Wreck Chords in May 2026. The compilation brings together vocal tracks by the band and instrumental score material, creating a sonic counterpart to the film’s retrospective look at four decades of band history.

Musically, the material clearly sits within NOFX’s punk rock spectrum: short, punchy songs with melodic vocal lines, cutting guitars, and driving drums meet atmospheric interludes from the film score. Characteristic for the band are the biting wit of the lyrics and the blend of skate punk tempos with catchy choruses, which makes their style unmistakable. On this release, NOFX appears in the lineup of Fat Mike, Eric Melvin, Erik Sandin, and Aaron “El Hefe” Abeyta.

As a special feature, the LP includes not only songs but also originally composed score segments overseen in large part by Fat Mike, resulting in a cohesive sound that supports the film’s narrative arc. The release is thus of interest both to longtime fans of the band and to listeners curious about the intersection between punk songs and film music.

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Dead Bob

LP | 2026 | US | Original (Wrong)

The Gnomes Black Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2026-09-11

Exactly three years after the debut album, Life Like Dead BOB continues to mine the archives of old and new demos that John Wright has created over the years, including two of the last songs demoed for Nomeansno with brother ROB Wright.

Whereas Life Like was primarily a solo project of John, since the formation of the live band the gang, Ford Pier, Byron Slack, Kristy LEE Audette and Colin Macrae take a far more active role in this record.

Nothing Changes Everything is a 35 min. 8 song release that takes you on Bob's journey and keeps you wondering, “Where the f**k is this going next!” Balls to the walls and head in the clouds, you're in for a treat.

With a couple years under their belts and return of Selina Martin to collaborate on another song, Dead Bob takes it to the next level.

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The Gnomes

LP | 2025 | EU | Original (Dog Meat)

Rise Of The Underdog Quarter Century Warfare

Release: 2025 / EU – Original

Genre: Rock & Indie

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Although they emerged from Melbourne bayside outer suburbs onto the local live scene with their fresh and spirited indie-rock update of the garage-beat sounds of The Easybeats, Kinks and early Beatles only a year or so ago, Gnome actually started out as a bedroom solo project for teenaged singer/songwriter/ guitarist Jay Millar a few years back. Jay, playing everything himself, started recording and releasing a steady succession of material - quite a few albums' worth - on his own Goblin Records label via Bandcamp. Realizing he needed a band to start playing out, Jay approached some like minded players from Frankston's rehearsal hub Singing Bird, and with Jay on lead vocals and lead guitar, Ned Capp on guitar, Olly Katsianis on bass, and Ethan Robins on drums, Gnome became a band.
Early in 2025, the last solo Jay recordings released under the Gnome name caused something of an international underground sensation when the Bandcamp only I Like It EP - four songs of kranked up Kinks-style mono riffage - was posted by a Spanish garage-punk YouTube page and quickly clocked up over 50,000 views.

At the same time, the band quickly began gaining attention on the thriving Frankston scene and around Melbourne. They started breaking out, sharing bills with the likes of Drunk Mums, Skegss, Split System, The Prize, The Unknowns, Cosmic Psychos, Hockey Dad, Guitar Wolf, The 5.6.7.8's, The Breadmakers, Loose Lips, fellow Frankstoners/Singing Bird alumni The Belair Lip Bombs, and, on a quick trip to Sydney, Cammy Cautious & The Wrestlers.
And now, finally, we have The Gnomes' debut album. Twelve killer tracks that combine the best of the '60s with the best of today. Twelve killer tracks that show off assertive and accomplished songwriting, singing and playing and an explosive and authentic swinging group sound. Twelve killers slices of raw rock'n'roll running the gamut from the savage Rhythm & Blues of "Play With You" and “Better With You” to the vibrant beat pop of "I'll Be There" and "I'm Not The One", with forays into the heavy reverb psych of "Stung", the Cavern/Star Club stylings of "Flippin' Stomp" and the first flyte jangle of "Time Will Tell" along the way. There’s more of course, including a new version of that Kinks-style kranker “I Like It” for good measure.
Frankston’s Fab Four are taking their sound to the world. Join them for the ride!

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No Retreat

LP | 2026 | EU | Original (Screaming Crow)

LP | 2026 | EU | Original (Topsy Turvy)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The “Rise Of The Underdog Quarter Century Warfare” LP by No Retreat is being released on Screaming Crow and presents the band to listeners in a direct punk / hardcore context. No Retreat work with short, sharply focused compositions in which distorted guitars and a dry, clearly articulated drum sound are front and center; the vocals rely on clear, at times edgy phrases that don’t depend on gimmicks or excessive ornamentation. Screaming Crow frames the release with a clear focus on immediacy of expression and compositional economy.

The record is dominated by tight tempos, concise riffs, and a stripped-down structure that gives the tracks room for direct statements. No Retreat use this format for compact song structures in which melodic passages provide brief contrasts to the mostly hard-hitting arrangements. The production emphasizes presence and impact without blurring the contours of the individual instruments, so choruses and breaks remain clearly defined. For listeners interested in energetic, no-frills punk / hardcore, the “Rise Of The Underdog Quarter Century Warfare” LP by No Retreat on Screaming Crow offers a focused representation of the band and its musical approach.

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Gunk

Skunk

The Number Twelve Looks Like You

Release: 2026 / EU – Original

Genre: Rock & Indie

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The "Skunk" LP by Gunk is coming out on Topsy Turvy and distills the Tokyo punk outfit’s debut album into a tightly structured vinyl statement; slated as an LP release, it comprises eleven short, punchy tracks, including “Tamed” and “Death Above You,” which exemplarily sketch out the band’s raw songwriting and tight arrangements.

Formed in Tokyo in 2022, Gunk features a lineup that draws on experience from several well-known local projects; the band lists Sawa (guitar), Suzuki (drums), Hevizy (bass), and Sora Shitty (vocals, guitar), and blends aggressive, disciplined playing with melodic moments, as documented on their Bandcamp page and in the label’s release notes. The sonic reference points in the accompanying text point to influences from ’70s and ’80s punk as well as Detroit-leaning rock ’n’ roll attitudes, which explains the lean, driving arrangements and rough vocal style on the “Skunk” LP. Topsy Turvy is issuing the record as part of its ongoing program and, with this LP, situates Gunk within the broader punk/hardcore landscape.

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Howls From The Holographic Heart Opaque Pink Vinyl

LP | 2026 | US | Original (Equal Vision)

LP | 2026 | US | Original (FYIFY)

Release: 2026 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2026-10-16

The opaque pink vinyl edition of the “Howls From The Holographic Heart” LP by The Number Twelve Looks Like You is being released by Equal Vision and marks the band’s first full-length studio album in six years. Produced by Jeremy Cormitas, Trae Titus, and guitarist Alexis Pareja, the record gains a distinctly coherent feel and recognizable musical signature from vocalist Jesse Korman, Pareja, bassist Cody McCorry, and drummer Michael DeMarco.

Musically, “Howls From The Holographic Heart” showcases the band’s characteristic balance of technical finesse and melodic focus. The material ranges from chaotic, screamo-driven outbursts to unusual moments like the highlighted single “Joy Is A Weapon,” featuring Foxy Shazam, which toys with an almost salsa-like death metal impulse. Tracks such as “Trust Chaos” and the contemplative, progressive “Glow In The Dark Skin” demonstrate how the group weaves together structured complexity and hook-laden melodies without feeling compelled to follow prevailing trends.

The Equal Vision release underscores the band’s ambition to push familiar elements forward while daring to explore surprising arrangements; the opaque pink vinyl edition gives this chapter of the band’s history a strong visual and sonic presence.

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Surprise Privilege

Hard Listen

Club Hits Brown Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The “Hard Listen” LP by Surprise Privilege is being released on FYJFY and marks both the band’s third vinyl release and the label’s ninth overall release. The San Francisco-based band delivers 14 songs in just under 30 minutes, combining a rough punk/hardcore attitude with surprising technical moments, as tempo and mood shifts range from aggressive outbursts to slower passages.

Tracks like “Did You Know?”, “Fuck Bayden,” and “All I Want Is Money” are emblematic of the short, direct arrangements and the lyrical sharpness that run through the album. The trio Cody, Joey, and Alan handle vocals and instrumentation: Cody plays bass and contributes additional instruments, Joey plays guitar and sings, and Alan plays drums. Recording, mixing, and mastering were handled by Charles Toshio, giving the record a dense, immediate production. The first pressing is limited to 500 copies, and the vinyl comes with a lyric sheet. Overall, “Hard Listen” channels the energy of regionally rooted punk rock and documents a distinct step in the evolution of Surprise Privilege as well as in the small, active DIY community around FYJFY.

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R.M.F.C.

LP | 2026 | EU | Original (ANTI FADE)

LP | 2002 | US | Reissue (Drive-Thru)

Release: 2026 / EU – Original

Genre: Rock & Indie

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The brown colored vinyl edition of the “Club Hits” LP by R.M.F.C. has been released on ANTI FADE and represents the third pressing of the debut; Anti Fade is presenting this indie-exclusive run as a very limited, non-returnable variant. The release brings the album, originally issued in 2023, back in a collectible pressing aimed at buyers looking for a special colored edition.

Musically, “Club Hits” documents the work of Buz Clatworthy, who wrote, performed, and produced the songs, with mastering handled by Mikey Young. The tracks combine tightly arranged, cutting guitar lines with driving rhythmic patterns; occasional saxophone elements and punchy song structures give the record an immediate impact. Tracks like “Access” and “Harmless Activity” showcase the album’s range, from brief outbursts to more extended cuts, without sacrificing any of its direct force.

The brown vinyl edition on ANTI FADE comes as an LP and appeals to collectors through its limited run; beyond the music itself, a cover painting by Oscar Sulich and layout by Ian Teeple define its physical presentation. This edition of “Club Hits” offers the chance to own a striking debut in the R.M.F.C. discography in a distinctive pressing.

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Homegrown

Kings Of Pop

LP | 2026 | US | Original (Facedown)

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2026-09-25

The “Kings Of Pop” LP by Homegrown is released on Drive-Thru and represents the band’s third studio album, marked by gripping melodies and striking hooks. Producer Steve Evetts guided the band through the recording sessions at Big Fish Studios in Encinitas and Sonik Wire in Irvine; mixing took place at Jake’s Place, with mastering handled by Steven Marcussen. The record features twelve tracks, including the singles “You’re Not Alone” and “Kiss Me, Diss Me.” The song “Disaster” closes the album and contains several hidden tracks that add extra moments of surprise.

Musically, “Kings Of Pop” sits in the indie rock / alternative realm with pronounced pop-punk elements: fast guitar work meets multi-part vocals and catchy choruses, while shifting tempos create a sense of dynamics. Homegrown combines ironic lyrics with carefully arranged melodic arcs, giving the record both raw energy and nuanced songwriting detail. The Drive-Thru release presents the material in a vinyl edition that brings out the production and arrangements with clarity and lends the album its distinctive presence.

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Meadows

Desert Walker

LP | 2026 | EU | Original (Riot Season)

Release: 2026 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2026-10-09

The "Desert Walker" LP by Meadows is being released on Facedown and ushers the Birmingham band into a consistently powerful new chapter of their career. On "Desert Walker," Meadows combines unpolished punk energy with hardcore intensity, pairing melodic guitar textures with aggressive vocals; the tracks are characterized by dense arrangements and memorable choruses. The single "Hard Bargain" stands out on the record, featuring a guest appearance by Geert van der Velde (Shai Hulud) and serving as a prime example of the album’s dramatic force.

With "Desert Walker," Facedown is releasing an LP that delivers both the direct energy of classic hardcore tracks and more episodic moments with a broader melodic range. On this release, Meadows employs dynamic tempo shifts and clear song structures that give the lyric passages room to breathe without dulling the instrumental aggression. The production frames the band with precision and makes the transitions between tension and release especially impactful. For fans of punk and hardcore, the "Desert Walker" LP on Facedown is a compelling addition that powerfully showcases Meadows’ songwriting and their ability to incorporate guest contributions to strong effect.

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Brainbombs

Die Clear Vinyl Edition

Sandbox Colored Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2026-09-18

Limited Third Press. 300 Only Clear Vinyl With RED Blood Splatter, Housed IN A RED AND Metallic Silver Sleeve. The Swedish underground legends return with a brand new album.

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The All-American Rejects

LP | 2026 | US | Original (Dark Operative)

36,99 €*

Hijss Multi-Colored Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The colored vinyl edition of the “Sandbox” LP by The All-American Rejects is released on Dark Operative. The release brings the band back into focus after a longer creative hiatus and marks their first full studio effort since 2012’s “Kids in the Street.” This edition presents the album in a vinyl-tailored format that emphasizes the songs’ arrangement possibilities and dynamics.

Musically, “Sandbox” stays in the band’s familiar territory: catchy melodies, powerful choruses, and a pop-oriented rock aesthetic built on hooks and streamlined song structures. At the same time, the material shows a broader stylistic range; from driving, stadium-ready moments to more subtle, soulful passages, the production is varied throughout. Lyrics and vocal lines remain strongly melody-focused and define the band’s characteristic profile.

The Dark Operative release is complemented by a colored pressing that underscores the album’s tactile quality and puts the work front and center as a physical edition. For listeners who appreciate the band’s compositional signature, this LP compactly encapsulates the contemporary songwriting and rock-oriented pop power of The All-American Rejects.

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Hijss

LP | 2026 | EU | Original (Heavy Psych Sounds)

35,99 €*

Mercy For None Clear W Blue Red And White Splatter Vinyl Edition

Release: 2026 / EU – Original

Genre: Rock & Indie

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The colored vinyl edition of the “Hijss Multi-Colored Vinyl Edition” 12" by Hijss is released on Heavy Psych Sounds and consistently continues the band’s characteristic balancing act between driving rock and experimental electronics. Dense, fuzz-drenched guitars meet pulsating basslines and synthetic arpeggios, creating a gritty soundscape that recalls influences from krautrock, no wave, and blues-driven heavy rock.

Hijss operate as a compact unit in which concise arrangements and a clearly defined band structure dominate. The songs draw their strength from striking riff patterns, propulsive drum figures, and a penchant for repetitive, hypnotic structures that repeatedly erupt into explosive moments. This combination of raw energy and controlled density defines the group’s profile and lends the tracks an immediate impact.

The production level is particularly striking: collaboration with experienced engineers results in an immediate yet uncluttered rendering of the instruments, with the synthesizers functioning as texture-defining elements without crowding the guitar space. In this way, the colored vinyl edition offers an authentic representation of Hijss’s concentrated sound and underscores the band’s sonic signature on the Heavy Psych Sounds label.

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Risk It

LP | 2026 | US | Original (War)

They Came From The Shadows Olive Vinyl Edition

Release: 2026 / US – Original

Genre: Rock & Indie

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The Clear-with-Blue-Red-and-White-Splatter vinyl edition of the "Mercy For None" LP by Risk It was released on War. The record translates the band's rough, direct sound into the medium in a very tangible way and focuses on concise, short compositions that don't need any frills to unfold their impact.

Style-wise, Risk It operate in classic hardcore with clear New York hardcore leanings: driving rhythms, sharp riffs, and a vocal presence that aims straight for the core. The recordings were made in collaboration with Nick Jett (Terror) and René Natzel, which gives the tracks extra clarity and punch; in a few places, guest contributions, such as from Justus Börner (Slow Burn), further heighten the intensity of the arrangements. This production combines tried-and-true elements with more modern precision.

Behind the album is a band that has been honing itself through extensive touring since 2009 and is now presenting its third full-length with "Mercy For None," and its first release on War. The songs were developed over several years; beforehand, the band had shared previews like "Numbskull" and "The Bottom Line," which hinted at the chosen course between speed, mosh parts, and precise aggression. Overall, the LP positions itself as a focused, solidly crafted hardcore release.

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Teenage Bottlerocket

LP | 2009 | US | Reissue (Fat Wreck Chords)