1970s 193 Artikel

- "The Robots" sampled by Ugly Duckling for "Einstein's Takin Off"- "Man Machine" sampled by 2 Live Crew for "Dick Almighty",Fearless Four for "Rockin' It",Jay-Z for "Sunshine",MC Lyte for "Cha Cha Cha",Peanut Butter Wolf for "I Will Always Love H.E.R." andSylk Smoov for "Trick with a Good Rap"

- "The Hall of Mirrors" sampled by Jay-Z for "It's Alright" andJigmastas for "Beyond Real"- "Trans-Europe Express" sampled by 2 Live Crew for "Drop the Bomb",Afrika Bambaataa for "Planet Rock",De La Soul for "Ghetto Thang",Kool G Rap & DJ Polo for "Rhymes I Express",Professor Griff for "Last Asiatic Disciples",Rampage for "Ramp Europe Express",Trouble Funk for "Trouble Funk Express",Truck Turner for "Bring it to the Cypher" andWyclef Jean for "Stayin' Alive"

Es erscheint die Single „Garten meiner Fantasie“, die Babic im Jahre 1979 mit der rumänischen Sängerin Ezra in Deutscher Sprache aufnahm. Alle Produkte im original Babyman-Design, limitierter als das Leben selbst.

Classic Kraftwerk album, includes all english lyrics.

Limited edition for Record Store Day 2017!

Joe Jackson – Collected is a comprehensive series of sounds Joe Jackson has gone through, from old to new, this collection will never get boring!

Finally, this classic Peter Gabriel album is back in print.

Classic Abba material for every dancefloor.

Space Art the French electronic duo of Dominique Perrier (keyboards, vocoder) and Roger Rizzitelli (drums, percussion). Between 1977 and 1981, they released three albums of comsic synth pop, in which they laid much groundwork for French electronic music to follow. After their third album in 1981, they toured around the world with Jean Michel Jarre in support for his Concerts in China album. Space Art's third single “Nous Savons Tout” was released in 1978 on IF Records. Their sound was similar to Jarre's early analog albums, but with the addition of real drums. Dominique plays an ARP Odyssey, Clavinet, Eminent, and Minimoog, maximizing their warm textures. Roger plays the drums in an intricate fashion, influenced subtly by jazz fusion. “Nous Savons Tout” features an early prototype of the Vocoder, which the band used to create the chorus. On the flip is the slower "Melodie Moderne", an electronic take on classical rock songs of the 1970s. Both tracks were recorded at Studio Ferber Paris in June 1978. Like Richard Pinhas/Heldon and Yellow Magic Orchestra, Space Art created their own brand of dark space disco, paving the way for bands like Air and Mellow. All songs have been remastered for vinyl by GEORGE HORN at Fantasy Studios in Berkeley. The record comes in a sleeve featuring the original cover art of a firefighter in a knight-like pose, painted by GILLES LACOMBE. Each LP includes a postcard with liner notes by surviving member Dominique Perrier. The sounds here evoke a Parisian noir thriller set in a discotheque circa '78 - steamy and dark, equal parts erotic and existentialist.

Konstruktivists are a UK Industrial group formed by Glenn Michael Wallis in 1982 out of the ashes of Heute. In the late '70s/early '80s Wallis was heavily involved with Throbbing Gristle and the Industrial Records crew. Influenced by Krautrock bands like Can, NEU!, Cluster/Harmonia as well as Tuxedomoon, Yello, Chrome, SPK, and early Clock DVA, Glenn began to record his own material. After several cassette releases through Flowmotion under his own name, Konstruktivists’ first LP A Dissembly was released in 1982. To record A Dissembly, Glenn went into IPS Studio in Shepherds Bush, London. Glenn played synthesziers, percussion and vocals, with help from Dave Rouse (guitar), Adrian Grover (piano, tape loops) and Dave Kenny (engineer, treatments, tapes). The equipment used for this album includes a Korg MS-20, Casio MT-40, Roland TR-606 and TB-303, Korg Space Echo 555 and an Eventide Harmonizer previously used by Throbbing Gristle. In the studio was an old broken piano which was recorded with two microphones onto an 18 foot tape loop. Chris Carter of Throbbing Gristle modified Glenn’s TR-606 with separate outputs for snare and bass drums to help create the slap back snare sound heard through the album. Konstruktivists create their own brand of Industrial using tape loops and lurching rhythms arched by droning melodies. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record is housed in an exact replica of the original jacket, featuring a black and white photograph of a church by Dave Byatt and hand lettering and line drawing by Lorna M. Each copy includes a 2-page double-sided 8×11 insert with liner notes by Glenn Wallis, press clippings, and photos, plus a bonus flexi-disc containing the song “Smack,” which was recorded during the same session as A Dissembly.

Thomas Leer is an innovative electronic musician who was born in Port Glasgow, Scotland. He began singing for a local band at age 13, and was writing his own music by 18. By 1977, he had moved to London, where he fronted Pressure, a Clash­-esque punk group with fellow experimental Scottish musician Robert Rental. After hearing Kraftwerk, Leer became interested in synthesizers – not long after, he was exploring the experimental techniques of Eno, Zappa, Beefheart, Faust, and Can.In 1978, Thomas released his first single, “Private Plane”/“International”, on his own Oblique Records. Both songs were recorded in his small Finsbury Park flat over three days, using a TEAC A3440 4-­track recorder and an ALICE mixing board. The only effects used were a Watkins Copicat tape echo unit, Electo Harmonix DrQ filter, an old Roland drum machine, and a Stylophone. So as to not wake his sleeping girlfriend, Leer’s vocals were nearly whispered, which lends them a textural, psychedelic quality. NME named “Private Plane” Single of the Week, and the hand-stamped first edition of 650 promptly sold out. For this expanded reissue, we’ve added 2 bonus tracks. “Kings of Sham”, from the 1981 Cherry Red Records sampler “Business As Usual”, is perfect motorik trance, echoing Conny Plank’s 1970?s productions. “Saving Grace” is the extended instrumental version of Leer’s second single “All About You” from 1982, a slow­-burning cosmic work-out chock-full of anthemic synth riffs.All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is an exact replica of the 1978 handmade edition enlarged for the 12” format, featuring a cut and paste collage by Thomas. Each copy includes a two­-sided newsprint insert with never­-before­-seen photos, an interview, and liner notes by Professor Keith R. Laws. 37 years later this is fresh UK D.I.Y. post­-punk, compelling pop with a dark heart, vacillating between the pretty disturbing and the disturbingly pretty.

180 gram vinyl reissue of this rock classic!

... classic produced by Brian Eno ... 180 gram vinyl!

“Madman Across the Water” is the fourth studio album by Elton John, released in 1971 through DJM and Uni Records.

“Elton John” is the second album by English singer-songwriter Elton John, released in 1970. However, because it was his first album released in America, many people there assumed it was his first album, as Empty Sky was not released in the US until 1975. Elton John includes his breakthrough hit, "Your Song", and helped to establish his career during what was considered the "singer-songwriter" era of popular music. In the US, it was certified gold in February 1971 by the RIAA. In the same year, it was nominated for the Grammy Award for Album of the Year.

The album Pearls by Carole King is a collection of brilliant pop music and widely recognized as her best work since Tapestry. The album features 10 songs originally written by Carole King with her ex-husband Gerry Goffin. The albums contains new versions of "Locomotion", "Hey Girl", "Snow Queen", "Oh No Not My Baby", "Hi De Ho", "Wasn't Born to Follow", "Goin' Back" and more.

Finally, this classic Peter Gabriel album is back in print.

In the summer of 1976, recording engineer/songwriter Barry Knoedl was asked to play bass and sing backup at a recording session. When the work was done, Barry asked if he could record one of his own songs, "Baby Don't Give Up." Backed with another original ("I Just Want To Make You Happy"), the resulting single became the surprising second release on Jim "Nipo" Antonucci's Death Records, home to Jimi LaLumia's "Death to Disco" movement and future label of Cracked Actor's KBD classic "Nazi School" 45. You'd never know it from the cartoonish picture sleeve or the name of the record label, but both sides of New Yorker Barry Knoedl's obscure, self-produced single on red vinyl offer a light, sweet pop sound fortified by piano and guitar and Knoedl's white-bread vocals. Sourced from Barry's digital remixes, this hand-numbered reissue limited to 300 copies includes liner notes featuring the history of the Death Records label and a download code.

Blondie's second album „Plastic Letters “ from 1979 made it to the top ten UK charts back in the days. Now it’s available again in an official picture disc edition for collectors.

13 popular Genesis titles are now being made available on 180g vinyl releases. Including Invisible Touch which is to this day their biggest-selling album. It delivered the band a staggering five chart hits – ‘Invisible Touch’, ‘Throwing It All Away’, ‘Land Of Confusion’, ‘In Too Deep’ and ‘Tonight, Tonight, Tonight’ and is generally considered to be one of the landmark albums of the 1980s. Wind and Wuthering is their eighth studio album and was the last to feature guitarist Steve Hackett, who moved on to a solo career shortly after its release.

13 popular Genesis titles are now being made available on 180g vinyl releases. Including Invisible Touch which is to this day their biggest-selling album. It delivered the band a staggering five chart hits – ‘Invisible Touch’, ‘Throwing It All Away’, ‘Land Of Confusion’, ‘In Too Deep’ and ‘Tonight, Tonight, Tonight’ and is generally considered to be one of the landmark albums of the 1980s. Wind and Wuthering is their eighth studio album and was the last to feature guitarist Steve Hackett, who moved on to a solo career shortly after its release.

Simon and Garfunkel's Greatest Hits (1972) is the first compilation album from Simon & Garfunkel. The album was a mix of original studio recordings and four previously unreleased live recordings. The remaining ten studio songs comprise nine singles released between 1965 and 1972, "America" being issued as a single several years after its appearance as a track on the Bookends album, and one album track, "Bookends".

Sie gelten als Wegbereiter der elektronischen Popmusik: Die britische New-Wave Band The Human League.

A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in 'old school' Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!Worth noting on "Surf's Up" is Stephen Desper's engineering work — the entire album was mixed to a center channel quad matrix that he was developing at the time."Surf's Up" hit the Top 30 on its first release, reaching No. 29 on the Billboard LP charts — the highest chart placement the group had had since 1967. At the time of its release, "Surf's Up" was hailed by many as a comeback for The Beach Boys, who were beginning to attract raves for their live performances, including highly acclaimed sets at New York's legendary Carnegie Hall.Carl Wilson makes solid contributions on Surf's Up with "Long Promised Road" and "Feel Flows", and the album also features stellar tracks by Al Jardine and Mike Love, as well as Bruce Johnston's most enduring composition, the gently nostalgic "Disney Girls (1957)", but the album's twin jewels are both from Brian Wilson — "Til I Die" and the title track — one of the centerpieces of the then-unreleased "Smile" (cowritten by lyricist Van Dyke Parks and here given that album's "Child Is Father to the Man" as a glorious coda.) "Surf's Up" track "A Day in the Life of a Tree" is the first in a series of Brian's songs that close the album. It's simultaneously one of Brian Wilson's most deeply touching and unusual compositions; he is the narrator and object of the song (though not the vocalist; co-writer Jack Rieley lends a hand), lamenting his long life amid the pollution and grime of a city park while the somber tones of a pipe organ build atmosphere. "Til I Die", isn't the love song the title suggests; it's a haunting, fatalistic piece of pop surrealism that appeared to signal Brian's retirement from active life.

5LP heavy box set incl. reproductions of 5 top-charting LPs pressed on 180 gram coloured vinyl plus bonus poster!!!

180g high quality vinyl pressing!

/ why do fools fall in love

180 gram vinyl

Laura Nyro's third Columbia effort is easily the equal of her previous two. The overwhelming strength of her song writing and distinctive arrangements fuel "Christmas And The Beads Of Sweat". Her unmistakable style of delivery maintains the continual examination of herself as a performer. The results are uniformly interesting and provocative as she continues to draw upon her love of jazz, folk, and R&B. Conceptually, this album is as potent as her previous effort, "New York Tendaberry", but in a much different way. Rather than hanging together thematically, "Christmas And The Beads Of Sweat" features two inclusive and distinctive sides of music -- with different musicians and producers for each. The first five tracks feature Nyro backed by the Swampers from Muscle Shoals, AL, and include the talents of Roger Hawkins (drums), Eddie Hinton (guitar), Dave Hood (bass), Barry Becket (vibraphone), and Jack Jennings (percussion), with Arif Mardin producing. While this pairing might seem initially incongruous, the quintet had been concurrently working with the likes of Dusty Springfield and Cher and had gained a rightful reputation as a consummate backup band. The final four pieces are steeped in noir more atypical of her previous efforts. The all-star cast of New York City session heavyweights are led by Felix Cavaliere (producer) and features fellow Rascals member Dino Danelli (drums), Ralph McDonald (percussion), Chuck Rainey (bass), Cornell Dupree (guitar), Duane Allman (guitar), and Alice Coltrane (stringed harp), among others. As with all of Nyro's recordings, at the heart of this effort are her ageless compositions and arrangements. A motif connecting such disparate tunes as the upbeat "When I Was A Freeport And You Were The Main Drag" to the hauntingly beautiful "Christmas In My Soul" and "Beads Of Sweat" is the aching hollowness that came with the disillusionment that Vietnam, Kent State, and racial relations brought upon America in 1970. As she had done with "Save The Country" some four years earlier, Nyro's cathartic expressionism is captured at its most fervent on this album. - Lindsay Planer/AMG

Love Makes The World by Carole King was officially released in 2001 and is now finally available on vinyl for the first time. The album features a variety of well-known musicians like Babyface, Steven Tyler, Celine Dion, Wynton Marsalis and K.D. Lang.

Simple Things by Carole King was originally released in 1977. The track "Hardrock Café" was a big success in charts around the globe, but this album contains many more precious moments.

“Captain Fantastic and the Brown Dirt Cowboy”, the ninth formal studio album release for Elton John, is an autobiographical account of the early musical careers of Elton John (Captain Fantastic) and Bernie Taupin (the Brown Dirt Cowboy). It was released in 1975 by MCA in America and DJM in the UK. It debuted at number 1 on the US Billboard 200, the first album to do so, and stayed top for seven weeks. It was certified gold in May 1975 and was certified platinum and 3x platinum in March 1993 by the RIAA. This was the last album until “Too Low for Zero” that Elton John and his classic band would play on together.

“17-11-70” (US title “11-17-70”), released in 1971, is the fifth official album release for Elton John, and his first live album.The recording was taken from a live radio broadcast on 17 November 1970, hence the album's title. The recording was originally popular among bootleggers which, according to Gus Dudgeon, eventually prompted the record label to release it as an album.

Flannelgraph Records presents some of the best synthesizer instrumentals ever created, somehow unreleased for 40 years! A music educator, composer and more, Don Muro is one of the good guys. On this release, Don takes us on a delightful journey through danceable jammers that would not be out of place on a Goodson-Todman production, sparse, contemplative prog and beautiful soothing space music. Imagine your favorite local television station ID bumper from 1976 extrapolated into a full album of sonic bliss.This is a limited edition of 250 copies on hazy multicolored vinyl

/ surfin safari

Finally, this classic George Harrison album is available again. This release has been remastered and pressed to 180gram vinyl.

Finally, this classic George Harrison album is available again. This release has been remastered and pressed to 180gram vinyl.

Finally, this classic George Harrison album is available again. This release has been remastered and pressed to 180gram vinyl.

Finally, this classic George Harrison album is available again. This release has been remastered and pressed to 180gram vinyl.

Finally, this classic George Harrison album is available again. This release has been remastered and pressed to 180gram vinyl.

Finally, this classic George Harrison album is available again. This release has been remastered and pressed to 180gram vinyl.

Finally, this classic George Harrison album is available again. This release has been remastered and pressed to 180gram vinyl.

“Rough Mix” is an album by The Who's guitarist Pete Townshend and former Small Faces and Faces bassist Ronnie Lane. The album was released in September 1977.Now, this reissue is presented on limited colored 180-gram vinyl. All audio got remastered at Abbey Road Studios by half-speed mastering.

“Who Came First” is the debut album by Pete Townshend, released in 1972. It includes demos from the aborted concept album “Lifehouse”, part of which became “Who's Next”. The original release had a gatefold cover and included a poster with additional photos of Meher Baba from the Louis van Gasteren film Beyond Words. Now, this reissue is presented on limited colored 180-gram vinyl. All audio got remastered at Abbey Road Studios by half-speed mastering.

/ little deuce coupe

“#1 Record” is the debut album by the American power pop group Big Star. It was released in 1972 by Memphis-based Ardent Records. Many critics praised the album's elegant vocal harmonies and refined songcraft but “#1 Record” suffered from poor distribution and sold fewer than 10,000 copies. However, “#1 Record” has more recently attracted wider attention, and in 2003 it was ranked number 438 on Rolling Stone magazine's list of the 500 greatest albums of all time.

Classic Abba material for every dancefloor.

Bridge over Troubled Water is the fifth and final studio album by American folk rock duo Simon & Garfunkel, originally released in January 1970. Both critically and commercially successful, the album topped the charts in over ten countries and received two Grammy Awards, plus four more for the title song. It sold around 25 million records and was ranked on several lists, including at number 51 on Rolling Stone's 500 Greatest Albums of All Time.

Bursting into the 1980s on a new label (the then-upstart, now-legendary Rough Trade) and with an augmented, audibly panicked lineup, The Fall's Grotesque is the true pure-bred Fall release from the Marc Riley era. Released in the immediate wake of The Fall's most beloved single (Totally Wired), the album carries over that righteously famed teeth-chattering, bolstered in no small part by the drumming of new addition Paul Hanley, brother of bassist Steve Hanley and aged only 15 at the time of recording. "Pay Your Rates" negates the notion of easing into things, opening the album with pure jitter, guided by hornet-buzz guitars and Mark E. Smith's commanding shout, allowing for breath only during the brief, lumbering waltzes that appear at unexpected intervals. "New Face In Hell" is an entirely alien take on dancehall post-punk – a kazoo-driven rave-up that holds an unshakable position in the band's canon. Many significant firsts surround Grotesque, including The Fall's inaugural production partnership with Mayo Thompson and the debut of Suzanne Smith's wonderful artwork, both of which would play key roles in the band's following phase. Superior Viaduct's edition is the first time that Grotesque has been available on vinyl domestically since its initial release in 1980. Liner notes by Brian Turner.

One of the most successful albums of Linda Ronstadt's career, "Simple Dreams" spent five successive weeks at No. 1 on the Billboard album chart in late 1977, displacing Fleetwood Mac's "Rumours" at No. 1 after 29 record-breaking weeks in the pole position. It also knocked Elvis Presley out of No. 1 on Billboard's Country Albums chart after 'The King' held the gridlock for 15 consecutive weeks after his death in August. It won the Grammy Award for Best Recording Package (in addition to several other high profile Grammy nominations)."Simple Dreams" was Ronstadt's fifth consecutive million-selling platinum album and sold more than 3½ million copies in less than a year in the United States alone — a record for a female artist. Simply put, Ronstadt just couldn't lose. "Simple Dreams" continued a creative streak that found the singer turning out album after album of incredible material at an astonishing one-per-year rate until she finally began to come back down to earth in the early 1980s.Now hear "Simple Dreams" as never before. Remastered by the late, great Doug Sax at the Mastering Lab, together with Robert Hadley, and pressed on 45 RPM super-silent 200-gram vinyl by Quality Record Pressings, this revered recording truly is a sonic treasure. And it comes in a Stoughton Printing tip-on gatefold jacket with meticulously reproduced original artwork. Stunning.Featuring an expanded palette of styles and cutting-edge narratives, "Simple Dreams" may go down in history as Ronstadt's greatest work. Considering the achievements: Grammy nominations for Record of the Year and Best Pop Vocal Performance, Female; Five consecutive weeks as the No. 1 record on the Billboard Album Chart, Two Top 10 singles.

Edward Joseph Mahoney, a Brooklyn-born second-generation cop who eventually ditched his badge and gun to pursue his rock star dreams as Eddie Money — struck gold right off the bat with his 1977 self-titled debut album.The record's leadoff single, "Baby Hold On", was actually its biggest hit, but the follow-up single "Two Tickets To Paradise", was a sort of spiritual cousin to Bruce Springsteen‘s "Rosalita (Come Out Tonight)". It's written from the perspective of a young guy who's desperately trying to convince his girlfriend to ignore her disapproving parents and come away with him »on a trip so far away from here.« With its smooth production, urgent uptempo chorus, and insistent melodic hook, "Tickets" was a natural for late '70s FM radio — where it found an immediate home, eventually working its way all the way up to No. 22 on the Billboard Hot 100.Although Money might have written "Two Tickets To Paradise" to convince a specific girl to leave town with him, its title became shorthand for that end-of-the-work-week feeling you get when you've fulfilled all of your responsibilities to the Man and you're free to relax without obligations for a little while — like, say, at an Eddie Money concert, where "Tickets" has remained a constant fixture of the set list for more than 30 years.We've done this Analogue Productions issue up right with top-of-the-line remastering from Ryan Smith at Sterling Sound — for phenomenal sonic quality — and a richly detailed, silent-background Quality Record Pressings 200 gram LP. None better.

Astonishingly released within months of Jackson's 1979 debut album "Look Sharp!“, "I’m The Man“ is another tight and inspired set of power-pop that features some of Jackson’s best and most timeless tunes. Many of the songs here like “On Your Radio”, “Kinda Kute”, and the title track “I’m The Man” fall right in line with the punchy guitar riffs and pounding bass that made "Look Sharp!" such a driving force. Jackson followed "I’m The Man" with only one more album featuring the tight ensemble featured here and creatively restless soul that he is didn’t return to this brand of power pop until reuniting that lineup for 2003’s underrated "Volume 4". I doubt it was possible to listen to "I’m The Man" in 1979, and predict the subsequent ska-inspired "Beat Crazy" or 1982’s ode to jazz, "Night And Day". But we do hear the songwriter growing into his powers with “It’s Different For Girls”, one of his strongest and most lyrically perceptive songs, and one with decades of staying power; one of Jackson’s great live set pieces today is a solo piano arrangement of that song that’s as arresting as the original in some ways. Jackson would famously broaden his influences in later albums and his catalog is nothing if not diverse. While Jackson’s greatest commercial success was "Night And Day", "Look Sharp!" and "I’m The Man" are new-wave classics that improve with every listen!"I'm The Man" is sourced from the best analog tape currently available, a beautifully preserved ½” 'safety copy' of the original stereo master. When mastering this LP we compared what we were getting off the tape to an original A&M UK LP. While great sounding overall, the original LP is of course a very edgy sounding New Wave, post-punk record with a brashness that borders on being outright bright sounding. Where the aggressive top-end energy is concerned, the tapes showed no discenible age! We were able to maintain that grungy edge, but also restore the driving bass lines and bottom-end foundation that were on these tapes. The result is the best-sounding "I'm The Man" anyone's ever heard, with all the drive and pop of the original UK release, but with superb tonal balance, imaging and clarity. The definitive issue of this iconic New Wave classic!

Presented on seven LP's is a comprehensive overview of Australian underground music, originally released on cassettes or vinyl between the late '70s and early-mid '80s. The first two platters contain Andrew Lonsdale's (Browning Mummery) selection of rare and essential tracks representing the vast diversity of sounds found in Australia's underground scene of the era. LP #3 features artists from the Lymph Products catalogue (The Horse He's Sick, Cerebral Haemorrhage, Kurt Volentine and Cut With The Kitchen Knife) and Browning Mummery's Boxmusik Tapes. LP #4, compiled by Garry Bradbury (former member of Severed Heads), focuses on bands, projects and collaborations such as Wet Taxis, Rhino Rhino, and Pissy Relay Switches, that released music on the famous Terse Tapes label. The fifth disc contains the split LP of Hiroshima Chair and a selection of M-Squared label related bands such as Systematics, Scattered Order, Ya Ya Choral, and The Makers Of The Dead Travel Fast. LP's 6 and 7 are fully dedicated to the earliest recordings by Tom Ellard's Severed Heads, containing the highly collectable albums 'Clean', 'Ear Bitten' and the 'Side 2' tape. The set also includes a large and extensive 48-page LP-sized booklet with lots of valuable information, insights and photos/scans compiled and written by David Courtney.

Introducing the ground breaking performance by Ian Dury & The Blockheads live at Rockpalast 1978, now finally available on Deluxe vinyl. Rockpalast (Rock Palace) is a German music television show that broadcasts live on German television. The eclectic punk band played many fan favourites including 'Sex and Drugs and Rock 'n' Roll', 'I'm Partial to Your Abracadabra' and 'If I Was With a Woman'.