Halls--the solo project of 23 year old South London musician Sam Howard--released a debut album, Ark, in November 2012. A long twelve months later--after rapt reviews and a stint modelling for Hedi Slimane in Paris--Howard's second album is here, and the changes are marked. In his new work, Howard has replaced apprehension and doubt with a muted hope, and just as the sentiment has shifted, as too the compositions and arrangements have moved into the real world. Ark's electronic templates have ceded to--as Howard says--"embrace the sound of human beings", and the instrumental palate has widened: brass, tuned percussion, woodwinds, and organs now flesh out the tracks, with digital percussion only used for texture rather than structure. Much was recorded in a theatre in London's Woolwich, with Howard's vocals recorded naturally in the large main hall, and passing traffic and street noise can be heard faintly throughout the album. Opening track 'Love To Give' builds from hymnal acoustic reverie to a wall-of-noise breakdown, before ending on a military brass finale; the seven minute centrepiece 'Aria' leads with a solo xylophone into interweaving Kraut percussion and strings lines; 'Forelsket' contains a freeform pitch-shifted saxophone, evoking Sun Ra alongside a Justin Vernon vocal line and symphonic swells; and closer 'Body Eraser / Avalanche' ends the album on a few minutes of haunting ambience.