Beck Vinyl, CD & Tape 23 Artikel

Indie-retail edition limited to 8000 copies.Colors is Beck's album number 13 created between 2013 and 2017 by Beck and Greg Kurstin including the singles Dreams,Wow, and Dear Life. Beck: "... these are complex songs all trying to do two or three things at once. It's not retro and not modern. To get everything to sit together so it doesn't sound like a huge mess was quite an undertaking."

Colors is Beck's album number 13 created between 2013 and 2017 by Beck and Greg Kurstin including the singles Dreams,Wow, and Dear Life. Beck: "... these are complex songs all trying to do two or three things at once. It's not retro and not modern. To get everything to sit together so it doesn't sound like a huge mess was quite an undertaking."

Colors is Beck's album number 13 created between 2013 and 2017 by Beck and Greg Kurstin including the singles Dreams,Wow, and Dear Life. Beck: "... these are complex songs all trying to do two or three things at once. It's not retro and not modern. To get everything to sit together so it doesn't sound like a huge mess was quite an undertaking."

45RPM, 180g vinyl edition with 24-page booklet and customizable cover.Colors is Beck's album number 13 created between 2013 and 2017 by Beck and Greg Kurstin including the singles Dreams,Wow, and Dear Life. Beck: "... these are complex songs all trying to do two or three things at once. It's not retro and not modern. To get everything to sit together so it doesn't sound like a huge mess was quite an undertaking."

Beck has always been known for his ever-changing moods -- particularly since they often arrived one after another on one album, sometimes within one song -- yet the shift between the neon glitz of Midnite Vultures and the lush, somber Sea Change is startling, and not just because it finds him in full-on singer/songwriter mode, abandoning all of the postmodern pranksterism of its predecessor. What's startling about Sea Change is how it brings everything that's run beneath the surface of Beck's music to the forefront, as if he's unafraid to not just reveal emotions, but to elliptically examine them in this wonderfully melancholy song cycle. If, on most albums prior to this, Beck's music was a sonic kaleidoscope -- each song shifting familiar and forgotten sounds into colorful, unpredictable combinations -- this discards genre-hopping in favor of focus, and the concentration pays off gloriously, resulting in not just his best album, but one of the greatest late-night, brokenhearted albums in pop. This, as many reviews and promotional interviews have noted, is indeed a breakup album, but it's not a bitter listen; it has a wearily beautiful sound, a comforting, consoling sadness. His words are often evocative, but not nearly as evocative as the music itself, which is rooted equally in country-rock (not alt-country), early-'70s singer/songwriterism, and baroque British psychedelia. With producer Nigel Godrich, Beck has created a warm, enveloping sound, with his acoustic guitar supported by grand string arrangements straight out of Paul Buckmaster, eerie harmonies, and gentle keyboards among other subtler touches that give this record a richness that unveils more with each listen. Surely, some may bemoan the absence of the careening, free-form experimentalism of Odelay, but Beck's gifts as a songwriter, singer, and musician have never been as brilliant as they are here. As Sea Change is playing, it feels as if Beck singing to you alone, revealing painful, intimate secrets that mirror your own. It's a genuine masterpiece in an era with too damn few of them. - allmusic.com

Finally, this classic Beck album is back in print.

Beck has always been known for his ever-changing moods -- particularly since they often arrived one after another on one album, sometimes within one song -- yet the shift between the neon glitz of Midnite Vultures and the lush, somber Sea Change is startling, and not just because it finds him in full-on singer/songwriter mode, abandoning all of the postmodern pranksterism of its predecessor. What's startling about Sea Change is how it brings everything that's run beneath the surface of Beck's music to the forefront, as if he's unafraid to not just reveal emotions, but to elliptically examine them in this wonderfully melancholy song cycle. If, on most albums prior to this, Beck's music was a sonic kaleidoscope -- each song shifting familiar and forgotten sounds into colorful, unpredictable combinations -- this discards genre-hopping in favor of focus, and the concentration pays off gloriously, resulting in not just his best album, but one of the greatest late-night, brokenhearted albums in pop. This, as many reviews and promotional interviews have noted, is indeed a breakup album, but it's not a bitter listen; it has a wearily beautiful sound, a comforting, consoling sadness. His words are often evocative, but not nearly as evocative as the music itself, which is rooted equally in country-rock (not alt-country), early-'70s singer/songwriterism, and baroque British psychedelia. With producer Nigel Godrich, Beck has created a warm, enveloping sound, with his acoustic guitar supported by grand string arrangements straight out of Paul Buckmaster, eerie harmonies, and gentle keyboards among other subtler touches that give this record a richness that unveils more with each listen. Surely, some may bemoan the absence of the careening, free-form experimentalism of Odelay, but Beck's gifts as a songwriter, singer, and musician have never been as brilliant as they are here. As Sea Change is playing, it feels as if Beck singing to you alone, revealing painful, intimate secrets that mirror your own. It's a genuine masterpiece in an era with too damn few of them. - allmusic.com

The record features many of the musicians from 2002's Sea Change, including Justin Meldal-Johnsen, Joey Waronker (currently of Atoms for Peace), Smokey Hormel, and Roger Joseph Manning Jr. Beck described the record as coming from the tradition of "California music" and said, "I'm hearing the Byrds, Crosby Stills and Nash, Gram Parsons, Neil Young—the bigger idea of what that sound is to me."

Presented on light blue 180-gram vinyl, here are the (remastered) KAOS Olympia Community Radio broadcast live recordings from an exceptional 1994 performance. Background notes and images are included.

... 'guero's' little remixed companion 'guerolito' ... with remixes by Air, El-P, Subtle, Boards Of Canada and many more!

Available for the first time as a single LP. Originally released in 2005.

Beck's double Grammy decorated album turns 20 and will be available again.

Finally Beck's Odelay is available again as official reissue for Bong Loads 25th anniversary and the 20th anniversary of the original album release.

Limited edition for Black Friday RSD 2015! Limited run of Beck's "Dreams" single on 180g blue vinyl with "puffy" sleeve and embossed jacket; download card included.

Limited edition for Black Friday RSD 2015!

A Modern Guilt reissue!Compared to the waves of grief on Sea Change, Modern Guilt trips easily, as this is a deft tapestry of drum loops, tape splices, and chugging guitars pitched halfway between new wave and Sonic Youth. This may not brood but it's impossible to deny its heaviness, either in its tone or its lyrics. Beck peppers Modern Guilt with allusions to jets, warheads, suicide, all manners of modern maladies, and if the words don't form coherent pictures, the lines that catch the ear create a vivid portrait of unease, a vibe that Danger Mouse mirrors with his densely wound yet spare production. As on his work with Albarn and the Black Keys, Danger Mouse doesn't impose his own aesthetic as much as he finds a way to make it fit with Beck's, so everything here feels familiar, whether it's the swinging '60s spy riff on "Gamma Ray," the rangy blues on "Soul of Man," the stiff shuffle of the title track, or the thick and gauzy "Chemtrails," which harks back to the sluggish, narcotic psychedelia of Mutations. Danger Mouse assists not only with execution but with focus, pulling in Modern Guilt at just over half an hour, which is frankly a relief after the unending sprawl of The Information and Guero. Its leanness is one of the greatest attributes of Modern Guilt, as every song stays as long as it needs to, then lingers behind in memory, leaving behind a collection of echoes and impressions. If anything, Modern Guilt may be just a little bit too transient, as it doesn't dig quite as deep as its subjects might suggest, but that's also par for the course for both Beck and Danger Mouse: they tend to prefer feel to form. Here, they deliver enough substance and style to make Modern Guilt an effective dosage of 21st century paranoia.

The record features many of the musicians from 2002's Sea Change, including Justin Meldal-Johnsen, Joey Waronker (currently of Atoms for Peace), Smokey Hormel, and Roger Joseph Manning Jr. Beck described the record as coming from the tradition of "California music" and said, "I'm hearing the Byrds, Crosby Stills and Nash, Gram Parsons, Neil Young—the bigger idea of what that sound is to me."

Two brand-new original songs from the inimitable Beck.

stuff from 93-94, incl. 10 unreleased tracks!

/ vampire voltage no. 6 ... white wax