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Cacophonic Vinyl, CD & Tape 19 Artikel

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Don Cherry - Music, Wisdom, Love
Don Cherry
Music, Wisdom, Love
LP | 2017 | UK | Original (Cacophonic)
16,99 €*
Release:2017 / UK – Original
Genre:Organic Grooves
Reaching a near-mythical status amongst fans of free jazz’s most worldly intrepid explorer, these seldom heard Paris soundtrack sessions known as Music, Wisdom, Love have evaded collectors’ grasps and confused historians for exactly 50 years. Instigated in Paris in 1967 and filmed during Don’s downtime on a visit to the Chat qui Pêche nightclub in March 1967 (where he played with Karl Berger, Henri Texier and Jacques Thollot), the bulk of this cinematic portrait was filmed on the streets of Paris under the direction of creative all-rounders Jean-Noël Delamarre and Nathalie Perrey, who, as their careers bloomed, would become pivotal figures in underground French cinema – straddling La Nouvelle Vague, adult entertainment and cinema fantastique in what can only be described as speedball cinema. As the supportive creative family that primarily played home to French vampire/horrortica director Jean Rollin, both Nathalie and Jean-Noël, his brother Jean-Philippe Delamarre and a small team of other fans of oblique media would be responsible for a vibrant micro-culture that awkwardly flourished on the outskirts on the Parisian new wave – combining comic book culture, Lettrism, sexual liberation, psychedelic rock, graphic design and (with this record as prime example) free jazz and avant-garde music. What previously might have been regarded as an unlikely coupling, with the benefit of half a century of archival hindsight, this release documents the essential cosmic collision of two fantastic planets.
Gerry & The Holograms - Gerry & The Holograms
Gerry & The Holograms
Gerry & The Holograms
LP | 2017 | UK | Original (Cacophonic)
17,99 €*
Release:2017 / UK – Original
Genre:Pop
Well–documented as one of Frank Zappa’s favourite ever groups and instantly recognisable as the BLUEprint of 80’s Mancunian electro pop, the inflated alter–egos of Gerry & The Holograms (and their unrivalled brand of conceptual sarcastic synth pop) successfully remodelled, ridiculed and redefined plugged–in punk before hitting the self–destruct button and burying the evidence under a pile of hand–mutilated microgrooves for over 35 wet summers.Having risen from the electronic embers of Manchester’s first genuine psychedelic band, via Vertigo commissioned prog and experimental theatre, then refined through the musical mind behind the most inspired vinyl moments of Martin Hannett, John Cooper Clarke and Jilted John – the onliest discography of the GATH anti–band remains unrivalled as the most idiosyncratic and enigmatic pivotal post–punk artifact from the first electronic entrenchment of pop.
Don Cherry & Jon Appleton - Don & Jon
Don Cherry & Jon Appleton
Don & Jon
7" | 2016 | UK | Original (Cacophonic)
9,99 €*
Release:2016 / UK – Original
Genre:Organic Grooves
Rare outtakes from early pioneering and controversial electronic jazz experiments presented on vinyl for the first time.
Francois Tusques & Don Cherry - La Maison Fille Du Soleil
Francois Tusques & Don Cherry
La Maison Fille Du Soleil
7" | 2014 | UK | Original (Cacophonic)
9,99 €*
Release:2014 / UK – Original
Genre:Organic Grooves
Exact repress of this impossibly rare mythical improvised recording by pianist Francois Tusques (of Viol Du Vampire fame) and trumpeter Don Cherry (of Holy Mountain fame). Early intimate 1964 recording privately released as part of an exhibition designed by pioneering Swiss-French architect Le Corbusier, sonically evoking the work of Komeda, Mal Waldron and Bernt Rosengren. Housed in two fold wraparound sleeve.
Kema - OST Alle Sorgenti Delle Civilta
Kema
OST Alle Sorgenti Delle Civilta
10" | 2016 | UK | Original (Cacophonic)
15,99 €*
Release:2016 / UK – Original
Genre:Electronic / Dance
The first-ever dedicated album release by pioneering female Italian film music composer/arranger/multi-instrumentalist Giulia De Muittis (aka Mrs. Alessandro Alessandroni). Rare undercover pseudo-ethnological studio sessions made under her experimental alter ego Kema (The Pawnshop/Abnormal Sensations) combining the ethos of Can’s Ethnological Forgery Series (EFS) with the studio trickery of Delia Derbyshire and unshakable credentials as one of the founding figures of Giallo film music and Italian psych soundtracks.Perhaps best known amongst fans of Italian production music and Giallo movie soundtracks as the wife of the legendary Alessandro Alessandroni, composer, vocalist and multi-instrumentalist Giulia De Muittis was an equally formidable force who emerged from the formative years of the aforementioned anti-genres and rose to a monarchic status within the country’s vibrant, and seldom rivalled musical secret society. The cliché “behind every successful man, there is a strong woman” might not do Alessandro and Giulia’s long-running creative unison justice but one thing that rings true that in the shadows of Senor Alessandroni’s limelight (illuminated by his work with Ennio Morricone for the films of Sergio Leone and Dario Argento) remained a darker musical feminine force which in time has come to represent the duo’s finest and most sought after sonic artifacts. In a career that spanned four decades until her untimely death in 1984 Giulia’s collaborative work as a reliable creative all-rounder and pop polymath has stood the unshakable test of time like few other musicians resulting in projects like The Pawnshop, Femina Ridens, Revolver, Questo Sporco Mondo Meraviglioso, The Night Evelyn Came Out Of The Tomb, Angoscia, Inchiesta Giudiziaria and Witchcraft ‘70 (Angeli bianchi Angeli neri) earning increasing “Most Wanted” status on the collectors’ market. It is of no coincidence that Giulia’s nom de plumes, Kema and De Muittis, have in recent, more educated years, become trusted seals of approval which connect top choice composers such as Raskovich (aka Sorgini), Stelvio Cipriani, Morricone, Braen (aka Alessandroni) Amedeo Tomassi, Piero Umiliani and Bruno Nicolai amongst select others. It is, however, De Muittis’ seldom heard self-initiated solo work for small independent Italian library music imprints that reveal a unique multi-instrumentalist female composer working at her most intimate and uncompromised best.
Daniela Casa - Arte Moderna
Daniela Casa
Arte Moderna
LP | 2016 | UK | Original (Cacophonic)
20,99 €*
Release:2016 / UK – Original
Genre:Organic Grooves, Electronic / Dance
Filed neatly and undisturbed within the micro-genre of 1970s Italian artsploitation, amongstfilms soundtracks such as Girl With The Crystal Plumage, A Quiet Place In The Country andHouse With The Laughing Windows, this obscure library LP is one of the few fully formedconcept albums from the recently reappraised discography of Rome’s most versatile andadventurous female production music composer Daniela Casa. Once destined for a shelf lifewithin the storage rooms of defunct TV studios and educational facilities Daniela’s previouslystrictly commercially unavailable music has in recent years been given new focus at thehands of open-minded disc detectives and sonic salvage hunters earning Casa’s distinctivefeminine take on experimental instrumental mood and movie compositions a place next toher widely respected masculine counterparts such as Alessandro Alessandroni, AR Luciani,Pierro Umiliani, Morricone and Nicolai.Sharing tight studio space and strict syndication schedules with all of the aforementionedartists (under commission from Romano Di Bari’s fervently independent Flipper music factory)Daniela Casa embraced a liberating wind change in affordable music technology which openeddoors for uninhabited solo compositions in home studios taking advantage of communalrecording consoles and domestic synthesisers which nurtured a lesser-documented creativefamily tree (or rather secret society) and paved the way for individualistic projects from thelikes of Magnetic System’s Fabio Frizzi and Goblin’s Claudio Simonetti. Here, on this repressof the impossibly rare, one-time subscription-only album, Arte Moderna, we find Daniela ather versatile best creating a wide thematic suite (based on paintings and sculptures in anabstract art gallery) for which she would deploy mostly organic and acoustic instrumentsto construct a set of unorthodox compositions straddling avant garde, free jazz and Giallotension (with some brief moments of brooding electronics and italian pop).Veering from her stylistic pop interests (which clearly included a fondness for the music ofBlack Sabbath and Led Zeppelin) Daniela Casa’s Arte Moderna saw her adopt a less eraspecific approach combining neo-classical elements and piano improvisations akin to thelikes of France’s Francois Tusques or Burton Greene, or America’s Mal Waldron withoutcompromising her strong narrative personality for this unique abstracted picture music.Unintentionally but profoundly political in her prolific existence Daniela Casa’s contributionto a predominantly male industry earned her a small clutch of inspired idiosyncratic Italianfemale bedfellows such as Nora Orlandi, Giullia De Muittis (aka Kema), Fiorella Fratini, EmmaDe Angelis and Maria Teresa Luciani, who, with faceless anti-celebrity as its essence, neverbenefitted the wider critical focus that much of this music now duly commands on thecollectors circuit.Finders Keepers Records, in continued collaboration with the Di Barri company, with theCasa/Ducros family blessing, are now proud to shine new light on this sonic sculptures andprovide a fresh context where educated music listeners are ready to fill the gaps betweenDelia Derbyshire, Ennio Morricone, Suzanne Ciani and Harry Partch and patronise a verywelcome considered alternative to the recent rise in popularity of Italian Giallo soundtracksfrom a seldom savoured feminine creative vantage point. Daniela’s musical paintings cannow be unveiled to the public for the first time, with Modern Art sounding as contemporaryas it did when it was recorded forty years ago. The gallery is now open for limited sittings,discerning ears and open minds.
Ganimian & His Oriental Music - Come With Me To The Casbah
Ganimian & His Oriental Music
Come With Me To The Casbah
LP | 2016 | UK | Original (Cacophonic)
18,99 €*
Release:2016 / UK – Original
Genre:Rock / Indie
Often overlooked for over half a century while misfiled amongst exploit bellydancerecords and holidaymaker souvenirs this one-off twelve track album is the onlyexisting full-length record by the best-kept mutant musical secret of the ArmenianAmerican diaspora, oud pop maestro Charles ‘Chick’ Ganimian.One of the earliest examples of any kind of recorded fusion between rhythm heavypop music and traditional Turkish music, Ganimian’s developments in New YorkCity - with his sadly unrecorded turk jerk combo The Nor-Ikes (New Dawn) combo- ran almost simultaneously alongside the rising Anadolou Pop scene in Turkey,resulting in his short lived powerhouse of Kif proto-rock under the changing namesof Ganim’s Asia Minors, Ganimian & His Orientals and Ganimian & His OrientalMusic Orchestra. Combining a line-up of mostly unknown musicians from his localcommunity (where he was worked as a butcher), Ganimian, in a short unison withATCO records, was fortunate enough to accommodate jazz guitarist Al Schactmanas part of his studio personnel (launching the career of this Nina Simone regular)as well as French born Armenian folk singer Onnik Dinkjian and reid player SteveBogoshian (both from the band The House Of The Seven Uncles) as well as theesteemed Turkish raised Kanun player Ahmet Yatman. As one of the very few earlyAmerican recorded authentic Middle Eastern fusion record Come With Me To TheCasbah has piqued a refined interest in a new generation of progressive worldmusic collector resulting in a distinct drought in original Ganimian pressings onthe collectors’ market earning Chick’s name a rising placeholder on the want listsof DJs, vinyl hounds and ethno psychedelia collectors.This LP includes all of Ganimians recordings including the rare singles for Atcoand East West which sit awkwardly next to bizarre and unique takes on popularAmerican standards enhancing the exciting freak factor of this record which simplycould not be made by today’s stifling self-aware anti-standards. Aside from rare(poorly recorded) private family tapes this album is the only chance to hear themusic of this lost enigma of early world music, Eastern fusion and a missing kinkin the fabric of New York pop music history captured before his short stint as anexotic Herbie Mann sideman which proceeded his migration into obscurity andhis well-imparted tragic struggle with alcohol dependency depriving pop cultureof a forward thinking pioneer who paved the way for the more credible exponentsof the cross-continental Indo fusion enigma such as
Pierre Henry - Maléfices
Pierre Henry
Maléfices
LP | 1962 | UK | Reissue (Cacophonic)
17,99 €*
Release:1962 / UK – Reissue
Genre:Electronic / Dance, Pop
Cacophonic present this outstanding, commonly undetected PierreHenry film score, providing fans of early electronics, femme vocalmanipulation and horror soundtracks with an indespensable ‘dreamrecord’ that ticks every box and crosses out every line in the rulebook.
Alwin Nikolais - Choreosonic Music Of The New Dance Theatre Of…’
Alwin Nikolais
Choreosonic Music Of The New Dance Theatre Of…’
LP | 1959 | US | Reissue (Cacophonic)
16,99 €*
Release:1959 / US – Reissue
Genre:Electronic / Dance, Pop
Early electronic masterpiece, beautifully remastered and housed in a facsimile copy of the rare as hen’s teeth original sleeve.
V.A. - Musique Concrete
V.A.
Musique Concrete
LP | 2016 | UK | Original (Cacophonic)
18,99 €*
Release:2016 / UK – Original
Genre:Electronic / Dance
This record represents an important milestone in the development and progression of musique concrète - markinga crossroad for not only the genre itself but also in the paths of its originator Pierre Schaeffer and another of thegenre’s most important and respected protagonists Pierre Henry.Undoubtedly one of the most influential experimental and electroacoustic musicians, Pierre Schaeffer is alsocredited as being the father of the theory of musique concrete as well as later name coining the term itself.Having found a job in 1936 at Radiodiffusion Française (later Radiodiffusion-Télévision Française or RTF) as anengineer, Scaeffer developed a newly found interest in music and with the blessing of his superiors made themost of his access to the Radiodiffusion Française studios, utilising his abilities as an engineer to experiment withsound whilst collaborating with musicians and composers that passed through the station’s hallowed doors. In1942 Schaeffer and influential theatre director, producer and actor Jacques Copeau founded the Studio d’Essai(renamed Club d’Essai in 1946) as part of RTF in order to experiment with radiophonic techniques. Drawing onthe works of French filmmaker, critic and novelist Jean Epstein, Schaeffer would occupy his time and his mind withthe manner in which sound recordings “revealed what was hidden in the act of basic acoustic listening” and in1948 formally set about his research in ernest - the results of which were presented as a series of studies knownas Cinq études de bruits (Five Studies of Noises) during a concert in Paris.With word of his theories and experiments spreading, Schaeffer was able to press the RTF management tofurther finance and in doing so expand his research. However, for an undertaking of this size he would need help.Having previously collaborated as part of his early research with a young classically trained composer by thename of Pierre Henry, Schaeffer had no problem convincing the RTF executives he was the right man of the job.By adding a third prong to this sonic fork in the shape of sound engineer Jacques Poullin, Schaeffer was able tocomplete a powerhouse, which he renamed the Groupe de Musique Concrete, that would push his experimentsfurther than he could have imagined. In1951, RTF handed the trio the keys to one of the earliest purposebuildelectroacoustic studios (the other being the WDR Studio in Germany), furnishing it with state of the artbespoke equipment such as a Morphophone (designed by Poullin himself and capable of tape loop-delay) and aPhonogène (a multi-headed tape instrument also designed by Poullin). The studio went from strength to strength,attracting composers such as Karlheinz Stockhausen and Edgard Varèse to collaborate, and in that same yearSchaeffer and Henry produced and premiered what is considered to be the first opera concrète, Orphèe 51.As Schaeffer’s notoriety grew as did demand for his time and he found himself increasingly called away fromthe studio during which time he would hand the keys to over to his colleagues. Pierre Henry wasted no time inpursuing projects closer to his own heart, working with experimental filmmakers and choreographers like MauriceBéjart (the two would later collaborate with Michel Colombier on the cult classic Les Jerks Électroniques De LaMesse Pour Le Temps Présent Et Musiques Concrètes Pour Maurice Béjart). In 1957, following a particularlyprolonged absence on RTF duties, Schaeffer returned unhappy with the direction the group had taken and tabledan idea to revitalise both their approach as well as personnel. As a result, Henry and several other key membersleft the group the following year leaving Schaeffer to lay the foundations in 1958 for a new collective called Groupede Recherches Musicales - one of a number of theoretical and experimental groups overseen by Saeffer’s Servicede la Reserche at RTF - and set about recruiting new members including Iannis Xenakis, Henri Sauguet, LucFerrari and Michel Philippot as well as usher in a new steady stream of eager musicians eager to study within whathad rapidly become (and still is) a national institution - including a young Jean Michel Jarre!Featuring the full versions of these seminal early works (abridged versions of which had previously appearedacross two 7” singles on Disques BAM) the recordings presented here are the first fruits of this new alliance andserved to lay the bedrock for the future of the Groupe de Recherches Musicales research which would later countthe likes of Ivo Malec, Philippe Carson, Romuald Vandelle, Edgardo Canton and François Bayle (who went onto coin the term Acousmatic Music) amongst its members and cement its place in the annals of experimental,electroacoustic and early electronic music history.
Francois Tusques with Barney Wilen - Le Nouveau Jazz
Francois Tusques with Barney Wilen
Le Nouveau Jazz
LP | 1967 | UK | Reissue (Cacophonic)
17,99 €*
Release:1967 / UK – Reissue
Genre:Organic Grooves
With track titles translating to Song For The Devil and The Witches, Francois Tusques’ rarest commercially released LP casts an early stylistic premonition of the vampire themed improvised soundtracks recorded for director Jean Rollin merely months after its release. Assembling the very same group of musical sorcerers this albums personnel (featuring, amongst others, soprano saxophonist Barney Wilen) reads like a who’s who of France’s early improvised music/free jazz scene resulting in a wholly unique European flavour while preserving the essence of other global inter communal travellers such as Don Cherry and Krzysztof Komeda. Originally extracted from three separate recording sessions in early 1967, Le Nouveau Jazz opens with themes conjured up for the short film Coda by French jazz documentarist Marc Pauly highlighting the composers adept ability in his multi-disciplined art further aligning him with the aforementioned pioneers. The rest of the album combines frenzied macabre picture music (akin to Detroit’s Wendell Harrison) and emotive piano improvisations (Mal Waldron anyone?) with the sui generis inclusion of a double double bass formation courtesy of Bernard “Beb” Guerin (Sonny Sharrock/Kühn Brothers) and Jean-Francois Jenny Clarke (Enrico Rava/Giorgio Gaslini). As Tusques’ second official album (after the seldom sighted Free Jazz from 1965) this LP expands on this important French musicians vision and follows up Cacophonic’s repress of his mega rare Don Cherry art installation collaboration from 1964 this time introducing extra rhythmic arrangements courtesy of Italian drummer Aldo Romano (Robin Kenyatta). Housed in the elegant original Witches artwork sleeve by comic illustrator Jean Vern with French liner notes by French psychiatry/beat poet/crime fiction writer Yves Buin this worthy reissue hopes to find a unique uninhabited part of your collection from an era that changed the Parisian underground prior to the important developments of labels like BYG Actuel and Futura Records in the early 1970s.
Z aka Bernard Szajner - Visions Of Dune
Z aka Bernard Szajner
Visions Of Dune
Tape | 2014 | UK | Original (Cacophonic)
12,59 €* 13,99 € -10%
Release:2014 / UK – Original
Genre:Electronic / Dance
Very limited "videogame" style cassette edition of this pulsating dark ambient/silicon psych Dune inspired concept album from French synthesist Bernard Szajner. Bridging Zeuhl rock and early synth-pop amongst bands like Eskaton, Art Zoyd, Hydravion and Stabat Stable this pulsateing ensemble of brooding electronic surges and energenetic rolling drums remains one the most original and unsurpassed milestones of thematic Gallic electro.
Lucien Goethals - Lucien Goethals
Lucien Goethals
Lucien Goethals
LP | 2014 | UK | Original (Cacophonic)
19,99 €*
Release:2014 / UK – Original
Genre:Electronic / Dance
Features a translation of the original track notes thataccompanied the original limited Belgian pressing.
Francois Tusques - La Reine Des Vampires 1967
Francois Tusques
La Reine Des Vampires 1967
LP | 2014 | UK | Original (Cacophonic)
17,99 €*
Release:2014 / UK – Original
Genre:Organic Grooves
Unreleased collection of compositions by avant-garde musician François Tusques for Jean Rollin's vampire movies.
Max Mathews - Music From Mathematics
Henk Badings - Evolutions
Henk Badings
Evolutions
10" | 2013 | UK | Original (Cacophonic)
17,99 €*
Release:2013 / UK – Original
Genre:Electronic / Dance, Pop
Early electronic productions by Henk Badings and Dick Raajimakers of Kid Baltan fame.
Otto Luenig & Vladimir Ussachevsky - Tape Recorder Music
Otto Luenig & Vladimir Ussachevsky
Tape Recorder Music
LP | 1959 | UK | Reissue (Cacophonic)
17,99 €*
Release:1959 / UK – Reissue
Genre:Electronic / Dance
One of the very earliest and most important examples of electronic tapemusic to be pressed on to vinyl presented here for the first time since its theoriginal release.
Mr. Ondioline - Mr. Ondioline
Mr. Ondioline
Mr. Ondioline
7" | 1960 | UK | Reissue (Cacophonic)
8,99 €*
Release:1960 / UK – Reissue
Genre:Organic Grooves, Electronic / Dance
Since the true identity of this sinister masked electronickeyboard villain was revealed in Jean-Jacques Perrey’srecent autobiography the Mr. Ondioline EP has becomeone of the most wanted records amongst collectors ofearly electronics. As a controversial figure amongst theearly musique concrete pioneers due to his painstakingambition to put popular melody into edited tape musicthis debut release from 1960 hears Mr. Ondioline showcasingPerrey's Ondioline electronic keyboard (and synthprecursor) while proudly celebrating the dawn of multitrackrecording and tape editing. Pioneering, eerily nostalgicand creatively fearless this record brings electricmelodies to your shining barstools and haunted ballrooms.
Bernt Rosengren with Komeda Trio - OST The Knife In The Water
Bernt Rosengren with Komeda Trio
OST The Knife In The Water
7" | 1961 | UK | Reissue (Cacophonic)
8,99 €*
Release:1961 / UK – Reissue
Genre:Organic Grooves, Electronic / Dance, Film / TV
Original compositions of Krzysztof Komeda from the movie "Knife In The Water".
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