Cien Fuegos Vinyl, CD & Tape 18 Artikel

Günter Christmann, Trombone. Peter Kowald, Tuba, Bass, Alphorn. Peter van der Locht, Alto Saxophone. Paul Lovens, Drums. Paul Rutherford, Trombone. Composed & Produced by Peter Kowald, recorded by Eberhard Sengpiel. Recorded at Akademie der Künste, Berlin, on January 19th in 1972. First released on FMP as FMP 0070.

Another crucial Brötzmann albums, finally re-released on vinyl. One time pressing of 750! Recorded during the 164th NDR-Jazzworkshop on November 12th, 1981 at the Funkhaus Hamburg. Originally released on FMP in 1983. Musiciansd: Harry Miller - bass, Louis Moholo - drums, Alexander von Schlippenbach - piano, Peter Brötzmann - saxophone, Frank Wright - saxophone, Willem Breuker - saxophone, Toshinori Kondo - trumpet, Alan Tomlinson - trombone, Hannes Bauer - trombone.

Last copies of this edition of 750. The music was recorded in Berlin on 27 August 1979. Performed by Harry Miller, Peter Brötzmann and Louis Moholo.

This music was recorded in 1969, in Bremen, Germany. The musicians include Arjen Gorter, Buschi Niebergall and Peter Kowald (all on bass), drummers Han Bennink and Pierre Favre, guitarist Derek Bailey, pianists Alexander von Schlippenbach, Fred Van Hove, Irène Schweitzer, sax men Evan Parker, Gerd Dudek, and Peter Brötzmann, trombonist Paul Rutherford and trumpeteers Enrico Rava, Hugh Steinmetz and Manfred Schoof.

Peter Brötzmann: clarinets, alto, tenor & bass saxophone, vocals. Fred Van Hove: piano, accordion. Han Bennink: drums, cymbals, Schwirrholz, accordion, clarinets, floor, walls, megaphone etc. Recorded by Jost Gebers on Sunday afternoon September 14th,1975 at the Quartier Latin in Berlin. A6 was recorded live by Jost Gebers on September 13th,1975 at the Quartier Latin in Berlin. Reissue from FMP 0230, 1975.

Limited to 1000 copies.

Reissue of a long out of print 1972 album. This debut is one of the milestone releases of the longest standing free music ensemble in Europe. We hear Evan Parker on soprano and tenor saxophone, Alexander von Schlippenbach playing the piano, and drummer Paul Lovens.

An intriguing collaboration between two ground breaking musicians. The tracks were recorded in 1977 during workshops at the Akademie and at the venue Qaurtier Latin.

Peter Brötzmann, tenor & baritone saxophone. Peter Kowald, double bass. Sven-Åke Johansson, drums. Recorded by Günter Schütte 1967 in Wuppertal.Produced by Peter Brötzmann. Cover: design by Peter Brötzmann, photos by Ute Klophaus. "This is the one that started all - German tenor saxophonist Peter Brötzmann's first album in a long career that would spawn many, many more recordings in the years to come. Recorded with the rhythm section of bassist Peter Kowald and drummer Sven-Åke Johansson, this is intense, unrelenting free jazz with little in the way of clear structure or melody. (...) Whatever the case, this is music that gets by on force and pure energy, rather than polite tunes or other musical decorum. Apart from a few brief moments of quiet during Sanity, the second track, this stuff just doesn't quit, with Brötzmann's consistently abrasive, high-pitched wailing leading the charge and the other two members stirring up a pretty good ruckus themselves (Kowald, especially, gets in a good string-sawing bass solo on "Morning Glory"). from: All Music Guide

Re-Performance of the 25. Action, March 1982 in the gallery Pakesch, Vienna (Premiere was in New York 1968). Hermann Nitsch, Austria, painter, performance-artist and composer, was a crucial founding artist of "Viennese Actionism". Exhibitions and performances all over the world since the 60s.The idea of the very sensual and archaic "Orgien Mysterien Theater" was developed in the late 50s and is performed in variations untill today.Nitsch works out all settings of the rituals, the feast in great detail, precisely composes days of art, performance, food, wine and music to celebrate the existence of mankind...

The musicians on this release are Peter Brötzmann (clarinet, alt-tenor-bariton and bass saxophone), Fred van Hove (celesta, piano) and Han Bennink (drums, khene, rhythm-box, selfmade clarinet, gachi, oe-oe, voice, tins, home-made junk, elong, dhung, kaffir piano and -of course- dhung-dkar). Recorded on the 25th of February 1973 in Bremen. Originally released on FMP in that same year.

Reissue of the s/t 1978 release from the legendary German punk pioneers, founded by charismatic singer Peter Hein (later of Fehlfarben). The band blended subversive, bitter, political and social lyrics with catchy, dub-influenced mid-tempo punk rock. The album was originally released on Pure Freude as a double 7-inch. Featuring remastered sound, this is a first and final pressing of 1.000 copies.