Code Is Law Electronic & Dance 8 Artikel

Three years after releasing his debut ‘Mute’ on Code Is Law, Under Black Helmet is back on the label with a solo EP ‘Juvenile Moral’. Displaying total artistic freedom this EP takes us on a journey through 4 diverse tracks each opening up a sonic world of their own.

For the 13th edition of Code Is Law, Dark Stars Rising, we have a double EP collaboration between the label’s newcomer WYAD and chief Moerbeck. Focused on shamanic black magic vibes, this release is filled with a lot of mysterious synths, ecstatic melodies and groovy beats. This will be the perfect selection for the upcoming summer festivals.

Sawlin is well known for his unapologetic techno. The new Code Is Law release shows him in a different way. In Meiner Mitte sounds like an emotional travel trough an insane manic mind with a lost soul.

Rough and mystic sounds of hallucination.

After the Primal Scream, Janzon is about to bring Germany’s motorcity Stuttgart back to the map of real quality techno with a bunch of stories – hidden in mysterious soundspaces. Twisted Dust faces the evil and the brave into two trippy and energetic primetime tracks with futuristic aesthetic on the A-Side, as well as the magic of funkiness and dark rituals on the B-Side. A coherent EP, between different atmospheres on the dancefloor and emotions in the art galleries.

Mørbeck’s second EP on „Code is Law“ featuring four creative, melodic and rough Techno Tracks about the dissolving ego. A distant echo of the past and future of electronic dance music.

With Code Is Law 003, label head Moerbeck plays with this artistic device with great success: “Movies For The Blind” takes direct aim at our imagination without allowing its intent to shine through to the surface. XVII from Leipzig’s Institut für Zukunft begins by laying an unshakable foundation for this short story with his eponymous ambient production. Delta X, Moerbeck and Eomac are telling the rest of this mysterious story with a Four-to-the-Floor-Beat. The phenomenon kopfkino is a nuanced thing, although, especially in music, it has the ability to work as an impassioned metaphor. Only then, when music has the power to move, are the doors of this mental cinema opened, our imaginative abilities primed, and dormant associations stirred to life. With Code Is Law 003, label head Moerbeck plays with this artistic device with great success: “Movies For The Blind” takes direct aim at our imagination without allowing its intent to shine through to the surface. XVII from Leipzig’s Institut für Zukunft begins by laying an unshakable foundation for this short story with his eponymous ambient production. A succinct “Go” is heard on “Broken Mirror” by Urkraine’s Delta X and with driving loops gathers momentum for the whole. On side b, it’s almost as if Moerbeck and Eomac want to tell two alternative endings to the story. The first concludes the narrative, draped in melancholy, making use of a modulated synth loop, followed by Eomac, who sows complete confusion and lets everything sink to its end in a bog of filters.