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Radiohead Vinyl, CD & Tape 17 Items

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Radiohead - Ok Computer Oknotok 1997-2017 Blue Vinyl Edition
Radiohead
Ok Computer Oknotok 1997-2017 Blue Vinyl Edition
3LP | 2017 | UK | Original (XL Recordings)
27,99 €*
Release:2017 / UK – Original
Genre:Rock / Indie
Preorder 04.08.2017
Featuring Remastered Ok Computer, B-Sides and Three Never Before Released Tracks: “I Promise,” “Lift,” “Man Of War” .Rescued from defunct formats, prised from dark cupboards and brought to light after two decades in cold storage… Oknotok will be issued on June 23rd through XL Recordings, coinciding (roughly) with the original 1997 release date(s) of Radiohead’s landmark third album Ok Computer.Oknotok features the original Ok Computer twelve track album, eight B-sides, and the Radiohead completist’s dream: “I Promise,” “Lift,” and “Man Of War.” The original studio recordings of these three previously unreleased and long sought after OK COMPUTER era tracks finally receive their first official issue on OKNOTOK. All material on Oknotok is newly remastered from the original analogue tapes. OK COMPUTER was originally released on various dates ranging from May to July 1997. Produced by the band and Nigel Godrich, the album features the singles “Paranoid Android,” “Karma Police,” “Lucky” and “No Surprises,” and is widely cited as one of the greatest works of Radiohead’s--or any artist’s—catalogue. OK COMPUTER was the first Radiohead record to reach #1 in the UK and to be nominated for the Album of the Year Grammy. In 2015, The National Recording Registry selected Ok Computer to be preserved in the Library of Congress as a recording that has proven “culturally, historically, or aesthetically significant.”One copy per customer!
Radiohead - Ok Computer Oknotok 1997-2017 Black Vinyl Edition
Radiohead
Ok Computer Oknotok 1997-2017 Black Vinyl Edition
3LP | 2017 | UK | Original (XL Recordings)
26,99 €*
Release:2017 / UK – Original
Genre:Rock / Indie
Preorder 28.07.2017
Featuring Remastered OK COMPUTER, B-Sides and Three Never Before Released Tracks: “I Promise,” “Lift,” “Man Of War” .Rescued from defunct formats, prised from dark cupboards and brought to light after two decades in cold storage… OKNOTOK will be issued on June 23rd through XL Recordings, coinciding (roughly) with the original 1997 release date(s) of Radiohead’s landmark third album OK COMPUTER.OKNOTOK features the original OK COMPUTER twelve track album, eight B-sides, and the Radiohead completist’s dream: “I Promise,” “Lift,” and “Man Of War.” The original studio recordings of these three previously unreleased and long sought after OK COMPUTER era tracks finally receive their first official issue on OKNOTOK. All material on OKNOTOK is newly remastered from the original analogue tapes. OK COMPUTER was originally released on various dates ranging from May to July 1997. Produced by the band and Nigel Godrich, the album features the singles “Paranoid Android,” “Karma Police,” “Lucky” and “No Surprises,” and is widely cited as one of the greatest works of Radiohead’s--or any artist’s—catalogue. OK COMPUTER was the first Radiohead record to reach #1 in the UK and to be nominated for the Album of the Year GRAMMY. In 2015, The National Recording Registry selected OK COMPUTER to be preserved in the Library of Congress as a recording that has proven “culturally, historically, or aesthetically significant.”
Radiohead - Ok Computer
Radiohead
Ok Computer
2LP | 1997 | UK | Reissue (XL Recordings)
23,99 €*
Release:1997 / UK – Reissue
Genre:Rock / Indie
Using the textured soundscapes of The Bends as a launching pad, Radiohead delivered another startlingly accomplished set of modern guitar rock with OK Computer. The anthemic guitar heroics present on Pablo Honey and even The Bends are nowhere to be heard here. Radiohead have stripped away many of the obvious elements of guitar rock, creating music that is subtle and textured yet still has the feeling of rock & roll. Even at its most adventurous -- such as the complex, multi-segmented "Paranoid Android" -- the band is tight, melodic, and muscular, and Thom Yorke's voice effortlessly shifts from a sweet falsetto to vicious snarls. It's a thoroughly astonishing demonstration of musical virtuosity and becomes even more impressive with repeated listens, which reveal subtleties like electronica rhythms, eerie keyboards, odd time signatures, and complex syncopations. Yet all of this would simply be showmanship if the songs weren't strong in themselves, and OK Computer is filled with moody masterpieces, from the shimmering "Subterranean Homesick Alien" and the sighing "Karma Police" to the gothic crawl of "Exit Music (For a Film)." OK Computer is the album that establishes Radiohead as one of the most inventive and rewarding guitar rock bands of the '90s. - allmusic.com
Radiohead - The Bends
Radiohead
The Bends
LP | 1994 | UK | Reissue (XL Recordings)
19,99 €*
Release:1994 / UK – Reissue
Genre:Rock / Indie
Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attack that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with anguish and despair -- it's cerebral anthemic rock. Occasionally, the album displays its influences, whether it's U2, Pink Floyd, R.E.M., or the Pixies, but Radiohead turn clichés inside out, making each song sound bracingly fresh. Thom Yorke's tortured lyrics give the album a melancholy undercurrent, as does the surging, textured music. But what makes The Bends so remarkable is that it marries such ambitious, and often challenging, instrumental soundscapes to songs that are at their cores hauntingly melodic and accessible. It makes the record compelling upon first listen, but it reveals new details with each listen, and soon it becomes apparent that with The Bends, Radiohead have reinvented anthemic rock. - allmusic.com
Radiohead - Amnesiac
Radiohead
Amnesiac
2x10" | 2001 | UK | Reissue (XL Recordings)
24,99 €*
Release:2001 / UK – Reissue
Genre:Rock / Indie
Faced with a deliberately difficult deviation into "experimentation," Radiohead and their record label promoted Kid A as just that -- a brave experiment, and that the next album, which was just around the corner, really, would be the "real" record, the one to satiate fans looking for the next OK Computer, or at least guitars. At the time, people bought the myth, especially since live favorites like "Knives Out" and "You and Whose Army?" were nowhere to be seen on Kid A. That, however, ignores a salient point -- Amnesiac, as the album came to be known, consists of recordings made during the Kid A sessions, so it essentially sounds the same. Since Radiohead designed Kid A as a self-consciously epochal, genre-shattering record, the songs that didn't make the cut were a little simpler, so it shouldn't be a surprise that Amnesiac plays like a streamlined version of Kid A, complete with blatant electronica moves and production that sacrifices songs for atmosphere. This, inevitably, will disappoint the legions awaiting another guitar-based record (that is, after all, what they were explicitly promised), but what were they expecting? This is an album recorded at the same time and Radiohead have a certain reputation to uphold. It would be easier to accept this if the record was better than it is. Where Kid A had shock on its side, along with an admirably dogged desire to not be conventional, Amnesiac often plays as a hodgepodge. True, it's a hodgepodge with amazing moments: the hypnotic sway of "Pyramid Song" and "You and Whose Army?," the swirling "I Might Be Wrong," "Knives Out," and the spectacular closer "Life in a Glasshouse," complete with a drunkenly swooning brass band. But, these are not moments that are markedly different than Kid A, which itself lost momentum as it sputtered to a close. And this is the main problem -- though it's nice for an artist to be generous and release two albums, these two records clearly derive from the same source and have the same flaws, which clearly would have been corrected if they had been consolidated into one record. Instead of revealing why the two records were separated, the appearance of Amnesiac makes the separation seem arbitrary -- there's no shift in tone, no shift in approach, and the division only makes the two records seem unfocused, even if the best of both records is quite stunning, proof positive that Radiohead are one of the best bands of their time. - allmusic.com
Radiohead - Hail To The Thief
Radiohead
Hail To The Thief
2LP | 2003 | UK | Reissue (XL Recordings)
24,99 €*
Release:2003 / UK – Reissue
Genre:Rock / Indie
Radiohead's admittedly assumed dilemma: how to push things forward using just the right amounts of the old and the older in order to please both sides of the divide? Taking advantage of their longest running time to date, enough space is provided to quench the thirsts of resolute Bends devotees without losing the adventurous drive or experimentation that eventually got the group into hot water with many of those same listeners. Guitars churn and chime and sound like guitars more often than not; drums are more likely to be played by a human; and discernible verses are more frequently trailed by discernible choruses. So, whether or not the group is to be considered "back," there is a certain return to relatively traditional songcraft. Had the opening "2 + 2 = 5" and "Sit Down. Stand Up." been made two years before, each song's slowly swelling intensity would have plateaued a couple minutes in, functioning as mood pieces without any release; instead, each boils over into its own cathartic tantrum. The spook-filled "Sail to the Moon," one of several songs featuring prominent piano, rivals "Street Spirit" and hovers compellingly without much sense of force carrying it along. Somewhat ironically, minus a handful of the more conventionally structured songs, the album would be almost as fractured, remote, and challenging as Amnesiac. "Backdrifts" and "The Gloaming" feature nervous electronic backdrops, while the emaciated "We Suck Young Blood" is a laggard processional that, save for one outburst, shuffles along uneasily. At nearly an hour in length, this album doesn't unleash the terse blow delivered by its two predecessors. However, despite the fact that it seems more like a bunch of songs on a disc rather than a singular body, its impact is substantial. Regardless of all the debates surrounding the group, Radiohead have entered a second decade of record-making with a surplus of momentum. - allmusic.com
Radiohead - A Moon Shaped Pool Black Vinyl Edition
Radiohead
A Moon Shaped Pool Black Vinyl Edition
2LP | 2016 | UK | Original (XL Recordings)
23,99 €*
Release:2016 / UK – Original
Genre:Rock / Indie
Away with the mystics, here it is: Radiohead's ninth long player combining art rock and psychedilc folk.A cursory glance at A Moon Shaped Pool may suggest a certain measure of indifference on the part of Radiohead. Its 11 songs are sequenced in alphabetical order -- a stunt befitting a Pixies concert or perhaps a Frank Black box set, not a proper album -- and many of these tunes are of an older vintage: the group began work on the opening "Burn the Witch" at the turn of the century, while the closing "True Love Waits" first appeared in concerts way back in 1995. These are the elements of a clearinghouse, but with Radiohead appearances are always deceiving. A Moon Shaped Pool doesn't play like an ill-considered collection of leftovers; it unfurls with understated ease, each silvery song shimmering into the next. The pulse rarely quickens and the arrangements seldom agitate, yet the album never quite feels monochromatic. Sly, dissonant strings grace some cuts, acoustic guitars provide a pastoral counterpoint to an electronic pulse, Thom Yorke's voice floats through the music, often functioning as nothing more than an element of a mix; what he's saying matters not as much as how he murmurs. Such subtle, shifting textures emphasize Radiohead's musicianship, a point underscored when this version of "True Love Waits" is compared to its 2001 incarnation. There, Yorke accompanied himself with a simple acoustic guitar and he seemed earnest and yearning, but here, supported by piano and strings, he sounds weary and weathered, a man who has lost his innocence. What he and Radiohead have gained, however, is some measure of maturity, and with this, their music has deepened. Certainly, sections of A Moon Shaped Pool contain an eerie, disconcerting glimmer, usually attained through power kept in reserve -- nothing stabs as hard as the sawing fanfare of "Burn the Witch," while the winding, intersecting guitars that conclude "Identikit" provide the noisiest element -- yet the album as a whole doesn't feel unsettling. Instead, there's a melancholic comfort to its ebb and flow, a gentle rocking motion that feels comforting; it's a tonic to the cloistered, scattered King of Limbs and even the sleek alienation of Kid A. Radiohead are recognizably the same band that made that pioneering piece of electronica-rock but they're older and wiser on A Moon Shaped Pool, deciding not to push at the borders of their sound but rather settle into the territory they've marked as their own. This may not result in a radical shift in sound but rather a welcome change in tone: for the first time Radiohead feel comfortable in their own skin. - allmusic.com
Radiohead - Ok Computer
Radiohead - OK Computer OKNOTOK 1997-2017 Boxset
Radiohead
OK Computer OKNOTOK 1997-2017 Boxset
Box Set | 2017 | EU | Original (XL Recordings)
134,99 €*
Release:2017 / EU – Original
Genre:Rock / Indie
This boxed edition contains three black 12 inch vinyl records, featuring 23 tracks - the original studio album, three previously unreleased studio tracks and eight B-sides. The vinyl is housed in a hardcover book along with 40 pages of artwork and lyrics. There is also a 104 page notebook, a 48 page sketchbook of artwork and notes, and a C90 cassette mix tape compiled by the band, taken from 'OK Computer' session archives and demo tapes.
Radiohead - A Moon Shaped Pool
Radiohead
A Moon Shaped Pool
CD | 2016 | UK | Original (XL Recordings)
15,99 €*
Release:2016 / UK – Original
Genre:Rock / Indie
The CD version comes issued in a foldout cardboard sleeve with silver foil blocked lettering and 12-page art booklet.
Radiohead - I Might Be Wrong: Live Recordings
Radiohead
I Might Be Wrong: Live Recordings
LP | 2001 | UK | Reissue (XL Recordings)
18,99 €*
Release:2001 / UK – Reissue
Genre:Rock / Indie
For their third release in 13 months, Radiohead let loose a mini-album of live material culled from four European dates and slapped them together into their standard excellent packaging adorned with manic drawings, scribbles, and text excerpts. I Might Be Wrong: Live Recordings, originally scheduled as a single for "I Might Be Wrong," is precisely what the title implies, a compilation of recordings and not a live album at all. While it seems as though Radiohead could have made it into a cohesive album if they had wanted to, or at least made this one sound like it was one show, what listeners find here is an uneven and incoherent set of Kid A sessions material that is sometimes strong but sometimes uninspired. When strong, the band seems as if it's in command by adding new texture and content. "Like Spinning Plates," "Everything in Its Right Place," and "Idioteque" are revelatory and at times feel almost new. Meanwhile, the track "I Might Be Wrong" just doesn't match in sound quality to the others, as the bass is completely lost and the additional percussion is way upfront. There are some serious benefits to be reaped from this collection, though. For those unlucky enough to not have seen any of the world tour of 2001, it is a serious treat to hear these studio-crafted songs played live (which also proves Radiohead are still a powerful rock band). But the real gift here is the last track, "True Love Waits." As yet to find itself on any of their singles or albums but played live for a number of years, it's easily one of Thom Yorke's most morose songs, but it's also one of his most powerful. In the end, it's a matter of Radiohead making some strange plays with the material that was recorded during the Kid A sessions. While the initial release of Kid A seemed logical and insanely cohesive, subsequent releases of that material (Amnesiac, Live Recordings) are incomplete. It might have been wiser to release Amnesiac and some of the material from this release as a complete Kid A sessions package, rather than a couple of thrown-together releases. - allmusic.com
Radiohead - Feral / Lotus Flower
Radiohead - The Brighter North Volume 2
Radiohead - The Brighter North Volume 1
Radiohead - Other Colors
Radiohead - Feral Lone Remix
Radiohead
Feral Lone Remix
LP | 2011 | US | Original (TBD)
21,99 €*
Release:2011 / US – Original
Genre:Rock / Indie, Electronic / Dance
3 big remixed by Lone, Pearson Sound & Four Tet!
Radiohead - The Bends
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