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Deep Seeded Electronic & Dance 3 Artikel

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Barking - Prone
Barking
Prone
12" | 2017 | EU | Original (Deep Seeded)
10,99 €*
Release:2017 / EU – Original
Genre:Electronic / Dance
barking /ba:kin/ adjective BRITISH informal completely mad or demented. "we are all a bit barking" barking /ba:kin/ Noun BRITISH suburban town in the London Borough of Barking and Dagenham. bark /ba:k/ verb 2. utter (a command or question) abruptly or aggressively.
Ptwiggs - Purge
Ptwiggs
Purge
12" | 2017 | EU | Original (Deep Seeded)
7,19 €* 11,99 € -40%
Release:2017 / EU – Original
Genre:Electronic / Dance
ptwiggs brings the surrealist violence for brand spanking Sydney imprint Deep Seeded. Taking an erratic hairpin turn after DSR001's off-piste techno, PURGE comes off like a tragicomic thriller, swerving between saccharine sensitivity and brutal ultra-violence in the blink of an eye. Shit is rough in ptwiggs towers, dishing out relentless Tyson jabs to the head on 'Day Of Wrath' with Holly Herndon's inverted poltergeist drifting about between the blows, while 'Lara Dies' seems to execute your favourite video game character a trillion times per second just for laffs. But it's not all blood and guts rendered in vivid HD. Coil-axis twinning of demonic and angelic energies course through 'YYYY' and drift below the surface of the more berserk pieces. Not for the faint of heart but life's probs beaten the feeling out of you at this point anyway.
Phile - Phile
Phile
Phile
12" | 2017 | EU | Original (Deep Seeded)
10,99 €*
Release:2017 / EU – Original
Genre:Electronic / Dance
Rising phoenix-like from a cultural choke hold of nanny state finger-wagging and colonial privilege comes phile. The dynamic live duo from Sydney debut on their own imprint with a five-tracker balancing confrontational, f'ck y'all attitude with surprising textural nuance and an attention to detail generally lost at these high temperatures. This marks the first release from Deep Seeded Records. Don't be fooled by the distortion and hard angles of 'Found In Blood' or 'Govern This' - the fine print betrays a knowledge of Dozzy-school headfuckery and concrete mise-en-scene. Meanwhile, Karina Utomo's blood boiling vox on 'Abhor' and the unlikely appearance of bass guitar and string quintet on 'Marauder' reveal that Hannah and Gareth (thankfully) have pedigree beyond the often stifled confines of good ol' dance music. Most would place this in the ""dark"" category but it's really just a source of strength.
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