DJ Spinna Vinyl, CD & Tape 8 Artikel

Aptly titled, “1996 Beat Tape Vol. 1”, DJ Spinna’s latest instrumental album features 18 original beats all produced on the EMU-SP1200 & Akai S950 circa 1996. With over 25 years in business, the Brooklyn native is tied to nothing short of greatness and a legacy of diverse extensions since his beginnings as a house DJ in the late 80s. Many know Spinna for being in the elite group of seasoned party rockers where his resume includes collaborations with Stevie Wonder, Spike Lee, Michael Jackson & Prince (Soul Slam) tribute parties and several US/international bookings a month. Others regard him as one of house music’s best for his well-orchestrated dance tracks that blend jazz, soul & funk, Caribbean and Latin themes into his trademark, “Intergalactic Soul”.Producing in the mid 90’s with his underground duo, the Jigmastas, Spinna acquired national recognition for remixing Das EFX’s, “Microphone Master” single. He would gain larger recognition for his classic remix of De La Soul’s, “Stakes Iz High” single originally produced by the legendary Jay Dee aka J Dilla who became a friend in addition to being a contemporary. After a deal with Rawkus Records and producing some of Eminem’s early official appearances, Spinna achieved placements as a go to beat maker for legends, veterans and new MC’s. Though DJ Spinna has found continued success away from his roots, he has always satisfied his core audience whether producing for Homeboy Sandman, Phonte, The Jigmastas or his own solo projects.”1996 Beat Tape Vol. 1” is a rare peek into his deep archive. Much of the material was sourced directly from aged DAT tapes and floppy disks from the year 1996.Don’t let the 20-year lapse mislead that these compositions are primitive to today’s standards. The 18-track fully instrumental LP proves the advanced production techniques and sampling ideas Spinna employed are still ahead of its time long before much of the resurgence of 90s revivalist themes from today’s artists. The “1996 beat Tape” is the “Real McCoy”. All music was produced before computers, before accessible home studios and before instrumental hip-hop was a category. Many of the beats were made with vocalists in mind. Constructed on turntables, the EMU-SP1200 and the Akai S950, historians will appreciate the album cover designed by Joe Buck which depicts intimate photos of Spinna in his studio with the actual gear used to create the album’s contents. This is only the first volume and the debut venture between Redefinition Records and Spinna’s own Correct Technique Records. With 2 plus decades of unreleased material, who knows what the future holds, but history shows that when DJ Spinna releases an instrumental album, they sell fast.

/ Abyzmal

Aptly titled, “1996 Beat Tape Vol. 1”, DJ Spinna’s latest instrumental album features 18 original beats all produced on the EMU-SP1200 & Akai S950 circa 1996. With over 25 years in business, the Brooklyn native is tied to nothing short of greatness and a legacy of diverse extensions since his beginnings as a house DJ in the late 80s. Many know Spinna for being in the elite group of seasoned party rockers where his resume includes collaborations with Stevie Wonder, Spike Lee, Michael Jackson & Prince (Soul Slam) tribute parties and several US/international bookings a month. Others regard him as one of house music’s best for his well-orchestrated dance tracks that blend jazz, soul & funk, Caribbean and Latin themes into his trademark, “Intergalactic Soul”.Producing in the mid 90’s with his underground duo, the Jigmastas, Spinna acquired national recognition for remixing Das EFX’s, “Microphone Master” single. He would gain larger recognition for his classic remix of De La Soul’s, “Stakes Iz High” single originally produced by the legendary Jay Dee aka J Dilla who became a friend in addition to being a contemporary. After a deal with Rawkus Records and producing some of Eminem’s early official appearances, Spinna achieved placements as a go to beat maker for legends, veterans and new MC’s. Though DJ Spinna has found continued success away from his roots, he has always satisfied his core audience whether producing for Homeboy Sandman, Phonte, The Jigmastas or his own solo projects.”1996 Beat Tape Vol. 1” is a rare peek into his deep archive. Much of the material was sourced directly from aged DAT tapes and floppy disks from the year 1996.Don’t let the 20-year lapse mislead that these compositions are primitive to today’s standards. The 18-track fully instrumental LP proves the advanced production techniques and sampling ideas Spinna employed are still ahead of its time long before much of the resurgence of 90s revivalist themes from today’s artists. The “1996 beat Tape” is the “Real McCoy”. All music was produced before computers, before accessible home studios and before instrumental hip-hop was a category. Many of the beats were made with vocalists in mind. Constructed on turntables, the EMU-SP1200 and the Akai S950, historians will appreciate the album cover designed by Joe Buck which depicts intimate photos of Spinna in his studio with the actual gear used to create the album’s contents. This is only the first volume and the debut venture between Redefinition Records and Spinna’s own Correct Technique Records. With 2 plus decades of unreleased material, who knows what the future holds, but history shows that when DJ Spinna releases an instrumental album, they sell fast.

NYC's finest DJ Spinna comes through on Local Talk with an epic release that might surprise those of you expecting a more traditional Soulful House workout. This time Spinna went out of his comfort zone with a deep warehouse journey that works equally well in dark European House clubs or at the Shelter in NYC. 'TB or not TB' got that perfect blend of space darkness, analogue synths and that old school House thump. Initially it's quite raw and simplistic but the true magic of this track begins halfway in (be patient!). If there ever was a journey track, this is the one. But we're not done, on the flip Spinna also comes through with a warm and melodic Deep House jam destined for those very last small hours.

NYC's finest DJ Spinna makes his long overdue debut on GAMM with a supa soulful two track EP where he selected two of his personal 80's jams to refreak for club use.Vesta Williams classic 80's R&B cut gets that classic Spinna =House touch and Manhattan Transfer's slo-jam gets a full deep House transformation.NYC house for the soul heads!

Another 6 instrumentals produced by DJ Spinna. Reissue of EP originally released under the title "Compositions" with the addition of 2 tracks.

Another 6 instrumentals produced by DJ Spinna. Reissue of EP originally released under the title "Compositions" with the addition of 2 tracks.

Another 6 instrumentals produced by DJ Spinna. Reissue of EP originally released under the title "Compositions" with the addition of 2 tracks.