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Manufactured Rock & Indie 4 Artikel

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Manikins, The - From Broadway to Blazes
Manikins, The
From Broadway to Blazes
2LP | 2017 | US | Original (Manufactured)
19,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
From the same scene that begat the Scientists and the Victims came Perth, Australia's The Manikins. Founded by Neil Fernandes - a former member of the legendary Cheap Nasties with future Scientists member Kim Salmon - the Manikins bridged the rawness of their Aussie punk contemporaries with melodic Power Pop. „From Broadway to Blazes“ features all the bands' essential recordings from 1971 to 1981, including the three criminally rare and outrageously expensive self-released 7-inch singles („Models for Mankind“, „Premonition and Love at Second Sight“), their DiY cassette and more unreleased studio recordings as well as detailed liner notes by Fernandes. Manufactured Recordings presents one of the final, untold stories of the original Australian Punk and New Wave scene.
Hörförstaelse - Listening Comprehension (1980-1982)
Hörförstaelse
Listening Comprehension (1980-1982)
LP | 2016 | US | Original (Manufactured)
25,99 €*
Release:2016 / US – Original
Genre:Rock / Indie
Born out of the instant high of first hearing the Ramones' "Blitzkrieg Bop" and the Sex Pistols, Dan Personne and Klas Björkman threw out their hard rock records and formed a band together with creative/doer Anders Sjölander in suburban Stockholm. Taking advantage of Sweden's close proximity to London, they shuttled back and forth to explore punk and new wave and scoured Rough Trade for the latest sounds. This eventually gave birth to Hörförståelse including new members Mats Wigerdal (formerly of minimal synth legends Kitchen & the Plastic Spoons), Örjan Magnusson and Olle Öfverberg in 1980. "Förläst Jävel" (which roughly translates as "overeducated bastard") is one of the keystone DIY punk 45s of the era. Casual ranting over a dizzying bassline and a scrappy keyboard which sounds like it was recorded in the apartment next door, Hörförståelse channels bands like The Fall or The Desperate Bicycles but through an intangible yet somehow distinctly Swedish filter. The band moved a bunch of copies of the record through its own distribution network, which included donating 50 copies to the aforementioned Rough Trade shop in London, but as the story usually goes, the record garnered little attention even domestically. With the punk era starting to wane and Swedish labels increasingly prioritizing English-language bands, there was no one willing to take a chance on Hörförståelse. Thankfully for us, the band went into the studio again in 1982 to record 8 hitherto unreleased songs, making up the backbone of this collection. This very rare collection also includes the track “Förläst Jävel” and the Dub version the much sought-after single.
Alison's Halo - Eyedazzler
Alison's Halo
Eyedazzler
2LP | 2017 | US | Original (Manufactured)
35,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
Manufactured Recordings presents its latest Shoegaze Archive installment: an expanded 2xLP reissue of Alison's Halo's Eyedazzler - a retrospective of the band's recordings originally compiled on CD only in 1998. Available for the first time on vinyl, this criminally overlooked Tempe, AZ outfit is one of the premiere American shoegaze bands.
Come On - 1979 - 1980
Come On
1979 - 1980
LP | 2017 | US | Original (Manufactured)
31,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
A regular fixture on New York’s downtown scene in the late 70’s, Come On released just two singles in their short but fruitful existence – the self-released “Don’t Walk On The Kitchen Floor/ A Kitchen In The Clouds” single in 1978 and the mysterious “Housewives Play Tennis / Howard After 6” single in 1980 (the band was unaware it had ever been released until a copy showed up on eBay 20 years later).Typical of the time, Come On was comprised of a ragtag group of artists and scenesters – seasoned musician George Elliott (guitar), conceptual guru Ralf Mann (bass), illustrator Page Wood (drums), teenager Elena Glasberg (guitar) who would study for class between gigs, and Jamie Kaufman (vocals) who had never sung before (or since) fronting Come On. With a unified egalitarian look of white button down shirts and black pants and Kaufman’s arresting stage presence the band embodied what they called “Nervous Rock Music.” Stripped down and tense, Come On’s brand of minimalist rock teemed with agitation, sexual frustration, and a wry, dark humor.This compilation consits of the band’s two singles, unreleased tracks, and live material from the late 70’s including a 20-page booklet full of archival images and liner notes by noted biographer Chris O’Leary.
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