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Gruppo Di Improvvisazione Nuova Consonanza Organic Grooves 3 Artikel

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Gruppo Di Improvvisazione Nuova Consonanza - Gruppo Di Improvvisazione Nuova Consonanza
Gruppo Di Improvvisazione Nuova Consonanza
Gruppo Di Improvvisazione Nuova Consonanza
LP | 1966 | US | Reissue (Superior Viaduct)
21,99 €*
Release:1966 / US – Reissue
Genre:Organic Grooves
Considered the first collective of experimental composers, Gruppo d’Improvvisazione Nuova Consonanza formed in 1964 in Rome to chase the expressive potential of live improvisation to its furthest reaches. Led by Franco Evangelisti, Gruppo also included Ennio Morricone before he found fame composing soundtracks. The ensemble advanced the innovations of 20th century avant-garde in laboratory-like studio settings where the intuitive interplay between members flourished. Before 1976’s benchmark release, Musica Su Schemi, Gruppo recorded this eponymous album in 1973. Whether the passages are jarring or soothing, clamorous or silken, the ensemble retains astounding organic coherence. An ultra-rare entry in Gruppo’s formidable discography, Gruppo d’Improvvisazione Nuova Consonanza is finally reissued for the first time ever.
Gruppo Di Improvvisazione Nuova Consonanza - Azioni / Reazioni 1967-1969
Gruppo Di Improvvisazione Nuova Consonanza
Azioni / Reazioni 1967-1969
Box Set | 2017 | EU | Original (Die Schachtel)
99,99 €*
Release:2017 / EU – Original
Genre:Organic Grooves
5LP box, edition of 500 copies. The year 2007 saw one of the most remarkable findings in the long treasure-hunting history of Die Schachtel: the complete set of recordings of the early manifestation (1967-1969) of one of the most legendary improv group of all times, the Gruppo di Improvvisazione Nuova Consonanza. Rescued by the private archives of Mr. Walter Branchi, one of the original founding members – alongside with Franco Evangelisti, Ennio Morricone, Ivan Vandor, Roland Kayn, Egisto Macchi, Mario Bertoncini and John Heineman – the tapes were then restored in their entirety, but only a part of them were published in an epic 500 copies -CD-only boxset titled "Azioni 1967-1969", which also featured a DVD with the original film "Nuova Consonanza" shot by Theo Gallher during the rehearsal and the concert that the group held on March 19th and 20th, 1967, at the Galleria d'arte Moderna in Rome. Spanning from free-jazz to total abstract noise to wild electronic sounds (thanks mainly to the wizardry of Roland Kayn and Walter Branchi), their music was – and remains – one of the most dynamic, original and uncompromising expression of a period defined by intense experimentation and musical bravery, that anticipated a lot of the experiments to come in later years. Or, to put it simple, "They were utterly unique", as per the words that John Zorn – a long time admirer of the Gruppo – expressely wrote for this edition.To mark the 10-years anniversary of its original release, and to finally make it available for the vinyl aficionados throughout the world, Die Schachtel is proud to present AZIONI/REAZIONI 1967-1969, the complete cycle of improvisations (which in fact means thirteen additional pieces never published before, spanning over 2 and a half LPs and two CDs ), taken from the original tapes, lovingly remastered by Mr. Giuseppe Ielasi and masterly cut to five black vinyls, with a new design and an even more complete information apparatus, that includes a 64 page LP-size book in English and Italian, complete with essays, memories from the members of the Group, a new article by Valentina Bertolani exploring in detail the techniques of the group (based on the enclosed DVD), a chronology and a collection of original reviews by Maurizio Farina, and – to add an additional cherry on the almost rather juicy cake - a set of stunning (and unpublished) black and white photos of the group playing in the glorious Venice "Teatro della Fenice" in 1968, taken from the archives of the Venice Biennale.The "AZIONI/REAZIONI" LP boxset includes:- 5 vinyl LPs- 1 DVD (with English and Italian subtitles)- a 64-page sewn-bound large book
Gruppo Di Improvvisazione Nuova Consonanza - Gruppo Di Improvvisazione
Gruppo Di Improvvisazione Nuova Consonanza
Gruppo Di Improvvisazione
LP+CD | 1966 | EU | Reissue (Schema)
21,99 €*
Release:1966 / EU – Reissue
Genre:Organic Grooves
Way ahead of their time, Gruppo di Improvvisazione Nuova Consonanza were an experimental collective fully based on improvised music. It was the only European group exclusively made of composers, instead of simple performers. The Group tried to break the schemes by making use of new instruments and electronic effects, reinventing new timbres, using the voice in an unconventional way. They were also known for the presence of Ennio Morricone on trumpet who, at the same time (1966), was also working as a soundtrack composer for Sergio Leone’s western movies!Up until now all the works have been the fruit of a composer and that this «open» form was in reality still «closed» to a still greater opening. It was the presence in Rome of one of its principal members, the composer Larry Austin, that encouraged the formation of the IMPROVISATION GROUP OF THE NUOVA CONSONANZA, which is the only group in Europe formed exclusively of Composers.The members of this group intercalate the instruments into various formations, from a minimum of two instruments, to a total formation. The essential element of the group is a sense of good understanding, which is the base for finding a fertile field first for discussion and then for performance.This is the first time in the history of western music that more than one composer get together playing various instruments, where the result is no longer the result o f an individual effort but of a joint effort. For all this, it is clear that the GROUP makes an effort to surmount the limits of this system, and despite these limits, in some cases, gives glimpses of new horizons, of a new system, with the use of new instruments. The continual invention of timbres, and also the use of some electronic effects, for example the use of voices as impulse-phonemons, puts the group in a position of actuality, where contemporary composers of subjective vision have yet to arrive.All the pieces in this collection are absolutely «improvised» and are not the result of «editing». The most interesting thing is that the actual duration of the piece for the listener is the same as that taken for its production, that is an «effort» of few minutes. The art of improvisation is fascinating and this way of «composing together» results in an internal and external tension of great sensitivity, and I think that this is the only magic still possible in the music of to-day, no longer written, and completely deprived of all myth in front of that personage once called Author.
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