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Hieroglyphic Being Electronic & Dance 8 Artikel

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Hieroglyphic Being - This Isn't Your Typical 90's Era Techno / IDM...
Hieroglyphic Being
This Isn't Your Typical 90's Era Techno / IDM...
12" | 2016 | UK | Original (Technicolour)
7,99 €*
Release:2016 / UK – Original
Genre:Electronic / Dance
Earlier this year Jamal Moss aka Hieroglyphic Being released “The Disco’s Of Imhotep” album via Ninja Tune’s Technicolour imprint. Drawing on the energy and spirituality of Sun-Ra, Moss conducted his machines to create a raw, pulsating and meditative work that focused as much on the dancefloor as on the synapses. Never one to rest on his laurels, Hieroglyphic Being returns to Technicolour on with an essential 12” two-tracker paying homage to “The Natives” of Chicago’s nascent and fertile electronic music scene in the 90s. Fiercely visceral and channelling the same “rhythmic cubist” approach, “This Is 4 The Rave Bangers” and “Home 95” are proffered as “Reinterpretations or a Revisionist’s retrospective of the early 90's electronic music based in Chicago during the rise of Rave Culture from a sonic anthropological narrative”.
Hieroglyphic Being - Cosmic Bebop
Hieroglyphic Being
Cosmic Bebop
2x12" | 2016 | US | Original (Mathematics)
19,99 €*
Release:2016 / US – Original
Genre:Electronic / Dance
Proper past perspective of works (1996-2014) from JAMAL MOSS of obscure experimental releases of unique analog sounds reissuedother his other popular known alias.
Hieroglyphic Being - The Red Notes
Hieroglyphic Being
The Red Notes
CD | 2018 | UK | Original (Soul Jazz)
13,99 €*
Release:2018 / UK – Original
Genre:Electronic / Dance
Preorder 02.03.2017
Stunning new album from Chicago’s finest electronic futurist Hieroglyphic Being, aka Jamal Moss, newly released on Soul Jazz Records. This is his third album for the label, following on from The Acid Documents (2015), and African With Mainframes (w/ Noleian Reusse) K.M.T. (2016).Born and based in Chicago, Moss’s music embodies two of the cultural foundation blocks of the city’s musical lineage; that of Chicago’s original Acid House sound (c. 1986) - Frankie Knuckles, Phuture, Marshall Jefferson et al, alongside a rigorous experimental sound searching that taps into the cosmic musical lineage of pioneering artist Sun Ra whose Arkestra landed and was based in the city from 1946-61, and the equally pioneering work of The Art Ensemble of Chicago in the 1960s and 70s.The association with Sun Ra is by no means hypothetical, Moss recorded with the Arkestra leader Marshall Allen and a host of free jazz players for the album Hieroglyphic Being & JITU Ahn-Sahm-Buhl’s ‘We Are Not The First.’ (2015). Similarly, his relationship to Chicago’s original acid house pioneers of the late 1980s is no hyperbole. Originally mentored by artist/producers Adonis and Steve Pointdexter, Moss also runs his own Mathematics label, releasing a constant stream of new music by foundation acid house pioneers Lil’ Louis, Adonis and many others. What clearly defines Moss’s music is that while sometimes pushing the limits of sound to an ear-splitting dimension of experimentation and DIY-electronics – the music is always clearly a progression of the lineage of black music. In the words of fellow Chicagoans, The Art Ensemble of Chicago, it is simply ‘Great Black Music.’ And yet in this uniquely defined sound, Moss somehow manages to draw into this world elements of industrial music, German electronic music (Cluster, Harmonia etc), Detroit’s sci-fi techno artists (Atkins, Saunderson, Craig) and more.‘Outsider House’ ‘Afro-Futurist’ ‘Rhythmic Cubism’, Moss’s near indescribable sound plays testament to the notion that he is perhaps the last of the line of producers directly influenced by Ron Hardy at the Music Box, uniquely qualified to write a new chapter of Chicago’s rich musical history.Red Notes is the prolific artists new revelatory and unique project – in his own words ‘A homage to the Blue Note Jazz sound of Thelonious Monk, John Coltrane, Herbie Hancock’ fused together with the classic Chicago House and Acid sensibilities of Larry Heard, Armando, Adonis et al, into a newly imagined futuristic and barrier-less musical landscape. Featuring organic and synthetic electronic instrumentation, Hieroglyphic Being here fuses real-time live instrumentation and over-dubbed technologies to dramatic effect, as analog and electronic worlds collide.
Hieroglyphic Being - The Red Notes
Hieroglyphic Being
The Red Notes
2LP | 2018 | UK | Original (Soul Jazz)
22,99 €*
Release:2018 / UK – Original
Genre:Electronic / Dance
Preorder 02.03.2017
Stunning new album from Chicago’s finest electronic futurist Hieroglyphic Being, aka Jamal Moss, newly released on Soul Jazz Records. This is his third album for the label, following on from The Acid Documents (2015), and African With Mainframes (w/ Noleian Reusse) K.M.T. (2016).Born and based in Chicago, Moss’s music embodies two of the cultural foundation blocks of the city’s musical lineage; that of Chicago’s original Acid House sound (c. 1986) - Frankie Knuckles, Phuture, Marshall Jefferson et al, alongside a rigorous experimental sound searching that taps into the cosmic musical lineage of pioneering artist Sun Ra whose Arkestra landed and was based in the city from 1946-61, and the equally pioneering work of The Art Ensemble of Chicago in the 1960s and 70s.The association with Sun Ra is by no means hypothetical, Moss recorded with the Arkestra leader Marshall Allen and a host of free jazz players for the album Hieroglyphic Being & JITU Ahn-Sahm-Buhl’s ‘We Are Not The First.’ (2015). Similarly, his relationship to Chicago’s original acid house pioneers of the late 1980s is no hyperbole. Originally mentored by artist/producers Adonis and Steve Pointdexter, Moss also runs his own Mathematics label, releasing a constant stream of new music by foundation acid house pioneers Lil’ Louis, Adonis and many others. What clearly defines Moss’s music is that while sometimes pushing the limits of sound to an ear-splitting dimension of experimentation and DIY-electronics – the music is always clearly a progression of the lineage of black music. In the words of fellow Chicagoans, The Art Ensemble of Chicago, it is simply ‘Great Black Music.’ And yet in this uniquely defined sound, Moss somehow manages to draw into this world elements of industrial music, German electronic music (Cluster, Harmonia etc), Detroit’s sci-fi techno artists (Atkins, Saunderson, Craig) and more.‘Outsider House’ ‘Afro-Futurist’ ‘Rhythmic Cubism’, Moss’s near indescribable sound plays testament to the notion that he is perhaps the last of the line of producers directly influenced by Ron Hardy at the Music Box, uniquely qualified to write a new chapter of Chicago’s rich musical history.Red Notes is the prolific artists new revelatory and unique project – in his own words ‘A homage to the Blue Note Jazz sound of Thelonious Monk, John Coltrane, Herbie Hancock’ fused together with the classic Chicago House and Acid sensibilities of Larry Heard, Armando, Adonis et al, into a newly imagined futuristic and barrier-less musical landscape. Featuring organic and synthetic electronic instrumentation, Hieroglyphic Being here fuses real-time live instrumentation and over-dubbed technologies to dramatic effect, as analog and electronic worlds collide.
Hieroglyphic Being - Azimuthal Equidistant EP
Hieroglyphic Being - The Disco's Of Imhotep
Hieroglyphic Being
The Disco's Of Imhotep
LP | 2016 | UK | Original (Technicolor)
16,99 €*
Release:2016 / UK – Original
Genre:Electronic / Dance
Jamal Moss aka Hieroglyphic Being veröffentlicht sein lang erwartetes Soloalbum "The Disco's Of Imhotep" auf Technicolour/Ninja Tune! Jamal Moss hat sich einen einwandfreien Ruf als Produzent sowie als Live-Performer von hypnotisierendem, experimentellem Elektro und Free Jazz aufgebaut, der in seiner Heimat Chicago und seinen Beziehungen zur schöpferischen Underground Club-Szene wurzelt. Inspiriert durch Ron Trent, DJ Rush und Ron Hardy, wurde Jamal Moss von den Visionären und Produzenten Steve Poindexter und Adonis ausgebildet. Diese brachten ihm die Drum Machines näher, die das Rückgrat der Bewegung waren und ihn zu seinen frühen Streifzügen durch die Musikproduktion ermutigten. Seitdem veröffentlicht er fleißig über sein eigenes Label Mathematics Recordings sowie Labels wie RVNG Intl. und Soul Jazz / SOTU. Seine Stellung, als unverwechselbare, kreative Kraft, verfestigte Moss auch durch seine Zusammenarbeit mit Marshall Allen von Sun Ra Arkestra und Noleian Reusse (als Africans With Mainframes). Unverwechselbar ist auch seine Art, Musik zu machen: Er vereint seine antike Herkunft und musikalische DNA mit einer Leidenschaft zum Experimentieren, Erschaffen und setzt Musik als Heilmittel ein.
Hieroglyphic Being - The Fourth Dimensions Of A Nubian Mystic
Hieroglyphic Being
The Fourth Dimensions Of A Nubian Mystic
12" | 2014 | EU | Original (Technicolour)
7,99 €*
Release:2014 / EU – Original
Genre:Electronic / Dance
Deep and tripping acid backed with some jazzed out drumworks on the flip. Limited to 400 copies and pretty damn bad ass!
Hieroglyphic Being - Acid Rain Under the Stars
Hieroglyphic Being
Acid Rain Under the Stars
12" | 2014 | EU | Original (Last Known Trajectory)
6,49 €* 9,99 € -35%
Release:2014 / EU – Original
Genre:Electronic / Dance
An explosive caustic acid concoction awaits from within the grooves of this gargantuan twelve inch from Chicago heavyweight, Hieroglyphic Being. "Free the Energy (No Vocal Energy)" is highly volatile, with severely unforgiving and distorted drum programming, this violently radioactive adventure is nothing short of brutal and certainly not for the squeamish. Title cut, "Acid Rain Under the Stars" paints a dreamy landscape, while the acidic protons and neutrons busily rebound in the background on this elongated, hypnosis-inducing and beautifully mind-distorting headtrip. Straight outta nowhere like an atom bomb!
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