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The second album Con Todo El Mundo of the psych, funk and soul trio KhruangbinWhere their sensational 2015 debut The Universe Smiles Upon You was inspired by technicolour Thai funk cassettes from the ’60s and ’70s, the latest release casts a wider net to draw on global strains of funk and reverb-heavy psych, from South Asia to the Mediterranean and Middle East.Cutting together archive recordings with the band’s signature raw guitar sound, first single ‘Maria También’ is something of a homage to the creative freedoms enjoyed by woman in Iran before the 1979 revolution.

Die limitierte Peak Edition kommt als farbige 2LP ("yellow in clear" Vinyl) mit Newsprint Poster und MP3 Coupon. Nur 3500 für die Welt! ,Dose Your Dreams", FUCKED UPs fünftes Studioalbum ist eine ausufernde Odyssee, die sich mit dem Titelhelden des 2011er Hits ,David Comes To Life" beschäftigt und ihn auf eine Reise im Stile einer Weihnachtsgeschichte durch die Schattenseiten der Realität begleitet. Durch 18 Lieder (die die 18 Kapitel von James Joyces ,Ulysses" widerspiegeln) wird der Hörer vom Bürogebäude in die Mülltonne auf dem Hinterhof, von den eisernen Hallen der Industrie und geschönten Bildern der sozialen Medien, durch Halluzinationen und krasse Erkenntnisse zur Wahrheit und Versöhnung geführt. Geschrieben über eineinhalb Jahre im Studio von Mike Haliechuk und Jonah Falco, enthält das Album auch Gastgesang von LIDO PIMIENTA, MIYA FOLICK (TINDER), MARY MARGARET OHARA, J MASCIS (DINOSAUR JR), Ryan Tong (SHIT), JENNIFER CASTLE, üppige Streicher-Arrangements von OWEN PALLET und Produktionen von Shane Stoneback, Orphyx, Matt Tavares von BADBADNOTGOOD und Graham Walsh von HOLY FUCK. OWEN PALLETT über das Album: "I was sent an unfinished version of ,Dose Your Dreams" so that I might contribute string parts. I couldn't stop listening to the rough mixes I received. A friend asked me how the record was. I replied, "My God, FUCKED UP have made their "Screamadelica."" Und Psych-Rock-Groove ist es. Die Trommeln sind breit gemischt, dazu Neigungen zu Drone, zum Delay-Pedal, zur Wiederholung, zum Groove. Die Politik und Ästhetik des Hardcore ist mit einem ,offenen Format" des Genres verbunden. Elemente aus Doo-Wop, Krautrock, Groove, Digital Hardcore tun ihr Übriges.

Sub Pop Loser Edition enthält kristallklares Vinyl! Double Negative ist in der treu trotzigen Art und Weise in der 25-jährigen Karriere von Low ihr unverfrorenstes, abrasivstes (und paradoxerweise stärkstes) Album. Um Double Negative aufzunehmen, verpflichteten Low erneut B.J. Burton, den experimentierfreudigen Produzenten, der in den letzten Jahren Platten mit Bon Iver, Lizzo und Francis and the Lights gemacht hat. Alan Sparhawk, Mimi Parker und Bassist Steve Garrington wussten, dass sie mit Burton und seiner Klangpalette noch weiter gehen wollten: Sie wollten sehen, was jemand, der, wie Sparhawk sagt, "ein Hip-Hop-Typ" ist, mit ihrer Musik anfangen kann. Anstatt zu Hause in Duluth, Minnesota, zu schreiben und zu proben, fuhren sie oft nach Eau Claire im Südosten und kamen mit Skizzen und Ideen, an denen sie tagelang mit Burton arbeiteten. Band und Produzent wurden kollaborative Co-Autoren, die die Stücke aufbauten und zerlegten, bis ihr Zweck und ihre Kraft klar waren. Das Albumcover für Double Negative wurde von dem langjährigen Kollaborateur, dem englischen Künstler Peter Liversidge, entworfen.

This is the oxblood colored vinyl edition.Thrice release their new album Palms. The album is the first Epitaph release for Thrice, who are widely regarded as one of the most innovative rock bands of their generation.Co-produced by Thrice and Eric Palmquist and mixed by John Congleton, Palms encompasses everything from viscerally charged post-hardcore to piano-driven balladry. The most sonically expansive album so far in the band’s 20-year-history, Palms follows the critically acclaimed To Be Everywhere Is to Be Nowhere (released via Vagrant Records in 2016).

One of the milestones in music history that shouldn't be missed in any serious vinyl diggers collection!

Transparente 180g LP inklusive Poster und MP3-Downloadkarte

Pinkes Vinyl, limitiert auf 1500 Stück! Exploded View, das internationale Projekt von der in Walesgeborenen und nun in Berlin sesshaften Künstlerin AnnikaHenderson, dem Mexikaner Hugo Quezada (Robota) undMartin Thulin (Crocodiles), kehrt mit seinem zweiten Album,Obey" zurück. Ihre Live-Aufnahme-Prozess hinter sich lassendund nun als zusammengeschweißtes Trio unterwegs, findenExploded View auf ,Obey" eine besondere Balance zwischenpräzise und wild, aufgerüttelt und geerdet, groovig und aus denFugen geraten. Sie haben ein Händchen dafür, esoterische Gefühlezugänglich zu machen und Popmusik aus scheinbar rohemBewusstsein zu kreieren. Diese Fähigkeit, wunderschöne Musik zumachen, die sich ,jenseits des Schleiers geschrieben" anfühlt, istder Kern dessen, was Exploded View so fesselnd macht.Aufgenommen in Mexico City, fühlt sich das Album wie eineBefreiung von kreativen Impulsen und Ausdrucksmöglichkeitenan, die es der Band ermöglichen, reifere klangliche Territorien zuerreichen. ,Obey" beginnt wie eine Traumsequenz mit demtreffend betitelten Song ,Lullaby", der das Album eröffnet: Er locktden Hörer langsam in einen klaren Zustand und bereitet ihn aufdie Reise vor. Die neun folgenden, apokalyptischen, aberberuhigenden Lieder umfassen alle klassischen Traummotive:Intrigen, Gefahren, Ekstase, schwer zu platzierende, aberursprüngliche Visionen und ein ständiges Gefühl der Bewegung.

The Bela Sessionis a full release of Bauhaus' first studio session from January 26 1979, where the iconic "Bela Lugosi's Dead" was recorded. This is the first and only official reissue of "Bela Lugosi's Dead" on vinyl, and the first time 3 of the 5 tracks have been released. This EP has been produced directly by the band with Leaving Records, in advance of the band's 40th anniversary. Mastered in 2018 from the original tape by Mandy Parnell at Black Saloon Studios.Track notes: "Bela Lugosi's Dead" was originally released by Small Wonder Records, 1979. "Harry" was originally released by Beggars Banquet, 1982. "Some Faces," "Bite My Hip," and "Boys (Original)" are previously unreleased. Original session produced by Bauhaus 1979; engineered by Derek Thompson. Reissue concept: Andrew J Brooksbank, Bauhaus Archives. Reissue A&R: Matthewdavid. Package design: Jeff Jank.Vinyl 180g, printed inner sleeve, 10x20inch poster

Auf ihrem Debutalbum zelebriert die australische Band Parcels ein rauschhaftes Amalgam aus Dream-Pop, Disco, Soft-Rock und French-House. Zwischen Australien und Berlin gelingt der Band der verführerischste Pop der Stunde. Es geht um Emotionen, um die Liebe zur Musik, um die Frage, wer wir sind und was uns ausmacht. Kein Ton auf dem Album ist zufällig an seinem Platz, alles hier ist durchdacht, konzipiert, arrangiert – und doch klingt „Parcels“ so leicht und rauschhaft, als sei es im Handumdrehen entstanden. Das Merkmal großer Kunst: dass man ihr die viele Arbeit nicht anhört. Das haben Parcels besser verstanden als andere.

The shifting dimensions of 'Masana Temples', the fourth album from psychedelic explorers Kikagaku Moyo, are informed by various experiences the band had with traveling through life together, ranging from the months spent on tour to making a pilgrimage to Lisbon to record the album with jazz musician Bruno Pernadas. The band sought out Pernadas both out of admiration for his music and in an intentional move to work with a producer who came from a wildly different background. With 'Masana Temples', the band wanted to challenge their own concepts of what psychedelic music could be. Elements of both the attentive folk and wild-eyed rocking sides of the band are still intact throughout, but they're sharper and more defined. More than the literal interpretation of being on a journey, the album's always changing sonic panorama reflects the spiritual connection of the band moving through this all together. Life for a traveling band is a series of constant metamorphoses, with languages, cultures, climates and vibes changing with each new town. The only constant for Kikagaku Moyo throughout their travels were the five band members always together moving through it all, but each of them taking everything in from very different perspectives. Inspecting the harmonies and disparities between these perspectives, the group reflects the emotional impact of their nomadic paths. The music is the product of time spent in motion and all of the bending mindsets that come with it.

Bikini Kill Records is excited to reissue The Singles, on both vinyl and compact disc. This is the first time that it has been released as a 12-inch (special note for all you vinyl fanatics, we managed to keep it at 45rpm for better sound quality)! The Singles was initially released in 1998 as a CD only compilation of all of Bikini Kill's 7”s. Once called "their defining document" by Pitchfork it includes Bikini Kill's legendary collaboration with Joan Jett on the New Radio (1993) single as well as the long out of print Anti Pleasure Dissertation (1995) and I Like Fucking (1995) singles.

Double Negative ist in der treu trotzigen Art und Weise in der25-jährigen Karriere von Low ihr unverfrorenstes, abrasivstes(und paradoxerweise stärkstes) Album. Um Double Negativeaufzunehmen, verpflichteten Low erneut B.J. Burton, denexperimentierfreudigen Produzenten, der in den letzten JahrenPlatten mit Bon Iver, Lizzo und Francis and the Lights gemachthat. Alan Sparhawk, Mimi Parker und Bassist Steve Garringtonwussten, dass sie mit Burton und seiner Klangpalette noch weitergehen wollten: Sie wollten sehen, was jemand, der, wie Sparhawksagt, "ein Hip-Hop-Typ" ist, mit ihrer Musik anfangen kann.Anstatt zu Hause in Duluth, Minnesota, zu schreiben und zuproben, fuhren sie oft nach Eau Claire im Südosten und kamenmit Skizzen und Ideen, an denen sie tagelang mit Burtonarbeiteten. Band und Produzent wurden kollaborative CoAutoren,die die Stücke aufbauten und zerlegten, bis ihr Zweckund ihre Kraft klar waren. Das Albumcover für Double Negativewurde von dem langjährigen Kollaborateur, dem englischenKünstler Peter Liversidge, entworfen.

„Schafe, Monster und Mäuse“: Da gibt es Soulballaden wie „Am ersten Sonntag nach demWeltuntergang“, Chansons wie „Bevor ich dich traf“, Folksongs wie „Die Party am SchlesischenTor“, Pubrockkracher wie „Ein Brot und eine Tüte“, Desert-Rock-Aufschneidereien wie„Stein, Schere, Papier“ und vieles mehr. Und dann ist wieder alles anders, wenn bei „Am erstenSonntag“ Jakob Iljas artrockige Kaputtgitarre in den Soloteil sägt, wenn bei „Bevor ich dich traf“die wienerischen Geigen in die letzte Strophe einfräsen, wenn bei „Die Party am SchlesischenTor“ eine psychedelisch krachende Blaskapelle durchs Bild wankt, ständig Dinge passieren, aufdie man nicht gefasst sein kann, Richard Pappik die Tempi verschleppt und beschleunigt, wiees gerade sein muss, mit Rhythmen und Klangfarben jongliert und überhaupt sein schmutzigesSpiel mit einer Rockmusik spielt, die auf dieser Platte immer wieder neu definiert wird undSven Regeners knarzige Stimme dazu Poesie verteilt, als werfe er Fleischfetzen auf einen Grillaus alten Ölfässern.Musik und Text, da taumeln sie zusammen in die aufgehende Sonne und stützen sich gegenseitigwie zwei erschöpfte Partygänger nach einer langen Nacht am Schlesischen Tor.Zerzauste Vögel, die von ihren Familien unterstützt werden, der Hendl-Jahn, eine Gratiszigarrebeim Kauf eines neues Lebens, wo Stürme, Blitze und Donner nicht Wetter, sondern ein Arsenalgegen gute Laune sind, die Frau vom Supermarkt, Black Friday beim Sterni im Späti... wer bittebringt sowas in so wunderbar klingenden Texten unter?„Schafe, Monster und Mäuse“ ist ein langes, ultrapsychedelisches Album geworden, das längstein der Geschichte der Band. Es ist, als wollten ELEMENT OF CRIME das Albumformat, fürdas diese Band von Anfang an wie keine zweite geschaffen war, bis auf das Äußerste ausreizen,vielleicht ein letztes Mal, man weiß nicht, wie es weitergehen wird damit, die Welt verändertsich. Aber, und das ist das Entscheidende: Die Lieder bleiben.

Everybody's favorite new band debuts their seminal self-titled album. What an amazing amalgam of 80s Wave, Postmodern Folk, syncopated R&B madness and UK Bass culture. One of those rare albums that virtually nobody has anything to complain about.

2 CDs and 4LPs containing rare and unheard audio - restored and remastered by Peter J Moore.64-page hardback book featuring rarely seen and previously unpublished memorabilia from Joe’s personal collection as well as historical press reviews and technical notes about the albums.Additional 7” single of previously unreleased demos of This Is England (Side A) and Before We Go Forward (Side B)Cassette of previously unheard and unreleased U.S North (Basement Demo) - with artwork replicated from the original cassette recording from Joes’s archive. Envelope containing a screen print of Joe’s driving license image, 3 high quality original art prints, and a sticker sheet.Replica of Joe’s Californian driving license.Enamel Pin badge.

Oddments is the fourth studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 7 March 2014 on Flightless.

Die siebte Pressung mit neuem Cover.

180g Vinyl including download code.

2nd full-length features the same crisp John Lennon/Phil Spector era homegrown lush production that could have walked out of GeoffEmerick's mixing board in 1972, but with that peculiar Mac touch that's completely of right now.

With their second album Pre Strike Sweep, GØGGS add a new level of primordial anxiety to their already catastrophic symphony. Recorded and mixed in 2017 by GØGGS guitarist and co-founder Ty Segall, the album explores the damaging affects of modern life before blowing them up one by one. Singer Chris Shaw uses terms like “space rinse” and “roadside surgery” to inform the listener that this is a strange and different trip, far and away from the “Glendale Junkyard” he romanticized in 2016 on their self-titled album. In fact, all expectations brought on by that acclaimed debut are crushed into dust, revealing a new standard by which the GØGGS march thumps.

Take a tour through Ty Segall’s musical psyche with his new solo album, Fudge Sandwich, a collection of Segall’s take on eleven songs that were originally done by other people. These aren’t just cover versions. Cover versions happen at weddings and high school band battles. The songs here are what happens when someone loves a song so much, they need to get inside it and let it propagate and transform into what it would have been if they had actually written it. Equal parts reverence and reimagination, this album shows Segall inhabiting the world of a song’s intent, filtering it through the muse that drove this year’s exceptional Freedom’s Goblin. Cluttered, passionate and inspired, the songs are barely recognizable, irresistible and by album’s end, present a cohesive collection that stands proudly alongside the best of Segall’s considerable output.

Die letzten fünf Jahre von Matthew Houck akaPhosphorescent waren eine lebensverändernde Zeit, in derer sich verliebte, eine Familie gründete, New York in RichtungNashville verließ und ein Studio von Grund aufbaute. Mit demFokus, diese Erfahrungen so intuitiv wie möglich in Musikumzusetzen, geht Houck mit seinem neuen Album an dieGrenzen dessen, wie eine Phosphorescent-Platte klingenkann, indem er das Erdige und das Glühende, das Unruhige unddas Gelassene ausbalanciert und dabei seinen eigenenmusikalischen Kosmos erschafft. ,C'est La Vie" wurde von Houckproduziert und in seinem Spirit Sounds Studio in Nashvilleaufgenommen, das speziell für diese Sessions neu gebaut wurde.Das Album wurde von Matthew Houck und Vance Powell (JackWhite, Chris Stapleton, Arctic Monkeys) gemischt.,C'est La Vie" folgt auf das 2013er Phosphorescent-Album,Muchacho", Houcks hochgelobtes und bisher meistverkauftesAlbum, sowie auf die 2015 in Brooklyn aufgenommenekarriereumspannende 3er-LP ,Live At The Music Hall".

Since its inception in 2015, Sextile have gained a devout following thanks to theseductive energy of their live shows and nonstop touring. After numerous lineupchanges, the now two-piece comprised of Brady Keehn and Melissa Scaduto haveshifted toward a minimalist approach that's as heavy hitting as ever. Now favoringsynths over guitars, they haven't thrown out the strings completely. '3' was recordedin Los Angeles at their home and practice space using a KORG MS10, a sequencer, aFender Stratocaster, a LinnDrum, and various percussion instruments. Findinginspiration in futurist writer Luigi Russolo's "The Art of Noises," the pair employs asonic palette that mirrors the chaos of the modern industrial era. Sextile excels atregulating noise, whether the source is a percussive clang, guitar stab, synth trill, orKeehn's militant vocals. Throughout '3,' bursts of abrupt discord punctuate thumpingrhythms and hypnotic bass sequences. While the appropriately titled "Disc o" is aclubworthy opener, "Spun" delivers the signature Sextile sound with rowdy, squealingguitars. '3' places the band's sound somewhere between DAF and Gang of Four, butit's that tinge of futurism and the observations of the current political climate thatsteer them right to the present. It's the explosive sound of now - it's punk that canhold down a dance floor.

The third single from Jack White's critically-acclaimed third solo album ''Boarding House Reach.'' Featuring artwork that connects with previous singles' artwork by The Third Man, Rob Jones & Nat Strimpopulos.

Schwarze 180g LP inklusive Poster und MP3-Downloadkarte

4LP - 3 x 180g heavyweight black vinyl of Joe Strummer 001 albums - each in their own single sleeve and combined in to one wide-spined outer sleeve each featuring restored and remastered audio by Grammy award winning Peter J Moore.Additional 180g heavyweight 12” single of previously unreleased U.S North. All 4 vinyl packaged together into outer slipcase, sealed on one side.

12 Bar Bruise is the debut studio album by Australian psychedelic rock band King Gizzard & the Lizard Wizard. It was released on 7 September 2012 on Flightless.The album was self-recorded by the band, and several tracks used unconventional recording methods. One of these is featured on the album's title track - it was recorded through four iPhones placed around a room while Stu Mackenzie sang into one of them.

Crack the coffers, Oh Sees have spawned another frothy album of head-destroying psych-epics to grok and rock out to. Notice the fresh dollop of organ and keyboard prowess courtesy of Memory Of A Cut Off Head-alum and noted key-stabber Tom Dolas, while the Paul Quattrone / Dan Rincon drum-corps polyrhythmic pulse continues to astound and pound in equal measure, buttressed by the nimble fingered bottom end of Sir Tim Hellman the Brave and the shred-heaven fret frying of John Dwyer, whilst Lady Brigid Dawson again graces the wax with her harmonic gifts. Aside from the familiar psych-scorch familiar to soggy pit denizens the world over, there’s a fresh heavy-prog vibe that fits like a worn-in jean jacket comfortably among hairpin metal turns and the familiar but no less horns-worthy guitar fireworks Dwyer’s made his calling card. Perhaps the most notable thing about Smote Reverser is the artistic restlessness underpinning its flights of fancy. Dwyer refuses to repeat himself and for someone with such a hectic release schedule, that stretching of aesthetic borders and omnivorous appetite seems all the more superhuman!

Nach einem Jahr voller Konzerte und ihrer EP „Wird Schon Irgendwie Gehen“ erscheint nun ihr erstes richtiges Album "Alles Nix Konkretes“. Drei Kölner. Alle Anfang 20. Alle mit einem Namen. Christopher Annen, Henning May und Severin Kantereit. Zusammen sind sie AnnenMayKantereit. Seit 2014 ist auch Malte Huck dabei. Sie machen Musik so wie sie ihnen gefällt. Gesungen wird hauptsächlich auf Deutsch. Ohne Pathos, stattdessen mit Fingerspitzengefühl und dem eigenen Erfahrungsschatz geht es in ihren Liedern um Liebe, Freundschaft, Verlust; das Leben. Wütende Jugend trifft dabei auf einfühlsame Balladen, beschwingter Blues auf temperamentvollen Pop und auch die Bewegungshungrigen kommen auf ihre Kosten.

New Others Part One is the fifth studio album from This Will Destroy You. It was produced, engineered, and mixed by John Congleton, the man responsible for the sound of the band’s wildly popular sophomore S/T album of ten years ago. Now comprised of core members Jeremy Galindo and Christopher King with the addition of drummer Robi Gonzalez, New Others Part One captures the band in a familiar, but evolved ethos wherein the memorable melodic component present in their early work once again soars atop new sonic territories for the band and listener alike. Physical copies of the LP feature the artwork and photography of band member Christopher King. Inside, purchasers will find a highly unusual extra insert featuring a QR code that will certainly take the bold on a journey involving their browser, their phone, and their full capacity for the esoteric.

“No Need To Argue” is the sophomore effort by Irish group The Cranberries that was originally released in 1994. Propelled by the hit song “Zombie” about the Irish conflict, the album was a worldwide smash and helped make the band one of the biggest of the 90s. With a more mature approach to songs and subject matter the album features many highlights including "Ode To My Family", "Yeats' Grave" and "Ridiculous Thoughts" with a more lively rock sound than their much mellower debut album. Blue vinyl in a gatefold cover with printed inner sleeve that includes the lyrics.

Cigarettes After Sex frontman Greg Gonzalez had a clear vision for his band’s gorgeously cinematic debut album. After the phenomenal online break-out success of “Nothing’s Gonna Hurt You Baby”, from the band’s debut EP 1, the Brooklyn transplant (originally from El Paso) wanted to project his worldview on to a bigger screen, a broader canvas. As Greg explains, “This is like the novel or feature-length version of Cigarettes. I wanted it to feel like a complete work, where some of the imagery repeats – like it’s all in the same world. It’s very much a fulfilment of the feelings in the short works.”

Pisse sind zurück. Nach "Mit Schinken durch die Menopause" gibt es Nachschlag in Form einer 2-teiligen Singlereihe. Et voilà: "Kohlrübenwinter" #1 und #2. Warum? Deshalb! Fakten und Informationen: 8 Lieder auf 2 7" Singles aufgeteilt. Aufgenommen 2016 von Duckface im Dong Xuan Center Berlin / Lichtenberg. Besetzung: Schlagzeug / Gitarre / Bass / Theremin / Synth. Songs: Armes Schwein, Vernissage, Schwätzer, Dienstleistungsgesellschaft. Punk.

Fuzz has abandonment issues. Abandoning expectation. Abandoning reservation, consummation, resignation and trite dictation. Instinct is all there is when it comes to the divination of harsh salvation. Segall, Moothart and Ubovich are exploring all the blank-ations of what will be, or has always been, Fuzz II. Tried and true methods mixed with tongue-twisting, teeth-shattering, seizure-inducing stabs at the norm. Who knows… maybe that’s wrong. Maybe it’s all done. Played out. Maybe it’s not for want of new but for lack of old. But probably not. Bathe in the heat wave that is Fuzz, and regret nothing in the time freeze. Necessity is the mother of creation; and devolution stakes its claim in the past as it continues to bind itself to the future. San Francisco, Los Angeles, heaven, hell, lunar fields, subterranean hallucinations, traffic jams, sleepless days, hazy nights, recollection or blind reflection. It is all there and so should be you. 2015 and 2016 will bring a new surge of slime, fuzz and otherwise bittersweet concoctions of earthly lettering. It will be heavy, chaotically controlled, softly serpentine and blindingly barbaric. To translate the auditory from ethereal to saliva-soaked semantics is to shatter a promise as it’s made. In the meantime, Ty, Charles and Chad walk on. It is what it is. Just like everything else. And if you don’t know, now you know. This message brought to you by In The Red Educational Services… as it was before and is it will be again.

One copy per customer.This special edition includes the album on violet heavyweight vinyl and CD plus a case bound book with exclusive artwork.

Limited and numbered edition containing both language versions on double vinyl and CD. That's 4 vinyls and 2 CDs. All covers come in alternate versions. Bonus: 30x60cm posters of both language versions with the alternate covers. Wow! Christine and The Queens announces her eagerly anticipated second album. Titled Chris, the record will be released by Because Music in digital and physical formats, including double CD and vinyl versions, as well as limited edition boxsets, on 21 September. There are two versions of the album; one sung exclusively in English and one sung exclusively in French.Chris was written, arranged and performed by Christine and the Queens. It is the follow up to her already-iconic debut record Chaleur Humaine, released to near-universal acclaim in France in 2014 and the UK in 2016, and selling more than 1.3 million copies to date.

The Moldy Peaches sind eine Anti-Folk-Gruppe aus New York City. Sie wurde von Adam Green (Gesang)und Kimya Dawson (Gesang) gegründet. Die beiden lernten sich Mitte der Neunziger kennen. WeitereBandmitglieder waren der Bassist Steve Mertens, der Schlagzeuger Strictly Beats sowie die Gitarristen JackDishel und Toby Goodshank. In den späten 1990ern war das ausgeflippte, temporeiche und bunte Sextett einTeil der New Yorker Underground-Szene, was zu teilweise recht eigenwilligen Kostümen wie Frosch-Outfitsführte. Am 11. September 2001, dem Tag der Anschläge auf das World Trade Center, veröffentlichten TheMoldy Peaches ihr selbstbetiteltes Debütalbum. Es wurde überwiegend in einem Keller in Port Townsend,Washington, aufgenommen. Was recht obskur, um nicht zu sagen morbide anmutet: Zufälligerweise enthältdas Album den Song "NYC’s Like A Graveyard". Anfang 2008 wurde das Lied "Anyone Else But You",welches sich ebenfalls auf dem Debüt findet, für den Independent-Film "Juno" verwendet. Er brachte derBand neue Aufmerksamkeit ein. Der Soundtrack zu "Juno" erreichte in den USA Goldstatus und landete aufPlatz 1 der Billboard Charts. Rough Trade bringt "The Moldy Peaches" nun als CD sowie LP auf rotem Vinylnoch einmal heraus.Seite

Dictator is the long-awaited second album from critically acclaimed band Daron Malakian and Scars On Broadway. The album features songs written and recorded by System Of A Down guitarist and vocalist Daron Malakian.

Melbourne hat eine neue Stimme: Rolling BlackoutsCoastal Fever „Hope Downs“ ist exakt das Album, welchesdurch die zwei Buzz-Building-EPs „Talk Tight“ (2015) und „TheFrench Press“ (2017) versprochen wurde. Der Albumtitel, der demNamen einer riesigen Tagebaumine mitten in Australien entlehntist, bezieht sich auf das Gefühl, am Rande der Leere des großenUnbekannten zu stehen und etwas zum Festhalten zu finden. Es isteine Platte, die sich darauf konzentriert, die hellen Punkte in einerZeit zu finden, in der sich Zynismus allzu oft wie der natürlicheZustand anfühlt. Rolling Blackouts C.F. sind hier, um unsdaran zu erinnern, unsere Füße auf dem Boden zu halten - und„Hope Downs“ ist ein ebenso köstlicher Geschmack von TerraFirma, wie man ihn gerade von einer Rockband bekommen kann.

A compilation of both 7" and tape by Boston 1981-83 new wave avant garde project of Judd Stone.

Amyland And The Snifers sind eine Punkband, die vom Geistdes australischen Rock der siebziger Jahre besessen ist und sichdabei an einer Vielzahl von Legenden, darunter AC/DC, CosmicPsychos, Dolly Parton und Die Antwoord orientiertund dabei so viel Spaß wie möglich hat. Amy Taylor (Gesang),Bryce Wilson (Schlagzeug), Dec Martens (Gitarre) sind ehemaligeMitbewohner, die die Band gründeten, eine Handvoll Melodienschrieben und ihre Debüt-EP „Giddy Up“ raushauten - das allesinnerhalb von zwölf Stunden. Die Band vervollständigte ihr LineUpmit Gus Romer am Bass. Ihre zweite EP, „Big Attraction“,erschien im Februar 2017 und läutete damit ein herausragendesJahr für diese jungen Punks ein.

Limited to 1000 copies.King Gizzard & The Wizard Lizard have announced that their fourth album of 2017 is titled Polygondwanaland, and will be out Friday at 9 AM Melbourne time (which is 5 PM Thursday NYC time) as a free download. In fact, they’re offering up the files not just as MP3s, but also in CD and vinyl master formats, encouraging fans to press up their own. “Ever wanted to start your own record label? GO for it! Employ your mates, press wax, pack boxes. We do not own this record. You do. Go forth, share, enjoy.” More details below.The record kicks off with the 10-minute monster that is “Crumbling Castle” which you can listen to below. Polygondwanaland follows Flying Microtonal Banana, Murder of the Universe, and their collaboration with Mild High Club, Sketches of Brunswick East.

Downlad included.

Their 1978 debut EP, No Tears, was recorded with vocalist Winston Tong and sound engineer Tommy Tadlock. Replete with tense synth swells, devastating live drums and a psychotic ode to the “creatures of the night,” the title track is a crucial entry in the synth-punk canon that stacks up next to the best work by Units and The Screamers. Reininger’s electric violin congeals with electronic atmospherics to unnerving ends on the instrumental “Litebulb Overkill.” Few records do justice to the mania and paranoia of a forsaken city; none do it for San Francisco like Tuxedomoon’s No Tears.

Limited repress on pink & yellow vinyl!

180 gram vinyl

Super killer debut album of girl group rock n roll jams outta New York!

First ever vinyl reissue for landmark 1984 private press folk-psych album byConnecticut duo. The extraordinary creative partnership of New Haven, CT duoKath Bloom and Loren Connors, has haunted psych-folk fans ever since the early 80s.Kath taught herself guitar during shifts as a janitor at a New Haven cemetery, whileLoren's free-form idiosyncratic style had been developing since the late 60s. Between1981 and 1984, the duo recorded two live and four studio albums, mostly selfreleasedin tiny quantities. Early on, their music mixed folk and blues traditionals witha handful of Kath's vulnerable, moving originals. By the later albums the songs were allKath's - her fragile voice and subdued finger-picking set against Loren's abstract butalways supportive playing. Together the duo created a sound almost impossiblyemotional and haunting. Restless Faithful Desperate emerged in 1984, in an edition of200-300 copies. As her creativity accelerated, Kath's songs became looser and moreintuitive, but Restless contains one of her most gorgeously realised composition sLook at Me. Loren's long-term collaborator Robert Crotty contributes extra guitar ona couple of tracks. After reissuing four of Kath & Loren's albums on CD in the late2000s, Chapter now embarks on the first ever vinyl reissues for these remarkablerecords. Expect more volumes in early 2019.

„Schafe, Monster und Mäuse“: Da gibt es Soulballaden wie „Am ersten Sonntag nach demWeltuntergang“, Chansons wie „Bevor ich dich traf“, Folksongs wie „Die Party am SchlesischenTor“, Pubrockkracher wie „Ein Brot und eine Tüte“, Desert-Rock-Aufschneidereien wie„Stein, Schere, Papier“ und vieles mehr. Und dann ist wieder alles anders, wenn bei „Am erstenSonntag“ Jakob Iljas artrockige Kaputtgitarre in den Soloteil sägt, wenn bei „Bevor ich dich traf“die wienerischen Geigen in die letzte Strophe einfräsen, wenn bei „Die Party am SchlesischenTor“ eine psychedelisch krachende Blaskapelle durchs Bild wankt, ständig Dinge passieren, aufdie man nicht gefasst sein kann, Richard Pappik die Tempi verschleppt und beschleunigt, wiees gerade sein muss, mit Rhythmen und Klangfarben jongliert und überhaupt sein schmutzigesSpiel mit einer Rockmusik spielt, die auf dieser Platte immer wieder neu definiert wird undSven Regeners knarzige Stimme dazu Poesie verteilt, als werfe er Fleischfetzen auf einen Grillaus alten Ölfässern.Musik und Text, da taumeln sie zusammen in die aufgehende Sonne und stützen sich gegenseitigwie zwei erschöpfte Partygänger nach einer langen Nacht am Schlesischen Tor.Zerzauste Vögel, die von ihren Familien unterstützt werden, der Hendl-Jahn, eine Gratiszigarrebeim Kauf eines neues Lebens, wo Stürme, Blitze und Donner nicht Wetter, sondern ein Arsenalgegen gute Laune sind, die Frau vom Supermarkt, Black Friday beim Sterni im Späti... wer bittebringt sowas in so wunderbar klingenden Texten unter?„Schafe, Monster und Mäuse“ ist ein langes, ultrapsychedelisches Album geworden, das längstein der Geschichte der Band. Es ist, als wollten ELEMENT OF CRIME das Albumformat, fürdas diese Band von Anfang an wie keine zweite geschaffen war, bis auf das Äußerste ausreizen,vielleicht ein letztes Mal, man weiß nicht, wie es weitergehen wird damit, die Welt verändertsich. Aber, und das ist das Entscheidende: Die Lieder bleiben.

Parquets Courts' fifth album Wide Awake! - produced by Danger Mouse - is a groundbreaking work, an album about independence and individuality but also about collectivity and communitarianism. The songs, written by Andrew Savage and Austin Brown but elevated to even greater heights by the dynamic rhythmic propulsion of Max Savage (drums) and Sean Yeaton (bass), are filled with their traditional punk rock passion, as well as a lyrical tenderness. The record reflects a burgeoning confidence in the band's exploration of new ideas in a hi-fi context.

A sequel or continuation down the path that began with “A Crow Looked At Me”. 6 word-filled songs about the raw strangeness of the present moment, waking up in wreckage, living with pervasive echoing real ghosts and a growing young child. Autobiographical.contains: 6 songs, 44 minutes, heavy old style gatefold tip-on jacket with special subtle blue paper on the inner liner sheet, all the lyrics, free download card

Its been over six years now since the word got out that the Titans from The Big O* (as in Oslo, Norway) were re-resurrected for a second time since their grimy beginnings back in 1989. «Hell, not even Jesus could do THAT!» music lovers worldwide were heard to shriek. Back in the saddle, the band have crisscrossed the globe delighting fans old and new, packing em in from LA to Ålesund, Melbourne to Manchester and all points in between. November 2015 heralded the unveiling of not only the first new music since 2012s Sexual Harassment but a new member for the group! Hot For Nietzsche found our boys on full throttle, staring the void right in the face and raising a glass to its honour. The video was shot on location in Vegas a suitable backdrop for the debauchery. The HFN single release show in Oslo saw the stage debut of the newest edition to the denim recruits: Keyboard Wizard Crown Prince Haakon-Marius, a hugely invaluable addition to the line-up, according to Guitar Ubermensch Euroboy: «Were happy to have a keyboard player back in the band again, six years after Pål Pot Pamparius performed his last show with the band. Crown Prince Haakon Marius is a friend of ours from the Oslo music scene and an amazing musician! We had so much fun getting back in the studio as a six piece, to record new material which the addition of a keyboard-player inspired the songwriting and the production.» Well, lightning does strike twice, because May 2016 saw ANOTHER new single! Just in time for final exams, TURBONEGRO unleashed Special Education to the unsuspecting public. A story of a teenage boys fall from academic grace and the cruel and unusual discipline he finds at the very bottom, the song was inspired by repeated watchings of Scum and The Story Of O on the tour bus VHS player; «They were the only tapes we had!» Guitarist Rune Rebellion confesses. Bass player and cultural commenter Happy Tom could not contain his excitement!

Limited edition vinyl!Only one copy per customer!!Michelle Gurevich, is a Canadian singer-songwriter, also known by her former stage name Chinawoman. Her music is influenced by her Russian heritage, and has been described as slowcore rock and "lo-fi pop". This is the 2017 edition with new cover art of the acclaimed album “Party Girl” by Michelle Gurevich released under her real name instead of her former Chinawoman moniker.

Es war der Abstand – der zeitliche, räumliche und methodische –der Mac DeMarco zu "This Old Dog", dem ersten Longplayer seit"Salad Days" von 2014, inspirierte. Mit einer Handvoll Demos inder Tasche, die er in New York geschrieben hatte, zog er vonQueens nach Los Angeles und realisierte nach ein paar Monatenin der neuen Heimat, dass dieser Abstand ihm neue Perspektiveneröffnete. Mit dem Poppen und Klicken der CR-78 und dem akustischenGeklimper des Album-Opener “My Old Man” sowie dem vonSynthesizern durchzogenen zweiten Song “This Old Dog” wirdschnell klar, dass Mac DeMarco diesmal tief in die Trickkistegegriffen hat.Auf "This Old Dog" sind die Synthesizer stärker verwurzelt als aufseinen bisherigen Releases, aber trotzdem achtet DeMarcosorgfältig darauf, dass diese den Rest der Instrumente und den“unplugged”-Eindruck des Albums nicht überschatten.

Efficient Space continues to expose Australia's esoteric musical history with Oz Waves - a collection of 80s DIY recordings, compiled by odd wave anthropologist Steele Bonus. Definitive proof that inhabitants of the Down Underground were links in a global network of creative kooks, Oz Waves connects those who utilised mobile recording rigs and small press releases to create and disseminate misfit synth-punk, tape loop experiments and inner city pop. Through overseas mail order exchanges, anonymous groups like Zerox Dreamflesh could find place on Belgian compilations, while Chris and Cosey lullabied their son to sleep with Irena Xero and her interdisciplinary art collective Zip. Bonus selects 10 survivors from the fertile period (1982-1989), most of which were only issued on cassette in tiny editions of 5 to 100 copies. M Squared affiliates Prod join the extraterrestrial Software Seduction, He Dark Age's minimal wave neglect and the irreverent cut ups of The Horse He's Sick and MK Ultra & the Assassins of Light. The remaining tracks have been sourced from musicians' private archives and are being officially released on Oz Waves for the first time - Andy Rantzen's industrial dub Itch-E & Scratch-E precursor, the buoyant vocal-drone of Ironing Music and Moral Fibro, Sydney's short lived answer to Weekend and Marine Girls.

Limited edition for Record Store Day 2016!

The debut album by Brisbane trio The Goon Sax. At the time of the recordings Louis Forster, James Harrison and Riley Jones all were 17-18 years old. They make pop music, love The Pastels, Talking Heads, Galaxie 500, Bob Dylan and Arthur Russell and on 'Up To Anything' they managed to pull off the almost impossible: to capture the awkwardness, self-doubt and visceral excitement of teenage life, while still in the thick of actually living it.

"Nonagon Infinity" ist bereits die vierte Langspielplatte von King Gizzard And The Lizard Wizard innerhalb von 18 Monaten - und das, obwohl die Band stets und ständig auf Tour war. Die nimmersatten Australier brechen nicht nur die Ketten der gängigen Industriestrukturen auf, sondern befreien mit ihrem Sound auch den Geist von irdischen Bewusstseinsströmen. "Nonagon Infinity" knüpft musikalisch an das Heavenly Debüt "I'm In Your Mind Fuzz" an und wurde in den Daptone Studios in Brooklyn von Wayne Gordon, Paul Maybury, Michael Badger und Stu Mackenzie aufgenommen. Die neun Tracks fließen dabei ineinander über und das Ende des letzten Songs knüpft reibungslos an den Anfang des Openers an. Wer will, ist für immer gefangen in der Welt von King Gizzard & The Lizard Wizard.

Daydream Nation was Sonic Youth’s sixth full-length, their first double-LP, and their last for an indie label before signing with Geffen. Widely considered to be their watershed moment, the album catapulted them into the mainstream and proved that indie bands could enjoy wide commercial success without compromising their artistic vision. More recently, Daydream Nation has been recognized as a classic of its time: Pitchfork ranked it #1 on their “100 Greatest Albums of the 1980s”; Spin listed it at #13 on their “125 Best Albums of 1985-2010”; Rolling Stone put it at #45 on their “100 Best Albums of the Eighties” list and #328 on their “500 Greatest Albums of All Time.” It was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry in 2006.2007 saw the release of an expanded four-disc vinyl box set, but now the album is back in its original form after years of being out of print and highly sought after. As a special 21st century bonus, the vinyl now includes a digital download card—radical adults rejoice!

new Rock-Supergroup feat. Dave Grohl (Nirvana, Foo Fighters), John Paul Jones (Led Zeppelin) und Josh Homme (Queens Of The Stone Age)

11 new songs from Erlend Oye and company, recorded in Mexiko, no overdubs, no effects.

incl. free album download!

4LP box!

"Caoilfhionn (pronounced Keelin) Rose is a singer, songwriter and producer from Manchester. Emerging from a diverse music scene, she ties together remnants of Manchester's musical past with its evolving present. She has collaborated with musicians from around the world and is perhaps best known for her work with Vini Reilly of Durutti Column: Collaborating on four songs on The Durutti Column - Chronicle LX:XL album. She grew up surrounded by music (dad loved jazz and mum was a massive folk fan) but it wasn't until her late teens that the muse took hold: "I've always been interested in music but I really started to get into it after a period of illness when I was 17. It was music that made me begin to feel like myself again. Listening to my iPod, everything felt new and exciting and yet vaguely familiar and nostalgic." A year or so later, during her recovery she started to write songs again on the piano and started performing in Manchester, graduating through open mic slots to her own shows.Caoilfhionn's music draws on a diverse range of influences from The Mummers, to Rachel Sermanni, Melody's Echo Chamber and Broadcast. She also professes to a love for beautiful, stripped back, piano based music, such as Dustin O'Halloran and Peter Broderick. Vini Reilly from The Durutti Column is also a big influence and inspiration. "We're friends now after collaborating a few years ago and I have become a big fan of his music. It is intricate and detailed but spontaneous and free." Another inspiration is her immediate environment. With Manchester's Fletcher Moss Park especially inspiring. And it was what led her to Gondwana Records, Matthew Halsall, when she heard his 2012 album Fletcher Moss Park. She reached out and shortly afterwards he went to see her perform at The Art of Tea Cafe in Didsbury Village. Blown away by the fragile beauty of her music he offered to produce a recording for his label.Awaken, is Caoilfhionn's debut album, co-produced with Matthew Halsall, guitarist Rich Williams and Matthew's brother Daniel Halsall (artistic director of Gondwana Records) she describes it as a deeply collaborative effort. Expansive, fragile and experimental it's a rich tapestry that draws on folk, psychedelia and subtle electronica influences. For Caoilfhionn it represents a busy mind, change, and an up and down life. "It is an honest and personal account, full of memories and mumblings to myself that I hope other people will relate to or at least understand". It's also a deeply collaborative album featuring songs developed with her band mates, Matthew Halsall and one song, Wild Anemones, even features her grandmother! And the title track of the album sums up the whole body of work. It's a positive song about looking outward, forwards and all around. It marks the beginning (like waking up) and feels like the starting point of a lot more music.

The Smashing Pumpkins wurden 1988 in Chicago, Illinois, gegründet und veröffentlichten 1991 das Debütalbum Gish und fanden mit dem 4x Multi-Platin Siamese Dream von 1993 und dem 10x Multi-Platin ausgezeichnetem Mellon Collie and the Infinite Sadness (1995) großen Erfolg. Nach der Veröffentlichung von Adore, Machina/The Machines of God, und Machina II/The Friends & Enemies of Modern Music löste sich die ursprüngliche Besetzung im Jahr 2000 auf. Sänger/Gitarrist Billy Corgan reformierte die Gruppe im Jahr 2005 und engagierte verschiedene Künstler für Zeitgeist, Teargarden by Kaleidyscope, Oceania, und Monuments to an Elegy. Im Juni 2018 veröffentlichte The Smashing Pumpkins "Solara", der erste Song seit über 18 Jahren, in dem Corgan neben den Grünungsmitgliedern James Iha (Gitarre) und Jimmy Chamberlin (Schlagzeug) zu hören ist. Aufgenommen in Malibu, CA in den Shangri La Studios mit dem legendären Produzenten Rick Rubin und dem langjährigen The Smashing Pumpkins Gitarristen Jeff Schroeder, bietet der Track einen ersten Einblick in die kommende Musik des neu reformierten Line-ups. Mit neun Studioalben und über 30 Millionen verkauften Alben ist die GRAMMY®, MTV VMA und American Music Award Band eine der einflussreichsten Bands der Geschichte.