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Infinite Greyscale Downbeat | Electronica | Leftfield 6 Artikel

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Gajek - Micromaniac
Gajek
Micromaniac
10" | 2017 | EU | Original (Infinite Greyscale)
23,99 €*
Release:2017 / EU – Original
Genre:Electronic / Dance
Micromanic is a colossal slab of percussive energy by Berlin based Matti Gajek. Micromanic begins with tentative steps, which soon morph into a chattering electronic birdsong giving way to an assertive, hammering bassline. The structure eventually crumbles into discordant noise & echoes, eventually giving way to something gentler & almost bucolic. Gajek weaves a complex & varied narrative with absolute technical aplomb, resulting in an experimental & hypnotic recast of Krautrock.
Sound Of Yell - Light The Currents
Sound Of Yell
Light The Currents
10" | 2017 | EU | Original (Infinite Greyscale)
23,99 €*
Release:2017 / EU – Original
Genre:Electronic / Dance
Light the Currents is the third release by Glasgow's Sound of Yell. Composed by Stevie Jones, & performed together with Georgie McGeown, visual artist Vikki Morton (Muscles of Joy, Suckle) & Trembling Bell's Alex Neilson, Light the Currents is a bright & buoyant acoustic arrangement in two parts; the 1st written for a special performance at an exhibition of artwork by Katy Dove at Dundee Contemporary Arts in October 2016, the 2nd written afterwards as a response to the exhibition & the experience of playing there.
Mouse On Mars - Lichter
Mouse On Mars
Lichter
10" | 2016 | EU | Original (Infinite Greyscale)
23,99 €*
Release:2016 / EU – Original
Genre:Electronic / Dance
Lichter is the first piece in a new series of electroacoustic dub compositions by Mouse on Mars. It is a massive, lurching, up-tempo percussive epic – a long-haul runaway train that keeps switching tracks without ever losing sight of its destination.
Beacon Sound Choir, The - Sunday Morning Drones
Beacon Sound Choir, The
Sunday Morning Drones
10" | 2016 | UK | Original (Infinite Greyscale)
23,99 €*
Release:2016 / UK – Original
Genre:Electronic / Dance
A project instigated by multi-instrumentalist Peter Broderick. Recorded at Beacon Sound, a record shop and label in Portland, Oregon, Sunday Morning Drones is a work of improvised vocal drone in two parts. Comprising over 30 singers, Sunday Morning Drones explores the oscillating harmonics of the choir as individual voices coalesce into that of a group.
Markus Oehlen - Wanne 4
Markus Oehlen
Wanne 4
10" | 2015 | US | Original (Infinite Greyscale)
23,99 €*
Release:2015 / US – Original
Genre:Electronic / Dance
A new 10" record by renowned German artist and musician Markus Oehlen. Wanne 4 is composed of a variety of percussive sounds with a focus on digital guitars. An homage to the sound of The Feelies early recordings, the track slowly works its way through a basic guitar riff of three chords accompanied by steel-drums and a steady bass drum beat giving it an air of a summer breeze until the guitar sounds gain more distortion. A beautiful piece of woozy instrumental techno, a surf-dub summer tune for people who prefer Palma to Ibiza and Jessy Lanza to Katy Perry.
Holly Herndon - Body Sound
Holly Herndon
Body Sound
10" | 2014 | UK | Original (Infinite Greyscale)
20,99 €*
Release:2014 / UK – Original
Genre:Electronic / Dance
Body Sound was composed by Holly Herndon, in collaboration with choreographer and dancer Cuauhtemoc Peranda, and performed at Stanford University CCRMA (Center for Computer Research in Music and Acoustics). Peranda’s body acts like a voice, guiding the listener through this complex yet visceral piece. Herndon restructured the sounds of the dancer’s body to make an arrangement that is simultaneously rhythmic, fragmented, and incredibly physical. In real time, she spatialized the sound-body using ambisonics in a field of 8 speakers, while Peranda performed the original choreography, creating an uncanny duet of physical and virtual bodies. Body Sound is all about the dancer making contact with the ground; a dragged heels squeaks, his rolling torso sends tumbling shockwaves through the speakers, and each stomp of a foot is a blast of sub-bass. Herndon builds on this source material, taking time to bend the sounds into an abstract sculptural form, only to pause again and reveal the dancer’s sonorous breath.
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