Instrumental Hip Hop 1191 Artikel

When I finished school in 1999 I didn’t really know what to do with my life. I had just bought my first computer and was killing time by playing games and smoking weed. One day an old friend came by and brought a cracked version of Sonic Foundry Acid. He said: ‘You can make music with this software!’ Of course back then I didn’t realize it, but this was a life changing moment for me. I used this music program for many many years - 17 years to be exact. It became the tool that enabled me to express myself creatively and to do what I love the most: making beats. Both my setup and my creative process have changed a bit since then, but basically it’s the same procedure as back in the day. It usually starts with a few chords, a nice rhythmic loop and some drum bits. The rest happens by itself. I remember visiting the Fat Beats store in New York City in 2004. I was a massive fan. To finally enter the holy halls was a huge deal for me. I was was soaking up the atmosphere dreaming about a future as a producer. Who would have thought that I would ever put out a record with these guys! I feel honored to be part of the Bakers Dozen series and its outstanding list of producers. - Suff Daddy

Schon ewig steht Arbeiterführer Ernst Thälmann mit gestreckter Faust in seinem Park und wartet auf Ecke Prenz. Und ihre Platte. Seit Mitte der 00er Jahre, als sich die beiden Berliner in Prenzlauer Berg das erste Mal trafen, wartet er nun schon. Und jetzt, jetzt sind Breaque und V.Raeter tatsächlich fertig. Na, endlich. Genauer gesagt: unendlich. Facettenreich.Ecke Prenz sind Genre-Millionäre, nicht nur beim Auflegen im Club, sondern auch auf ihrem Produzenten-Debut. Zurück zur Ecke Prenzlauer Allee, dort wo er liegt, der Ernst-Thälmann-Park. Die Plattenbau-Parkanlage aus den 80ern wurde für die beiden Ankerpunkt und Symbol des gemeinsamen Schaffens. Dessen Ergebnis jetzt dieses musikalische Denkmal ist, dass sie dem Park und sich selbst setzen. Bums. Dieses Album ist eine herzliche Einladung zum tagträumen, rapraven und nachts spazieren. Am besten gleichzeitig. Warum nicht auch barfuß. „Nachts im Thälmann Park“ fragt sich nicht, ob es jetzt TripHop, HipHop, BoomBap, FutureBass, Ambient, Uneasy Listening, Downbeat, Uptempo oder vielleicht sogar Big Beat ist. Ecke Prenz sind transgenre im HipHop-Kosmos unterwegs. Ihre Platte hat nicht die geringste Ahnung, wie spät es ist, welches Jahr gerade ist oder in welchem Universum es sich gerade befindet. Jedem einzelnen Song ist das auf seine Weise völlig wurst. Dieses Album versucht nicht krampfhaft irgendeinen kurzweiligen Zeitgeist einzufangen. Stattdessen sind die Songs über Jahre ungezwungen zu einer ganz eigenen Definition einer Langspielplatte herangereift. Eine Spielmichsehrlangplatte. Spätestens nach dem Mix- &Mastering-Besuch bei Dexter, war klar: Dieses Album ist für immer. Für immer nachts im Thälmann Park.Achso: Ecke Prenz, das sind die DJ’s & Produzenten Breaque und V.Raeter. Die beiden aus dem Ecke Prenz Radio. Der eine DJ bei Audio88 & Yassin. Der andere DJ von Fatoni. Ein DJ Duo, dass sich von ihrem Rapmusik-Ursprung völlig befreit durch sämtliche Clubmusik tanzt.

Limited edition repress of 1000!

Limited edition of "Re:verse", a stunning collection of reinterpretations by FloFilz of some classic cuts. Includes the vocal versions on one record as well as the mellow instrumental versions on the other. Better be quick here!

Limited edition of 250 numbered copies. "Twines Rework" includes 12 remixes to Relaén's debut release "Twines" by a sweet selection of producers including the likes of 12Vince, Dramadigs, Plusma, Spaze Windu, Thelonius Coltrane, Dienst & Schulter, L-One and more. Tip!

The vinyl edition is limited to 300 copies and comes in a sealed heavy old-fashioned cardboard sleeve, the record itself is packed in a protective poly-innersleeve. A free download code plus a BJINT logo sticker round up the packaging. After Philanthrope's opener »Waking Dreams« and the follow-up by IAMPAUL’s “Something Between” on Beat Jazz International, we are blessed to announce the third release focusing on Beats, Jazz and Vinyl. Cologne’s Flitz&Suppe delivers 13 mellow tracks on "Ijin" with features by Kupla and Leavv.

„Zurückgespult: Der Onkel aller Beattapes „Welle 9“ kehrt nach der ersten Veröffentlichung auf Audiokassette zurück und erscheint am 18.01.2019 endlich auf Doppelvinyl. Eine zufällig auf unbekannter Sequenz mitgeschnittene Radiosendung und nostalgische Reise von der Kölner Südstadt bis zu den Stränden der Küste dieses Kontinents. Rauschende, knisternde Analogromantik getränkt in Jazz, Soul und Regenschauern eines längst vergangenen Sommers auf Dauerschleife. DAS Beattape von Noyland, fuer Doppelvinyl aufgebohrt von 60 auf 72 Minuten mit Beiträgen von Retrogott und HulkHodn. Es ist ein gutes Album.

Die Serie für Ausnahmesound von Ausnahmetalenten geht in die vierte Runde. Diesmal im Regiesitz ein langer Freund des Hauses und eiserne Konstante in jeder stilfesten instrumental Hip Hop Playlist: MelodiesinfonieSeit 2013 erscheint der in Zürich lebende Groovejunkie auf den Sichtexot gelabelten Scheiben und produzierte unter anderem Tracks für Tufu (Abdoom&Unraum) oder Luk&Fil (Brot Ist Essbares Holz).Aufgewachsen unter den Fittichen eines jazzverrückten Vaters, führte es den talentierten Spross zunächst ans Drumset, wo er in zahlreichen Kombos genreübergreifend Fähigkeiten ausbaute, die sein heutiges Fingerspiel an den Drumcomputern der Nation sowohl Live als auch im Studio übermäßig erhaben scheinen lassen.Sowohl seine ständige Präsenz in den einschlägigen Clubs über den deutschsprachigen Raum hinaus, als auch seine letzten beiden Soloalben „Friede Freude“ (HHV, 2014) und „Be thankful“ (MPM, 2016) bestätigen, dass man es hier mit einem Musiker zu tun hat, mit dem man noch lange zu rechnen hat.Mit Sichtexotica IV setzt Melodiesinfonie nochmal einen drauf und stellt erneut sein musikalisches Know-How, als auch sein Gespür genreübergreifend Einflüsse einzuarbeiten und perfekt fusionieren zu lassen zur Schau.Housige Clapgrooves (Afterdinner), selbst besungene Slowjams (Clearwater) oder Cowbellshuffles so atmosphärisch unterlegt, dass man das Gefühl hat in den Rhodeflächen schwimmen zu können bevor man plötzlich umringt von Neonlichtreklamen die Nachtluft Tokyos schmeckt (Remember It & TOKYO). Unendlich Vielseitig. Eindrucksstark. Erdend.Den leidigen Boombap Stempel längst vom Handgelenk gewaschen setzt der Ausnahme Beatenthusiast mit seiner Sichtexotica Fortsetzung ein Ausrufezeichen voller glühender Jazzvibes hinter seine drei Vorgänger.Sichtexotica IV kommt am 23.11.2018 - wie immer im 10inch Format, limitiert auf 500 handnummerierte Exemplare. Covergestaltung mit besonderer goldener Heißfolienveredlung von Mathilda Mutant.Ein Rausch für Ohr und Auge.Spread Love, SXT

Limited edition of 300 copies on black vinyl!Invention is a producer of many talents, he's known for his music but also for his art and creative designs. "Hibernature" is an album inspired by nature and decay. The end of a summer, another cycle in motion. Invention brings back to life sounds from the past, his magic is being able to recycle and redesign melodies that sound so familiar and yet so fresh. This album will make you very nostalgic for reasons you won't be able to explain, like talking directly to your subconscious. It made much sense to us to bring you this album right before autumn comes, as we see it like the perfect fit. We hope you enjoy. Much love.

Limitiert auf 400 Kopien!Nach fast 10 Jahren im Spiel hat der Funkverteidiger nun endlich einen Querschnitt seines vielseitigen Schaffens als Beatmaker fertig gestellt. Ob Produktionen für Galv, den Plusmacher, Silla, Mase oder generell den Funkverteidiger Sound - Pierre ist kein stehen gebliebener, kein verkopfter und erst recht kein Eingleisiger. Auf "VATHER", zeigt sich das - hier werden ausschliesslich unreleaste Stücke diverser Festplatten der letzten Jahre erscheinen und das wird bunt!Wort zur Muther!

Limitiert auf 300 Exemplare inklusive Bonus LP „I Play My Guitar Like I Don’t Care“ - exklusiv via Sichtexot und HHV. Handnummeriert mit einem Linolschnitt-Design von Sara Mosco via Siebdruck gedruckt. Und ein Poster ist auch dabei, Yeah!Die Bonus Langspielplatte "I Play My Guitar Like I Don’t Care“ tut genau das was ihr Titel verspricht. Verzerrte Gitarren, merkwürdige Gitarren, holprige Rhytmen und schräge Melodien mit übersteuerter Stimme - alles jedoch mit ganz viel Liebe und Hingabe. Die LP erscheint ausschließlich als Special Bundle zum Album. Es gibt 300 Exemplare limitiert, handnummeriert mit einem Linolschnitt-Design von Sara Mosco via Siebdruck gedruckt - exklusiv via Sichtexot und HHV.

Handnumbered. The release date is around that date that we posted. One of the most iconic season of the year deserves its compilation too. For this fall, 26 exclusive tracks has been picked carefully and compiled in this release in order to provide you the most chilled and relaxing tracks. Between two falling leaves, play this records and watch the nature transforms before the first

Wieder zu haben.Zusammen schufen die beiden Freunde nun ein Stück Musik mit dem Namen „kaseta“. Ein instrumentales Erlebnis über 23 Tracks, bei dem es in jeder Ecke drückt, raschelt, zischt und pumpt. Von hypnotisierend monotonen, klar umrissenen Boom-Bap HipHop Patterns, bis zu elaborierten, vielschichtigen Soundcollagen ist hier alles finden.

Celebrating ten years of Brainfeeder Records. 4 x 12” LPs in 3mm spined sleeves with printed inners housed in a rigid board box with outer slipcase featuring “Brainfeeder X” laser die cut logo, spot gloss details and obi-style band. Artwork by Charles Munka. Includes MP3 download code.

Limited edition bundle exclusive to HHV! Includes the regular 4LP set plus a Brainfeeder X T-Shirt (100% cotton, regular fit, screenprinted on front and back) & Totebag (100% cotton, screenprinted on both sides). Celebrating ten years of Brainfeeder Records! 4 x 12” LPs in 3mm spined sleeves with printed inners housed in a rigid board box with outer slipcase featuring “Brainfeeder X” laser die cut logo, spot gloss details and obi-style band. Artwork by Charles Munka. Includes MP3 download code.

Phoniks returns with his first full-length solo project. An 18-track instrumental hip-hop beat tape titled “Down To Earth”. Nearly 2 years in the works, Phoniks dug through over 250 hours worth of recorded material when piecing together his solo debut. The album is comprised of 2 to 3 minute jazz-tinged lo-fi head nodders connected with thought provoking spoken word samples from 50’s sci-fi space movies. Crunchy 12-bit drums, spaced-out filters and delays and a sprinkling of horn loops and soul vocals captivate over the albums 40-min run time. The goal is to take the listener off to another place, floating through the cosmos on a one-man space craft with nothing but a pair of headphones and all the time in the world.

The vinyl edition is limited to 500 copies and comes in a sealed heavy old-fashioned cardboard sleeve, the record itself is packed in a protective poly-innersleeve. A free download code plus a BJINT logo sticker round up the packaging.Philanthrope's longplayer »Waking Dreams« marks the very first release on our newly founded Beat Jazz International label, born out of our love and passion for Beats, Jazz and Vinyl. After well-received output on respected labels like Radio Juicy, Chillhop or Dezi Belle, we are stunned to present Philanthrope's all new full-length with illustrous guests like Mono:Massive, Sugi.wa, Kupla and tusken.

Limited deluxe edition (300 copies) incl. all instrumentals of Devaloop's official debut album on Radio Juicy in collab with Urban Waves and HHV. 12 mellow tracks with vocal features by Hex One of Epidemic, Teknical Development, Pete Flux, Debonair P, Kids Of The Stoned Age and more.With no less than 16 featuring artists from all over the world the album is a detailed exploration of the international underground hip hop/rap scene. Devaloop plays his cards like a mastermind. With a laidback yet upbeat and positive vibe he can make everything work. His music is soulful, jazzy, modern but still with a vintage feel. The album plays out in a graceful way and leaves you wanting for more!

Limited edition of 300 copies on black vinyl of Estugarda's head honcho Smoke Trees follow up vinyl release to "Into The Deep". Expect nothing but 19 moody Lo-Fi pieces for your listening pleasure. Tip!

Kutmah started "Sketchbook" as a radio show in 2003 on Dublab in Los Angeles. A year later "Sketchbook" became the first instrumental beat night in the city. This was the breading grounds for the already flourished but almost unknown beat scene outside of Los Angeles. Artists such as Ras G, Dibiase, Georgia Anne Muldrow and Flying Lotus would frequent the club and would bring beat CD's to showcase their talent whenever they pleased and Kutmah always got their beat CD's at the end of the night."Sketchbook Archives Series" is a compilation that dates back to this era and the present day. It features exclusive tracks from artists such as Natureboy Flako, Samiyam, Al Dobson Jr., Ras G, Flying Lotus, Pablo Ygal, Mo Kolours, Shash'u and many more.

"Feathers Of Gold" is the first imprint on vinyl by the producer from Alaska, eets. Not much is actually known about the man himself but his work in the beat scene has been significant during the last couple of years. Mostly with the label Burnt Tapes where as a co-founder he was involved in some of the illest lo-fi vibes found on cassette lately. For this occasion we wanted him to bring us an album that not only showed his producing abilities but also his very own take on today's beat music. "Feathers of Gold" does just that, it is an honest and adventurous statement that will definitely surprise.

Welcome to the house of Suff Daddy. Drunken boom-bap madness with a 09 state of mind. Dope beats, sick samples and twisted Mini-Korg licks, fuelled with weed and Pilsetten. This is not your average Prenzelberg producer. Suff Deezy is on his own shit. He has laced beats for Miles Bonny, Oddisse, Kissey Asplund and Flo Mega but the beat daddy is really at home with his solo joints. Baaaaaaackinstock!

Limitierte Auflage von 300 Stück auf schwarzem Vinyl!Erwachsenwerden. Es bedeutet Verantwortung zu übernehmen, für sich selbst und für andere. Es bedeutet so manchen Traum aufzugeben und den Kompromiss der gesellschaftlichen Realität zu akzeptieren. Einfädeln und eingliedern. Cap Kendricks kennt den Hustle, den der Spagat zwischen Monatsmiete und Muckemachen erfordert. Trotzdem oder gerade deshalb zeigt er sich auf der Instrumental EP "Don’t Grow Up" neugierig und experimentierfreudig. Die acht Anspielstationen zeugen von einer spielerischen Begeisterung für Samples, Drumpatterns und Basslines. "Don’t Grow Up" passt in keine Hip-Hop-Subgenre-Schublade. Boom Bap, Trap und Trip-Hop Elemente prägen ein Soundbild, das frisch und unvoreingenommen wirkt.Repräsentativ für die EP ist ausgerechnet der Bonustrack „Push“. Hier gelingt der Brückenschlag vom trappigen 2016er Instrumental zu Vocalsamples von Grandmaster Flashs „The Message“ aus den frühen 80er Jahren. Dieses unfassbare Brett von Remix ist, wie der Rest von Don’t Grow Up, eine Liebeserklärung an eine Jugendkultur, die nie erwachsen werden wollte.„Daydream“ wirkt wie ein unklarer Blick auf die Zukunft. Bassline und die Hats klingen hier verschwommen, wie die gemurmelten Worte, die ein Schlafender im Traum von sich gibt. Cap Kendricks‘ Produktionen waren bereits auf Alben von Lakmann sowie Edgar Wasser und Fatoni zu hören. "Don’t Grow Up" ist nach Keats 04 – Blended das zweite Instrumental Vinyl-Release.

Cypress Hill is widely respected and considered to be amongst the mainprogenitors of West Coast rap and Hip Hop in the early 1990s.With mega-hits like “Insane in the Brain”, “I Wanna Get High” or “TequilaSunrise” they crossed-over to mainstream breaking all records for a rapband up until that time. Cypress Hill were the first Latino-American hiphopgroup to have RIAA Certified platinum and multi-platinum albums.As musicians they became famous for the crazy sounds produced by DJMuggs and Bobo and the stoner sympathetic lyrics of B-Real and SenDog. They redefined and shattered the boundaries of hip-hop, craftinggutter-dirty tracks that fused deep bass lines with blissful, stoned-outmelodies and aggressive hard rock riffs, creating a unique imprint..This is an esential and powerful weapon for all the Hip Hop creators andDJ´s.

‘Inner Sea’ comes out worldwide on limited double blue vinyl (300 copies) including download code & digital release.“Inner Sea” is a journey inwards, delving into the hidden ocean of unconscious dreams and memories. Melodies tell stories of key moments, anchoring certain points in one’s life and the experiences and sensations they reflect. Giving them sounds to breathe and mirroring the soul in unseen depths, these memories are stored eternally in a shelter floating within this inner world.“All these memories lay in the depths of my inner sea. It‘s surface reflects pictures of all the worlds that I want to dive back into, over and over again.” – Takeleave | Nicolas De Araújo Peixoto

Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment.Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin."Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / BluestaebInfluenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie.

Emotionally fluent, innovative, relaxing and refreshing; These are just a few of many words to describe BODY'N'SOUL, the latest release from French producer C Y G N. It isn't often an album title manages to capture the exact vibe of a project so perfectly, in such few words, but this is definitely an exception to that rule. From the uplifting Rhodes taking you on a trip through a world of contentment to the hard hitting drums and layered vocals, not only does this album have the ability to get your head nodding, it has the aptitude to soothe your soul. A go to example of creativity manifesting itself in emotion, these tracks flourish into a feeling of solace and freedom as a soundtrack to the fall.Artwork by Jim Spendlove

Brrrrrrrap! Dexter, Suff Daddy & Brenk Sinatra are back from the lab and finished their re-rehab with this dangerous mixture of straight bangers!

Welcome to the Hi-Hat Club where beats live and look good. The new MPM producer series kick starts with Testiculo Y Uno better known as Hulk Hodn (Huss & Hodn) and Twit One (Fleur Earth Experiment) from Cologne. Both like their beats dusty and soulful with lots of crazy ish happening in between. Baaaaaaackinstock!

One per customer. Limited to 200. Side A rap version // Side B Instrumental version. Download card inside the record

The vinyl edition is limited to 300 copies and comes in a sealed heavy old-fashioned cardboard sleeve, the record itself is packed in a protective poly-innersleeve. A free download code plus a BJINT logo sticker round up the packaging.After Philanthrope's opener »Waking Dreams« on Beat Jazz International, we are blessed to announce the second release focusing on Beats, Jazz and Vinyl. Leipzig's IAMPAUL of the Daily Concept camp delivers 14 mellow tracks on "Something Between" with jazzy bits and boombap pieces.

Strictly limited reissue, exclusively available at Redefinition Records and HHV!Only one copy per customer!According to Merriam-Webster, "Vignettes" means, a short descriptive literary sketch/brief incident or scene (as in a play or movie). The album is aptly titled where 15 musical scenes, each with their own unique settings, are stitched harmoniously together to provide a universal message to the audience in which they use the gift of their own interpretation. At just over 2 hours long, the listener is given an unfiltered front row performance into the heart, mind and soul of the artist. This latest effort from Damu the Fudgemunk is of typical and unorthodox proportions. Musically, it's what you should expect from the man who brought you the How it Should Sound franchise, Supply for Demand and The Spur Momento Trailer. Intellectually, it's his most vulnerable piece of work to date. Hoping to challenge and inspire the listener through a musical narrative, it's content is open ended. Any resulting opinion that provokes thinking is encouraged given the message in this "Vignettes" album. Even the art direction is intentionally abstract and undefined to welcome the attention of all people. The album is completely instrumental except for “Openings,” the lone vocal track which features Raw Poetic. Though the word vignettes may refer to something brief, Damu the Fudgemunk's album "Vignettes" has a long future ahead for years to come.

12Vince kommt endlich wieder mit einem reinen Instrumentalalbum um die Ecke.

Birds of a feather, flock together. It is a very old saying; It means that people with the same interests 'move' the same way. Fate, to some, is but a mere theory human beings adopt to try and make sense of the world around them. To others it is something solidified in the belief of serendipity, luck or good fortune if you will. Whatever the listeners personal concept of the term, the results of two musical minds from foreign lands meeting by accident is something I find difficult to believe happened by chance.During a cold winter in Innsbruck, while snow slept on the early morning streets, something was happening between the four walls of Philanthropes’ top floor apartment, as the rest of the city slumbered. Was it the mix of caffeine, lost love and their fondness of jazz? Or simply the right time and place, that gave way to these artists embarking on this instrumental journey together? I guess that is a question for the listener themselves. Whatever the conclusion, I’m sure you will enjoy the fruits of their musical labour during those times. Sit down, relax and take flight; let this record give you a time for contemplation, reflection and peace.

Limited edition of 300 copies on black vinyl!"Coming Up For Air" is a fantastic journey in the mind of the young producer from San Jose, California, the one and only Knowmadic. The album takes you along to an adventure through an urban jungle of vintage light signs, street stalls and autumn leaves. When suddenly the street is covered with people crowding in front of something that you can't see but the urge to know is overwhelming so you push your way forward to finally come up for air. Like opening a door to discover a room filled with people lounging and talking to each other with drinks and smokes, a familiar music is playing and you wanna know what it is, that's when you see Knowmadic playing his latest album in the corner of the room.It's a very simple concept but true to its nature, everything is on point. Knowmadic expertly brings you this album that is full of joy and sorrow and will make you unconsciously reflect and progress.

Limited to 250 copies.

Here's another Huubaat nugget that we are very excited about to release. "Momentum" includes a collection of previously unreleased or digtial-only available works incl. the collaboration effort with Flako. The vinyl comes with a lovely soft-touch sleeve."Beatnicks Tape": All tracks produced by Hubert Daviz in April/May 2008. The original release "Beatnicks Tape #01" included 13 tracks. These tracks have been released for free download in summer 2008 on the Cologne based record label Up My Alley. The work on this beat tape started as an attempt of getting familiar with one's first own equipment. Original text from the back cover: "lots of vinyl, 1 MPC2500, 1 Microkorg, hands on.""Damage Is Done": All tracks produced by Flako & Hubert Daviz between December 2007 & June 2008. Unreleased beat tape from the joint collaboration with Flako (going by the name of "Damage Is Done"). The original version was completed by Flako on June 21, 2008 and included 8 tracks. "Woop, Wooop.."

Limited edition of 300 copies on black vinyl of Japanese beatmaker Tajima Hal's first vinyl album on Radio Juicy called "Isolated Planet".

Limited edition of 300 copies on black vinyl!"Journey To Badlands" is the new LP by German producer B-Side based in Berlin. The album is just like the name states, a captivating journey. Let it take you away with its sharp beats and incredible atmosphere. A clear choice for your daily soundtrack needs, perfect companion on the go or at home. It will provoke inspiration and make you dream. Probably the finest album B-Side provided to date and in collaboration with Radio Juicy, Urban Waves & HHV we've made sure to add our special ingredients as usual to bring you only the best.

Here's the entire "Late Night Bumps" collection in one place and made available on a superb vinyl edition by Radio Juicy, Urban Waves & HHV. "Late Night Bumps" is a series of beat tapes that were released from 2014 to 2015 by the ever mysterious and acclaimed Canadian beatmaker bsd.u (read: beside you). In a very hazy smoked atmosphere late night bump will keep you up at night with it's laid back rhythms and lovely sampling. Often compared to Nujabes & Adult Swim by his fans, since his beginning bsd.u has never ceased to inspire people all over the world with his unique approach to beats music. This is hip hop in it's finest stage, raw & true to the heart.Note: the second edition only has instrumentals.

Stro Elliot's classic flip of Soul II Soul's "Back To Life" has been burning dancefloors down for a few years now. Previously available on his debut self-titled Street Corner Music LP, it will now available on 7", backed with his flip of "Walk Like An Egyptian" from his follow up EP coming later this year on SCM, this 7" is a must have for DJs worldwide.

Limited edition of 300 copies on black vinyl!We are very pleased to introduce "Paths", the debut album by Portland based young producer quickly, quickly. As a rising talent, he is definitely one of the most promising producers of this generation. Complemented by the modern art of original British artist James Neilson. This album provides 16 defining tracks filled with musical joy, nostalgia and sweetness.

Am 20. Juli veröffentlicht digitalluc sein Label-Debüt bei der Mainzer Untergrund-Institution Sichtexot. Die EP „blu dot.“ ist eine intime Momentaufnahme des Wahlberliner Produzenten, der auf zehn Titeln (und vier Skits) einen Soundtrack für die Nacht produziert hat. Für „blu dot.“ arbeitete der 26-jährige mit Wegbegleitern wie Hubert Daviz, Philanthrope, Tufu und B-Side an den Produktionen. Auch Sichtexot-Gründer Anthony Drawn ist auf zwei Songs mit seinen unverkennbaren Saxofon-Solos vertreten. Dazu steuert Man-Of-Booom-MC Teknical Development den einzigen, aber perfekt integrierten Rap-Part bei.Die Platte ist in einer Phase der intensiven Konfrontation mit der eigenen Biografie entstanden. Sie verarbeitet schmerzhafte Erfahrungen und setzt sich mit dem Tod auseinander. Düster illustriert wird diese Selbsttherapie durch die Skits, die das letzte Interview von Mobb-Deep-Legende Prodigy zitieren: „It is what it is, I just need to own who I am.“Nach diesem Credo besinnt sich digitalluc auf seine Stärken: die blinde Sensibilität für tiefe Melodien und Atmosphäre, detailverliebtes Sounddesign und verspielte Drum-Programmierung. Sie machen „blu dot.“ zu einem herausragenden Beispiel für Instrumental-Musik, die mehr ist als belanglose Hintergrundmusik.Zwischen Lo-Fi-Ästhetik und fein gesetzten Jazz-Akkorden erzählt „blue dot.“ eine Geschichte, die in jedem Moment, über jeden Loop, zwingend und authentisch ist. Mit dem Release demonstriert digitalluc seine unverkennbare und eigenständige Klangidentität, die er, wie kaum ein anderer Beatmaker, über die letzten Jahre entwickelt hat.Nachdem digitalluc zuletzt die digitale Sammlung „re:ups“ und zuvor sein Debüt „wait wait.“ sowie die „Moonsessions“ (beide 2015) veröffentlichte, ist „blu dot.“ nun nur der Startschuss für einen neuen Schaffenszyklus. Am Debütalbum, das ebenfalls bei Sichtexot erscheinen wird, fehlen nur noch Details – und auch darüber hinaus war digitalluc umtriebig und hat in seinem Homestudio auch mit unerwarteten Sounds experimentiert.

Few artforms are as apt to describing the fervour and tumult of human emotions as music is. Songs transport us to real and imaginary places, living someone else's experiences as our own, connecting with thoughts and feelings through melodies, rhythm and words. As a producer working primarily with the tools of traditional Hip-Hop – samplers, records, synthesizers – Onra has distinguished himself over the past decade as one of the best of his generation, capable of creating vivid music that sparks the mind of the listener and brings them along to uniquely detailed spaces, both real and imagined. On “Nobody Has To Know”, his fifth album for All City Records, the versatile French producer created music that reflects on the various aspects of a secret relationship pulling from R&B,New Jack Swing and Funk to soundtrack the passions of attraction. Stylistically “Nobody Has To Know” picks up from the Future Funk style Onra originated on his 2010's “Long Distance” (and its 2012 companion EP “Deep In The Night” for Fool's Gold). Where those two releases mined the early and mid parts of the 1980s for ideas and references, the new album digs into late '80s and early '90s jams for smoother and richer sounds. Bolstering the record are two talented multi-instrumentalists, New Zealand's Lewis McCallum and Belgium's Pomrad, who bring touches of virtuosity to Onra's trademark smooth arrangements. The result is a record that, like its theme, oscillates between tender, torrid and tumultuous. Over its 13 tracks “Nobody Has To Know” details the ups and downs of a secret relationship, from the excitement of doing something forbidden to the aftermath of living out fantasies. On "Let Me Fantasize" a rolling bassline and sparkling melodies capture the excitement of what is possible, the mind wandering into the forbidden. "No Question" taps into New Jack Swing to act out desires that can't be suppressed, exuberant solos echoing dangerous feelings. With its hard drums and smooth horn solos, and chorus of "Freak" takes you to that place where you can do things you only dreamed about. Balancing this intensity are more introspective moments. "Not Long Ago" rolls out gentle synth solos and nostalgic samples to reflect on past relationships and the very human desire to have what you had or can no longer reach. Rich textures and a languid rhythm underpin the reflective mood of "Nothing To Lose," as you wonder what could go wrong – it's a fine line after all. The fantasizing, excitement and danger of fatal attraction are all reflected through the prism of the music. With “Nobody Has To Know” Onra deftly evolves the style he first began to explore a decade ago with his unique touch, re-affirming a unique sound rooted in warmth and setting the mood for some late-night escapades.

Almost 10 years have passed since Onra arrived with the charmingly eccentric Chinoiseries LP. 32 Hip-Hop beats formed the sample-based project - dusty Chinese vinyl hissing and crackling throughout – resulting in an intriguing and spontaneous mix of the producers interest in exploring a newly-discovered style of Music with his love for classic Hip-Hop production. Using the style of analogue MPC production combined with the somewhat restrictive record sampling of strictly Chinese Music records, he has been able to be creative over three volumes, an amount of 100 instrumentals, despite the challenge of finding more obviously standout samples in Chinese music. The Chinoiseries projects are the type of albums that invites the listener to play it from beginning to end, in order to really enjoy the trip and appreciate the variety of rhythms and textures spread over those 32 short instrumentals. In that way, “Pt.3” is no different to its predecessors, but the originality of the samples, the curious harmonies and the odd-drum patterns still makes the album sounds as fresh as the first one. Onra finishes this epic trilogy with class as a result of extended record digging across the Far East and the producer's own development over the preceding 10 years. As a producer who has released records inspired by 80's Funk, 90's Hip-Hop and R'n'B, Electronic and even a Spiritual Jazz project, “Pt. 3” brings this stylised set to a close. Normally a man of few words, Onra has his own take on the three Volumes: I see the first Chinoiseries as a trip, inspired by my own first travel to Asia, each beat representing one particular moment of the journey, the second one, more like a soundtrack to a movie, each beat representing a different scene, and the third one, I tried to create a dark, smoky and mysterious cinematic atmosphere so you could create your own movie in your head. For this last episode, I just really wanted to have fun with this type of material for the very last time. I dug deeper than ever and I have tried to do as many different rhythm patterns as possible, from various influences like Hip-Hop (from different eras), to Bossa to Indian Music to Psych Rock, Soul, etc. and try to portray a different image of Chinese Music.

Limited edition of 300 copies on black vinyl.With "Phase Shift", Joe Corfield adds new words to the definition of Instrumental Hip Hop in the dictionary. The young british producer delivers a breathtaking album that will please all Hip Hop fans around the globe. The whole is even complemented by some very interesting features such as FloFilz, O'malley, Sigmund & Kosyne! All put together this brings you one of the finest albums released on Radio Juicy. The perfect way to start a brilliant Summer.

Kanzulu's acclaimed "Beautiful: Opus Of Love Deeper Than Flesh" finally gets a proper reissue treatment in gatefold sleeve. Originally released on 2 seperate EP's, the reissue comes as a 2LP vinyl set with an updated artwork by LGB5. Sureshot!

FloFilz is one of the most promising newcomers on the German beatmaker scene. His sound is deeply rooted in the Low End Theory (Tribe not LA) school of beats and his tracks regularly hitthe six-digit plays mark on Soundcloud. FloFilz grew up in Belgium and lives currently in Aachen where his studies violin. When it comes to his own beats, jazz reigns supreme over nearly any other music. „Metronom“ is his first official album and we are delighted to release it on Melting Pot Music.

Limitiert auf 400 Stück.

Limitierte Auflage von 500 Stück auf blutrotem Vinyl. Das Artwork kommt mit einer schicken UV-Lack Beschichtung!

We teamed up with Radio Juicy & Urban Waves again to make Bluestaeb's out of print title "1991 Extraterrestrial" available again on vinyl. This is one hell of a producer album that shouldn't be missed by any beat conaisseur. Lyrical features are provided by Teknical Development of Obba Supa & Man Of Boom fame as well as Eloquent & NaNo. Bonus remix provided by Antitune, cuts provided by Grizzly Adams of the Beat Evolutioners and the mastering was made by Figub Brazlevic.

The Betty Ford Boys are ready to retox! "Retox" is the second album by the Austro-German producer super group consisting of Suff Daddy, Dexter and Brenk Sinatra. The album was recorded at The Fisherhaus, a small timber cottage somewhere in Bavaria earlier this year. The Betty Ford Boys moved their home-studios from Berlin, Stuttgart and Vienna into the small shack and let loose. If you compare "Retox" to the 21st century G-Funk of their debut album "Leaders Of The Brew School", one can say that the Betty Ford Boys are reporting from the dark side of the moon this time. Low-tuned and bass-heavy stoner beats are sitting next to moog-driven 808 workouts and you never know what's comig next. If "Retox" follows a formula then the formula is that there is no formula. "Retox" is simply one of the most - if not the most - complete instrumental hip-hop albums of 2014. Period!

Yeah, this is the 1st real album by Matthew Tavares (Keys), Chester Hansen (Bass) & Alex Sowinski (Drums).

Here's the follow-up to Wun Two's "Ships" LP called "Rio", a dedication to the rich musical history that Brazil provides using a bunch of Jazz and Bossa Nova samples to create a Wun Two'esque flavored soundtrack for the summer of 2014. Mellow!

Third Soul Dynamite release is another must have for all B-Boy DJs and true funky heads! Four raw instrumentals on 45 rpm, coming straight out from Bulgaria, produced by Skill. Each track is a floor burner that guarantees every DJ madness in the B-Boy cypher. Limited to 100 black color copies.

Revamped a year after its release Lost in The Tropics will be the first of my releases to make it onto wax. I can't thank you all out there enough for listening to the beats I've released throughout the years. Notes: Two bonus tracks for vinyl release, 33 rpm vinyl cut on a light blue disc. All tracks remastered for vinyl by Birocratic

Limited edition vinyl!Only 1 copy per customer!Beatmaker BluntOne from Budapest already approved his skills with his releases in the past and impressed many listeners across the globe. Now he returns with his new album “Tales of 16 Pads”.

Berlin Zoo’s debut LP "Super Bad Disco" is the result of a chance encounter between three Danish beatheads (I Kicked A Cloud Once, Shatter Hands, and Fou Fou) in the German capital. The record is steeped in Soul and Jazz, with an uncanny view to both the past and future of instrumental Hip Hop, and a deliciously obscure sample selection. Straight killer, no filler, carefully sequenced and arranged. Highly recommended!

Limitierte Auflage von 500 Stück auf schwarzem Vinyl!Poetisches von PBLouison über Loops & Beats von Twit One. Ursprünglich auf Kassette erschienen, jetzt auch auf Platte erhältlich.

Limited edition of 300 copies on black vinyl of Autumn Keys vinyl debut on Radio Juicy / Urban Waves / HHV. Tip!

"Paseadero" von Wun Two und Hubert Daviz ist eine der aufregendsten Kollaborationen der deutschen und internationalen Beatszene aus dem Jahr 2016 und erscheint nun endlich auch auf Vinyl über HHV.Für die Vinyl wurden die Tracks einzeln angepasst und es gibt 3 neue Versionen, die im Gegensatz zum Soundcloud Mix ohne Accapellas zu hören sind.Das Artwork stammt von Alex Brade und Dennis Arnold und zusätzliches Fotomaterial von Robert Winter.

LIT is a snapshot of Bluestaeb und JuJu Rogers' musical endeavors in Fall 2016. Both had a successful 2015 & 2016 with highly acclaimed albums and a European support tour of Oddisee for JuJu Roogers. Both musicians are working on new solo albums and both of them are not happy with having the "boom bap" stamp forced on them. Their perspective is about progression, live music, changing the formula and going new ways. This doesn’t mean that they’re blindly following trends but to question and adapt one’s own formula. In the case of lit it means adding live musicians to the equation, going for a sound that refines the direction they took on their previous releases. With regard to content, JuJu's raps on the project deals with the important questions of our time. The trend word „lit“ becomes „LIT“, an abbreviation for "lost in translation" and a metaphor for the disconnection from trends of our society in general and hip hop especially. Racism, police brutality, gangsta rapper turning activists while still following a pattern of hate and destruction. Bluestaeb’s productions fluctuates from soulful and smooth to raw and gritty without sounding redundant or interchangeable.

Twit One is on some other shit once again, with a little help from May, Ruoy Yaw, PB Louison & Imam Ally Salam. Mastered by Roe Beardy, artwork by Robert Winter & Van Lagerstein, whooop!

“Endtroducing...” is the debut studio album by American music producer DJ Shadow, released on September 1996 by the British independent record label Mo' Wax Recordings. The album is known for being composed almost entirely of sampled content, most of which originated from various vinyl records obtained by DJ Shadow during trips to record shops. “Endtroducing...” was produced by Shadow in the span of two years using minimal amounts of equipment, most notably the Akai MPC60 sampler. In creating the album's overall atmosphere, he strived to capture the downbeat nature of his previous releases for the Mo' Wax label. The album's content features both moody, slow-paced tracks and upbeat jams reminiscent of DJ Shadow's early hip hop influences.In the United Kingdom, where DJ Shadow had already established himself as a rising act, “Endtroducing...” was released to positive reception. It reached the top twenty of the UK Albums Chart and was later certified gold by the British Phonographic Industry (BPI). Mo' Wax issued four singles to promote the album. However, it would take considerably longer “Endtroducing...” to find success in the United States. Upon completing promotion of the album and returning to his hometown of Davis, California, DJ Shadow primarily devoted his time to creating new music. After this period, significant interest in “Endtroducing...” began to build in the American music press, and the album later peaked at number 37 on the American Billboard Top Heatseekers chart.“Endtroducing...” received universal acclaim from critics, who praised DJ Shadow's approach to sampling and the beats he created from samples. It ranked highly on various year-end lists of the best albums of 1996. The album is considered to be a landmark work in the instrumental hip hop movement, with DJ Shadow's innovative sampling techniques and arrangements influencing other producers to create similar sample-based works. “Endtroducing...” has since appeared in several publications' lists of the decade's greatest albums.

Instrumental versions to Elzhi's (Slum Village) tribute to Nas "Illmatic" performed by Chicago funk band Will Sessions. Limited edition vinyl with free mp3 download card.

Only very few copies abvailable. One per customer. Although I have many releases both instrumental and with vocals in my catalog, in my opinion I've never put out a proper instrumental solo album. The Kenstrumentals series adheres more to the beat tape format, with lots of quick sketches and ideas, but with "happy little trees" I wanted to make something more expansive and fleshed out. A thesis statement on many of the ideas and sounds I've touched on in the past 4-5 years where I bring it all together, and hopefully explore even further. This project was a long time in the making... some of the tracks were started 3-4 years ago while some were made just a few months ago. But I think it all came together how I envisoned it. I hope you enjoy!creditsreleased October 19, 2018 All tracks written, produced, recorded and mixed by Kenny Segal Mastered by Daddy Kev Cover painting by Kenny Segal Additional instrumentation by: Mike Parvizi - bass on 3,5,6,10 Ryan Crosby - bass on 2, guitar on 8,11 Aaron Shaw - flute on 2, sax on 2,5 Aaron Carmack - rhodes on 8 Silas Short - guitar on 10

The first release on ALIM Music is presented by BBE insider Mr Thing and features an extended edit of the J Dillaclassic ‘Rico Suave Bossa Nova’, with ‘Come Get It’ on the flip side; both taken from Dilla’s stunning solo debut album ‘Welcome 2 Detroit’.

Mit „Lush Space Daze“ veröffentlicht Nelson Brandt aka Knowsum sein drittes Soloalbum und schafft den Sprung vom Hip-Hop-Beatmaker zum Songwriter und Performer.Unzählige Beat-EPs, diverse Rap-Veröffentlichungen unter anderem Alias Nepumuk und als 50% von Luk&Fil sowie zwei Solo LP’s „Hyasynthus“ (Vol. 7 der legendären Beatreihe „Hi-Hat Club“ via Melting Pot Music, 2015) und „Play God & Shit Happends“ (via Money $ex Records, 2016). Die Diskographie KNO’s ist sound -und groovetechnisch zu unverwechselbar, zu stilsicher um sich jemals daran satthören zu können. „Lush Space Daze“ ist nun eine logische Weiterentwicklung im Klangkosmos des Musikers aus Offenbach (Germany) und sein wohl komplettestes Album auf seinem Heimatlabel Sichtexot.„Did you know that your brain can play some silly games with yourself?“ (‚Jump‘)Mit Feingefühl toteffektierte Gitarrenriffs fusionieren mit Synthieflächen in Achtzigerjahre Neon, und werden im gleichen Zug überschattet von einem Frontmann der in der Hochblüte des Krautrock Untergrunds vermutlich zur ewigen Legende avanciert wäre. Trotz der Vermischung von gefühlt einem Dutzend verschiedener Stilrichtungen, könnte das Album in sich wohl nicht stimmiger klingen. Denn Knowsum schafft es durch den autodidaktischen Gebrauch von Gitarre, Bass, Synthesizer, Drumcomputer und Gesang, verschmolzen mit seinem Gesang, ein verzückendes und bizarres Soundbild zu erschaffen.Die besondere Stimmung und der Gesang funktionieren dann mal auf einem funky Beat mit prägnanter Bassline (‚Late Night Things‘), mal auf einem zerbrechlichen E-Piano-Klangteppich (‚Plastic Dreams’, ‚Blue‘) oder auch auf Akkustikgitarre (‚Dispair‘, ‚Daydream‘). Trotz der oft sehr experimentellen Songstrukturen, mal catchy, oft weirden Melodien und der endlos vielen Details bleiben die Songs stets harmonisch und einprägsam. „Close your eyes and tell me what you see, is it us oder is it just you and me?“ (‚Sweet Disguise‘)Und wer unbedingt ein Genre braucht, der darf oder muss am Ende selbst entscheiden, ob Progressive-Pop-Albträume in Neonpink, experimental Singer-Songwriter-Funk oder letztendlich doch die Post-Wave-Neo-R&B-Einflüsse überwiegen...Liebe und Champagner für den Dancefloor der Übriggebliebenen.

1996 is an instrumental album by Germany's beatmaker 'Shuko' who produced for the likes of Lil Wayne, Rick Ross, Snoop, Pusha-T, Jedi Mind Tricks, Talib Kweli, B-Real and many more... When he started to listen to Hip Hop in 1996 he never thought about working or writing with one of his icons. 22 Years later he looks back on a strong catalog of beats he produced for his childhood heroes from Cypress Hill, Grand Puba, Cl Smooth, Sadat X, O.C., Ras Kass, Keith Murray and many more just to name a few. For this album Shuko only worked with the original equipment that was used 1996 in Hip Hop's golden era to capture the same vibe and sound. SP1200 & Akai MPC60 are the foundation of all his Beats besides one of his favourite samples of this age. 1996 is a homage of one of the best years in hip hop with guaranteed flashbacks, knocking drums, jazzy vibes and nodding heads.

Strictly limited edition of 300 copies with 3 different artworks (100 copies each).Only one copy per customer!KUSO GVKI is a German beatmaker from Düsseldorf with Japanese roots. Kusogaki is a Japanese tackiness describing a bad-mannered child and would literally translate as something like “fucking brat”. On his eponymous debut release the 16-year old prodigy surprises his audience with a stunningly refined signature sound and elaborate arrangements that go far beyond the juvenile impudence that his name might suggest. The extensive utilisation of the one and only TR-808 and a focus on bpm ranges between 50 and 70 are key elements to the sound of contemporary beat producer KUSO GVKI.

Strictly limited edition of 150 copies only!Only one copy per customer!Dezi-Belle Records presents Hentzup’s new album “Out Of The Blue”.Limited edition of 300 copies (150 black LPs/150 blue LPs).

Limited edition of only 500 copies of Wun & Hubert's seminal "Vapowavez" collabo on black vinyl. Comes with printed innersleeves and inside/out printed sleeves. Only 2 copies max. per customer!

Volume 3 of "Another Backstein Invazion", a series including unreleased raw material from 2006 to 2015 from the vaults of Hubert Daviz.

After a couple of years without a new solo release & makin moves with hisBetty Ford Boys Brenk & Dexter, it was time for Suff Daddy to lay anotheregg in the form of a new album entitled „Birdsongs“.Deeply rooted in the Suff Daddy signature sound, it is also proof of anevolutionary process. A little less sample chops, a little more synth, a littleless straight hip hop, a little more melody. This doesn’t mean that you won’tbe able to recognize the bird by its call anymore, it’s just a slight change intonality.After extending his stomping grounds to neighboring European countries byfrequently playing international shows, including a London Boiler Room, healso opened for the mighty Anderson.Paak during his German shows inearly 2016. Suff Daddy also remixed Lion Babe's “Wonder Woman” forGilles Peterson Worldwide. He'll also be featured on the next “Spring inJakarta“ compilation.The album features some of the fellow birds Suff Daddy is known to flywith. Betty Ford Boy's Dexter adds drums and baselines, and MayerHawthorne delivers some vocals.

Karriem Riggins is a jazz drummer and producer. He is currently musically involved with Diana Krall, played on Paul McCartney's recent album, and has a long history playing on and producing hip hop alongside J Dilla, Madlib, Common and Slum Village. That's the 2nd half of the album! Recooooommended!

Only 1 per customer!Twit One presents 'Stepping Stones' - the first 10" album in the history of music. It got everything an album needs: 16 great tracks, a musical vision and dope artwork. All executed in true Twit fashion. Love it or leave it alone.

The Groove Sessions Vol.1 is the first Chinese Man's 2LP and is compiling the 3 EP's released between 2004 and 2007.

Chairman Maf's 6th instrumental full-length​ album is his best. Packed full of soul, funk and gingernuts this is the album Maf always wanted to make. These tunes will get in your head and refuse to leave. Make sure you order a copy before they are selling on Discogs​ for silly money!!

Instrumental version of Damu & Insight (pka Y Society) 2017 album, Ears Hear Spears. Produced entirely by Damu The Fudgemunk. All tracks were produced & recorded over 10 years ago but are just now being released. Long time fans of Damus' early work from Spare Time to his How It Should Sound series will especially connect with the style of production from this era.

Whether he is Sample Jesus, MPC-Man or just Cuthead from the block, the Dresden based artist is here to help you discovering your body's potentials. With his latest EP "Can't You See" for Uncanny Valley he proves himself once again as a master in producing music that is both punchy and playful. You might not know how it feels to be on the moon but it's safe to say that "Lunar Lander" is an astral experience and a programmatic intro for the EP with heavy bass work and Trap Hi-Hats from space. "Can't You See" and "Sweet" is Cuthead to the core. Warm samples are combined with hard-hitting drum work and bass lines to remember. The results are House inspired dance floor stompers which you won't be able to resist. While "Kimono" and "Too Dark To See Tomorrow" shows off his Hip-Hop roots in typical head-nodding fashion, "Tranquility Base" is another kind of thing. Still based deeply in Hip-Hop, the track establishes a much gloomier feel with its meandering synths. Those of you that long for life-affirming House music will be very pleased with "Mount Platti". And on "Schlagzeug faellt die Treppe runter" various sharp synths und percussions are having a party that is as infectious as it's frisky.

The late, great J Dilla is rightly celebrated as one of the greatest hip-hop producers of all time, in part because his ear for music was so diverse and expansive. As Dilla’s mother Ma Dukes explains, “He didn’t come with a limited capacity, and real producers produce, produce, and produce. “There are no formats for genius workers...just non-stop creations.” Now, a fresh batch of those creations will be made available to the world for the first time, in the form of the latest official J Dilla release, Dillatronic. Presented by Ma Dukes and compiled by DJs Alien Villainz (fellow Detroit natives who worked closely with Dilla), Dillatronic contains over 40 rare instrumentals that showcase Dilla’s undeniable electronic influences. J Dilla’s music was impacted by the diverse musical history of Detroit - the birthplace of Techno and one of the most important cities in the history of electronic music. “You can hear it in songs like ‘Raise It Up’ for Slum Village or ‘Make It Hurt’ for Busta Rhymes,” says Young RJ (Dilla’s protégé and member of Slum Village). “The Detroit influence is part of what gave him an edge in production.” With today’s music sounding more electronic than ever, Dillatronic has a shockingly contemporary feel. “These tracks are still ahead of their time sonically,” explains RJ. “The things producers are doing now, Dilla did that 15 years ago.”

Strictly limited edition of 500 copies on white vinyl!Wun Two's seminal "Ships" arrive with plenty of mellow boombap and jazzy vibes at our coast. Another beaty delight from Radio Juicy, Urban Waves & HHV and simply recommended. Ship ahoy!

The album finds the Haitian born, Montreal raised producer delivering on the promise of his early self-released EPs and remixes.Since the age of fourteen, when he first began to DJ and when his brother introduced him to music production software, his output has been relentless. He explains, “after he showed me the basics, from that day on I couldn’t stop making beats,” pumping out a handful of tracks per day for the next couple of years.Having released singles like ‘Drive Me Crazy‘ with Vic Mensa and ‘Leave Me Alone‘ with Shay Lia, Kaytranada has since cemented his reputation and his sound; an undeniable swing of the drums comparable to Dilla’s, a signature soulful touch in the melodies, and a healthy dose of funky bass lines.99.9% features guest turns from Anderson .Paak, Vic Mensa, Little Dragon, Syd, Craig David, Goldlink, Alunageorge, BADBADNOTGOOD and many more.

Poptartpete is the musical project of pro-skater Jamal Smith he declared that Palmas is his first vinyl and last appearance on the music scene as he wants to focus solely on his skateboarding career. This album is a closure for him and includes all the beats that he made and mostly never shared before. We like to think optimistically that this is a closure for this chapter in his life but hopefully will hear from him again in the future except not anytime soon.

34 Beats. Beats! Und hier und da Raps. Raps von beispielsweise Slowy, Der Benman, dEnkmaschine und anderen. Das sind die Fakten, jetzt einfach nur noch die Platte auflegen und geschmeidig mit dem Kopf nicken!

All beats by one of todays most respected producers, Apollo Brown!

Pete Rock's contribution to the now classic BBE Beat generation series. Essential!

Limitiert auf 50 handnummerierte Expemplare.

Nature Sounds and N’Eastra Music are proud to announce “The Fantastic Sounds of Jay Dee”, a new limited-edition producer kit featuring a collection of sounds cut from the original recordings of iconic producer Jay Dee aka J Dilla. Jay Dee’s influence on music production is undeniable, and with this sound pack his legacy will not just inspire the next generation of producers, but be a direct part of their work. While supplies last, this historic set is now available on a limited-edition USB drive in a custom collector’s box, exclusively from Nature Sounds. “The Fantastic Sounds of Jay Dee” features over 100 sounds from classic Jay Dee instrumentals, transferred directly from 2” multitrack tapes in the Detroit-area studios where they were originally crafted. The majority of the material comes from the influential producer’s work with Slum Village, including the classic albums Fantastic Volume 1 and Fantastic Volume 2. Curated by Young RJ of Slum Village, the kit is heavy on drum sounds but also includes bass tones and sound effects. This release marks the first time authentic Jay Dee sounds have ever been made available to the public. “This is for all the true hip-hop heads that’s been wanting them Dilla sounds. We giving it to you, the way Dilla gave it to us,” says Young RJ. “The Fantastic Sounds of Jay Dee” is being released in partnership with Splice, the music creation platform used by over 2 million musicians. It will be available via subscription to Splice Sounds, the world’s leading sample library.Youtube:https://youtu.be/lRvh4HYaNFs

Limited edition of 500 copies. "For the 5th anniversary of the seminal album 'Fujita Scale' by NxxxxxS, Headcount Records have decided to reissue the record. For the first time all 15 tracks from this cult classic are available on double LP. Based in Paris, NxxxxxS (pronounced N fives X's) has kept his growing number of fans satisfied with full lengths and EP's such as 'Elevated Highway', 'Synthetic Corporation', 'Remember Last Summer' & this years Live From Earth release entitled 'FRIENDZONE'".

Limited edition of 150 copies. Every bundle is unique as every single print is unique that's included. Like the pages of a flipbook, each of the 900 made prints is unique. Only very few for retail, so if you want the whole package with the fine prints by Markus Oberndorfer, be quick. Comes in white cut-out sleeve with sticker. The REVISIT Soundtrack was initiated by Markus Oberndorfer as part of his media art project REVISITED which features 360 video, media installation, photography, collage, and an artist book. Six befriended musicians were invited to provide three tracks each and given the assignment to send contributions representing their interpretations of the 360 videos recorded of the Sunset Strip in 2016 as part of REVISITED. REVISIT OST is part of the installations virtual experience in form of radio broadcasts and subject of digital release and three limited physical releases on split 12“ vinyl. The vinyl is available in two versions à 150 copies: 1. Rhythm-Section (sound) and Rhythm- & Sequence-Frame-Section (sound & visual concept). DROOM-01: Parental, Sirlensalot DROOM-02: Devaloop, Lex (de Kalhex) DROOM-03: Kompact, Dday One)

Limited edition of 150 copies. In white cut-out sleeve with sticker. The REVISIT Soundtrack was initiated by Markus Oberndorfer as part of his media art project REVISITED which features 360 video, media installation, photography, collage, and an artist book. Six befriended musicians were invited to provide three tracks each and given the assignment to send contributions representing their interpretations of the 360 videos recorded of the Sunset Strip in 2016 as part of REVISITED. REVISIT OST is part of the installations virtual experience in form of radio broadcasts and subject of digital release and three limited physical releases on split 12“ vinyl. The vinyl is available in two versions à 150 copies: 1. Rhythm-Section (sound) and Rhythm- & Sequence-Frame-Section (sound & visual concept). DROOM-01: Parental, Sirlensalot DROOM-02: Devaloop, Lex (de Kalhex) DROOM-03: Kompact, Dday One)

This new edition contains previously unreleased material.

Joe Corfield, one of UK's finest Instrumental Hip Hop producer is back once again bringing you his newest full length album "Patterns" at Radio Juicy! As usual with Joe's music, you can expect a classy ride that is technically flawless and right on point with the vibe. Connoisseurs will find a very polished and satisfying experience as well as everyday listeners that will happily enjoy this very smooth experience. This is the kind of album that brings us all together. Just relax and let Joe Corfield take you along. The album is all about Patterns, otherwise known as the details that creates reality, after all everything is just formed of tinier things repeating themselves. But this expands also over the chemical nature of the universe, we're talking occurring events as odd or mundane as they are and also behavior of all living things. Basically everything can be observed to follow certain patterns. In this case music, but not only the music itself, the industry, the musicians and listeners all follow their own patterns that blend together. We're all part of this incredible web connecting us all.

Limited edition of 250 copies, only available at the "blu dot." release party in Berlin and at HHV! Three unreleased cuts from the "blu dot." sessions.

Strictly limited edition of 100 copies only on black vinyl!Only one copy per customer!Dezi-Belle Records presents the vinyl debut by producer and beatmaker Noise. “Strains” is a nice collection of lo-fi beats and instrumentals. TIP!