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Juan Ramos Electronic & Dance 2 Artikel

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Juan Ramos - ATKM / Globalizacion Acido
Juan Ramos
ATKM / Globalizacion Acido
12" | 2017 | EU | Original (ESP Institute)
9,99 €*
Release:2017 / EU – Original
Genre:Electronic / Dance
Juan Ramos speaks twelve languages and loiters at the zoo. This is his second offering for the ESP Institute. Last year his debut dropped us at the edge of oblivion and this follow-up release picks up right where he left us—ATKM pumps right from the start with a collision of elastic percussion, tubular clinks and cranks under what sounds like fragments of our androgynous tour guide’s speech though a malfunctioning PA. Halfway through the chaos she makes a left turn toward Belgium where the drum programming fattens up and we acquire an optimistic shimmering of chords. On side B, Globalización Ácido conjures imagery of a moonlit expedition on the hunt for lord-knows-what. Many producers rely on jungle sounds, loosely appropriating some misguided sense of mysticism, but Juan rules his own kingdom where he creates an ecosystem through synthesis and digital manipulation. The narrative quality of his production knows no limits and his ability to twist machines into this chorus of cyber-creatures puts him at the top of the food chain, however, no animals were harmed in the making of these two songs!
Juan Ramos - Last Of The Natives
Juan Ramos
Last Of The Natives
12" | 2016 | UK | Original (ESP Institute)
10,99 €*
Release:2016 / UK – Original
Genre:Electronic / Dance
Juan Ramos lives on planet Earth but channels voices from the aether. This is his first offering for the ESP Institute. On side A, Last Of The Natives shows us just what we’re dealing with, a master manipulator of sound and consciousness. Juan culls the toughest kick drums and thickest latex bass slaps from a deep burial in our psyche and peppers them with alien chants and fleeting electronic flutes—a combustible sense of spontaneity that may at first appear chaotic but after fully immersed in Juan’s demented world, we find ourselves willfully under his control. On side B, Enemy Of Enemy Is Friend also sets off from a disorienting place where a slow progression of acid, shakers and toms takes a good minute to allow us some footing around the groove. Once settled into his sophisticated rhythm, Juan opens the door to a glorious combination of chords, clanking guitars, shakers that scrub back and forth and the occasional smear of paranormal synth. We at the ESP Institute are enamored by Juan’s seemingly infinite skill for crafting mood and extracting optimism from darkness, but seriously, what color SpeedoTM should she wear this summer?
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