Late Night Tales Vinyl, CD & Tape 29 Artikel

Das kanadische Quartett BADBADNOTGOOD, bekannt und geliebt für seine futuristischenJazz/HipHop-Exkursionen, liefert in der Home-Listening-Serie "Late Night Tales" die neuesteAusgabe ab.

Late Night Tales welcomes back the cult figure and ultimate musical connoisseur, Bill Brewster to compilehis second episode of the curated compilation series ‘After Dark’. An obscure and timeless DJledjourneywhich begins somewhere out in the near ocean, the waves are rolling and lolling gently into the shore, while afull moon shines on the surface. It’s only faint, but somewhere nearby is the sound of bass, pulsing slowly,almost in time to the waves. Welcome back to ‘After Dark: Nightshift’.

Another sure shot from the Late Night Tales camp.

Exclusive tracks by Charli XCX/Lindstrøm, Emperor Machine, Hugh Mane, Hotel Motel plus rare tracks by Rudy Norman, Coalkitchen, Plastic Bertrand & more. Third in Late Night Tales' After Dark spinoff, compiled and mixed by Bill Brewster, Limited Edition virgin vinyl pressings, housed in anti static inner bags, Unmixed full tracks, Includes MP3/Wav download code to the mix and all 19 full length unmixed tracks!

Another great comp on the Late Night Tales imprint feat. Rahsaan Roland Kirk, Koushik, Gravediggaz, Madvillain, Fairport Convention!

feat. Flying Lotus, Nick Drake, Thom Yorke, Burial … 180 gram vinyl!

After the worry, the fretting, the rehearsing, the practicing and the rave bootcamp, Sasha and cohorts turned the Barbican into their personal triumph. Not bad for an idea that, not so many months ago, appeared to be a DJ’s folly. It was quite unlike anything he’d undertaken in his 30 year DJ career. To help him, he pulled together a team that included longtime collaborators Charlie May, Dennis White, Dave Gardner, with technical help from Barry Jamieson and behind the scenes advice from the immensely experienced Tommy D – who’s worked with everyone from Right Said Fred to Jess Glynne – and whose wife Rosie Danvers led Wired Strings for both shows. Alongside this core team, orchestral percussionist Joby Burgess and vocalist Julie Daske were added, as well as a plethora of guest singers that included John Graham and Abigail Wyles. It was a show of two halves. The first half, contemplative, abstract, yet with a surprising intensity, delivered a perfect iteration of 2016’s Scene Delete, with twelve compositions drawn from the album and a previously unheard tune, Interstellar, sandwiched in the middle. The livelier second half was a mixture of Sasha favourites, opening with Gothika and including crowd favourites Belfunk and Wavy Gravy, with three of his remixes – Battleships, Smile and Every Love That Ever Was – before finishing the evening with a sympathetically reworked version of Sasha classic, Xpander, a powerful climax to two very special shows.

Late Night Tales introduces a tangent to the timeline of the esteemed artist curated compilation series with ‘After Dark’: a DJ led, club focused mix which – as expert compiler Bill Brewster describes – “is dance music for people who know how to make love”. After Dark. It’s New York at 4am with the lights off and the strobes flaring. It’s a Dalston basement with slow chugging basslines propelling a dancefloor. It’s a starlit night on the coast of Croatia with glittery girls and burnished boys grooving to 110bpm anthems. It’s great dance music with the Bosh-O-Meter turned to 0. If you want pounding trance, Lance, you’ve come to the wrong place. If you want a drop, break or explosion every 16 bars, then Swedish House Mafia is that way. This is music for dancers who know to move. It’s slow release carbs, with a startlingly high pleasure count. We’re starting slow and staying that way. Groove is in the art. Unearthed gems include a brilliant Padded Cell mix of the Doves that’s thus far remained in the CD wallets of the lucky few, a previously unreleased remix of the magnificent Twin Sister, TBS ft. Jamalski, a brilliantly off the wall Joakim production, plus the rare-as-hen’s-teeth mega disco tune ‘Love The Way You Love Me’ by Yorkshire’s finest diva-comic Marti Caine.

The new edition of Late Night Tales journeys to Scandinavia to invite Norwegian duo Röyksopp to delve through their record collection.

2LP als limitierte 180g Pressung mit 21 von 23 ausgespielten Tracks, audiophil auf halber Geschwindigkeit gemastered, inkl. Bonus-Download-Code mit allen Tracks (einmal komplett ausgespielt, einmal als Mixset) in wav/mp3-Formaten, im Gatefold mit antistatischen Innentaschen plus Kunstdruck in 12" Größe.

2LP als limitierte 180g Pressung mit 19 von 20 ausgespielten Tracks, audiophil auf halber Geschwindigkeit gemastered, inkl. Bonus-Download-Code mit allen Tracks (einmal komplett ausgespielt, einmal als Mixset) in wav/mp3-Formaten, inkl. 30x30cm Kunstdruck, im Gatefold mit antistatischen Innentaschen.Die Erstpressung kommt mit einer limitierten 7"!

Leo Kottke, Bob James, James Last, Map Of Africa, Massive Attack, Outkast & others are featured. Another tasty selection!

Originally released in 2010 this mix has gone on to become a classic, it was never released on vinyl at the time, so due to public demand each track got carefully mastered and cut at half speed for optimum sonic reproduction.For the first time on vinyl, includes cover art, excl. Chris Isaak cover version, download code for original "LateNighTales" mix as well as unmixed track version in both WAV & MP3 formats!

Another great Late Night Tales compilation ... Includes tracks by Outkast, Chick Corea, Autechre, Pete Drake, Cat Power & others!

Limited edition for Record Store Day 2017!

Remixed by Plaid and Christian Löffler.

Nun erscheint eine zweite limitierte 10" Auskopplung mit zwei Remixes von Max Cooper (als emotional-deepes Dancefloor-Experiment) und Matthew Dear Vs. Audion (als verzerrter Techno-Freakout). Weisses 10" Vinyl mit Download-Code für MP3/WAV/FLAC-Formate. Auf 1.000 Stück limitierte und nummerierte Auflage.

Beide Tonträger erscheinen wieder in Topausstattung: CD als exklusives Mixset, inkl. Bonus-Download-Code mit allen ausgespielten Tracks in wav/mp3-Formaten, inkl. eines mehrseitigen Booklets mit persönlichen Liner Notes zu jedem Track, im Pappschuber. 2LP als limitierte 180g Pressung mit allen 19 ausgespielten Tracks, audiophil auf halber Geschwindigkeit gemastered, inkl. Bonus-Download-Code mit allen Tracks (einmal komplett ausgespielt, einmal als Mixset) in wav/mp3-Formaten, im Gatefold mit antistatischen Innentaschen plus Kunstdruck in 12" Größe.

2LP als limitierte 180g Pressung mit 21 von 23 ausgespielten Tracks, audiophil auf halber Geschwindigkeit gemastered, inkl. Bonus-Download-Code mit allen Tracks (einmal komplett ausgespielt, einmal als Mixset) in wav/mp3-Formaten, im Gatefold mit antistatischen Innentaschen plus Kunstdruck in 12" Größe.

Unmixed Double 180 gram Vinyl (Includes download code to the Jon Hopkins mix and full unmixed tracks as wav/mp3) Requiem for a dreamstate. It’s possibly somewhere between heaven, hell and high water, down the Thames Delta towards Eden. It may involve techno and a distorted state or simply mates sat listening to music together, drifting on the open sea of their minds. This is Jon Hopkins’ world, not so much joining the dots as colouring the whole damn picture in. After releasing his debut album 'Opalescent' at the rookie age of 21 in 1999, he’s gone on to work with Brian Eno and David Holmes, produced King Creosote and via Eno, worked on three Coldplay albums. He released the breakthrough album 'Immunity' in 2013, which was nominated for the Mercury Prize. The story arc with which Hopkins succeeded on 'Immunity' makes its appearance on Late Night Tales too with a perfectly sculpted excursion on this widescreen mix. . Opening with the unreleased 'Sleepers Beat Theme' by composer Ben Lukas Boysen, ghostly pianos skip elegantly hither and thither, among rising strings, as on Darkstar’s ‘Hold Me Down’. Nils Frahm is here, his sonic palette perfect for the job, while labelmate A Winged Victory For The Sullen contribute ‘Requiem For The Static King Part I’. Sigur Ros offshoot Jónsi & Alex’s heroic ‘Daniell In The Sea’ sends us forth towards the Baltic with tears streaming. Beats occasionally appear, as on the Grace Jones-sampling ‘Yr Love’ by Holy Other or the pair of Black Country acts Bibio and Letherette, whose ‘After Dawn’ is almost spry in comparison to the minor key symphonies on display here. The perfect contrast to this comes from Alela Diane’s wistful ‘Lady Divine’ or even Four Tet’s mesmerising ‘Gillie Amma I Love You’, with its enchanting kids’ choir. Exclusive to this release, Jon Hopkins provides a startlingly vulnerable new piano version of Yeasayer’s ‘I Remember’. Poet and fellow Brian Eno collaborator (their joint album 'Drums Between The Bells' was released by Warp in 2011) Rick Holland narrates the exclusive spoken word closer 'I Remember', underpinned with additional sound design by Hopkins."Putting this album together was a unique opportunity for me to present music that I have been listening to for years, free from the constraints of a club setting or from trying to stick to one genre. I chose tracks not just because they have been important to me but because of how they sit together, putting as much thought into the transitions and overall narrative as I did into the track choices. I mixed by key and by texture more than anything else, using original sound design, pivot notes, and often recording new synth or piano parts to link things together in a way that flows as naturally as possible." - Jon Hopkins, December 2014

"Automatic Soul, like my previously compiled Late Night Tales Music For Pleasure, is based very much on a sound. It's a sound that I feel has been overlooked: 80s R&B-infused music, with drum machines, synths and invariably brilliant vocals. It’s formed the bedrock of my rare groove sets for all the years I’ve played. It’s not the most fashionable, but to me it’s the perfect marriage of technology and soul, hence the title for this album, Automatic Soul. There are plenty of songs I could have included, and no doubt some that I shouldn’t, but I’ve tried to represent what’s best to me from this era. It’s not a classic Late Night Tales. It’s a pretty personal journey, which I hope some of you might be willing to share." Tom Findlay Groove Armada September 2014.

Late Night Tales and Bonobo were pretty much made for each other, it just took them a while to both realise it. Stepping forward into the compilers spotlight for the 33rd edition is Simon Green – aka Bonobo – a musician, producer and DJ perfectly suited to soundtrack an evening spent reclining to some parallel beats.

Late Night Tales and Bonobo were pretty much made for each other, it just took them a while to both realise it. Stepping forward into the compiler’s spotlight for the 33rd edition is Simon Green – aka Bonobo – a musician, producer and DJ perfectly suited to soundtrack an evening spent reclining to some parallel beats. 180 gram vinyl incl. download code!

The third studio album to be released by Rae & Christian.

The third studio album to be released by Rae & Christian.

Another great Late Night Tales compilation feat. tracks by Disco Inferno, Julian Cope, The Velvet Underground, Spacemen3 etc. ... also features the exclusive Bauhaus track 'All We Ever Wanted Is Everything', as covered by MGMT!