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Martin Hossbach Vinyl, CD & Tape 7 Artikel

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Michaela Meise - Ich Bin Griechin
Michaela Meise
Ich Bin Griechin
LP | 2018 | EU | Original (Martin Hossbach)
29,99 €*
Release:2018 / EU – Original
Genre:Rock / Indie
The album comes ina Japanese tip-on gatefold sleeve. When Michaela Meise performed at WestGermany at Kottbusser Tor in Berlin-Kreuzberg on March 20, 2015, accompanying herself on the accordion, I was perplexed. I knew her first album from 2010, which was about hymns (»Preis dem Todesüberwinder«, originally released on Clouds Hill, available as a download and stream through my label from July 2018 on), but what she was playing weren’t spiritual songs?! I wanted to put this music out on my label: the songs sounded sad, aloof and wistful but also proud, determined and unerring. The album title »I am Greek« is a tribute to Melina Mercouri's album »Je Suis Grecque!«, which was released in 1971 when Mercouri was deprived of citizenship by the Greek military junta. Mercouri lived – like Mikis Theodorakis and many other cultural workers – in exile. Meise's album is dedicated to the chanson scene of post-war Europe, whose songs were popularly folksy, but also political. Some talk about the experience of war, the Shoah and labor migration. Michaela Meise has translated the Greek, French and Romanian songs into German (with the help of Aliki Marini and Carmen Gheorghe) so that the lyrics are understandable to a German audience, a gesture that was also common in the European chanson scene. More than half of the songs are by Mikis Theodorakis. He knows the translations and new recordings, gave his blessing and just noted a wrong tone ... The other pieces on the album are by the French artists Barbara and George Moustaki and the German musician Alexandra. There is also a Romanian folk song. The album was recorded by Michaela Meise together with members of the group Isolation Berlin as well as the guest singers Carmen Gheorge and Dirk von Lowtzow (Tocotronic). The producer was David Specht (Isolation Berlin).
Matthias Strzoda - Tasse Kaffee
Matthias Strzoda
Tasse Kaffee
7" | 2016 | EU | Original (Martin Hossbach)
11,99 €*
Release:2016 / EU – Original
The secret after-hour über-hit of the 90s, Matthias Strzoda’s »Tasse Kaffee«, gets its first release on 7” vinyl on Berlin-based label »Martin Hossbach«. Strzoda is the go-to drummer for Andreas Dorau and Rocko Schamoni. While working on songs for Dorau in the 1995 Strzoda wrote the lyrics to »Tasse Kaffee« while Dorau, Tommi Eckart (of 2raumwohnung, acting as producer) and Strzoda composed the music. The b-side gives us a previously unreleased living-room demo from 1994 by Strzoda of the Andreas Dorau classic »Bye-bye«.
AI Unit (Christian Von Borries & Andreas Dzialocha) - Land Der Musik - The Graz Ai Score
AI Unit (Christian Von Borries & Andreas Dzialocha)
Land Der Musik - The Graz Ai Score
12" | 2019 | EU | Original (Martin Hossbach)
8,54 €* 8,99 € -5%
Release:2019 / EU – Original
Genre:Electronic / Dance
All three audio files are compiled from two live recordings with different microphone settings. The cover image is generated by algorithms trained with the following image searches: migration, mediterranean, boat, Libyan coast, EU. Different search engines were used. »Land der Musik« celebrated its world premiere on 7 October 2018 at steirischer herbst ’18 – volksfronten in Graz, Austria. Commissioned and produced by steirischer herbst in cooperation with ORF Musikprotokoll.
Dirty Dishes - Kabinett Von Papen
Dirty Dishes
Kabinett Von Papen
Tape | 2018 | EU | Original (Martin Hossbach)
9,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
Shortly before the turn of the year 2017/18, my friend Jan Müller wrote me an e-mail: »Dear Martin, I'll send you the new album of my band ›Dirty Dishes‹ now. The album is titled ›Kabinett Von Papen‹. It is a concept album, which has the third-last government cabinet of the Weimar Republic as a subject. So, please tell me how you see it – whatever your verdict, I'll use it as an incentive to put my mind and body in the service of global pop culture even more so in the future«. Dirty Dishes is founded in 2005 by Jan »Rasmus Engler« Müller (Tocotronic) and Rasmus »Jan Müller« Engler (MHerrenmagazin, Little Whirls, Ludger) when the two are bored during recording sessions for the second album of their group Das Bierbeben. Immediately, they write two pieces of music (»Bon Giorno«, which has alcohol and drug abuse as a subject, as well as »Drink a Coke«, a Brigitte-Mira-dedicated anthem for the caffeine-containing soft drink), which are released in the same year as a single under the title »Hurra…! Endlich Ferien!« on the label K.i.N.d.V. Two years later, the duo releases their debut album »Tea Is Not Our Cup of Coffee«. Here one can hear the first experimental and more conceptual works such as »Dirty Dishes as Goofy as Asterix«. The following albums (»Mit uns nicht!«, 2009, and »Von der raffinierten Kunst, jemanden in einen Tümpel zu stoßen«, 2013) juxtapose song and experiment. The first pure concept album, including now-permanent members Alexander (Schrottgrenze, Station 17), Guido vom Flockenberg (Back On The Road), Isabella Stellmann (pedagogue) and Zopfus (ByteFM), is »Der Egel vom Tegel – Die kleine Rock-Operette der Dirty Dishes« (2010), followed by »Round about Ignaz Kiechle«(2013). The latter brings together songs that deal with significant events in the life of former Agriculture Minister Kiechle and were recorded freely improvised in just one recording session. On the now-available »Kabinett Von Papen«, composed in monastic retreat, each piece is named after a minister from Papen's presidential cabinet (1.6.1932-3.12.1932) and represents them tonally and/or lyrically succinct.
Michaela Melian - Music From A Frontier Town
Michaela Melian
Music From A Frontier Town
LP | 2018 | EU | Original (Martin Hossbach)
15,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
Following the U.S. Army’s liberation of Munich in May 1945, the world’s first Amerikahaus was inaugurated there with a library, a magazine reading room, a children’s library, a record and lm department, and lecture and seminar rooms, together with a concert hall and exhibition space. Up to 80,000 people a month utilized the offerings of Amerikahaus during its early years. Beginning in 1953, the United States Information Agency (USIA), an institution founded as an instrument of the Cold War, began to finance Amerikahaus. In addition to representing the U.S., its principal task in West Germany was to democratize and denazify the postwar population. After the beginning of the Cold War, many of these re-educative measures also served as propaganda in a programmatic linking of democratic and economic principles meant to strengthen transatlantic relations against the Communist Bloc. In 1997, the U.S. government concluded its work at Amerikahaus in Munich and shipped almost all its items back to the States. However, 1,630 long-playing vinyl records from the library were left behind in cardboard boxes in the basement. When Michaela Melian looked through this forgotten collection, one of the first things she came across was Don Gillis’ 1940 tone poem »Portrait of a Frontier Town«, whose second movement is entitled »Where the West Begins«. Don Gillis, a composer and radio producer, used the musical styles and genres of that decade to create an explicitly American program music. Michaela Melian’s »Music from a Frontier Town« is fueled by the diverse sonic material of this extensive record collection once considered as an instrument of cultural education. This record has been produced in addition to Melian’s twenty-four hour performative music installation »Music from a Frontier Town« in the garage of what is now the Bavarian Center for Transatlantic Relations at Karolinenplatz, Munich (4-5 May 2018).
Matthias Strzoda - Ein Altmodischer Tanz
Matthias Strzoda
Ein Altmodischer Tanz
7" | 2017 | EU | Original (Martin Hossbach)
9,99 €*
Release:2017 / EU – Original
Erst die »Tasse Kaffee«, dann »Ein altmodischer Tanz«: Matthias Strzoda macht sich auf seiner zweiten Solo-Veröffentlichung Sandy Dennys »Like an Old Fashioned Waltz« zu eigen und übersetzt den anrührenden Text des im Jahre 1974 erschienenden Lieds kongenial ins Deutsche. Produziert von Johann Scheerer und Matthias Strzoda, aufgenommen und gemischt von Johann Scheerer, Clouds Hill Recordings Hamburg. Alle Instrumente: Matthias Strzoda.
F.S.K. (Freiwillige Selbstkontrolle) - Ein Haufen Scheiss Und Ein Zertrümmertes Klavier
F.S.K. (Freiwillige Selbstkontrolle)
Ein Haufen Scheiss Und Ein Zertrümmertes Klavier
LP | 2017 | EU | Original (Martin Hossbach)
17,99 €*
Release:2017 / EU – Original
Genre:Electronic / Dance
Die Schallplatte wird in einer limitierten Auflage von 500 nummerierten Exemplaren veröffentlicht. Die Farben des im Siebdruckverfahren hergestellten Covers wechseln alle 100 Exemplare ihre Farbe. F.S.K. (Freiwillige Selbstkontrolle) ist eine Art School Band aus München, die 1980 in der Redaktion des Underground Magazins Mode & Verzweiflung zusammenkam und verstörende Losungen einer neuen Dissidenz ausgab wie: Wir sagen Ja zur modernen Welt, oder: Heute Disco, morgen Umsturz, übermorgen Landpartie. Die Idee der italienischen Futuristen, Venedig zu fluten, fand bei ihnen fröhlichen Anklang. Und also erhoben sie die seriöse Forderung, Theater zu Parkhäusern umzuwandeln. Die futuristische Entwicklung sogenannter Lärmtöner (in produktiver Abwandlung der Geräusche der industrialisierten Großstädte, aber auch der völlig neuartigen Kriegsmaschinen des Ersten Weltkriegs) trug ein zentrales Moment der abweichenden Popmusik in deren aufkommenden Diskurs: die Übersteuerung, die Verzerrung, Bring the Noise.
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