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Old Flame Vinyl, CD & Tape 8 Artikel

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Gothic Tropic - Fast or Feast
Gothic Tropic
Fast or Feast
LP | 2017 | US | Original (Old Flame)
20,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
Los Angeles Gothic Tropic introduces a new brand of female fronted, guitar-driven indie rock. The brainchild of Cecilia Della Peruti, Gothic Tropic keeps the vibe playful and punchy, bringing audiences into a new era of female rock nobility, nodding to stars like Debbie Harry, and Chrissie Hynde. Delivering a blend of Richard Lloyd and Nile Rodgers on guitar, Della Peruti has won sponsorships with Fender, and leading pedal manufacturers, and works professionally as a touring and session player for Charli XCX, BØRNS, and more.
Dawg Yawp - Dawg Yawp
Mile Me Deaf - Alien Age
Mile Me Deaf
Alien Age
LP | 2016 | US | Original (Old Flame)
20,99 €*
Release:2016 / US – Original
Genre:Rock / Indie
Mile Me Deaf is an experimental pop band from Vienna, Austria. Most songs were written and recorded by Wolfgang Möstl in his living room, but on stage they are a full functional rock and roll cabaret, who have shared the stage with The War on Drugs, Kurt Vile and My Bloody Valentine. Wolfgang Möstl is known by some as the noisepop whizzkidd of Vienna, an image he probably got from his earlier bands Killed by 9V Batteries and Sex Jams. His solo-project Mile Me Deaf is more alternative pop than noise, dealing with his obsessions with 90's guitar tunes, quirky pop melodies and Jim Carrey movies. It has been written that “Mile Me Deaf lie in a guitar-pop realm between Yuck and Girls” Mile Me Deaf will be touring the USA for the month of October with fellow Austrians Sex Jams. Do not miss this chance to see this show live!
Megaphonic Thrift - Sun Stare Sound
Glazzies, The - Kill Me Kindly
Doe - Some Things Last Longer Than You
Hairs, The - While I Hated Life, Barbarian
Shark? - Becky And Debbie
Shark?
Becky And Debbie
12" | 2015 | US | Original (Old Flame)
9,79 €* 13,99 € -30%
Release:2015 / US – Original
Genre:Rock / Indie
“Nostalgia can seem comforting, but I think it should be incredibly unsettling.... maybe that’s what I should’ve titled the album,” says Brooklyn based baritone saxophonist, Jonah Parzen-Johnson, of his first album-lengthed collection of songs for solo saxophone and analog synthesizer. He thinks a lot about titles. “I wrote these songs around the idea that the best period in my generation’s lifespan was gone, but after a few nights on the road, looking people in the eye with that idea in mind, I saw how lazy I was being. It doesn’t feel good to be devoting so much time to counting the ways we’ve failed, and ignoring the hundreds of little ways I could be fixing this mess. I’ve had the same conversation all over the country. Its time to stop drowning in nostalgia, and start finding ways to make our lives about repairing our broken systems. That’s what I was thinking about when I was getting ready to play these songs in the studio.”
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