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P&P Organic Grooves 6 Artikel

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Cloud One - Funky Disco Tracks Of Cloud One
Cloud One
Funky Disco Tracks Of Cloud One
LP | 1978 | US | Reissue (P&P)
19,99 €*
Release:1978 / US – Reissue
Genre:Organic Grooves
Cloud One was always a studio outlet for Patrick Adams to experiment. Even after the success of Atmosphere Strut, Adams continued to experiment with synthesizers (in particular the minimoog) to make this his signature sound or ‘voice’ as he called it. An indeed his usage of the synth was completely different from some of his contemporaries. With titles like Jump, Jump, Jump, Funky Track, Stomp Your Feet and Dance or Music Funk, it was clear the spirit of this music was in Harlem. It’s no surprise Adams felt at home in the many P&P subsidiaries. “P&P became this place where artists could be free, as opposed to an Atlantic Records or a Columbia Records, where everything is high spit and polished...We never told anybody on P&P what they could or couldn’t do, what they should or shouldn’t do. It was like, ‘Go for it, if you want to bang pots and pans together, that’s your sound.” And what a Funky Sound it was.
J. Mercy Baby - I Tried It / I Messed Up
J. Mercy Baby
I Tried It / I Messed Up
7" | 2016 | UK | Original (P&P)
8,99 €*
Release:2016 / UK – Original
Genre:Organic Grooves
Hypnotic rhythm and beggin vocals helped along by tasteful guitar work courtesy of Frankie Lee Sims.
Patrick Adams - The master of the masterpiece volume 2
Patrick Adams
The master of the masterpiece volume 2
2LP | 2008 | US | Original (P&P)
20,99 €*
Release:2008 / US – Original
Genre:Organic Grooves
The cleverly dec eptive genius Patrick Adams was born March 17, 1950 in New York City. Some people are just destined for greatness and Adams was one of those. He wrote his first song at 12, recorded his first record at 16 and produced his first track at 17. It would take several more years for the world to realize his genius. In 1966 Patrick joined a neighborhood group and they immediately auditioned for a role in “Up The Down Staircase”. The boys won the part of the high school dance band and are featured in a segment of the Warner Brothers film. Two months later, the guys, now known as “The Sparks,” were signed to Curb/MGM. But after failing to chart the label quickly dropped them. The Sparks continued performing and touring together for four more years. Patrick’s next success came the following year (1967) when he wrote “You’ve Got To Learn Something” for the children’s show “Sesame Street”. In 1970 Adams left the group to take a job as A&R Vice-President of Perception/Today Records. During that period he also worked as a sideman with numerous artists like Astrud Gilberto and Les Variations. In 1974 Patrick teamed up with Peter Brown to form P&P Records. The label was distributed by Morris Levy’s Roulette Records and housed the sub-labels Queen Constance, Heavenly Star, Jay Star, Chocolate Star Records and many more. He also started PAPMUS his own production company. During the next four years, as disco was emerging, Adams became a key figure in its growth scoring countless hits including: “Atmosphere Strut” with Cloud One, “My Baby’s Got E.S.P.” with Four Below Zero, and “Lady Bug” by Bumblebee Unlimited. 1978 was Patrick’s breakthrough year. The infamous song was “In The Bush”. “I did not sit down and invent the phrase “Push Push In The Bush” in a moment of meditative genius. I was in the recording studio looking for a chant to put on the chorus of this last hot track for the Musique album. I was thinking out loud of my older brother and his friends. Sometimes they would chant - “To The Bush”. This was a reference to a dance club that they frequented. A true indicator of how times have change, the first time Patrick played the cut for his label head honcho Marv Schlacther yelled, “Patrick, I CAN’T PUT THAT OUT!” After some serious discussion it was decided that it would be included on the album but not promoted as a single. About three weeks later, the cover story on Billboard Magazine was that about 600 radio stations were banning some naughty record called “Push Push In The Bush!” exclaims Patrick. The rest as they say is history. Over the course of the next three years Patrick Adams racked up an impressive 22 hits. As the disco-era changed, so too did Adams. In the 1980’s he would lend his creative genius to such notable acts as Salt ‘N’ Pepa, Keith Sweat and Carol Lynn Townes. In the 1990’s he helmed recordings by Eric B. & Rakim, Paul Lekakis and Morris Day. Patrick has received the ASCAP “Songwriter Of The Year” award 3 times and has multiple Gold and Platinum awards and now a follow up to his very own ‘Best Of’ collection.
V.A. - The Funky Side Of P&P Records
V.A.
The Funky Side Of P&P Records
7x7" | 2016 | US | Original (P&P)
33,99 €*
Release:2016 / US – Original
Genre:Organic Grooves
“Funk... This is the sound of the Universe, the sound of outer space, inner space andin-between space. We are talking about the whole galaxy here. I would like to dedicatethis project to the owners and entire staff at Traffic Entertainment Group. I would also liketo thank God, my children and grandchildren and especially Patricia Gilyard one of thefounders of the P&P movement. This has been a dream of mine, from my days in thejuvenile halls, chain gangs and Georgia penitentiaries in the 50s all the way up untilnow... it’s truly been a dream. Thank you all.”That quote is straight from the legend himself, Mr. Peter Brown. The one and only. He’stalking about the 7x7” = Funk box set that is going to blow your funking mind. Sevensuper funky 45s, all packaged in one beautiful and funky box. You know P&P Records isthe king of disco and after hearing these tracks, you’ll wonder how they’ll be able weartwo crowns at the same time.
Caress - Caress
Cloud One - Disco Juice / Charleston Hopscotch
Cloud One
Disco Juice / Charleston Hopscotch
12" | 1977 | US | Reissue (P&P)
14,99 €*
Release:1977 / US – Reissue
Genre:Organic Grooves
Produced by the legendary Patrick Adams, the studio-bound disco unit Cloud One made its debut in 1976with the spectacular Atmosphere Strut and throughout the seventies, became the centerpiece for QueenConstance, Golden Flamingo, Heavenly Star, and Sound of New York, all labels ran by Peter Brown &Patricia Gilyard. At a time when most music was recorded with a full army of studio musicians, Cloud Onerecords were mostly played, arranged and mixed in their entirety by Patrick Adams himself!!! The abilityto "work on his own" allowed the music to feel more experimental than the work he did on major labels atthe time. Released in 1977 Disco Juice is probably P&P’s best-known cut and for good reason. All theelements are there; a catchy melody reinforced by Venus Dodson's vocals, a driving bass line, anaccentuated piano and of course the signature Patrick Adams Synth Strings unifying the whole compositionand creating a delirious and hypnotic effect. It's no surprise this Record has been a point of reference tomany house music producers, and sampled famously by artists like Norman Cook and Paul Johnson. Fromthe Streets of Harlem to the beaches of Ibiza, 38 years later this juice keeps aging like a fine wine.
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