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Pacific City Sound Visions Vinyl, CD & Tape 6 Artikel

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Maat - The Next
Maat
The Next
LP | 2018 | EU | Original (Pacific City Sound Visions)
25,64 €* 26,99 € -5%
Release:2018 / EU – Original
Genre:Electronic / Dance
Pacific City Sound Visions greets wonder again, this fall, to bring you a third vinyl release from the late 80's early 90's experimental/industrial european scene. Another special release on Spencer Clarks incredible label Big Tip on this! Limited to 280 copies. After Vox Populi!'s "HALF DEAD GANJA MUSIC" and Frank Dommert's "KIEFERMUSIK", we have a hand picked compilation by the Hamburg artist MAAT. MAAT is a solo project by Dorte Marth, who created two secretly powerful and underappreciated records in 1993. They were released on two labels(Dragnet, Dom Elchklang) run by Achim P. Li Khan, the co-founder of the GREATEST BAND ON EARTH, H.N.A.S. MAAT'S musical pallette is at once, strikingly, a more dark and brooding occult version of Anima and Limpe Fuchs. One can hear classical music references much like Coil's Unnatural History, but played further, blurring the shadowy lines between sampling and virtuoso playing. MAAT'S dark and glisteningly illustrated use of electronic drums, Pan-Asian arrangements, and classical styles, invent a private world where she uncovers and projects forth, a new and ancient female energy. Its almost as if she is orchestrating her pallette and shooting it through star-clusters beneath the world. Probably Typhonian Highlife's and 4th World Magazines greatest influence.
Tarzana - Alien Wildlife Estate
V.A. - Tradewinds: The Wavesailing Film
V.A.
Tradewinds: The Wavesailing Film
LP | 2017 | US | Original (Pacific City Sound Visions)
15,19 €* 18,99 € -20%
Release:2017 / US – Original
Genre:Electronic / Dance
A pluck from the obscure like only Pacific City Sound Visions can. These guys tap in where other's tap out. Limited numbers, don't miss this truly unique LP. TIP!Alternatively titled: “Homoswavesailors”, Jack Cccoy’s 1984 film about the birth of windsurfing details, through the gaze of the sport as a pre-historic ancient ritual, the exploits of a few of the sports originators. Backing up the clear 80’s blue visuals of waves white washed wind blasted FX, is a variety of original pop and synth music made by the films’ composer, Chris Eggleton. There are no song titles, rather each track is spiced-up with wind and wave sound fx, which were originally meant to act as sound accents for wave sail action in the film. The pop songs are beach-spiked hits, sounding like New Zealand’s flying nun rock, or blasted out prince chorus funk, but with added film sound fx, the essence of the silver screen begins to creep into the medium of audio disc! The synth music on Tradewinds sounds as if Tangerine Dream made inspirational beach movie tracks during the height of their “Firestarter” period. The mix is arranged by Pacific City, so that the summer doesn’t crash and burn. For the first time in history, Pacific City Sound Visions presents: the original motion picture soundtrack to “Tradewinds” on vinyl LP. Break down….. shake down….. ya busted……
Chris Eggleton - OST Trade Wind: The Wavesailing Film
Chris Eggleton
OST Trade Wind: The Wavesailing Film
LP | 2017 | US | Original (Pacific City Sound Visions)
22,99 €*
Release:2017 / US – Original
Genre:Film / TV
Alternatively titled 'Homoswavesailors', Jack McCoy's 1984 film about the birth of windsurfing details, through the gaze of the sport as a pre-historic ancient ritual, the exploits of a few of the sport's originators. Backing up the clear '80s blue visuals of waves white washed wind blasted FX, is a variety of original pop and synth music made by the film's composer, Chris Eggleton. The pop songs are beach-spiked hits, sounding like New Zealand's Flying Nun rock, or blasted out Prince chorus funk, but with added film sound FX, the essence of the silver screen begins to creep into the medium of audio disc! The synth music sounds as if Tangerine Dream made inspirational beach movie tracks during the height of their 'Firestarter' period.
Fourth World Magazine - The Spectacle Of Light Abductions
Fourth World Magazine
The Spectacle Of Light Abductions
Tape | 2011 | US | Original (Pacific City Sound Visions)
11,99 €*
Release:2011 / US – Original
Genre:Electronic / Dance
After many years as half of the highly influential Skaters with James Ferraro, 2 solo albums on Olde English Spelling Bee (Black Joker and Monopoly Child Star Searchers) and countless tapes and CDs, Spencer Clark has taken it to the next level. Layers of cosmic and alien sounds inhabit their own world and act as metaphors you can access subconsciously or explicitly. Clearer and more lucid than previous releases of his, this is a singular record of inner space exploration that operates completely outside the retro kraut-new age-synth trend so prevalent right now. Being more hi-fi than his past recordings, Spencer says ‘I have made an Alien Space Fusion Music that is an Aural Symbol for the pre-birth outer space-self's new Arrival.’ In this new zone, Spencer channels a more personal and spacious side of his vision, combining the rhythmic side of Monopoly Child with the abstractions of his Vodka Soap project. It stands as his biggest statement yet and will surprise and please. A beautiful record. Now it's yours to explore.
Frank Dommert - Kiefermusik
Frank Dommert
Kiefermusik
LP | 2017 | EU | Original (Pacific City Sound Visions)
19,99 €*
Release:2017 / EU – Original
Genre:Electronic / Dance
Spencer Clarke (The Skaters) pulls up Frank Dommert and Christoph Heeman’s wonderfully disorienting, mercurial collage, Kiefermusik (1990) from a strange temporal gooch between the nearly-expired ‘80s new wave and industrial sphere, and the flood of techno and electronic music which would appear in its wake.Crafted using materials recorded between ’84-’89 and issued on Dommert’s debut release, Early Loops & Tapes (1987), together with samples of a famous children’s radio play, plus engineering supplied by Ramon Creutzer and additional mixing/production from Heeman, Kiefermusik is effectively Dommert’s debut album proper, and one of those records that still stands far out from the time it was made, no matter what way you look at it.From nose to tail, Kiefermusik documents a playfully searching musical spirit coming into its own, following intuitive, subconscious lines of inquiry in order to sidestep orthodoxy and stylistic mimesis and seek out the unknown and psychedelic. It feels like a tabula rasa for experimental music, shedding the physicality and psychosexual themes of industrial music, the “exotic” of the 4th world and the pop-wise chops of new wave, and filling the space in between with a sort of lysergic, sagely abstraction that characterises an OOBE experience or waking dream.In the first side, fluttering acoustic guitar strokes are smeared in watery figures with broadcast ephemera and cloven loops accreting sticky noise and impish murmurs but, defocus your ears a little and you’ll also hear the doppler effect of strafing autobahn traffic and unsettling, elusive atmospheric disturbances at its timbral limits - precisely the sort that will have you checking over the shoulder, on the ceiling when consumed in altered states.The flipside offers equally scant handrails and signage. A ridiculously sped-up intro starkly contrasts with the eerie amalgamation of sound that follows, as the record spins deeper into a crevice of plasmic tones and creaking electro-acoustics laced with haphazardly radio signals and varispeed tape FX in a manner that recalls NWW at their most un/hinged.
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