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Penny Vinyl, CD & Tape 8 Artikel

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V.A. - Criminale Volume 1 - Paura
La Batteria - Tossico Amore
La Batteria
Tossico Amore
LP | 2016 | EU | Original (Penny)
14,99 €*
Release:2016 / EU – Original
Genre:Rock / Indie
Tossico Amore is La Batteria's personal tribute to the composer Detto Mariano and the movie directed by Claudio Calligari in 1983. It is a true concept album that further expands the already rich sound tapestry of the quartet. La Batteria initially grabbed our attention with a first album that succeeded in combining the typical Italian epic sound attitude with materials coming from the wide, and often obscure, field of sound libraries and film scores.
Detto Mariano - OST Amore Tossico
Detto Mariano
OST Amore Tossico
LP+CD | 2016 | EU | Original (Penny)
20,99 €*
Release:2016 / EU – Original
Genre:Film / TV
1983's 'Amore Tossico' is a legendary cult film, directed by Claudio Caligari. Arranger and pianist Detto Mariano wrote the entire score on his Fairlight series IIx, a now revered synthesizer that had just entered the market that year. The sound is therefore scary and up to date, a true companion to the vivid and rough imagery of the movie. Featuring sound from the original tapes, the LP is pressed on deluxe 140-gram vinyl and packaged in a gatefold sleeve. You also get a bonus CD of the entire album plus a reproduction of the original film poster.
Louis Jordan - Somebody Up There Digs Me
Lord Flea & His Calypsonians - Swingin' Calypsos
V.A. - Criminale Volume 4 - Violenza!
V.A.
Criminale Volume 4 - Violenza!
LP+CD | 2015 | EU | Original (Penny)
16,99 €*
Release:2015 / EU – Original
Genre:Film / TV
The decade from 1968-1978 has a pivotal importance in Italy’s 20th century history, it was a period of deep social and cultural transformation on the wings of the Berkeley youth protests and the so-called ‘French May’ which then developed in different directions, due to the moral contradictions of one of the most conspiratory countries of the western world. The definitive loss of innocence of a nation still drunk from the economic exploits of the early sixties and yet ready for a leap into the void of the modern age, with lots of crazy and incomprehensible variables. Years of high-tension events – beginning with the tragic massacre of Piazza Fontana and finishing with the infamous kidnapping and murderer of Aldo Moro - reflected in every aspect of the society and ‘cultural building’. A palpable tension could be felt both sonically and visually.The soundtrack of this whole world was written in real time by a bunch of enterprising composers, right in the middle of a session for some magical Italian soundtrack or even an appearance alongside the RAI (the main national broadcaster) Orchestra, who made ‘creative gym’ and little money while recording some instant albums for the most sought after publishers of libraries. Sonic pictures of the heyday of Italian society, truly unique from the music made by French, English or German composers in their respective countries. The sound coming from the Italian television was as sharp as a razor blade and tasted just like lead and lachrymatory, with a howling fuzz guitar and a heavy drum to set the tumultuous scene of a society on the verge of implosion. Daniela Casa, Remigio Ducros, Alessandro Alessandroni, Stelvio Cipriani, Enzo Scoppa, Amedeo Tommasi, Franco Tamponi and the other composers featured acted as drastic audio reporters, on top of being incredible musicians. They were able to describe in just few minutes the climax they were surrounded by, using their classical heritage and training with hints of the avant-garde, at the same time as the boost of psych-rock, jazz, funk and whatever other popular musical innovation came their way. Urged to be minimalistic and so far not original – the quintessence of the library diktat – the Italian composers answered instead with an experimental vocation pushed by that same need for renewal, stimulating the entire nation in those crazy and marvelous years.
V.A. - Criminale Volume 3 - Colpo Gobbo
V.A.
Criminale Volume 3 - Colpo Gobbo
LP+CD | 2015 | EU | Original (Penny)
16,99 €*
Release:2015 / EU – Original
Genre:Film / TV
The decade from 1968-1978 has a pivotal importance in Italy’s 20th century history, it was a period of deep social and cultural transformation on the wings of the Berkeley youth protests and the so-called ‘French May’ which then developed in different directions, due to the moral contradictions of one of the most conspiratory countries of the western world. The definitive loss of innocence of a nation still drunk from the economic exploits of the early sixties and yet ready for a leap into the void of the modern age, with lots of crazy and incomprehensible variables. Years of high-tension events – beginning with the tragic massacre of Piazza Fontana and finishing with the infamous kidnapping and murderer of Aldo Moro - reflected in every aspect of the society and ‘cultural building’. A palpable tension could be felt both sonically and visually.The soundtrack of this whole world was written in real time by a bunch of enterprising composers, right in the middle of a session for some magical Italian soundtrack or even an appearance alongside the RAI (the main national broadcaster) Orchestra, who made ‘creative gym’ and little money while recording some instant albums for the most sought after publishers of libraries. Sonic pictures of the heyday of Italian society, truly unique from the music made by French, English or German composers in their respective countries. The sound coming from the Italian television was as sharp as a razor blade and tasted just like lead and lachrymatory, with a howling fuzz guitar and a heavy drum to set the tumultuous scene of a society on the verge of implosion. Daniela Casa, Remigio Ducros, Alessandro Alessandroni, Stelvio Cipriani, Enzo Scoppa, Amedeo Tommasi, Franco Tamponi and the other composers featured acted as drastic audio reporters, on top of being incredible musicians. They were able to describe in just few minutes the climax they were surrounded by, using their classical heritage and training with hints of the avant-garde, at the same time as the boost of psych-rock, jazz, funk and whatever other popular musical innovation came their way. Urged to be minimalistic and so far not original – the quintessence of the library diktat – the Italian composers answered instead with an experimental vocation pushed by that same need for renewal, stimulating the entire nation in those crazy and marvelous years.
V.A. - Criminale Volume 2 - Ossessione
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