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Raime Electronic & Dance 2 Artikel

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Raime - Tooth
Raime
Tooth
2LP | 2016 | UK | Original (Blackest Ever Black)
27,99 €*
Release:2016 / UK – Original
Genre:Electronic / Dance
Raime’s second album, Tooth, arrives June 10, 2016 on 2xLP, CD and digital formats. The widescreen melancholia of their 2012 debut, Quarter Turns Over A Living Line, gives way to an urgent and focussed futurism, in the shape of eight fiercely uptempo, minimal, meticulously crafted electro-acoustic rhythm tracks. The DNA of dub-techno, garage/grime and post-hardcore rock music spliced into sleek and predatory new forms. No let-up, no hesitation. Needlepoint guitar, deftly junglist drum programming, brooding synths and lethal sub-bass drive the engine. The production is immaculate, high definition. No hiss, no obscuring drones or extraneous noise: the music of Tooth is wide-open and exposed. The seeds of its supple dancehall biomechanics can be found in the self-titled 2013 EP by Raime side-project Moin, an ahead-of-its-time synthesis of art-rock and soundsystem sensibilities, but Tooth pushes the template further, binding the disparate elements together so tightly that they become indistinguishable from one another. If Quarter Turns was an album that confronted total loss and self-destruction, even longed for it, then Tooth is the sound of resistance and counter-attack: cunning, quick, resolute; calling upon stealth as much as brute-force. At a time when so many pay lip service to experimentation without ever fully committing themselves or their work to it, Raime return from three years of deep, dedicated studio research with a bold and original new music: staunch, rude, and way out in front.
Raime - Quarter Turns Over A Living Line
Raime
Quarter Turns Over A Living Line
CD | 2012 | UK | Original (Blackest Ever Black)
18,99 €*
Release:2012 / UK – Original
Genre:Electronic / Dance
The long awaited debut album by Raime follows the duo's self-titled 2010 EP and two subsequent 12" singles.Moving away from the sample-based strategies that characterised their early work, Joe Andrews and Tom Halstead have looked increasingly to live instrumentation for their first full-length work, mounting intensive recording sessions for percussion,guitar and strings before painstakingly piecing the album together at their home studio. The gothic and industrial signifiers intheir music remain, but more submerged and oblique than ever - no less pronounced as influences than jungle's rhythmic dynamism and doom metal's oppressive weight or aspects of techno, modern composition and dub. Quarter Turns Over A Living Line is the first original artist LP on Blackest Ever Black.
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