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Rock & Indie 27 Artikel

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A. Savage - Thawing Dawn
And So I Watch You From Afar - The Endless Shimmering
Beach Slang - We Were babies & We Were Dirtbags (Quiet Slang) Colored Vinyl Edition
Bell Witch - Mirror Reaper
Bell Witch
Mirror Reaper
2LP | 2017 | US | Original (Profound Lore)
31,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
With their third full-length album Mirror Reaper, Seattle doom metal duo Bell Witch have created their most enormous and all-encompassing work to date.The band takes their blueprint for minimalistic, mournful, yet massive sound and expands it to a new level, doing the unthinkable in the genre: a continuous 83-minute piece unfolding as a single time-stretching track. Once again engineered and mixed by veteran producer Billy Anderson (who claims this as one of the milestones in his entire producing career) the duo of Dylan Desmond (bass, vocals) and Jesse Shreibman (drums, vocals, organ) push the sound even further beyond their landmark 2015 album, the genre-defining Four Phantoms. With organ adding a new layer, the album also sees honorary member and guest vocalist Erik Moogridge (Aerial Ruin) return once again offering an even more prominent presence with his vocals. On the themes surrounding the concept and lyrics, the band states: “Our original idea for this record was to write a two-song album titled As Above / So Below. These two songs would have been split into seven movements to correlate with the seven Hermetic principals. The process took a life of its own and upon completion we have one song spanning 83 minutes. It is titled in reference to the axiom ‘As Above So Below’. During the writing process we were devastated by the loss of our dear friend and former drummer, Adrian Guerra. Out of love for and in respect to his memory, we reserved an important yet brief section in the song for him that features vocal tracks left over from our previous album. We believe he would be proud of it.”The doom metal album to push all boundaries: a single 83 minute track—a milestone in the genre!
Brix & The Extricated - Part 2 Colored Vinyl Edition
Brix & The Extricated
Part 2 Colored Vinyl Edition
LP | 2017 | UK | Original (Blang)
20,99 €*
Release:2017 / UK – Original
Genre:Rock / Indie
Gegründet von der früheren The Fall Sängerin Brix Smith Startund dem legendären Bassist Steve Hanley, konnte das Duo auch Steves Bruder Paul Hanley am Schlagzeug, ebenso wie Steve Trafford undden talentierten irischen Gitarristen Jason Brown für sichgewinnen. Der zunehmende Druck von alten und neuen Fansgleichermaßen, um frisches Material aufzunehmen, spornte Brix& The Extricated an, ins Studio zu gehen, wo sie zehn Songsaufnahmen. Jeder der Brix' Buch "The Rise, The Fall & The Rise"gelesen hat, weiß, dass sie in einem Moment noch eine Kriegerinist und im nächsten Moment ihre Rüstung ablegt und jedem ihreoffenen Wunden zeigt. Diese Haltung zeigt sich auch bei "Part 2",wenn Brix ihre Texte über die unverwechselbaren Akkorde derHanley Brüder singt.
Dead Rider - Crew Licks
Death And Vanilla - Vampyr
Death And Vanilla
Vampyr
2LP | 2017 | EU | Original (Fire)
32,99 €*
Release:2017 / EU – Original
Genre:Rock / Indie
"Recalling the eerie, haunted ambience of Angelo Badalamenti/Julee Cruise's TwinPeaks soundtrack, Stereolab/Broadcast's experimental vision of 50s loungemuzak/exotica and French 60s pop, or the narcotic country-noir of Mazzy Star." - TheGuardian // It's 1932 and Danish film director Carl Theodor is making a movie of agrim tale for both French and German audiences. To get over the language barrier hedecides to have the majority of dialogue on silent movie title cards. Imagine the scene,you're sleepy, you're in a strange house, you doze. Inevitably you're lured to a castle,you open a package, it's a book about horrific demons called vampyrs. The castle ismanned by servants - there are also two sisters (one with bite wounds, the other in atrance-like stupor), a doctor and an old woman complete the cast. There's a bloodtransfusion to save one of the sisters followed by a dream like sequence where you'reburied alive. It's a cliff hanger, we'll leave it there. Some 70 years later, what's neededis a band to play live on Halloween at the Fantastisk Filmfestival, Lunds Stadsteater.One year to the day later, they release the music in a now super rare limited editionof 150 blood red cassettes. Now re-issued as a double vinyl package.
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Dirty Songs - Dirty Songs Play Dirty Songs
Dirty Songs
Dirty Songs Play Dirty Songs
LP | 2017 | US | Original (Audika)
26,99 €*
Release:2017 / US – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
Directed and produced by David Toop, Dirty Songs Play Dirty Songs reacts against our poisonous present, inspired anti-nostalgically by similarly reactive records and live performances from the 20th century: Soft Machine and Pink Floyd 1967-68, The MC5’s Kick Out the Jams, The Stooges, Sun Ra’s Cosmic Tones For Mental Therapy and The Heat Is On by The Isley Brothers. Dirty Songs Play Dirty Songs is the musical offshoot of a project conceived by artist Maxime Rossi, originating in (among other things) speculations on the (then unreleased) legendary Pink Floyd “John Latham” recordings (1967) and FBI investigations (1964) into subversive and obscene messages supposedly buried within the recorded lyrics of The Kingsmen’s “Louie Louie”. Developed through conversations between Maxime Rossi and David Toop and through support from Fondation Fiminco & MRAC, these ideas metamorphosed into the band and recordings known as DIRTY SONGS, existing both as audio recordings and audio-visual elements of Maxime Rossi’s installation Christmas On Earth Continued, exhibited at MRAC in November 2017. Dirty Songs is David Toop (bass, guitar, digital electronics, VCS3 synth), Phil Minton (voices), Evan Parker (soprano and tenor saxophones), Steve Beresford (Farfisa organ, VCS3 synth), Mark Sanders (drums).
Dream Wife - Fire EP
Dream Wife
Fire EP
12" | 2017 | UK | Original (Lucky Number)
10,99 €*
Release:2017 / UK – Original
Genre:Rock / Indie
Debüt-EP des umjubelten Brightoner Frauentrios Dream Wife, das mit seinem emotional explosiven Alternative-Pop bereits mehrere UK Festivalauftritte dieses Jahr absolvierte und nicht nur die Fachprese von Stereogum über DIY bis zum Musikexpress neugierig auf mehr gemacht hat.
Eddie Cochran - C'mon Everybody
Gruntruck - Gruntruck
Gruntruck
Gruntruck
LP | 2017 | US | Original (Found Recordings)
26,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
FOUND Recordings is proud to announce the lost third album from Seattle grunge pioneers Gruntruck, recorded in the 90's by the original lineup at the height of their powers. Featuring 11 unreleased tracks recorded and produced by Jack Endino (Nirvana, Soundgarden), and Martin Feveyear (Screaming Trees, Queens of the Stone Age, Mudhoney), this blistering album captures the heady days of the Seattle music scene at its peak. Fans of the genre will be treated to a rare opportunity to relive an important musical era with all-new studio recordings.
John Frusciante - Niandra LaDes And Usually Just A T-Shirt
John Frusciante
Niandra LaDes And Usually Just A T-Shirt
2LP | 2017 | US | Original (Superior Viaduct)
39,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
Niandra LaDes And Usually Just A T-Shirt is the first solo record by John Frusciante. Between 1990 and 1992 the guitarist made a series of 4-track recordings, which at the time were not intended for commercial release. After leaving the band Red Hot Chili Peppers in 1992, Frusciante was encouraged by friends to release the material that he wrote in his spare time during the Blood Sugar Sex Magik sessions. Originally released on Rick Rubin’s American Recordings label in 1994, Niandra LaDes is a mystifying work of tortured beauty. Frusciante plays various acoustic and electric guitars, experimenting with layers of vocals, piano and reverse tape effects. Channeling the ghosts of Syd Barrett and Skip Spence, his lyrics are at once utterly personal and willfully opaque. Frusciante’s rapidfire, angular playing shows how key he was in the Chili Peppers’ evolution away from their funk-rock roots. His cover of “Big Takeover” perfectly deconstructs the Bad Brains original with laid-back tempo, twelve-string guitar and a fierce handle on melody. The album’s second part—thirteen untitled tracks that Frusciante defines as one complete piece, “Usually Just A T-Shirt”—contains several instrumentals featuring his signature guitar style. Sparse phrasing, delicate counterpoint and ethereal textures recall Neu/Harmonia’s Michael Rother or The Durutti Column’s Vini Reilly. On the front cover, Frusciante appears in 1920s drag—a nod to Marcel Duchamp’s alter-ego Rrose Sélavy—which comes from Toni Oswald’s film Desert in the Shape. This first-time vinyl release has been carefully remastered and approved by the artist. The double LP set is packaged with old style tip-on gatefold jacket and printed inner sleeves.
Johnny Cash - Folsom Prison Blues
Margo Price - All American Made Black Vinyl Edition
Margo Price
All American Made Black Vinyl Edition
LP | 2017 | US | Original (Third Man)
22,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
A lot can change in a year: markets boom and bust, trends come and go, presidents get elected. In 2015, Margo Price was a country underdog just trying to keep enough gas in the tank to get to the next gig, but by the end of 2016, she was one of the genre's most celebrated new artists and a ubiquitous presence on late night television and at major festivals around the world.It's the kind of year most musicians can only dream of, and the arrival of Price's spectacular sophomore album, ''All American Made,'' proves that she hasn't taken a moment of it for granted. Delivering on the promise of her debut and then some, the record finds Price planting her flag firmly in the soil as a songwriter who's here for the long haul, one with the chops to hang with the greats she so often finds herself sharing stages with these days.A prolific writer with a knack for candid self-reflection, Price has never had to look too far for inspiration, and on 'All American Made,' she and her songwriting partner/husband, Jeremy Ivey, continue to depict the trials of everyday life with unflinching honesty, painting poetically plainspoken portraits of men and women just trying to get by.Highs and lows, long nights and hard days, wild women and cocaine cowboys, politics and sexism, it's all in there, singularly filtered through Price's wry, no-bullshit perspective. Throughout the album, her contemporary take on classic sounds is at once familiar and daring, an infectious blend of Nashville country, Memphis soul, and Texas twang that tips its cap to everyone from Waylon and Willie (who makes a guest appearance) to Loretta and Dolly, all while flipping a middle finger to the cookie-cutter pop that dominates modern country radio. Rich with swirling pedal steel, honky-tonk rhythms, and Price's stop-you-in-your-tracks vocals, 'All American Made' is deeply reverent of tradition even as it challenges conventions, a nuanced exploration of conflicted emotions for our deeply conflicted times.
Mariam The Believer - Love Everything
Mariam The Believer
Love Everything
LP | 2017 | EU | Original (Repeat Until Death)
22,99 €*
Release:2017 / EU – Original
Genre:Rock / Indie
In addition to her solo work as Mariam The Believer, Mariam Wallentin is one half ofvocal-and-drum-duo Wildbirds & Peacedrums with husband Andreas Werliin. She is alsoa founding member and composer in Fire! Orchestra. The follow up to 2013's debutalbum - the critically acclaimed 'Blood Donation' released on Moshi Moshi - 'LoveEverything' is written, produced and self-released on Mariam Wallentin's own labelRepeat Until Death.. Equipped with her courageously uncompromising approach tomusic-making Wallentin started Mariam the Believer to focus her expression into a popproject. In total 15 musicians collaborated on the album, resulting in songs that twistand turn evolving organically with each contribution. From vocalist virtuoso SofiaJernberg to drone experimentalist Oren Ambarchi and free form jazz star MatsGustavsson, it's an eclectic roll call, yet despite that Love Everything is at its very core, acollection of pure pop melodies. On 'Love Everything', she lets melodies lead the way -the piano flowing with harmonies that emphasise Wallentin's powerful and at times raw,honest voice. The songs are ripe, ready to be eaten, before metamorphosing into newstructures and an unexpected richness. Power ballads are interrupted by a change ofrhythms. Enchanting vocals turn into pulsating R'n'B, new opportunities are lurkingbehind every corner. In Wallentin's lyricism, the heart is a muscle pumping blood.Approaching spiritual subjects rooted in the human body and nature, she pulls esotericthemes into a context and reaches dizzying heights.
Michael Malarkey - Mongrels
Michael Malarkey
Mongrels
LP | 2017 | UK | Original (Cap On Cat)
24,99 €*
Release:2017 / UK – Original
Genre:Rock / Indie
Was kommt zuerst? Der Schauspieler oder der Songwriter? FürMichael Malarkey kam das Songwriting zuerst. Erst danach begannder Musiker, der sich alles selber beigebracht hat, ebenfalls alsselbsterlerntes Talent seine Schauspielkarriere. Michael Malarkeyist in Beirut, Libanon geboren, mit einem irisch-amerikanischen Vaterund einer britischen Mutter arabisch-italienischen Ursprungs. Bekanntwurde er durch seine Rolle als berüchtigter Enzo in der Hit TV-Serie"The Vampire Diaries". Aufgewachsen in Yellow Springs, Ohio, reisteMalarkey nach London, um an der Londoner Academy of Music andDramatic Art zu studieren und neben seiner Schauspielkarriere in dieMusik eintauchen zu können. "Ich halte es für eine Form des poetischenJournalismus, es ist eine endlose Reise der Selbstfindung" so Malarkey.Vor kurzem als Folk-Tronica beschrieben, ist der musikalische Stil vonMalarkey von einer Vielzahl von Künstlern inspiriert und sein Debütalbum"Mongrels" ist eine Demonstration dieses vielfältigen Geschmacks.Malarkey erforscht gerne seine dunkle Seite und nutzt dieseAuseinandersetzung für sein Songwriting. Das Ergebnis sind Songs mitlyrischer Tiefe und melodischer Stärke. Jedes Lied ist eine neue Reise ineinen anderen Korridor seines Geistes, der mit der Tiefe eines Mannesbestückt ist, der die Welt in Bildern und Emotionen sieht. Eine Mischungaus introspektiver Country und Folk Musik und getriebenen Blues-Songsmit Texten, die von einer eindringlichen Schönheit gefüllt sind.
Sepultura - Chaos A.D. Expanded Edition
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Tarawangsawelas - Wanci
Tarawangsawelas
Wanci
LP | 2017 | EU | Original (Morphine)
15,99 €*
Release:2017 / EU – Original
Genre:Rock / Indie
Tarawangsawelas are a musical duo from Bandung, mainly performing a contemporary version of Tarawangsa, the sacred music from Sundanese West Java. Here they are joined by their teacher and maestro, Pak Pupung Supena, together with, Pak Jaja, on Sekalipon. Wanci is a minimalist, cosmic album composed with a careful modern interpretation of one of the most mystical and spiritual genres in Indonesia. A gorgeous and infectious six track album. TIP!Producer Rabih Beaini says "Last year, Europalia Festival commissioned me to work on a musical project with local musicians from Indonesia and develop a performance to tour during Europalia 2017. I chose to work with Tarawangsa, the sacred music from Sundanese West Java. Tarawangsa is played on two string instruments: a rababa-like two-stringed bowed instrument itself called Tarawangsa, and the Jentreng, a seven-stringed kecapi-like instrument. Typically from Rancakalong village in Sumedang, West Java, Tarawangsa is played as part of a ritual consisting of almost eight hours of music and dance, complete with offerings and prayers. During a performance, a selection from the forty two known Tarawangsa pieces slowly build up from a cosmic slow groove to more repetitive and hypnotic rhythms, inevitably bringing the listener and dancer to a trance state. During the residency I had the great honor to be able to develop new structures and pieces together with Tarawangsawelas, recording them in Bandung, and ultimately having them joined by their teacher and Tarawangsa maestro Pak Pupung Supena together with Pak Jaja on jentreng. This album is a modern description for one of the local Indonesian music scene, but mainly it is an offering for the Tarawangsa ritual, like the food and incense and the prayers, and the messages of the ancestors to the people of Rancakalong."Composed and performed by Teguh Permana, Wisnu Ridwana and Rabih Beaini, except Sekalipun (traditional) performed by Pupung Supena, Jaja Rohmat, Teguh Permana & Wisnu Ridwana.Recorded in Bandung, march 2017Produced, mixed and arranged by Rabih Beaini.Mastered by Neel at Enisslab.
Ufomammut - 8
Ufomammut
8
LP | 2017 | US | Original (Neurot)
26,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
8 is UFOmammut’s eighth album, comprised of eight tracks that flow into each other without interruption. This flow can also be seen when you tip 8 horizontally, thus it morphs into the lemniscate from algebraic geometry—∞—a plane curve that meets at central point, or more commonly known as the infinity symbol. A continuous stream of movement reflective of the uninterrupted nature of the album but also the continued togetherness of the essential elements of the band —Urlo, Poia and Vita— since the beginning of the band’s history in 1999. It must be stressed there is no singular pronunciation of the title, 8 is “eight” in English, “otto” in Italian, “acht” in German, “huit” in French, and so on. It is a continuous flux of music, a singular entity, which can be defined in micro-measurements by its eight satellite songs. Each song expands upon the one preceding it, unfolding into an exceedingly dense and malevolent journey, resulting in this being the band’s most extreme venture yet, with no permittance for breathing space in those forty-eight minutes.
V.A. - Even A Tree Can Shed Tears: Japanese Folk & Rock 1969-1973 Black Vinyl Edition
V.A.
Even A Tree Can Shed Tears: Japanese Folk & Rock 1969-1973 Black Vinyl Edition
2LP | 2017 | US | Original (Light In The Attic)
31,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
There was something in the air in the urban corners of late ‘60s Japan. Student protests and a rising youth culture gave way to the angura (short for “underground) movement that thrived on subverting traditions of the post-war years. Rejection of the Beatlemania-inspired Group Sounds and the squeaky clean College Folk movements led the rise of what came to be known in Japan as “New Music,” where authenticity mattered more than replicating the sounds of their idols.Some of the most influential figures in Japanese pop music emerged from this vital period, yet very little of their work has ever been released or heard outside of Japan, until now. Light In The Attic is thrilled to present „Even a Tree Can Shed Tears“, the inaugural release in the label’s Japan Archival Series. This is the first-ever, fully licensed collection of essential Japanese folk and rock songs from the peak years of the angura movement to reach Western audiences.In mid-to-late 1960s Tokyo, young musicians and college students were drawn to Shibuya’s Dogenzaka district for the jazz and rock kissas, or cafes, that dotted its winding hilly streets. Some of these spaces doubled as performance venues, providing a stage for local regulars like Hachimitsu Pie with their The Band-like ragged Americana, Tetsuo Saito with his spacey philosophical folk, and the influential Happy End, who successfully married the unique cadences of the Japanese language to the rhythms of the American West Coast. For many years Dogenzaka remained a center of the city’s “New Music” scene.Meanwhile a different kind of music subculture was beginning to emerge in the Kansai region around Osaka, Kyoto, and Kobe. Far more political than their eastern counterparts, many of the Kansai-based “underground” artists began in the realm of protest folk music. They include Takashi Nishioka and his progressive folk collective Itsutsu No Akai Fuusen, the “Japanese Joni Mitchell” Sachiko Kanenobu, and The Dylan II, whose members ran The Dylan cafe in Osaka, which became a hub for the scene.„Even a Tree Can Shed Tears“ also includes the bluesy avant-garde stylings of Maki Asakawa, future Sadistic Mika Band founder Kazuhiko Kato with his fuzzy, progressive psychedelia, the beatnik acid folk of Masato Minami, and the intimate living room folk of Kenji Endo.Nearly 50 years on, this “New Music” is born anew.This release marks the irst-ever fully licensed compilation of this music to be released outside Japan.The double LP housed in a deluxe gatefold Stoughton tip-on jacket with artwork by illustrator Heisuke Kitazawa including extensive liner notes.
V.A. - Even A Tree Can Shed Tears: Japanese Folk & Rock 1969-1973 Colored Vinyl Edition
V.A.
Even A Tree Can Shed Tears: Japanese Folk & Rock 1969-1973 Colored Vinyl Edition
2LP | 2017 | US | Original (Light In The Attic)
41,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
Preorder 27.10.2017
There was something in the air in the urban corners of late ‘60s Japan. Student protests and a rising youth culture gave way to the angura (short for “underground) movement that thrived on subverting traditions of the post-war years. Rejection of the Beatlemania-inspired Group Sounds and the squeaky clean College Folk movements led the rise of what came to be known in Japan as “New Music,” where authenticity mattered more than replicating the sounds of their idols.Some of the most influential figures in Japanese pop music emerged from this vital period, yet very little of their work has ever been released or heard outside of Japan, until now. Light In The Attic is thrilled to present „Even a Tree Can Shed Tears“, the inaugural release in the label’s Japan Archival Series. This is the first-ever, fully licensed collection of essential Japanese folk and rock songs from the peak years of the angura movement to reach Western audiences.In mid-to-late 1960s Tokyo, young musicians and college students were drawn to Shibuya’s Dogenzaka district for the jazz and rock kissas, or cafes, that dotted its winding hilly streets. Some of these spaces doubled as performance venues, providing a stage for local regulars like Hachimitsu Pie with their The Band-like ragged Americana, Tetsuo Saito with his spacey philosophical folk, and the influential Happy End, who successfully married the unique cadences of the Japanese language to the rhythms of the American West Coast. For many years Dogenzaka remained a center of the city’s “New Music” scene.Meanwhile a different kind of music subculture was beginning to emerge in the Kansai region around Osaka, Kyoto, and Kobe. Far more political than their eastern counterparts, many of the Kansai-based “underground” artists began in the realm of protest folk music. They include Takashi Nishioka and his progressive folk collective Itsutsu No Akai Fuusen, the “Japanese Joni Mitchell” Sachiko Kanenobu, and The Dylan II, whose members ran The Dylan cafe in Osaka, which became a hub for the scene.„Even a Tree Can Shed Tears“ also includes the bluesy avant-garde stylings of Maki Asakawa, future Sadistic Mika Band founder Kazuhiko Kato with his fuzzy, progressive psychedelia, the beatnik acid folk of Masato Minami, and the intimate living room folk of Kenji Endo.Nearly 50 years on, this “New Music” is born anew.This release marks the irst-ever fully licensed compilation of this music to be released outside Japan.The double LP housed in a deluxe gatefold Stoughton tip-on jacket with artwork by illustrator Heisuke Kitazawa including extensive liner notes.
White Stripes, The - De Stijl
White Stripes, The
De Stijl
Tape | 2017 | US | Original (Third Man)
11,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
The second album originally released by the White Stripes in 2000, now available remastered and printed by Third Man Records, authorized for the first time on cassette tape. The album is pressed on red cassette tapes, exclusively for Cassette Store Day 2017.
White Stripes, The - The White Stripes
White Stripes, The
The White Stripes
Tape | 2017 | US | Original (Third Man)
11,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
The shot heard ‘round the world. The first album originally released by the White Stripes in 1999, now available remastered and reprinted by Third Man Records, authorized for the first time on cassette tape. The album is pressed on red cassette tapes, exclusively for Cassette Store Day 2017.
White Stripes, The - White Blood Cells
White Stripes, The
White Blood Cells
Tape | 2017 | US | Original (Third Man)
11,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
The third album originally released by the White Stripes in 2001, now available remastered and printed by Third Man Records, authorized for the first time on cassette tape. The album is pressed on red cassette tapes, exclusively for Cassette Store Day 2017.
Wild Billy Childish & CTMF - I've Got A Conflicted Mind
Wild Billy Childish & CTMF
I've Got A Conflicted Mind
7" | 2017 | EU | Original (Damaged Goods)
6,99 €*
Release:2017 / EU – Original
Genre:Rock / Indie
Brand New 7" from Billy Childish's CTMF! Featuringalternate versions of two tracks from the band's "Brand New Cage" LP. Both versionsare exclusive to this release. "We're like a cherry tree in the garden that nobody can bebothered to scrump cos it has slightly undersized fruit which has not been standardisedfor a supermarket. But we're the real thing and the jays and the crows like us." BillyChildish - July 2017
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