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Soave Vinyl, CD & Tape 14 Artikel

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Piero Milesi / Daniel Bacalov - La Camera Astratta
Daniel Bacalov - 1984/5: Il Ladro Di Anime / Diario Segreto Contraffatto
Daniel Bacalov
1984/5: Il Ladro Di Anime / Diario Segreto Contraffatto
LP | 2018 | EU | Original (Soave)
27,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
Daniel Bacalov, composer of music for theater, cinema, and dance, studied classical guitar and percussion. He composed the music of numerous theatrical performances represented in many international theatre festivals. His first two publications on LP were Il Ladro Di Anime, presented at the Venice Biennial of 1984 and Diario Segreto Contrattato.SOAVE is pleased to offer these two fundamental documents of the period, reprinting them for the first time in a limited edition on double LP.The compositions are mainly structured on ethnic percussions played in a masterly manner, accompanied by acoustic guitars and synths of the time, in particular the DX7 and PPG Wave. The dictated rhythm unites the show as a universal and indeterminate single body.In those years the theater in Italy broke from its usual codes, mixing "high" and "low" culture, introducing a new language and new reflections, redefining the theatrical event and the need to investigate all the territories of creativity; in this panorama the sounds and the musics assumed a central importance that today remain the most concrete testimony of that extremely creative experimental period
Giusto Pio - Motore Immobile
Giusto Pio
Motore Immobile
LP | 1997 | EU | Reissue (Soave)
22,99 €*
Release:1997 / EU – Reissue
Genre:Klassik
One of the most striking documents of Italy’s Minimalist movement, Giusto Pio’s "Motore Immobile" is a masterwork with few equivalents. Produced by Franco Battiato in 1979, at the outset of a long and fruitful period of collaboration between the two composers, and issued by the legendary Cramps Records, its triumphs were met by silence, before falling from view.Emerging on vinyl for the first time since its original pressing, "Motore Immobile" now sits within a reappraisal of a large neglected body of efforts made by the Italian avant-garde during the second half of the 1970’s and early 80’s. It is singular, but not alone. It resonates within a collective world of shimmering sound, one familiar to fans of Battiato, Lino Capra Vaccina, Luciano Cilio, Roberto Cacciapaglia, Francesco Messina and Raul Lovisoni.An exercise in elegant restraint - note and resonance held to the most implicit need. Where everything between root and embellishment has been stripped away. A sublime organ drone, against interventions of deceptively simple structural complexity - executed by Piano, Violin, and Voice. A sonic sculpture reaching heights which few have touched. A thing of beauty and an album as perfect as they come. The reemergence of Motore Immobile heralds what is unquestionably one of the most important reissues of the year.
Roberto Musci / Giovanni Venosta - A Noise, A Sound
Roberto Musci / Giovanni Venosta - Urban And Tribal Portraits
Roberto Musci / Giovanni Venosta
Urban And Tribal Portraits
LP | 1988 | EU | Reissue (Soave)
22,99 €*
Release:1988 / EU – Reissue
Genre:Electronic / Dance
And so, steadily, Roberto Musci’s works are being made available for our listening pleasure. Soave’s edition of ‘the complete sessions’ of The Loa of Music, Musci’s debut album from 1984, is now flanked by Urban and Tribal Portraits, another milestone from 1988, a key collaboration with fellow sidereal world traveler Giovanni Venosta, whose essential and amazing debut album Olympic Signals was also recently repressed. While a number of the recordings that comprise this particular work have been (relatively) available --through a ReR anthology that also included tracks from the other Musci/Venosta collaboration, Water Messages on Desert Sand as well as some integrated in the Music From Memory compilation, Tower of Silence, released under Musci’s name only—this is indeed the first time one can listen to this fundamental work as it was meant to be heard. Not a minor detail for a work that was obviously conceptually and narratively rigorously conceived by Musci and Venosta.And what a listen it is.Urban and Tribal Portraits reaffirms the idea of postmodern pastiche as a multimedia multisensory experience and sound as an ecosystem that is both aleatory and concrete, ephemeral and durable. In these binary paradoxes, a radical notion of the nature of collaboration, that is both chance induced and conversely conceptually worked out, is also established. The result is a work that exposes the fixed assumptions about the constructed boundaries and flows between musical traditions and practices. On its own this is the ultimately problematic place where many of the so-called musics concerned with the world reach an impasse, incapable as they are of questioning their own basic assumptions and ultimately end up strengthening those very same boundaries and flows that they had apparently set out to challenge. Musci and Venosta go further, principally and more fundamentally, by picking away at the margins of pure sonorous events and musical material, noise and sonance. In doing so,Urban and Tribal Portraits repoliticizes the notion of pastiche, engaging as it does in a kind of ecopractice, turning the process rather than the musical object into the poetic focus of the work. Fixed categories are rendered ephemeral, temporal and spatial categories including the margins, so hard to overcome, between composition, improvisation, authorship, recordedness and live performance are deconstructed. In the end, where one would expect seriousness there is levity and where one might see some postmodern appropriative ironic juxtaposition there is intensity and respect of the magical organicness of the material sources.Like much Italian experimental music from that magical decade of the 80s this is not your dad’s fourth world music, with all of its ambiguous aestheticism of ‘unifying’ some not so well defined primitivism of ‘world ethnic styles’ with the futuristic sounds of whatever ‘advanced electronic techniques’ were the platter du jour. In this sound the 8-bits of the E-Mu Emax is as primitive as the Jews Harp while the electronically treated Pygmy chants turn out to be as futuristic as the multi-timbral capacities of the OB-8.From the funk ostinatos of “El Lamento de Los Ayatollah” where Venosta showcases his straight piano playing to the rarefied queer guitar arpeggios in “Tamatave”, the peaceful ripples in “Dialogue Between a Dreamer and Others”, the playfulness of “Starfish & Kangaroos” or the post-punkish This Heat/Cabaret Voltaire aggression in “The Fear of a Soldier” this is destabilization as praxis, a shifting of the ground. The new cover image, that replaces the ethno patchwork of the original sleeve (beautiful as it was) is indeed more to the point: Sven Hedkin’s photograph of early 20th century Tibetan death masks is at once urban and tribal, surrealist in its uncanniness. Just like in surrealist praxis these sounds offer some kind of redemption: sounds used in alternative ways, distinct from their usual connections, deconstructed. A DIY bricolage: a destructuring of everyday sound objects towards new uses fed by local ecosituated experiences, transformative of performance and listening. Surrealist ‘musicking’ indeed.
O.A.S.I. - Il Cavaliere Azzurro
O.A.S.I.
Il Cavaliere Azzurro
LP | 2017 | EU | Original (Soave)
19,54 €* 22,99 € -15%
Release:2017 / EU – Original
Genre:Electronic / Dance
One of the many characteristics of Italian avant-garde theatre, from the seventies through the eighties, was the overlap of acting with the physicality of movement - reality with fiction and the stage with real life; it was a new poetic language for a multimedia representation. In this new language, the music composed for the stage was an active part of the performances, and the soundtrack from 1985’s “IL CAVALIERE AZZURRO” is one of its most significant examples.The musical project of the working group O.A.S.I. (Paolo Modugno, Massimo Terracini, Gino Castaldo and Ermano Ghisio Erba) blended industrial experimentation, ambient and concrete, with a strong ethnic element, both vocally and performed, then recorded and manipulated with the aid of tape recorders and samplers.This was a work that identified a historical moment of fervid experimentation and inspiration, and though intended to be played during a theatrical performance, vividly stands out without the visual accompaniment.
Maurizio Abate / Riccardo Sinigaglia - Dialoghi Nel Vuoto
Maurizio Abate / Riccardo Sinigaglia
Dialoghi Nel Vuoto
LP | 2018 | EU | Original (Soave)
21,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
When No Pussyfooting was released in 1973 by two great pioneers like Eno and Fripp, that first whisper of their artistic association surprised many critics and fans. Yet, that kind of minimalist ambient sonority carried out by the two appeared in the ear like something absolutely new and innovative. Although nowadays we might be more accustomed to creative operations of this type, we are still fascinated, while listening, by the still possible achievement of relevant moments of musical epiphany, however distant we might be from that first eminent combination between keyboards and guitar which concerned electronic experimentation. Something similar occurred in this new collaboration between Riccardo Sinigaglia and Maurizio Abate; two generations in comparison, whose research developments unfold in the handful of different conceptions and experiences. Their music does not own a pre-defined structure; it receives its ultimate reason from the progressive and continuous metamorphosis of sound. It’s all the result of spontaneous sessions, during which a predisposition towards an active trance procedure, sustained by complementary flashes of lucidity, prevails. The dominant atmosphere is entirely oneiric, perpetually doubtful, still not linked to the passive remote unconscious: it rather reminds of lucid dreams, of phosphenes, of eidetic visualizations that belong to Tibetan tradition.
Bebo Baldan - Vapor Frames 86/91
Bebo Baldan
Vapor Frames 86/91
LP | 1991 | EU | Reissue (Soave)
21,99 €*
Release:1991 / EU – Reissue
Genre:Electronic / Dance
The alchemist Bebo Baldan, accompanied by Steve James on violin and sarod (as well as on instruments of various geographical extractions) mixes, in a personal way, sounds from a bevy of different cultures – from Mediterranean and Indian, to South American – with synths, samples, and loops. The result is a boundless music that carries us, riding soft waves and bobbing between Balearic ambient, jazz and electronic, on islands that have been quietly, yet carefully cultivated; peaceful, fascinating, and reflective – places where time appears to dissolve. Vapor frames 86/91 was originally released for Venetian Divergo – a non-profit label, which after the Baldan album, also released "The Wind Collector" by Gigi Masin and Alessandro Monti a few months later.This reissue includes two added bonus tracks from the same sessions, both at the end of each side.The result is a stunning auditory atmosphere that relaxes the spirit in the same vein as a reiki treatment.
Electronic Modular Orchestra - Electronic Modular Orchestra
Electronic Modular Orchestra
Electronic Modular Orchestra
2LP | 2018 | EU | Original (Soave)
25,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
Electronic Modular Orchestra: from Neil Young to StravinskyCuriosity is the element that allowed the birth of this project. Gabriele Bombardini, Nicola Peruch, Matteo Scaioli and Max Vicinelli are musicians who have decades of experience in all fields of music. The desire to combine seemingly distant sounds such as the use of old analog synthesizers, a pedal steel that recalls the American folk tradition and the modular synthesis that leads back to the so-called concrete musical research, was the challenge to face.Freedom of expression, contemporary quotations, improvisation, Stravinsky, Bartok, Reich, psychedelic rock, jazz, all that is musical emotion is taken as a stimulus for this research. The sound journey and the balance between the genres are the essential trait of this proposal.Sound is made from the same matter of dreams that, as the sun rises, evaporate and leave a feeling of uncertainty. Just as when in proximity of a secret that will not be completely solved and won’t allow you to retrace the succession of emotions that brought you to it.Instead we must learn to hold on to them, cultivate them, be able to understand and recognize them. To trust them. Sound, its colour, the essence of its tone, the vibrations that it leaves in the air. None of these can be described in words: the necessity to physically listen is ineffable. We can write a melody, a rhythm, a harmonically complex structure, an arrangement… But never the colour and taste of sound. In Electronic Modular Orchestra’s music you will find certain harmonies, melodies, rhythms, sounds and layerings of every kind. All of these spring from the sound that gives it life and most profound meaning. It is for this reason that listening to this work requires an intimate complicity from the listener to be able to appreciate the essence of the tale that the artists wished to create. Perceiving the “voice” even before form and other structural and musical elements that we are accustomed to recognize.There is no use to dwell on single tracks. Everyone will find his own personal vision and the road to their own emotions. The influences of this music are numerous: precise and restless geometries, celestial shades, the metaphysical, chaos, energetic sounds, cutting sounds, unpredictability and scrape.Listen to this disk on a good sound system, so not to frustrate the musician’s intent. Take the necessary time to listen, and re-listen. Don’t keep this music as background noise. Gift yourself a moment for yourselves and grant yourselves that marvelous life experience that is listening to music.- Franco Ranieri
Pier Luigi Andreoni / Francesco Paladino - Aeolyca
Pier Luigi Andreoni / Francesco Paladino
Aeolyca
LP | 2018 | EU | Original (Soave)
19,54 €* 22,99 € -15%
Release:2018 / EU – Original
Genre:Electronic / Dance
Wriggling away from any clear classification, as 80s Italian new music was wont to do, yet clearly drawing on a number of traditions and procedures, Andreoni and Paladino’s AEOLYCA project stands on its own as it intersects the two musicians’ already well established partnership in A.T.R.O.X. and The Doubling Riders among other settings with the sounds generated by Mario Ciccioli’s aeolian sculptures. Neither aiming for the organic purity of Harry Bertoia’s Sonambient recordings or the complex constructions of Mario Bertoncini’s works with aeolian harps, AEOLYCA walks a line of resistance in refusing to get with any program. The music that was produced in Andreoni and Paladino’s interaction with the recordings extracted by Emiliano Licastro from Ciccioli’s sculptures is one that breaks the boundaries between the sound and musical sources.The work is divided between the quick pop timings of the “Rain on the Bells”, “Sunday Clothes for Brass Bands” and “The Peruvian Club” and the longer eponymous structured compositions that bookend the record each track characterized by a dominant sonority inspired by specific iterations of globalized musics. Ultimately, though, notwithstanding their individual structural and sound diversities, the project is indebted to the sampler, the ultimate absorber, the sound source that takes up the most musical space and the possibilities of eroding sources and styles that it imposes.Further, to indicatively attest the historical context from which it emerges, the 1980s as they came to a close, AEOLYCA was originally released on cassette, that decade’s foremost format, agile, immediate, economical and for a US label (Violet Glass Oracle).This is music that has digested many of the period’s instinctive gestures. It exists as a satellite, incapable and unwilling to articulate antecedents and to nurture descendants. This is a unique work in Andreoni and Paladino’s well documented activity, individually, in duo, and in their eclectic collaborations with the likes of Roger Eno and Riccardo Sinigaglia. Like the Time Zones Festival from which this project got its start AEOLYCA is what you find on the ‘path of possible musics’.
Tiziano Popoli / Marco Dalpane - Scorie
Tiziano Popoli / Marco Dalpane
Scorie
LP+CD | 1985 | EU | Reissue (Soave)
25,99 €*
Release:1985 / EU – Reissue
Genre:Electronic / Dance
We are glad to announce the official repress in Limited Edition in Colored Vinyl + free CD and insert of Scorie, Tiziano Popoli and Marco Dalpane’s minimal wonder from 1985. Long coveted and hunted by collectors, Scorie falls among the strange and definition resistant artifacts of Italy’s remarkable avant-garde music scene of the 70’s and 80’s. An emblem of sonic diversity rendered through electronic sound, distilling a daunting number of traditions and ideas, while sculpting its own world of creative singularity, standing apart from the rest. While a great many of Italy’s avant-garde and experimental music practitioners began within the spectrums of popular music, slowly pushing into more explicitly ambitious and challenging realms as the years wore on, Tiziano Popoli and Marco Dalpane represent a change in the directional tide. Scorie is a part of movement toward, and the incorporation of, popular forms, within avant-garde music which swept across the globe during the 1980’s. As challenging and uncomfortable as it is seductive and inviting, Scorie weaves a world without boundary, of collision and harmony. A vision of possible futures, rendered in its present day. A melodic realm, almost entirely constructed through the use of synthesizers, with subtle interventions of electronic rhythm generators, bridging the metronomic territories explored by Terry Riley and Steve Reich and the drifting harmonics of New Age, with the moodiness of New Wave and the adventurous spirit of the avant-garde.
Anni Venosta - Olympic Signals
Anni Venosta
Olympic Signals
LP | 1985 | EU | Reissue (Soave)
22,99 €*
Release:1985 / EU – Reissue
Genre:Electronic / Dance
Venosta‘s first album released in 1984 at the age of 23 is a committed subversive parody of minimalism which makes this record an unique and original work. Recorded in the living room with a 4 track Tascam, this album reveals a profound need of expression by this young pianist who felt clutched by the sound of Terry Riley, Michael Nyman, Brian Eno, Steve Reich, Penguin Café Orchestra and Dollar Brand. The contribution of Roberto Musci results in more esoteric and mystical side of the record and marks the beginning of a long and fruitful collaboration in which the arrangements of Venosta blends perfectly with electronics and various ethnic and acoustic sounds treated by Musci. 47 Minutes of inspired italian minimalism sound.
Roberto Musci - The Loa Of Music The Complete Sessions
Roberto Musci
The Loa Of Music The Complete Sessions
2LP | 1984 | EU | Reissue (Soave)
29,99 €*
Release:1984 / EU – Reissue
Genre:Electronic / Dance
"The Loa of Music" is the debut recording project of Milanese composer and musician Roberto Musci inspired by Voodoo Religion; Vever (the magical voodoo paintings) and Loas, the dark and magic spirits. The deep charm of non-Western music has led him to travel for many years across Africa, India and Asia, studying rhythms, scales, performance and interpretation of the most varied traditional and indigenous music, as well he make many field recordings and collected ethnic instruments that would then be combined with synthesizers and electronics in The Loa of Music.Recorded in 1983, the project originally had 80 minutes of music but only half was released on original LP. SOAVE has pressed for the first time the Complete Recording Session from original tapes of this phenomenally ambitious masterpiece that entirely refuses the well trod path - distilling a remarkable range of sonic reference and reality. A work of field recording, musique concrète, electronics, synthesis, and instrumentation, pulling from countless musics from across the globe, the result is nothing short of brilliant and stunningly beautiful. A near perfect work - an egoless gesture, which rather than attempting to find consensus, offers every voice equity and cohabitation - harnessing the history music, with all of its cultural diversity, as a vision for a more ideal future. Geographies and their sounds intertwine, while Musci’s interventions and instrumentation thread a path. Ambiences ripple, sounds and voices converse in a vision of unity that may only exist within sonic realms. Unquestionably seminal, and one of the most important works to emerge from Italy in the last 50 years. Never before issued on vinyl since it’s original release, and surely not to be around for long, this is one not to miss.
Wolf Vostell - De-Coll/Age Musik
Wolf Vostell
De-Coll/Age Musik
LP | 1982 | EU | Reissue (Soave)
22,99 €*
Release:1982 / EU – Reissue
Genre:Electronic / Dance
A seminal figure in the history of 20th century avant-garde, yet sinfully overlooked, Wolf Vostell unleashed ideas - those running wild through his debut LP "Dé-coll/age Musik", which remain a slap to the face, more than half a century after they were set into play. A founding member of Fluxus, an early instigator of Happenings, an innovator of video art, Vostell was equally one of the most radical and irreverent practitioners in sound that the world has ever known. First released in 1982, "Dé-coll/age Musik" draws from material dating between the late 1950’s and early 80’s - the results of Vostell’s application of décollage, the near perfect inversion of collage. Rather than gathered and assembled sounds - as with Musique Concrète, these are the result of subtractions from a former whole - the death of one, giving life to the next. Swelling from the past, Vostell’s efforts pull the rug from beneath the common history of structured sound. A singular body with no loyalty, producing shocking results. A grinding confrontation - an intoxicating immersion in sound - as brutal as it is ecstatic - an exercise in joy. "Dé-coll/age Musik" assembles the essence of a creative spirit which is rarely known. Each work as radical and fresh today as the moment it was made.
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