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Soul Jazz Vinyl, CD & Tape 130 Artikel

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Soul Jazz Records Presents - Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
Soul Jazz Records Presents
Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
3LP | 2018 | UK | Original (Soul Jazz)
27,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ new release ‘Soul of A Nation: Jazz is the Teacher, Funk is the Preacher’ is a powerful collection of radical jazz, street funk and proto-rap made in the era of Black Power (1969-75).This is the second ‘Soul of A Nation’ album released by Soul Jazz Records and coincides with the exhibition ‘Soul of a Nation – Art in the Age of Black Power’ currently at the Brooklyn Museum in New York and which moves to Los Angeles at The Broad in spring 2019. The international exhibition was critically received when it was launched last year at the Tate Modern in London (as was the accompanying first album ‘Soul of A Nation – Afro-Centric Visions in the Age of Black Power 1968-79’).This new album features a number of important and ground-breaking African-American artists – The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more – alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afro-Centric poly-rhythmical styles of music – radical jazz, street funk and proto-rap – while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives.During this era African-American jazz musicians ripped up traditional definitions – rejecting the term ‘entertainer’ to redefine themselves instead as ‘artists’. They worked outside of the mainstream music industry perceiving this artistic relationship to be fundamentally exploitative and politically flawed. Artists instead formed their own pan-arts community-centric collectives, set up their own record labels, ran concerts in alternative performance spaces – art galleries, parks, lofts, community centres – all as a way of taking control of their own creative destinies.At the start of 1960s jazz musicians had embarked on an intense period of musical experimentation as artists John Coltrane, Ornette Coleman and Don Cherry sought to dismantle the traditional definitions of jazz by creating new music that broke free from its establishment shackles.By the end of the 1960s and into the 1970s, forward-thinking African-American jazz musicians had absorbed the ideas of this radical and avant-garde path but also began to introduce many new elements – not just civil rights concepts of freedom but also black power ideas of self-respect, righteousness and anger. Their music developed into a radical and intense Afro-Centric mix of jazz, funk, soul, and street poetry all in search of a new musical language that could better represent artistic African-American cultural expression.All of the featured artists here were involved in this search in different ways; a shared sense of Afro-centric collectivism joined the dots between the deep avant-garde experimentalism of The Art Ensemble of Chicago (here featuring soul singer Fontella Bass singing the powerful ‘Theme de Yoyo’) to the hyper-funk psychedelia of George Clinton’s Funkadelic. The poetry of Gil Scott-Heron and Sarah Webster Fabio is performed with a backdrop of street funk and heavyweight percussion – in the process laying down the template for the birth of rap. The Har-You Percussion Group, which grew of a government-sponsored community project in Harlem in the 1960s, connect latin, jazz and funk rhythms; Byron Morris and Unity offer an intense and rhythmical journey. James Mason, Gary Bartz and The Oneness of Juju offer spirituality and cosmology in equal measures. Chicago’s The Pharaohs and Detroit’s collective Tribe add deep jazz and street funk in equal measures. And more besides!The front cover features a painting by Barkley Hendricks, a central artist in the exhibition ‘Soul of A Nation – Art in the Age of Black Power’.
Soul Jazz Records Presents - Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
Soul Jazz Records Presents
Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
2LP | 2018 | UK | Original (Soul Jazz)
24,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
This is the second collection of music from Venezuela in the 1970s and beyond to be released on Soul Jazz Records. The album once again features innovative figures in the history of underground Venezuelan music, mostly unknown outside of their home country – their music a blending of progressive rock, jazz, experimental electronics and disco created mainly in the 1970s during a time when the country was both a cultural and economic powerhouse in Latin America.While much of 1960s Venezuelan rock music emulated British and USA styles, and salsa dominated the dancefloors of Latin America, the 1970s saw the evolution of a new generation of creative local artists such as Vytas Brenner, Daniel Grau, Aldemaro Romero, Un Dos Tres Y Fuera who all explored the possibilities of mixing together rock with elements of electronica, funk, jazz, latin rhythms simultaneously exploring their links with Venezuelan roots music, creating a new sound which blended a multitude of new and old world influences, uniquely Venezuelan. Most of these artists featured on Venezuela 70 remain practically unknown outside of Venezuela’s borders and yet their progressive forward-thinking music is some of the most sophisticated in the world – a stunning ‘melting pot’ mix of sounds from the cosmic and psychedelic rock of Vytas Brenner to the Moroder-esque disco experimentation of Daniel Grau, and the tropical funk of Un Dos Tres Y Fuera and beyond.Aside from the relatively known Vytas Brenner and Daniel Grau, most of the music on this album is incredibly rare (even in Venezuela)!
Soul Jazz Records Presents - Studio One Lovers Rock
Soul Jazz Records Presents
Studio One Lovers Rock
2LP | 2018 | UK | Original (Soul Jazz)
24,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records new Studio One album is a fantastic selectionfeaturing all-star legendary Studio One vocalists - Alton Ellis, MarciaGriffiths, The Heptones, Horace Andy, Freddie McGregor, SugarMinott - alongside a host of classic and super-rare Lovers Rock cuts allof which Clement Dodd recorded at the Brentford Road studio.Lovers rock brought together many elements and here you will findsweet harmonies, late 1960s rocksteady, 1970s soul covers,discomixes, recuts and new rhythms – which all fit together in atimeless twilight of love & harmony - as if lovers silhouetted by aKingston sunset.Here you will find stone-cold classic Studio One tunes – MarciaGriffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carltonand The Shoes killer 70s versions of Never Give Your Heart Away andLet Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), TheInvaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’(currently for sale at £2,500 on discogs!) and many more!This new album comes with sleevenotes by Lloyd Bradley, theacclaimed author of Bass Culture, Sounds Like London and Reggae:The Story of Jamaican Music.
Soul Jazz Records Presents - Brown Sugar- I'm In Love With A Dreadlocks: Brown Sugar And The Birth Of Loves Rock 1977-80
Soul Jazz Records Presents
Brown Sugar- I'm In Love With A Dreadlocks: Brown Sugar And The Birth Of Loves Rock 1977-80
2LP | 2018 | UK | Original (Soul Jazz)
24,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records are releasing this first ever collection of the pioneering British reggae Lovers Rock group Brown Sugar including rare singles, dubs and extended mixes. The album comes with extensive sleevenotes and interviews with Dennis Bovell, Pauline Catlin, John Kpiaye and Winston Edwards (Studio 16).Brown Sugar were formed by three young teenage girls – Pauline Catlin, Caron Wheeler and Carol Simms in South London in 1976. In the short period of time 1976-1980, the group – working with Dennis Bovell on the mixing desk and John Kpiaye (‘Brownie T) in the studio – recorded barely a handful of singles on the new Lovers Rock label, a number of which went to the top of the UK reggae charts. But success stopped there, and with no album release and no industry support the group broke up in the early 1980s.Following their split Caron Wheeler became the lead vocalist for the hugely successful group Soul II Soul, Carol Simms launched a solo career as Kofi (re-making a number of Brown Sugar songs with producer Mad Professor) and Pauline Catlin returned to education.Despite their relatively low-key mainstream public exposure Brown Sugar (and the label on which their first records appeared) announced to the world a new genre of reggae music, Lovers Rock, which spoke for the first time with the sensibility of a new segment of British society; that of first generation-born Black British female youth.And while Lovers Rock became synonymous with sweet love songs, Brown Sugar’s music in fact expressed far more; a righteous pride and consciousness in being Black and British, a political stance more often associated with UK roots groups like Black Slate, Aswad, Misty in Roots and other British reggae acts in the late 1970s. Brown Sugar were in fact their own genre of ‘conscious lovers rock’ – an expression of ideological black cultural pride. Brown Sugar’s handful of three-minute love songs (often plus extended dubs) somehow manage to encapsulate all the complexities of identity, sexual politics and youthful righteousness of Afro-Caribbean youth living in Britain in the 1970s. Songs such as ‘I’m in Love with A Dreadlocks’, ‘Our Reggae Music’, ‘Black Pride’ and ‘Dreaming of Zion’ spoke with a straightforward righteousness and consciousness that few roots groups could hope to match. The fact that they were all teenagers is even more striking. In the mid-70s British reggae came into being as first generation Black Britain was able to find a voice able to express the issues of growing up British with Caribbean roots. This came about in two different ways – the British roots music of (essentially male) groups such as Aswad, Steel Pulse and Black Slate – and Lovers Rock, the expression of a black essentially (but not totally) female consciousness – Brown Sugar, Louisa Mark, 15-16-17, Marie Pierre, Janet Kay, Carroll Thompson, Jean Adebambo and others. And significantly, while British roots music was a variant on a Jamaican style, Lovers Rock was uniquely British – the first authentic British reggae sound. Dennis Bovell comments, “For Lovers Rock we needed a pulpit, a way of saying ‘this is the style’. Sound systems were already saying ‘this is lovers,’ brandishing it in the dance. Our intention was to create a style of music that my generation could identify with – one that had a beat, and you could dance to with your partner in a sound system setting.” Dennis Bovell’s mixes for the group gave a further dimension to Brown Sugar records – a sound system mentality, adding sound effects and dub elements. ‘I’m in Love with A Dreadlocks’ was the debut release for both Brown Sugar and the Lovers Rock label, a fitting calling card for both. The record was a hit on many sound systems across the UK, reaching the top of the reggae charts. John Kpiaye: “They never put out an album. And all these records were seven-inch singles; when 12-inches turned up it just killed the seven-inch.”Although the career of Brown Sugar was short-lived, their legacy and influence remains significant and now, 40 years on from these first records, all of the members are still involved in music. Pauline Catlin has recently re-launched her career under a new moniker, Shezekiel; Carol Simms, aka Kofi, remains a successful solo artist, one of the queens of Lovers Rock; Caron Wheeler, after leaving Soul II Soul at the end of the 1980s, embarked on a solo career, before re-joining the soul super-group which she continues to front to this day.This new collection brings together all the groups essential recordings for the first ever time.
Art Ensemble Of Chicago - Les Stances A Sophie
Art Ensemble Of Chicago
Les Stances A Sophie
LP | 2000 | UK | Reissue (Soul Jazz)
23,99 €*
Release:2000 / UK – Reissue
Genre:Organic Grooves
As the legendary Art Ensemble of Chicago celebrates its 50th anniversary, Soul Jazz Records are releasing a new fully re-mastered edition of the group’s seminal album ‘Les Stances à Sophie’ (1970), which features the great singer Fontella Bass on the opening track ‘Theme de Yoyo’, a stunning 9-min opus that continues to startle and compel new audiences today. Drawing upon the mutual soul and funk background of Bass and her then husband Lester Bowie with all the power of the Art Ensemble of Chicago’s collective musicianship on board, ‘Theme de Yoyo’ is powerfully funky, soulful and free at the same time, a classic fusion of black music styles.The Art Ensemble of Chicago, are one of the most important and radical jazz groups to come out of the USA. ‘Les Stances a Sophie’ was recorded in Paris in 1970 and features the regular Art Ensemble members (Lester Bowie, Joseph Jarman, Roscoe Mitchell and Malachi Flavors) alongside newly recruited drummer Don Moye and guest Fontella Bass on vocals and piano. Fontella Bass already had a successful career as a soul singer - ‘Rescue Me’ was her biggest hit in the sixties. She and Lester Bowie first met in St Louis while working with legendary rhythm and blues producer Oliver Sain. Vocals (and lyrics), alongside a constant drum and bass beat, were new elements to the music of the Art Ensemble at this time. Musicians such as Ornette Coleman and John Coltrane, spearheaded the free jazz movement at the start of the 1960s. Far from simply defining a musical concept, they also began to redefine the concept of the African-American musician in society. A new period of self-respect and spirituality among musicians paralleled the Civil Rights Movement led by Martin Luther King and Malcolm X - encouraging self-determination and empowerment in every African-American musician.Soul Jazz Records first released the album in 2000. Now ten years out of print, they are releasing it once more in this new fully re-mastered edition.The Art Ensemble of Chicago’s musical soundtrack ‘Les Stances A Sophie’ remains perhaps the definitive release from this period, a stunning exploration of radical jazz music, and with with the rare addition of vocalist Fontella Bass on ‘Theme De Yoyo’ an unashamedly powerful celebration of Great Black Music - ancient to the future.
Sugar Minott - At Studio One
Sugar Minott
At Studio One
2LP | 2005 | UK | Reissue (Soul Jazz)
24,99 €*
Release:2005 / UK – Reissue
Genre:Reggae / Dancehall
Long-out-of-print re-release of this classic Sugar Minott album on Soul Jazz Records,bringing together the best of his classic material recorded at Studio One in the 1970s.Lincoln Sugar Minott was born in Kingston, Jamaica, in 1956. He grew up in a poor area ofWest Kingston and from an early age developed a love of Reggae music and the music ofStudio One in particular. As a teenager, he became selector for Sound of Silence Keystoneand Gathering of Youth local sound-systems. By the late 1970s Minott had risen tobecome one of the biggest stars in Jamaican music.Sugar Minott began his career at Studio One. After auditioning in front of Clement ‘SirCoxsone’ Dodd in the early 1970s, he became the first artist to record new songs overclassic rhythms, singing over original Studio One tapes – the significance of which leddirectly to the birth of dancehall, as Channel One, Joe Gibbs and hundreds of otherJamaican producers quickly began releasing their own material based on these sameclassic Studio One rhythms replayed by Sly and Robbie, The Aggrovators, Soul Syndicate,Roots Radics and many others.“I knew Studio One spiritually before I knew Studio One physically. You know I grew upbeside a dancehall and Sir Coxsone’s sound used to play there from when I was a boy. Sofrom that influence you know I used to love Studio One sound so much, I became a soundselector. So that was my first involvement with getting to know Studio One music like TheHeptones, Alton Ellis, Ken Boothe, the whole works and that was my life from a youth.”After Sugar Minott’s debut many other artists followed suit at the label such as FreddieMcGregor, Johnny Osbourne, Lone Ranger and Michigan & Smiley leading to one of themost creative periods for the label. This is the first retrospective of Sugar Minott at thelabel and most of these recordings have never been widely available outside Jamaica.Sugar Minott went on to a huge career in Reggae and is today one of the biggest stars inJamaican music. He set up his own Black Roots/Youth Promotions label releasing music byBarry Brown, Michael Palmer, Tenor Saw, Barrington Levy, Horace Andy, Garnett Silk,Junior Delgado, Yami Bolo, Junior Reid and many more.Sugar Minott went on to work for numerous Jamaican producers. His ‘Good Thing Going’produced by Donovan Germain became a number one hit in the UK and led to the rise ofLovers Rock. This album includes classic cuts as well as super-rare singles only recordings,all of which have been digitally re-mastered for this release.
Chris Bowden - Time Capsule
Chris Bowden
Time Capsule
2LP | 1996 | UK | Reissue (Soul Jazz)
24,99 €*
Release:1996 / UK – Reissue
Genre:Organic Grooves
Chris Bowden’s debut album Time Capsule was first released on Soul Jazz Records in 1992 to universal and widespread critical acclaim. Now 20 years on a new wave of current jazz artists led by the likes of Kamasi Washington in the USA and a host of British artists - Shabaka Hutchings /Sons of Kemet, The Ezra Collective, Moses Boyd, Nubya Garcia, Fourtet, Yussef Kamaal, Tenderlonious, Binker & Moses - have brought this original ground-breaking album into the limelight once more as a pivotal starting point, sharing many of the aesthetics of these current artists at work today.Musically all are inspired by the spiritual jazz of John Coltrane, Alice Coltrane, Pharoah Sanders, Archie Shepp, Don Cherry et al paired with a modern electronic music sensibility. Chris Bowden’s Time Capsule has stood the test of time like few other albums (as the title of the album suggested), and remains a pivotal, wholly-successful and original experimental musical collage, a radical inspiration and forebearer to many of the best progressive jazz and electronic artists working today.The album has been fully hi-spec re-mastered and is available as a limited-edition heavyweight double-vinyl release with gatefold sleeve (+ free download code) and slipcase CD
Soul Jazz Records Presents - Studio One Freedom Sounds - Studio One In The 60s
Soul Jazz Records Presents
Studio One Freedom Sounds - Studio One In The 60s
2LP | 2018 | UK | Original (Soul Jazz)
24,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Reggae / Dancehall
Studio One Freedom Sounds is the new collection from Soul Jazz/ Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more. Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come. Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.
Soul Jazz Records presents - Boombox 3: Early Independent Hip Hop, Electro And Disco Rap 1979-83
Soul Jazz Records presents
Boombox 3: Early Independent Hip Hop, Electro And Disco Rap 1979-83
3LP | 2018 | UK | Original (Soul Jazz)
26,99 €*
Release:2018 / UK – Original
Genre:Hip Hop
Soul Jazz Records’ new Boombox 3 continues their story of the first rap records to be put onto vinyl. It is a jam-packed collection of original independent ‘old-school’ hip-hop, created with just one thing in mind – to get this party jumping! After the explosion of hip hop in the parks and clubs of The Bronx in the mid-1970s, it was in Harlem where the first rap records emerged at the end of 1979 - an avalanche of superb rap tracks released on small independent labels all trying to capitalise on the success of ‘Rappers Delight.’ Like hip hop culture itself, these first rap singles are the product of their own unique set of aesthetics – exciting and innovative rap performed with Bronx block party B-Boy funk breaks, disco jams and Jamaican sound system culture.The extensive sleevenotes discuss hip-hop’s trajectory from the first wave of Bronx creativity – the legendary DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa – through to its arrival in Harlem via the entrepreneurism of old-school African-American rhythm and blues producers and émigré Jamaican producers all living in New York. Along the way the notes discuss everything from the New York power blackout of 1977, the Italian mafia involvement in the music industry, the links between rap and Jamaican dancehall and more besides!Boombox 3 features a line-up of stunning, near unknown New York rap artists, classic disco breaks (including Chic’s omnipotent Good Times, MFSB’s Love Is the Message, Queen’s Another One Bites The Dust etc.), proto-electro and more. And by the early 1980s the first rap records outside New York began to emerge – Los Angeles, Houston, Milwaukee, Phoenix – and the first of these are also featured here in this new collection.This Soul Jazz Records album is released on heavyweight triple vinyl (+ download code) with full notes, double CD pack with 44-page outsize booklet and slipcase, and digital album.
Dancehall - The Rise Of Jamaican Dancehall Culture 2017 Edition
Dancehall
The Rise Of Jamaican Dancehall Culture 2017 Edition
3LP | 2017 | UK | Original (Soul Jazz)
26,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
A definitive guide to Dancehall Reggae! Over 30 killer tracks from Yellowman, Eek a Mouse, Gregory Isaacs, Tenor Saw and loads more.
Soul Jazz Records presents - Soul Of A Nation: Afro-Centric Visions In The Age Of Black Power - Underground Jazz, Street Funk & The Roots Of Rap 1968-79
Soul Jazz Records presents
Soul Of A Nation: Afro-Centric Visions In The Age Of Black Power - Underground Jazz, Street Funk & The Roots Of Rap 1968-79
2LP | 2017 | UK | Original (Soul Jazz)
24,99 €*
Release:2017 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ new release ‘Soul of a Nation: Afro-Centric Visions in the Age of Black Power’ is released in conjunction with a major worldwide art exhibition, Soul of A Nation: Art in the The Age of Black Power which takes place at the Tate Modern, London, UK (July-Oct 2017) and The Brooklyn Museum, New York, USA.The album shows how the ideals of the civil rights movement, black power and black nationalism influenced the evolvement of radical African-American music in the United States of America in the intensely political and revolutionary period at the end of the 1960s following the assassinations of Malcolm X, Martin Luther King and the rise of the Black Panther party.Featuring groundbreaking artists such as Gil Scott-Heron, Roy Ayers, Don Cherry, Oneness of Juju, Sarah Webster Fabio, Horace Tapscott, Phil Ranelin and many others, Soul of A Nation shows how political themes led to the rise of ‘conscious’ black music as new afro-centric styles combined the musical radicalism and spirituality of John Coltrane and radical avant-garde jazz music alongside the intense funk and soul of James Brown and Aretha Franklin and the urban poetry and proto-rap of the streets.The Soul of a Nation exhibition draws on the links between Black art forms – art, music, poetry - and how they came together during the civil rights and black power era as part of the wider black arts movement across the United States.Iconic African-Amercian revolutionary figures such as Martin Luther King, Malcolm X and Angela Davis, John Coltrane, Muhammad Ali all appear in the radical artworks of Barkley L. Hendricks, Romare Bearden, Norman Lewis, Lorraine O’Grady and Betye Saar.A selection of original radical jazz record sleeves artworks which appear in Soul Jazz Records’ earlier groundbreaking Freedom, Rhythm and Sound – Revolutionary Jazz Original Cover Art book will also be on show at the Tate, London throughout the exhibition. The Freedom, Rhythm and Sound book is also newly back-in-print in conjunction with this major exhibition and the release of the Soul of a Nation album.Stuart Baker (founder of Soul Jazz Records) will appear on the panel of Jazz for Soul of a Nation: Art in the Age of Black Power discussion at the gallery as part of the show.Soul of a Nation comes with extensive sleeve-notes and exclusive photography in a large 36-page outsize booklet and slipcase. Double gatefold vinyl album edition comes with full colour inners + bonus download code and includes full sleeve-notes/photography.
Soul Jazz Records presents - Studio One Black Man's Pride Volume 2
Soul Jazz Records presents
Studio One Black Man's Pride Volume 2
2LP | 2018 | UK | Original (Soul Jazz)
23,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
This is the second installment of deep roots Rastafarian reggae at Studio One and features classic music from some of the most important figures in reggae music – Alton Ellis, The Heptones, Jackie Mittoo, The Gladiators – alongside a host of rarities and little-known recordings, such as a truly rare Mystic Revelation of Rastafari seven-inch single, Willie William’s first ever recording ‘Calling’ and Horace Andy’s righteous (and equally rare) masterpiece ‘Illiteracy.’Black Man’s Pride 2 extends the legacy of Studio One’s ground-breaking path in roots reggae which began at the end of the 1960s and continued throughout the 1970s. The album tells the story of how the rise of Studio One Records and the Rastafari movement were interconnected, through the adoption of the Rastafari faith by key reggae artists – everyone from the Skatalites and Wailers in the 1960s, major singers such as Alton Ellis and Horace Andy at the end of the decade, through to major roots artists such as The Gladiators in the 1970s – and how Clement Dodd consistently recorded this heavyweight roots music throughout Studio One’s history.The sleeve-notes to this album also discuss the links between Rastafari and Studio One in time and place, noting how both the religion and Clement Dodd’s musical empire had their roots in the intense period of pre-independence Jamaica in Kingston, expanded in the 1960s following the visit of Haile Selassie in 1966, and how roots music then came to dominate reggae music in the early 1970s. Also discussed is how the outsider stance of both reggae music and the Rastafari movement relate back many hundreds of years to the original rebel stance of the Maroons, escaped slaves who set up self-sufficient enclaves in the hills of the Jamaican countryside.
Soul Jazz Records presents - Hustle! Reggae Disco - Kingston, London, New York
Soul Jazz Records presents
Hustle! Reggae Disco - Kingston, London, New York
3LP | 2017 | UK | Original (Soul Jazz)
24,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records’ are releasing their long-out-of-print album ‘Hustle! Reggae Disco’ in a new expanded 2017 edition which now features five extra tracks.This ground-breaking album features non-stop killer reggae versions of original funk and soul classics in a disco style. Reggae disco updates of seminal classics by Anita Ward (‘Ring My Bell’), Chaka Khan (‘I’m Every Woman’), Michael Jackson ‘Don’t Stop ‘til You Get Enough,’ Sugarhill Gang (‘Rappers Delight’ here performed by Derrick Laro and Trinity for producer Joe Gibbs) and more, all showing the hidden but inseparable link between the dance floors of New York, Kingston and London.New bonus tracks to this collection include Derrick Harriott’s funky take on Eddie Drennon’s ‘Do It Nice and Easy’, the classic disco reggae of Risco Connection’s take on McFadden and Whitehead’s ‘Ain’t No Stopping Us Now’ and the London rare groove lovers rock take on Barbara Acklin’s soul classic ‘Am I The Same Girl’.‘Hustle! Reggae Disco’ has been one of Soul Jazz Records’ best-selling releases since its first release 15 years ago (and subsequently featured heavily in the early Grand Theft Auto games!). This new edition comes complete fully re-mastered and with all original titles plus new tracks. This new expanded edition now comes a triple album (+ download code), CD and digital album.
V.A. - Sounds Of The Universe - Art + Sound 2012-15 Volume 1 Part 2
V.A.
Sounds Of The Universe - Art + Sound 2012-15 Volume 1 Part 2
2LP | 2015 | UK | Original (Soul Jazz)
21,99 €*
Release:2015 / UK – Original
Genre:Electronic / Dance
Soul Jazz Records new Sounds of the Universe: Art + Sound 2012-15 is a new album featuring a line-up of some of the most forward-thinking and progressive artists and producers working with electronic music around the world today. This lovingly compiled collection features a stunning array of contemporary artists: Chicago’s Afro-futurist genius Hieroglyphic Being; Kassem Mosse (aka Gunnar Wendell/Siege of Troy), one of the most talked-about, respected artists in underground house and techno; out of Detroit’s Moodymann stable comes Andres; also featured is Los Angeles-based Ras G, associated with the Brainfeeder label established by fellow producer Flying Lotus; and many more!
Black Fire! New Spirits! - Deep And Radical Jazz In The USA 1957-75
Black Fire! New Spirits!
Deep And Radical Jazz In The USA 1957-75
3LP | 2014 | UK | Original (Soul Jazz)
24,99 €*
Release:2014 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ new release Black Fire! New Spirits! is a deluxe double CD (and limited triple LP) exploring deep, radical and spiritual jazz in the USA in the period 1957-1975.In the 1960s and into the 1970s jazz music in the USA was in an almost constant state of revolution, with the music and lives of African-American artists radicalised by the advent of the civil rights movement, Black Power, and a new spiritual awakening.For over 20 years now Soul Jazz Records have been exploring this rich area of deep and spiritual jazz music with an array of albums such as Freedom, Rhythm and Sound, Universal Sounds of America, New Thing, Soul Jazz Love Strata East and more. Soul Jazz Records have also released a steady stream of reissues of lost and classic deep jazz releases over the years from artists such as Art Ensemble of Chicago, Steve Reid, Pharaoh Sanders and others.This new album features groundbreaking and revolutionary artists such as Don Cherry, Archie Shepp, The Last Poets and Yusef Lateef as well as many rare and deep lost tracks from lesser known artists such as Creative Artists Ensemble, Granchan Moncur, Lloyd McNeill, Tyrone Washington and others.This album coincides with the recent ‘Black Fire! New Spirits! Images of A Revolution: Radical Jazz in the USA 1960-75’ book, published by Soul Jazz Books, which as well as including pioneering artists such as John Coltrane, Miles Davis, Roland Kirk and Alice Coltrane also features many of the artists included in this album.
Soul Jazz Records presents - New Orleans Funk
Arthur Russell - The World Of Arthur Russell
V.A. - Studio one rockers - the original
Poor Boy Rappers - Low Rider Rap
Poor Boy Rappers
Low Rider Rap
12" | 2018 | UK | Original (Soul Jazz)
12,99 €*
Release:2018 / UK – Original
Genre:Hip Hop
Originally released on Raina Records out of Phoenix, Arizona. Vocal + killer dubbed out instrumental arranged and conducted by the legendary Rich Cason. Recently sold for over £1000 on Discogs! Very limited one-off pressing of 500 copies worldwide on Soul Jazz Records.
Soul Jazz Records presents - Brasil
Soul Jazz Records presents
Brasil
LP | 2018 | UK | Original (Soul Jazz)
19,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ Brasil album was recorded in Rio de Janeiro in 1994 with a host of legendary Brazilian musicians including Sivuca, Raul de Souza and singer Joyce Moreno – and has remained one of the key defining early releases from the record label. Out-of-print for over 20 years (!) the album has now been fully digitally re-mastered for this new 2018 edition.The album was recorded at the height of the first wave of interest in Brazilian music in London in the 1990s. Joyce and a group led by husband drummer Tutty Moreno had just been brought to the UK for the first time ever by Gilles Peterson and Brazilian music obsessive Joe Davis (and future head of Far Out Records) and performed to over 2,000 new young fans.Singer-songwriter Joyce had been a living legend in her native Brazil ever since the Bossa Nova movement of the 196os and had made her first record when she was just 20, and described by Antonio Carlos Jobim as ‘one of the greatest singers of all time.’Joyce Moreno agreed to be involved in the project to record an album in Brazil produced with a UK sensibility and Tutty Moreno’s group signed up as the house-band for the project. Stuart Baker (founder of Soul Jazz Records) and Joe Davis then flew to Rio de Janeiro, searching out studios and rehearsal spaces.During this time in Brazil more artists signed up for the project including legendary figureheads of the Brazilian music Sivuca (who brought his own group) and trombonist Raul de Souza. Other key figures included singer/guitarist Celia Vaz who worked extensively as arranger with the legendary Quarteto Em Cy and drummer Dom Um Romao; Wanda Sá, who played in Sergio Mendes’ original seminal bossa nova group Brasil 65 (during which time she married the artist Edu Lobo); and legendary saxophone/flautist Teco Cardoso whose bio reads like a who’s who of Brazilian music and includes work with Edu Lobo, Dori Caymmi, Baden Powell, Joao Donato, Carlos Lyra and others.The final piece to this Brazilian jigsaw was the addition of percussionist Pirulito – whose stunning display of self-made instruments allowed him to magically create the massive sound of Rio’s Samba Schools live inside the studio. The album was recorded over one hot summer, mixed in London and then released at the end of 1994.Over 20 years on and Soul Jazz Records’ Brasil album manages to capture both an important cross-cultural musical moment in time between Brazil and London while at the same time sounding as fresh as if it was recorded today! Following the original success of this album Soul Jazz Records’ continued its love affair with Brazil and went on to release a host of Brazilian albums including classics such as Tropicalia, Brazil 70, Bossa Nova, a Bossa Nova cover art deluxe book with Gilles Peterson and releases by Sergio Mendes, Baden Powell, Edu Lobo and more.
Soul Jazz Records presents - Boombox 2: Early Independent Hip Hop, Electro and Disco Rap 1979-83
Soul Jazz Records presents
Boombox 2: Early Independent Hip Hop, Electro and Disco Rap 1979-83
3LP | 2017 | UK | Original (Soul Jazz)
27,99 €*
Release:2017 / UK – Original
Genre:Hip Hop
Soul Jazz Records’ new Boombox 2 is a new selection of early rap music from the period 1979-83, with barely a household name in sight. Featured here are some the earliest hip-hop records that came out of New York City following the enormous commercial success of the first ever rap record, ‘Rapper’s Delight’ by the Sugarhill Gang, in September 1979. Artists and producers alike tried to jump aboard the new commercial possibilities of hip-hop. By the end of the year there were 30 hip-hop singles, all released by independent New York labels. The following year there were over 100 more, and so on.Boombox 2 tells the story of how hip-hop went from its evolutionary roots in the Bronx through DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa through to its second phase where veteran music producers – Paul Winley, Peter Brown, Joe Robinson and others – all based in Harlem, began to put rap on vinyl for the first time. Harlem is also where the separate worlds of disco and hip-hop met through the styles and influence of earlier ‘uptown’ DJs - DJ Hollywood and Eddie Cheba. In similar fashion these veteran Harlem-based producers instinctively tapped into a long lineage of African-American rhythm and blues, soul and disco.Boombox 2 is a triple-vinyl set (+ download code) LP and double CD pack that features extensive text, exclusive interviews and stunning photography by Jamel Shabazz, Martha Cooper and others.
Soul Jazz Records presents - Soul 70 7
Soul Jazz Records presents
Soul 70 7" Box Set
5x7" | 2017 | UK | Original (Soul Jazz)
41,99 €*
Release:2017 / UK – Original
Genre:Organic Grooves
Limited edition for Record Store Day 2017!Soul Jazz Records’ Record Store Exclusive Limited-Edition Soul 7" Box Set comprising five fantastic 70s soul seven-inch singles reproduced here in exact replica bespoke label artwork and all digitally re-mastered. Seriously rare, killer and classic soul tunes brought together here in this unique one-off Record Store Day box-set edition.
Soul Jazz Records presents - Nigeria Freedom Sounds! - Calypso, Highlife, Juju & Apala: Popular Music And The Birth Of Independent Nigeria 1960-63
Soul Jazz Records presents
Nigeria Freedom Sounds! - Calypso, Highlife, Juju & Apala: Popular Music And The Birth Of Independent Nigeria 1960-63
2LP | 2016 | UK | Original (Soul Jazz)
26,99 €*
Release:2016 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ new Nigeria Freedom Sounds! features a stunning selection of material spotlighting the vibrant musical scene in Nigeria at the start of the 1960s. With a wealth of musical and cultural history and newly independent from Britain, Nigerian music during this era was complex, diverse and forward-thinking, with musicians as excited in exploring their country’s own musical lineage with styles such as Juju and Apala as they were in adapting and absorbing outside influences such as Ghanaian Highlife, Caribbean Calypsos and Mambo and more.This album features many of the defining artists of this time who helped shape the Nigerian musical scene. Artists include I.K. Dairo and his Blue Spots, Haruna Ishola and his Group, E.C. Arinze, Sammy Akpabot and His All Stars, Godwin Omobuwa and his Soundmakers, Ganiyu Kale and His Guinea Mambo Orchestra and many more.Few nations on earth are as diverse as Nigeria, and the wide assortment of Nigerian music styles collected on this album reflect the country’s rich variety of cultures. Western-influenced dance music, played on European instruments such as guitar, brass, and woodwind sits alongside traditional musical styles, made with indigenous instruments such as the talking drum, marimba, or obo. And there is also religious musical styles first brought to Nigeria by European Christians and Islamic traders from North Africa. And of course, there are points where these musical styles overlap, merging into one another to create unique new sounds.
Soul Jazz Records presents - Boombox - Early Independent Hip Hop, Electro And Disco Rap 1979-82
Soul Jazz Records presents
Boombox - Early Independent Hip Hop, Electro And Disco Rap 1979-82
3LP | 2016 | UK | Original (Soul Jazz)
24,99 €*
Release:2016 / UK – Original
Genre:Hip Hop
Soul Jazz Records’ new ‘Boombox’ features some of the many innovative underground first-wave of rap records made in New York in the period 1979-82, all released on small, independent, often family-concern record companies, at a time when hip-hop music still remained under the radar.This first exuberant wave of innocent, upbeat, ‘party on the block’ rap records were the first to try and create the sounds heard in community centres, block parties and street jams that initially took place in the Bronx in the mid-1970s. But where Flash, Kool Herc and Bambaataa were back-spinning, mixing and scratching together now classic breakbeat records like The Incredible Bongo Band’s ‘Apache’ or Babe Ruth’s ‘The Mexican’, these first rap records were all made using live bands, often replaying then current disco tunes, whilst MCs rapped over the top, creating a unique sound that later became known derisively as ‘old school’.And while hip-hop started in the Bronx, rap on vinyl began in Harlem where long-time established rhythm and blues producer-owned record companies such as Joe Robinson’s Enjoy Records, Paul Winley’s Winley Records, Delmar Donnel’s Delmar International and Jack ‘Fatman’ Taylor’s Rojac and Tayster were the first off the mark to realise the commercial potential of rap music - releasing early ground-breaking records that all quickly followed in the wake of the first rap record, The Sugarhill Gang’s ‘Rappers Delight’, a million-selling worldwide hit.This collection celebrates these first old-school rap records, bringing together rare, classic and obscure tracks released in the early days of rap.
Soul Jazz Records presents - Studio One - Dub Fire Special
Soul Jazz Records presents
Studio One - Dub Fire Special
2LP | 2016 | UK | Original (Soul Jazz)
22,99 €*
Release:2016 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records’ new ‘Studio One Dub Fire Special’ brings together 18 heavyweight dub cuts, all recorded at 13 Brentford Road in the 1970s. Featuring a stellar selection of dub cuts to classic and foundation songs recorded at Studio One with music from the legendary in-house bands – The Sound Dimension, New Establishment, Soul Defenders and Brentford All-Stars – featuring the likes of reggae’s finest musicians - Jackie Mittoo, Leroy Sibbles, Cedric Brooks, Freddie McGregor and more.These fresh dub sounds employed the mighty mixing desk skills of The Dub Specialist, aka Clement ‘Sir Coxsone’ Dodd, Sylvan Morris and Scientist to full effect. Studio One Dub Fire Special features our latest chapter of raw, stripped-down bass and drum sounds direct from Studio One, ‘the University of Reggae’.
Count Ossie & The Mystic Revelation Of Rastafari - Tales Of Mozambique
Count Ossie & The Mystic Revelation Of Rastafari
Tales Of Mozambique
2LP | 2016 | UK | Original (Soul Jazz)
22,99 €*
Release:2016 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records release Count Ossie and The Mystic Revelation’s seminal 1975 album 'Tales of Mozambique' in an expanded double album format, fully remastered and with the inclusion of two bonus rare single-only tracks, full sleevenotes, exclusive photographs and interview.Count Ossie is the central character in the development of Rastafarian roots music, nowadays an almost mythical and iconic figure. His importance in bringing Rastafarian music to a populist audience is matched only by Bob Marley’s promotion of the faith internationally in the 1970s. Count Ossie’s drummers performed on the first commercially released single to integrate Rastafarian traditional music with popular music: the vocal group The Folkes Brothers’ groundbreaking song ‘Oh Carolina’, recorded for producer Prince Buster in 1959. In 1966 his drummers greeted the momentous arrival of Haile Selassie at Kingston airport. His legendary jam sessions in his Rastafarian compound up in the hills of Wareika, Kingston, are famous for the many Jamaican musicians who attended including The Skatalites players - Roland Alphonso, Don Drummond, Johnny Moore, Lloyd Knibbs - and many others. The Mystic Revelation of Rastafari formed in Kingston, Jamaica, in 1970, a union of Count Ossie’s Rastafarian drummers - variously known as his African Drums, Wareikas or his Afro-Combo - and the saxophonist Cedric Im Brooks’ horns group, The Mystics. The Mystic Revelation of Rastafari are the defining group in bringing authentic Rastafarian rhythms into the collective consciousness of popular music, their unique music is at once rooted in the deep traditions and rituals of traditional drumming alongside a forward-thinking, even avant-garde, artistry influenced by the likes of John Coltrane, Sun Ra, Pharoah Sanders and other pioneering African-American jazz artists radicalised and charged by the civil rights movement of the 1960s. Tales of Mozambique is a truly unique and fascinating ground-breaking album.
V.A. - 100% Dynamite! - Ska, Soul, Rocksteady & Funk In Jamaica - 2015 Remastered Expanded Edition
V.A.
100% Dynamite! - Ska, Soul, Rocksteady & Funk In Jamaica - 2015 Remastered Expanded Edition
2LP | 2015 | UK | Original (Soul Jazz)
22,99 €*
Release:2015 / UK – Original
Genre:Organic Grooves, Reggae / Dancehall
An essential guide to the Dancehall Reggae/Hip-Hop clash that ruled New York in the early 1990s as Shinehead, Supercat, Mad Lion, Bobby Konders and many more rewrote the rules of Dancehall, Reggae and Rap. Killer heavyweight tracks, non-stop. Essential!From Kool Herc onwards, Jamaicans who grew up in New York City have played pivotal roles in the development of the city’s musical identity. Hip-Hop, born in the Bronx, was always hot-wired to Jamaica and in the 1990s the two became inextricably joined when reggae met rap in New York City.??Dynamite NYC brings together the many artists who created this unique scene, linking together two of the world’s most important musical cultures – hip-hop and reggae.?In the early 1990s, Jamaican dancehall - including artists from this home-grown New York scene - became the subject of close scrutiny by the US major record industry who, having made vast profits from hip-hop, searched out Jamaican or Jamaican-descended artists who could potentially crossover into the vast US hip-hop market. Jamaican dancehall artists were signed to big US contracts (Yellowman, Supercat, Capleton, Shabba Ranks). And New York, previously a satellite town of Kingston for visiting Jamaican artists, but now with its own unique dancehall scene became a focal point as artists such as Shinehead, Red Foxx, Jamal-Ski, Mad Lion, and others were quickly signed up to major record companies.??100%Dynamite NYC features these and many other New York reggae/hip-hop crossover artists in this first album to feature the music from this scene.
Gilles Peterson and Stuart Baker - Bossa Nova and The Rise of Brazilian Music in the 1960s LP 2
Gilles Peterson and Stuart Baker
Bossa Nova and The Rise of Brazilian Music in the 1960s LP 2
2LP | 2011 | UK | Reissue (Soul Jazz)
22,99 €*
Release:2011 / UK – Reissue
Genre:Organic Grooves
Spawned in the upscale beachside neighborhoods of Rio De Janeiro in the late 1950s, the laid-back sound and culture of Bossa Nova ("New Wave") rode on a brief wave of optimism in Brazil: the country had just elected a new president, a five-year plan for prosperity had been laid out and the great architect Oscar Niemeyer had proposed his plans for the new modern city of Brasilia. Reflecting this optimism in its gentle and sunny soundworld, Bossa Nova quickly became a worldwide musical phenomenon. This album is a definitive study of the birth and rise of bossa nova in Brazil in the 1960s. Light years away from the cocktail-sipping tropical image that bossa nova became, bossa nova’s origins in Brazil are that of a stunning modernist and revolutionary music that reflected the radical and exciting idealism of the country at the start of the 1960s. As Brazil developed into an urban society, with ‘apartment living’ and consumer goods, bossa nova projected an image that was modern, sophisticated and cool. ‘Bossa Nova and the rise of Brazilian Music in the 1960s’ charts the rise of the events that led to the arrival of this new musical movement and what happened next. João Gilberto, Tom Jobim, Vinicius de Moraes, Elis Regina, Gilberto Gil and Baden Powell all feature alongside many other Brazilian artists who launched their careers during this amazing period. Compiled by Gilles Peterson and Stuart Baker!
Soul Jazz Records Presents - Disco 2: A Further Fine Selection Of Independent Disco, Modern Soul And Boogie 1976-80 - LP 1
Soul Jazz Records Presents
Disco 2: A Further Fine Selection Of Independent Disco, Modern Soul And Boogie 1976-80 - LP 1
2LP | 2015 | UK | Original (Soul Jazz)
21,99 €*
Release:2015 / UK – Original
Genre:Organic Grooves
This is a second selection of independent disco records featuring rare and classic tracks originally released in the USA between the halcyon years of 1977 and 1985. This release features only the finest disco, modern soul and boogie and is compiled by Disco Patrick who last year put together for Soul Jazz Records the mighty ‘Disco – An Encyclopedic Guide to the Cover Art of Disco Records’ 400+ page deluxe book, as well as the first installment of ‘Disco – A Fine Selection of Independent Disco, Modern Soul and Boogie.’This album is released as a double CD, as well as two separate volumes of double vinyl (plus free download codes) and a worldwide digital release.This album features rare, classic and in-demand tracks from the mighty vaults of labels such as New York’s Salsoul and Miami’s TK Records – which during the main disco era became the main competitors to the major established record industry – through to killer virtually unknown tracks released on tiny bespoke one-off labels, now impossible to find either in the history books or record shops of the world.Before its mainstream consumption in the late 1970s, Disco first emerged from independent record companies run by lovers of this new sound and on which this album is focused: Patrick Adams and Peter Brown, the powerhouse musical partnership based up in Harlem, New York; Henry Stone at TK, a man with a 30-year old career distributing black music; or the Cayre brothers at Salsoul, linking Latin roots with the deep, soulful music emerging from Philadelphia and New York.In fact, as we can see on this album, Harlem was to prove a fertile ground of nascent independent disco with numerous young producers, alongside the leaders of the pack Patrick Adams and Peter Brown, hustling to release one-off or a couple of singles on their own independent labels. All the music on this album has been sonically and digitally remastered with love and is presented complete with sleevenotes, original label artwork and full-length extended disco editions.
V.A. - Studio One Rocksteady: Rocksteady, Soul and Early Reggae at Studio One
V.A.
Studio One Rocksteady: Rocksteady, Soul and Early Reggae at Studio One
2LP | 2014 | UK | Original (Soul Jazz)
21,99 €*
Release:2014 / UK – Original
Genre:Organic Grooves, Reggae / Dancehall
Studio One Rocksteady is the fantastic new instalment in Soul Jazz Records' journey through the mighty vaults of Studio One, reggae's number one record company and its legendary pioneering producer Clement Sir Coxsone Dodd.
V.A. - Studio One Ska
V.A. - New Orleans Funk volume 2
Soul Jazz Records Presents - Studio One Black Man's Pride Volume 3
Soul Jazz Records Presents
Studio One Black Man's Pride Volume 3
2LP | 2019 | UK | Original (Soul Jazz)
24,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
Preorder 25.01.2019
This is the latest new installment of Soul Jazz Records’ on-going collection of Rastafarian music at Studio One, featuring classic material from legendary roots and culture artists The Gladiators, Horace Andy, Freddie McGregor, Sugar Minott and the Wailing Souls, alongside a superb selection of rarities from Sir Coxsone’s musical empire made up of one-off and practically unknown Rastafarian artists who recorded on a myriad of Studio One off-shoot labels in the 1970s – The Manchesters, Mellodies, The Nightingales and others.In this new collection, we see that once again the prescient Clement Dodd was a man who saw the wider picture. In the 1960s it was Sir Coxsone who identified the creative potential of The Wailers, Toots and the Maytals, Heptones, Burning Spear and many, many others. In the 1970s Studio One released an untouchable selection of the finest as styles moved from reggae to deejay to dub and, in the latter half, the emergence of dancehall.But what is also clear is that throughout this era Studio One released an incredible amount of roots music, and not just the most commercially obvious. For alongside the career-building catalogues of Burning Spear, The Wailing Souls, The Gladiators and so on, one needs to be an ardent Studio One collector to know some of the truly raw Rastafarian music featured here. Groups such as The Manchesters or The Nightingales feel as if they were recorded straight out of the churchical chants of the mansions.Black Man’s Pride explains the links between the ideology of Clement Dodd at Studio One and the Rastafarian faith, which was the creation of Afro-Jamaicans and concerned above all else with a black consciousness and empowerment, a rediscovering of the personal and racial identity of black people. The movement began in the 1930s and, in tandem with this black consciousness, called for a rejection of the British imperial culture that dominated Jamaica, while creating an identity based on a re-appropriation of an African heritage.The Rastafari movement was like a pivot, bringing together and balancing many vectors of ideologies. Marcus Garvey’s Back to Africa movement, trades union discourse, anti-colonialism and nation independence, maroon self-definition and independence, the spirit of African rebellion in the Caribbean. For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards.Featured here alongside these classic and rare tracks from Studio One are new and extensive sleeve notes with track-by-track notes by Rob Chapman, author of the acclaimed Downbeat Special and Never Grow Old Studio One books.
Soul Jazz Records Presents - Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
Soul Jazz Records Presents
Soul Of A Nation: Jazz Is The Teacher, Funk Is The Preacher - Afro-Centric Jazz, Street Funk And The Roots Of Rap In The Black Power Era 1969-75
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ new release ‘Soul of A Nation: Jazz is the Teacher, Funk is the Preacher’ is a powerful collection of radical jazz, street funk and proto-rap made in the era of Black Power (1969-75).This is the second ‘Soul of A Nation’ album released by Soul Jazz Records and coincides with the exhibition ‘Soul of a Nation – Art in the Age of Black Power’ currently at the Brooklyn Museum in New York and which moves to Los Angeles at The Broad in spring 2019. The international exhibition was critically received when it was launched last year at the Tate Modern in London (as was the accompanying first album ‘Soul of A Nation – Afro-Centric Visions in the Age of Black Power 1968-79’).This new album features a number of important and ground-breaking African-American artists – The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more – alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afro-Centric poly-rhythmical styles of music – radical jazz, street funk and proto-rap – while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives.During this era African-American jazz musicians ripped up traditional definitions – rejecting the term ‘entertainer’ to redefine themselves instead as ‘artists’. They worked outside of the mainstream music industry perceiving this artistic relationship to be fundamentally exploitative and politically flawed. Artists instead formed their own pan-arts community-centric collectives, set up their own record labels, ran concerts in alternative performance spaces – art galleries, parks, lofts, community centres – all as a way of taking control of their own creative destinies.At the start of 1960s jazz musicians had embarked on an intense period of musical experimentation as artists John Coltrane, Ornette Coleman and Don Cherry sought to dismantle the traditional definitions of jazz by creating new music that broke free from its establishment shackles.By the end of the 1960s and into the 1970s, forward-thinking African-American jazz musicians had absorbed the ideas of this radical and avant-garde path but also began to introduce many new elements – not just civil rights concepts of freedom but also black power ideas of self-respect, righteousness and anger. Their music developed into a radical and intense Afro-Centric mix of jazz, funk, soul, and street poetry all in search of a new musical language that could better represent artistic African-American cultural expression.All of the featured artists here were involved in this search in different ways; a shared sense of Afro-centric collectivism joined the dots between the deep avant-garde experimentalism of The Art Ensemble of Chicago (here featuring soul singer Fontella Bass singing the powerful ‘Theme de Yoyo’) to the hyper-funk psychedelia of George Clinton’s Funkadelic. The poetry of Gil Scott-Heron and Sarah Webster Fabio is performed with a backdrop of street funk and heavyweight percussion – in the process laying down the template for the birth of rap. The Har-You Percussion Group, which grew of a government-sponsored community project in Harlem in the 1960s, connect latin, jazz and funk rhythms; Byron Morris and Unity offer an intense and rhythmical journey. James Mason, Gary Bartz and The Oneness of Juju offer spirituality and cosmology in equal measures. Chicago’s The Pharaohs and Detroit’s collective Tribe add deep jazz and street funk in equal measures. And more besides!The front cover features a painting by Barkley Hendricks, a central artist in the exhibition ‘Soul of A Nation – Art in the Age of Black Power’.
Soul Jazz Records Presents - Studio One Lovers Rock
Soul Jazz Records Presents
Studio One Lovers Rock
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records new Studio One album is a fantastic selectionfeaturing all-star legendary Studio One vocalists - Alton Ellis, MarciaGriffiths, The Heptones, Horace Andy, Freddie McGregor, SugarMinott - alongside a host of classic and super-rare Lovers Rock cuts allof which Clement Dodd recorded at the Brentford Road studio.Lovers rock brought together many elements and here you will findsweet harmonies, late 1960s rocksteady, 1970s soul covers,discomixes, recuts and new rhythms – which all fit together in atimeless twilight of love & harmony - as if lovers silhouetted by aKingston sunset.Here you will find stone-cold classic Studio One tunes – MarciaGriffiths ‘Truly’, Horace Andy’s I’ll Be Gone super-rare cuts like Carltonand The Shoes killer 70s versions of Never Give Your Heart Away andLet Me Love You (vocal cut to Jackie Mittoo’s mighty Wall Street), TheInvaders sweet lovers rocksteady bomb ‘Sweet Soul Rocking’(currently for sale at £2,500 on discogs!) and many more!This new album comes with sleevenotes by Lloyd Bradley, theacclaimed author of Bass Culture, Sounds Like London and Reggae:The Story of Jamaican Music.
Soul Jazz Records Presents - Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
Soul Jazz Records Presents
Venezuela 70 Volume 2 - Cosmic Visions Of A Latin American Earth: Venezuelan Experimental Rock In The 1970s & Beyond
CD | 2018 | UK | Original (Soul Jazz)
15,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
This is the second collection of music from Venezuela in the 1970s and beyond to be released on Soul Jazz Records. The album once again features innovative figures in the history of underground Venezuelan music, mostly unknown outside of their home country – their music a blending of progressive rock, jazz, experimental electronics and disco created mainly in the 1970s during a time when the country was both a cultural and economic powerhouse in Latin America.While much of 1960s Venezuelan rock music emulated British and USA styles, and salsa dominated the dancefloors of Latin America, the 1970s saw the evolution of a new generation of creative local artists such as Vytas Brenner, Daniel Grau, Aldemaro Romero, Un Dos Tres Y Fuera who all explored the possibilities of mixing together rock with elements of electronica, funk, jazz, latin rhythms simultaneously exploring their links with Venezuelan roots music, creating a new sound which blended a multitude of new and old world influences, uniquely Venezuelan. Most of these artists featured on Venezuela 70 remain practically unknown outside of Venezuela’s borders and yet their progressive forward-thinking music is some of the most sophisticated in the world – a stunning ‘melting pot’ mix of sounds from the cosmic and psychedelic rock of Vytas Brenner to the Moroder-esque disco experimentation of Daniel Grau, and the tropical funk of Un Dos Tres Y Fuera and beyond.Aside from the relatively known Vytas Brenner and Daniel Grau, most of the music on this album is incredibly rare (even in Venezuela)!
Soul Jazz Records presents - Studio One Black Man's Pride Volume 2
Soul Jazz Records presents
Studio One Black Man's Pride Volume 2
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
This is the second installment of deep roots Rastafarian reggae at Studio One and features classic music from some of the most important figures in reggae music – Alton Ellis, The Heptones, Jackie Mittoo, The Gladiators – alongside a host of rarities and little-known recordings, such as a truly rare Mystic Revelation of Rastafari seven-inch single, Willie William’s first ever recording ‘Calling’ and Horace Andy’s righteous (and equally rare) masterpiece ‘Illiteracy.’Black Man’s Pride 2 extends the legacy of Studio One’s ground-breaking path in roots reggae which began at the end of the 1960s and continued throughout the 1970s. The album tells the story of how the rise of Studio One Records and the Rastafari movement were interconnected, through the adoption of the Rastafari faith by key reggae artists – everyone from the Skatalites and Wailers in the 1960s, major singers such as Alton Ellis and Horace Andy at the end of the decade, through to major roots artists such as The Gladiators in the 1970s – and how Clement Dodd consistently recorded this heavyweight roots music throughout Studio One’s history.The sleeve-notes to this album also discuss the links between Rastafari and Studio One in time and place, noting how both the religion and Clement Dodd’s musical empire had their roots in the intense period of pre-independence Jamaica in Kingston, expanded in the 1960s following the visit of Haile Selassie in 1966, and how roots music then came to dominate reggae music in the early 1970s. Also discussed is how the outsider stance of both reggae music and the Rastafari movement relate back many hundreds of years to the original rebel stance of the Maroons, escaped slaves who set up self-sufficient enclaves in the hills of the Jamaican countryside.
Soul Jazz Records presents - Boombox 3: Early Independent Hip Hop, Electro And Disco Rap 1979-83
Soul Jazz Records presents
Boombox 3: Early Independent Hip Hop, Electro And Disco Rap 1979-83
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Hip Hop
Soul Jazz Records’ new Boombox 3 continues their story of the first rap records to be put onto vinyl. It is a jam-packed collection of original independent ‘old-school’ hip-hop, created with just one thing in mind – to get this party jumping! After the explosion of hip hop in the parks and clubs of The Bronx in the mid-1970s, it was in Harlem where the first rap records emerged at the end of 1979 - an avalanche of superb rap tracks released on small independent labels all trying to capitalise on the success of ‘Rappers Delight.’ Like hip hop culture itself, these first rap singles are the product of their own unique set of aesthetics – exciting and innovative rap performed with Bronx block party B-Boy funk breaks, disco jams and Jamaican sound system culture.The extensive sleevenotes discuss hip-hop’s trajectory from the first wave of Bronx creativity – the legendary DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa – through to its arrival in Harlem via the entrepreneurism of old-school African-American rhythm and blues producers and émigré Jamaican producers all living in New York. Along the way the notes discuss everything from the New York power blackout of 1977, the Italian mafia involvement in the music industry, the links between rap and Jamaican dancehall and more besides!Boombox 3 features a line-up of stunning, near unknown New York rap artists, classic disco breaks (including Chic’s omnipotent Good Times, MFSB’s Love Is the Message, Queen’s Another One Bites The Dust etc.), proto-electro and more. And by the early 1980s the first rap records outside New York began to emerge – Los Angeles, Houston, Milwaukee, Phoenix – and the first of these are also featured here in this new collection.This Soul Jazz Records album is released on heavyweight triple vinyl (+ download code) with full notes, double CD pack with 44-page outsize booklet and slipcase, and digital album.
Soul Jazz Records presents - Congo Revolution - Afro-Latin, Jazz And Funk Evolutionary And Revolutionary Sounds From The Two Congos
Soul Jazz Records presents
Congo Revolution - Afro-Latin, Jazz And Funk Evolutionary And Revolutionary Sounds From The Two Congos
5x7" | 2018 | UK | Original (Soul Jazz)
41,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves
Limited edition for Record Store Day 2018!Unique Soul Jazz Records’ Record Store Day seven-inch box set which brings together a stunning five-single/ ten track selection of mind-blowingly groovy selection of African, Latin, Jazz and Funk music from the Congo. Absolutely killer and essential tracks (mostly unknown) from the masters of the vibrant Congo scene in the 1960s – featuring the groups Franco & OK Jazz, Rock-A-Mambo, African Jazz, African Fiesta and more. Roots African meets Dizzy Gillespie, James Brown, Ray Barretto & more. The bomb! This unique box-set edition is only available as a one-off pressing especially for Record Store Day 2018.
Soul Jazz Records presents - Punk 45 - Approaching The Minimal With Spray Guns
Soul Jazz Records presents
Punk 45 - Approaching The Minimal With Spray Guns
5x7" | 2018 | UK | Original (Soul Jazz)
33,59 €* 41,99 € -20%
Release:2018 / UK – Original
Genre:Rock / Indie
Limited edition for Record Store Day 2018!Unique Soul Jazz Records’ Record Store Day seven-inch box set comprising five fantastic bespoke rare and collectors’ punk singles, all re-mastered and all come in their own separate exact replica original artwork. Featuring classic punk rarities from the likes of X_X, The Bizarros, Hollywood Squares and more, all in original stunning artwork! This unique box-set edition is only available as a one-off pressing especially for Record Store Day 2018.
Deutsche Elektronische Musik - Volume 1 - Experimental German Rock And Electronic Music 1972-83 LP 2
Deutsche Elektronische Musik
Volume 1 - Experimental German Rock And Electronic Music 1972-83 LP 2
2LP | 2010 | UK | Reissue (Soul Jazz)
22,79 €* 23,99 € -5%
Release:2010 / UK – Reissue
Genre:Rock / Indie, Electronic / Dance
Soul Jazz Records new 2018 edition of their long out of print classic first “Deutsche Elektronische Musik – Experimental German Rock and Electronic Music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (The Guardian).The album comes as two separate double-vinyl (+ download code) editions and a large double CD pack (+36-page booklet), featuring a stunning line-up of groups including Cluster, Can, Faust, Popol Vuh, Neu!, Amon Düül, Harmonia, La Düsseldorf and Tangerine Dream as well as a host of lesser known groups such as Kollectiv, Ibliss, Between and many more. This new edition is fully re-mastered and features all the original artwork and tracks.The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war. German rock and experimental electronic music grew out of this worldwide counter-cultural revolution of 1968. The objectives were to create new music, ‘free’ from the past, many German youth turning their back on mainstream society. From the opening of the first collective/cooperative, Kommune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’. These cooperative and communal experiences led to a number of new collective German bands forming such as Amon Düül, Faust, Can (all featured here) and others and these ideals drove this new movement. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.Influenced equally by the electronic experimentalism of Stockhausen, the progressive rock of Pink Floyd and the black American jazz and soul music played at the occupying armed forces bases, young German artists seamlessly created out of this a new unique music with its own unique identity.The vinyl edition is made up of two separate volume heavyweight loud gatefold double albums (+ free download codes) featuring all sleevenotes and text.
Deutsche Elektronische Musik - Volume 1 - Experimental German Rock And Electronic Music 1972-83 LP 1
Deutsche Elektronische Musik
Volume 1 - Experimental German Rock And Electronic Music 1972-83 LP 1
2LP | 2010 | UK | Reissue (Soul Jazz)
23,99 €*
Release:2010 / UK – Reissue
Genre:Rock / Indie, Electronic / Dance
Soul Jazz Records new 2018 edition of their long out of print classic first “Deutsche Elektronische Musik – Experimental German Rock and Electronic Music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (The Guardian).The album comes as two separate double-vinyl (+ download code) editions and a large double CD pack (+36-page booklet), featuring a stunning line-up of groups including Cluster, Can, Faust, Popol Vuh, Neu!, Amon Düül, Harmonia, La Düsseldorf and Tangerine Dream as well as a host of lesser known groups such as Kollectiv, Ibliss, Between and many more. This new edition is fully re-mastered and features all the original artwork and tracks.The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war. German rock and experimental electronic music grew out of this worldwide counter-cultural revolution of 1968. The objectives were to create new music, ‘free’ from the past, many German youth turning their back on mainstream society. From the opening of the first collective/cooperative, Kommune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’. These cooperative and communal experiences led to a number of new collective German bands forming such as Amon Düül, Faust, Can (all featured here) and others and these ideals drove this new movement. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.Influenced equally by the electronic experimentalism of Stockhausen, the progressive rock of Pink Floyd and the black American jazz and soul music played at the occupying armed forces bases, young German artists seamlessly created out of this a new unique music with its own unique identity.The vinyl edition is made up of two separate volume heavyweight loud gatefold double albums (+ free download codes) featuring all sleevenotes and text.
Deutsche Elektronische Musik - Volume 3 - Experimental German Rock And Electronic Music 1971-81
Deutsche Elektronische Musik
Volume 3 - Experimental German Rock And Electronic Music 1971-81
3LP | 2017 | UK | Original (Soul Jazz)
26,99 €*
Release:2017 / UK – Original
Genre:Rock / Indie, Electronic / Dance
This latest instalment in Soul Jazz Records’ successful Deutsche Elektronische Musik series delves deeper into the German nation’s vaults to bring a fascinating new collection that again brings together a selection of classic German electronic and rock groups, including Neu!, Cluster, Popol Vuh, La Düsseldorf, Agitation Free, alongside a host of rare tracks by lesser known artists which includes Michael Bundt, Bröselmaschine, Dronsz, Achim Reichel and others.The music of Deutsche Elektronische Musik 3 ranges from the introverted pastoralism of Hans Joachim Roedelius and Bröselmaschine, to the angular and futuristic electronic experimentations of Klauss Weiss, Pyrolator, Deuter, Michael Bundt and others, to the proto-punk of La Düsseldorf and the heavy space, progressive and cosmic rock of Missus Beastly, Niagara and Dyzan.The music on Deutsche Elektronische Musik 3 was all recorded in the 1970s up to the early 1980s, at a time when forward-thinking German electronic and rock groups were searching for a new musical identity in order to separate themselves from both the cultural legacy of post-world war two Germany as well the ‘cultural imperialism’ of USA and UK rock. In this process German groups created some of the most unique and inspired music, the defining motorik beat alongside a host of ethno-musical influences from far afield – including Turkey, India, Brazil – as well as the musical and futurist possibilities of developments in electronics and technology itself.Deutsche Elektronische Musik 3 is released as a heavyweight 3xLP, deluxe double CD pack and digital release. The new extensive sleevenotes are by David Stubbs, who is the author of the acclaimed book, ‘Future Days: Krautrock and the Building of Modern Germany’ (Faber & Faber).
Soul Jazz Records presents - Studio One Supreme - Maxiumum 70s & 80s Early Dancehall Sounds
Soul Jazz Records presents
Studio One Supreme - Maxiumum 70s & 80s Early Dancehall Sounds
3LP | 2017 | UK | Original (Soul Jazz)
26,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
This is Soul Jazz Records’ latest new collection of classic and rare Studio One recordings. By the 1970s Studio One and Clement ‘Sir Coxsone’ Dodd had already proved himself to be the defining force in Reggae for almost two decades. From running the Downbeat sound system on the lawns and yards of Kingston in the late 1950s to opening Studio One at 13 Brentford Road at the start of the 1960s, ushering in Ska and Rocksteady and establishing the careers of most of Jamaica’s artists – everyone from Bob Marley and The Wailers, Ken Boothe, Toots and The Maytals, The Skatalites, Jackie Mittoo and more – Clement Dodd had until this point dominated the Jamaican musical world.And yet, incredibly, Clement Dodd was barely half way through his musical path, maintaining Studio One’s number one position in the Jamaican music scene throughout the 1970s with a combination of musical and creative innovation and an endless capacity to adapt and create new musical fashions. By the end of the 1970s Dancehall had become the defining sound on the island. Dancehall was essentially a tribute by other Jamaican producers and artists to the classic music of Studio One created in the 1960s as young artists across the island created new songs, while musicians recreated these original classic foundation Studio One rhythms. As on other occasions, Clement Dodd rose to this new musical challenge by producing a whole new era of classics for Studio One.The roots of Dancehall begin with the DJs of the early 1970s, who were the first to sing new material over earlier classic rhythms. Early DJ pioneers such as Dillinger and Prince Jazzbo both feature here toasting over classic songs - The Mad Lad’s Ten to One and The Eternals’ Queen of the Minstrel. But it is the new wave of artists who arrived at Studio One at the onset of Dancehall which enabled Studio One to maintain its number one status as the whole of Kingston’s rival music producers – Channel One, Joe Gibbs and many others – attempted to challenge this position. Sugar Minott, Michigan and Smiley, Willie Williams, Lone Ranger had all grown up listening to the classic Studio One music of the 1960s and were able to pay the greatest compliment to the label by creating the defining new music of this new era with songs that combined all the musical and technological developments of the 1970s – dub, deejaying, discomixes, syndrums, synthesizers and more – into the sound of the future: Dancehall.Throughout this era Clement Dodd also continued to work with a number of original and returning artists – such as Alton Ellis, Horace Andy, Freddie McGregor, Johnny Osbourne – updating old rhythms and creating new ones while employing the in-house band variously known as The Brentford All-Stars/Rockers/Disco Set to update these sounds in order to maintain Studio One’s number one position as the defining force in Reggae.
Lloyd McNeill Quartet, The - Asha
Lloyd McNeill Quartet, The
Asha
LP | 2017 | UK | Original (Soul Jazz)
19,99 €*
Release:2017 / UK – Original
Genre:Organic Grooves
New edition of this very rare deep spiritual jazz album first released as a private-press album in 1969 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC. First reissued on Soul Jazz Records’ Universal Sound sub-label in 2011 (long deleted) and now available newly digitally remastered on Soul Jazz Records main label in a limited edition of 1000 copies worldwide.Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. ‘Asha’ was the debut album by the Lloyd McNeill Quartet released on his own private-press record label, echoing the Civil Rights and African-American themes of the era - black economic empowerment and self-sufficiency – as well as a beautiful spirituality to the music. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris.In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US. This album is released as a limited-edition 1000-copies worldwide LP (+ download code), and limited-edition 1000-copies worldwide CD edition and also as a digital album on Soul Jazz Records.This album is released in conjunction with the album Lloyd McNeill – Washington Suite (1970) which was released last month also on Soul Jazz Records.
Soul Jazz Records presents - Hustle! Reggae Disco - Kingston, London, New York
Soul Jazz Records presents
Hustle! Reggae Disco - Kingston, London, New York
CD | 2017 | UK | Original (Soul Jazz)
14,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records’ are releasing their long-out-of-print album ‘Hustle! Reggae Disco’ in a new expanded 2017 edition which now features five extra tracks.This ground-breaking album features non-stop killer reggae versions of original funk and soul classics in a disco style. Reggae disco updates of seminal classics by Anita Ward (‘Ring My Bell’), Chaka Khan (‘I’m Every Woman’), Michael Jackson ‘Don’t Stop ‘til You Get Enough,’ Sugarhill Gang (‘Rappers Delight’ here performed by Derrick Laro and Trinity for producer Joe Gibbs) and more, all showing the hidden but inseparable link between the dance floors of New York, Kingston and London.New bonus tracks to this collection include Derrick Harriott’s funky take on Eddie Drennon’s ‘Do It Nice and Easy’, the classic disco reggae of Risco Connection’s take on McFadden and Whitehead’s ‘Ain’t No Stopping Us Now’ and the London rare groove lovers rock take on Barbara Acklin’s soul classic ‘Am I The Same Girl’.‘Hustle! Reggae Disco’ has been one of Soul Jazz Records’ best-selling releases since its first release 15 years ago (and subsequently featured heavily in the early Grand Theft Auto games!). This new edition comes complete fully re-mastered and with all original titles plus new tracks. This new expanded edition now comes a triple album (+ download code), CD and digital album.
V.A. - Studio One Rocksteady Volume 2 - Rocksteady, Soul And Early Reggae At Studio One
V.A.
Studio One Rocksteady Volume 2 - Rocksteady, Soul And Early Reggae At Studio One
CD | 2017 | UK | Original (Soul Jazz)
14,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records’ new journey into the mighty vaults of Clement Dodd’s Studio One steps once more into the fertilemusical environment of Jamaican music in the late 1960s and early 1970s, from the sweet harmony vocals ofseminal 1960s Rocksteady right up to the nascent birth of Reggae and Roots music at the start of the 1970s.Sleevenotes to this album are by Steve Barrow, author of ‘Rough Guide to Reggae’ as well as Soul Jazz Records’ own‘Reggae Soundsystem Cover Art’ books.While Ska at the start of the 1960s had taken American Rhythm and Blues as its main influence, Rocksteady focusedon the emergence of American Soul music – with Jamaican vocal harmony groups such as The Gaylads, John Holt &The Paragons, Carlton & The Shoes showing a particular fascination with the close harmonies of Curtis Mayfield andThe Impressions and other US Soul acts. Here The Heptones even feature with a cover of Bob Dylan’s ‘I Shall BeReleased’.The influence of Soul music on Jamaican Rocksteady and Reggae is almost palpable, so much so that one wondershow much more successful singers like Delroy Wilson, Alton Ellis, Slim Smith and John Holt would have been hadthey been born in Chicago, Detroit or Memphis.Artists such as Alton Ellis, Delroy Wilson and Owen Gray defined the era – a slowed down beat as Jamaican politicaland social heat slowly increased when the 1960s progressed into the start of the 1970s – and the music evolvedfurther from Rocksteady into Roots Reggae.
V.A. - Studio One Rocksteady Volume 2 - Rocksteady, Soul And Early Reggae At Studio One
V.A.
Studio One Rocksteady Volume 2 - Rocksteady, Soul And Early Reggae At Studio One
2LP | 2017 | UK | Original (Soul Jazz)
23,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records’ new journey into the mighty vaults of Clement Dodd’s Studio One steps once more into the fertilemusical environment of Jamaican music in the late 1960s and early 1970s, from the sweet harmony vocals ofseminal 1960s Rocksteady right up to the nascent birth of Reggae and Roots music at the start of the 1970s.Sleevenotes to this album are by Steve Barrow, author of ‘Rough Guide to Reggae’ as well as Soul Jazz Records’ own‘Reggae Soundsystem Cover Art’ books.While Ska at the start of the 1960s had taken American Rhythm and Blues as its main influence, Rocksteady focusedon the emergence of American Soul music – with Jamaican vocal harmony groups such as The Gaylads, John Holt &The Paragons, Carlton & The Shoes showing a particular fascination with the close harmonies of Curtis Mayfield andThe Impressions and other US Soul acts. Here The Heptones even feature with a cover of Bob Dylan’s ‘I Shall BeReleased’.The influence of Soul music on Jamaican Rocksteady and Reggae is almost palpable, so much so that one wondershow much more successful singers like Delroy Wilson, Alton Ellis, Slim Smith and John Holt would have been hadthey been born in Chicago, Detroit or Memphis.Artists such as Alton Ellis, Delroy Wilson and Owen Gray defined the era – a slowed down beat as Jamaican politicaland social heat slowly increased when the 1960s progressed into the start of the 1970s – and the music evolvedfurther from Rocksteady into Roots Reggae.
Soul Jazz Records presents - Punk 45: Les Punks: The French Connection - The First Wave Of French Punk 1977-80
Soul Jazz Records presents
Punk 45: Les Punks: The French Connection - The First Wave Of French Punk 1977-80
2LP | 2016 | UK | Original (Soul Jazz)
22,99 €*
Release:2016 / UK – Original
Genre:Rock / Indie
Soul Jazz Records’ new Punk 45 release documents the first radical underground punk bands to come out of France including Metal Urbain (the first group ever to be signed to Rough Trade Records), Marie et Les Garçons, Asphalt Jungle, through to the earliest experimental cold wave/minimal wave electronic groups such as Kas Product, Charles de Goal and A3 Dans le WC who emerged at the start of the 1980s.The accompanying large 50-page outsize booklet shows how punk in France emerged out of the country’s history of rebellion and revolution (from Serge Gainsbourg to the Paris ‘68 riots) as well as a love for American punk and proto bands like The New York Dolls and The Stooges, and was kick-started by witnessing the first UK punk bands (including the Sex Pistols who played in Paris in Sep 1976).It also explains how French revolutionary, artistic and intellectual ideas influenced the birth of punk in both New York (Dadaism and Surrealism, Rimbaud and Voltaire) and in Britain (Situationism), how Paris based art collective Bazooka influenced the work of Jamie Reed and The Sex Pistols, and more besides. The large booklet features extensive text, exclusive photography as well as interviews with key French figures in the movement including Marc Zermati (Skydog Records), Patrick Eudeline (Asphalt Jungle), Michel Esteban (Ze Records) and Eric Debris (Metal Urbain).
Betty Harris - The Lost Queen Of New Orleans Soul
Betty Harris
The Lost Queen Of New Orleans Soul
2LP | 2016 | UK | Original (Soul Jazz)
25,99 €*
Release:2016 / UK – Original
Genre:Organic Grooves
Betty Harris’ The Lost Queen of New Orleans Soul collects together the steady stream of amazing soul and funk singles issued by Betty Harris from 1964 to 1969, under the musical guidance of legendary composer, musician and producer extraordinaire Allen Toussaint, a collection which truly captures the heart and soul of the city of New Orleans during this era.Betty Harris’s powerful, fiery soulful vocals found a perfect accompaniment with the New Orleans’ players that Toussaint put together to back her, which by the time of her funk classic ‘There’s A Break In The Road’ were the legendary super-tight, super-funk New Orleans group The Meters. With the extraordinary song-writing skills of Allen Toussaint alongside the powerful, soaring, confident and emotive singer and the groove of The Meters, you have an unbeatable combination. That Harris never in fact lived in New Orleans (she flew in from Florida for all her sessions with Toussaint’s local in-house players) seems almost an irrelevance, a geographical aside to the defining New Orleans sound captured on the recordings featured here. All of these singles featured here were released on Allen Toussaint and his business partner Marshal Sehorn’s local New Orleans label Sansu, widely distributed in the southern city but in only limited quantities elsewhere. As a consequence, Betty Harris’ music failed to achieve the commercial success of other New Orleans artists such as Lee Dorsey (who she recorded with) and The Meters (who backed her). And so at the end of the decade she stopped recording, retired from the music business to raise her family in Florida.
Soul Jazz Records presents - Venzuela 70 - Cosmic Visions Of A Latin American Earth – Venezuelan Experimental Rock in the 1970s
Soul Jazz Records presents
Venzuela 70 - Cosmic Visions Of A Latin American Earth – Venezuelan Experimental Rock in the 1970s
2LP | 2016 | UK | Original (Soul Jazz)
22,99 €*
Release:2016 / UK – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
Soul Jazz Records’ new Venezuela 70 is the first-ever album of its kind to take a look at the groundbreaking experimental rock music made in Venezuela and created in the 1970s – during a time when the country was both a modern cultural and economic powerhouse in Latin America on account of wealth from its vast oil supplies. Venezuela lies at the northern part of South America, with neighbouring Colombia to its west and Brazil to its south. The north coast borders the Caribbean. Whilst much of 1960s Venezuelan rock music emulated British and USA styles, the 1970s saw the evolution of a new generation of creative artists such as Vytas Brenner, Angel Rada, Pablo Schneider and Miguel Angel Fuster, who all explored the possibilities of mixing together rock with elements of electronica, funk, jazz, latin rhythms simultaneously exploring their links with Venezuelan roots music, creating a new sound which blended a multitude of new and old world influences, uniquely Venezuelan.These Venezuelan artists looked to the future while exploring their country’s own musical heritage to create a new cultural identity. Similarities can be drawn with then contemporary movements around the world such as the Trópicalia and post-Trópicalia 1970s scene in Brazil of Os Mutantes, Novos Baianos, Secos e Molhados (all of which feature on Soul Jazz Records’ earlier Brazil 70). A similar parallel can be made in Europe with the experimental German groups of the 1970s (Can, Amon Duul, Harmonia, Neu all featured on Soul Jazz Records’ Deutsche Elektronische Musik) who deconstructed and reconstructed the links between rock music and electronics to define a new German cultural identity.Most of these artists featured on Venezuela 70 remain practically unknown outside of Venezuela’s borders and yet their progressive forward-thinking music is some of the most sophisticated in the world – a stunning ‘melting pot’ mix of underground rock, synthetic electronics, funk, jazz and Latin American rhythms all of which explored new sounds and broke down musical boundaries to create a distinct and unique Venezuelan music and cultural identity.
Count Ossie & The Rasta Family - Man From Higher Heights
Count Ossie & The Rasta Family
Man From Higher Heights
LP | 2016 | UK | Original (Soul Jazz)
18,99 €*
Release:2016 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records are releasing Count Ossie & The Rasta Family’s long lost reggae album ‘Man From Higher Heights’ (originally released in 1983), digitally remastered and with full original artwork.This release follows on from the earlier release of Count Ossie and The Mystic Revelation of Rastafari ‘Tales of Mozambique’ (1975), also by Soul Jazz Records. Recorded in Kingston, Jamaica, somewhere between the last Mystic Revelation album and the 1983 official release of ‘Man From Higher Heights’, it remains unclear whether this album is a mixture of original recordings overlayed with additional players, or Ossie’s post-Mystic Revelation players remaining true to the spirit of Count Ossie (who had died in a car crash in 1976). Either way, it is a fascinating and successful blend of heavyweight Rastafarian roots rhythms and drumming alongside deep jazz improvisation and tripped out psychedelic fuzz guitar.Count Ossie is the central character in the development of Rastafarian roots music, an almost mythical and iconic figure. His importance in bringing Rastafarian music to a populist audience is matched only by Bob Marley’s promotion of the faith internationally in the 1970s.Count Ossie’s drummers made the first ever song to integrate Rastafarian traditional music into popular music - The Folkes Brothers’ song ‘Oh Carolina’, recorded for producer Prince Buster in 1959. In 1966 his drummers greeted the arrival of Haile Selassie at Kingston airport. His Rastafarian compound in the hills of Wareika, Kingston, hosted jam sessions between his drummers and Jamaica’s finest musicians, Roland Alphonso, Don Drummond, Johnny Moore and others.Count Ossie and the Group’s Man From Higher Heights remains one of the most elusive of his highly progressive Rastafarian inspired recordings, the final release in Count Ossie’s career.
Soul Jazz Records presents - New York Noise - Dance Music From The New York Underground 1977-1982
Soul Jazz Records presents
New York Noise - Dance Music From The New York Underground 1977-1982
2LP | 2016 | UK | Original (Soul Jazz)
22,99 €*
Release:2016 / UK – Original
Genre:Organic Grooves, Electronic / Dance, Pop
This is the new 2015 edition of Soul Jazz Records’ long out of print first New York Noise collection, Dance Music From The New York Underground 1978-82.New York Noise is the story of the intersection between experimental dance music and art in downtown New York. This ground-breaking release gave rise to a series of three albums featuring the likes of Snatch, Glenn Branca, Rhys Chatham, Sonic Youth, Ut, Jim Jarmusch and many more downtown figures as well as a deluxe photography book that featured everyone from David Byrne to Madonna (now out-of-print).This new 2015 edition features classic New York post-punk, punk funk and no wave tracks from Arthur Russell/Dinosaur L, James White and the Contortions, The Theoretical Girls, Mars, Konk, Material, Bush Tetras, Lizzy Mecrier Descloux as well as new tracks by Alan Vega (Suicide), Chain Gang and Implog.
Soul Jazz Records presents - Studio One Showcase - The Sound Of Studio One In The 1970s
Soul Jazz Records presents
Studio One Showcase - The Sound Of Studio One In The 1970s
2LP | 2016 | UK | Original (Soul Jazz)
22,99 €*
Release:2016 / UK – Original
Genre:Reggae / Dancehall
Studio One Showcase brings together a new fine selection of classic tracks from Horace Andy, Freddy McGregor, Johnny Osbourne, Lone Ranger, Sugar Minott, The Heptones, Wailing Souls and other seminal reggae artists all recorded at Studio One in the 1970s. By the start of the 1970s, Clement Dodd’s Studio One record label was at a crossroads. The previous two decades had given the producer and record label more success than most aspired to in a lifetime. From the mid-1950s on, the Downbeat Soundsystem had conquered all opponents – from Duke Reid to Prince Buster – and shaped and led the musical landscape of the dancehall. In the 1960s, the establishment of Studio One Records at 13 Brentford Road in Kingston, Jamaica, had led to a Ford Motors-esque production line of hits that similarly defined reggae music. But the 1970s was to prove Clement ‘Sir Coxsone’ Dodd’s most challenging and yet ultimately the most creative decade of all. Like the most zealous and resourceful of pioneers, Studio One was about to embark on a stunning era of reinvention, adaptation, stripping down and versioning, each step of which marked new musical developments in reggae music – roots reggae, deejay, dancehall, rub a dub and more. This album presents an overview of this exciting and ground-breaking decade of the 1970s at Studio One, during an era where, despite challenges from new producers, political turmoil, and almost constant musical and technological innovations in reggae, Clement ‘Sir Coxsone’ Dodd was able to maintain his position as the pioneering leader in reggae music, and to maintain Studio One is the number one sound in reggae music. Always.
Leroy Sibbles / Norma Frazier - Express Yourself / Respect
Horace Andy / Jackie Mittoo - Mr Bassie / Napoleon Solo
Soul Jazz Records presents - Coxone's Music - The First Recordings Of Sir Coxsone:  The Downbeat 1960-63 - Part 2
Soul Jazz Records presents
Coxone's Music - The First Recordings Of Sir Coxsone: The Downbeat 1960-63 - Part 2
2LP | 2015 | UK | Original (Soul Jazz)
22,99 €*
Release:2015 / UK – Original
Genre:Organic Grooves, Reggae / Dancehall
Coxsone’s Music is a stunning new 3-CD/two separate double LP (+ free download) collection featuring over two and half hours of early Jamaican proto-ska, rhythm and blues, jazz, rastafari and gospel music – charting the earliest recordings produced by Clement Dodd, in the years before he launched the mighty Studio One Records, brought together here for the first time ever.Clement Dodd’s Sir Coxsone The Downbeat Soundsystem ruled Kingston’s dancehalls during this era and these recordings strongly reflect the influences of American rhythm and blues and jump jazz on Jamaican music fans. By the time the new record company formed in Brentford Road, Kingston in 1963, the young Clement ‘Sir Coxsone’ Dodd had already managed to release an incredible wealth of recordings by the talented musicians and artists on the island of Jamaica and this collection reflects just that: Featuring Don Drummond, Roland Alphonso, Derrick Harriott, Owen Gray, Clancy Eccles, Count Ossie, Monty Alexander, The Blues Busters, Ernest Ranglin, Rico Rodriguez and many, many more all captured here in their formative early years.Before Studio One, Clement Dodd released this music on a variety of his early record labels such as Worldisc, All Stars, Coxsone, D Darling (named after Coxsone’s mother, who received a production credit on the label), Muzik City (named after Dodd’s record store on East Queen’s Street), Port O Jam, Supreme and Sensational.Sleevenotes to this collection are by Studio One authority Rob Chapman, author of the Never Grow Old and Downbeat Special books cataloguing the many recordings of the label.
Gilles Peterson and Stuart Baker - Bossa Nova and The Rise of Brazilian Music in the 1960s LP 1
Gilles Peterson and Stuart Baker
Bossa Nova and The Rise of Brazilian Music in the 1960s LP 1
2LP | 2011 | UK | Reissue (Soul Jazz)
22,99 €*
Release:2011 / UK – Reissue
Genre:Organic Grooves
Spawned in the upscale beachside neighborhoods of Rio De Janeiro in the late 1950s, the laid-back sound and culture of Bossa Nova ("New Wave") rode on a brief wave of optimism in Brazil: the country had just elected a new president, a five-year plan for prosperity had been laid out and the great architect Oscar Niemeyer had proposed his plans for the new modern city of Brasilia. Reflecting this optimism in its gentle and sunny soundworld, Bossa Nova quickly became a worldwide musical phenomenon. This album is a definitive study of the birth and rise of bossa nova in Brazil in the 1960s. Light years away from the cocktail-sipping tropical image that bossa nova became, bossa nova’s origins in Brazil are that of a stunning modernist and revolutionary music that reflected the radical and exciting idealism of the country at the start of the 1960s. As Brazil developed into an urban society, with ‘apartment living’ and consumer goods, bossa nova projected an image that was modern, sophisticated and cool. ‘Bossa Nova and the rise of Brazilian Music in the 1960s’ charts the rise of the events that led to the arrival of this new musical movement and what happened next. João Gilberto, Tom Jobim, Vinicius de Moraes, Elis Regina, Gilberto Gil and Baden Powell all feature alongside many other Brazilian artists who launched their careers during this amazing period. Compiled by Gilles Peterson and Stuart Baker!
Soul Jazz Records Presents - New Orleans Soul - The Original Sound Of New Orleans Soul 1960-76
Soul Jazz Records Presents
New Orleans Soul - The Original Sound Of New Orleans Soul 1960-76
2LP | 2014 | UK | Original (Soul Jazz)
21,99 €*
Release:2014 / UK – Original
Genre:Organic Grooves
For more than ten years Soul Jazz Records have been exploring and documenting the sound of New Orleans Funk. Now they turn their attention to the flipside of this musical coin - New Orleans Soul. From the deep, deep soul of singers Aaron Neville, Willie Tee and Robert Parker to the storming northern soul of Maurice Williams and Eldridge Holmes, the funky soul of Eddie Bo, Lionel Robinson and Ernie K-Doe all alongside the Crescent City’s finest soul sisters – Irma Thomas, Betty Harris, Jean Knight, Inell Young and more!
V.A. - Studio One Dancehall
V.A.
Studio One Dancehall
3LP | 2014 | UK | Original (Soul Jazz)
24,99 €*
Release:2014 / UK – Original
Genre:Reggae / Dancehall
Featured here is a new collection spanning Studio One’s dancehall period – singers and deejays on classic Studio One rhythms, studio and electronic wizardry from the Brentford Road headquarters, lots of rare 12” singles, all effortlessly brought together to nice up the dance.
V.A. - Punk 45: Sick On You! One Way Spit! After The Love & Before The Revolution Volume 3: Proto-Punk 1970-77
V.A.
Punk 45: Sick On You! One Way Spit! After The Love & Before The Revolution Volume 3: Proto-Punk 1970-77
2LP | 2014 | UK | Original (Soul Jazz)
21,99 €*
Release:2014 / UK – Original
Genre:Rock / Indie, Pop
Soul Jazz Records’ new Punk 45 album is a collection of tracks of twisted, raw and energized proto-punk music from the early 1970s, ahead-of-its-time music which led the way for the birth of punk in the second half of the 1970s.
V.A. - Studio One Lovers
V.A.
Studio One Lovers
2LP | EU | Original (Soul Jazz)
25,99 €*
Release:EU – Original
Genre:Reggae / Dancehall
feat. Alton Ellis, Horace Andy, The Sharks, Jackie Mittoo, Basil Daley and more!
Soul Jazz Records Presents - Inner City Beat! Detective Themes, Spy Music and Imaginary Thrillers 1967-1975
Soul Jazz Records Presents
Inner City Beat! Detective Themes, Spy Music and Imaginary Thrillers 1967-1975
CD | 2014 | UK | Original (Soul Jazz)
16,99 €*
Release:2014 / UK – Original
Genre:Organic Grooves
These tracks are put together from British library music companies (DeWolfe, KPM, Conroy, Amphonic), all of whom supplied musicregularly to television and films around the world during this period, often for use in detective and spy programmes, series andfilms. Many were never broadcast and have thus remained unheard, stored in the vaults for many years.
V.A. - New Orleans Funk Volume 3
V.A.
New Orleans Funk Volume 3
2LP | 2013 | UK | Original (Soul Jazz)
21,99 €*
Release:2013 / UK – Original
Genre:Organic Grooves
Soul Jazz Records' returns with their most successful series to date, New Orleans Funk. This new instalment subtitled 'Two-Way-Pocky-Way, Gumbo Ya Ya and the Mardi Gras Mambo' features more classic New Orleans funk in all its forms.
V.A. - Studio One Roots - The Original
V.A. - Studio One Scorchers Volume 1
V.A. - The Legendary Studio One Records - Original Classic Recordings 1963-80
V.A.
The Legendary Studio One Records - Original Classic Recordings 1963-80
CD | 2011 | UK | Original (Soul Jazz)
14,99 €*
Release:2011 / UK – Original
Genre:Reggae / Dancehall
This album here is a lightning roller coaster musical journey through the music of Studio One, the most important record company in the history of Jamaican reggae music. Ska and Rock Steady feature from the greatest names in reggae: The Skatalites, The Maytals, Marcia Griffiths and The Heptones alongside vocal and roots styles from Horace Andy, Willie Williams and Wailing Souls; DJ and dancehall styles from Michigan and Smiley, Prince Jazzbo and Lone Ranger; plus some wicked instrumental and dub. It's all here! 100% essential foundation style.
V.A. - The Legendary Studio One Records - Original Classic Recordings 1963-80
V.A.
The Legendary Studio One Records - Original Classic Recordings 1963-80
2LP | 2011 | UK | Original (Soul Jazz)
22,99 €*
Release:2011 / UK – Original
Genre:Reggae / Dancehall
This album here is a lightning roller coaster musical journey through the music of Studio One, the most important record company in the history of Jamaican reggae music. Ska and Rock Steady feature from the greatest names in reggae: The Skatalites, The Maytals, Marcia Griffiths and The Heptones alongside vocal and roots styles from Horace Andy, Willie Williams and Wailing Souls; DJ and dancehall styles from Michigan and Smiley, Prince Jazzbo and Lone Ranger; plus some wicked instrumental and dub. It's all here! 100% essential foundation style.
Studio One - Groups
Studio One
Groups
2LP | 2006 | UK | Original (Soul Jazz)
23,99 €*
Release:2006 / UK – Original
Genre:Organic Grooves, Reggae / Dancehall
music by The Wailing Souls, The Gaylads, The Mad Lads, The Maytals, ...
Ladybug - Dem a bomb we feat. Warrior Queen
Soul Jazz Records Presents - Studio One Black Man's Pride Volume 3
Soul Jazz Records Presents
Studio One Black Man's Pride Volume 3
CD | 2019 | UK | Original (Soul Jazz)
14,99 €*
Release:2019 / UK – Original
Genre:Reggae / Dancehall
Preorder 25.01.2019
This is the latest new installment of Soul Jazz Records’ on-going collection of Rastafarian music at Studio One, featuring classic material from legendary roots and culture artists The Gladiators, Horace Andy, Freddie McGregor, Sugar Minott and the Wailing Souls, alongside a superb selection of rarities from Sir Coxsone’s musical empire made up of one-off and practically unknown Rastafarian artists who recorded on a myriad of Studio One off-shoot labels in the 1970s – The Manchesters, Mellodies, The Nightingales and others.In this new collection, we see that once again the prescient Clement Dodd was a man who saw the wider picture. In the 1960s it was Sir Coxsone who identified the creative potential of The Wailers, Toots and the Maytals, Heptones, Burning Spear and many, many others. In the 1970s Studio One released an untouchable selection of the finest as styles moved from reggae to deejay to dub and, in the latter half, the emergence of dancehall.But what is also clear is that throughout this era Studio One released an incredible amount of roots music, and not just the most commercially obvious. For alongside the career-building catalogues of Burning Spear, The Wailing Souls, The Gladiators and so on, one needs to be an ardent Studio One collector to know some of the truly raw Rastafarian music featured here. Groups such as The Manchesters or The Nightingales feel as if they were recorded straight out of the churchical chants of the mansions.Black Man’s Pride explains the links between the ideology of Clement Dodd at Studio One and the Rastafarian faith, which was the creation of Afro-Jamaicans and concerned above all else with a black consciousness and empowerment, a rediscovering of the personal and racial identity of black people. The movement began in the 1930s and, in tandem with this black consciousness, called for a rejection of the British imperial culture that dominated Jamaica, while creating an identity based on a re-appropriation of an African heritage.The Rastafari movement was like a pivot, bringing together and balancing many vectors of ideologies. Marcus Garvey’s Back to Africa movement, trades union discourse, anti-colonialism and nation independence, maroon self-definition and independence, the spirit of African rebellion in the Caribbean. For Clement Dodd, a black man and producer growing up in Kingston in this era, Rastafari was simply a part of his everyday world – from witnessing Count Ossie’s grounations to the faith of many Jamaican artists at Studio One – from the Skatalites onwards.Featured here alongside these classic and rare tracks from Studio One are new and extensive sleeve notes with track-by-track notes by Rob Chapman, author of the acclaimed Downbeat Special and Never Grow Old Studio One books.
Soul Jazz Records Presents - Brown Sugar- I'm In Love With A Dreadlocks: Brown Sugar And The Birth Of Loves Rock 1977-80
Soul Jazz Records Presents
Brown Sugar- I'm In Love With A Dreadlocks: Brown Sugar And The Birth Of Loves Rock 1977-80
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Reggae / Dancehall
Soul Jazz Records are releasing this first ever collection of the pioneering British reggae Lovers Rock group Brown Sugar including rare singles, dubs and extended mixes. The album comes with extensive sleevenotes and interviews with Dennis Bovell, Pauline Catlin, John Kpiaye and Winston Edwards (Studio 16).Brown Sugar were formed by three young teenage girls – Pauline Catlin, Caron Wheeler and Carol Simms in South London in 1976. In the short period of time 1976-1980, the group – working with Dennis Bovell on the mixing desk and John Kpiaye (‘Brownie T) in the studio – recorded barely a handful of singles on the new Lovers Rock label, a number of which went to the top of the UK reggae charts. But success stopped there, and with no album release and no industry support the group broke up in the early 1980s.Following their split Caron Wheeler became the lead vocalist for the hugely successful group Soul II Soul, Carol Simms launched a solo career as Kofi (re-making a number of Brown Sugar songs with producer Mad Professor) and Pauline Catlin returned to education.Despite their relatively low-key mainstream public exposure Brown Sugar (and the label on which their first records appeared) announced to the world a new genre of reggae music, Lovers Rock, which spoke for the first time with the sensibility of a new segment of British society; that of first generation-born Black British female youth.And while Lovers Rock became synonymous with sweet love songs, Brown Sugar’s music in fact expressed far more; a righteous pride and consciousness in being Black and British, a political stance more often associated with UK roots groups like Black Slate, Aswad, Misty in Roots and other British reggae acts in the late 1970s. Brown Sugar were in fact their own genre of ‘conscious lovers rock’ – an expression of ideological black cultural pride. Brown Sugar’s handful of three-minute love songs (often plus extended dubs) somehow manage to encapsulate all the complexities of identity, sexual politics and youthful righteousness of Afro-Caribbean youth living in Britain in the 1970s. Songs such as ‘I’m in Love with A Dreadlocks’, ‘Our Reggae Music’, ‘Black Pride’ and ‘Dreaming of Zion’ spoke with a straightforward righteousness and consciousness that few roots groups could hope to match. The fact that they were all teenagers is even more striking. In the mid-70s British reggae came into being as first generation Black Britain was able to find a voice able to express the issues of growing up British with Caribbean roots. This came about in two different ways – the British roots music of (essentially male) groups such as Aswad, Steel Pulse and Black Slate – and Lovers Rock, the expression of a black essentially (but not totally) female consciousness – Brown Sugar, Louisa Mark, 15-16-17, Marie Pierre, Janet Kay, Carroll Thompson, Jean Adebambo and others. And significantly, while British roots music was a variant on a Jamaican style, Lovers Rock was uniquely British – the first authentic British reggae sound. Dennis Bovell comments, “For Lovers Rock we needed a pulpit, a way of saying ‘this is the style’. Sound systems were already saying ‘this is lovers,’ brandishing it in the dance. Our intention was to create a style of music that my generation could identify with – one that had a beat, and you could dance to with your partner in a sound system setting.” Dennis Bovell’s mixes for the group gave a further dimension to Brown Sugar records – a sound system mentality, adding sound effects and dub elements. ‘I’m in Love with A Dreadlocks’ was the debut release for both Brown Sugar and the Lovers Rock label, a fitting calling card for both. The record was a hit on many sound systems across the UK, reaching the top of the reggae charts. John Kpiaye: “They never put out an album. And all these records were seven-inch singles; when 12-inches turned up it just killed the seven-inch.”Although the career of Brown Sugar was short-lived, their legacy and influence remains significant and now, 40 years on from these first records, all of the members are still involved in music. Pauline Catlin has recently re-launched her career under a new moniker, Shezekiel; Carol Simms, aka Kofi, remains a successful solo artist, one of the queens of Lovers Rock; Caron Wheeler, after leaving Soul II Soul at the end of the 1980s, embarked on a solo career, before re-joining the soul super-group which she continues to front to this day.This new collection brings together all the groups essential recordings for the first ever time.
Sugar Minott - At Studio One
Sugar Minott
At Studio One
CD | 2005 | UK | Reissue (Soul Jazz)
14,99 €*
Release:2005 / UK – Reissue
Genre:Reggae / Dancehall
Long-out-of-print re-release of this classic Sugar Minott album on Soul Jazz Records,bringing together the best of his classic material recorded at Studio One in the 1970s.Lincoln Sugar Minott was born in Kingston, Jamaica, in 1956. He grew up in a poor area ofWest Kingston and from an early age developed a love of Reggae music and the music ofStudio One in particular. As a teenager, he became selector for Sound of Silence Keystoneand Gathering of Youth local sound-systems. By the late 1970s Minott had risen tobecome one of the biggest stars in Jamaican music.Sugar Minott began his career at Studio One. After auditioning in front of Clement ‘SirCoxsone’ Dodd in the early 1970s, he became the first artist to record new songs overclassic rhythms, singing over original Studio One tapes – the significance of which leddirectly to the birth of dancehall, as Channel One, Joe Gibbs and hundreds of otherJamaican producers quickly began releasing their own material based on these sameclassic Studio One rhythms replayed by Sly and Robbie, The Aggrovators, Soul Syndicate,Roots Radics and many others.“I knew Studio One spiritually before I knew Studio One physically. You know I grew upbeside a dancehall and Sir Coxsone’s sound used to play there from when I was a boy. Sofrom that influence you know I used to love Studio One sound so much, I became a soundselector. So that was my first involvement with getting to know Studio One music like TheHeptones, Alton Ellis, Ken Boothe, the whole works and that was my life from a youth.”After Sugar Minott’s debut many other artists followed suit at the label such as FreddieMcGregor, Johnny Osbourne, Lone Ranger and Michigan & Smiley leading to one of themost creative periods for the label. This is the first retrospective of Sugar Minott at thelabel and most of these recordings have never been widely available outside Jamaica.Sugar Minott went on to a huge career in Reggae and is today one of the biggest stars inJamaican music. He set up his own Black Roots/Youth Promotions label releasing music byBarry Brown, Michael Palmer, Tenor Saw, Barrington Levy, Horace Andy, Garnett Silk,Junior Delgado, Yami Bolo, Junior Reid and many more.Sugar Minott went on to work for numerous Jamaican producers. His ‘Good Thing Going’produced by Donovan Germain became a number one hit in the UK and led to the rise ofLovers Rock. This album includes classic cuts as well as super-rare singles only recordings,all of which have been digitally re-mastered for this release.
Poor Boy Rappers - The D.J. Rap
Poor Boy Rappers
The D.J. Rap
12" | 2018 | UK | Original (Soul Jazz)
12,99 €*
Release:2018 / UK – Original
Genre:Hip Hop
Originally released on Raina Records out of Phoenix, Arizona. Vocal + killer dubbed out instrumental arranged and conducted by the legendary Rich Cason. Recently sold for over £1000 on Discogs! Very limited one-off pressing of 500 copies worldwide on Soul Jazz Records.
Chris Bowden - Time Capsule
Chris Bowden
Time Capsule
CD | 1996 | UK | Reissue (Soul Jazz)
14,99 €*
Release:1996 / UK – Reissue
Genre:Organic Grooves
Chris Bowden’s debut album Time Capsule was first released on Soul Jazz Records in 1992 to universal and widespread critical acclaim. Now 20 years on a new wave of current jazz artists led by the likes of Kamasi Washington in the USA and a host of British artists - Shabaka Hutchings /Sons of Kemet, The Ezra Collective, Moses Boyd, Nubya Garcia, Fourtet, Yussef Kamaal, Tenderlonious, Binker & Moses - have brought this original ground-breaking album into the limelight once more as a pivotal starting point, sharing many of the aesthetics of these current artists at work today.Musically all are inspired by the spiritual jazz of John Coltrane, Alice Coltrane, Pharoah Sanders, Archie Shepp, Don Cherry et al paired with a modern electronic music sensibility. Chris Bowden’s Time Capsule has stood the test of time like few other albums (as the title of the album suggested), and remains a pivotal, wholly-successful and original experimental musical collage, a radical inspiration and forebearer to many of the best progressive jazz and electronic artists working today.The album has been fully hi-spec re-mastered and is available as a limited-edition heavyweight double-vinyl release with gatefold sleeve (+ free download code) and slipcase CD
Soul Jazz Records Presents - Studio One Freedom Sounds - Studio One In The 60s
Soul Jazz Records Presents
Studio One Freedom Sounds - Studio One In The 60s
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Reggae / Dancehall
Studio One Freedom Sounds is the new collection from Soul Jazz/ Studio One focussing on the intense period in the second half of the 1960s when Studio One’s vast and unbeatable output of ska, soul, rock steady and reggae made it literally one of the hottest musical empires in the world.During this highly successful period, Clement ‘Sir Coxsone’ Dodd released hundreds and hundreds of superlative singles seemingly on an almost daily basis, in the process making huge stars out of Jamaican singers such as Alton Ellis, Delroy Wilson, The Wailers, Slim Smith, Jackie Opel and many more. Powered by the finest in-house musicians working in Jamaica, whether it was The Skatalites, Jackie Mittoo’s Soul Brothers, The Sounds Dimension or The Soul Vendors, Studio One functioned as hit factory on the scale of Motown in the USA, shaping and defining reggae music for decades to come. Singlehandedly Studio One’s founder Clement Dodd was able to create the most successful vertically-integrated record company that Jamaica had ever known with pressing plant, printers, studio, shops, and sound systems all running at once, with over 50 employees and hundreds of artists working with Studio One during this time.Studio One Freedom Sounds tells the story of Studio One in the 1960s with a stunning set of ska, soul, rock steady and reggae killer tunes as well as informative sleevenotes and track-by-track info by Noel Hawks. The album is released as heavyweight double vinyl (+ free download code), deluxe CD and digital album.
Soul Jazz Records presents Nigeria Fuji Machine - Synchro Sound System & Power
Soul Jazz Records presents Nigeria Fuji Machine
Synchro Sound System & Power
LP | 2018 | UK | Original (Soul Jazz)
22,79 €* 23,99 € -5%
Release:2018 / UK – Original
Genre:Organic Grooves
‘Syncho Sound System & Power’ features the music of Nigeria Fuji Machine,which includes some of the country’s finest ‘Fuji’ master drummers and singers,and is newly recorded by Soul Jazz Records in Lagos, Nigeria.Fuji is the heavily percussive and improvisational style of Nigerian popular music,at once modern and yet deeply rooted in the traditional Islamic Yoruba culture ofNigeria.Here on this album Nigeria Fuji Machine’s striking and powerful lead vocalistTaofik Yemi Fagbenro soars above a wild and energetic backdrop of polyrhythmsplayed on traditional talking drums, trap drums, electronic and street percussion tocreate a powerful wall of intense sound.
Soul Jazz Records presents Nigeria Fuji Machine - Synchro Sound System & Power
Soul Jazz Records presents Nigeria Fuji Machine
Synchro Sound System & Power
CD | 2018 | UK | Original (Soul Jazz)
14,24 €* 14,99 € -5%
Release:2018 / UK – Original
Genre:Organic Grooves
‘Syncho Sound System & Power’ features the music of Nigeria Fuji Machine,which includes some of the country’s finest ‘Fuji’ master drummers and singers,and is newly recorded by Soul Jazz Records in Lagos, Nigeria.Fuji is the heavily percussive and improvisational style of Nigerian popular music,at once modern and yet deeply rooted in the traditional Islamic Yoruba culture ofNigeria.Here on this album Nigeria Fuji Machine’s striking and powerful lead vocalistTaofik Yemi Fagbenro soars above a wild and energetic backdrop of polyrhythmsplayed on traditional talking drums, trap drums, electronic and street percussion tocreate a powerful wall of intense sound.
Soul Jazz Records presents - Yoruba! Songs & Rhythms For The Yoruba Gods In Nigeria
Soul Jazz Records presents
Yoruba! Songs & Rhythms For The Yoruba Gods In Nigeria
2LP | 2018 | UK | Original (Soul Jazz)
22,79 €* 23,99 € -5%
Release:2018 / UK – Original
Genre:Organic Grooves, Rock / Indie
Soul Jazz Records’ latest album ‘Yoruba! Songs and Rhythms for the Yoruba Gods in Nigeria’ is newly recorded in Lagos, Nigeria. The album is co-produced by Soul Jazz Records label head Stuart Baker and Laolu Akins (founding member of the legendary 1970s Nigerian Afro-Funk/Rock group Blo). Yoruba! features an array of local master drummers led by Olatunji Samson Sotimirin and singers (featuring the lead vocals of Janet Olufanmilayo Abe) performing heavyweight Afro-rhythms, with talking drums, Bata and Dundun drums and a mass of percussion in these deep spiritual and sacred songs used to honour and worship the traditional and ancient Yoruba gods in Nigeria, West Africa. The enormous impact of Yoruba and West African music and culture is worldwide – from the first Afro-centric explorations of African-American jazz musicians in the 1950s such as Art Blakey, Randy Weston and Dizzy Gillespie, the explosion of Nu Yorican Latin music in New York City starting in the 1960s – Mambo, Boogaloo, Latin funk and soul - through to the sacred and powerful Afro-derived music of the religions of Santería in Cuba, Candomblé in Brazil and Voodoo in Haiti, which all came into existence on account of the Atlantic slave trade which began over 400 years ago. On a wider scale West African music remains the primary root of all African-American musical forms – from New Orleans jazz to Bronx rap, gospel, soul and more.This album features songs honouring the Nigerian gods of the Yoruba traditional religion – Yemoja, Obatala, Ogun, Sango and others – as well as a selection of instrumental cuts focussing on the Bata and Dundun drums. The album comes complete with extensive text and photography included in the 40-page outsize booklet/gatefold double vinyl + inners showing the influence of Yoruba culture throughout the world and the social and historical context for the music contained here.
Soul Jazz Records presents - Yoruba! Songs & Rhythms For The Yoruba Gods In Nigeria
Soul Jazz Records presents
Yoruba! Songs & Rhythms For The Yoruba Gods In Nigeria
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves, Rock / Indie
Soul Jazz Records’ latest album ‘Yoruba! Songs and Rhythms for the Yoruba Gods in Nigeria’ is newly recorded in Lagos, Nigeria. The album is co-produced by Soul Jazz Records label head Stuart Baker and Laolu Akins (founding member of the legendary 1970s Nigerian Afro-Funk/Rock group Blo). Yoruba! features an array of local master drummers led by Olatunji Samson Sotimirin and singers (featuring the lead vocals of Janet Olufanmilayo Abe) performing heavyweight Afro-rhythms, with talking drums, Bata and Dundun drums and a mass of percussion in these deep spiritual and sacred songs used to honour and worship the traditional and ancient Yoruba gods in Nigeria, West Africa. The enormous impact of Yoruba and West African music and culture is worldwide – from the first Afro-centric explorations of African-American jazz musicians in the 1950s such as Art Blakey, Randy Weston and Dizzy Gillespie, the explosion of Nu Yorican Latin music in New York City starting in the 1960s – Mambo, Boogaloo, Latin funk and soul - through to the sacred and powerful Afro-derived music of the religions of Santería in Cuba, Candomblé in Brazil and Voodoo in Haiti, which all came into existence on account of the Atlantic slave trade which began over 400 years ago. On a wider scale West African music remains the primary root of all African-American musical forms – from New Orleans jazz to Bronx rap, gospel, soul and more.This album features songs honouring the Nigerian gods of the Yoruba traditional religion – Yemoja, Obatala, Ogun, Sango and others – as well as a selection of instrumental cuts focussing on the Bata and Dundun drums. The album comes complete with extensive text and photography included in the 40-page outsize booklet/gatefold double vinyl + inners showing the influence of Yoruba culture throughout the world and the social and historical context for the music contained here.
Deutsche Elektronische Musik - Volume 1 - Experimental German Rock And Electronic Music 1972-83
Deutsche Elektronische Musik
Volume 1 - Experimental German Rock And Electronic Music 1972-83
2CD | 2010 | UK | Reissue (Soul Jazz)
14,99 €*
Release:2010 / UK – Reissue
Genre:Rock / Indie, Electronic / Dance
Soul Jazz Records new 2018 edition of their long out of print classic first “Deutsche Elektronische Musik – Experimental German Rock and Electronic Music 1972-83” is ‘a near-definitive guide to some of the world’s most extraordinary music’ (The Guardian).The album comes as two separate double-vinyl (+ download code) editions and a large double CD pack (+36-page booklet), featuring a stunning line-up of groups including Cluster, Can, Faust, Popol Vuh, Neu!, Amon Düül, Harmonia, La Düsseldorf and Tangerine Dream as well as a host of lesser known groups such as Kollectiv, Ibliss, Between and many more. This new edition is fully re-mastered and features all the original artwork and tracks.The first seeds of German rock and experimental electronic music were planted in 1968, as students and workers in Paris, Prague, Mexico and throughout the world demonstrated against mainstream society, the war in Vietnam, imperialism and bourgeois values. The birth of a counter-culture, drug experimentation and social change expanded musical worlds. Germany experienced its own cultural revolution fuelled by these worldwide student and worker revolts and by a generation’s desire to rid itself of the guilt of war. German rock and experimental electronic music grew out of this worldwide counter-cultural revolution of 1968. The objectives were to create new music, ‘free’ from the past, many German youth turning their back on mainstream society. From the opening of the first collective/cooperative, Kommune 1, in Berlin, to the formation of the Baader-Meinhof terrorist group and the bombings, kidnappings and killings of the Revolutionary Armed Forces (RAF), young Germans sought out new values and a lifestyle outside of ‘the system’. These cooperative and communal experiences led to a number of new collective German bands forming such as Amon Düül, Faust, Can (all featured here) and others and these ideals drove this new movement. A music that gave seed out of the cultural ‘nothingness’ that young Germans felt as a consequence of Germany’s role in the Second World War. A generation who grew up stifled by the recent history of Nazi atrocities, the guilt of their parents’ generation and their disillusionment at the reintegration of old Nazis into mainstream society.Influenced equally by the electronic experimentalism of Stockhausen, the progressive rock of Pink Floyd and the black American jazz and soul music played at the occupying armed forces bases, young German artists seamlessly created out of this a new unique music with its own unique identity.Double CD pack with large 36-page outsize booklet encased in slipcase.
Hieroglyphic Being - The Red Notes
Hieroglyphic Being
The Red Notes
2LP | 2018 | UK | Original (Soul Jazz)
22,99 €*
Release:2018 / UK – Original
Genre:Electronic / Dance
Stunning new album from Chicago’s finest electronic futurist Hieroglyphic Being, aka Jamal Moss, newly released on Soul Jazz Records. This is his third album for the label, following on from The Acid Documents (2015), and African With Mainframes (w/ Noleian Reusse) K.M.T. (2016).Born and based in Chicago, Moss’s music embodies two of the cultural foundation blocks of the city’s musical lineage; that of Chicago’s original Acid House sound (c. 1986) - Frankie Knuckles, Phuture, Marshall Jefferson et al, alongside a rigorous experimental sound searching that taps into the cosmic musical lineage of pioneering artist Sun Ra whose Arkestra landed and was based in the city from 1946-61, and the equally pioneering work of The Art Ensemble of Chicago in the 1960s and 70s.The association with Sun Ra is by no means hypothetical, Moss recorded with the Arkestra leader Marshall Allen and a host of free jazz players for the album Hieroglyphic Being & JITU Ahn-Sahm-Buhl’s ‘We Are Not The First.’ (2015). Similarly, his relationship to Chicago’s original acid house pioneers of the late 1980s is no hyperbole. Originally mentored by artist/producers Adonis and Steve Pointdexter, Moss also runs his own Mathematics label, releasing a constant stream of new music by foundation acid house pioneers Lil’ Louis, Adonis and many others. What clearly defines Moss’s music is that while sometimes pushing the limits of sound to an ear-splitting dimension of experimentation and DIY-electronics – the music is always clearly a progression of the lineage of black music. In the words of fellow Chicagoans, The Art Ensemble of Chicago, it is simply ‘Great Black Music.’ And yet in this uniquely defined sound, Moss somehow manages to draw into this world elements of industrial music, German electronic music (Cluster, Harmonia etc), Detroit’s sci-fi techno artists (Atkins, Saunderson, Craig) and more.‘Outsider House’ ‘Afro-Futurist’ ‘Rhythmic Cubism’, Moss’s near indescribable sound plays testament to the notion that he is perhaps the last of the line of producers directly influenced by Ron Hardy at the Music Box, uniquely qualified to write a new chapter of Chicago’s rich musical history.Red Notes is the prolific artists new revelatory and unique project – in his own words ‘A homage to the Blue Note Jazz sound of Thelonious Monk, John Coltrane, Herbie Hancock’ fused together with the classic Chicago House and Acid sensibilities of Larry Heard, Armando, Adonis et al, into a newly imagined futuristic and barrier-less musical landscape. Featuring organic and synthetic electronic instrumentation, Hieroglyphic Being here fuses real-time live instrumentation and over-dubbed technologies to dramatic effect, as analog and electronic worlds collide.
Soul Jazz Records presents - Brasil
Soul Jazz Records presents
Brasil
CD | 2018 | UK | Original (Soul Jazz)
14,99 €*
Release:2018 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ Brasil album was recorded in Rio de Janeiro in 1994 with a host of legendary Brazilian musicians including Sivuca, Raul de Souza and singer Joyce Moreno – and has remained one of the key defining early releases from the record label. Out-of-print for over 20 years (!) the album has now been fully digitally re-mastered for this new 2018 edition.The album was recorded at the height of the first wave of interest in Brazilian music in London in the 1990s. Joyce and a group led by husband drummer Tutty Moreno had just been brought to the UK for the first time ever by Gilles Peterson and Brazilian music obsessive Joe Davis (and future head of Far Out Records) and performed to over 2,000 new young fans.Singer-songwriter Joyce had been a living legend in her native Brazil ever since the Bossa Nova movement of the 196os and had made her first record when she was just 20, and described by Antonio Carlos Jobim as ‘one of the greatest singers of all time.’Joyce Moreno agreed to be involved in the project to record an album in Brazil produced with a UK sensibility and Tutty Moreno’s group signed up as the house-band for the project. Stuart Baker (founder of Soul Jazz Records) and Joe Davis then flew to Rio de Janeiro, searching out studios and rehearsal spaces.During this time in Brazil more artists signed up for the project including legendary figureheads of the Brazilian music Sivuca (who brought his own group) and trombonist Raul de Souza. Other key figures included singer/guitarist Celia Vaz who worked extensively as arranger with the legendary Quarteto Em Cy and drummer Dom Um Romao; Wanda Sá, who played in Sergio Mendes’ original seminal bossa nova group Brasil 65 (during which time she married the artist Edu Lobo); and legendary saxophone/flautist Teco Cardoso whose bio reads like a who’s who of Brazilian music and includes work with Edu Lobo, Dori Caymmi, Baden Powell, Joao Donato, Carlos Lyra and others.The final piece to this Brazilian jigsaw was the addition of percussionist Pirulito – whose stunning display of self-made instruments allowed him to magically create the massive sound of Rio’s Samba Schools live inside the studio. The album was recorded over one hot summer, mixed in London and then released at the end of 1994.Over 20 years on and Soul Jazz Records’ Brasil album manages to capture both an important cross-cultural musical moment in time between Brazil and London while at the same time sounding as fresh as if it was recorded today! Following the original success of this album Soul Jazz Records’ continued its love affair with Brazil and went on to release a host of Brazilian albums including classics such as Tropicalia, Brazil 70, Bossa Nova, a Bossa Nova cover art deluxe book with Gilles Peterson and releases by Sergio Mendes, Baden Powell, Edu Lobo and more.
Deutsche Elektronische Musik - Volume 3 - Experimental German Rock And Electronic Music 1971-81
Deutsche Elektronische Musik
Volume 3 - Experimental German Rock And Electronic Music 1971-81
2CD | 2017 | UK | Original (Soul Jazz)
14,99 €*
Release:2017 / UK – Original
Genre:Rock / Indie, Electronic / Dance
This latest instalment in Soul Jazz Records’ successful Deutsche Elektronische Musik series delves deeper into the German nation’s vaults to bring a fascinating new collection that again brings together a selection of classic German electronic and rock groups, including Neu!, Cluster, Popol Vuh, La Düsseldorf, Agitation Free, alongside a host of rare tracks by lesser known artists which includes Michael Bundt, Bröselmaschine, Dronsz, Achim Reichel and others.The music of Deutsche Elektronische Musik 3 ranges from the introverted pastoralism of Hans Joachim Roedelius and Bröselmaschine, to the angular and futuristic electronic experimentations of Klauss Weiss, Pyrolator, Deuter, Michael Bundt and others, to the proto-punk of La Düsseldorf and the heavy space, progressive and cosmic rock of Missus Beastly, Niagara and Dyzan.The music on Deutsche Elektronische Musik 3 was all recorded in the 1970s up to the early 1980s, at a time when forward-thinking German electronic and rock groups were searching for a new musical identity in order to separate themselves from both the cultural legacy of post-world war two Germany as well the ‘cultural imperialism’ of USA and UK rock. In this process German groups created some of the most unique and inspired music, the defining motorik beat alongside a host of ethno-musical influences from far afield – including Turkey, India, Brazil – as well as the musical and futurist possibilities of developments in electronics and technology itself.Deutsche Elektronische Musik 3 is released as a heavyweight 3xLP, deluxe double CD pack and digital release. The new extensive sleevenotes are by David Stubbs, who is the author of the acclaimed book, ‘Future Days: Krautrock and the Building of Modern Germany’ (Faber & Faber).
Dancehall - The Rise Of Jamaican Dancehall Culture 2017 Edition
Dancehall
The Rise Of Jamaican Dancehall Culture 2017 Edition
2CD | 2017 | UK | Original (Soul Jazz)
14,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
A definitive guide to Dancehall Reggae! Over 30 killer tracks from Yellowman, Eek a Mouse, Gregory Isaacs, Tenor Saw and loads more.
Soul Jazz Records presents - Studio One Black Man's Pride
Soul Jazz Records presents
Studio One Black Man's Pride
2LP | 2017 | UK | Original (Soul Jazz)
23,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
Black Man’s Pride is the striking new Studio One collection of deep righteous reggae, featuring Horace Andy, Alton Ellis, The Gladiators, Sugar Minott, The Heptones, Freddie McGregor, Cedric Brooks & more.While the righteousness of blackness is at the heart of the Rastafarian faith, this collection illustrates how black pride remained a central theme, if not the defining essence, at the very core of all the music created at Studio One Records under the direction of Clement ‘Sir Coxsone’ Dodd.In order to understand the centrality of black identity in the music created at Studio One, we need look no further than Clement ‘Sir Coxsone’ Dodd who created the first black-owned record company in Jamaica.In similar fashion Alton Ellis’s defining ‘Black Man’s Pride’ brings up emotions that are at the heart of many of these uplifting songs. Alton Ellis’ birthplace was the Trench Town ghetto of Kingston, also the birthplace of The Wailers, Ken Boothe and many other Studio One luminaries.Clement Dodd established a musical empire firmly rooted by the core musicians working at Studio One, many of whom came out of the Alpha School for Wayward Boys, essentially an orphanage run by Roman Catholic nuns, whose luminaries include Don Drummond, Johnny Moore, Leroy ‘Horsemouth’ Wallace, Cedric Brooks, Vin Gordon, Tommy McCook & more.Many of the songs featured here come from the transitory phase in reggae at the start of the 1970s, after the exhilaration of Ska and following the cooling down of Rocksteady. While reggae awaited the arrival of roots, Studio One’s vocalists were already producing some of the moodiest music imaginable! Here are 18 heavyweight tunes, both classic cuts and super-rare tunes!
Soul Jazz Records presents - Studio One Black Man's Pride
Soul Jazz Records presents
Studio One Black Man's Pride
CD | 2017 | UK | Original (Soul Jazz)
14,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
Black Man’s Pride is the striking new Studio One collection of deep righteous reggae, featuring Horace Andy, Alton Ellis, The Gladiators, Sugar Minott, The Heptones, Freddie McGregor, Cedric Brooks & more.While the righteousness of blackness is at the heart of the Rastafarian faith, this collection illustrates how black pride remained a central theme, if not the defining essence, at the very core of all the music created at Studio One Records under the direction of Clement ‘Sir Coxsone’ Dodd.In order to understand the centrality of black identity in the music created at Studio One, we need look no further than Clement ‘Sir Coxsone’ Dodd who created the first black-owned record company in Jamaica.In similar fashion Alton Ellis’s defining ‘Black Man’s Pride’ brings up emotions that are at the heart of many of these uplifting songs. Alton Ellis’ birthplace was the Trench Town ghetto of Kingston, also the birthplace of The Wailers, Ken Boothe and many other Studio One luminaries.Clement Dodd established a musical empire firmly rooted by the core musicians working at Studio One, many of whom came out of the Alpha School for Wayward Boys, essentially an orphanage run by Roman Catholic nuns, whose luminaries include Don Drummond, Johnny Moore, Leroy ‘Horsemouth’ Wallace, Cedric Brooks, Vin Gordon, Tommy McCook & more.Many of the songs featured here come from the transitory phase in reggae at the start of the 1970s, after the exhilaration of Ska and following the cooling down of Rocksteady. While reggae awaited the arrival of roots, Studio One’s vocalists were already producing some of the moodiest music imaginable! Here are 18 heavyweight tunes, both classic cuts and super-rare tunes!
Soul Jazz Records presents - Studio One Supreme - Maxiumum 70s & 80s Early Dancehall Sounds
Soul Jazz Records presents
Studio One Supreme - Maxiumum 70s & 80s Early Dancehall Sounds
CD | 2017 | UK | Original (Soul Jazz)
15,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
This is Soul Jazz Records’ latest new collection of classic and rare Studio One recordings. By the 1970s Studio One and Clement ‘Sir Coxsone’ Dodd had already proved himself to be the defining force in Reggae for almost two decades. From running the Downbeat sound system on the lawns and yards of Kingston in the late 1950s to opening Studio One at 13 Brentford Road at the start of the 1960s, ushering in Ska and Rocksteady and establishing the careers of most of Jamaica’s artists – everyone from Bob Marley and The Wailers, Ken Boothe, Toots and The Maytals, The Skatalites, Jackie Mittoo and more – Clement Dodd had until this point dominated the Jamaican musical world.And yet, incredibly, Clement Dodd was barely half way through his musical path, maintaining Studio One’s number one position in the Jamaican music scene throughout the 1970s with a combination of musical and creative innovation and an endless capacity to adapt and create new musical fashions. By the end of the 1970s Dancehall had become the defining sound on the island. Dancehall was essentially a tribute by other Jamaican producers and artists to the classic music of Studio One created in the 1960s as young artists across the island created new songs, while musicians recreated these original classic foundation Studio One rhythms. As on other occasions, Clement Dodd rose to this new musical challenge by producing a whole new era of classics for Studio One.The roots of Dancehall begin with the DJs of the early 1970s, who were the first to sing new material over earlier classic rhythms. Early DJ pioneers such as Dillinger and Prince Jazzbo both feature here toasting over classic songs - The Mad Lad’s Ten to One and The Eternals’ Queen of the Minstrel. But it is the new wave of artists who arrived at Studio One at the onset of Dancehall which enabled Studio One to maintain its number one status as the whole of Kingston’s rival music producers – Channel One, Joe Gibbs and many others – attempted to challenge this position. Sugar Minott, Michigan and Smiley, Willie Williams, Lone Ranger had all grown up listening to the classic Studio One music of the 1960s and were able to pay the greatest compliment to the label by creating the defining new music of this new era with songs that combined all the musical and technological developments of the 1970s – dub, deejaying, discomixes, syndrums, synthesizers and more – into the sound of the future: Dancehall.Throughout this era Clement Dodd also continued to work with a number of original and returning artists – such as Alton Ellis, Horace Andy, Freddie McGregor, Johnny Osbourne – updating old rhythms and creating new ones while employing the in-house band variously known as The Brentford All-Stars/Rockers/Disco Set to update these sounds in order to maintain Studio One’s number one position as the defining force in Reggae.
Soul Jazz Records presents - Soul Of A Nation: Afro-Centric Visions In The Age Of Black Power - Underground Jazz, Street Funk & The Roots Of Rap 1968-79
Soul Jazz Records presents
Soul Of A Nation: Afro-Centric Visions In The Age Of Black Power - Underground Jazz, Street Funk & The Roots Of Rap 1968-79
CD | 2017 | UK | Original (Soul Jazz)
14,99 €*
Release:2017 / UK – Original
Genre:Organic Grooves
Soul Jazz Records’ new release ‘Soul of a Nation: Afro-Centric Visions in the Age of Black Power’ is released in conjunction with a major worldwide art exhibition, Soul of A Nation: Art in the The Age of Black Power which takes place at the Tate Modern, London, UK (July-Oct 2017) and The Brooklyn Museum, New York, USA.The album shows how the ideals of the civil rights movement, black power and black nationalism influenced the evolvement of radical African-American music in the United States of America in the intensely political and revolutionary period at the end of the 1960s following the assassinations of Malcolm X, Martin Luther King and the rise of the Black Panther party.Featuring groundbreaking artists such as Gil Scott-Heron, Roy Ayers, Don Cherry, Oneness of Juju, Sarah Webster Fabio, Horace Tapscott, Phil Ranelin and many others, Soul of A Nation shows how political themes led to the rise of ‘conscious’ black music as new afro-centric styles combined the musical radicalism and spirituality of John Coltrane and radical avant-garde jazz music alongside the intense funk and soul of James Brown and Aretha Franklin and the urban poetry and proto-rap of the streets.The Soul of a Nation exhibition draws on the links between Black art forms – art, music, poetry - and how they came together during the civil rights and black power era as part of the wider black arts movement across the United States.Iconic African-Amercian revolutionary figures such as Martin Luther King, Malcolm X and Angela Davis, John Coltrane, Muhammad Ali all appear in the radical artworks of Barkley L. Hendricks, Romare Bearden, Norman Lewis, Lorraine O’Grady and Betye Saar.A selection of original radical jazz record sleeves artworks which appear in Soul Jazz Records’ earlier groundbreaking Freedom, Rhythm and Sound – Revolutionary Jazz Original Cover Art book will also be on show at the Tate, London throughout the exhibition. The Freedom, Rhythm and Sound book is also newly back-in-print in conjunction with this major exhibition and the release of the Soul of a Nation album.Stuart Baker (founder of Soul Jazz Records) will appear on the panel of Jazz for Soul of a Nation: Art in the Age of Black Power discussion at the gallery as part of the show.Soul of a Nation comes with extensive sleeve-notes and exclusive photography in a large 36-page outsize booklet and slipcase. Double gatefold vinyl album edition comes with full colour inners + bonus download code and includes full sleeve-notes/photography.
Soul Jazz Records presents - Space, Energy & Light: Experimental Electronic And Acoustic Soundscapes 1961-88
Soul Jazz Records presents
Space, Energy & Light: Experimental Electronic And Acoustic Soundscapes 1961-88
CD | 2017 | UK | Original (Soul Jazz)
14,99 €*
Release:2017 / UK – Original
Genre:Electronic / Dance
Soul Jazz Records’ new Space, Energy and Light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla D-I-Y cassette-era electronic artists, spanning in total over a near 30-year time frame. All of these artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future, but also of looking inwards to the soul and of creating music in harmony with the natural world.From computer software and hardware experimentalists and sound pioneers such as Laurie Spiegel and Kevin Braheny, as well as Mother Mallard’s Portable Masterpiece Company – the first synthesizer ensemble created in collaboration with Robert Moog – through to the earliest musique concrète experimentation of Tod Dockstader, the album shows how technological advancements and creative artistic expression went hand in hand. In the mid-1970s artists Steven Halpern and Iaxos were instrumental in creating proto-new age music, experimenting in both the healing properties of sound and its relationship with the natural world. These artists also pioneered a new self-contained and underground D-I-Y approach to music, creating their own record labels, forming new distribution networks (with albums sold in meditation centres, health food stores and ashrams) far away from the commercialism of the mainstream music industry. In the early 1980s after the revolution of punk, these D-I-Y attitudes and ideas appeared once more in the growth of the distinctly anti-commercial and underground cassette-only careers of artists such as Germany’s Stratis and Carl Matthews in Britain.
Soul Jazz Records presents - Space, Energy & Light: Experimental Electronic And Acoustic Soundscapes 1961-88
Soul Jazz Records presents
Space, Energy & Light: Experimental Electronic And Acoustic Soundscapes 1961-88
3LP | 2017 | UK | Original (Soul Jazz)
27,99 €*
Release:2017 / UK – Original
Genre:Electronic / Dance
Soul Jazz Records’ new Space, Energy and Light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla D-I-Y cassette-era electronic artists, spanning in total over a near 30-year time frame. All of these artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future, but also of looking inwards to the soul and of creating music in harmony with the natural world.From computer software and hardware experimentalists and sound pioneers such as Laurie Spiegel and Kevin Braheny, as well as Mother Mallard’s Portable Masterpiece Company – the first synthesizer ensemble created in collaboration with Robert Moog – through to the earliest musique concrète experimentation of Tod Dockstader, the album shows how technological advancements and creative artistic expression went hand in hand. In the mid-1970s artists Steven Halpern and Iaxos were instrumental in creating proto-new age music, experimenting in both the healing properties of sound and its relationship with the natural world. These artists also pioneered a new self-contained and underground D-I-Y approach to music, creating their own record labels, forming new distribution networks (with albums sold in meditation centres, health food stores and ashrams) far away from the commercialism of the mainstream music industry. In the early 1980s after the revolution of punk, these D-I-Y attitudes and ideas appeared once more in the growth of the distinctly anti-commercial and underground cassette-only careers of artists such as Germany’s Stratis and Carl Matthews in Britain.
Sound Dimension - Jamaica Soul Shake Volume 1
V.A. - Studio one soul volume 2
Lloyd McNeill Quartet, The - Asha
Lloyd McNeill Quartet, The
Asha
CD | 2017 | UK | Original (Soul Jazz)
14,99 €*
Release:2017 / UK – Original
Genre:Organic Grooves
New edition of this very rare deep spiritual jazz album first released as a private-press album in 1969 on flautist Lloyd McNeill’s own Asha Record label in Washington, DC. First reissued on Soul Jazz Records’ Universal Sound sub-label in 2011 (long deleted) and now available newly digitally remastered on Soul Jazz Records main label in a limited edition of 1000 copies worldwide.Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. ‘Asha’ was the debut album by the Lloyd McNeill Quartet released on his own private-press record label, echoing the Civil Rights and African-American themes of the era - black economic empowerment and self-sufficiency – as well as a beautiful spirituality to the music. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris.In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US. This album is released as a limited-edition 1000-copies worldwide LP (+ download code), and limited-edition 1000-copies worldwide CD edition and also as a digital album on Soul Jazz Records.This album is released in conjunction with the album Lloyd McNeill – Washington Suite (1970) which was released last month also on Soul Jazz Records.
Skatalites - Original Ska Sounds From The Skatalites 1963-65 - Independence Ska And The Far East Sound
Skatalites
Original Ska Sounds From The Skatalites 1963-65 - Independence Ska And The Far East Sound
2LP | 2017 | UK | Original (Soul Jazz)
23,99 €*
Release:2017 / UK – Original
Genre:Reggae / Dancehall
The Skatalites brought the sound of Jamaica to the world. At the start of the 1960s, in the space of just a couple of years Don Drummond, Tommy McCook, Jackie Mittoo, Ernest Ranglin, Johnny ‘Dizzy’ Moore, Lloyd Knibbs, Lloyd Brevett and others defined the exciting beat of ‘Ska’ as the sound of newly independent Jamaica.As the house band at Clement ‘Sir Coxsone’ Dodd’s newly launched Studio One Records at 13 Brentford Road, the group comprising the finest jazz musicians on the island played on literally 1000s of recordings – Bob Marley and The Wailers, Toots and The Maytals, Delroy Wilson, Ken Boothe, Alton Ellis and many, many more.During their existence (1963-65) The Skatalites also recorded 100s of their own songs, released either under their own name, or The Studio One Orchestra, or that of band members Drummond, McCook etc. This is the first collection on Soul Jazz Records to bring you some of their finest material – from classics such as ‘Guns of Navarone’, ‘El Pussy Cat Ska’, ‘Christine Keeler’ through to some serious rarities such as Dizzy Johnny and The Studio One Orchestra’s ‘Sudden Destruction’ and Don Drummond’s ‘Coolie Boy’.The Skatalites’ ska sound brought together aspects of jazz, latin, rhythm and blues, proto-Rastafarianism (tracks such as ‘Full Dread’, ‘Beardsman Ska’) and more. The intensity and energy of their sound was matched by the experimentation of the troubled genius of Don Drummond whose ‘far east’ modal trombone sound added a complex melancholy to the music of the Skatalites (the group split-up after Drummond was charged with murdering his wife, dancer Margarita Mahfood).This album was originally released as a limited-edition Record Store Day collectors 7-inch box set (now deleted) and is now available for the first time as a double LP edition, CD and digital release complete with 10 extra bonus tracks and new extensive sleeve notes.
Soul Jazz Records presents - Boombox 2: Early Independent Hip Hop, Electro and Disco Rap 1979-83
Soul Jazz Records presents
Boombox 2: Early Independent Hip Hop, Electro and Disco Rap 1979-83
CD | 2017 | UK | Original (Soul Jazz)
14,99 €*
Release:2017 / UK – Original
Genre:Hip Hop
Soul Jazz Records’ new Boombox 2 is a new selection of early rap music from the period 1979-83, with barely a household name in sight. Featured here are some the earliest hip-hop records that came out of New York City following the enormous commercial success of the first ever rap record, ‘Rapper’s Delight’ by the Sugarhill Gang, in September 1979. Artists and producers alike tried to jump aboard the new commercial possibilities of hip-hop. By the end of the year there were 30 hip-hop singles, all released by independent New York labels. The following year there were over 100 more, and so on.Boombox 2 tells the story of how hip-hop went from its evolutionary roots in the Bronx through DJs Kool Herc, Grandmaster Flash and Afrika Bambaataa through to its second phase where veteran music producers – Paul Winley, Peter Brown, Joe Robinson and others – all based in Harlem, began to put rap on vinyl for the first time. Harlem is also where the separate worlds of disco and hip-hop met through the styles and influence of earlier ‘uptown’ DJs - DJ Hollywood and Eddie Cheba. In similar fashion these veteran Harlem-based producers instinctively tapped into a long lineage of African-American rhythm and blues, soul and disco.Boombox 2 is a triple-vinyl set (+ download code) LP and double CD pack that features extensive text, exclusive interviews and stunning photography by Jamel Shabazz, Martha Cooper and others.
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