A Recordings Vinyl, CD & Tape 12 Items

Originally released in 1975, 'Música Eletrônica' is considered the first electro-acoustic/electronic album made in Brazil. It features tracks recorded between 1962 and 1970 by avant-garde and electronic music pioneer Jorge Antunes. Expect early electronic oscillations, white noise, feedback, loops, tape manipulation, treated vocals, proto-minimalism and pioneering sample techniques. This reissue is mandatory for anyone into Pierre Henry, Iannis Xenakis, Pierre Schaeffer, Ralph Lundsten, Louis & Bebe Baron, Ilhan Mimaroglu, Morton Subotnick, Stockhausen...

Reissue! 180gr schwarzes Vinyl! Ursprünglich 2001 erschienen, ist "BraveryRepetition And Noise" eine düstere Traumwelt mit einer Atmosphäre, in dersich der Sound Schicht auf Schicht türmt. Die Einflüsse des Albums sinddeutlich, von Psychedelia bis zum Nihilismus des Punk kanalisiert in einemdoomigen, experimentellen Sound, der sich von allem unterscheidet, wasdavor oder danach kam. The Brian Jonestown Massacre benutzendiese Tatsache als ihren Anker und beschwören mit Liebe die Stimmungenund Atmosphären der Vergangenheit herauf.

The last of three singles taken from the 2017 album 'Don't Get Lost'. 'Dropping Bombs' is a mellow flow of strings and keyboards, with smoky vocals provided by Tess Parks. On Side-B, 'Geldenes Herz Menz' features Pete Fraser (The Pogues, New Young Pony Club) on saxophone. Dan Alliare (drums) and Ricky Maymi (guitar) play on both tracks.

This release takes the monochrome sound of the Vacant Lots and adds a layer of Berlin chill to the mix of all four tracks. The key element of The Vacant Lots' minimalist, primitive rock'n'roll songs is their boundless energy, which tears up the psych template with a genuine punk spirit.

Recorded at Anton's Berlin-based Cobra Studio, here's the 15th full-length from the Brian Jonestown Massacre. Apart from Anton, the line-up for this occasion comprises Ricky Maymi, Dan Allaire, Joel Gion, Collin Hegna and Ryan Van Kriedt. Tess Parks and Katy Lane contribute vocals.

Birdstriking and the other bands coming out of China right now are enthusiastic to explore and find out what's their own music. And so that's a new energy in the same way that rock 'n' roll was new—young people finding their youth culture and expression," says A Recordings founder and Brian Jonestown Massacre frontman Anton Newcombe. Like Joy Division forming at a Sex Pistols gig a couple of generations before, Birdstriking was born when guitarist He Fan and drummer Wang Xinjiu met at a Carsick Cars show at Beijing's legendary, now-shuttered rock club D-22. From Birdstriking's first time on that same stage in 2009, the band quickly established itself on the Beijing indie rock scene, becoming one of the leaders of a new generation of rockers born after 1990, growing when China was fully open to the West and now as likely to cite as influences homegrown talent like Carsick Cars and P.K. 14 as imported music like Nirvana and Joy Division. Birdstriking's relentless live shows masterfully blend tuneful hooks, calculated psych-noise meltdowns, precision rhythmic structure, and brash lyrical frankness. He Fan’s impassioned wails are youthful and politically angled, as on “Monkey Snake”, when he chokes out, “You can control the media, but you can’t control my mind.” In fact, the band's charged lyrics mean their debut album, released in 2012 on local label Maybe Mars and produced by P.K. 14's Yang Haisong, was never officially distributed in China.In 2011, CNN named Birdstriking one of the best young bands in China, and last year the band opened for the Brian Jonestown Massacre in the UK and headlined Hong Kong's Clockenflap festival .

This 4 track EP runs at over 24 minutes . Their new EP is Stockholm Death Star which is recorded in the band's own studio in Sweden's capital and consists of four new tracks. Those of you who are already familiar with the group will probably recognize their trippy spacerock over pulsating motorik beats from their earlier releases, and their feel for melodies is still very much present in the four songs. Produced by the bands guitarist, singer and main songwriter during the dark months of the Scandinavian winter, the music still has an ethereal light glimmering through the blissfully stoned vocal harmonies and chiming twelve string guitar riffs.

“A Sea Of Trees” sees the band blossom into its own, incorporating the experimentation of their most recent EP and Single releases (“Ewig” 2012, “Walls” 2013). The album marks the bands first worldwide release via Anton Newcombe’s (The Brian Jonestown Massacre) ‘A’ Recording label. Mr. Newcombe joined The Blue Angel Lounge on stage in support of their last record. ‘A Sea Of Trees’ was recorded between 2013 and 2014 at Funkhaus-studio and Studio H1-3 Nalepastrasse, Berlin.