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Alternative Fox Rock & Indie 8 Items

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Satisfaction - Satisfaction
Satisfaction
Satisfaction
LP | 1970 | EU (Alternative Fox)
13,99 €*
Release:1970 / EU
Genre:Rock / Indie
Trumpeter Mike Cotton had played with The Beatles and others before forming Satisfaction with former Artwoods guitarist Derek Griffiths and former Unit 4+2 bassist/vocalist Lem Lubin, along with drummer Bernie Higginson’, saxophonist/flutist Nick Newell and trombonist John Beecham. Signing to Decca, their self-titled debut album was released in February 1971, produced by Decca staffer David Hitchcock; somehow, the folded by the autumn of 1971, with Cotton taking the horn section to The Kinks for the Muswell Hillbillies album. Includes 3 bonus tracks.
Roky Erickson - Clear Night For Love
Roky Erickson
Clear Night For Love
LP | 1985 | EU (Alternative Fox)
15,99 €*
Release:1985 / EU
Genre:Rock / Indie
Dallas-born Roger Kynard Erickson, better known as Roky Erickson, is a legend of psychedelic music and culture. Playing piano at five years old and guitar at ten, he dropped out of high school in Austin shortly before graduating, since the school dress code demanded
short hair. In 1965, his group, The Spades, made an impact with “We Sell Soul” and the following year, The 13 th Floor Elevators burst onto the scene with debut album The Psychedelic Sounds of the 13 th Floor Elevators, but the band’s non-conformist attitude and
open endorsement of drugs such as marijuana and LSD put them in repeated conflict with the authorities. Then, in 1968, during a performance at the San Antonio edition of the World’s Fair, known as HemisFare, Erickson began speaking incomprehensible nonsense on stage, leading to a diagnosis of paranoid schizophrenia and confinement in a Houston psychiatric hospital, where he was forcibly given electroshock therapy. The following year, after being busted with a single joint, Erickson pleaded not guilty by means of insanity, leading to a 3-year stay in Rusk State Hospital, with further electroshock and Thorazine treatments. Following his release Erickson formed a group initially called Bleib Alien, which evidenced a more hard-rock orientation, later renamed The Aliens, though Erickson was also working with Austin’s The Explosives in the same era. Aliens material produced by Stu Cook of Creedence Clearwater Rival was issued by CBS and an independent, 415 Records. Then, in the early 1980s, Erickson became fixated with junk mail and unsolicited letters, writing to lawyers and celebrity figures on a regular basis; in 1985, solo mini-LP Clear Night For Love was produced at Music Tracks in Austin by bassist/guitarist Speedy Sparks, with former Joe “King” Carrasco and Delbert McClinton drummer, Ernie Durawa, plus Supernatural Family Band alumnus John Reed on guitar. Released by France’s New Rose label in small numbers, the release found Erickson back in semi-psychedelic/country rock mode on opening track “You Don’t Love Me Yet,” the plaintive “Starry Eyes” and the anthem-like title track, while “The Haunt” is more in swamp/horror rock vein and “Don’t Slander Me” has heavy blues leanings.
Les Rallizes Denudes & Taj Mahal Travellers - Oz Days Live 1973
Les Rallizes Denudes & Taj Mahal Travellers
Oz Days Live 1973
LP | 2019 | EU (Alternative Fox)
15,99 €*
Release:2019 / EU
Genre:Rock / Indie
Japanese experimental group Les Rallizes Denudes are the ultimate rock ‘n’ roll enigma. Sometimes referred to as Hadaka no Rallizes or even as Hadaka no Rarizu, each appellation a variant of the name “Fucked Up and Naked” which equates to being high on hard drugs, they are seen as noise-rock pioneers, yet sifting fact from fiction isn’t easy with their oddball tale. Emerging from the radical hippie communes of Kyoto during the late 1960s, the band was formed in November 1967 by university student Takashi Mizutani, taking the overamplified, distorted guitar of the Velvet Underground as a starting point. Early demo recordings apparently suffered from poor sound quality, leading the perfectionist Mizutani to retreat from the studio environment, meaning that most of the group’s output has appeared as live bootlegs, with the occasional studio demo surfacing as well. Performances were initially staged as part of avant-garde theatre, though the band’s propensity for super- loud noise soon put paid to such collaboration; the ever-changing membership saw Mizutani the only permanent force, despite his embroilment in the 1970 Red Army hijacking of a civilian Japan Airlines flight, enacted partly through bass player, Moriaki Wakabayashi, who defected to North Korea in its aftermath. Though perhaps not quite as notorious, fellow improvisational group, Taj Mahal Travellers, has a backstory of random international travels that is almost as intriguing as that of Les Rallizes; formed in 1969 by six experimental musicians and an electronic engineer, they embarked on a series of improvisational gigs across Japan, notably including an all-day marathon held at a Kanagawa beach, and made their way to Europe in 1971, where they crossed paths with Don Cherry and other likeminded practitioners. They later drove from Holland to the Pakistan border, acquiring santoors in Iran on the way to help broaden their already unpredictable repertoire. The Oz Days Live release is culled from the Oz Last Days festival held in the autumn of 1973, to benefit Tokyo’s Oz Rock Café, which had been closed following repeated drug busts. Here the Taj Mahal Travellers are suitably cosmic, their echoing jams featuring looped vocal chants, disjointed string instruments and sparse, off-kilter percussion; in contrast, the contributions from Les Rallizes are more standard examples of instrumental psychedelic rock, which veers more towards the acid rock end of the spectrum as the performance progresses.
Les Rallizes Denudes + Be - There's No Heaven Like Hell
Les Rallizes Denudes + Be
There's No Heaven Like Hell
2LP | 2019 | EU (Alternative Fox)
24,99 €*
Release:2019 / EU
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
One of the strangest and most enigmatic groups in the history of rock ‘n’ roll, Les Rallizes Denudes, also known as Hadaka no Rallizes or Hadaka no Rarizu , were a Japanese experimental rock band that is often cited as a pioneering force of the noise rock movement.
The story of the band is as strange and difficult as the music they made and although much of the tale is shrouded in mystery, everything apparently begins around Kyoto’s radical anti-
establishment communes of the late 1960s, where androgynous frontman Takashi Mizutani formed the group in November 1967 while attending Kyoto University. Hard facts are in thin supply and the band’s name employs complex punning that essentially equates to Fucked Up and Naked in Japanese, a slang reference to being high on drugs. Inspired by the Velvet Underground and other groups employing prominent, overamplified guitar, the band’s music was typically based on repetitive rhythmic patterns bolstered by Mizutani’s heavily distorted lead guitar, though the poor sound quality of early demos apparently turned Mizutani away from studio recordings, rendering much of their output in the form of live bootlegs, supplanted by the occasional leaked studio demo. Early performances were given as accompaniment to avant-garde theatre groups, though the group was soon deemed too loud to be a mere accompaniment, and membership fluctuated frequently, with Mizutani being the only constant, though he retreated from public view following the 1970 Red Army hijacking of Japan Airlines flight 351, with the assistance of original Rallizes bass player, Moriaki Wakabayashi, who subsequently fled to North Korea; the band continued to sporadically record and perform under various guises until 1997. The two versions of “There’s No Heaven Like Hell” presented here were recorded on 1 April 1975 at Rallizes House in Fussa, a small town to the west of Tokyo, joining Mizutani with keyboardist/guitarist Taisuke Morishita’s experimental group Be, originally known as Yellow. The first version takes the form of an epic slow drone, featuring Mizutani on acid guitar, backed only by Morishita’s pulsating synthesizer lines; the second version is in full marathon mode, an hour-long dirge that sees
the spacey duo joined by drummer Shunichiro Shoda and a plodding bassist in the latter portion.
Ravi Shankar & Kumar Bose - Live At Berwaldhallen, Stockholm 29th March 1989
Ravi Shankar & Kumar Bose
Live At Berwaldhallen, Stockholm 29th March 1989
LP | 2020 | UK | Reissue (Alternative Fox)
16,19 €* 17,99 € -10%
Release:2020 / UK – Reissue
Genre:Rock / Indie
High Quality Recording from a legendary set recorded at Stockholm's Berwaldhallen FOR Swedish National Television IN March 1989.
Return To Forever - Live At The Old Grey Whistle Test, 3 March 1976
Return To Forever
Live At The Old Grey Whistle Test, 3 March 1976
LP | 2020 | UK | Reissue (Alternative Fox)
17,99 €*
Release:2020 / UK – Reissue
Genre:Rock / Indie
Recorded Live FOR THE OLD Grey Whistle Test IN 1976. Includes Guest Appearance From Chick Corea ON THE Track "the Romantic WARRIOR."
Jan Dukes De Grey - Sorcerers
Jan Dukes De Grey
Sorcerers
LP | 1969 | EU (Alternative Fox)
13,99 €*
Release:1969 / EU
Genre:Rock / Indie
Sorcerers is the group’s debut, when Jan Dukes de Grey were still the duo of multi-instrumentalists Derek Noy, the band’s songwriter and lead vocalist, and Michael Bairstow. The 18 songs of the album recorded in October 1969 show within a pure folk style the subtle use of multiple instruments like guitars, woodwinds, brass, keyboards, and percussion. Every song conjures up its own time and place, from the quiet pastoral delights of “28th June, Village Song” to the urban pulse of “City After 3.00 AM,” the homage to the vast expanses of an idealized “Texas,” and the Eastern promise of “Turkish Time.” Moods shift dramatically from the anger-drenched “M.S.S.” to the medieval musings of “Dragons” and the wonder of a “Butterfly.”
One of the most brilliant acoustic experiment of Folk-Psych-Prog Rock ever.
Highway - Highway
Highway
Highway
LP | 1975 | EU (Alternative Fox)
15,19 €* 15,99 € -5%
Release:1975 / EU
Genre:Rock / Indie
Obscure Minnesota-based power trio Highway has a long and convoluted history. In 1965, guitarist/vocalist Steve Murphy joined The Epicureans, a band formed from the ashes of The Pacers and The Corsairs, both previously active in the town of Fairmont, located southeast of the state capital, Minneapolis. The group issued a couple of singles along the way (both on small independents, which unfortunately failed to generate much interest), and ultimately morphed into Highway in 1972, then with Murphy and fellow Epicureans Tim Messerli on keyboards and vocals, Tom Olson on drums and John Goossen on bass. After opening for REO Speedwagon in Wisconsin, Olson was replaced by Dan Cammarata and Goossen by Eric Bannister. The resultant group’s self-titled debut album was recorded at Westminster Studio, near Fort Dodge in neighbouring Iowa, during a time when Highway was based in the tiny town of Ceylon, Minnesota; privately pressed in only 500 copies, it has since become a highly sought-after item for its unusual blend of melodic hard-rock lead guitar, psychedelic garage rock and wistful, country-tinged blues rock. Although some fans and critics have compared the group to Thin Lizzy and Wishbone Ash, primarily because of the melodic and distortion-free lead guitar licks, the band has a sound all their own, especially since all three members provide vocals, as well as fierce instrumental licks, with furious drum rolls from Cammarata and Murphy and Bannister sometimes playing the same notes in unison. Highway’s membership did not remain static for long and the group has since undergone further changes to yield the enduring Murphy Brothers band, yet their sole LP remains the most prized testament of their long, shifting tenure.
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