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Arnaud Rebotini Vinyl, CD & Tape 3 Items

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Arnaud Rebotini - Fix Me / Ost: 120 Beats Per Minute Record Store Day 2019 Edition
Arnaud Rebotini
Fix Me / Ost: 120 Beats Per Minute Record Store Day 2019 Edition
2LP | 2019 | EU | Original (Blackstrobe)
30,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Fix Me is a the techno symphonic soundtrack of the collaboration between the choreographer Alban Richard and Arnaud Rebotini, dandy of the French electro and César 2018 of the best musical composition for the film 120 beats per minute.
Arnaud Rebotini - Ost Le Vent Tourne
Arnaud Rebotini
Ost Le Vent Tourne
LP+CD | 2018 | EU | Original (Blackstrobe)
18,99 €*
Release:2018 / EU – Original
Genre:Movies / TV
After the success for the soundtrack of « 120 BPM » which brought him a Cesar distinction (Best Movie Soundtrack), Arnaud Rebotini returned to cinema’s world for a new Swiss movie by Bettina Olberti with famous French actors Mélanie Thierry & Pierre Deladonchamps.
Arnaud Rebotini - OST 120 BPM
Arnaud Rebotini
OST 120 BPM
LP | 2017 | EU | Original (Because)
22,99 €*
Release:2017 / EU – Original
Genre:Movies / TV
House music broke through in 1987, at the same time when AIDS arrived in France with the first contamination peak in gay and drug addict circles. In 1989, the founders of Act-Up Paris knew that both the fight against AIDS and triumphant house music should be joined together. From 1992 to 1995, the period covered by “120 BPM", house reached its most beautiful plateau even though techno was becoming dominant. “120 BPM” is a get-together moment through clubbing, this moment where fears are forgotten by dancing with one’s friends, what we called “the chosen family” at Act-Up. Boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. This is their activist recess. Arnaud Rebotini, composing the soundtrack of Robin Campillo’s previous film, “Eastern Boys", is a recognized DJ, a composer and a kind man, which is for me the most important quality. Here, his work is marked by restraint of his love for house and after techno. I believe he deliberately withdrew himself in relation to the film’s power and the AIDS theme.
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