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Artificial intelligence in music 11 Items

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Rian Treanor - Obstacle Scattering
Rian Treanor - File Under UK Metaplasm Neon Black Vinyl Edition
Rian Treanor
File Under UK Metaplasm Neon Black Vinyl Edition
LP | 2020 | UK | Original (Planet Mu)
18,19 €* 25,99 € -30%
Release:2020 / UK – Original
Genre:Electronic / Dance
Rian Treanor returns to Planet Mu for his raw and energetic second album "File Under UK Metaplasm". The enigmatic, sweaty energy of Tanzanian singeli and Chicago footwork are juxtaposed with slick, high-def bass weight which sits at the centre of the album. Opening track 'Hypnic Jerks' is the perfect example of this, with crinkled percussive loops cut through by machine-gun kicks and acidic wobbles. Elsewhere, 'Vacuum Angle' takes Sheffield's Warp-ed legacy and brings it crashing into the future, with rhythms collapsing into static and noise but never deconstructing or losing the flow. 'Debouncing' meanwhile folds gliding square synths into rattling dancehall kicks, joining the dots between SND, Equiknoxx and Wiley with a neon Sharpie. "It's using all those formulaic dance structures but just slightly mangled or messed up," he says. "I'm still focused on making dance music for clubs, but how far can you push that before it's just no."
Rian Treanor - Ataxia
Autechre - NTS Sessions 4
Autechre - NTS Sessions 3
Autechre - NTS Sessions 2
Holly Herndon - Proto
Holly Herndon - Platform
Jenna Sutela - Nimiia Vibie
Jenna Sutela
Nimiia Vibie
LP | 2019 | EU | Original (Pan)
12,34 €* 18,99 € -35%
Release:2019 / EU – Original
Genre:Electronic / Dance
Aspiring to connect with a world beyond our consciousness and our planet, nimiia vibié sounds the interactions between a neural network, audio recordings of early Martian language, and microscopic footage of extremophilic space bacteria. Here, the computer is a medium, channeling messages from entities that usually cannot speak. However, it is also an alien of our creation. Drawing on nimiia cétiï, Jenna Sutela’s project on machine learning and interspecies communication, the record manifests a more-than-human language. This language is based on the computer’s interpretation of a Martian tongue from the late 1800s, originally channeled by the French medium Hélène Smith and now voiced by Sutela, as well as the movement of Bacillus subtilis, an extreme loving bacterium that, according to recent spaceflight experimentation, can survive on Mars. The bacterium is also present in nattō, or fermented soybeans, a probiotic food considered as a secret to long life. Beyond Bacterial-Martian culture, or Martian gut bacteria, the project attempts to express the nonhuman condition of computers that work as our interlocutors and infrastructure.
William Fields - Chirality
William Fields
12" | 2021 | EU | Original (Great Curve)
11,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
William Fields is an artist and musician from the Philadelphia area whose work explores algorithmic composition, improvisation, and audio-visual correspondence. Chirality consists of 6 algorithmic compositions, all of which are improvisations, each recorded live, in a single take, without overdubs or edits.
Gabor Lazar - Boundary Object Red Vinyl Edition
Gabor Lazar
Boundary Object Red Vinyl Edition
LP | 2022 | EU | Original (Planet Mu)
30,99 €*
Release:2022 / EU – Original
Genre:Rock / Indie
Gábor Lázár's "Boundary Object" is a collection of eight real-time recorded, unedited tracks made in Budapest and Prague between 2020 and 2022 using a self-designed compositional interface. It's Gábor Lázár's second album for Planet Mu following "Source" in 2020. The title comes from the idea of a Boundary object as a flexible concept of sociology and computation of how collaborations could happen between groups of people who have different kinds of backgrounds and different levels of knowledge. A Boundary object could be anything which translates between these groups to make a collaboration happen. Boundary objects are plastic, interpreted differently across communities but with enough common identity across social words and contexts to maintain integrity. This is a neat summary of how Gábor's approach and working process led to his music on this album. Prismatic, flexible, and functioning on different levels of interpretation. On "Boundary Object", the shiny surfaces and uniformity of "Source" have collapsed inward, leaving intact the recognisable pulse and frames of his music. While each individual track has a non-linear structure, the album as a whole has a strong narrative. Passages that start out Trance-like and familiar warp and weft into different shapes as if Gábor is examining the music like a 3d object, pulling at the edges, breaking and rebuilding what he examines, turning expectations inside-out. "Boundary Object" is intense, full-spectrum and a lot of fun.
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