Books 419 Items

R.I.P. MF DOOM

Unpacks the complex layers of Madvillainy, the 2004 classic collaborative LP between producer Madlib and rapper MF Doom, whose success both relied on and rejected the tendencies of the social media age

This book celebrates Madvillainy as a representation of two genius musical minds melding to form one revered supervillain. A product of circumstance, the album came together soon after MF Doom's resurgence and Madlib's reluctant return from avantgarde jazz to hip-hop. Written from the alternating perspectives of three fake music journalist superheroes— featuring interviews with Wildchild, M.E.D., Walasia, Daedalus, Stones Throw execs, and many other real individuals involved with the album's creation—this book blends fiction and non-fiction to celebrate Madvillainy not just as an album, but as a folkloric artifact. It is one specific retelling of a story which, like Madvillain’s music, continues to spawn infinite legends.

“A Life In Letters” is an analytical monography of the graffiti artist SERVAL’s work. 300 pages to address two major questions :
The first is to decipher what makes the work of Serval - an emblematic artist of the Geneva art scene - so powerful and singular that it has earned him worldwide fame.
The second sketches, through the filter of the analysis of his work, the contours of what graffiti is: a pictorial discipline in its own right, with its history, its currents and its rules. An art form whose reality is often very far from its public image.
It is not a question here of just showing, it is a question of explaining, of bringing to light a know-how, an artistic evolution.

• 10 guest writers : CMP, Dash, Duel, East, Gaël Vulliens, JayOne, Jazi, Rey One, Slick, Swet
• Bilingual texts (french and english)
• Front cutout, embossed spine cover
• Hardcover, 309 pages, 14 chapters, 95 photos including 6 triptych of 88.5 cm length
• Front cutout, embossed spine cover
• UV print on Heaven42 (170g)
• Size : 263x306 mm

In the late 1990s and early 2000s the Berlin based DRM crew have been one of the most famous trainwriting crews the capital had to offer. Their legendary status which lasts until today was established by the group’s ultimate mix of immense quantity and the highest quality pieces. Area, Ruzd79 (†), Rage, TOK and Freak are only a few names you might came across riding a train in Berlin or while checking out graff magazines or videos of this era.

In the past two decades the DRM members were forced to almost entirely shut down their output as a crew due to their family life, job liabilities or conflicts among each other. For Depicting Recent Memories they managed to team up again and recollected what brought them together in the first place: the passion to paint trains. Between 2016 and 2020 the crew made a revival on the Berlin subway and iconic names like Micro, Shus, Soul, Shok or Davis started to reappear alongside newer names like MAD or Azur.

Together with Edward Nightingale, best known for his atmospheric shots which portray international trainwriters at work, the DRM were back in the game. New advanced tools allowed the crew to partial realize giant multicolored burners while the photographer did not only observe their actions, but captured the unique atmosphere in the city’s railway catacombs.

The outcome is a 320-paged massive hardcover including intense shots capturing the tension of the veterans second spring, as well as the finished masterpieces, often caught in traffic. The very well balanced mix was completed with short texts by the crew members on their comeback. Depicting Recent Memories is the perfect merge of what the crew and the photographer are best at: inviting the viewer to authentically join some of the best writers Berlin’s trains did ever witness. The book’s love to detail and outstanding workmanship will catch your eye everytime you take it out of your shelf.

From the New York Times bestselling author, chef-turned-rapper, and host of Viceland’s F*ck, That’s Delicious and The Untitled Action Bronson Show, F*ck It, I’ll Start Tomorrow is a brutally honest chronicle about struggles with weight, food addiction, and the journey to self-acceptance. In his signature voice, Action Bronson shares all that he’s learned in the past decade to help you help yourself. This isn’t a road map to attaining a so-called perfect body. Instead, Bronson will share his journey to find confidence, keep the negative vibes at bay, stay sane, chill out, and not look in the mirror hoping to see anyone but yourself. F*ck It, I’ll Start Tomorrow is not about losing weight—it’s about being and feeling excellent regardless of your size or shape. It’s about living f*cking healthy, period.

About THE Author Action Bronson is the powerhouse behind F*ck, That’s Delicious and Stoned Beyond Belief. He is the television host of Viceland’s F*ck, That’s Delicious and The Untitled Action Bronson Show. He lives in New York City. Rachel Wharton is a James Beard Award–winning food writer who lives in New York City.

This first volume is the beginning of a trilogy of books (Vol. 2 2000-2010 / Vol. 3 2010-2020) presenting 30 years of graffiti in Berlin. With a selection from thousands of photos, a picture of the development of the graffiti subculture in Berlin emerges in an authentic way. In addition, a variety of personal texts by the authors give an intimate insight into their experiences and perspectives. On the one hand, these texts convey a very vivid picture of the life of the Berlin graffiti scene, on the other hand, they allow the reader to experience the Berlin of days gone by.



The first issue portrays writers and crews between 1990 and 2000, with the fall of the Wall kicking off the graffiti boom in Berlin. In the aftermath, a huge adventure playground opened up for Berlin writers, with unresolved police courts and a sometimes disoriented adult world creating the ideal breeding ground for what is now probably the largest and most active graffiti scene in the world. The focus is on the application of graffiti on trains, which is also the subject of most of the pictures and texts in the book, but uncensored private pictures and graffiti on walls are also presented.



This first volume contains portraits with many photos and personal texts or comments of the following graffiti authors and crews:



Bas2, BOY, Cats, Chill, Chio, Deon, Disne, DMB, Drum, FOK, Inka, KEL, Kmer, Kamel, Lyte, Odem, Poet62, REW, Ruzd, Dsyer, Sekd, Shek, Some, Steak, TFB, TOK, Torch, Town, VDS, WEX and many more.



Also included in the book are mixed chapters with hundreds of photos of many other graffiti writers and crews from the 90s.

At Nike, the desire to be the best is a journey, not a destination—better is always temporary.

Nike: Better is Temporary is a landmark publication that charts Nike's transformation from rebellious upstart to global phenomenon.

This immersive visual survey offers an unprecedented, behind-the-scenes exploration into Nike's ethos-driven design formula, placing industry-defining innovations and globally recognized products alongside previously unpublished designs, prototypes, insider stories, and more.

Beginning with Breaking2, an introduction detailing Nike's 2017 attempt to facilitate a sub-two-hour marathon, the book lays out in five thematic chapters Nike's focus on performance, brand expression, collaboration, inclusive design, and sustainability.

The book's extraordinary design also nods to its contents. The striking cover features overlapping silkscreened layers of Nike's proprietary Volt yellow and Hyperpunch pink colors overlaying an image of world-champion marathoner Eliud Kipchoge printed in a half-tone dot pattern. The book's spine, visible through the clear jacket, showcases a series of colored tabs that extend from its interior pages.

Combining 500 color illustrations with stories, insights, knowledge, passion, and history shared by Nike's remarkable team, Nike: Better is Temporary will serve as a manual of innovation and inspiration for generations to come.

During the second half of the 1990s, Paris experienced a dance music revolution thanks to groundbreaking artists like Daft Punk, Air, Super Discount, Motorbass, Cassius, Dimitri from Paris, Bob Sinclar and many, many more. It was a scene that became known as French Touch and was heralded throughout the world as the epitome of dance music cool, forever placing Paris on the dance culture map. Journalist and author Martin James was there right from the start, documenting the scene from its inspirations to its earliest moments and onto its global breakthrough. In the process, he inadvertently provided the French Touch moniker that became adopted throughout the world. Drawing on a dazzling array of exclusive interviews with the biggest names in French electronic music history, French Connections explores France's significant contribution to dance music culture that paved the way for the French Touch explosion.

If you're interested in the Microphones box set but maybe you don't actually enjoy music (or maybe you have the records, or maybe it's sold out), here you can buy just the book.

It's pretty fancy on its own. 12.5" x 12.5", 107 pages, perfect bound with huge french flaps, packed with beautiful photos and artwork, notebook spreads, studio track sheets, show posters, etc. These were made at the sustainability-award-winning Hemlock Printers in Burnaby, B.C., a splurge.

It works as either a semi-abstract aesthetic art thing or as an abundantly packed collection of background materials that should satisfy even the most curious Microphones music listener.

The work of Banksy has captivated generations over the last 20 years. The brilliant comments about politics and the stateof the world are thought-provoking for young and old.The fact that we don t know who the artist is creates a welcome mysterious dimension at a time when most thingsare just an Internet search away. As a consequence, we canall claim to be Banksy. Just like V for Vendetta inspired theuse of Guy Fawkes masks by participants in street levelprotests around the world, we can all be Banksy too, andparticipate in our physical surroundings.

The Banksy Coloring Book is an original coloring book for all ages. A perfect gift to anyone interested in street art andillustration! The Banksy Coloring Book is filled with illustrations inspired by the great art of Banksy. It gives a first taste of howstencils are made and what it takes to master them. Easyand open to anyone. Enjoy!

From Crooked Grinds to Kickflips and Ollies to Wallies, the Skateboard ABC Collection is a fun way to teach the next generation about skateboarding – and who knows, maybe even mommy and daddy will learn a trick or two.

Made in Europe with non-toxic inks and finishes, so you can be sure your little one's first taste of skateboarding is a safe one.

The ultimate love letter to the world's most magical plant: Weed. Best-selling author, rapper, chef, and television star Action Bronson is a marijuana superhero, and Stoned Beyond Belief is his masterpiece.

This is an exploration of every corner of the pot galaxy, from highly scientific botanical analyses and the study of pot’s medicinal benefits to a guide to the wild world of weed paraphernalia. It's also a very personal tribute to a substance Bronson refers to as life changing, horizon-expanding, a conduit for happiness, a connector. Weed is to Action Bronson what the madeleine was to Proust: the door to true consciousness.

Organized loosely as 100 entries, including 35 recipes, and packed with illustrations and photos, Stoned Beyond Belief is a trippy and munchie-filled experience as well as an entertainingly valuable resource for weed enthusiasts and scholars. Stoned Beyond Belief will delight Action Bronson fans and pot aficionados all across the universe.

Contradiction, the yin and the yang, the simultaneous existence of two competing realities, and the larger than life persona that depicts populist realism are at the core of Nas's debut album, Illmatic. Yet Nas's identity -as an inner-city youth, a child of hip-hop, and a Black American - predicts those philosophical quandaries as much as it does its brazen ambition. Partly because of that recklessly broad scope, the artistic impact of Illmatic was massive. The record finds its place in the greatest transition in hip hop up to that point, the spot where the streets and the charts collided.

128 pages.

Catalogue to a major traveling exhibition focused on Banksy, the world’s most popular graffiti artist whose real identity remains unknown despite his domination of the global street art scene for over twenty-five years.

This accessible volume devoted to the enigmatic artist known as Banksy showcases pivotal works from private collections grouped to reveal Banksy’s key reference points and creative drives. The show features more than 100 original iconic works—always topical and certainly never dull—including Girl with Balloon, Gangsta Rat, Monkey Queen, along with lesser-known examples in other media such as “Banksy of England” banknotes, satiric CD covers, posters, and rare T-shirt designs. Laced with caustic and critical messages, Banksy’s works examine capitalism, consumerism, war, social control, freedom, and other features of our time with groundbreaking freshness and immediacy. Insightful essays explore such topics as Banksy’s philosophy, relationship to the art market, and choice to remain incognito. Banksy’s paintings, sculptures, prints, infographic cladograms, and tube maps are accompanied by detailed contextual analysis and a time line with highlights of Banksy’s career.

The previously untold story of British dance music’s first sub-bass revolution, tracing the origins, development, impact and influence of bleep techno, and the subsequent musical styles it inspired, on UK club culture. Originally published in 2019, it has now been revised, updated and expanded. Errors have been corrected, some chapters have been expanded, analysis has been added and further footnotes have been included to include even more information and citations.

There’s also now an additional ‘Afterword’ chapter that reflects on the story, the author’s journey as a researcher, and changing perspectives around UK dance music history.

Trip-hop described some of the 1990s' best music, and it was one of the decade's most revealing bad ideas.

The music itself was an intoxication of beats, bass, and voice. It emerged amid the social tensions of the late 1980s, and as part of hip-hop's rise to global dominance. It carried the innovations of Jamaican soundsystem culture, the sweet refuge of Lovers Rock, the bliss of club jazz dancefloors and post-rave chill-out rooms. It went mainstream with Massive Attack, Portishead, Tricky, DJ Shadow, Kruder & Dorfmeister, and Björk; and with record labels like Ninja Tune and Mo' Wax. To the artists' despair, the music was tagged with a silly label and packaged as music for the boutique and the lounge; made respectable with awards and acclaim.

But the music at its best still sounds experimental and dramatic; and its influence lingers through artists like FKA twigs, Sevdaliza, James Blake, Billie Eilish, and Lana Del Rey. This short book is a guide to 'trip-hop' in its context of the weird 1990s: nostalgia and consumerism; pre-millenium angst and lo-fi technology; casual exoticism amid accelerating globalization and gentrification. This book presents a survey of the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums.

Moon Pix was conceived during a hallucinatory waking nightmare in the South Carolina home of Chan Marshall one fateful day in 1997. Spirits violently swam up around her house, looming at the windows, beckoning her to join them. Her and her acoustic guitar warded them off song after song, nearly the entire album rushed forth onto a tape recorder that night. Facts, fictions and visions ripple throughout the accounts of Moon Pix from every angle- memories of screaming at an audience, spirals of drunkenness, swimming with sharks in Australia, intense, resonant lyrics and thunderstorms ringing through speakers. Like all legends, the aura surrounding them is an impression, a sensory feeling of unreliable memories: layers of stories become histories.

Through interviews with key players, audience member accounts, fictional narrative imaginings, a collection of record reviews and other explorations of truth, this book, like Moon Pix itself, is an ode to the myth within the music and the music within the myth.

I've encountered a lot of people who assume touring is chaotic, or worse, glamorous. Most of the time it's neither. Being on tour means being suspended between two worlds, between different versions of home. Like color, people can see the same tour differently.

—Rachel Demy, from Between, Everywhere



Photographer Rachel Demy knows every detail of what it takes to move instruments, cases and crews across the country and around the world to bring musicians and audiences together for a few precious hours. After a decade on the logistics side of managing tours, she laid down her spreadsheets and 16-channel Motorola radio to spend more time with her camera, capturing the liminal moments she had long been observing.

The photographs comprising Between, Everywhere were made over a five-year period touring with Death Cab for Cutie, a band she met first as a fan, and eventually joined as family. Demy’s wry and poignant photographs take viewers behind the scenes and on a journey full of the quiet, the beauty, the monotony and the exhilaration of a veteran band on tour.

The first monograph on the work of the pioneering art collective Over the last two decades Broken Fingaz have won international acclaim, emerging as one of the most dynamic and popular street artists working today. Emerging from the graffiti scene in Israel in the early 2000s, Broken Fingaz amassed a huge cult following internationally, appreciated for their "colourful and controversial" (bbc) art. Broken Fingaz instantly recognisable aesthetic blends high and low brow references, from 1980s punk and Neo-psychedelia to Modernist painting and Erotica. Their D.I.Y collaborative approach - a rarity in today's individualist, fast-paced culture - has enabled them to create highly ambitious works, in both scale and endeavour, all over the world: from monumental murals and installations, to intensely detailed, award-winning animations, textile works and paintings. They're also known for the art they've created for some of the world's leading musicians, including Pearl Jam, U2, Blink 182, Beck and more. This book is their first monograph and is an unprecedented insight into the BF's innovative and multilayered art practice, with never-seen-before works presented alongside some of their most iconic, as well as personal texts, documents and photographs by the artists reflecting on their journey to date. The book is designed by celebrated Copenhagen-based studio Claus Due, with texts by Humphrey Ocean, Charlotte Jansen and Broken Fingaz.

Graffiti Characters for Beginners presents you with a simple and straightforward introduction to the basics behind graffiti characters. Easy-to-follow instructions of how to draw a classic b-boy or a fly girl, flying eyeballs, angry spray cans, happy Uni-markers and much more. Learn the the basic composition of the characters, and give them emotions, attitude and purpose. Graffiti Characters for Beginners is the fundamental guide for you to learn how to master drawing funky cartoonish figures with style and finesse. Step by step, until you are able to put together complicated sceneries with interacting characters of your own choice. Graffiti Characters for Beginners suits all ages and is as great for kids and creative adults as it is for advertisers, home stylers and school teachers. Learning graffiti has never been easier or more fun! Also available in Dokument Press’ ”beginners” series is the popular Graffiti for Beginners: An

Interest in turntables and records is enjoying a renaissance as analog natives and new converts find their enduring style and extraordinary sound inimitable. Revolution, a follow-up to Phaidon's beloved Hi-Fi: The History of High-End Audio Design, explores the design and cultural impact of the turntable, the component at the center of the 'vinyl revival'. An essential book for audiophiles, collectors, and design fans, Revolution showcases the fascinating history of turntables and vinyl technology from the 1950s to today's cutting-edge designs.

Written by Schwartz, author of Hi-Fi: The History of High-End Audio Design, who is an audio design expert and passionate about analog music, this book includes 300 illustrations from the world of turntables, from affordable to high-end, and everything in between. An essential addition to the bookshelf for analog natives and those new to the vinyl revival as well as music and design lovers.

Tresor: True Stories is the first printed excavation of Tresor’s legendary history. Digging deeply into its rich archives, the venerable institution has unearthed countless treasures from its over three-decade old history. Over 400 never before seen photographs, flyers, faxes and other artefacts illustrate a story that intersects with the most important social and musical trend in the modern history of Berlin.

The story is told with the voices of those that were there - over 40 protagonists share their first-hand reminiscences of the ‘big bang’ that launched techno into the world. Through the story of Tresor, the book charts the heady days of 80s West Berlin through to the explosion of new energy that midwifed in the new social reality of reunified Germany. This is a unique and essential printed monument to the institution that changed electronic music forever, and the city that allowed it to exist.

The next fooball season starts with this funny 56-page-letter-visualisation for old and young!

From a talented young journalist on the rise, a deeply reported, timely new biography of the Notorious B.I.G., publishing for what would have been his 50th birthdayThe Notorious B.I.G. was one of the most charismatic and talented artists of the 1990s. Born Christopher Wallace and raised in Clinton Hill/Bed Stuy, Brooklyn, Biggie lived an almost archetypal rap life: young trouble, drug dealing, guns, prison, a giant hit record, the wealth and international superstardom that came with it, then an early violent death.

"This book is a must for everyone interested in illuminating the idea of unexplainable genius.” —questlove

Equal parts biography, musicology, and cultural history, Dilla Time chronicles the life and legacy of J Dilla, a musical genius who transformed the sound of popular music for the twenty-first century.

He wasn’t known to mainstream audiences, even though he worked with renowned acts like D’Angelo and Erykah Badu and influenced the music of superstars like Michael Jackson and Janet Jackson. He died at the age of thirty-two, and in his lifetime he never had a pop hit. Yet since his death, J Dilla has become a demigod: revered by jazz musicians and rap icons from Robert Glasper to Kendrick Lamar; memorialized in symphonies and taught at universities. And at the core of this adulation is innovation: a new kind of musical time-feel that he created on a drum machine, but one that changed the way “traditional” musicians play.

In Dilla Time, Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. He also rewinds the histories of American rhythms: from the birth of soul in Dilla’s own “Motown,” to funk, techno, and disco. Here, music is a story of Black culture in America and of what happens when human and machine times are synthesized into something new. Dilla Time is a different kind of book about music, a visual experience with graphics that build those concepts step by step for fans and novices alike, teaching us to “see” and feel rhythm in a unique and enjoyable way.

Dilla’s beats, startling some people with their seeming “sloppiness,” were actually the work of a perfectionist almost spiritually devoted to his music. This is the story of the man and his machines, his family, friends, partners, and celebrity collaborators. Culled from more than 150 interviews about one of the most important and influential musical figures of the past hundred years, Dilla Time is a book as delightfully detail-oriented and unique as J Dilla’s music itself.

In a bar called The Bucket of Blood, a man shoots the bartender four times in the head. In the small town of Millhaven, a teenage girl secretly and gleefully murders her neighbors. A serial killer travels from home to home, quoting John Milton in his victims' blood.

Murder Ballads, the ninth studio album from Nick Cave and the Bad Seeds, is a gruesome, blood-splattered reimagining of English ballads, American folk and blues music, and classic literature. Most of the stories told on Murder Ballads have been interpreted many times, but never before had they been so graphic or profane. Though earning the band their first Parental Advisory warning label, Murder Ballads, released in 1996, brought Nick Cave and the Bad Seeds their biggest critical and commercial success, thanks in part to the award-winning single, “Where the Wild Roses Grow,” an unlikely duet with Australian pop singer, Kylie Minogue.

Closely examining each of the ten songs on the album, Santi Elijah Holley investigates the stories behind the songs, and the numerous ways these ballads have been interpreted through the years. Murder Ballads is a tour through the evolution of folk music, and a journey into the dark secrets of American history.

From New York pioneers who helped create the art form in the 70s, to freight train kings in Florida and hall of fame spray can wizards in California. In the American Graffiti Coloring Book, more than 45 of America’s most prominent graffiti writers have provided the initial outlines – now it is up to you to give them color! With full pages devoted to the artwork, each spread becomes its own unique full color piece of art as you go along filling out the pages, and there is plenty of room for the small details. American Graffiti Coloring Book is printed on marker friendly paper. Use your markers and color-in on both sides of the page with no risk of the ink bleeding through. The content is carefully curated by the influential artist and Museum of Graffiti co-founder Alan KET, and the striking cover and

"We continue to learn about the Drexciyans and their first leader, Drexaha. 5 stories just like the Book of Drexciya, Volume One.

"We continue to learn about the Drexciyans and their first leader, Drexaha. 5 stories just like the Book of Drexciya, Volume One.

"We continue to learn about the Drexciyans and their first leader, Drexaha. 5 stories just like the Book of Drexciya, Volume One.

Bestselling author and Sundance award-winning director Questlove offers a thrilling, music-driven ride through the last fifty years of American history​.

In Music Is History, bestselling author and Sundance award-winning director Questlove harnesses his encyclopedic knowledge of popular music and his deep curiosity about history to examine America over the past fifty years. Choosing one essential track from each year, Questlove unpacks each song’s significance, revealing the pivotal role that American music plays around issues of race, gender, politics, and identity.

Music Is History focuses on the years 1971 to the present, not only the country’s most complex and rewarding half-century when it comes to the ways that pop culture and culturally diverse history intersect and interact, but also the years that overlap with Questlove’s own life. Music Is History moves fluidly from the personal to the political, examining events closely and critically, to unpeel and uncover previously unseen dimensions, and encouraging readers to do the same. Whether he is exploring how Black identity reshaped itself during the blaxploitation era, analyzing the assembly-line nature of disco and its hostility to Black genius, or remembering his own youth as a pop fan and what it taught him about America, Questlove finds the hidden connections in the American tapestry.

Complete with playlists organized around personal, playful themes that touch on everything from the relationship of hip-hop to music’s past to the secret ingredient in all funk songs, Music Is History is filled with and informed by Questlove’s preferences, perspectives, and particularities. It feels like both a popular history of contemporary America and a conversation with one of music's most influential and unique voices.

Mudpuppy's Andy Warhol Coloring Book features the iconic pop artist's greatest hits ready to be colored in and customized by young artists. Introduce well-known classics like Andy's Campbell's Soup Cans to a new generation in a creative and interactive way with this 32-page coloring book. Each page is perforated to easily tear out and display as a new work of art. - 32 pages, 9. 5 x 12. 25

‘Cuba: Music and Revolution: Original Album Cover Art of Cuban Music: Record Sleeve Designs of Revolutionary Cuba 1959-90 ’ is a stunning new deluxe 250-page large format hardback book compiled and edited by Gilles Peterson and Stuart Baker (Soul Jazz Records) that features many 100s of stunning and unique Cuban record sleeve designs made since the Cuban Revolution led by Fidel Castro in 1959. These album covers have rarely been seen (nor heard) outside of Cuba and show a rich previously hidden history of both music and design.

‘Cuba: Music and Revolution’ is the first ever book about Cuban record sleeve design and has been five years in the making, made in full co-operation with the Cuban government. The record sleeve designs reflect both the rich cultural Latin musical legacy of Cuba, as well as the political and aesthetic influence of revolutionary Communism, which manifests itself both in the music created on the island and the artwork of the designs included here.

Cuban music is the source of much Latin music in the 20th century. Salsa, the all-encompassing Latin music that came out of New York in the 1970s, and soon spread across Colombia, Venezuela, Puerto Rico, the Dominican Republic and elsewhere, owes all of its success to the Cuban music on which it is fundamentally based.

These record sleeves help document the dramatic change in Cuba’s identity from that of 1950s tourist paradise to socialist state. Following the Cuban Revolution in 1959, the United States imposed a trade embargo which exists to this day, and as a consequence the many 100s of Cuban records featured here have rarely been seen outside of Cuba.

The book is edited and compiled by Gilles Peterson, BBC broadcaster, record label owner, DJ, record collector, founder of Worldwide FM and Stuart Baker, founder of Soul Jazz Records. Together they have edited two earlier critically-acclaimed music and design books ‘Freedom, Rhythm and Sound – Revolutionary Jazz Cover Art 1965-83’ and ‘Bossa Nova and The Rise of Brazilian Music in the 1960s’.

In conjunction with the deluxe book, Soul Jazz Records will be releasing an album also compiled by Gilles Peterson and Stuart Baker, charting the rise of Cuban music in the 1970s and featuring many of the artists who appear in this book.

Take a break from your stressful day-to-day sneaker hunting and amp up your creativity. In the Sneaker Coloring Book you can color your most beloved shoe models in what ever way you want. You can relax your mind with some peaceful coloring fun, or get head on creative adding that complex design you always wished for your favorite sneaker model.

Whether you are an advanced sneaker head or just have the slightest interest in street fashion and sneakers, you can t go wrong with the Sneaker Coloring Book! Equally well suited for kids and adults, the book s 50 pages are packed with illustrations of some of the most iconic sneaker models of all times. From the original Pro Keds, Adidas Superstar and Vans Sk8-Hi, via 80s classics such as Troop and Air Jordan, to recent models like Nike Marty Mcfly, Puma Creeper, Balenciaga triple S and Adidas Yeezy just to name a few of the many models included in the book.

The shoes in the Sneaker Coloring Book are illustrated by Alexander Rosso, a sneaker nerd of rank who has spent the past 12 years working as a graphic designer and illustrator, mainly in the music and streetwear business.

The Sneaker Coloring Book is marker friendly! Use your favorite markers without the risk of ruining the illustration on the other side of the paper. The Sneaker Coloring Book is the latest in Dokument Press popular coloring book series, with themes such as hip hop, graffiti, skateboarding and lowriders.

There has never been--and will never be--another nightclub to rival the sheer glamour, energy, and wild creativity that was Studio 54. This catalog accompanies an exhibition at the Brooklyn Museum exploring how Studio 54 was a unique zeitgeist of an era.

From the moment it opened in 1977, Studio 54 celebrated spectacle and promised a never-ending parade of anything goes. Although it existed for only three years, it served as a catalyst that brought together some of the most famous, creative, and strangest people in the world. It quickly became known for its all-ages celebrity guest list and its uniquely chic clientele of superstars and freaks of all races and sexual preferences who would often show up half-dressed or in costume. From the cutting-edge lighting displays and sound system to its elaborate sets that would change on a whim, altering the environment and ambiance, it was the beginning of nightclub as performance art.

Now, the Brooklyn Museum is staging the first exhibition featuring the nightclub as a bellwether of New York City cultural life. More than 650 objects--spanning fashion, photography, drawings, film, and music--as well as video, film, and soundtrack, create an immersive experience, with an exhibition design inspired by the club's original lighting and atmosphere. Highlights include never-before-published costume sketches by artist Antonio Lopez and newly discovered set designs, as well as ephemera salvaged by the original club staff and interviews with the cultural luminaries who were there.

Telling the story of this legendary club, as well as serving as a companion to the exhibition, Studio 54: Night Magic serves as a document of the era, depicting the wild energy and provocative creativity of this seminal cultural moment.

In recent years, Björk's artistry has become ever more ambitious and ever more respected. With the release of her conceptual app-album Biophilia in 2011, and a huge retrospective exhibition at New York's Museum of Modern Art coinciding with her most recent album, Vulnicura, in 2015, her status as artpop auteur has been secured. The album that made all this possible, though is 1997's Homogenic, a turning point in Björk's career and still among her finest musical achievements. Produced under great strain, it moves beyond the stylistic magpie rush of Debut and the urbanophile future-pop of Post, to something darker, stronger and braver, full of dramatic assertions of independence, sharp, stuttering beats, rich strings and raw outbursts of noise. It created, as the Alexander McQueen designed sleeve clearly asserted, a new Björk, one who would never stop hunting.

Snoop rolls out 50 recipes, organized by meals and occasions, with epic
stories and archival photos and ephemera. This is a sincere, funny,
delicious collection of (cannabis-free) recipes and entertaining ideas from
one of the most beloved rappers of our generation. Get ready for Snoop
Dogg’s first ever cookbook! Complete with epic stories and photography
that brings this masterpiece to life and packed with 50 recipes straight
from his own collection, including:
• Baked Mac & Cheese
• Fried Bologna Sandwiches with Chips
• Soft Flour Tacos
• Easy Orange Chicken
• Lobster Thermidor
• Filet Mignon
Also included are Snoop's favorite munchies; chewy Starbursts, Frito
BBQ Twists, and of course, no party is complete without that Gin and
Juice.

Explore the geography of genius in Desperately Seeking Bowie, a pocket-sized hardcover that situates major milestones from David Bowie’s career in the locations where they took place. Detailed maps show his movements around the world, while profiles of notable locales illuminate the interaction between artist and place. Bowie fans will be thrilled by this career-spanning tour of his global trajectory, from his home in New York City to the studio in Berlin where he recorded three of his albums, to the narrow London street where he posed for the cover of The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Like the other titles in the series, Desperately Seeking Bowie looks at a major cultural icon from a brand-new perspective, providing context for his life, work, and legacy.

As a child, Yvon Chouinard moved with his father, a French Canadian blacksmith, to Southern California with little English and less money. Today his company, Patagonia, is approaching $1 billion in sales annually as one of the most environmentally and socially responsible corporations on the planet.

It has been ten years since Chouinard first shared his iconoclastic view of business with the world. Since then, through a global recession and intensifying environmental crisis, Patagonia has become a worldwide corporate leader—demonstrating that the values and philosophies laid out in this book are the best path to profits. This is not another tale of a successful businessman who chooses to do good on the side. It is the story of a businessman who has attained ever-growing success by placing Patagonia’s mission statement at the core of their culture: to build the best product, do no unnecessary harm, and use business to inspire and implement solutions to the environmental crisis.

Let My People Go Surfing is the portrait of a young man who found escape by scaling the world’s highest peaks, of an innovator who used his father’s tools to fashion equipment that changed climbing forever, of an entrepreneur who brought doing good to the heart of his business. In addition, it is a blueprint for all facets of responsible business, from design and production, to marketing and human resources.

Paperback edition; language: German; 280 pages; dimensions: approx. 16.5 x 24 cm; printed on 100% post-consumer-waster recycled paper.

Every letter a legend: The Rap ABC is a board book with stylized art of 26 iconic hip-hop artists for each letter of the alphabet.

Made in Europe with 100% non-toxic inks
158 x 158 mm x 26 mm
56 pages of premium card stock.

Finally, a brilliant exploration of the German rock band Can's monumental 1971 album Tago Mago.
Tago Mago is a hugely unique and influential album that deserves close analysis from a fan, rather than a
musicologist. In this officially approved account of one of the most influential and powerful albums of the 1970s, Scottish novelist Alan Warner details the
concrete music we hear on the album as well as how it was composed,
executed and recorded—including the history of the album in terms of
its release, promotion and art work. Warner includes a backtracking of
the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up. Yet this tale of Tago Mago is more than just a history of the band; it is also the tale of a young man obsessed with record collecting
in the dark and mysterious period of pop music before Google.
Through a combination of Warner’s own experiences and interviews with the two surviving members of the band (drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay) Can’s Tago Mago
is a hilariously personal and illuminating picture of one of the biggest names in experimental rock.

160 pages, paperback.

In 1984 the groundbreaking Subway Art brought graffiti to the world. 30 years on, the bible of the street-art movement is back and better than ever!

With over 70 fresh photographs not included in the original edition.

In new introductions Martha Cooper and Henry Chalfant recall how they gained entry to the New York City graffiti community in the 1970s and 1980s.

New afterwords continue the story from the decline of the subway graffiti scene in the late 1980s to its unexpected rebirth as a global art movement.

The authors bring us up to date on how the lives of the original subway artists have unfolded, and mourn the loss of several writers to the darker forces of the street.

128 pages, 33,5 x 23,4 cm, paperback.

In the ’80s, New York was a tough environment: violent rival street gangs, drugs, and arrests were part of the city’s dark fabric and gave
rise to the artistic expression of social and political injustices of the African American community. Many young people found
themselves at difficult crossroads or facing challenging and often violent day-to-day realities. Shabazz wanted to do what he could to
ease the tension of his community and help kids stay out of trouble. So he took to the streets with his camera, attracting young
people for whom he became a mentor and inspiration, helping with life choices and keeping a positive outlook for the future.
These photographs are his visual diary – a collection of memories, moments, conversations, people, and details. They reflect
personal relationships, while giving expression to universal sentiments of all adolescents, such as hope, dreams, self-discovery, and
living in the moment.

64 pages, limited to 2500 copies.

A groundbreaking traveling exhibition, Out of the Box showcases sneakers, from the mid-nineteenth century to sports performance breakthroughs, to present-day cultural icons. Drawn from the collection of the Bata Shoe Museum and significant private collectors, museums, and archives—including adidas AG, Converse Archives, Kosow Sneaker Museum, Nike Archives, Northampton Museums and Art Gallery, and Reebok Archives—this selection is richly contextualized with interviews and essays by design innovators, sneaker collectors, and cultural historians, creating a backdrop of the technical innovation, fashion trends, social history, and marketing campaigns that shaped the form over the past two centuries.
Out of the Box includes sneakers ranging from an 1860 spiked running shoe, a pair of 1936 track shoes, Air Jordans I–XX3, the original Air Force 1, and early Adidas Superstars to contemporary sneakers by prominent figures including Damien Hirst, Jeremy Scott, Jeff Staple, and Kanye West. The book also highlights sneakers and prototype drawings that span the career of Nike sneaker design legend Tinker Hatfield, making this the definitive illustrated history of sneaker culture.

Acclaimed shoe historian Elizabeth Semmelhack is senior curator at the Bata Shoe Museum, Toronto. Bobbito Garcia is the leading authority on sneaker culture. Ada Hopkins is a conservator at the Bata Shoe Museum. Dee Wells is the creator of Obsessive Sneaker Disorder. Tinker Hatfield is a Nike designer. Eric Avar is Nike’s creative director. Cey Adams was the founding creative director of Def Jam Records. Darryl McDaniels is a member of the hip-hop group Run-D.M.C. Walt Frazier is a former professional basketball player. Adam Horovitz is a member of the hip-hop group the Beastie Boys. Christian Louboutin is a footwear designer.

256 pages, 10 x 11,75 inches, hardcover.

Extravagantly opaque, willfully vaporous — Aphex Twin’s Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was Richard D. James's first full length on Sire Records (home to Madonna and Depeche Mode) under the moniker Aphex Twin; Sire helped usher him in as a major force in music, electronic or otherwise.

Faithful to Brian Eno’s definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineered its fragile textures for performance on acoustic instruments. Simultaneously, “ambient” has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beatless, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.

144 pages.

Why is it that thousands of clubbing tourists land at Berlin Schönefeld airport every weekend? Why have clubs like Berghain become the stuff of legend the world over? Why have some of the best-known producers and techno DJs like Richie Hawtin and DJ Hell moved with their labels to this city? These are the kind of questions explored in Lost and Sound by Tobias Rapp, a German music journalist who has been living, working and partying in Berlin since the beginning of the nineties. He has spoken with DJs, clubbers, label bosses, hostel managers and urban planners; he has looked and listened carefully; and most important of all, he has been part of the dance floor himself. Every day of the week – from Wednesday night (in Watergate) right through to Wednesday night (back in Watergate).

Lost and Sound is not one of those books that try to grasp techno from a desk-bound position. Rapp zooms in to relate intimate moments in front of the DJ booth and at the bar, and then cuts to historical tangents and theoretical reflections. Detailed research is interspersed with accounts from a first-person perspective. An excellent portrait of Ricardo Villalobos, the biggest star of the Berlin minimal techno and after-party scene, stands alongside a precise sociological portrayal of the queue for Berghain. Through this interplay of music, architecture, infrastructure and drug-induced explorations of personal limits, Rapp is able to capture what makes Berlin such a unique place for electronic music and how this music is experienced.

Following its publication in Germany in February 2009, Lost and Sound made an impact not
seen from a book about popular music for a long time. This was undoubtedly due in part to the
term coined for its subtitle: the ‘Easyjet set’ is a new group of music fans who – thanks to the
deregulation of the European air travel market – now regard the aeroplane as a taxi service for
parties, effectively making Barcelona, London and Paris suburbs of Berlin.

Chances are you’ve seen numerous iconic pictures by award-winning portrait and documentary photographer Lynn Goldsmith at some point in your life. Her images have graced the covers of magazines worldwide from Life to Sports Illustrated, Newsweek, Rolling Stone, People and many more. She has also published 14 monographs of her photographs, including the New York Times best-selling photobook New Kids (Rizzoli, 1990).

Over the past 50 years, Goldsmith has photographed hundreds of musicians in studio portrait sessions, at live concerts, on the road and at home. Her new book, Music in the ‘80s, showcases an incredible range of artists during a decade when many new forms of music were gaining popularity: New Wave, Electronica, Rap, Metal, and Ska had chart topping success, as did R&B and Pop. Michael Jackson, Philip Glass, Run DMC, Miles Davis, Judas Priest - these are but a few of the names that during this period became icons. The 80’s was a time like no other in history, and the photographs chosen for this book are as diverse in their style as the music and dress of the decade.

The book also features quotes from many of the people featured in Goldsmiths’ photographs—including Iggy Pop, Tina Turner, Keith Richards, Alice Cooper, Elvis Costello and more—as well as those who were influenced by the tremendous cultural importance of the decade, proving that Music in the ‘80s is sure to hit the right note for all lovers of music.

Legendary Dj/author Bobbito García Releases HIS First Children’s Book IN Collaboration With WE ARE Little Giants “Bobbito García’s street-smart text and Estafanía Rivera Cortés’ starburst illustrations make for a buoyant, fun, and thoroughly modern experience. Call ‘I got next’ on AIM HIGH!” —Alexander Wolff, author of Big Game, Small World: A Basketball Adventure The story is about Taína, a nine-year-old, Afro Boricua basketball novice growing up in Brooklyn during a pandemic who learns valuable life lessons from family, friends, and the community, both on and off the court. The narrative seamlessly weaves social-emotional learning with math, arts, social justice, identity, culture, and sports education, all in a fun (and at times goofy) manner! “I’ve been documenting hip hop, sneaker, and basketball history in books, films, and magazines since the ‘80s, so imagine the thrill for me to finally write fiction, and especially for kids! The experience was liberating and allowed me to flex my experiences as a parent, which I haven’t shared much of at all publicly. I truly hope the multiple communities I exist in have the opportunity to see themselves in the words and illustrations …” —Bobbito García Brilliantly illustrated by Estefanía Rivera Cortés, an artist based in San Juan, Puerto Rico with a compassion for social causes, Aim High, Little Giant, Aim High! is an unprecedented presentation of NYC’s unique outdoor basketball culture, created for children of any background to enjoy. The book is published by We Are Little Giants, an independently Black and Puerto Rican owned business.

Between 1978 and 1983, Great Britain spawned a DIY uprising of over 500 heavy metal bands. Many soon became the household names of the 1980s metal invasion…many others did not. For the first time, author Michael Hann captures the whole nose-to-tail story of the New Wave of British Heavy Metal in all its power and glory, exploring the bands, clubs, radio, magazines, festivals, and the majesty and misfires of the Nwobhm in over 100 interviews with members of Venom, Def Leppard, Iron Maiden, Diamond Head, Angel Witch, Samson, UFO, Tygers of Pan Tang, Vardis, Judas Priest, Saxon, Whitesnake, Girlschool, Witchfynde, Demon, Thin Lizzy, Rainbow, Gillan, Led Zeppelin, and more. 432 lavishly illustrated pages plus 16pp glossy color section.

With a preface by Johan Kugelberg and additional interviews by Emil Karlsson. This lavish coffee table book takes an in-depth visual look back at the amazing art and graphics of the so-called Swedish Gramophone Mission. The book presents the largest collection of Swedish Christian records from the 1960s -1980s ever amassed featuring 777 record covers, many of them extraordinary and surreal private/custom pressings. Jam packed with lots of interviews, liner-notes and previously unpublished photos describing both the success and tribulations of the mission in vivid detail. This collection documents and celebrates the Swedish Jesus Pop movement and is a striking record of its execution, art, and music. “...Praise the lord with blues and jazz and symphony orchestras, with negro spirituals and with Beethoven’s Fifth, with guitars and xylophones, praise him with gramophones and tape recorders...”

Dan LeRoy uncovers the story of this outrageous era in Beastie Boys history ... 129 pages

This official tie-in book to Marilyn Agrelo’s (Mad Hot Ballroom) documentary Street Gang: How We Got to Sesame Street supplements the film’s exploration of the origins and legacy of Sesame Street with exclusive interviews and unseen photographs from first two seasons of this globally beloved series. Author Trevor Crafts, who was given unprecedented access to archival footage and photography, presents 150 of photographer David Attie’s behind-the-scenes images of Jim Henson, Frank Oz, Matt Robinson, Big Bird, Oscar the Grouch, Bert and Ernie, and dozens of other pioneering puppeteers, animators, actors, and Muppets. Crafts uses Attie’s photos to expand upon the film’s story of how show creator Joan Ganz Cooney, along with Sesame Workshop cofounder Lloyd Morrisett and director Jon Stone, took the values and goals of the civil rights movement and revolutionized children’s television. The Unseen Photos of Street Gang is a tribute to the enduring achievements of a rebellious group of artists, educators, and freethinkers who believed that the values of equality, education, and inclusion should not just be championed but also made available to all—a dream that Sesame Street has carried forward for more than fifty years. Contributors include: Sesame Street creator Joan Ganz Cooney, head writer Norman Stiles, lyricist and composer Christopher Cerf, cast members Roscoe Orman (Gordon), Sonia Manzano (Maria), Emilio Delgado (Luis), Bob McGrath (Bob), Caroll Spinney (Big Bird and Oscar), Brian Henson, and Sesame Street's first female puppeteer Fran Brill

Cover with a bumped corner on the front and stains on the back.

Small bump on the front cover

Cover with a couple of bent corner.

Marty Perez is a Chicago-based photographer who has been documenting the parallels between the worlds of underground rock as well as some of the biggest stars of pop music, from 1976 to the present. This is the first collection of his images from the last five decades of rock’n roll decadence, from the wild, unhinged crowds of unruly and footloose teenagers to the incredible juxtaposition of both house-hold names with the sub-obscure underground bands that didn’t see the bright lights as close, yet still hold that certain magic of the era."—Jim De Rogatis

Jeff Drake has led an extraordinary life... and believe me, that’s a vast understatement. I say this with confidence, because we’ve known each other for four decades. His band the Joneses, co-founded with skateboard champion Steve Olson, was the shining light of the 1980’s Southern California underground rock scene, ages before the term ‘alternative music’ was bandied about by MTV and rock critics. The Joneses were the damn bomb. A louche, sloppy, outlaw amalgam of punk, pop and Don’t Give A Fuck attitude, they played thrashy, trashy rock’n roll that owed as much to The New York Dolls as it did to the Rolling Stones. Jeff’s songwriting was pure, catchy pop, even though the lyrics were riddled with sex and drug references. It was as though he mixed up a potion from the blood and brain cells of Little Richard and The Ramones, came up with a perfect formula, ingested it, and made his own unique creation. The Joneses’ live shows were off the hook, as were their off-stage antics. Though neither of us can remember the exact moment we met, we became fast friends in 1983. We hung out constantly back then and he was a regular at my infamous punk rock crash pad, Disgraceland. Hollywood in the 1980’s was an ungentrified wasteland; the streets were ruled by delinquent twenty-somethings, most of whom were in bands. My own band The Screaming Sirens played numerous times with the Joneses. During the time, the Joneses were being courted by a number of major labels, though the record execs were absolutely clueless and cautious back then. If one of them would’ve taken a gamble, Jeff would’ve become a huge star. Instead, living out his own song ‘Criminals,’ he robbed a bank to feed his heroin habit. On a personal note: in the course of my life I’ve somehow known seven bank robbers, but hands down, Jeff is my favorite.There’s so much more to his story though, as you’ll see in the following pages. It’s a confessional told in a direct, honest, engaging way, in his own words with a touch of dark humor; it’s exactly the way he speaks in real life. You, dear reader, will be extremely happy that Jeff didn’t join the 27 Club, the coterie of rock stars who passed away at that young age. Luckily, he’s still with us to tell his own personal story of sin and redemption. After all, what could possibly be more subversively rock’n roll than living to tell all the salacious details?”—Pleasant Gehman, March, 2022.

In 2021, the „Week-End Fest“ looked back on 10 years of encounters between over 100 international musicians. Since its beginning in 2011, the curators‘ own fanhood has been a central element – thus the idea arose to have the artists tell stories about musicians, places or encounters that have shaped them. In ‚I feel everything you say, I feel everything you hear.‘ (the title is borrowed from the song „I’m so Green“ by Can) they tell of decisive moments and memories that still resonate today and have shaped their own artistic identity. As with the festival program, the book succeeds in highlighting diverse lines and connections among them. Dub producers Adrian Sherwood and Scientist talk about their deep admiration for the two inventors of dub Lee „Scratch“ Perry and King Tubby. Electronic pioneer Suzanne Ciani talks about her first steps as a musician and her encounter with Don Buchla, to whom she owes her first job and her first synthesizer. The British avant-garde guitarist Fred Frith describes his first bizarre encounter with the Sun Ra Arkestra in New York in 1979, of which Marshall Allen is a member. The latter tells how today, at the age of 97, he creatively carries on the musical legacy of his master Sun Ra with pride and reverence. By focusing on the fan perspective of the participating artists, the book connects to the curatorial concept of the festival itself. And through their stories and anecdotes, building blocks of a new or different oral history of recent music history emerge at the best moments.

A Brief Oral History of the Urinals and 100 Flowers is the result of several years of interviews Ryan Leach did with members of the band and their close associates. Available as a pocketbook. Includes an expanded collection of photographs not available in the eBook. 78 pages.

A collection of Guided BY Voices frontman Robert POLLARD’s fantastic collage art in a perfect bound book. 235 pages. The man never stops creating.

Come to My Garden (1970) introduced the world to Minnie Riperton, the solo artist. Minnie captivated listeners with her earth-shattering voice's uncanny ability to evoke melancholy and exultance. Born out of Charles Stepney's masterful composition and Richard Rudolph's attentive songwriting, the album fused a plethora of music genres. A blip in the universe of fusion music that would come to dominate the 1970s, Come to My Garden also featured the work of young bandleaders like Ramsey Lewis and Maurice White, thus bridging the divide between jazz and R&B.

Despite fairly positive reviews of the album, even in its many re-releases, it never garnered critical attention. Minnie Riperton's Come to My Garden by Brittnay L. Proctor uses rare archival ephemera, the multiple re-issues of the album, interviews, cultural history, and personal narrative to outline how the revolutionary album came to be and its lasting impact on popular music of the post-soul era (the late 20th to the early 21st century).

ESG were one of the first bands to sign to British indie label Factory Records, working with famed producer Martin Hannett on their early EPs. The band's signature guitar sound from iconic single 'ufo' has been sampled in hundreds of hip hop records, and everyone from Karen O to Kathleen Hanna lists the South Bronx group as a direct influence. So why do the Scroggins sisters appear as nothing more than a footnote in the 1980s music scene?

Through interviews with founding member Renee Scroggins, alongside cult-figures from 1980s New York and North England, this book follows the story of a group of sisters who made it out of the New York projects and into the heart of the dancefloor. Come Away With ESG repositions ESG in their rightful place as punk pioneers and explains how their primal beats have paved the way for modern dance music today.

Brand new edition of Soul Jazz Records" massive deluxe 400-page Punk 45s cover art book edited and compiled by Jon Savage (author of the seminal book on punk, England"s Dreaming) and Stuart Baker (founder of Soul Jazz Records). This new edition comes with a new introduction from Bobbie Gillespie, founder of Primal Scream (who has recently also published his memoirs Tenement Kid). Contributors include Peter Saville, Richard Hell, Richard H Kirk, Seymour Stein, Geoff Travis, Martin Moscrop, Glenn Branca, Jamie Reid, Dave Robinson, Roger Armstrong, Martin Mills, Gee Vaucher, Savage Pencil, Dennis Morris and more. This book is a revelatory guide to hundreds and hundreds of original 7" record cover sleeve designs - visual artefacts found at the heart of the most radical and anarchistic musical movement of the 20th century.

A wanderlust filled surfing itinerary to 7 European hotspots, for the new generation of surfers Surf & Stay is made for surfers and sea lovers who look further than the waves. For lovers of freshly baked pastries, beachfront boutique hotels or dreamy camper spots. Dive into the seven regions in this book - Cornwall, West Flanders, South Brittany, La Côte Basque, Cantabria, Tenerife and Alentejo - and discover a mapped route for your salt-coloured holiday. Where to surf, eat and sleep. This book also guides non-surfers. Surf & Stay is filled with salt & wonder; 256 pages of coastal culture. Veerle Helsen is a travel and architecture journalist who collected four passions - surf, photography, food and design - in one book. For the first Surf & Stay - now sold out - she took a sabbatical in 2018 and travelled solo in a camper along the surf coasts of Spain and Portugal. After this sabbatical she quit her job and today she writes freelance for Belgian media and outdoor brands. This edition of Surf & Stay is her second book. She surfs around the world and lets the forecast decide her schedule.

The inaugural catalogue for the new international street art museum in Amsterdam (between 200,000 and 400,000 visitors expected, more than 240 works of art in the collection) This catalogue for the new international graffiti and street art museum in Amsterdam, Straat, features work created on-site by the greatest artists of today's street art scene. Straat - Quotes from the Streets tells the story of street art as a full-fledged art movement and explores the evolution of 'art in the street', in addition to the development of the new museum. The catalogue is above all a feast for the eyes, with many full-page images of the best street art talent from around the world.

Rayguns and rockets! Spacesuited heroes caught in the tentacles of evil insectoid aliens! Who could resist such wonders? Science-fiction paperbacks exploded over the 1940s and 50s literary landscape with the force of an alien gamma bomb. Titles such as Rodent Mutation, The Human Bat vs The Robot Gangster, Dawn of the Mutants and Mushroom Men from Mars appeared from fly-by-night publishers making the most of the end of post-war paper rationing. They were brash and seductive for around a shilling the future was yours. The stories were often conceived around a pre-commissioned cover and a title suggested by the publisher, and the writers were paid by the word, and sometimes not paid at all. Titles were knocked out at a key-pounding pace, sometimes over a weekend, by authors now lost to literary history (plus a few professionals who could spot an opportunity) who were forced to write under pseudonyms like Ray Cosmic, Steve Future, Vector Magroon or Vargo Statten. Despite the tight deadlines and poor pay, the books cover artists still managed to produce works of multi-hued, brain-bending brilliance, and collected here is an overview of their output during an unparalleled period of brash optimism and experimentation in publishing.

Packed with almost 5,000 images, Logo-a-gogo is an inspirational visual history of the iconic brand identities created by design supremo Rian Hughes over the past 20 years. Case studies reveal the making of his famous comic book logos including Batman and Robin, Spider-Man, the X-Men, Captain America, Wolverine and those for his diverse range of other clients, from bands, artists and fashion retailers to international corporations. Preliminary sketches and alternative concepts appear alongside the final design, and Hughes is refreshingly candid about his experience of meeting briefs and finding creative solutions sharing insider stories on the highs and the lows, and giving invaluable tips for getting brand identity right. With an introduction by Grant Morrison, the Eisner award-winning comics writer and longtime Hughes collaborator, this is an amazing resource for designers, typographers, and comic book illustrators to draw on in brand identity and other graphic design projects.

Graham Humphreys career as a poster artist looms large over horror cinema. From designing the iconic Evil Dead poster to Nightmare on Elm Street and House of a Thousand Corpses, his work is familiar to everyone. Its easy to see why his work grabs the attention of horror fans and filmmakers alike as he continually and systematically sets the bar ever higher in his quest for sheer terror and pure entertainment. With over forty years experience he is one of the few contemporary illustrators using the traditional medium of gouache to paint his images. Includes previously unseen work: paintings, drawings and colour studies.

The first book to bring together 20 alcohol-free psychoactive cocktail recipes High Cocktails is the first book to bring together 20 alcohol-free psychoactive cocktail recipes, developed by chefs Noah Tucker and Anthony Joseph, in collaboration with four of the world's top mixologists. Featuring exclusive research into some of the world's most interesting psychoactive plants and the alchemy involved in making cocktails with these ingredients. A team of media makers, in collaboration with chefs Noah and Tony, started a project called High Cuisine a few years ago, where chefs cook with legal, mind-altering herbs such as weed, truffles and kratom. This led to the cookbook of the same name and a TV series. Now in collaboration with The Bulldog, the landmark coffee shop in Amsterdam, a new trajectory has started with the development of alcohol-free cocktails that get you high: high cocktails!

xXx Fanzine (1983-1988), Hardcore & Punk in the Eighties isn’t merely a collection of articles, reviews and photographs from one of Hardcore America’s best-known fanzines. It’s a chronicle of punk’s evolution in the 80’s: a story of music and ideologies in motion. xXx’s story picks up while the first wave of hardcore was in full swing. Major players including Minor Threat had already released landmark records and bands were loading up station wagons to play now infamous venues like The Channel, A7 or D.C. Space. While based in Boston, xXx’s main writer and editor, Mike Gitter, not only concentrated on his own city’s burgeoning scene, spearheaded by bands like SS Decontrol and D.Y.S., but looked to other states and countries for xXx’s reportage. This 288 page book documents a time when hardcore and punk were not mutually exclusive and bands and cities had a chance to develop their own diverse and strident sounds. This creative ethos and aural zeitgeist is literally spelt out on the 19-song compilation that’s also available (xxx Presents: Still Having Their SAY - B9r246lp), a limited-edition 12” on Exclusive Green Vinyl!!!. A wide variety of current hardcore, punk and hard music luminaries including Strife, letlive, Fu Manchu and The Riverboat Gamblers contributed their interpretations to some of the most influential songs to come from xXx’s original era. Now, in addition to reproducing (and restoring) countless interviews and pages from the ‘zine itself, xXx Fanzine re-interviews countless bands and musical prime-movers including Ian MacKaye, Keith Morris and members of Agnostic Front, Bad Brains and Cro-Mags to give the book a rare “Then-And-Now” perspective. xXx Fanzine (1983-1988), Hardcore & Punk in the Eighties isn’t merely a look back at hardcore’s salad days, but a unique look at how punk’s music and message shook the mainstream itself. Features: Minor Threat, Misfits, Necros, Circle Jerks, Suicidal Tendencies, Hüsker Dü, Jerry’s Kids, Black Flag, D.O.A., G.B.H., Void, Negative Approach, 7-Seconds, D.Y.S., Scream, Metallica, Corrosion of Conformity, Minutemen, The Exploited, Anthrax, Subhumans, Dead Kennedys, SSD, Henry Rollins, Descendents, Bad Brains, Youth of Today, Motörhead, Dag Nasty, Slapshot, Samhain, Agnostic Front, Cro-Mags, Bad Religion, Fugazi & more!!!

A fascinating oral history of one of American indie rock's most enduring and influential acts. Slow, deliberate and deceptively simple, the music of Boston-based band Galaxie 500 was wonderfully at odds with the prevailing underground sounds of the late 1980s and early 1990s. Formed in 1987, the band split up in 1991 after releasing three acclaimed albums—Today, On Fire and This Is Our Music—as well as a Peel Sessions recording. The primary contributors to this long unavailable history of the band are the three band members—bassist/vocalist Naomi Yang, drummer Damon Krukowski and guitarist/vocalist Dean WAREHAM—but dozens of people were interviewed in all, including fellow musicians, record business folks, music critics and scenesters. Galaxie 500: Temperature’s Rising provides a complex, sometimes contentious account of the band’s rise to indie stardom and their acrimonious breakup. It also includes dozens of rare and never-before-seen photographs, as well as posters and other ephemera from the personal collection of Naomi Yang, who provides a running commentary to the images. This is the definitive book about Galaxie 500, and a crucial chapter in the story of indie rock.

Pünktlich zu seinem 60. Geburtstag erscheint in der Ventil-Verlag-Reihe "Ausgewählte Songtexte" eine Ausgabe mit 100 Songtexten von Bernd Begemann: "Gib mir eine zwölfte Chance". "Ich bin besessen davon, ein Beobachter zu sein" sagte er einmal über sich selbst und so sind seine Texte präzise Beobachtungen des bundesdeutschen Alltags. Begemann schafft es in den wenigen für einen Liedtext zur Verfügung stehenden Zeilen ein ebenso präzises wie mitfühlendes, erklärendes und vor allem unterhaltsames Bild der Gesellschaft zu erschaffen. Seine Songs könnten und sollten Hits und/oder Volkslieder sein, sie sind es aber nicht. "Meine Aufgabe ist es Literatur zu schaffen, nicht meine Kundschaft zu maximieren" so Begemann einmal gegenüber dem Spiegel. Höchste Zeit also für vorliegende Textsammlung und eine eventuelle Maximierung der Kundschaft. Zusätzlich zu den Songtexten enthält das Buch Anmerkungen und Erläuterungen des Autors zu jedem Liedtext und eine Einführung. Bernd Begemann, geboren am 1.11.1962, war der erste Punk in Bad Salzuflen. Er gilt vielen als Erfinder der Hamburger Schule und schrieb deutschsprachige Lieder, als es noch beziehungsweise schon wieder uncool war. Mitte der 80er zog er nach Hamburg und veröffentlichte mit Die Antwort sein erstes Album. Sein späteres Solodebüt nahm er in der Küche seiner Wohnung im Hamburger Arbeiterstadtteil Rothenburgsort auf. Ein urbanes Folk-Album mit Elektronik namens "Rezession, Baby!". Also das, was alle machen, bevor man das machte. Er war nämlich oft als Erster auf dem Minenfeld. Er inspirierte eine Menge Leute, von Tocotronic bis Olli Schulz. Begemann hat über 20 Alben und über 400 Songs veröffentlicht. Er trägt gern smarte Anzüge und spielt, wenn es die Umstände zulassen, Hunderte Konzerte im Jahr.

Family: THE Source Family Scrapbook provides an immersive view into the public and private world of the Southern California occult commune The Brotherhood of the Source. Edited by Isis Aquarian, Charlie Kitchings, and Jodi Wille, this lavishly illustrated book reproduces 200 original scrapbook pages assembled by family historian Isis Aquarian from 1972-1977, documenting the group's dramatic rise and fall, from their time living together in the Hollywood Hills operating their wildly popular Source vegetarian restaurant on the Sunset Strip to their exodus to Hawaii and San Francisco as the group began to unravel. Copious unpublished photographs, newspaper clippings, letters, manifestos, album art and flyers, augmented by descriptive captions, reveal the Source Family's astonishing trajectory, from controversial leader Father Yod's spiritual awakening to the group's wild musical and social experimentations, to the provocations that led to the group's paradise lost. These pages provide a revelatory, firsthand view into the widely misunderstood phenomenon of new religious movements and cults of the 1960s and 70s. This book is a beautiful 200pg full color, cloth bound, and embossed 11"x12" hardcover coffee table book.

An extravagant monument to a unique collaboration in the worlds of art and fashion: the Autumn-Winter 2022 collection of the luxury brand Amiri, created in partnership with the painter Wes Lang.

Rooted in the culture of Los Angeles—the place both designer and artist call home—Amiri’s Autumn-Winter 2022 collection is an exploration of the city’s aesthetic heritage. Mixing high with low, extravagance with subtlety, the collection reflects the intersection of worlds—rock, skate, luxe, craft, art, glam—that defines Los Angeles style. Throughout the collection, Wes Lang’s painterly interventions introduce elements of subversion and energy to Amiri’s pieces.

The book meticulously documents the creative process, from the design of key silhouettes to the hand-painting of original works onto individual garments. Hundreds of photographs, taken specially for the book by the artist duo Hart Lëshkina, go behind the scenes in Amiri’s atelier and Lang’s studio, revealing the collection’s evolution from sketches to clothing and finally to the star-studded runway show, cinematically illuminated with Lang’s artwork, at which the line debuted in the spring of 2022.

Elaborately designed with spectacular gatefold pages and booklets, and with texts by fashion editor Dan Thawley and art critic Andrew Berardini alongside the voices of Mike Amiri and Wes Lang, this book is a testament to the power of collaboration and an impressive record of an iconic moment in contemporary art and fashion.

Envision the city as an infinite playground. Created in collaboration with Red Bull, Urban Playgrounds explores some of the world’s most thrilling places for urban sports. From Venice, Barcelona, and Los Angeles, to Brasilia, Istanbul, Cairo, Lagos, or Jarkarta, this book reveals an exhilarating marriage between space and sports in global cities. Born from a need to challenge boundaries and reclaim the right to the city, from a desire for self-expression and entertainment, urban sports reimagine the city as a playground. Be it freestyling on a skateboard, riding a BMX, or stretching the human body in parkour, urban athletes demonstrate the possibilities.

Art exists all around us: one just needs to know where to look. Escaping the conventional settings of the museum or gallery, a fascinating variety of art pieces exist everywhere from Ghanaian patios to the Las Vegas desert, from the forest in Scandinavia to the buzzing streets of Mexico City. Unconventional Art Places is a thoughtful journey through these little-known gems that become a destination in themselves, and should be part of every art-lover bucket list. Away from the queues, the crowds, and the constraints of the classic art spaces, these places invite you to discover creativity in a new light.

Filled with the illest cross stitch patterns with a hip hop twist, Cross Stitch or Die Tryin’ is a must for all crafty hip hop fans. Whether you’re living the thug life or bringing da ruckus, as long as you’ve still got love for the streets you’ll find classic hip hop quotes and statements that make dope wall art, patches and cushions. Why not make a homemade gift for a hip hop loving friend? Stitching up classics like Drop it Like it’s Hot, Mo Money Mo Problems or Sippin’ on Gin and Juice to adorn your kitchen wall is a no-brainer! Cross Stitch or Die Tryin’ features 30 patterns that speak to all hip hop lovers who aren’t afraid to show their nerdier side. Crafty hip hop aficionados of all ages will be able to appreciate the patterns, many of which are beginner friendly and can be completed in a couple of hours. Don’t sweat the technique; experienced cross stitcher Kate Blandford gives you easy-tofollow instructions with information on what materials you will need and helpful tricks no matter what level you’re at. So grab your hoops and needles and show the world! You may have 99 problems but cross stitching ain’t one!

»Rustine« is the result of the photographic works by Simon Vansteenwinckel and the music of The Three Oldmen’s Birds, a solo music project by Mathias Van Eecloo, an imaginary music alternative/post-rock band with three musicians. Based on a guitar, a drum, a bass, a voice, some electronic devices, a lot of out of tune instruments and more. The project took was active between 2012 and 2013. »Rustine« is a selection from all the tracks recorded during this period, a lot them improvisations and live recordings. Born in 1978, Simon Vansteenwinckel is a photographer and graphic designer who lives and works in Brussels. Fascinated by cinema, he has produced numerous documentary photo reportages.