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Captured Tracks Vinyl, CD & Tape 41 Items

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Saada Bonaire - Saada Bonaire
Saada Bonaire
Saada Bonaire
2LP | 2013 | US | Reissue (Captured Tracks)
31,99 €*
Release:2013 / US – Reissue
Genre:Organic Grooves
Saâda Bonaire is the fantastic disco/world music project duo out of Bremen, Germany that was never meant to be.

Formed by Bremen DJ Ralf Behrendt in 1982, Saâda Bonaire was a unique concept band centered around two sultry female vocalists (Stefanie Lange and Claudia Hossfeld) who would be joined by dozens of local musicians culled from the local immigration center.

Originally signed to EMI in 1982, their first and only single, “You Could Be More As You Are” was produced in Kraftwerk’s studio by legendary Matumbi, Slits and Pop Group producer Dennis Bovell. There they were joined by jazz icon Charlie Mariano (previous collaborations include Gong, Stan Kenton and Charles Mingus) who lent his talents on saxophone. The resulting sound was a unique fusion of husky female vocals, Eastern instruments, dub and African music aesthetics, drum computers and synthesizers.
Mac Demarco - Salad Days
Mac Demarco
Salad Days
LP | 2014 | US | Original (Captured Tracks)
18,99 €*
Release:2014 / US – Original
Genre:Rock / Indie
2nd full-length features the same crisp John Lennon/Phil Spector era homegrown lush production that could have walked out of GeoffEmerick's mixing board in 1972, but with that peculiar Mac touch that's completely of right now.
Widowspeak - Plum
Widowspeak
Plum
LP | 2020 | US | Original (Captured Tracks)
20,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
With Plum, the songwriting partnership rooted in the creative rapport between bandleader Molly Hamilton and guitarist Robert Earl Thomas continues to expand on shared visions, delving deeper into what was always there: dusty guitars, ear-worm melodies, warm expansive arrangements. Each entry to their catalog has marked a subtle reimagining of Widowspeak's sound, though perennial points of reference remain the same: 90's dream pop, 60's psych rock, a certain unshakeable Pacific-Northwestness. Speaking to the timeless feeling of each, the albums continue to be discovered well beyond their respective PR cycles, made beloved by new listeners through word of mouth. The band's fifth album feels comfortable and lived-in: humble in structure, heavy on mood. Perhaps that came taking time off from the touring grind, instead working full-time jobs and settling into the rhythm of daily life in a small upstate New York town. Plum was recorded over a handful of weekends last winter by Sam Evian (Cass McCombs, Kazu Makino, Hannah Cohen) at his Flying Cloud studio in the Catskills, and was mixed by Ali Chant (PJ Harvey, Aldous Harding, Perfume Genius). In addition to Hamilton (vocals, guitar) and Thomas (guitars, bass, synth), it features instrumental contributions by Andy Weaver (drums), Michael Hess (piano), and Sam himself (bass, synth). Plum nestles into the band's canon like it was always there, but with new textures coming to the fore, like the polyrhythmic pulse of "Amy" and "The Good Ones", or the watery, Terry Riley-influenced track "Jeanie" Plum navigates the spaces between the lesser emotions of modern life. Hamilton's lyrics speak to the unique turmoil of anyone who creates as their work, who must somehow survive off such "fruits of their labor." Yet, Widowspeak have always made a bitter pill much easier to swallow. The majestic "Breadwinner", the luminous "Even True Love" - these songs here were made to be listened to, enjoyed. "Money" is particularly hypnotic, built around a repeating, cyclical motif that serves as both skeleton and body. "Will you get back what you put in?" Hamilton asks over an insistent guitar riff. The line is delivered with a knowingness that transcends its surface critiques of late-stage capitalism, asking both herself and the listener whether this is, in fact, the world we want to live in. Through Plum, Widowspeak have brought something into the world that seems to know its own worth, even as it wonders aloud about what is to come. What value and meaning do we assign ourselves, our time, and how do we spend it?
DIIV - Deceiver Grey Marble Vinyl Edition
DIIV
Deceiver Grey Marble Vinyl Edition
LP | 2019 | EU | Original (Captured Tracks)
20,99 €*
Release:2019 / EU – Original
Genre:Rock / Indie
Occupying the corners between fuzzed-out shoegaze bliss, troubadour poetry, and metallic catharsis, DIIV -- Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [vocals, bass], and Ben Newman [drums] __ personally inhabit the recesses of their third full-length album, Deceiver. A whirlwind brought DIIV here. On the heels of 2012's Oshin, the group delivered the critical and fan favorite Is the Is Are in 2016. Praise came from The Guardian, Spin, Rolling Stone and more. Pitchfork's audience voted Is the Is Are one of the Top 50 Albums of 2016, as the outlet dubbed it "gorgeous." Simultaneously, frontman Zachary Cole Smith faced down seemingly dormant demons, and the momentum stalled. Two years after embarking on a program of recovery, Smith has emerged with a clear head and renewed focus. For the first time, DIIV lived with songs on the road. During a 2018 tour with Deafheaven, they performed eight new compositions as the bulk of the set. The tunes progressed as the players did. By the time DIIV entered 64 Sound to record with producer Sonny Diperri, the band felt a certain confidence. It's evident on first single "Skin Game," which gallops forth on a clean guitar riff before unfolding into a hypnotic hook offset by an off-kilter rhythm and hummable solo. "Being a recovering addict myself," he says, "there are a lot of questions like, `Who are we? What is this disease?' `Skin Game' looks at where the pain comes from - the personal, physical, emotional, and broader political experiences feeding into the cycle of addiction for millions of us." A trudging groove and wailing guitar punctuate a lulling apology on the magnetically melancholic "Taker." For Smith, it's "about taking responsibility for your lies, their consequences, and the entire experience." Meanwhile, the ominous bass line and crawling beat of "Blankenship" devolve into schizophrenic string bends with the vitriolic lyrics. The seven-minute "Acheron" offers a dynamic denouement, flowing through a hulking beat guided under gusts of lyrical fretwork and a distorted heavy apotheosis. "We're proud of this, because we earned it as a band," Cole says. "I'm really happy and grateful just to do it in the first place. I can see the change. It's not a record full of solutions, but I'm living my life. I've examined the consequences of my lies; I've got something to say now."
DIIV - Oshin
Mac Demarco - This Old Dog Black Vinyl Edition
Mac Demarco - 2
V.A. - Strum & Thrum: The American Jangle Underground
V.A.
Strum & Thrum: The American Jangle Underground
2LP | 2020 | Original (Captured Tracks)
38,99 €*
Release:2020 / Original
Genre:Rock / Indie
Preorder available from 13.11.2020
North America's Answer To The Legendary Uk C86 Compilation Includes An 80+ Page Booklet With A Comprehensive Oral History Of The American Jangle Pop Scene And Tons Of Photos And Ephemera //Strum & Thrum: The American Jangle Underground 1983-1987 Is The First Volume Of Captured Tracks' New Venture Into Compilations - Excavations.Inspired By Pebbles, Killed By Death, Soul Jazz And Numero Group Compilations, Excavations Is A Series Dedicated To Compiling Forgotten Music From The 1970s - 1990s That Has A Connection To Captured Tracks' Sound And Aesthetic. Much Like The Cleaners From Venus, The Wake, And Saäda Bonaire Reissues We've Put Out, Excavations Releases Will Bridge The Past To Our Current Roster And Showcase The Kinds Of Sounds That Inspire Us.It Makes Sense That The First Volume Of Excavations Is Strum & Thrum. As An American Label, We've Often Wondered Why British, Aussie, And Kiwi Indie Rock From The `80s Has Had The Most Influence On Modern Acts And The Collector's Market. Granted, The Music Released On Creation, Sarah, Cherry Red, Postcard, Flying Nun, Et Al. During That Era Was Fantastic, But A Parallel To This Sound Existed In The Us And Canada As Well. Outside Of Bands Like R.E.M., The Rain Parade, The Dream Syndicate, And A Few Others, Most Of These Bands Received Little Attention From National Or International Press Outlets And Markets - Unless They Opted For A "Big `80s" Sound And Signed To A Major. The Acts On This Compilation Are The Antithesis Of That, With A True Diy Spirit That Lead Many Of These Bands To Self-Record And Self-Release Within Tiny Local Scenes In Small Cities And College Towns Across America.Though Hardcore Dominated The American Underground At The Time, The Indie Scene Was No Less Vital And Operated Utilizing Many Of The Distribution Channels Hardcore Set Up. The Two Genres May Have Sounded Nothing Alike, But The Diy Ethos And Dedication To Community Was The Same_ But This Isn't The Story We're Used To Hearing. While Noted Underground Archivist And Com...
DIIV - Deceiver Black Vinyl Edition
DIIV
Deceiver Black Vinyl Edition
LP | 2019 | EU | Original (Captured Tracks)
19,99 €*
Release:2019 / EU – Original
Genre:Rock / Indie
Occupying the corners between fuzzed-out shoegaze bliss, troubadour poetry, and metallic catharsis, DIIV -- Zachary Cole Smith [lead vocals, guitar], Andrew Bailey [guitar], Colin Caulfield [vocals, bass], and Ben Newman [drums] __ personally inhabit the recesses of their third full-length album, Deceiver. A whirlwind brought DIIV here. On the heels of 2012's Oshin, the group delivered the critical and fan favorite Is the Is Are in 2016. Praise came from The Guardian, Spin, Rolling Stone and more. Pitchfork's audience voted Is the Is Are one of the Top 50 Albums of 2016, as the outlet dubbed it "gorgeous." Simultaneously, frontman Zachary Cole Smith faced down seemingly dormant demons, and the momentum stalled. Two years after embarking on a program of recovery, Smith has emerged with a clear head and renewed focus. For the first time, DIIV lived with songs on the road. During a 2018 tour with Deafheaven, they performed eight new compositions as the bulk of the set. The tunes progressed as the players did. By the time DIIV entered 64 Sound to record with producer Sonny Diperri, the band felt a certain confidence. It's evident on first single "Skin Game," which gallops forth on a clean guitar riff before unfolding into a hypnotic hook offset by an off-kilter rhythm and hummable solo. "Being a recovering addict myself," he says, "there are a lot of questions like, `Who are we? What is this disease?' `Skin Game' looks at where the pain comes from - the personal, physical, emotional, and broader political experiences feeding into the cycle of addiction for millions of us." A trudging groove and wailing guitar punctuate a lulling apology on the magnetically melancholic "Taker." For Smith, it's "about taking responsibility for your lies, their consequences, and the entire experience." Meanwhile, the ominous bass line and crawling beat of "Blankenship" devolve into schizophrenic string bends with the vitriolic lyrics. The seven-minute "Acheron" offers a dynamic denouement, flowing through a hulking beat guided under gusts of lyrical fretwork and a distorted heavy apotheosis. "We're proud of this, because we earned it as a band," Cole says. "I'm really happy and grateful just to do it in the first place. I can see the change. It's not a record full of solutions, but I'm living my life. I've examined the consequences of my lies; I've got something to say now."
Soft Moon, The - The Soft Moon
Soft Moon - Deeper
Soft Moon
Deeper
LP | 2015 | US | Original (Captured Tracks)
24,99 €*
Release:2015 / US – Original
Genre:Rock / Indie
That bass that reeks of chorus, those unrelenting, mechanized beats, that wailing synthesizer & those eerily, angular guitar lines that worm into your ears & never leave.
Cleaners From Venus - Number Thirteen
Cleaners From Venus - Living With Victoria Grey
Cleaners From Venus
Living With Victoria Grey
LP | 2014 | US | Original (Captured Tracks)
17,99 €*
Release:2014 / US – Original
Genre:Rock / Indie
Over 10 years after it's initial, quiet release, Captured Tracks are pleased to present Living With Victoria Grey on vinyl for the 1st time!
Mourn - Self Worth
Mourn
Self Worth
LP | 2020 | US | Original (Captured Tracks)
20,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Preorder available from 30.10.2020
Mourn knows quite a bit about setbacks, but a latent belief persists within: the negative will eventually become positive. It's the belief in the wonder of resilience. It's the name they chose for their new album: Self Worth. The band isn't the same as when they formed. The world isn't either. Mourn grew up, and that's evident in the songs that make up Self Worth. Their melodies - energetic and captivating - venture into less level grounds, and their lyrics show a newfound readiness to tackle issues of a different weight and size. "Men" is lyrically patent proof of this growth, and their heightened consciousness as women. A revealing song, necessary and deliberately uncomfortable. A beautiful melody of war against patriarchy; the impulsive rescue of the riot grrrl. Certain needs stand out through the album: leaving behind abusive ties, externalizing the interior noise. "We talked a lot about getting out of toxic situations - not resigning ourselves to that, not enduring that anymore. The songs are like flags to stand up and say: `we are done.'" Just as "Stay There" draws a limit and "Apathy" spits truth in your face, "Call You Back" seems to paint that instance in which love paralyzes, and "I'm In Trouble" turns exasperated voices into machine guns. Punk assault with a clear message: the body speaks when the mind is not well. Mourn is an enclave of post-teens dealing with the dilemmas of adult life. "This album gave us what we needed: self-worth, the desire to go forward, to love ourselves, with everything, with the good and bad. This album empowers us."
Becca Mancari - The Greatest Part
Locate S, 1 - Personalia Green Vinyl Edition
Oxz - Along Ago: 1981-1989
Wild Nothing - Laughing Gas EP Milky Clear Vinyl Edition
Wild Nothing
Laughing Gas EP Milky Clear Vinyl Edition
12" | 2020 | EU | Original (Captured Tracks)
15,99 €*
Release:2020 / EU – Original
Genre:Rock / Indie
On Laughing Gas, the third EP from Wild Nothing, songwriter and multi-instrumentalist Jack Tatum delves deeper into the territory where he thrives: namely, the synth and sophisti-pop of the 1980s. Working within a more mechanical and synthetic framework than his previous releases, Wild Nothing continues to delicately toe the line between the organic and the unnatural. These are still pop songs, but there's an underlying sense of uneasiness that threads the music together.Recorded in Los Angeles, CA and Richmond, VA with the help of Jorge Elbrecht, these five songs were originally imagined alongside last year's Indigo and were written and tracked simultaneously with the album. When work on the full-length was nearing completion, Tatum set these ideas aside; they seemed to fit better on their own. In spare moments between tours, Tatum began to look back and piece the songs together at his home studio in Richmond, reconnecting with Elbrecht to mix the EP. With Elbrecht in Denver and Tatum in Richmond, the two went back and forth on the final touches, molding a common thread from the Lo Borges inspired new wave of "Sleight Of Hand" to the propulsive, icy synth funk of "Foyer".Often considered a secondary or transitional format, Wild Nothing has always used the EP to further explore new ideas and influences. Laughing Gas is no exception.
HXXS - Year Of The Witch
HXXS
Year Of The Witch
LP | 2019 | EU | Original (Captured Tracks)
19,99 €*
Release:2019 / EU – Original
Genre:Organic Grooves
Year Of The Witch was born in transit. In the interest of self-sufficiency, HXXS - aka Jeannie Colleene and Gavin Neves - initially recorded their debut album during a six month tour spent living out of their van. When inspiration struck (and it did so often), they'd record in parking lots, hotel rooms, laundromats - anywhere they happened to pull over. What emerged from these pit stops, strangely enough, was an album about moving forward. As with much of the art created in the wake of the 2016 presidential election, Year Of The Witch sizzles with the fresh sting of political anguish. Instead of firing off platitudes about a nation divided, however, Neves and Colleene choose to look inward at how this divide affects familial relationships. On "Hard To Tell," the duo sing, `it runs in the family, and they spread it all over, like forest to fire'. Like the California wildfires that were a fixture of their childhood - Neves is from San Jose and Colleene hails from Bakersfield - beliefs are inherited passively, and have equal capacity for destruction. And while the political climate of the time is a palpable force, the album remains anchored, always, in the personal. "I'm not asking for sympathy," they sing - with the help of TV On The Radio's Kyp Malone - "cut loose these ties." Year Of The Witch finds HXXS rifling through the ashes, working to salvage the roots.The concept of rebirth isn't just a theme on the album, however, it's also part of the process that created it. Back in 2017, after their initial roadside recordings were complete, the hard drive containing them was stolen. HXXS were forced to re-record the entire LP on a time crunch, largely from memory. But necessity bred invention, and this loss created a sense of sonic urgency that only strengthens the tracks. The result is a sonic roadmap to resilience: electronic noise punk for the fake news generation. Built on haunting loops and frantic, insistent vocals, YOTW navigates uneasiness with razor-sharp precision. There is anger, to be sure, bu...
Chastity - Home Made Satan
Chastity
Home Made Satan
LP | 2019 | EU | Original (Captured Tracks)
19,99 €*
Release:2019 / EU – Original
Genre:Rock / Indie
Brandon Williams' second full-length record as Chastity, Home Made Satan, is a new direction for the Whitby, Ontario-native. It's an emotional and political concept album from the perspective of a young man who's spent too much time alone, inside, isolated from the world. It's about fear, and radicalization; an intense meditation on youth and extremism in an increasingly irrational and violent Western World.Williams, who produces all his own music, set out to create something with a strong cinematic nature. "It's so visual to me," he says. "I'm scoring this picture I have, and trying to get it as close to people's ears as it is in my mind."The new songs are gothier and poppier than ever, recalling `80s staples like The Cure and Siouxsie and the Banshees. Home Made Satan's got "a bit more eyeshadow" than 2018's genre-bending shoegaze-meets-post-hardcore Death Lust, and it's got pop-punk hooks for days. Home Made Satan, with its lines about commies and American masochism and the Christian right, is meant to sing along to.And when you do, you'll mostly be singing about America. About hyper alienation and xenophobia, about the people who don't have access to community, how people get stuck in their own worlds and become afraid of what's outside. "It constantly feels like America is falling apart," Williams says, and that affects the whole world.
B Boys - Dudu
Juan Wauters - La Onda De Juan Pablo
Juan Wauters - Introducing Juan Pablo
Drahla - Useless Coordinates
Reptaliens - Valis
Chris Cohen - Chris Cohen
HXXS - Mkdrone EP
HXXS
Mkdrone EP
12" | 2018 | US | Original (Captured Tracks)
14,99 €*
Release:2018 / US – Original
Genre:Electronic / Dance
When recording their EP 'MKDRONE,' duo Jeannie Colleene and Gavin Neves - a/k/a HXXS - were cramped in a San Jose warehouse, sharing a wall with a porn studio.
Despite their vocal takes periodically interrupted by even louder and harsher vocal takes echoing in the halls, MKDRONE came together. But similar to life with no health
insurance and recording music wedged in the walls of a porn studio, HXXS live somewhere between the uncomfortable and the alluring. Their live show, which consists of any hardware they can get their hands on - drum machines, synthesizers, samplers - is built on loops, making the songs feverish and at times deliberately frenzied to a point of anxiety. However the duo anesthetize this angst with more subdued nods to electronic and post-punk acts of the 80's, 90's, 00's and Present. While their music is undeniably erotic - a tip of the hat to their vocal San Jose neighbors - the EP is what happens when your intrigue with pop culture media and conspiracy theories from the 60's to present turns obsession. Contemplating the bombardment of modern media and those ill served by it. Women, the LGBTQ+ community, people of color, victims of white supremacy and the patriarchy.
Capital Punishment - This Is Capital Punishment EP
Capital Punishment
This Is Capital Punishment EP
LP | 2018 | US | Original (Captured Tracks)
16,49 €* 21,99 € -25%
Release:2018 / US – Original
Genre:Rock / Indie
Limited edition for Schwarzer Freitag Record Store Day 2018! Only 1 per customer!

Another friday dedicated to the black gold!
Molly Burch - First Flower Colored Vinyl Edition
Capital Punishment - Roadkill Black Vinyl Edition
Capital Punishment
Roadkill Black Vinyl Edition
LP | 2018 | US | Original (Captured Tracks)
22,99 €*
Release:2018 / US – Original
Genre:Rock / Indie
If I were to tell you that a band of NYC teenagers who met in 1979 decided to form
a band influenced by Cabaret Voltaire, Throbbing Gristle, Eno, Chrome and released
a privately pressed record, it would be enough to pique your interest. When you
find out the band consisted of a future Supreme Court Justice for Arizona, a
Professor of Slavic Studies, a Musician/Documentarian whose family built the
Brooklyn Bridge, and an A-list world-famous actor the story goes from being about
another rare, privately pressed recording that's been re-discovered, into something
that's pretty incredible. Captured Tracks is thrilled to announce the reissue of
Capital Punishment's 1982 sole LP Roadkill. For a band of high school weirdos who
actually got their shit together enough to make a completely uncommercial album
with no means to sell it shows a lot of determination, persistence and perhaps
insanity. But it's always those kinds of weirdos who go on to do great things - just
ask Ju dge Peter Swann, Professor Peter Zusi, Kriss Roebling and Ben Stiller. "I was
in a band in high school -- it was called Capital Punishment, and it was sort of a post
punk-neo-goth-urbanexperimental band... I was sort of the Ringo of the band." - Ben
Stiller on The Tonight Show with Jimmy Fallon
Mac Demarco - 2 Demos Green Vinyl Edition
Mac Demarco
2 Demos Green Vinyl Edition
LP | 2012 | US | Reissue (Captured Tracks)
19,99 €*
Release:2012 / US – Reissue
Genre:Rock / Indie
Limited Edition Demos Release, Now Back in Print! · Captured Tracks Tenth Anniversary Edition! Pressed on Green Vinyl! · Limited to 5000 Copies! Mac DeMarco's debut full length, 2, released in 2012, cleaned up the songwriter's warped take on soft rock and brought it to a broader audience. Given DeMarco's affinity for keeping things lo-fi _ 2 was the first time he'd bothered to record demos _ it's revealing to hear these songs in their most embryonic form. The performances here are a little looser and the sound a little hazier than on the actual LP, lending an atmosphere of dreamy vulnerability, especially to ballads like "Annie" and the Lennon-esque "Sherrill." Captured Tracks now brings this limited edition demos release back in print on green vinyl to celebrate the label's 10th Anniversary.
Martin Newell - Greatest Living Englishman
Martin Newell
Greatest Living Englishman
2LP | 2018 | EU | Original (Captured Tracks)
22,99 €*
Release:2018 / EU – Original
Genre:Rock / Indie
Martin Newell spent the '80s being compared to Robyn Hitchcock, XTC, and other lesser-known '60sinfluenced
pop maestros, so it was poetic that XTC's Andy Partridge would produce this Newell solo
album. The result isn't a stretch from Martin's days as The Cleaners from Venus or The Brotherhood of
Lizards. The production is cleaner than on Newell's home recordings, but the songs are as melodic and
adventurous as ever. If one's naturally attracted to the charms of "We'll Build a House" (which sounds like
what Guided by Voices' Robert Pollard has spent his career emulating), then there's plenty more from
where this came from. Newell is devoutly English, writing his songs much in the way Ray Davies sculpted
his observations of British life, past and present, with The Kinks. There's a Davies-like shuffle to "Tribute
to the Greatest Living Englishman," a barrage of guitars to "She Rings the Changes," and an "all the lonely
people" feel to "A Street Called Prospect" and "The Green-Gold Girl of Summer." The only drawback to
being seduced by Mr. Newell? It's a full-time job to get up to speed!´
B Boys - Dada
Molly Burch - Please Be Mine
Soft Moon, The - Zeros
Chris Cohen - As If Apart
B Boys - No Worry No Mind
Mac Demarco - Another One
Mac Demarco
Another One
LP | 2015 | US | Original (Captured Tracks)
20,89 €* 21,99 € -5%
Release:2015 / US – Original
Genre:Rock / Indie
Like the days of Steely Dan, Harry Nilsson or Prince releasing a classic every year (or less) comes Mac DeMarco’s Another One, a mini-LP announced almost one year to the date of the meteorically successful Salad Days. Conceived and recorded entirely by himself in a short period between a relentless tour schedule at his new place in Far Rockaway, Queens, Another One is eight, freshly written songs, expanding the arsenal of Mac’s already impressive catalog. There’s a bittersweet, romantic sensibility present. The overall feeling is lost love, or perhaps love never found, yet Mac embraces this without making it an overly somber experience for the listener. It’s at times haunting and warm, and a bit more refined and sophisticated, but still plenty playful, retaining the guts and soul of classic Mac.
David Westlake - Play Dusty For Me
Snow, The - Memory Loss / Joy Of Life
Heavenly Beat - Prominence
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