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Carpark Vinyl, CD & Tape 26 Items

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Sonic Boom - All Things Being Equal Colored Vinyl Edition
Sonic Boom
All Things Being Equal Colored Vinyl Edition
LP | 2020 | US | Original (Carpark)
21,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Preorder 05.06.2020
It’s auspicious that Sonic Boom—the solo project and nom-de-producer of Peter Kember (Spectrum, Spacemen 3)—returns in 2020 with its first new LP in three decades. Kember’s drawn to the year’s numerological potency, and this intentionality shines into every corner of All Things Being Equal. It’s a meditative, mathematical record concerned with the interconnectedness of memory, space, consumerism, consciousness—everything. Through regenerative stories told backwards and forwards, Kember explores dichotomies zen and fearsome, reverential of his analog toolkit and protective of the plants and trees that support our lives.

Sonic Boom’s second album and first for Carpark began in 2015 as electronic jams. The original sketches of electronic patterns, sequenced out of modular synths, were so appealing that Stereolab’s Tim Gane encouraged Kember to release them instrumentally. “I nearly did,” confesses Kember, “but the vibe in them was so strong that I couldn't resist trying to ice the cake.” Three years later, a move to Portugal saw him dusting off the backing tracks, adding vocals inspired by Sam Cooke, The Sandpipers, and the Everly Brothers (which he admits “don’t go far from the turntable pile”), as well as speculative, ominous spoken word segments. His new home Sintra’s parks and gardens provided a different visual context for Kember’s thoughtful observations, and he thematically incorporated sunshine and nature as well as global protests into the ten resulting tracks. “Music made in sterility sounds sterile,” he says, “And that is my idea of hell.”

Over the vivid, calculating arps of opener “Just Imagine,” Kember nudges listeners to do as the title suggests. It’s based on a story he read about a boy who healed his cancer by picturing himself as a storm cloud, raining out his illness. “The Way That You Live,” a rollicking drone powered by drum machine rattles and bright chord beds, morphs political distrust into a revolutionary mantra about ethical living. “I try and live my life by voting every day with what I do and how I do it, who I do it with and the love that I can give them along the way,” offers Kember.

An unusually curated gear list accompanies each song, unexpected layers reinforcing the monophonic skeletons. Mystery soundscapes and grinding sweeps were teased from EMS synths, synonymous with and evocative of ‘60s BBC scoring and ‘70s Eno. Pacing basslines oscillating into warbling heartbeats came from a cheap ‘80s Yamaha. A modern OP-1 generated subtle kicks and eerie theremins, while his toy Music Modem—an unused holdover from sessions Kember produced for Beach House and MGMT—finally found its recorded home.

It’s rare to see liner notes where synthesizers rather than humans are credited (other than guest vocal stints from “co-conspirators” Panda Bear and Britta Phillips), but Kember is masterful at finding the unique personality in his machines. “I tried to find the deepest essence of the instruments & let them play,” he offers. What emerges from these considerations on technology and humanity is a honed collection both philosophical and grooving, spacious even as it fills to its brim. It’s distinctly Kember—more than that, it’s distinctly Sonic Boom.
Palm - Rock Island Black Vinyl Edition
Palm
Rock Island Black Vinyl Edition
LP | 2018 | US | Original (Carpark)
18,99 €*
Release:2018 / US – Original
Genre:Rock / Indie
On Rock Island, their second LP, Palm produces evidence of a distinct musical language, developed over time, in isolation, and out of necessity. On the island, melodies are struck on what might be shells or spines. Rhythms are scratched out, swept over, scratched again. Individual instruments, and sometimes entire sections, skip and stutter. There is the sense of a music box with wonky tension or a warped transmission in which all the noise is taken for signal.
Toro Y Moi - Boo Boo
Toro Y Moi
Boo Boo
2LP | 2017 | US | Original (Carpark)
21,99 €*
Release:2017 / US – Original
Genre:Pop
“After 7 years of touring & recording, I found myself becoming self conscious about my position in life as a “famous” person, or at least my version of whatever that is. My dreams had become my reality, yet I was somehow unable to accept this new environment. I couldn’t help but fall into what might be described as an identity crisis. During this time of personal turmoil, I turned to music as a form of therapy. I’d listen to the same ambient song over & over again, trying to insulate myself from reality. I fell in love with space again."
Toro Y Moi - What For? Black Vinyl Edition
Toro Y Moi
What For? Black Vinyl Edition
LP | 2015 | US | Original (Carpark)
15,99 €*
Release:2015 / US – Original
Genre:Rock / Indie
Never one to stand still and fresh from a scheduled intermission whilst working on a dance record as Les Sins, loaning his vocals to Chromeo and starting his own record label, producer, songwriter, singer and melodic mastermind Chaz Bundick is all set to resume his Toro Y Moi guise with brand new album What For?.
Toro Y Moi - Anything In Return
Toro Y Moi
Anything In Return
2LP | 2013 | US | Original (Carpark)
18,99 €*
Release:2013 / US – Original
Genre:Pop
New popular underground music by the main man Chaz Bundwick!
Sonic Boom - All Things Being Equal Black Vinyl Edition
Sonic Boom
All Things Being Equal Black Vinyl Edition
LP | 2020 | US | Original (Carpark)
18,99 €*
Release:2020 / US – Original
Genre:Rock / Indie
Preorder 05.06.2020
It’s auspicious that Sonic Boom—the solo project and nom-de-producer of Peter Kember (Spectrum, Spacemen 3)—returns in 2020 with its first new LP in three decades. Kember’s drawn to the year’s numerological potency, and this intentionality shines into every corner of All Things Being Equal. It’s a meditative, mathematical record concerned with the interconnectedness of memory, space, consumerism, consciousness—everything. Through regenerative stories told backwards and forwards, Kember explores dichotomies zen and fearsome, reverential of his analog toolkit and protective of the plants and trees that support our lives.

Sonic Boom’s second album and first for Carpark began in 2015 as electronic jams. The original sketches of electronic patterns, sequenced out of modular synths, were so appealing that Stereolab’s Tim Gane encouraged Kember to release them instrumentally. “I nearly did,” confesses Kember, “but the vibe in them was so strong that I couldn't resist trying to ice the cake.” Three years later, a move to Portugal saw him dusting off the backing tracks, adding vocals inspired by Sam Cooke, The Sandpipers, and the Everly Brothers (which he admits “don’t go far from the turntable pile”), as well as speculative, ominous spoken word segments. His new home Sintra’s parks and gardens provided a different visual context for Kember’s thoughtful observations, and he thematically incorporated sunshine and nature as well as global protests into the ten resulting tracks. “Music made in sterility sounds sterile,” he says, “And that is my idea of hell.”

Over the vivid, calculating arps of opener “Just Imagine,” Kember nudges listeners to do as the title suggests. It’s based on a story he read about a boy who healed his cancer by picturing himself as a storm cloud, raining out his illness. “The Way That You Live,” a rollicking drone powered by drum machine rattles and bright chord beds, morphs political distrust into a revolutionary mantra about ethical living. “I try and live my life by voting every day with what I do and how I do it, who I do it with and the love that I can give them along the way,” offers Kember.

An unusually curated gear list accompanies each song, unexpected layers reinforcing the monophonic skeletons. Mystery soundscapes and grinding sweeps were teased from EMS synths, synonymous with and evocative of ‘60s BBC scoring and ‘70s Eno. Pacing basslines oscillating into warbling heartbeats came from a cheap ‘80s Yamaha. A modern OP-1 generated subtle kicks and eerie theremins, while his toy Music Modem—an unused holdover from sessions Kember produced for Beach House and MGMT—finally found its recorded home.

It’s rare to see liner notes where synthesizers rather than humans are credited (other than guest vocal stints from “co-conspirators” Panda Bear and Britta Phillips), but Kember is masterful at finding the unique personality in his machines. “I tried to find the deepest essence of the instruments & let them play,” he offers. What emerges from these considerations on technology and humanity is a honed collection both philosophical and grooving, spacious even as it fills to its brim. It’s distinctly Kember—more than that, it’s distinctly Sonic Boom.
Fat Tony & Taydex - Wake Up
Fat Tony & Taydex
Wake Up
LP | 2020 | US | Original (Carpark)
19,99 €*
Release:2020 / US – Original
Genre:Hip Hop
Nigerian-American rapper and entertainer Fat Tony’s fifth studio album, Wake Up–a collaboration with producer Taydex–is saturated in the candid confidence that has carried him through his tenure in underground Hip Hop. Wake Up is an anthemic return to form after 2018’s 10,000 Hours. Inspired by quietly groundbreaking rap records like De La Soul’s Buhloone Mindstate and Ghostface Killah’s Supreme Clientele, Wake Up shows Fat Tony widening the scope of his storytelling while maintaining his light-hearted and self-reflective demeanor. Taydex’s instrumentals provide a colorful and turbulent backdrop to Fat Tony’s anecdotal and satirical verses. The record is his first with Carpark Records, building on the momentum Fat Tony has made in the few years since moving away from his hometown of Houston, TX.

Fat Tony (born Anthony Lawson Jude Ifeanyichukwu Obiawunaotu) initially collaborated with experimental producer taydex on the tracks “Swervin” and “Ride Home” from his sound-expanding LP MacGregor Park. “I had such a good time working with him that I decided to invite him to co-produce a song called ‘Poet’ from my last album.” Fat Tony explains. “After that, I just decided, let’s make an EP together.” The pair began recording a five-track EP in December 2018 at Taydex’s studio, which would lay the groundwork for Wake Up. Fat Tony and Taydex put the project on pause for about three months while Fat Tony was living in New York and co-hosting Viceland’s late-night variety show VICE LIVE. After the show ended in April 2019 Fat Tony flew back to LA and spent a month and a half with Taydex recording new tracks and elaborating on what they had already started. “I thought it would be more interesting to make it an album than an EP, and that the time we spent apart before making the second batch of songs would make it a more interesting and diverse body of work.” By the end of the second session, Fat Tony and Taydex had created a complex collage of sounds, stories, and references that flexes the MC’s growth as a writer the producer’s masterful assembly.

For Wake Up, Fat Tony invited a cast of talented peers, including Sophia Pfister, Negashi Armada, Dai Burger, Clarence James, and Revenge Wife, to spit verses on the album. The record’s lead singles “Godly” and “Get Out My Way” show the musical and conceptual range the album has to offer. Fat Tony hopes that the creative risks taken on the album gesture a leap forward in his discography while retaining the charisma and sincerity his fans know him for.
Laume - Waterbirth
Rituals Of Mine - Sleeper Hold
Greys - Age Hasn't Spoiled You
Greys
Age Hasn't Spoiled You
LP | 2019 | EU | Original (Carpark)
18,99 €*
Release:2019 / EU – Original
Genre:Rock / Indie
A band’s third album usually tells you whether they’re in it for the long haul or a flash in the pan. On Age Hasn’t Spoiled You, Greys prove that they are undoubtedly the former. The Toronto post-punks eschew their trademark frenzy for a more cerebral and cinematic affair. This widescreen approach loses none of the impact of their early material, instead employing space and dynamics to propel the listener toward even greater payoffs when they decide to switch back into high gear.

When we last left them, days before the 2016 US election, Greys had just finished a year of touring with the likes of Bully, White Lung, Japandroids, Preoccupations and more after releasing their sophomore record, Outer Heaven, and its companion piece, Warm Shadow. The following year saw the quartet taking some much needed downtime with members pursuing solo projects and moonlighting in other bands. As their city surrendered to gentrification and the world abroad descended further into chaos, the four men spent most of 2018 in the studio channeling these feelings of displacement and alienation into songs that reflect the state of panic and confusion prevalent in our news feeds. “We wanted to push as far away from what our perception of a ‘rock band’ could be while still retaining certain characteristics that sound like Greys,” says frontman Shehzaad Jiwani.

What results is a richly textured experience that draws influence from krautrock, industrial, hip hop, dub, jazz, ambient, drone and more, sometimes within the same song. That their blend of disparate sounds never obscures the album’s sharp focus is a testament to the group’s mastery of both songwriting and production. This is evident on lead single "These Things Happen," which jumps from big beat psychedelia to CSNY harmonies and back again while Jiwani considers privilege, apathy, drug use, and content fatigue in one verse. Elsewhere, on “Kill Appeal,” electronic drums pound and pummel before caving into a free jazz freakout, only to return for the song’s climax with a lyrical allusion to the writings of James Baldwin. The stylistic sprawl recalls classic third albums like Check Your Head, To Bring You My Love or Fear Of Music - records where artists reinvented themselves as something far beyond what was previously thought possible for them. With Age Hasn’t Spoiled You, Greys strive to exist in a similar echelon of bands that seek to shatter the boundaries that contain them.
Beths, The - Warm Blood
Emily Reo - Only You Can See It
Emily Reo
Only You Can See It
LP | 2019 | US | Original (Carpark)
18,99 €*
Release:2019 / US – Original
Genre:Rock / Indie
Only You Can See It is a devastatingly beautiful collection of prismatic pop songs reckoning with the complexity of self-possession. Following the release of her acclaimed 2013 full-length Olive Juice, Reo spent five years writing, recording, arranging, producing and mixing these ten songs—at her apartment in Brooklyn, and at various studios and friends’ homes around New York.It’s her most intricate web of poetry yet, with prismacolor melodies winding through a vast pop vision. Reo employs her classical vocal training more than ever, her sweeping falsetto delivering doubletime verses brimming in metaphor and mesmerizing layered soundscapes alike.
Teen - Good Fruit
Toro Y Moi - Outer Peace Black Vinyl Edition
Toro Y Moi
Outer Peace Black Vinyl Edition
LP | 2019 | US | Original (Carpark)
18,99 €*
Release:2019 / US – Original
Genre:Pop
“This record is a response to how disposable culture has become and how it affects creativity,” Bear said in a press release. “While listening, you might pay attention or ignore—either way that's ok, this is music for a creative mind.”

Features include Abra, Wet. and Instupendo.
Toro Y Moi - Outer Peace
Toro Y Moi
Outer Peace
CD | 2019 | US | Original (Carpark)
12,74 €* 14,99 € -15%
Release:2019 / US – Original
Genre:Pop
“This record is a response to how disposable culture has become and how it affects creativity,” Bear said in a press release. “While listening, you might pay attention or ignore—either way that's ok, this is music for a creative mind.”

Features include Abra, Wet. and Instupendo.
Madeline Kenney - Perfect Shapes
Palm - Shadow Expert
Palm
Shadow Expert
LP | 2017 | US | Original (Carpark)
11,99 €*
Release:2017 / US – Original
Genre:Rock / Indie
In describing Palm to the uninitiated, it’s sometimes necessary to clarify the meaning of the group’s name by raising one’s hand in the universal symbol of greeting and goodwill. The act of corroborating the aural with the gestural occurs everywhere in their work. On their latest EP, Shadow Expert, the syntax of popular music is regarded suspiciously and often subjected to revisions or reversals. Without formal training in their instruments, the players are left to determine their own musical language. Eve Alpert and Kasra Kurt’s guitars occupy themselves most often with the pace-keeping work typical of a rhythm section. Meanwhile, Gerasimos Livitsanos’ bass and Hugo Stanley’s drums seem to perform commentary and reportage from deeply embedded positions at the front. Their contributions remain necessary to the composition, generating the kind of friction that other motion can be charted against: the grinding of teeth, the turning of an engine. The record begins with the skittering appeals of one guitar to another, hard-panned left and right. They produce a groove, stop on a dime, and begin a series of nimble paces that might suggest the artful recovery from a skipped step. Here and elsewhere, the guitars confer and conspire with each other, finishing phrases and figuring it out. There is a faint delay to be heard in their communication, perhaps equivalent to that which exists between an object and its shadow, broken across several surfaces. On the vocal track, Alpert and Kurt trade the barbs and bristles of a familiar argument and share the blissful cries of discovery. The “How could I forgive that? / How could I forget that?” refrain of “Two Toes” recalls the capricious turns of the gut in moments of grievance and doubt. These sonic and thematic dissonances are sustained, rather than resolved. This music draws the thought as it bounces around the head, draws the conversation as it circulates the room. Its most important questions are never answered but always rephrased. On 2015’s Trading Basics, Palm’s experiments were more alchemical, more preoccupied with the impossible. Much of that music was submerged in some viscous and delicious substance, which often seemed to burn and bubble over. Two years and several tours of the United States later, the group sounds more limber, more acclimated to the press of events. At seventeen minutes in duration, these six songs are efficiencies of form, cutting quickly and decisively among scenes of bodies, systems, and intrigue.
Toro Y Moi - Live From Trona
Toro Y Moi
Live From Trona
2LP | 2016 | US | Original (Carpark)
26,99 €*
Release:2016 / US – Original
Genre:Rock / Indie
Following extensive touring behind What For?, his fourth studio album as Toro Y Moi, acclaimed musician Chaz Bundick brought the band to the middle of the Mojave Desert in April 2016 to play a special concert. Live from Trona documents this experience, recorded live beneath the geological wonders known as the Trona Pinnacles, which formed thousands of years ago in what used to be a prehistoric lake.
Teen - Love Yes
Cloud Nothings - Here & Nowhere Else
Cloud Nothings
Here & Nowhere Else
LP | 2014 | US | Original (Carpark)
22,99 €*
Release:2014 / US – Original
Genre:Rock / Indie
On their third full-length, Cleveland-bred outfit Cloud Nothings give joy a hard, sharp edge. "I was feeling pretty good about everything so I just made stuff that made me happy," says founding member and mild-mannered chief songwriter Dylan Baldi of Here and Nowhere Else. "I had nothing to be angry about really so the approach was more positive and less 'fuck everything.' I just sat down and played until I found something that I like, because I was finally in a position to do that."

Utilizing every possible opportunity to write while on the road for 18 consecutive months following the release of 2012's Attack on Memory, Baldi presented an album's worth of new material to his bandmates with just days before they'd enter the studio with esteemed producer John Congleton. "I'm pretty sure every song was written in a different country," he says. "It's the product of only having a couple of minutes here and there." But Cloud Nothings would enjoy a full week with Congleton at Water Music in Hoboken, New Jersey, followed by three days of mixing at his own studio in Dallas shortly thereafter. The result is Cloud Nothings, refined: impossibly melodic, white-knuckle noise-rock that shimmers with sumptuous detail, from Baldi's lone, corkscrewing guitar to his dramatically improved singing to bassist TJ Duke's piledriving bass lines and drummer Jayson Gerycz's volcanic fills.
Beach House - Devotion
Toro Y Moi - Freaking Out
Toro Y Moi
Freaking Out
LP | 2011 | US | Original (Carpark)
14,99 €*
Release:2011 / US – Original
Genre:Rock / Indie, Electronic / Dance, Pop
Brand new 5 track EP by Chazwick Bundick!
Toro Y Moi - Underneath The Pine
Toro Y Moi
Underneath The Pine
LP | 2011 | US | Original (Carpark)
19,99 €*
Release:2011 / US – Original
Genre:Rock / Indie, Electronic / Dance, Pop
Underneath The Pine is an album evocative of R.Stevie Moore's homespun ruminations, David Axelrod'ssonic scope, Steve Reich-ian piano phrasing, and thepervasive funk of Toro Y Moi's first record.
Cloud Nothings - Cloud Nothings
Toro Y Moi - Causers Of This
Toro Y Moi
Causers Of This
LP | 2010 | US | Original (Carpark)
22,99 €*
Release:2010 / US – Original
Genre:Rock / Indie, Electronic / Dance
Incredibly versatile debut album from the one and only Toro Y Moi. Think of Madlib and Thomas Bangalter producing the next Panda Bear album and you’re halfway there.
Les Sins (Toro Y Moi) - Lina
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