CD 3392 Items

Limited to 300 copies. Bronx, NY rapper Decade formed "Decade and the Wicked" in the mid 90's along with his brother Bee Danger. They released a classic single back then that went on to become a holy grail among vinyl collectors. They displayed an uncanny raw and unique style that will please any fans of early Wu-Tang and the Troubleneck Brothers.

The compilation will feature 9 tracks recorded from 1995-1997 and 11 tracks recorded from 2014-2019. None of the tracks were ever released on CD before and as an added bonus I'm proud to announce I was able to add the previously unreleased original version of "R U Scared Kid?" and a brand new banger from 2019 "Ancestors Cry" to the tracklist!

Limited to 300 copies. Carta' P. & Parental - A Beautiful Mess is a project that was recorded over a timespan of 2 years and was just released last month, on vinyl only. I had to make something happen with this talented duo for all the CD headz and I'm proud to say the CD version will include no less than 6 bonus tracks!

Paris, France based producer Parental has been steadily building his name for the last 10 years producing for acts like Kalhex, Zaïd (Deviants Of Modern Society), Pete Flux, Melanin 9, Glad2mecha, Pudgee Tha Phat Bastard, Horror City and more!

Former Adagio! emcee Carta' P. is a legendary rapper hailing from Mount Vernon and was formerly known as Big Cousin or the Obvious Wonder. He along with his Philly counterpart Rayme Supreme have been responsible for dropping countless classics since the mid 90's. The headz that know Adagio! will remember they had a distinct, own style that made them instantly recognisable and that's also a feat this album has to offer.

Flee Lord and Eto both have the streets on fire right now. So, the announcement they were working on
a joint album dubbed “RocAmeriKKKa” sent fans into a frenzy. The title alludes to the duo’s hometowns
of Rochester and Far Rockaway, as well as Ice Cube’s classic “AmeriKKKa’s Most Wanted.”
These two venom spitters recruited many of their regular collaborators to provide the soundscapes on
this offering, including V Don, godBLESSbeatz, Tricky Trippz, Fith, and Big French. However, to spark
off the LP they got a beat from the god Green Lantern! Further, they kept the guests to a minimum,
choosing to only invite 38 Spesh and singer Imanii Skyy to get down.
When New Crack Era and Loyalty Or Death connect, you know it’s gonna be trouble!

The King of Upstate, 38 Spesh, is on a tear with his production this year. After fully producing
his own 5 Shots EP and then Che Noir’s Thrill of the Hunt 2, he is out to prove he can rock the
MPC with the best of them. He has a slew of projects lined up for the rest of the year and right
into 2020! First up is his collab album with Far Rockaway’s Flee Lord!
Both artists have a deafening buzz right now, so what better way to satisfy their hungry fans
than to do a joint album? The two have put together their brands, Trust Comes First and Loyalty
Or Death, to create the must-have project of the year, Loyalty + Trust. It’s Rochester meets
Far Rockaway and the game will never be the same again. The lead single, “Perfect Plate,”
exemplifies the duo’s synergy as Flee speaks his mind over Spesh’s Golden Era sound.

All songs produced by Large Professor, except 2. Pump Your Fist! (Produced by Van) and 5. Everything's Real (Produced by Yusef Lateef Jr.)
20 years ago Large Professor and Neek The Exotic came strong with this classic album “Backs N' Necks”. Originally only released on Vinyl in 1999 it is now for the very first time available on CD with the Bonus Track "Exotic's Raw", which was Neek's first 12" single. Instrumentals are also included! This album has nothing but bangers all the way from the boastful track "Muthaf*ckin Man" to the hard gritty "Hardcore" featuring Large Professor along with the neck snapping title track "Backs N' Necks" and more including "Everything's Real" Produced by Yusef Lateef Jr., seed of the legendary Jazz reedman. This 20th anniversary edition is for all of Neek The Exotic and Large Pro's hard core dedicated fans across the globe!
Neek, who has continued to stay relevant in Hip Hop since day one when he was featured on MAIN SOURCE's 1992 "Fakin' The Funk" from the White Men Can't Jump Motion Picture Soundtrack. He has had a slew of releases since then such as his groundbreaking first 12" single "Exotic's Raw" in 1997 and this 1999 "Backs N Necks" release featuring & produced by his long time childhood friend and collaborator Large Professor. The Queens Hip Hop duo also released 2010's "Exotic Species" & the 2011's "Still On The Hustle" Neek returned in 2018 with the poignant "Hell Up In Queens" Limited LP Vinyl & Cassette that featured Large Pro, Fredro Starr (ONYX), Bumpy Knuckles and more!

In the 1960s and ‘70s, unbeknownst to most, Saigon (today named “Ho Chi Minh City”) had become a fertile environment for a flourishing music industry which produced countless recordings of beautifully crafted songs.
Ho Chi Minh City based band, Saigon Soul Revival has been bringing alternative pre 1975 music from Saigon back to the stage since 2016 with their live performances. Honoring the original composers, singers and the golden era from which this music (Nhạc Vàng) came, while applying new arrangements and interpretations of old Vietnamese songs. With tight grooves, psychedelic textures and a powerful unique sound, SSR has performed countless shows at a variety of venues across Vietnam, and accompanied live the two release tours to the Saigon Supersound Compilation releases.
While spending the last three years studying and playing this music, Saigon Soul Revival teamed up with producer Jan Hagenkötter (Saigon Supersound / INFRACom!) and finally in January 2019, they started to create own compositions in the same vein for their debut album Họa Âm Xưa. The album was recorded in Vietnam with additional guests during one week in May this year.
The album focuses on compositions that fuse Vietnamese lyrics and sounds with influences of western rock, soul, bolero, tango and other popular genres of this time period, most of which was banned after the war. This project strives to revive this beautiful musical heritage of Vietnam which represents an important cultural bridge between east and west.

The 1995 predecessor to B Flatt - Back to Basics from the same producer Noiseman M.D. and also a project I released earlier this year on vinyl. Here as well I received many requests to drop it on factory pressed CD and so I wanted to make this available to go along with the B Flatt album. The CD will have the same tracklist as the vinyl, 12 tracks total and will only be limited to 250 copies.

"Pulp Phixion" is a brand new collaboration project by legendary Brooklyn MC ILL BILL with producer SUNDAY aka Thriller Machine of Italian hardcore hip-hop powerhouse DSA Commando. The two have got together to shape this incredible 4 tracks EP featuring guest appearances by Vinnie Paz, Sick Jacken, D.V. Alias Khryst and the first appearance of Lord Goat formerly known as Goretex.

Well, what do we have here then! Unreleased Meyhem material from the same time as Self Induced Illness. Pre-the fame, the TV shows, the high profile producers and endless groupies. This is the pure unadulterated Outdoorsmen-era Meyhem Lauren. Never been leaked before, this project was held on the back burner once all the attention and work came Mey’s way in the late noughties. We are delighted to bring it to you on Chopped Herring, with features by Kool G Rap & KIlla Sha and all production by the man like Nickel Plated. Cop quick – colours will move in a flash.

Damn – the unreleased 1992 album - previously vinyl only - released on Herring!!! 1,3 & 5 produced by Masta Ace. 2 & 4 prod by Delite. 6 prod by Young Disciples. 7 prod by Outloud.
8 prod by Steady Pace. 9 prod. by Marley Marl.

Skepta finally releases his sophomore album! Don't sleep!

Another crazy dope 90’s joint, this time out of Alabama, written and produced by multi-talented, mc and producer Supreme The Rude Boy. Supreme only released a limited run cassette single for “Friday Nite Live” back in 1996 as well an even rarer tape version of the album [still not on Discogs]. See below a short interview with the man himself where he discusses among other things his job at Motown and his father who penned tracks and recorded with The Blackbyrds, Taste of Honey and the Mizell Brothers who incidentally are his godfathers – wow. Just peep this project – we are starting off 2019 with a BANG!!! Produced and mixed by Supreme The Rude Boy for Soul Child Music/Unlimited Images
Entertainment 1996/7.
Remastered by Jee Van Cleef.

Acrylic Snail’ is the fifth album from Dirty Dike. Following a three-year hiatus since his last solo
outing ‘Sucking On Prawns In The Moonlight’ and after a ream of production work for the likes of
Rag ’n’ Bone Man (‘Put That Soul On Me’), Ocean Wisdom (‘Chaos 93’) and Lee Scott (‘Butter
Fly’) during that time, Dike is back with a brand new 14-track album; his most personal release
to date and a body of work that shines a full-beam-floodlight on his formative years, but
moreover, the dreamlike transition between then and now.
Firmly anchored in a chapter of the UK underground before everything went to shit, situated a
couple behind this current grizzly chapter, the songs bounce off the walls of abandoned
industrial estates and whoosh by at breakneck speeds like trains through tunnels. The album
embodies the freezing cold concrete pours, twilight toe slaps and irregularly shaped ballast
banks of the network. In short, ‘Acrylic Snail’ pays homage to the things Dike saw in the very
farthest reaches of night that made him who he is today.
Featuring a roster of guests vocalists (Rag ’n’ Bone Man, Jam Baxter, Lee Scott, Dabbla, Leaf
Dog, Eva Lazarus, J Man, Ronnie Bosh, Inja, Killa P, Foreign Beggars) and production from a
team of music makers (including Dike himself) ‘Acrylic Snail’ is an AAA invitation to Dirty Dike’s
playground and further cements his hard-earned status as one of UKHH's greatest
torchbearers.

Throughout the course of history, hip-hop has evolved and grown into
countless forms of expression, but there's just a few that still manage to bring
that old school flavor to the table. After decades in the game, it's safe to say
that legendary DITC member O.C. and East New York DJ/producer PF Cuttin
(of Blahzay Blahzay fame) have always been constant at delivering classic
material to the masses. The two have finally decided to get together to drop a
collaboration project. O.C. and PF Cuttin Music are bringing you “OPIUM”, a 9
track banger that will bring you back in time to the era of block parties and 40’s,
of stunts, blunts and hip-hop, to remind you what the good old days sounded
like. O.C.’s inimitable flow over PF’s tough beats are a combo no hip-hop head
can ignore.

Smoke On Records brings us another heavyweight release by Das EFX after the great success of the “Dead Serious 25th Anniversary Edition”. This time Smoke On Records digs deep and presents tracks “Straight From The Vault”.

After 15 years in the game, Termanology is still going strong. His latest release will be his 35th project to date, and it is titled “Bad Decisions”. The album is an ode to his past life and experiences before making a full time career in rap. Boasting 14 tracks filled with powerful production from some of Rap’s greatest producers (Erick Sermon, Statik Selektah, Dame Grease, The Beatnuts & more), any fan of real hip hop would enjoy this piece of work. Veteran MC’s Raekwon and Smif-N-Wessun bring their signature flavor to the project while some of Rap’s hottest new lyricists (Conway, Benny, ANoyd, Millyz & Crimeapple) come through and show why they have recently been given much praise. Term even tries his hand at production on the latter half of the album, producing three songs.

Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

Originally released in 2007, Phat Kat’s 2nd studio album “Carte Blanche” is getting a re-release on July 27th via Below System Records. The deluxe edition will includes 2 new bonus tracks both produced by J Dilla. “Carte Blanche” includes production by J Dilla, Black Milk, Young RJ, Nick Speed and features by Elzhi, Black Milk, Guilty Simpson, T3 and more. The 2 Dilla produced bonus tracks “World Premier” and “It Don’t Get No Liver Than This” with a featuring by La Peace, were recorded in 1996 and 1997. Often referred as the fifth member of Slum Village, Phat Kat aka Ronnie Euro was the "proof of concept" for J Dilla's beats. When Dilla was looking for that grimy voice, that hard-core street sound that Dilla was obsessed with, he went to Kat. Kat and Dilla’s friendship was deep. They formed a group called 1st Down and were signed to Payday Records, a subsidiary of renowned London Records. Kat and Dilla were label mates and peers to a young Jay-Z, underground favorites Showbiz & A.G., Jeru The Damaja and many more. Since the release of his record “Carte Blanche” on Look Records, Phat Kat has been steadily touring Europe year after year building his audience gradually by staying consistent and giving fans that raw hardcore rap music without needing to compromise his aesthetics.

Limited edition CD!
Chopped Herring presents the CD version of Stranger Danger’s debut project “How to Lose Friends and Alienating People”. If you expect nothing but grimy underground hip hop from LA on this one, you got it all right!
From the producer of the amazing “Tha Roach Killaz LP” from last year on Herring comes Stranger Danger's debut solo album produced entirely by the LA native himself. Incredible sample choices mixed up with drug laced experimentalism makes this, along with his previous production outing, one of the nicest debuts in a minute. Also included among the variety of guest MC's is the kid A.F.R.O.
The CD title pays obviously contribution to the 2001 book by Toby Young. In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. But things didn't quite go according to plan. “How to Lose Friends and Alienate People” is Toby Young's hilarious account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys.

When you hear the phrase, “everything’s fine,” we immediately understand it as emotional shorthand. In daily life, we depend on those perfunctory clichés (hope all is well, good to hear from you, etc.) to spare ourselves from the psychological unpacking that the truth requires. For that, there’s art. For that, there’s Everything’s Fine from Jean Grae and Quelle Chris, a jagged, acerbic odyssey that brilliantly riffs on this dystopian zeitgeist.
The thing is, anyone without a lobotomy and a toxic red hat understands that things are definitely not fine. The crush of modern anxiety, the late capitalist scramble to survive, and the brain warp rot of social media has left most of us half crazy.
“We have a dickhead for a president, and before our eyes, racial, religious, and sexual identity rights are moving backwards,” says New York’s (by way of Detroit) Quelle Chris. “Money is still a thing (I’m waiting for Star Trek life to start). There’s war, your kids may be sick, but if someone randomly asks ""how's it going?"" most people will say ""fine.""
Released on Mello Music Group, this album replaces that reflexive cliché with honest and eloquent tangents. It’s specific and subtle in its execution, achieving equilibrium between lackadaisical detours to smell the flowers and the frantic acknowledgement that there’s an inferno raging outside.
If the great political albums are often grim polemics, Everything’s Fine achieves its goals partially through withering satire. See the opening skit, a Prince Paul-style game show in which three contestants (including a futuristic robot) numbly croak that everyone’s fine despite flying high on every imaginable drug, crying themselves to sleep at night and being unemployed for a decade and a half despite having a Master’s in Fine Arts. I promise it’s much funnier than it reads off a screen.
“We’re both perfectionists in different ways,” Jean Grae describes their working relationship. “We both see huge pictures and concepts. So while listening, pay attention to the subtleties, the nuances, the dissonance and the harmony. The conversations and pieces of ourselves in the words, the flows, the beats. All of the open spaces. .Be uncomfortable and be okay with that. Be layered and be okay with that. Be angry and be okay.”
It’s rare to find a record where two rappers are so seamlessly intertwined. Yes, that’s partially a by-product of the teamwork that goes into being in any normal relationship where you wake, sleep, and dream together. But the album also bears the hallmarks of two singular creative geniuses trading bars, collaborating on beats, and combining fun with internal therapy and external observations. It features indelible cameos from Denmark Vessey, Grammy Award winner Anna Wise, Your Old Droog and Big Tone, as well as comics Ashok “Dap” Kondabolu, Michael Che, Nick Offerman, and Hannibal Burress.
In the streaming era, we tend to naturally overlook albums that require multiple listens. This is a record that will grab you on first listen, but it’s greatness only reveals itself through its careful construction, slick wordplay, and esoteric allusions.
On “Zero,” Jean artfully references Rachmaninoff and The Donner Party in the first two bars. With “Scoop A Dirt,” she name-drops the Babadook alongside the truth bomb that Friends was little more than a whitewashed rip off off Living Single. Meanwhile, Quelle balances boasts about bags of cash the size of Chris Christie with poignant existential laments. Somewhere in between, Jean will stealthily slip in jewels like, “it took me until my 30s just to put my finger on it, once you accept the knowledge/solace doesn’t follow/honest.”
It’s a record with only a couple antecedents: De La Soul is Dead, Organized Konfusion’s Stress: The Extinction Agenda, Blackstar, and maybe Cannibal Ox’s Cold Vein. Yet it doesn't sound remotely like any of them. It’s spontaneous and free, yet refined and meticulous. Even if everything is abject, it’s a reminder that music can transcend.
“This album is full of our minds. Our hearts. Our love for production, and words. flow and a lot of musicality,” Jeans says. “We don’t approach topics, issues, writing, or making beats in the same way. I’m harsh, blunt, quick, technical, I arrange classically and play more than I sample. I make joints with 80 tracks. I’m layers upon layers upon layers. Quelle is patient, he’s kinder. More loose and minimalistic. He makes sounds work together that shouldn’t fucking work. How? I have no idea. These are dreams within dreams.”

Buffalo, NY rapper Westside Gunn is one of hip-hop’s most exciting new stars, attracting fans and acclaim for his unique voice, exquisitely gritty wordplay, and minimalist, soul-drenched production. Mr. Green is a renowned hip-hop producer who has crafted tracks for the likes of Jedi Mind Tricks, Snoop Doog, A$AP Ferg, The Roots, Freddie Gibbs, KRS-One, Bodega Bamz, R.A. The Rugged Man, Deniro Farrar, Raz Fresco, and many more. Now, the two artists are joining forces for a new collaborative EP, FLYGOD Is Good… All The Time. While this is their first time working together, the chemistry is obvious, and the respect is mutual.

“Westside Gunn is incredible, a true mastermind,” says Mr. Green. “He has this sound that is completely one-of-a-kind, just gives you that indescribable feeling we are all looking for in hip-hop these days.”

Mixed and mastered by legendary engineer Eddie Sancho (known for his work with Gang Starr, Jay-Z, Nas, The Notorious B.I.G., Alchemist, M.O.P., Dilated Peoples, and many more), the EP showcases some of the best work to date from both Green and Gunn.

“This is a true WSG art piece,” says Westside Gunn. “Everything I do is under a microscope, so it gotta be A1.”

Limited edition CD!
Produced by J Dilla aka Jay Dee!!
5-Elementz formed in Detroit in 1992. The group met while attending Osborn High School on 7 Mile. The original members consisted of Thyme, Proof, Mudd, Jay Dee & DJ Head.
These great tracks produced by Jay Dee only released on cassette later in 1998. Chopped Herring had access to the original studio DATs and presents to you this great EP. Ya better don’t sleep!

feat. Kool Keith, Ras Kass, ...

Non Phixion’s album “The Future Is Now” is a true classic. Utilizing beats that would do Dr. Octagon-era Dan “The Automator” proud and rhyming schemes that bring to mind early Wu-Tang Clan or mid-’90s Gang Starr, Non Phixion exposes the sound of true underground hip-hop. This is music that reflects the sound and attitude of countless rappers selling their albums out of the back of their cars or in booths on the street, cutting together dirty and disjointed sounds with a confidence and quality that is unique to this particular genre. This would all be for nothing if it wasn’t for the excellent raps from Ill Bill, Goretex, and Sabac Red, a trio of rappers who have a Tribe Called Quest-like chemistry. Their clever lyrics, respectable skills, and rough voices make this an intense and dark landmark in alternative rap.

Limited edition CD copies of Kutmasta Kurt & Kool Keith's collaborative 1997 EP, “Your Mom Is My Wife”. Includes bonus instrumental versions.

KutMasta Kurt Digs deep into his archives to put together this compelling 6 track EP of previously unreleased recordings he and Keith recorded in 1996-1997. This Post “Sex Style” and “Pre Dr. Dooom” material helps further illustrate why they are one of Hip-Hop's favorite collaborators from the 90’s and beyond.

Joey Badass is back as All-Amerikkkan Badass with an album that features the singles Devestated and Land Of The Free plus a bunch of more face hitting titles.

The late, great J Dilla is widely regarded as one of the greatest Hip Hop producers of all time. An innovator who pushed the genre in new sonic directions, the Detroit native born James Yancey crafted timeless soundscapes for the likes of Slum Village, Busta Rhymes, Common, Erykah Badu, A Tribe Called Quest, The Roots, and many more. Since his death in 2006, Dilla's mother Maureen "Ma Dukes" Yancey has worked tirelessly to further her son's legacy, and her latest effort is the new posthumous album “Motor City”. Inspired by Dilla's beloved hometown, “Motor City” is a collection of rare and unreleased Jay Dee instrumentals, hand-selected and sequenced by Ma Dukes. Conceived as a "letter" to her son, “Motor City” is packaged in a limited-edition mailing envelope, complete with a handwritten message from Ma Dukes to J Dilla inside. Both CD and vinyl formats also include access to an exclusive mix of the album by Dilla's close friend J Rocc, a world-renown DJ and founder of the Beat Junkies.

New music from Simon Green aka Bonobo is always an event, but when it heralds the arrival of a whole new album (his first since 2013’s “The North Borders”), it’s really something to get excited about. The masterful, magisterial “Migration” is Green’s sixth album and it’s a record which cements his place in the very highest echelons of electronic music and beyond.
It might be difficult to imagine it, but “Migration” will take his beautiful, emotive, intricate music to an even bigger audience. “My own personal idea of identity has played into this record and the theme of migration,” Green explains. “Is home where you are or where you are from, when you move around?” The personal, it seems, can also be universal.

A-F-R-O is a breakthrough artist born and raised in Los Angeles, CA, who was first discovered by legendary rapper, R.A. The Rugged Man. Marco Polo is a Brooklyn based producer, raised in Toronto, Canada, who has produced music for artists such as Talib Kweli, Pharoahe Monch, Boot Camp Clik, Royce Da 5’9 & more.

For a very long time, we have been trying to re-issue this record; a true and complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre. Recorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form. The 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, MPB, psychedelics and funk sit side by side effortlessly. The album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris & Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others. The original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.

This is their sixth album.

10 tracks feat. Blacastan & Del The Funky Homosapien!

Just one year after the release of Brazilian Disco Boogie Sounds’ compilation, Favorite Recordings presents the 2nd edition of its acclaimed series.

At the control this time is French DJ and producer Charles Maurice, digging again in his collection and travelling to Brazil for the occasion in order to find some local hidden treasures. The result comes as nine additional obscure hits from the Brazilian Funk-Boogie-Disco scene during the years of 1977 to 1984.

At that time musicians and arrangers such as Lincoln Olivetti, Robson Jorge, and Oberdan Magalhães along with Banda Black Rio were responsible for the new music scene. They’d dominated the studios with sophisticated and original arrangements that have forever transformed Brazilian musical. This music, at that point, had gained a new style and great international respect that has remained still.

Brazilian Disco Boogie Sounds Vol.2 pays tribute to this great era, coming out in a deluxe vinyl edition with old-school tip-on jacket, including notes and original artworks.

Coxsone’s Music is a stunning new 3-CD/two separate double LP (+ free download) collection featuring over two and half hours of early Jamaican proto-ska, rhythm and blues, jazz, rastafari and gospel music – charting the earliest recordings produced by Clement Dodd, in the years before he launched the mighty Studio One Records, brought together here for the first time ever.
Clement Dodd’s Sir Coxsone The Downbeat Soundsystem ruled Kingston’s dancehalls during this era and these recordings strongly reflect the influences of American rhythm and blues and jump jazz on Jamaican music fans.
By the time the new record company formed in Brentford Road, Kingston in 1963, the young Clement ‘Sir Coxsone’ Dodd had already managed to release an incredible wealth of recordings by the talented musicians and artists on the island of Jamaica and this collection reflects just that:
Featuring Don Drummond, Roland Alphonso, Derrick Harriott, Owen Gray, Clancy Eccles, Count Ossie, Monty Alexander, The Blues Busters, Ernest Ranglin, Rico Rodriguez and many, many more all captured here in their formative early years.
Before Studio One, Clement Dodd released this music on a variety of his early record labels such as Worldisc, All Stars, Coxsone, D Darling (named after Coxsone’s mother, who received a production credit on the label), Muzik City (named after Dodd’s record store on East Queen’s Street), Port O Jam, Supreme and Sensational.
Sleevenotes to this collection are by Studio One authority Rob Chapman, author of the Never Grow Old and Downbeat Special books cataloguing the many recordings of the label.

incl. me so horny

Finally a full album by Westcoast Dream Team, MED, Blu and Madlib.

Apollo Brown’s Thirty Eight is a contemporary throwback, inhabiting the realm of reverent reinvention and innovation. It deftly bridges the gap between ‘70s Blaxploitation soundtracks (e.g. Curtis Mayfield’s Superfly or Marvin Gaye’s Trouble Man) and the hip-hop records that sampled from them. Includes bonus 5" feat. Roc Marciano!

L.A. rapper Blu burst onto the scene with the widely acclaimed Exile collaboration Below The Heavens, igniting a West Coast hip hop renaissance in the process. In the years since, Blu has released a steady stream of critically-acclaimed projects, from the love-themed concept album Her Favorite Colo(u)r to the eclectic masterpiece York. In the process, he's worked with a host of hip-hop's top talents, including The Roots, Alchemist, Lupe Fiasco, B.o.B., Madlib, Aloe Blacc, Asher Roth, 9th Wonder, Evidence, Nottz, and many more. Now, Blu is back with Good To Be Home, his first ever double album. Featuring a host of West Coast hip-hop luminaries, Good To Be Home is an unapologetic celebration of Los Angeles music and culture. "This is my most defining record ever," says Blu. A cohesive collection with two discs and no filler, Good To Be Home is an important addition to Blu's already impressive catalog.

El-P and Killer Mike are Run The Jewels. The duo’s self- titled, collaborative record – a contender for hip-hop album of the year – will be released throughout Europe in December via Big Dada.

classic 13 tracks plus full length bonus cd with alternate mixes and unreleased bonus material !

Limited pressing!

Ill Bill, Slaine, Vinnie Paz, Esoteric, Celph Titled, Apathy and Snak the Ripper on the guest list this time!

8 tracks plus snippets !

First part of the Drexciya re-issue series! Drexciya is one of the most influential techno project ever. Part of the heritage of Detroit's Underground Resistance, he explored techno music like no-one else before. The aesthetics and the mythical approach combined with the unique music made this one of the biggest cult projects in techno music. Drexciya arguably stands for the darker side of techno and electro.

produced by DJ Premier, Easy Moe Bee, Lord Finesse ... digitally remastered ! plus bonus DVD with live footage & video clips

R.A. decided to compile all his classic tracks and appearances just for his fans. This great CD covers lots of vinyl-only stuff from the Crustified Dibbs days to his underrated Rawkus output to more recent R.A.-featured tracks. He was the first one to tell ya that all record labels suck dick (unfortunately they didn't like the taste of his his ugly one), he was chasing pussy with Biggie Smalls way before "Big Poppa" dropped, plus he always managed to recruit great artists for guest appearances. This album features mainly living legends like Kool G Rap, Notorious B.I.G., Mobb Deep, Kool G Rap, Sadat X, Akinyele, Tragedy, J-Live, Blaq Poet, and production by Buckwild, Ayatollah, Jedi Mind Tricks and others. Be careful, cause he'll be effin yo bitch, too!

feat. Saukrates, DITC, Paul Nice, OC ... limited mid-price edition in fresh packaging!

feat. Odd Squad, Baby Girl, Todd Fisher, Warren Lee, Tony Mac, ...

14 tracks feat. Eminem, Nate Dogg, Jadakiss ...

his groundbreaking debut!

- "Home is Where The Hatred Is" sampled by Kanye West & Common for "My Way Home"

- "Pieces of a Man" sampled by KMD for "What a Niggy Know"

- "The Revolution Will Not Be Televised" sampled by Masta Ace for "Take a Look Around",
Professor Griff for "Real African People 'Rap' pt 2",
Queen Latifah for "The Evil That Men Do" and
Salt-N-Pepa for "Whatta Man Luvbug Remix 1"

30th Anniversary Remix by Mike Kennerty Mastered by Justin Perkins at Mystery Room Mastering includes four bonus tracks

And this one is crazy time.



Only a handful [less than 10] of TPs were pressed back in 93 and then it got dropped from the label, so was never actually released. Killer EP from Kas' crew Party Poopers. Kas never found out why it never got the full release but he suggested that it was possibly due to the label owner's illness [that's sickness - i Mean, sure he was nicewiddit but he wasn't well this guy!]. The truth is lost in time but fortunately these recordings were recovered by Kas from his DAT tapes, so we can present to you the final release from the Herring x Kas collaboration. It's a crying shame he never got to see his pet project released, but at Least the music will live on.



Thanks for everything man - we'll miss you.....



The record includes 3 of the 4 tracks on the OG TP [sorry guys, the other track was busted!] Plus 4 unreleased, unleaked gems including one joint that features Khalis Bayyan AKA Ronald Bell of Kool & The Gang on horn. Wild...

We received some terrible news just under 2 weeks ago - Kas aka Mixture passed. He never got to see the final part of his Potion Series drop. I spoke to him a week before asking him to send over his "descriptions" of each track, same as he has done on all the other volumes, but I never received them. This kinda brings into focus the reason behind all the archiving work I'm doing with Herring - that is, if you don't get these joints preserved, they could disappear without trace. Heads are reaching that age now. Seems like every week there's another one of our musical heroes that passes.





I want to send my deepest condolences to all who knew him - his family, friends, business contacts over his 30+ years in the game and all those who supported this series of releases on the label. I know for a fact that he was buzzing about this old material finally seeing the light of day. I was pleased to have been able to help him with that vision. Thanks for all K - at least the music will now last forever....

First missive on new label from Simon Gabriel, late of 2 Bridges NYC, and Georgia’s Justin Tripp. Disarming and timely cornucopia of stateless, off-kilter tendencies. Cryptic puzzle of pop, tech, noise, bangers and outsiders. Nu-digital folklore, disembodied voices, Midi caprices. Through-line of vital currency. Designed to confound and excite. Early ‘00s slimline mixtape packaging, built for repeat plays.

The popularity of Brazilian music from the 60s, 70s and 80s has experienced quite the renaissance; artists such as Gal Costa, Gilberto Gil, Arthur Verocai, Joyce et al, have become household names to an international audience passionate about global sounds. However, even for die-hard fans and collectors of Brazilian music of the past, discovering contemporary Brazilian artists is not always easy, nor accessible. But, if you know where to look, you will see that there is a resurgence well underway that can be epitomised by an exciting new wave of Brazilian artists beginning to break through and gather momentum overseas. It’s with thanks to Sound and Colours, a website devoted to promoting Latin American music and culture, that we can help shine a light on one particular collective, bursting with creativity and camaraderie.

‘Hidden Waters: Strange and Sublime Sounds of Rio de Janeiro’ is compiled by Joe Osborne (founder of specialist Brazilian music platform Brazilian Wax) and Russ Slater (editor at large of Sounds and Colours). Focusing solely on the 'Rio Scene', rather than taking on the mammoth task of tackling Brazil as a whole, this collection presents 20-plus ground-breaking artists selected from Rio’s resurgent music scene. By presenting a snapshot into the pulse of the city and the vibrant musicians that live in it, ‘Hidden Waters’ collates tracks from a wide spectrum of musical genres from the avant-garde edge to bossa nova, samba, Candomblé, lo-fi rock, jazz and funk.

‘Hidden Waters’ showcases musicians such as iconic Rio mainstays Negro Leo & Ava Rocha, Brazilian jazz upstart Antônio Neves, critically lauded Avant-pop trailblazer Thiago Nassif, breakthrough artists Ana Frango Elétrico and Letrux, lo-fi psych rocker Lê Almeida, plus the Latin Grammy-winning Bala Desejo who are set to explode onto the world stage. The music featured on ‘Hidden Waters’ is unequivocally Brazilian, swelling with samba, bossa nova, funk, and jazz. But it’s within the album's blend; from sunny psychedelia to dusky synth-pop via experimental electronics, that marks the compilation as the sound of modern, multicultural Rio.

This comprehensive compilation comes with album artwork designed by Rio music’s leading album artwork designer, Caio Paiva. It features essays by professor and music critic Bernardo Oliveira and music journalist Leonardo Lichote, plus extensive notes on each track by the artists themselves.

•7" vinyl •Lyric insert •Blue and pink swirled 7" •Download card

Happy 20th to Lemon Demon! We've reissued HIP TO THE Javabean and Damn Skippy, Neil Cicierega's 3rd & 4th albums under the name. Everything has been Remastered by the supremely talented Angel Marcloid of Fire-Toolz!

Journey through the dreamy and sinister psychedelic universe of Retinal Bloom, the latest album from The Scary Jokes. Liz Lehman confronts threats both external and existential, conjuring a set that simmers with passion and rage. Co-produced with Fire-Toolz (Angel Marcloid), Retinal Bloom is The Scary Jokes’ most aesthetically ambitious album yet, augmenting their trademark bedroom pop approach with distortion, guitar, drums and vintage synths.

Adam Blackstone is not only a multi-faceted bass player, musician, Emmy-nominated music director and Grammy award-winning writer, but he is also notably the musical mastermind behind the live shows of many of today’s biggest artists (Justin Timberlake, Rihanna, Janet Jackson, Alicia Keys, Eminem,...the list goes on). Blackstone’s TV legacy continues to expand as music director and on-screen personality. He has contributed his talents to today’s biggest shows, including the Oscars, NBC’s “The Voice,” the Grammy Awards, numerous BET, VH1 and MTV specials and as the music director for The hit Fox shows “The Four” and “The Masked Singer.” This is Adam’s debut album and features guest artists including Jazmine Sullivan, Jill Scott, Mary Mary, & Kirk Franklin.

* Composed by John Powell * Artwork by Jack Hughes * Manufactured in Czech Republic *

The Don’t Worry Darling (Score from the Original Motion Picture Soundtrack) showcases all new music from Academy Award- and three-time Grammy Award-nominated composer John Powell (“Happy Feet,” “How To Train Your Dragon,” “Solo: A Star Wars Story”). When it came to composing the score, Powell first viewed the assemblage without any sound, only the dialogue. Director Olivia Wilde remembers, “Then he said to me, ‘This movie is more romantic than you are letting it be. Let the score be something that sweeps our hearts away.’ He said that if we played with something more romantic, and used percussion to feel like a heartbeat… by bringing in the world of the orchestra he made it much more emotionally impactful. This was my first experience being able to be with a composer conducting the orchestra, creating the score. I was overwhelmed with that moment, like a kid in a candy store.”

The perfect counterpoint to the sunny and lovestuck soundtrack album, the score properly presents the reality of the film’s protagonist. Composer John Powell creates some truly disorienting horrifying soundscapes to underscore the psychological terror of Alice (Florence Pugh) and her journey of discovery in the world of the Victory project.

Deadlife is back. Welcome home. A new album full of dark and emotional synth awaits you.

" Somewhere North West lies a body with zealous veins. On TV, “Afterlight Special”, a band of 5 friends venturing into the unknown of their rundown town. Because what else is there to do when you feel lost in the pipes, the gloom swallowing you as you attempt to illuminate the dark. You tell those close to you that you are a call away, whilst asking, “Who am I?”. Battling emotional barriers as you drive through bitter streets of hubris day after day. But the creature in me lives on, despite a series of dead ends week in, week out, missing those halcyon days in the home we know. Hallucinating fantastical lands with a needle in my neck. "

Waxwork Records in partnership with Back Lot Music is thrilled to release Cocaine Bear Original Motion Picture Soundtrack Music by Mark Mothersbaugh!

Directed by Elizabeth Banks and inspired by the 1985 true story of a drug runner's plane crash, missing cocaine, and the black bear that ate it, this wild dark comedy finds an oddball group of cops, criminals, tourists and teens converging in a Georgia forest where a 500- pound apex predator has ingested a staggering amount of cocaine and gone on a coke-fueled rampage for more blow … and blood.

About the composer:

Mark Mothersbaugh is a Grammy, Bafta, and Emmy nominated composer, producer, designer, and visual artist whose work has become part of the pop culture consciousness. He started his career as co-creator and front man for the seminal New Wave band Devo. Their Brian Eno/David Bowie-produced debut album “Q: Are We Not Men? A: We Are Devo” was certified Gold before their hit album “Freedom of Choice” went Platinum.

For Cocaine Bear, Mothersbaugh wanted a score that reflected and captured the culture of the ’80s, with a personality that evolved as the decade’s music evolved. “At the beginning of the film, it starts out very pop,” Mothersbaugh says. “But as it goes through it, it gets heavier. The guitars change up from being acoustic and lighter to being distorted and more aggressive and there are synths throughout that provide a pulse that keeps things moving.”

To make it as authentic as possible, Mothersbaugh used the instruments that created some of the most distinctive and memorable sounds of the ’80s music scene. “Once we decided we were going to let it soak a bit in an ’80s sound, I went to the warehouse where I store equipment and my old Devo road cases full of synths,” Mothersbaugh says. “I pulled out old synths that we used on albums in the ’80s and used the same synths and a lot of the same amps and foot pedals.”

Cocaine Bear Original Motion Picture Soundtrack Music Features:

The Complete Score by Composer Mark Mothersbaugh Compact Disc Design and Layout by Matt Needle 4.75" Insert

She’s more than just a toy. She’s part of the family.

Waxwork Records is proud to present M3gan Original Motion Picture Soundtrack by Anthony Willis. From Universal Pictures and Blumhouse, the record-breaking hit centers on M3gan, a marvel of artificial intelligence: a life-like doll programmed to be a child’s greatest companion and a parent’s greatest ally. Designed by brilliant toy-company roboticist Gemma (Get Out’s Allison Williams), M3gan can listen and watch and learn as she becomes friend and teacher, playmate and protector, for the child she is bonded to.

When Gemma suddenly becomes the caretaker of her orphaned 8-year-old niece, Cady (Violet McGraw, The Haunting of Hill House), Gemma’s unsure and unprepared to be a parent. Under intense pressure at work, Gemma decides to pair her M3gan prototype with Cady in an attempt to resolve both problems—a decision that will have unimaginable consequences.

About the composer:

Bafta-nominated composer Anthony Willis has taken a running leap into the Neverland of film scoring, quickly becoming one of the most highly sought after new voices in Hollywood. Anthony composed the score to Oscar-winning writer/director Emerald Fennell’s drama thriller Promising Young Woman starring Carey Mulligan, which was nominated for Best Picture and earned Anthony a Bafta nomination for Best Original Score.

Willis grew up in London and began his musical training as a chorister of St. George’s Chapel, Windsor Castle, England. He went on to study Composition at Marlborough College, Wilshire and the University of Bristol, before earning his graduate degree from the University of Southern California. He currently resides in Venice Beach.

Waxwork Records is thrilled to release M3gan Original Motion Picture Soundtrack on CD with new artwork by Susi Vilchez.

M3gan Original Motion Picture Soundtrack Features:

The Complete Soundtrack by Composer Anthony Willis On Compact-Disc New Artwork By Susi Vilchez 4"x4" Insert Booklet

AOI: Bionix is De La Soul's sixth full-length album, released on December 4, 2001. The first single, "Baby Phat" featuring Yummy Bingham and Devin the Dude, was an ode to larger sized women. Elsewhere, "Held Down", featuring Cee-Lo, found Posdnuos in an introspective mood as he mused on fatherhood, religion, and fame. Slick Rick also made an appearance on "What We Do (For Love)"; a humorous song about puberty and sexual discovery. The album featured skits with a character by the name of Reverend Do Good, which worked as social commentary as well as the intros and outros of the songs. The final Reverend Do Good skit acts as one final advertisement for Ghost Weed as heard on De La Soul's previous album, Art Official Intelligence: Mosaic Thump. A mischievous teenager takes a hit of the substance, then morphs into Slum Village frontman J Dilla, who provides the intro and outro to the marijuana-themed song "Peer Pressure" (which he also produced).

Nautilus - one of the best new generation rare groove bands in Japan. Long-awaited 7th full album to be released simultaneously on Lp&cd!! The album contains 11 songs including original songs with strong funkiness and covers such as "Caught Up" by Terri Walker with Emi Tawata on vocals.

Included are electronic music works created by Hiroshi Siotani, the first technician of the NHK (nippon Hoso Kyokai - Japan Broadcasting Corporation) Electronic Music Studio. Works from 1955 ~ 1966.