CD 3359 Items

"To Whom It May Concern Pt. 1" is Prop Dylans fourth solo album including 12 songs featuring side artists as Promoe from Looptroop Rockers, Verb T from The Four Owls, Mr Noun from Supersci and Supastition. Production by DJ Matvey, Andrey Kit, Gravy Sparks, Logophobia and DAVR. Cuts & Scratches by DJ Stylewarz, DJ Kristougha, DJ B-Bop and DJ Malik.

The 1995 predecessor to B Flatt - Back to Basics from the same producer Noiseman M.D. and also a project I released earlier this year on vinyl. Here as well I received many requests to drop it on factory pressed CD and so I wanted to make this available to go along with the B Flatt album. The CD will have the same tracklist as the vinyl, 12 tracks total and will only be limited to 250 copies.

"Pulp Phixion" is a brand new collaboration project by legendary Brooklyn MC ILL BILL with producer SUNDAY aka Thriller Machine of Italian hardcore hip-hop powerhouse DSA Commando. The two have got together to shape this incredible 4 tracks EP featuring guest appearances by Vinnie Paz, Sick Jacken, D.V. Alias Khryst and the first appearance of Lord Goat formerly known as Goretex.

Well, what do we have here then! Unreleased Meyhem material from the same time as Self Induced Illness. Pre-the fame, the TV shows, the high profile producers and endless groupies. This is the pure unadulterated Outdoorsmen-era Meyhem Lauren. Never been leaked before, this project was held on the back burner once all the attention and work came Mey’s way in the late noughties. We are delighted to bring it to you on Chopped Herring, with features by Kool G Rap & KIlla Sha and all production by the man like Nickel Plated. Cop quick – colours will move in a flash.

A Tribe Called Quest are widely hailed as one of the greatest rap acts of all time. This trio (2-mic pioneers, Phife Dawg & Q-Tip, along with their DJ Ali Shaheed Muhammad) was one of the most lyrically gifted in the music genre of Hip-Hop. The blends of jazz ‘n bass-heavy beats (East Coast “muddy bass”) was truly and still is truly innovative. Instead of being a great rap album like the one before it, “Beats, Rhymes & Life” is a great Tribe album. It takes time to understand it but it fits perfectly in its place in the Tribe canon and in the mid- 90s. It has their trademark smooth style and flow with a much darker theme and subject matter than their previous album. It’s a real work of art and still fresh so many years after its release.

Skepta finally releases his sophomore album! Don't sleep!

OVERVIEW: In 1999 the band released Ágætis Byrjun (‘A Good Start’), Q magazine deemed Ágætis Byrjun ‘the last great record of the 20th century’. By the end of the year, it had won the inaugural US Shortlist Prize for Artistic Achievement in Music. This year celebrates the 20th Anniversary of Ágætis Byrjun, the band expand their breakthrough album with demo and archive versions of songs from the album, plus never-before-heard newly unearthed material from the time, rare b-sides and the full 95 minute concert played in Reykjavík on the day the record was released.
PRODUCT SPEC: 4xCD discs containing original album, live album and rarities with a soft back book CD1 | Original Album - as released June 12th 1999 CD2 | Live at Íslenska Óperan
Live at Íslenska Óperan, 1999 - includes previously unreleased tracks
CD3 | Live at Íslenska Óperan & Rarities
Live at Íslenska Óperan plus 3 previously unheard and unreleased tracks
CD4 | Rarities

Another crazy dope 90’s joint, this time out of Alabama, written and produced by multi-talented, mc and producer Supreme The Rude Boy. Supreme only released a limited run cassette single for “Friday Nite Live” back in 1996 as well an even rarer tape version of the album [still not on Discogs]. See below a short interview with the man himself where he discusses among other things his job at Motown and his father who penned tracks and recorded with The Blackbyrds, Taste of Honey and the Mizell Brothers who incidentally are his godfathers – wow. Just peep this project – we are starting off 2019 with a BANG!!! Produced and mixed by Supreme The Rude Boy for Soul Child Music/Unlimited Images
Entertainment 1996/7.
Remastered by Jee Van Cleef.

Fresh off 2018’s collaborative LP with the enigmatic MF DOOM, “Czarface meets Metal Face,” the adventure continues as Czarface now faces off with Wu-Tang Clan’s Ghostface Killah.
"Czarface meets Ghostface” brings strictly mind melting beats and bars as 3 emcees clash like villains & heroes in the Savage Land. Czarface, a hip-hop & comics force comprised of Wu-Tang Clan General Inspectah Deck, Esoteric (who recently penned an X-Men comic for Marvel) and super producer 7L team up with Ghostface aka Iron-Man aka Tony Starks for murderous mayhem! Czar commando's Rebel INS & Esoteric trade lines such as "follow in my footsteps might tear your Achilles," & "flow customized got that Dapper Dan touch" with Ghost on the assist "chain is off the cooler, charm look like a shrunken head". With track titles like "The King Heard Voices", "Mongolian Beef", "Czarrcade '87", "Masked Superstars" & "Powers and Stuff" expect nothing short of a super charged collaboration!

Acrylic Snail’ is the fifth album from Dirty Dike. Following a three-year hiatus since his last solo
outing ‘Sucking On Prawns In The Moonlight’ and after a ream of production work for the likes of
Rag ’n’ Bone Man (‘Put That Soul On Me’), Ocean Wisdom (‘Chaos 93’) and Lee Scott (‘Butter
Fly’) during that time, Dike is back with a brand new 14-track album; his most personal release
to date and a body of work that shines a full-beam-floodlight on his formative years, but
moreover, the dreamlike transition between then and now.
Firmly anchored in a chapter of the UK underground before everything went to shit, situated a
couple behind this current grizzly chapter, the songs bounce off the walls of abandoned
industrial estates and whoosh by at breakneck speeds like trains through tunnels. The album
embodies the freezing cold concrete pours, twilight toe slaps and irregularly shaped ballast
banks of the network. In short, ‘Acrylic Snail’ pays homage to the things Dike saw in the very
farthest reaches of night that made him who he is today.
Featuring a roster of guests vocalists (Rag ’n’ Bone Man, Jam Baxter, Lee Scott, Dabbla, Leaf
Dog, Eva Lazarus, J Man, Ronnie Bosh, Inja, Killa P, Foreign Beggars) and production from a
team of music makers (including Dike himself) ‘Acrylic Snail’ is an AAA invitation to Dirty Dike’s
playground and further cements his hard-earned status as one of UKHH's greatest
torchbearers.

Smoke On Records brings us another heavyweight release by Das EFX after the great success of the “Dead Serious 25th Anniversary Edition”. This time Smoke On Records digs deep and presents tracks “Straight From The Vault”.

After 15 years in the game, Termanology is still going strong. His latest release will be his 35th project to date, and it is titled “Bad Decisions”. The album is an ode to his past life and experiences before making a full time career in rap. Boasting 14 tracks filled with powerful production from some of Rap’s greatest producers (Erick Sermon, Statik Selektah, Dame Grease, The Beatnuts & more), any fan of real hip hop would enjoy this piece of work. Veteran MC’s Raekwon and Smif-N-Wessun bring their signature flavor to the project while some of Rap’s hottest new lyricists (Conway, Benny, ANoyd, Millyz & Crimeapple) come through and show why they have recently been given much praise. Term even tries his hand at production on the latter half of the album, producing three songs.

Saigon Supersound Continues… to present more interesting tunes of a musical era that has long been obscured. With the well-received Volume 1, we are very delighted to dig deeper and share with you the beautiful music of a short but significant period in Vietnam‘s history.
Much like the country itself, the music of Vietnam has endured many twists. As the result of the Geneva Accords in 1954, Vietnam was divided into two. From the North, the Nationalist forces fought to reunite Vietnam as a Communist State, while the American troops backed the government of the South. This caused a mass migration of Northerners to the South, which includes many Tân Nhạc (Modern Music) singers and songwriters. Often characterized by its emotive, poetic and prolific personality, Tân Nhạc continued to freely develop in the South and progressively vacating from the influences of its main inspiration, French music. In the North, the Resistance music, or the so-called Nhạc Đỏ (Red Music), which promoted socialism, patriotism and anti-capitalism was the only genre allowed on national radio. Tân Nhạc was something new to the South Vietnamese repertoire. Between 1954–1960, the theme of hometown (quê hương) was a main inspiration for many songwriters such as Hoàng Thi Thơ, Lam Phương and Nguyễn Hữu Thiết. The 9th title of the compilation, “Thôn Trăng Mở Hội Trăng Tròn” showcases a variety of images that were often described in this genre: the harvest moon, playful children, old mother…
Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In 1965, the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam. Constantly changing and learning from different cultures, the modern music of Vietnam cuts a window into the soul of a Vietnamese person and the country’s history as a whole. With that, we hope that Saigon Supersound Volume 2 would take you on a trip back to the unique atmosphere of Saigon through the many different palettes of music that this beautiful place offers.

Originally released in 2007, Phat Kat’s 2nd studio album “Carte Blanche” is getting a re-release on July 27th via Below System Records. The deluxe edition will includes 2 new bonus tracks both produced by J Dilla. “Carte Blanche” includes production by J Dilla, Black Milk, Young RJ, Nick Speed and features by Elzhi, Black Milk, Guilty Simpson, T3 and more. The 2 Dilla produced bonus tracks “World Premier” and “It Don’t Get No Liver Than This” with a featuring by La Peace, were recorded in 1996 and 1997. Often referred as the fifth member of Slum Village, Phat Kat aka Ronnie Euro was the "proof of concept" for J Dilla's beats. When Dilla was looking for that grimy voice, that hard-core street sound that Dilla was obsessed with, he went to Kat. Kat and Dilla’s friendship was deep. They formed a group called 1st Down and were signed to Payday Records, a subsidiary of renowned London Records. Kat and Dilla were label mates and peers to a young Jay-Z, underground favorites Showbiz & A.G., Jeru The Damaja and many more. Since the release of his record “Carte Blanche” on Look Records, Phat Kat has been steadily touring Europe year after year building his audience gradually by staying consistent and giving fans that raw hardcore rap music without needing to compromise his aesthetics.

Limited edition CD!
Chopped Herring presents the CD version of Stranger Danger’s debut project “How to Lose Friends and Alienating People”. If you expect nothing but grimy underground hip hop from LA on this one, you got it all right!
From the producer of the amazing “Tha Roach Killaz LP” from last year on Herring comes Stranger Danger's debut solo album produced entirely by the LA native himself. Incredible sample choices mixed up with drug laced experimentalism makes this, along with his previous production outing, one of the nicest debuts in a minute. Also included among the variety of guest MC's is the kid A.F.R.O.
The CD title pays obviously contribution to the 2001 book by Toby Young. In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. But things didn't quite go according to plan. “How to Lose Friends and Alienate People” is Toby Young's hilarious account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys.

When you hear the phrase, “everything’s fine,” we immediately understand it as emotional shorthand. In daily life, we depend on those perfunctory clichés (hope all is well, good to hear from you, etc.) to spare ourselves from the psychological unpacking that the truth requires. For that, there’s art. For that, there’s Everything’s Fine from Jean Grae and Quelle Chris, a jagged, acerbic odyssey that brilliantly riffs on this dystopian zeitgeist.
The thing is, anyone without a lobotomy and a toxic red hat understands that things are definitely not fine. The crush of modern anxiety, the late capitalist scramble to survive, and the brain warp rot of social media has left most of us half crazy.
“We have a dickhead for a president, and before our eyes, racial, religious, and sexual identity rights are moving backwards,” says New York’s (by way of Detroit) Quelle Chris. “Money is still a thing (I’m waiting for Star Trek life to start). There’s war, your kids may be sick, but if someone randomly asks ""how's it going?"" most people will say ""fine.""
Released on Mello Music Group, this album replaces that reflexive cliché with honest and eloquent tangents. It’s specific and subtle in its execution, achieving equilibrium between lackadaisical detours to smell the flowers and the frantic acknowledgement that there’s an inferno raging outside.
If the great political albums are often grim polemics, Everything’s Fine achieves its goals partially through withering satire. See the opening skit, a Prince Paul-style game show in which three contestants (including a futuristic robot) numbly croak that everyone’s fine despite flying high on every imaginable drug, crying themselves to sleep at night and being unemployed for a decade and a half despite having a Master’s in Fine Arts. I promise it’s much funnier than it reads off a screen.
“We’re both perfectionists in different ways,” Jean Grae describes their working relationship. “We both see huge pictures and concepts. So while listening, pay attention to the subtleties, the nuances, the dissonance and the harmony. The conversations and pieces of ourselves in the words, the flows, the beats. All of the open spaces. .Be uncomfortable and be okay with that. Be layered and be okay with that. Be angry and be okay.”
It’s rare to find a record where two rappers are so seamlessly intertwined. Yes, that’s partially a by-product of the teamwork that goes into being in any normal relationship where you wake, sleep, and dream together. But the album also bears the hallmarks of two singular creative geniuses trading bars, collaborating on beats, and combining fun with internal therapy and external observations. It features indelible cameos from Denmark Vessey, Grammy Award winner Anna Wise, Your Old Droog and Big Tone, as well as comics Ashok “Dap” Kondabolu, Michael Che, Nick Offerman, and Hannibal Burress.
In the streaming era, we tend to naturally overlook albums that require multiple listens. This is a record that will grab you on first listen, but it’s greatness only reveals itself through its careful construction, slick wordplay, and esoteric allusions.
On “Zero,” Jean artfully references Rachmaninoff and The Donner Party in the first two bars. With “Scoop A Dirt,” she name-drops the Babadook alongside the truth bomb that Friends was little more than a whitewashed rip off off Living Single. Meanwhile, Quelle balances boasts about bags of cash the size of Chris Christie with poignant existential laments. Somewhere in between, Jean will stealthily slip in jewels like, “it took me until my 30s just to put my finger on it, once you accept the knowledge/solace doesn’t follow/honest.”
It’s a record with only a couple antecedents: De La Soul is Dead, Organized Konfusion’s Stress: The Extinction Agenda, Blackstar, and maybe Cannibal Ox’s Cold Vein. Yet it doesn't sound remotely like any of them. It’s spontaneous and free, yet refined and meticulous. Even if everything is abject, it’s a reminder that music can transcend.
“This album is full of our minds. Our hearts. Our love for production, and words. flow and a lot of musicality,” Jeans says. “We don’t approach topics, issues, writing, or making beats in the same way. I’m harsh, blunt, quick, technical, I arrange classically and play more than I sample. I make joints with 80 tracks. I’m layers upon layers upon layers. Quelle is patient, he’s kinder. More loose and minimalistic. He makes sounds work together that shouldn’t fucking work. How? I have no idea. These are dreams within dreams.”

Buffalo, NY rapper Westside Gunn is one of hip-hop’s most exciting new stars, attracting fans and acclaim for his unique voice, exquisitely gritty wordplay, and minimalist, soul-drenched production. Mr. Green is a renowned hip-hop producer who has crafted tracks for the likes of Jedi Mind Tricks, Snoop Doog, A$AP Ferg, The Roots, Freddie Gibbs, KRS-One, Bodega Bamz, R.A. The Rugged Man, Deniro Farrar, Raz Fresco, and many more. Now, the two artists are joining forces for a new collaborative EP, FLYGOD Is Good… All The Time. While this is their first time working together, the chemistry is obvious, and the respect is mutual.

“Westside Gunn is incredible, a true mastermind,” says Mr. Green. “He has this sound that is completely one-of-a-kind, just gives you that indescribable feeling we are all looking for in hip-hop these days.”

Mixed and mastered by legendary engineer Eddie Sancho (known for his work with Gang Starr, Jay-Z, Nas, The Notorious B.I.G., Alchemist, M.O.P., Dilated Peoples, and many more), the EP showcases some of the best work to date from both Green and Gunn.

“This is a true WSG art piece,” says Westside Gunn. “Everything I do is under a microscope, so it gotta be A1.”

feat. Kool Keith, Ras Kass, ...

Apathy (Demigodz, Army of the Pharaohs) and O.C. (D.I.T.C. - Diggin' In The Crates) combine forces to form 'Perestroika', a supergroup inspired by the cold war being waged on the rap industry.

Anti-mainstream propaganda has become a bit of a cliche, so instead of speaking out against the unflattering direction that today's hip hop music has gone in, Apathy and O.C. have taken action by building a pillar in the ruins of what's left of true school hip hop.

Picture the first time you heard Wu-Tang Clan's debut album "Enter The Wu-Tang: 36 Chambers" and were immediately swept up in to a dark Kung Fu movie, with the sound effects and painted visuals - "Perestroika" is intended to have the same effect... except it transports you to Cold War, Soviet Russia. From the Kremlin, to small villages affected by the economically devastating times of Perestroika, this album is a salute to the underdog and all those who are able to survive the coldest winters.

Not entirely conceptual however, the album allows both wordsmiths to flex their greatest strengths over solid head-nodding East Coast-styled production. Showing up for the cause, guests Celph Titled, Slaine, Marvalyss, Kappa Gamma and Jus Cuz add to the palate alongside production that is mostly handled by Apathy, with MoSS and Illinformed (The Four Owls) contributing tracks as well. In a time of worldly political conflict and scandals, this project plays as the perfect soundtrack to the madness.

This release also includes additional bonus tracks.

This limited 20th anniversary edition of Kool Keith's impossibly raunchy, "porno-core" 1997 classic, “Sex Style”. Includes instrumentals, limited to 500 copies worldwide.

He comes in many forms and many incarnations, but his style is distinctly his own. Just as there's no mistaking his smooth lyrical delivery and searing hip-hop prose with its underlying edgy beats, there's no denying the incredible force that is Kool Keith. Whether as a founding member of the legendary Ultramagnetic MCs, or in the guises of his renegade rap personas Dr. Octagon and Dr. Dooom, Keith has established himself as an innovative lyricist whose erudite raps push the envelope to the limit. When Keith Teams up with KutMasta Kurt on the production - they arguably create the best albums in his catalog.

Limited edition CD copies of Kutmasta Kurt & Kool Keith's collaborative 1997 EP, “Your Mom Is My Wife”. Includes bonus instrumental versions.

KutMasta Kurt Digs deep into his archives to put together this compelling 6 track EP of previously unreleased recordings he and Keith recorded in 1996-1997. This Post “Sex Style” and “Pre Dr. Dooom” material helps further illustrate why they are one of Hip-Hop's favorite collaborators from the 90’s and beyond.

Joey Badass is back as All-Amerikkkan Badass with an album that features the singles Devestated and Land Of The Free plus a bunch of more face hitting titles.

The late, great J Dilla is widely regarded as one of the greatest Hip Hop producers of all time. An innovator who pushed the genre in new sonic directions, the Detroit native born James Yancey crafted timeless soundscapes for the likes of Slum Village, Busta Rhymes, Common, Erykah Badu, A Tribe Called Quest, The Roots, and many more. Since his death in 2006, Dilla's mother Maureen "Ma Dukes" Yancey has worked tirelessly to further her son's legacy, and her latest effort is the new posthumous album “Motor City”. Inspired by Dilla's beloved hometown, “Motor City” is a collection of rare and unreleased Jay Dee instrumentals, hand-selected and sequenced by Ma Dukes. Conceived as a "letter" to her son, “Motor City” is packaged in a limited-edition mailing envelope, complete with a handwritten message from Ma Dukes to J Dilla inside. Both CD and vinyl formats also include access to an exclusive mix of the album by Dilla's close friend J Rocc, a world-renown DJ and founder of the Beat Junkies.

New music from Simon Green aka Bonobo is always an event, but when it heralds the arrival of a whole new album (his first since 2013’s “The North Borders”), it’s really something to get excited about. The masterful, magisterial “Migration” is Green’s sixth album and it’s a record which cements his place in the very highest echelons of electronic music and beyond.
It might be difficult to imagine it, but “Migration” will take his beautiful, emotive, intricate music to an even bigger audience. “My own personal idea of identity has played into this record and the theme of migration,” Green explains. “Is home where you are or where you are from, when you move around?” The personal, it seems, can also be universal.

A-F-R-O is a breakthrough artist born and raised in Los Angeles, CA, who was first discovered by legendary rapper, R.A. The Rugged Man. Marco Polo is a Brooklyn based producer, raised in Toronto, Canada, who has produced music for artists such as Talib Kweli, Pharoahe Monch, Boot Camp Clik, Royce Da 5’9 & more.

This is their sixth album.

10 tracks feat. Blacastan & Del The Funky Homosapien!

Coxsone’s Music is a stunning new 3-CD/two separate double LP (+ free download) collection featuring over two and half hours of early Jamaican proto-ska, rhythm and blues, jazz, rastafari and gospel music – charting the earliest recordings produced by Clement Dodd, in the years before he launched the mighty Studio One Records, brought together here for the first time ever.
Clement Dodd’s Sir Coxsone The Downbeat Soundsystem ruled Kingston’s dancehalls during this era and these recordings strongly reflect the influences of American rhythm and blues and jump jazz on Jamaican music fans.
By the time the new record company formed in Brentford Road, Kingston in 1963, the young Clement ‘Sir Coxsone’ Dodd had already managed to release an incredible wealth of recordings by the talented musicians and artists on the island of Jamaica and this collection reflects just that:
Featuring Don Drummond, Roland Alphonso, Derrick Harriott, Owen Gray, Clancy Eccles, Count Ossie, Monty Alexander, The Blues Busters, Ernest Ranglin, Rico Rodriguez and many, many more all captured here in their formative early years.
Before Studio One, Clement Dodd released this music on a variety of his early record labels such as Worldisc, All Stars, Coxsone, D Darling (named after Coxsone’s mother, who received a production credit on the label), Muzik City (named after Dodd’s record store on East Queen’s Street), Port O Jam, Supreme and Sensational.
Sleevenotes to this collection are by Studio One authority Rob Chapman, author of the Never Grow Old and Downbeat Special books cataloguing the many recordings of the label.

Apollo Brown’s Thirty Eight is a contemporary throwback, inhabiting the realm of reverent reinvention and innovation. It deftly bridges the gap between ‘70s Blaxploitation soundtracks (e.g. Curtis Mayfield’s Superfly or Marvin Gaye’s Trouble Man) and the hip-hop records that sampled from them. Includes bonus 5" feat. Roc Marciano!

El-P and Killer Mike are Run The Jewels. The duo’s self- titled, collaborative record – a contender for hip-hop album of the year – will be released throughout Europe in December via Big Dada.

classic 13 tracks plus full length bonus cd with alternate mixes and unreleased bonus material !

Limited pressing!

Ill Bill, Slaine, Vinnie Paz, Esoteric, Celph Titled, Apathy and Snak the Ripper on the guest list this time!

Eric B. & Rakim's 1987 debut PAID IN FULL is now released in an expanded edition. Features bonus tracks "As the Rhyme Goes On" radio mix and "Paid in Full" the coldcut remix.

8 tracks plus snippets !

To say Maya Jane Coles had a big year in 2011 would be an incredible understatement. In the space of twelve months, the 24 year old East Londoner went from a hotly tipped favorite of house music connoisseurs to, well, pretty much taking over the world. It is our extreme pleasure to announce that her first commercially available DJ mix is coming this year, in the form of a DJ-Kicks mix in April.

“I wanted this mix to showcase my diversity,” she says. “I don’t just do one thing and I wanted it to reflect that. Most of the mixes I’ve put out there so far have been house-based, but I also produce stuff under the Nocturnal Sunshine moniker, which is more two-step/bass influenced stuff. This mix evolved into something that wasn’t just four-to-the-floor.”

The album that started the whole Wu-dynasty. The clan is in effect any everybody can sing along!

produced by DJ Premier, Easy Moe Bee, Lord Finesse ... digitally remastered ! plus bonus DVD with live footage & video clips

R.A. decided to compile all his classic tracks and appearances just for his fans. This great CD covers lots of vinyl-only stuff from the Crustified Dibbs days to his underrated Rawkus output to more recent R.A.-featured tracks. He was the first one to tell ya that all record labels suck dick (unfortunately they didn't like the taste of his his ugly one), he was chasing pussy with Biggie Smalls way before "Big Poppa" dropped, plus he always managed to recruit great artists for guest appearances. This album features mainly living legends like Kool G Rap, Notorious B.I.G., Mobb Deep, Kool G Rap, Sadat X, Akinyele, Tragedy, J-Live, Blaq Poet, and production by Buckwild, Ayatollah, Jedi Mind Tricks and others. Be careful, cause he'll be effin yo bitch, too!

feat. Saukrates, DITC, Paul Nice, OC ... limited mid-price edition in fresh packaging!

14 tracks feat. Eminem, Nate Dogg, Jadakiss ...

his groundbreaking debut!

- "Home is Where The Hatred Is" sampled by Kanye West & Common for "My Way Home"

- "Pieces of a Man" sampled by KMD for "What a Niggy Know"

- "The Revolution Will Not Be Televised" sampled by Masta Ace for "Take a Look Around",
Professor Griff for "Real African People 'Rap' pt 2",
Queen Latifah for "The Evil That Men Do" and
Salt-N-Pepa for "Whatta Man Luvbug Remix 1"

It wasn't so long ago we were writing about the joys of BVDUB's Fumika Fades, a new double pack in February that sunk us deep into moving ambient soundscapes. Now the Bay Area dub techno titan Brock van Wey is back once again with yet another album - he dropped plenty of them last year too so is clearly in a mad creative patch. Slowly Shifting Lakes comes in multiple formats, this one being a double CD. The ambient here is coarse and textured, fizzing synths stretching out over skittish rhythmic frameworks before sinking into calmer waters on cuts like the escapist 'Searching For Glowing Shores.' Another triumphant album for sure.

30th Anniversary Remix by Mike Kennerty Mastered by Justin Perkins at Mystery Room Mastering includes four bonus tracks

Waxwork Records in partnership with Back Lot Music is thrilled to release Cocaine Bear Original Motion Picture Soundtrack Music by Mark Mothersbaugh!

Directed by Elizabeth Banks and inspired by the 1985 true story of a drug runner's plane crash, missing cocaine, and the black bear that ate it, this wild dark comedy finds an oddball group of cops, criminals, tourists and teens converging in a Georgia forest where a 500- pound apex predator has ingested a staggering amount of cocaine and gone on a coke-fueled rampage for more blow … and blood.

About the composer:

Mark Mothersbaugh is a Grammy, Bafta, and Emmy nominated composer, producer, designer, and visual artist whose work has become part of the pop culture consciousness. He started his career as co-creator and front man for the seminal New Wave band Devo. Their Brian Eno/David Bowie-produced debut album “Q: Are We Not Men? A: We Are Devo” was certified Gold before their hit album “Freedom of Choice” went Platinum.

For Cocaine Bear, Mothersbaugh wanted a score that reflected and captured the culture of the ’80s, with a personality that evolved as the decade’s music evolved. “At the beginning of the film, it starts out very pop,” Mothersbaugh says. “But as it goes through it, it gets heavier. The guitars change up from being acoustic and lighter to being distorted and more aggressive and there are synths throughout that provide a pulse that keeps things moving.”

To make it as authentic as possible, Mothersbaugh used the instruments that created some of the most distinctive and memorable sounds of the ’80s music scene. “Once we decided we were going to let it soak a bit in an ’80s sound, I went to the warehouse where I store equipment and my old Devo road cases full of synths,” Mothersbaugh says. “I pulled out old synths that we used on albums in the ’80s and used the same synths and a lot of the same amps and foot pedals.”

Cocaine Bear Original Motion Picture Soundtrack Music Features:

The Complete Score by Composer Mark Mothersbaugh Compact Disc Design and Layout by Matt Needle 4.75" Insert

"Chrome Bills is MC K-Cromozone (bkny) and DJ Steve Bills (dmv).



The duo linked out of their shared love of the golden era and 90s hip-hop which then turned into a podcast under the same name (Chrome Bills). The podcast lasted for 10 years. During that time, the show provided a showcase for underground and independent rappers. In 2019 they released “The EP” which served as the group’s first musical release together, although both artists have been active since the early 2000s.



The album features guest verses from underground heavyweights Seez Mics, Dood Computer, Dezmatic, Elsphinx, Moses Rockwell, Big Slop, Bobby Noble, and Rapswell (Penpals) and a beat from SQ (Penpals)."



This was a digital only release, but now available on physical for the first time.

First missive on new label from Simon Gabriel, late of 2 Bridges NYC, and Georgia’s Justin Tripp. Disarming and timely cornucopia of stateless, off-kilter tendencies. Cryptic puzzle of pop, tech, noise, bangers and outsiders. Nu-digital folklore, disembodied voices, Midi caprices. Through-line of vital currency. Designed to confound and excite. Early ‘00s slimline mixtape packaging, built for repeat plays.

•7" vinyl •Lyric insert •Blue and pink swirled 7" •Download card

Journey through the dreamy and sinister psychedelic universe of Retinal Bloom, the latest album from The Scary Jokes. Liz Lehman confronts threats both external and existential, conjuring a set that simmers with passion and rage. Co-produced with Fire-Toolz (Angel Marcloid), Retinal Bloom is The Scary Jokes’ most aesthetically ambitious album yet, augmenting their trademark bedroom pop approach with distortion, guitar, drums and vintage synths.

Adam Blackstone is not only a multi-faceted bass player, musician, Emmy-nominated music director and Grammy award-winning writer, but he is also notably the musical mastermind behind the live shows of many of today’s biggest artists (Justin Timberlake, Rihanna, Janet Jackson, Alicia Keys, Eminem,...the list goes on). Blackstone’s TV legacy continues to expand as music director and on-screen personality. He has contributed his talents to today’s biggest shows, including the Oscars, NBC’s “The Voice,” the Grammy Awards, numerous BET, VH1 and MTV specials and as the music director for The hit Fox shows “The Four” and “The Masked Singer.” This is Adam’s debut album and features guest artists including Jazmine Sullivan, Jill Scott, Mary Mary, & Kirk Franklin.

* Composed by John Powell * Artwork by Jack Hughes * Manufactured in Czech Republic *

The Don’t Worry Darling (Score from the Original Motion Picture Soundtrack) showcases all new music from Academy Award- and three-time Grammy Award-nominated composer John Powell (“Happy Feet,” “How To Train Your Dragon,” “Solo: A Star Wars Story”). When it came to composing the score, Powell first viewed the assemblage without any sound, only the dialogue. Director Olivia Wilde remembers, “Then he said to me, ‘This movie is more romantic than you are letting it be. Let the score be something that sweeps our hearts away.’ He said that if we played with something more romantic, and used percussion to feel like a heartbeat… by bringing in the world of the orchestra he made it much more emotionally impactful. This was my first experience being able to be with a composer conducting the orchestra, creating the score. I was overwhelmed with that moment, like a kid in a candy store.”

The perfect counterpoint to the sunny and lovestuck soundtrack album, the score properly presents the reality of the film’s protagonist. Composer John Powell creates some truly disorienting horrifying soundscapes to underscore the psychological terror of Alice (Florence Pugh) and her journey of discovery in the world of the Victory project.

Deadlife is back. Welcome home. A new album full of dark and emotional synth awaits you.

" Somewhere North West lies a body with zealous veins. On TV, “Afterlight Special”, a band of 5 friends venturing into the unknown of their rundown town. Because what else is there to do when you feel lost in the pipes, the gloom swallowing you as you attempt to illuminate the dark. You tell those close to you that you are a call away, whilst asking, “Who am I?”. Battling emotional barriers as you drive through bitter streets of hubris day after day. But the creature in me lives on, despite a series of dead ends week in, week out, missing those halcyon days in the home we know. Hallucinating fantastical lands with a needle in my neck. "

She’s more than just a toy. She’s part of the family.

Waxwork Records is proud to present M3gan Original Motion Picture Soundtrack by Anthony Willis. From Universal Pictures and Blumhouse, the record-breaking hit centers on M3gan, a marvel of artificial intelligence: a life-like doll programmed to be a child’s greatest companion and a parent’s greatest ally. Designed by brilliant toy-company roboticist Gemma (Get Out’s Allison Williams), M3gan can listen and watch and learn as she becomes friend and teacher, playmate and protector, for the child she is bonded to.

When Gemma suddenly becomes the caretaker of her orphaned 8-year-old niece, Cady (Violet McGraw, The Haunting of Hill House), Gemma’s unsure and unprepared to be a parent. Under intense pressure at work, Gemma decides to pair her M3gan prototype with Cady in an attempt to resolve both problems—a decision that will have unimaginable consequences.

About the composer:

Bafta-nominated composer Anthony Willis has taken a running leap into the Neverland of film scoring, quickly becoming one of the most highly sought after new voices in Hollywood. Anthony composed the score to Oscar-winning writer/director Emerald Fennell’s drama thriller Promising Young Woman starring Carey Mulligan, which was nominated for Best Picture and earned Anthony a Bafta nomination for Best Original Score.

Willis grew up in London and began his musical training as a chorister of St. George’s Chapel, Windsor Castle, England. He went on to study Composition at Marlborough College, Wilshire and the University of Bristol, before earning his graduate degree from the University of Southern California. He currently resides in Venice Beach.

Waxwork Records is thrilled to release M3gan Original Motion Picture Soundtrack on CD with new artwork by Susi Vilchez.

M3gan Original Motion Picture Soundtrack Features:

The Complete Soundtrack by Composer Anthony Willis On Compact-Disc New Artwork By Susi Vilchez 4"x4" Insert Booklet

AOI: Bionix is De La Soul's sixth full-length album, released on December 4, 2001. The first single, "Baby Phat" featuring Yummy Bingham and Devin the Dude, was an ode to larger sized women. Elsewhere, "Held Down", featuring Cee-Lo, found Posdnuos in an introspective mood as he mused on fatherhood, religion, and fame. Slick Rick also made an appearance on "What We Do (For Love)"; a humorous song about puberty and sexual discovery. The album featured skits with a character by the name of Reverend Do Good, which worked as social commentary as well as the intros and outros of the songs. The final Reverend Do Good skit acts as one final advertisement for Ghost Weed as heard on De La Soul's previous album, Art Official Intelligence: Mosaic Thump. A mischievous teenager takes a hit of the substance, then morphs into Slum Village frontman J Dilla, who provides the intro and outro to the marijuana-themed song "Peer Pressure" (which he also produced).

Nautilus - one of the best new generation rare groove bands in Japan. Long-awaited 7th full album to be released simultaneously on Lp&cd!! The album contains 11 songs including original songs with strong funkiness and covers such as "Caught Up" by Terri Walker with Emi Tawata on vocals.

Included are electronic music works created by Hiroshi Siotani, the first technician of the NHK (nippon Hoso Kyokai - Japan Broadcasting Corporation) Electronic Music Studio. Works from 1955 ~ 1966.

Multi-instrumentalist and visionary artist Yussef Dayes is set to release his highly anticipated debut solo studio album ‘Black Classical Music’, on the 8th September 2023. ‘Black Classical Music’ is a 19-track record taking listeners through a looking glass into the exalted artist’s past and present whilst exploring themes of home and family. The album draws influence from his musical heroes Miles Davis & Rahsaan Roland Kirk and Yussef’s extensive travel around the globe that has deepened his study of rhythm. Honourable features on “Black Classical Music” - Chronixx, Jamilah Barry, Tom Misch, Shabaka Hutchings, Miles James, Sheila Maurice Grey, Nathaniel Cross, Theon Cross and the Chineke! Orchestra, plus Venna, Rocco Palladino, Charlie Stacey & Elijah Fox.

É Soul Cultura Vol.1 seemed to land at exactly the right moment. Post-lockdown, optimism was back on the rise and the dance floors swelled again. For many listeners, Manchester based DJ Luke Una’s intriguingly woven pattern of new, old, rare and under-discovered music from around the world became the soundtrack to rejuvenated positivity.

This second volume gives another opportunity for Luke to share his journey of the past four decades of staying up late and getting transcendental whilst listening to holy grail music as the city slept. It at times ventures into the deeper, spiritual, soulful, downtempo, experimental aspects of his tastes. From the conscious, street soul fusion gospel of Veronica Mickie's 'Lost Children', to an excursion into Swiss, psych, progressive rock in the form of Pyranha, then onto the classic Indian music-inspired electronic workout of Andi Otto's 'Bangalore Whispers'. Luke hints at his softer side in Avis; a sweet, obscure cover version of Minnie Riperton’s ‘Baby, This Love I Have’, as well as championing local heroes in the shape of Manchester’s Yargo and their driving, obscure, proto-house belter, ‘Marimba’. There’s also Japanese, electronic, slo-mo heaviness from 1979, courtesy of Bach Revolution. House music is integral to the É Soul sound and is represented by Nav Aktah’s deep remix of Mr Scruff, and then there’s Isis ‘In Essense’; a track of such majestic brilliance that it has never left Luke’s record bag.

The selection is eclectic, global, and plucked from different times and spaces. In theory, perhaps they shouldn't work together, but there is a mysterious link that makes them gel as a whole. That’s what Luke does best. He creates a sort of musical alchemy, unifying the diverse.

It is best described by Luke himself, “It’s not about showing off, collector rarity, or ego-strutting, it’s all about telling stories, sharing the music, and making life’s journey mean something. In the end, of course, it’s just a compilation of other people’s music, but hopefully it’s more than that, adding something back to the pot.”

Texan country blues kingpin Lightnin’ Hopkins was rated one of the top 100 guitarists of all time by Billboard, and was a notable influence on Stevie Ray Vaughan, among others. Recordings for Aladdin and Gold Star cemented his reputation, and after performing at Carnegie Hall with Pete Seeger and Joan Baez, ‘Mojo Hand’ was a breakthrough hit. The superb 1961 LP Lightnin’ (The Blues of Lightnin’ Hopkins) benefits from the understated presence of King Curtis’ drummer, Belton Evans, and jazz bassist Leonard Gaskin, placing Hopkins’ guitar licks and raspy voice at centre stage, playfully relating heartbreak and woe.

Mississippi-born blues giant John Lee Hooker made his name with an unorthodox approach to electric guitar, developing his own variants of boogie-woogie, Delta blues and country blues, his lyrics delivered in rich baritone. Early work featured masterful electric licks, backed by a studio ensemble, but Riverside took a different approach for The Country Blues Of John Lee Hooker, recording our hero with just his voice and a solo acoustic, recounting tales of his itinerant youth with verve and gusto. Thoroughly appealing and of interest to all blues fans, the album foreshadows the better-known work for Chess that would follow.

Muhammad Ali X Yosuke Yamashita Trio CD is back!! A cutting-edge collage of the Muhammad Ali vs. Mac Foster documentary held at the Budokan in April 1972, with performances by the Yosuke Yamashita Trio (w/ Takeo Moriyama and Seiichi Nakamura).

Módulo 1000 were not messing around when they made 'Não Fale Com Paredes’. It holds its own, not just as a raw, heavy, experimental “Brazilian” psychedelic rock album, but as a raw, heavy, experimental psychedelic rock album, full-stop!

Formed in Rio de Janeiro in 1969, Módulo 1000 honed their craft as the house band in clubs and resorts in São Paulo where they predominantly covered American artists such as Jimmy Hendrix as well as British giants, Led Zeppelin. After acquiring a taste for fame following the performance of one of their tracks at the Rio International Song Festival, the band focussed their attention on composing original material. Their manager, Marinaldo Guimarães, encouraged the band to explore their experimental and creative sides. This, in parallel with the explosion of experimental music in Brazil, resulted in the band performing alongside heavyweights such as O Têrço; there was a happening in the air.

Módulo 1000 recorded just one album. Released on Top Tape records in 1972, it featured Eduardo Leal on bass, Candido Faria on drums, Daniel Cardone on guitar, violin and vocals, and Luiz Paulo Simas on organ, piano, and vocals. 'Não Fale Com Paredes' was produced by the popular DJ, Ademir Lemos, and came housed in a fold-out cover featuring tripped-out artwork and design by Wander Borges. However, due the uncompromising nature of its wild, heavy psychedelic rock sound, the album was destined not to be played on the radio in Brazil. Rumours suggest that the label didn't understand the album, and as a result, it wasn't promoted or marketed. Thus, like many other underground cult classics, it was lost in the ether, only later to be rediscovered by a new audience at a different time.

One thing is certain, you definitely know when you've heard Módulo 1000. The sound is raw, heavy and at points quite aggressive, more Black Sabbath than Os Mutantes. It floats between psychedelic rock, prog rock, early metal, and dare we say, displays elements of proto-math-rock.

The band’s discography includes a 7" single, as well as their music being featured on several compilations for Odeon Records, additionally they released a 7" single under their alias 'Love Machine' for Top Tape Records. These compositions are included as bonus tracks on the CD version of our reissue.

Hajj's Dawn label returns with a limited CD drop from Modern Collaspe Recommended if you're into Youth & Bfdm.