CD 2743 Items

Limited edition of 300 copies on CD in jewel case.

The Street Poets project consisted of several cats from the Boston, MA, area. The production was handled by Underground Productions and DIF Productions, who also appeared on the microphone along MC's Polecat and Punch Spiked W/ Poison. The one and only album dropped on their own imprint DBK Records in 1995. Next to three accompanying 12" singles, the full album was only available on CD and cassette so far - until now!

Available in a limited run on black vinyl 2LP+7", CD in jewel case and cassette.

Limited edition of 300 copies on CD in jewel case.

Originally known as 3'Da Hard Way, the Hard Knocks dropped their only full-length release "School Of Hard Knocks" in 1992. Comprised of MC Hardhead and DJ Stoneface, the duo's debut is a critical reflection of our society that stands the test of time.

Available in a limited run on black vinyl 2LP+7", CD in jewel case and cassette.

Limited edition of 300 copies on CD in jewel case.

The Oakland duo The B.U.M.S. dropped their debut album "Lyfe'N'Tyme" in 1995 with the help of Bay Area legends Sway and King Tech. The production was mostly handled by Joe Quixx plus one track each produced by Fred Wreck and the Baka Boyz.

To quote Billboard magazine from early January 1995, the Brothas Unda Madness »build verbal puzzles stacked with crafty metaphors and allusions to pop culture. Over spare, jazzy grooves that swing and spring, they endeavor to expose their souls. Using plain-spoken poetics, the duo takes listeners on a ghettocentric ride from their innocence into sense.«

Available in a limited run on black vinyl 2LP+7", CD in jewel case and cassette.

Over 20 years after the release of his first classic full-length, Cormega is back with the follow up to "The Realness" and stays true to its roots, featuring guest appearances by Queensbridge representatives Nas and Havoc, Lloyd Banks, and production duties handled by Large Professor, The Alchemist, Harry Fraud, Domingo, Streetrunner, Sha Money XL among others! Mega is back with another classic to cement his legendary status in the game.

Limited edition of 300 copies on CD in jewel case.

Here's the solo debut of former Beatnuts member Al' Tariq, "God Connections". Originally released in 1996, the album includes a heavy cast of producers and collaborators like The Beatnuts, No I.D., Mighty V.I.C., The Rawcotiks, Problemz, Black Attack and more.

To quote "The Source", the majority of the tracks on "God Connections" are hardcore bangers for the authentic b-boy/underground head, providing the fan with straight to the core Hip-Hop.

Available in a limited run on black vinyl 2LP+7", CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 300 copies on 2CD in jewel case.

Originally released as a 9-track LP on legendary Fondle 'Em Records in 1996, the Juggaknots debut made a huge impact and is still considered to be one of the finest underground releases in 90's Hip Hop. A lot of heads might own a copy of the various editions from the past, but we at 90's Tapes are very grateful to give this masterpiece from the Bronx another shine in 2022 again.

Available in a limited run on black vinyl 2LP, 2CD in jewel case, cassette and digitally on all major platforms.

Limited edition of 150 copies on CD in jewel case.

"I'll Make U Famous" marked the 4th album by Philadelphia's own Da Youngsta's. Originally released in 1995 on the Goodman's operated Pop Art Records, the album remains still a classic with hits like the title track "I'll Make U Famous", "Everyman 4 Theyself" or "Bloodshed And War" featuring the infamous Mobb Deep.

Available in a limited run on black vinyl 2LP+7", CD in digipak as well as jewel case and cassette plus digitally on all major platforms.

Hip Hop’s golden era constituent, Queens’ native, the godfather of Mafioso rap, legendary and influential emcee, Kool G Rap, broke out in the late 80s and early 90s as one half of the duo with DJ Polo. Together, Kool G Rap and DJ Polo released three undisputed classic albums; beginning with their debut album, Road To The Riches (1989), Wanted: Dead or Alive (1990) and Live and Let Die (1992).

Simultaneously, G Rap and DJ Polo gained notoriety as members of the Juice Crew, whose noteworthy membership includes DJ Marley Marl, Big Daddy Kane, Masta Ace and Roxanne Shante At the height of hip-hop’s golden age, The Juice Crew was the definition of innovative and not only influenced the culture as a whole (style, lyricism, creativity), but also impressed the importance of style, substance and technique upon the next wave of street ambassadors.

After a successful run with DJ Polo and the Juice Crew, G Rap embarked on a solo-career, with his solo debut, 4, 5, 6, (1995), which was preceded by Roots of Evil (1998) and The Giancana Story (2002). Since then, we’ve only been intermittingly blessed by bodies of work from the Kool Genius Of Rap; Half a Klip (2008), Riches, Royalty, Respect (2011), Return Of The Don (2017) and Son Of G Rap with 38 Spesh (2018).

Now, the recent National Hip-Hop Museum inductee returns with his first solo-album in
five-years with Last Of A Dying Breed, entirely produced by Domingo, which features collaborations with AZ, NEMS, Vado, 38 Spesh, Royal Flush and Big Daddy Kane; with production supplied by Domingo. Kool G Rap’s "Last Of A Dying Breed" is now available on limited edition vinyl, digipack CD and cassette.

Limited digipak CD edition of 250 copies of "Hazardous" by Godfather Don.

The debut album of New York based rapper and producer Godfather Don was originally released in 1991 via Select Records and gained an undeniable grail status amongst fans and collectors. Entirely produced by Don himself, the album is a hard-hitter from front to back and we are honored to finally give this masterpiece the reissue treatment 30+ years after it's initial release.

Available in a limited run on colored and regular black 2LP, CD in digipak as well as jewel case and cassette plus digitally on all major platforms.

Detroit's Apollo Brown is back with the instrumental follow up to Clouds. Let the legendary beat maker take you on a trip.

Limited edition of 300 copies of the vocal version on CD in digipak.

French producers Alcynoos & Parental team up with Norwegian beatsmith Type.Raw and the Loop.Holes crew to lay a jazz-infected groundation for an all-star cast of MC's like Mathematik, Ill Conscious, Verbz, Kid Abstrakt, Illa J & Frank Nitt, Kev Brown & J Scienide and many more.

Available in a limited run on colored 2LP (vocal version), black 2LP vinyl (instrumental version), CD in digipak (vocal version), cassette (vocal version) and digitally (vocal & instrumental version).

* The latest chapter in the acclaimed Pacific Breeze series! * Artwork by renowned illustrator Hiroshi Nagai * Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab) * Newly remastered audio * 2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI * Extensive artist bios by Yosuke Kitazawa * Digital mockups are not an exact representation of colors * Available in two vinyl variants: Pink or Black Vinyl

Limited edition of 300 copies on CD in jewel case.

Another dream becomes reality for us, here's the debut album by rapper/producer duo Real Live from 1996.

On "The Turnaround: The Long Awaited Drama", cousins Larry-O on the mic and K-Def behind the boards served inner city life stories over moody string arrangements and heavy bass bumps. First time ever reissue available in a limited run on black vinyl 2LP+7", cassette and jewel case CD.

HHE is proud to announce one of the biggest underground hip-hop releases Ever! Our fam Dust & Dope Recordings have brought us “Children Of the Corn – Welcome To the Dangerzone” for the first time ever on vinyl and replicated CD format!



Ddr013-500-cd: Harlem's legendary crew: Big L, Murda Mase, Killer Cam, Bloodshed, Herb McGruff and producer Digga. Welcome To the Dangerzone is the Children Of the Corn's ultimate collection of their previously released and unreleased recordings. The classic rare tracks and never before heard versions, all mastered from Digga's original recordings by Adam Boose. Artwork by Spek the Architek.



Limited edition run of 500 professionally pressed CDs: • Glass-master CD, pressed on black polymer disc • 6-page booklet with liner notes and Digga interview • 20-page lyrics booklet

For this uniquely personal retrospective spread over twelve vinyl discs, Sven Väth takes us back to the early days of his DJ career. On What I Used To Play we meet great pioneers of electronic music, gifted percussionists, obscure wave bands, and innovative producers of a bygone 'new electronic' era. Rough beats and irresistible grooves from the identification stage of house, techno, and acid remind us not just how far electronic music has evolved over the past four decades, but how great it was to dance to EBM, techno, and house for the very first time.

If there is one protagonist of the electronic music scene who has remained curious, innovative and at the very cutting edge of music for over four decades, it's Sven Väth. His multi-layered artist albums and Sound of the Season mix compilations have been defining the genre for over two decades, and even today, he is constantly on the lookout for the next top tune to add to the highlights of his next set. At least, that's the case when he's not producing them himself as an artist or remixer. "Actually, it's always been part of my DNA to think ahead," and nothing had been further from his mind than looking back at his past, but when in spring of 2020 the international DJ circuit had to be scaled down to virtually zero, the 'restless traveler' suddenly had time. Time to stop and reflect on "how it actually was back then, at the very beginning of my career..."

"It was a great trip and with every track, beautiful memories came flooding back".
In the London apartment, he had just moved into, Sven has set up a "little music room", where he cocooned himself for several days, "to look way back for the first time and review my musical journey through the eighties, so to speak."

The interim result was six thematically oriented playlists with a grand total of 120 tracks from 'early 80s' to 'Balearic late 80s', together with excursions into afrobeat, European new wave, and EBM sounds and a few epochal techno/house tracks from the USA in between. From these 'Best of Sven Väth's favorites', the project What I Used To Play crystallized. Sven remembers how the Cocoon team reacted to his proposal: "They found the idea of making a compilation out of it MEGA from the beginning and everyone said 'Sven, go for it', but then, of course, the work really started, namely, to clear the rights and to get clean sounding masters of the up to 40-year-old tracks. There was also disappointment, of course. We couldn't clear certain titles because the rights holders in the USA had fallen out with each other or simply disappeared from the scene. In short, it wasn't easy, but now I can safely say we got the most important tracks."

Finally, after two years of research, curation, design, and administrative fine-tuning, the "little retrospective" from 1981 to 1990 is available. The exquisitely packaged, and three-kilo heavy box set is not only physically impressive, WIUTP is also the definitive record of Sven Väth's musical development. On each of the twenty-four sides of vinyl, you can trace track by track, what influenced him during which phase, and how he took off as a DJ from his parents' Queen's Pub straight into the spotlight at Dorian Gray. There and at Vogue (later OMEN), Sven became the style-defining player in the DJ booth that he still is today.

Limited edition of 300 copies on CD in jewel case.

In 1997, Example (consisting of DJ Cipher & Kay) dropped the debut EP "Impulses" in a very limited run on their own Beat Farm imprint. It was an instant classic amongst diggers and is still be seen as one of the finest underground releases out of Houston, TX. Now here we have the 25th anniversary edition with full cover artwork and for the very first time all instrumentals included.

Available in a limited run on black vinyl 2LP, cassette and jewel case CD.

D-Law & The Bountyhunters are from Hartford, CT and first burst on the scene with their "The Gutta" 12" back in 1993. They followed that up by dropping their "Touch Bottom" EP on Mad Man Recordings in 1994 that featured A.K Serious. All tracks were produced by Boileroom Productions composed of Marcus "Direct" Mickens & Arun "aj" Ranganathan, both from Middletown Connecticut.



Now in 2022 we have had the pleasure to work with Marcus and issue their full body of work for the first time on CD. The EP will be limited to only 300 copies.

The incredible follow-up to an magnificent predecessor.

Pete Rock is widely recognized as one of the greatest hip hop producers of all time. His name is oft included in the pantheon of the greatest, alongside DJ Premier, RZA and J Dilla. In addition, Pete has one of the worlds most extensive vinyl collections, the sort of collection whose size can only be estimated, and that estimate stands in excess of 100,000 LPs. In 2019 Rock launched his own imprint, Tru Soul Records, with the release of Return Of The Sp-1200. Pete Rock goes back to his roots - the Sp1200 and his vinyl - to debut Return Of The Sp1200 Volume 2.

Brock Van Wey's output as Earth House Hold started a decade ago and since then he has been on a constant mission to explore the fringes of house music. His sounds have always drawn on Brock's memories of raves, DJing and basement parties and now this bumper 4 x CD collection marks its final progression. How Deep Is Your Devotion is an authentic listening experience from front to back and one that encompasses fully mastered and remastered versions of all three previous LPs. This is supremely high-quality stuff, from lush and musical depths steeped in personal reflection to widescreen ambient house excursions via cosmic delights.

We have the BCC in the house! Brand new solo project from Tek (Smif-N-Wessun) produced by Big Head Science & The Architect. Featuring heavy hitters like Raekwon, Estee Nack, Supreme Cerebral, Peedi Crakk and more!



One-time pro press as always of course of only 125 joints and that's it!

‘90s French rap on CD

Officially reissued and distributed by MWR!

Limited edition of 300 copies on CD of Mannish's debut album "Audio Sedative" from 1995.

Next up on "90's Tapes" is the mid-90's underground charmer "Audio Sedative" by Los Angeles-based duo Mannish, consisting of Rappers Jekill and Jive. The dope production was mostly handled by B-Zar (better known as American actor Balthazar Getty) and the cuts were provided by a young DJ Nu-Mark who later on became known as a member of Jurassic 5. Available in a limited run on 2LP, CD and cassette plus digitally on all major platforms.

The album is completely produced by illinformed and features 1jack, All Hail Y.T, Babylon Dead, Bil Next, Bill Shakes, Bisk, BVA, Chris Skillz, Crossbow T, Datkid, Dirt Platoon, Eric The Red, Frek 1, Gaza Glock, General, Inja, Jack Jetson, Jay Nice, Leaf Dog, Left Lane Didon, Lisaan'Dro, Pertrelli, Res One, Ruste Juxx, Sean Peng, Sk!nt, Smellington Piff, Tony Broke, Verb T, Wish Master & Wyatt Earp.

* First ever reissue of Nancy & Lee’s 1972 classic
* Includes bonus tracks “Machine Gun Kelly” and the previously unreleased “Think I’m Coming Down”
* Newly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin
* Beautifully packaged and expanded gatefold LP featuring a 20-page booklet
* Q&A with Nancy & GRAMMY®-nominated reissue co-producer Hunter Lea
* Never-before-seen photos from Nancy Sinatra’s personal archive

Light in the Attic Records is proud to present the next installment of the _Nancy Sinatra Archival Series_ with the first ever reissue of the classic 1972 album _Nancy & Lee Again_. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”Arkansas Coal (Suite),” the sensual “Paris Summer” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, _Nancy & Lee Again_ reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.

_Nancy & Lee Again_ is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (rti), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activist’s personal collection, as well as in-depth Q&A with Nancy Sinatra, conducted by the reissue’s Grammyâ®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design, and include two bonus tracks, “Machine Gun Kelly” (first time on vinyl) and the previously unreleased “Think I’m Coming Down.”

In addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores and select online retailers.

A limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancy’s Bootique at *NancySinatra.com*.

Nancy’s impact on fashion, music, and culture will also be celebrated at Modernism Week in Palm Springs this February with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra, and co-author of the book _Nancy Sinatra: One For Your Dreams_), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the week’s festivities.

*more About _nancy & LEE AGAIN_:*

The incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972’s _Nancy & Lee Again_, a follow-up to their bestselling duet debut, _Nancy & Lee_. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with “These Boots Are Made For Walkin’.” Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancy’s solo hits. Soon, the duo found success with a series of duets, including “Sand,” “Summer Wine,” and “Some Velvet Morning” – all of which appeared on their highly-influential 1968 debut.

Not long after the critical acclaim and chart success of Nancy & Lee died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift, as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. “Trivial music and not profound music became unimportant,” recalls Nancy, speaking to Hunter Lea. “It was a tough time.” And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.

Returning to Los Angeles for the project, Hazlewood – who reprised his role as producer – chose to take a new direction with the duo’s sophomore album. Nancy recalls, “It was more dramatic; it was more fun to do, more challenging to do…. It was more grandiose.” For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presley’s TCB band, whose early ‘70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewood’s 1970 LP, _Cowboy in Sweden_. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.

The big sound that Nancy describes above is exemplified in the album’s cinematic opener, “Arkansas Coal (Suite).” Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the miner’s daughter and his wife. Hazlewood’s knack for vivid, nuanced storytelling shines throughout _Nancy & Lee Again_, particularly in “Paris Summer,” which details the conflict that a married woman faces, as she engages in a passionate affair. Another highlight is the country-inspired hit, “Did You Ever,” which was released as the album’s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.

One of the most emotionally-charged moments on _Nancy & Lee Again_ is a cover of Dolly Parton’s “Down From Dover.” The heartbreaking tune tells the tale of a pregnant teenager, who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Parton’s 1970 version was sung from the teenager’s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the man’s side of the story, sings in a notably deeper octave than his signature baritone.

Another poignant selection is “Congratulations,” which describes a soldier coming home from Vietnam. “His face has grown old and his eyes have grown cold/And they tell you of where he has been/Congratulations, you sure made a man out of him,” Hazlewood sings, pointedly. Nancy, who performs as the vet’s wife, argues that the song had a deeper meaning for her duet partner. “Lee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didn’t talk about it, but at some point, he changed radically. ‘Congratulations’ was almost like an apology from him. I don’t want to put words in his mouth, but it was as though he was saying ‘I’m really sorry.’”

The song “Friendship Train” could also be interpreted as an apology of sorts – this time to Nancy. “You've been hurt and I've been hurt/Now we're living pain,” the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. “I felt pretty betrayed. I mean, who does that? Who just up and disappears like that? I’ll never understand it,” she reveals. But the uplifting duet – a slice of ‘70s pop perfection – offers reaffirming words of love between friends. “[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,” explains Nancy.

The 10-track album closes with the stripped-down “Got It Together.” Backed by an acoustic guitar, the song is equal parts playful and candid, as the duo has an impromptu, spoken-word conversation about their lives. “I wish that we’d quit getting so old,” laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings – this time asking his partner, “Can I go back to Sweden?” With that, Nancy gives her blessing.

This definitive reissue of _Nancy & Lee Again_ also includes two bonus tracks. Both are stylistic departures for the duo – but fit right in with the psychedelic pop of the era. The first one, “Think I’m Coming Down,” is a harmony-filled reflection on a toxic relationship. “I think that was one of [Lee’s] drug things. I don’t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,” explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is “Machine Gun Kelly,” penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums, as well as Nancy & Lee. Sinatra and Hazlewood first performed “Machine Gun Kelly” during their residency at Las Vegas’ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancy’s, it would be decades before it was officially released.

_Nancy & Lee Again_ remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, _Record World_, and _Cash Box_, among others. Yet, _Nancy & Lee Again_ never received the spotlight it so utterly deserved. “We didn’t have label support at all in those days,” recalls Nancy. “Without the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. It’s a very ageist kind of business.” Nevertheless, she adds, “I think it’s a very good album. I think it’s timeless.” Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.

Five decades later, Nancy’s legacy only continues to grow, as new generations discover her impressive catalog (which boasts nearly 20 studio albums – her duets with Hazlewood among them – and dozens of charting singles, including the theme song to the 1967 James Bond film, You Only Live Twice). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the Grammy⮠Hall of Fame. That same year, Sinatra partnered with Light in the Attic for *Nancy Sinatra: Start Walkin’ 1965-1976*, a definitive survey of her most prolific period. Lita has also reissued Sinatra’s classic debut, *Boots*, and her iconic, 1968 album with Lee Hazlewood, *Nancy & Lee*. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.

"blvck Switzerland" was the third collaborative release of 2020 between A-Plus and The Architect. Souls of Mischief / Hieroglyphics legend A-Plus lays his poetically driven narrative over another barrage of Architect bangers. "blvck Switzerlvnd" shows the evolving nature of the artistry these two master craftsmen create together. Nothing but dope Hip-Hop! Features include Ras Kass, Planet Asia and Tajai!



HHE has teamed up with The Architect to do a one-time limited pro press for the CD headz. Limited to only 125 copies and that's it!

What a killer season that last one was and we are starting the new one with a beast. The underground Hip Hop world was left reeling from the passing of People Under The Stairs' Double K in January 2021.



Back in 2008 he was working on a sick project with our man in New Haven, CT, Dooley O. A couple tracks from the sessions had been leaked on the net but the majority haven't been heard before.



What we have hear are 5 joints from the collabo as well as 2 insts and an acapella for the DJs to play with. Production is fantastic and we have been blessed with a modern day anthem, entitled simply "Hip Hop" - a joint which laments the current state of the artform, something which most heads can relate too. Not to say that hip hop isn't alive and well, as we know it is - well, at least alive - but Dooley & Double K are heard laughing at and pointing to the joke that the culture has become, asking us "what happened" to the form. "It must be the music that's turning me off, be sounding so Tinkerbell, extra soft" - yup we hear you fellas!!!

Apathy's 8th solo album finds him teaming up with renowned beatsmith Stu Bangas to handle the entirety of the album’s production. The result is a hardcore hip hop opus; uncut and dirty. Flawless emceeing, grimy loops, cracking snares, scratched hooks, and the veteran expertise of not overcomplicating things is what makes this project so beautifully raw. Original fans of Ap with his Demigodz and Army of the Pharaohs counterparts will most appreciate this outing, as he delivers a nonstop barrage of murder-on-the-mic over Stu's deadliest beats. Even further, having recruited heavyweights like Jadakiss, Black Thought and Pharoahe Monch to collaborate on this project, Apathy shows he can effortlessly shine alongside an elite class of greats. Additionally, the album brings out fellow crewmembers Celph Titled and Esoteric, along with Ap's Soul Assassins-fam Sick Jacken, and rap phenomenon RJ Payne.

Four years after Nuova Napoli, Nu Genea are back with Bar Mediterraneo, a new album and journey, which projects the sounds of the Neapolitan duo formed by Massimo Di Lena and Lucio Aquilina even further. Nu Genea's Bar Mediterraneo is an idea of a shared place where people meet and fuse together; a space that leaves its doors open to travellers and their lives, always exposed to the whims of fate. Some of this can be experienced through the multitude of sounds that come together in the tracks, layers of different acoustic instruments, voices and synthesizers merging in a unique musical blend. Opening up to the voices of many different people, separated by languages but united by the sea and the music, Nu Genea's hometown, Napoli, becomes a true place of encounter. You can hear this all along. In "Gelbi", a gorgeously deep and propulsive Ney flute plunges into murky waters of the melancholic Tunisian dialect sung by Marzouk Mejri. In "Marechia'", unbridled happiness and sun ooze from the delicate vocals of Célia Kameni and create an acrobatic bridge between French and Neapolitan language. In "Straniero", your soul is arrested from the moment the slow spell-binding mandolin ignites the hypnotic patterns recorded by the legendary Afrobeat drummer Tony Allen. In "Bar Mediterraneo", the title track, bittersweet guitar’s riffs, analog waves and choirs are overwhelming the song giving you what you would like to hear on a boat trip along the Amalfi Coast. Nu Genea couldn't afford to overlook their firmly anchored roots into the Neapolitan culture and its dialect with "Tienaté", where the power of neapolitan language (interpreted by Fabiana Martone) supports those quarter-tone strings and the uncessant folk-disco groove that spreads to the entire song. In "Praja Magia", repetitive mandolin riffs lead the song, giving space to a choral yet tight vocal line that speaks of Varcaturo, a village close to Napoli. In "Rire", a volley of poetic, deceptively laidback, lyrical fury interpreted by Sicilian Marco Castello intimately combines with a highly musical, multitextured instrumental backbone and the swoon of a chanson in its heart. In "La Crisi'', the lyrics of a Raffaele Viviani’s poem from 1930 have been adapted to a laidback jazz-funk groove in full NG style. In "Vesuvio", revaluing the evocative verses and powerful mantra of Vesuvio, Nu Genea re-adapted to the dancefloor a folk song by the working-class band E’ Zezi from Pomigliano D'Arco, combining the voices of a school choir with Jupiter-6 arpeggios and bold percussions. Bar Mediterraneo is the place where people constantly return to transform curiosity into participation, tradition into sharing, unfamiliar into familiar. When travellers come through its “doors”, carrying their treasures of words and emotions, they aren’t strangers any more. They take part in a shared experience, enriching themselves and others by leading to unexpected musical journeys

Limited edition of 150 copies on CD in jewel case.

"Doom" marked the 1997 album debut by Mood, a legendary trio out of Cinicinnati, Ohio, consisting of rappers Main Flow and Donte as well as producer Jahson. The album features early productions by Hi-Tek and guest appearances by Talib Kweli. Next to cuts like "Karma" or "Secrets Of The Sand" our version includes the early classics "Verbal Stampede" plus the remix as well as "Hustle On The Side".

Available in a limited run on black gatefold 3LP, CD in digipak as well as jewel case and cassette plus the bonus tracks digitally on all major platforms.

Limited edition of 300 copies on CD of the late 90's demo release "Mixed Emotions" with guest appearances by Apani B-Fly Emcee and Lockness of Splattahouse.

On "Mixed Emotions", the Brooklyn-based Dysfunkshunal Familee consisted of Braindead, D-Rock, Rebel Rhyme and Crazy DJ Bazarro. Recorded between 1994-98, the album still has that special Bushwick underground vibe and feel. Bazarro's words on the project: "What a time to be alive. We just sat in the crib making music, having fun, playstation, trying to change the world in our little world. Everything we talk about then is happening now. Good luck in the game called life. So many mixed emotions on this ride."

Available in a limited run on 2LP, CD and cassette plus digitally on all major platforms.

Limited edition of 150 copies on CD in digipak.

Widely known for the classic cut "Love Comes And Goes", Ed O.G & Da Bulldogs' sophomore album "Roxbury 02119" from 1993 has way more to offer and is another nugget from the golden era that shouldn't be missed in a 90's collection. The production was mostly handled by Diamond D of D.I.T.C. and Joe Mansfield and the re-release includes a few bonus tracks from the albums' accompanying 12" releases including a remix by RZA.

Available in a limited run on 3LP+7", CD in digipak as well as jewel case and cassette.

Limited edition of 150 copies on CD in digipak.

"These Never Dropped" is a selection of unreleased music from 1993 to 1997 from the crates of Adagio! and contains 10 vocal tracks as well as 5 instrumentals.

Adagio! (pronounced "A-dee-gee-o") stands for "A Definition of Ambition, Goals, Interest and Organization!". The Juggaknots-affiliated New York and Philadelphia based underground hip-hop duo consisting of Rayme Supreme (Raymond Fogle) and Big Cousin also known as The Obvious Wonder (Brian Pritchett aka Carta' P.) made some buzz with their highly respected underground 12" releases and "These Never Dropped" marks their second release on 90's Tapes.

Available in a limited run on black vinyl 2LP, CD in digipak as well as jewel case and cassette plus digitally on all major platforms.

Limited edition of 300 copies on CD of Kurious' debut album "A Constipated Monkey".

"A Constipated Monkey" is one of our favorite albums from 1994 and we are very excited to finally share the release with you. Most of the production has been handled by The Beatnuts as well as the SD50's and the guest list includes iconic MC's such as Casual of the Hieroglyphics, MF Grimm, Sadat X of Brand Nubian, Psycho Les of The Beatnuts and others.

Available in a limited run on 2LP+7", CD and cassette plus digitally on all major platforms.

Limited edition of 300 copies on CD.

The Bush Babees sophomore album finally gets a reissue treatment on limited 2LP+7", cassette, CD and digitally. "Gravity" features productions by the likes of The Ummah, Pos of De La Soul, Rahzel of The Roots, Shawn J. Period and others. Guest MC's include Mos Def, Q-Tip of A Tribe Called Quest, Rahzel and Muntcho Leo.

The trio consisting of Kaos, Y-Tee and Mr. Man grew up in the West Indies, so reggae had a strong influence on their music. Formed in 1992, the Brooklyn representatives dropped their debut "Ambushed" in 1994 followed by the sophomore album "Gravity" in 1996 with the help from a number of Native Tongue members.

“We present our first ‘Untitled’ album to mark a moment in time where we as Black People, and of Black Origin are fighting for our lives. RIP George Floyd and all those who have suffered from police brutality and systemic racism. Change is happening… We are focused.” - Sault

R.I.P. Trugoy the Dove

Bringing a sound and energy unlike any other, De La Soul quickly became one of the most revered, game-changing artists in hip-hop and forever cemented their legacy in the hearts and minds of fans around the world. Despite their rapid success and recognition, De La Soul continued to prove themselves as one of the most original, authentic and creative groups in hip-hop, following on May 14, 1991 with the release of their sophomore album, De La Soul is Dead. Featuring, once again, the production of visionary producer Prince Paul, their second album further fanned the flames; landing on charts around the world. “A Roller Skating Jam Named Saturdays,” “Ring, Ring, Ring (Ha Ha Hey)” and “Keepin’ the Faith” have become certified classics in the De La Soul catalog.

•CD Box Set with 9 CDs •Artwork by Echo Barrett (Each disc will have unique art, not like the mockup) •Each show is 3 discs. •Each disc in sleeves, with all sleeves in a clamshell box •Mastered by Angel Marcloid at Angel Hair Audio

The 10th Anniversary Reissue of Vinnie Paz's seminal sophomore album, God of the Serengeti, featuring the cult classics "Battle Hymn" and "Cheesesteaks."

R.I.P. Trugoy the Dove

Finally back on vinyl. Now also back on CD, officially reissued. Must have! 3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989 It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

V Don and Willie The Kid are back at it with the 3rd chapter of their "Deutsche Marks" saga, and just like with any of their prior releases they bring their offering to the next level. Throughout the years the two have masterfully crafted their own sound as a duo, with V Don showcasing some of the highest quality productions in the game right now and Willie The Kid seamless delivery perfectly riding along with it. DM3 featuring guest appearances by long time collaborator Eto as well as Rome Streetz, Ransom, Lord Apex and Abe Linx, and is set to be yet another classic in their catalog!

"Deutsche Marks 3" is also available on standard black vinyl, digipack CD and cassette.

It would appear that Polish jazz is a well-known subject through and through. Dozens of outstanding albums, biographies of the masters, hundreds of journal articles. As it turns out, it is still possible to find music that has been waiting for years to be discovered. On the 80th birthday of Tomasz Stańko, Astigmatic Records presents the first part of Wooden Music, a conceptual project created by the maestro and his legendary quintet, which has been stored in the archives of Radio Bremen for 50 years.

Tomasz Stańko was an exceptional Polish jazz trumpeter. He passed away in 2018, leaving behind a legacy of numerous releases, soundtracks, concert recordings and wild stories involving him. Before rising to the top, he honed his craft alongside Krzysztof Komeda and Andrzej Trzaskowski. In the mid-1960s, he appeared on Astigmatic and Polish Jazz Vol. 4 – the albums that were a creative manifesto for Polish jazz of those years. However, all this time he was constantly thinking about starting his own band.

In 1968 he completed the line-up – Janusz Stefański on drums, Bronisław Suchanek on double bass, Janusz Muniak on tenor saxophone and Zbigniew Seifert on alto saxophone, which he soon replaced with the violin. Stańko classified the quintet's output into three periods. The first, composed, is associated with Music for K, Stańko's publishing debut as a leader, which became a permanent entry in the canon of Polish jazz records. The second period is wooden music – it's the free jazz period, the least known in the quintet's history despite the fact that it spanned more than three years. The third and final period is linked to the release of the band's final album, the cult Purple Sun. However, the entire period between Music for K and Purple Sun is shrouded in mystery, as the band was mainly in Western Europe at the time. In the early 1970s, all the musicians take one-year visas. In between tours they live in Germany: first in a hippie commune in Wurtzburg, then in Darmstadt. They play in clubs on a day by day basis. The quintet is said to be distinguished from other bands by their ability to completely "burn" in the fire of improvisation. They lead their lives as a single organism, touring without wives or girlfriends. The compositions are blurred, the fascination with free music prevails. Short pieces and motives are the starting point for further performance. The ensemble does not plan, they just play. On 28 May 1972 they play at the Iserlohn jazz festival. JG Records would release this performance as Jazzmessage from Poland. The very music recorded there represents what the quintet called Wooden Music.

The foundation of wooden music is the sound of the double bass and the violin, but it soon becomes apparent that all instruments except for Tomasz Stańko's trumpet are wooden. A string orchestra is born, over which the metal trumpet can weave all sorts of hues accompanied by the saxophone. What fascinates the quintet in wooden music is the melody, rhythm and timbre - where these are usually just an element, they fill the entire piece in their case. Bronisław Suchanek, the last living member of the quintet, recalls:

"Wooden music is all about total improvisation. We used to arrive at a gig, start playing without really knowing where we were heading. The only thing that guided us was the common and mental compatibility, understanding, friendship and respect along this musical journey. Music was the first most important element to attribute to – it was free jazz in its purest form. If there are any moments that seem orchestrated it is because we played together for several years, evening after evening, going from club to club. We knew each other better than our parents knew us, we had total trust in each other – that's what made this music exist in the way it did."

To celebrate the 80th anniversary of Tomasz Stanko's birthday, Astigmatic Records in cooperation with Tomasz Stańko Foundation and the Adam Mickiewicz Institute will be releasing two parts of Wooden Music: the first on 5th December 2022, and the second in the first half of 2023. Both albums released by Astigmatic Records add to the little-known history of the quintet, the most important episode in their lives, as the band's musicians used to refer to the late 1960s and early 1970s. Wooden Music I will be released via Astigmatic Records in digital, CD and LP versions; what's more, a limited red vinyl edition including a B2 poster designed by Natalia Łabędź will also be available. The pre-order of the LP will be launched on 4th November 2022.

Born of a conversation centered on the notion of “rich sources” as a forge for electronic music, Colours Of Air is a collection of recordings of a century old pipe organ housed at the historic Old Museum in Brisbane, Australia, which were then processed, transformed, and elevated into eight majestic electro-acoustic threshold devotionals. The timbre of the instrument and spatial fluctuations of room tone infuse the music with a subdued, sacred feel, like vaulted light in a nave of stained glass. They describe the album as “an iterative project, a reduction and eventual expansion,” sifting the swells and drones of the organ for every shivering shade of radiance. The tracks are named for the hue each piece suggests – from the gauzy levitational miasma of “Yellow” to the pulsing melancholic mirage of “Violet” to the seething twilit sandstorm of “Magenta.” Morgan and English are both adept at conjuring moods of muted grandeur, like landscapes veiled in dusk, still looming and luminous. Here their combined powers open pathways to heightened realms of deep listening and bewitching restraint, finding flickering infinities in ancient configurations of wind, brass, stone, and dust.

Despite an excellent debut album, "Naughty By Nature" was pegged as a one-hit wonder by some, after all, they'd never duplicate the inescapably catchy "O.P.P.". But when 19 Naughty III was released on February 23, 1993 with the lead single "Hip Hop Hooray, " the group proved that they could recreate that magic. Celebrating it's 30th Anniversary this year, the album has been certified platinum and "Hip Hop Hooray" has become a hip hop anthem. The single was #1 on the charts, earning the band their second Top 10 hit, with the video directed by Spike Lee, featuring appearances from Tupac Shakur, Run-DMC and more. The album also contains the hits "Written on Ya Kitten" and "It's On" and has guest appearances from Heavy D and Queen Latifah. Production was handled entirely by group member KayGee, who has one foot in the clubs and the other one on the street corner, and that's true of the group as a whole.

Good & Evil finds Tally Hall entering a stripped-back, grittier sonic universe. Transcendental melodies guide them through a mind-bending journey of duality. Available for the first time since 2011, this cult classic is now on vinyl containing an all-new poster, CD & tape, along with a companion 7'' single.

After a monsterous run of sold out North American and European shows following the release of the critically acclaimed album, Orange Print, San Francisco legend and entrepreneur Larry June is back with his next solo offering, Spaceships on the Blade. The 18-track album features the previously released singles, “Private Valet” & “In My Pockets,” and sees production from a wide range of producers, such as Jake One, DJ Khalil, Cardo, DJ Fresh, Chuck Inglish, Turbo & more. With an eye on always expanding and diversifying his income streams, it’s clear to see that Uncle Larry is going to continue to do numbers for a long time. Good Job, Larry.

f one was to interpret the whole output of Eabs in general, an inquisitive listener would notice that each subsequent album stems from the previous one. The overtones are similar and they can be treated as variations on the same theme. The only thing that changes is the background of the story. It is all about life and death, the beginning and the end of the world, and the role of human beings entangled in all this existentially. Following the futurism lessons from Sun Ra, the band travels to the year 2061, continuing their mission in space in the company of a living legend, Jan Ptaszyn Wróblewski.

"all These Worlds ARE Yours – Except Europa. Attempt NO Landing THERE." – this was the ominous message from the mythical Monolith of Arthur C. Clarke's 2001: A Space Odyssey. The quote became a metaphor for the situation the Eabs crew found themselves in when the pandemic hit. It was not only Europe that became inaccessible, the whole world shut down. A reflection emerged that only empathy and cooperation could save humanity. We will not be able to face the greater threat that may come from the outside together by fighting wars among ourselves on Earth. A similar analogy can be seen in Arthur C. Clarke's book series, which was made even more famous by Stanley Kubrick with his iconic screen adaptation, 2001: A Space Odyssey. Released in 1986, the third part of the series has served as an inspiration for the fourth Eabs album titled 2061, a soundtrack to the film that hasn't been made yet.

Collaborative work has always been the domain of Eabs, which is even more audible with their new album as most of the instrumentalists brought their own compositions to the recording session. As a result, the album oscillates in orbits of many genres such as jazz, electronica and hip hop, in such mutations as Miami bass, trap and drill. It might come as a surprise that the role of the spiritual guide and mentor here is played by Jan Ptaszyn Wróblewski who has taken part in all the quests in the history of Polish jazz, just like Dr Heywood Floyd traversing the galaxy aboard the Universe spacecraft.

The year 1986 is symbolic for Eabs. Poland was then visited by Sun Ra with his Arkestra carrying a prophecy: "We are living in End Time, all right, but in the last daze. It’s after the end of the world. Don’t you know that yet?" – these words of the Saturnian alien were hovering over the group's previous project. That year Halley's Comet flew close to Earth, inspiring Arthur C. Clarke to write the third installment of A Space Odyssey. The next time we will be able to see this celestial body is not until the eponymous year 2061. In his book, the author envisioned the current decade as full of crises, scandals and disasters. Having been in space for years, Dr Heywood Floyd would observe cities in flames, a nuclear war outbreak, and all the other horrific events from his monitor window. With the nightmare unfolding on Earth, the cultural and linguistic differences that had arisen over the millennia began to disappear, and the appearance of a new sun named Lucifer only accelerated the process. The superpowers, destroyed by warfare against each other, achieved reconciliation and reunification, making the outbreak of further wars of this kind impossible. At last, the existing peace machinery began to choose life over death. The disintegration of the enormous parasitic military business resulted in the acceleration of world economic development. The moral equivalent of war has led to the undoing of centuries of damage and neglect caused by it. This latest Eabs album stands for the time when Halley's Comet will again fly by very close to Earth. We should hope that in the light of recent events, the utopian vision of the author of A Space Odyssey will come true and peace will come to our planet. Fortunately, there will be no need to wait another 40 years for the album.

Limited edition of 150 copies on CD in jewel case.

Hailing from Atlanta, GA, Massinfluence has always been one of our favorite new school crews and "The Underground Science" is still one of those nuggets to recommend when someone is digging for jazz-infected boombap rap. Originally released in 1999, the trio consisting of Audessey, H2O and Cognito created a conscious classic all the way through that remains timeless. Next to the original 11 tracks the re-release contains 7 bonus tracks.

Available in a limited run on black gatefold 2LP, CD in digipak as well as jewel case and cassette plus digitally on all major platforms.

Limited edition of 150 copies on CD in jewel case.

Widely known for the classic cut "Love Comes And Goes", Ed O.G & Da Bulldogs' sophomore album "Roxbury 02119" from 1993 has way more to offer and is another nugget from the golden era that shouldn't be missed in a 90's collection. The production was mostly handled by Diamond D of D.I.T.C. and Joe Mansfield and the re-release includes a few bonus tracks from the albums' accompanying 12" releases including a remix by RZA.

Available in a limited run on 3LP+7", CD in digipak as well as jewel case and cassette.

If you are looking for raw, psychedelic hard-rock, look no further! We present the complete recordings (1968-1972) from Wicked Lady, the legendary UK underground power trio leaded by ace guitarist Martin Weaver, later a member of Dark on their "Round the edges" album.

Limited edition of 150 copies on CD in digipak.

"I'll Make U Famous" marked the 4th album by Philadelphia's own Da Youngsta's. Originally released in 1995 on the Goodman's operated Pop Art Records, the album remains still a classic with hits like the title track "I'll Make U Famous", "Everyman 4 Theyself" or "Bloodshed And War" featuring the infamous Mobb Deep.

Available in a limited run on black vinyl 2LP+7", CD in digipak as well as jewel case and cassette plus digitally on all major platforms.

‣ PRESSED CD

‣ Comes with CD Digipak boasting full color 6 panels of supreme artwork with high quality gloss covering. (RP $15.99)

‣ Includes a secret retro C64 WAV game in track 11. Something special for the techies!!

‣ Both the front and back covers of CD sleeve are finished with supreme aqueous gloss coating and polyshrink wrap.

Turboslash are back with another powerpacked dark synth album. With high attention to detail and a new addition of textures to their sound, Turboslash are set to make their mark with their follow up album. A must for all darksynth and cyberpunk enthusiasts.

Limited edition of 150 copies on CD in digipak of "Comprehension", the sophomore album by Shadez Ov Blac from Winnipeg, MB, Canada.

The group's debut "Next School Pioneers" dropped in 1995 via Peanuts & Corn, a Canadian underground label run by mcenroe. "Comprehension" followed in 1999, originally self-released on CD only accompanied by a now hard-to-find 12" release.

The album features mic guests such as Odario, Ismaila and Fayce as well as productions by mcenroe, The Buddha and Howard Hyman.

Available in a limited run on LP, CD in digipak as well as jewel case and cassette plus digitally on all major platforms.

Sault returns with a new album featuring Michael Ofo and Little Simz. NINE will be limited to a short press run of 16,000 units, never to be re-issued again!

CD Jewel Case With 8 pages Booklet, Pictures , Notes In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART. Carefully overseen by the Master himself

Glass replicated compact disc Jewel case Includes new artwork by Court Jones Lyric booklet Bonus tracks included: Just A Friend, Mucka Blucka, Dream A download code is included.

Limited edition of 300 copies on CD.

The Bush Babees debut album finally gets a reissue treatment on limited 2LP+7", cassette, CD and digitally. "Ambushed" contains instant classics like "We Run Things" or "Remember We" and features productions by the likes of Ali Shaheed Muhammad of A Tribe Called Quest, Salaam Remi, Jermaine Dupri and others.

The trio consisting of Kaos, Y-Tee and Mr. Man grew up in the West Indies, so reggae had a strong influence on their music. Formed in 1992, the Brooklyn representatives dropped their debut in 1994 followed by the sophomore album "Gravity" in 1996 with the help from a number of Native Tongue members including Q-Tip and The Ummah, Pos of De La Soul, Rahzel of The Roots as well as a young Mos Def.

With a hardcore mind & explicit tongue, prolific NY rapper/producer ILL Bill keeps the spirit of underground hip-hop alive with an affinity for dusty sampling & a lyrical spectrum that ranges from vulgar & horrific to deeply insightful & pained. Bill was influenced by the violent & profane, employing dark subject matter to convey messages that often had more depth beneath the surface shock factor.

Emerging in the early '90s, he joined MC Serch (3rd Bass), Sabac, Goretex & DJ Eclipse to form seminal rap crew Non Phixion. Signing with both Geffen Records & Matador Records (and then parting ways with both), while issuing acclaimed 12" singles like "I Shot Reagan" & "Black Helicopters", Non Phixion caused no shortage of controversy, pushing Bill to start Uncle Howie Records for the Brooklyn-based crew to finally unleash its debut LP, "The Future Is Now", in 2002.

In 2007, ILL Bill co-founded La Coka Nostra with rap legends House Of Pain & Slaine. Bill also makes up half of the super duo, Heavy Metal Kings, trading verses with the legendary Vinnie Paz.

Now as we approach the end of 2020, Bill prepares to unleash his new solo album "La Bella Medusa". LBM delivers some of Bill's best work to date, boasting incredible features from Tech N9ne, Pharoahe Monch, Conway, Kool G Rap, Vinnie Paz & many more. Bill is constantly evolving as an artist & with LBM he shows diversity & shines alongside his guests all the whilst giving you exactly what you want to hear from the Cult Leader.

"For the third installment of his PeteStrumentals series, producer Pete Rock takes a departure from the sample-heavy style that has earned him recognition as a living Hip-Hop legend. This twelve-track project is instead a collection of beats crafted by the producer, then reimagined by his stellar band, The Soul Brothers - drummer Daru Jones (Jack White), keyboardist BigYuki, bassist MonoNeon (Prince), guitarist Marcus Machado and vocalist Jermaine Holmes (D'Angelo); all critically acclaimed musicians in their own rights. After performing together across Manhattan, cementing their creative bond, Pete Rock & The Soul Brothers combined their individual musical influences and experiences to craft a smooth sonic experience that is truly the sum of all of its stylistic and instrumental parts. PeteStrumentals 3 is a masterful blend of Funk, Jazz, Hip-Hop and Soul, a mellow soundtrack for any occasion."

Above the Law is one of the best and most underrated rap groups from the west coast, and 'Uncle Sam's Curse' may be their best album. Musically it is very experimental. Producer Cold 187um, one of the west coast's best beatmakers, uses some electronic instrumentals with his usual heavy bass and whiny synths to create an almost futuristic sound, aided by frequent movie samples, snippets of speeches which people express their urban political views. The production is classic and the rhymes are deep and real. Their flows are laid back and sound like they are lacking some aggression and energy, but it is their own thing, and what they rap about is real. This is pure West Coast G-Funk in your ear!

The fourth album by Sault scored 97/100 at Metacritic and is the most beloved album at HHVs Supreme 100 of 2020 list, chosen by 150 journalists, musicians, label makers and record collectors. Currently repressed and soon back in stock.

17 tracks feat. Son Doobie, Proof of. D12, Everlast, Defari ...

Only one copy per customer!

Smoke On Records announces the album "Unreleased Siccness" by Brain Sick Mob. The CD version contains the two bonus tracks "Here is the Proof" and "Strugglin".

15 new tracks feat. Synic, Young Dee, Willie Malo, Viviana, ... mixed and hosted by Tony Touch!

Waxwork Records is thrilled to present TEENAGE MUTANT NINJA TURTLES PART III Original Motion Picture Score by composer John Du Prez. Released in 1993, the third film score installment of the original ninja turtles trilogy is finally available on CD for the first time ever and features new artwork by co-creator Kevin Eastman!

Taking place two years after the events of Secrets of the Ooze, our ninja turtle heroes Leonardo, Donatello, Michelangelo, and Raphael are transported back to feudal Japan by an ancient magical scepter. There they must rescue their friend April O’Neil and defeat the evil Lord Norinaga.

As beloved comic characters and Saturday morning cartoon staples, the Teenage Mutant Ninja Turtles have become cultural icons. With this film, the Turtles cap off an action-packed trilogy with the same humor, heart, and martial-arts skills that fans have come to love.

In collaboration with composer John Du Prez and original Teenage Mutant Ninja Turtles co-creator Kevin Eastman, Waxwork Records is proud to present the complete and official score to the 1993 action comedy for the first time ever on CD! Featuring new art by TMNT co-creator Kevin Eastman himself, this deluxe release is a must have for any turtle fan.

TEENAGE MUTANT NINJA TURTLES PART III Original Score Features:

The Complete 1993 Film Score By John Du Prez
New Artwork By TMNT Co-Creator Kevin Eastman

It's all over the news right now, Dr. Dre finally got all the rights back and now we can all relax and get The Chronic on vinyl, CD and even on streaming platforms if there is no turntable nearby.

Now coming via Interscope who bought the physical distribution rights we are happy to get fresh copies of CDs and vinyl for you.

The blueprint of early 90s Westcoast Gangsta Rap. If you say you like Gangsta Rap and you don't own a copy, there is no excuse for that.

Some new heat from frequent HHE collaborator M.W.P. with Hus Kingpin! Check what M.W.P. has to say about this project...



“This Remix Album is an ode to Hus Kingpin and some of the work we have done over the years…



I linked up with Wavo about 8 years ago. SmooVth and him had heard some of my tracks on Soundcloud of all places, and wrote me regarding my music. I was quickly captivated by their style and demeanor, so it was a no brainer for me to start working with the two.



The first record I did with Hus was a Remix track of “Time Is Runnin’ Out” which was the opening track on my “New Horizon” album featuring Guilty Simpson. His verse totally blew me away, and from that day forward he became one of my favorite emcees and still is to this day.



From that point on we’ve done quite a bit of work together. Both for his projects and my own. So it was only right that I gave this album of his the M.W.P. treatment. I will forever feel blessed that he helped me gain some momentum in the game and I feel privileged to have worked with such a talented artist as him.



Hopefully this will not be the last you hear from M.W.P. and Hus Kingpin, but for now enjoy my interpretation of Bolio: Reze Pelo Rio.”



The CD version will be limited to only 150 copies!

Reimagining Mobb Deep's iconic 1995 opus ‘The Infamous’, NYC-based saxophonist and composer Benny Reid's ambitious new project is a collection of acoustic, sample-free renditions, built from the ground up, performed entirely by the multi-instrumentalist auteur. The forthcoming ‘The Infamous Live’ comes on the heels of Reid’s Billboard-charting take of Eric B & Rakim’s ‘Follow The Leader’. From this, Mobb Deep's Havoc discovered his work and authorized him to reconstruct the timeless Mobb Deep album, giving Reid input and working with him in the studio to complete the project. His limited 7" of "Shook Ones Pt. II" previewing the project, sold out quickly upon release in December 2022. Reid is a forward-thinking jazz musician with a bent toward mixing expansive post-bop improvisation with atmospheric contemporary jazz styles. He released his first two albums on the prestigious Concord label and has been working with Fat Beats to create interesting, progressive tributes to the hip-hop albums that defined his youth.

Embracing his career path as an emcee/entertainer, Crimapple returns with his latest solo effort, El Cantante, which serves as an ode to Hector Lavoe and The Fania Era of salsa music's profound storytelling. Although devoid of any guest appearances, Crime is joined by a supporting cast of praise-worthy producers throughout the project whom include Bohemia Lynch (Westside Gunn), Michaelangelo (Avenue, Vel the Wonder) as well as his frequent collaborator, Buck Dudley, among others. And while there’s tracks that borrow aesthetics akin to latin music—such as the syncopated rhythm patterns on “Tuesday,” or the looping pan flute heard on “Out the Way”—you’ll still find the archetypal soundscapes that have defined Crime’s discography. These include the soulful/zone-inducing loops on tracks like the album opener, “My Song,” as well as “Together,” “Encore,” and “Precious.” And then there’s the chest-pounding bangers like “Cosos,” where Crime lyrically remains in his bag with unrelenting, braggadocious rhymes: “You cheesecake, rappers know I get on this shit and eat great / Get better at any take and drop on anyone’s release date” All in all, El Cantante is a self realization of sorts as the New Jersey emcee shares his current life perspectives as he touches on what it’s like to be considered a hip-hop legend by many, while also reflecting on the path that brought him to this point in his career.

Compiled by Sean Marquand and Greg Caz, 2 DJs well-known for their epic parties at Williamsburg’s legendary Black Betty club, that sadly closed in 2009. The duo played a deep variety of strictly vintage samba, samba-rock, Tropicalia, and Brazilian funk under the banner of ‘Brazilian Beats Brooklyn’.

Sean is known as half of Embassy Sound Productions. He took his team to Brazil to help resurrect Black Rio legends Uniao Black for a new release. Greg has DJ'd at some of the hottest Brazilian parties around the globe and presents a monthly radio show ‘Warm Wave’ on Soho Radio NYC.

Featuring Noriel Vilela’s singular “16 Toneladas,” a sublime cover of the Tennessee Ernie Ford smash “16 Tons” with a spare samba groove and unbelievable baritone vocals and hot jams from Tim Maia, Erasmo Carlos, Joao Bosco, Toni Tornado.

Included in this compilation of original 60's and 70's Brazilian gems are some of Greg and Sean's favourite tracks that have been filling dancefloors for years.

Atlanta native Tha God Fahim has emerged as a leading figure in hip-hop’s thriving modern underground, captivating listeners with masterful street soliloquies and timeless production. Uninterested in the flashy trappings of the modern rap game, Fahim has channelled his energy into building a phenomenal catalog, blending soulful aesthetics with hard-edged rhymes. Now, the talented emcee is taking a break from his dizzying mixtape schedule to unveil the new studio album "Iron Bull". Highlighting the power of relentless determination, the collection finds Tha God Fahim stronger than ever, elevating beyond adversity while remaining true to self. "Iron Bull" includes guest appearances by Mach-Hommy, Your Old Droog, and Jay NiCE, along with hypnotic production by Nicholas Craven, SadhuGold, Camoflauge Monk, and Fahim himself.