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Chuwanaga Organic Grooves 4 Items

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Kalima - (Where Is The) Sunshine
Kalima
(Where Is The) Sunshine
7" | 1981 | EU | Reissue (Chuwanaga)
10,99 €*
Release:1981 / EU – Reissue
Genre:Organic Grooves
For its third release, Chuwanaga goes back in the past with the reissue of “(Where Is The) Sunshine” by Kalima, a rare 7” originally released in 1981 and produced in Baltimore by Afro-American pianist and producer Derrick Amin. Part I on the A side and part II on the B side form a real journey, a beauty in its own style fusing jazz, soul and spirituality as well as political values.
Back in the mid-seventies Derrick Amin brought together young musicians from his Afro-American Muslim community in Baltimore. He tells us: “all black music in America is a response to racism and slavery” and “(Where Is The) Sunshine” was their own answer, “a plaintiff query of one immerse in darkness. The darkness of lies, lies that deny the humanity, justice, and equality of people. It’s the impetus of this song”. He adds: “Kalima means “Word” or “Langage” in Arabic. The name was inspired by a quote from Imam W.D. Mohammad (the late Muslim American leader and erstwhile successor to Nation of Islam founder, Elijah Muhammad) who once said: “Words make people””.
With its splendid vocal parts (thanks to vocalist Sabreen Shareef), a unique major-to-minor chord progression, subtle synthesizer melodies in the chorus and amazing electric piano and sax solos, it really is a very special release. It’s been discovered in a Motor City Drum Ensemble’s jazz set with Gilles Peterson at the J.A.W. Family Reunion in Berlin back in 2016. Still, one must not forget its yet poetic still political message now shared once again with the world. The question asked by Kalima sadly still remains as relevant in 2018: Where is the sunshine?
Ishkero - Brume
Ishkero
Brume
12" | 2020 | EU | Original (Chuwanaga)
14,99 €*
Release:2020 / EU – Original
Genre:Organic Grooves
Parisian label Chuwanaga curated by Clémentine & Saint-James is back in the production game with fresh music from Ishkero, maybe the hottest Jazz-Fusion band of the capital city. Going from Jazz-Funk to Afrobeat through Prog and Psychedelic influences, Brume infuses together killer grooves, irresistible melodies and excellent musicianship. The 12inch, coming with its beautiful illustration, reveals a uniformly good yet diverse musical journey.
Behind Ishkero, you’ll find five young and gifted musicians with strong jazz knowledge: Tao Ehrlich (drums), Adrien « Dridri » Duterte (flute & percussion), Antoine Vidal (bass), Victor Gasq (guitar) and Arnaud Forestier (keys). With its strong evocation power fuelled by their youthful energy and creativity, Ishkero’s music is a one-of-a-kind variation on the Jazz genre. Fusion at its best potential! Expect intense rhythmic sections, virtuoso solos, lush FX sections and robust arrangements. Used to play a lot live, the musicians developed a vigorous connection that really shines on stage and during studio sessions.
Collectively with Saint-James as their co-producer, they recorded Brume in summer 2019 at Studio Delta (Paris) with sound engineer David Cukier aka Greita (Disques Flegon). The first track, "Triple B", is an ode to 70’s jazz-funk carried by Jeff Mercadié’s Sax performance. "Tonik Gin"’s mighty jazz-rock groove which comes afterwards brings the genre to its emotional climax. B side starts with the main track "Brume", bringing together long-tailed reverberated guitars and Mizell-like piano chords for a very warm and hazy effect. As the last track, "Gare De l’Ouest" is a nice jazz variation on the Afrobeat genre, again with Jeff Mercadié on Saxophone.
World Series - Try It Out / Head Over Heels
World Series
Try It Out / Head Over Heels
7" | 1983 | EU | Reissue (Chuwanaga)
10,99 €*
Release:1983 / EU – Reissue
Genre:Organic Grooves
Parisian label Chuwanaga curated by Clémentine & Saint-James is really proud to announce his next release: the reissue of an almost forgotten 7" by Britfunk band World Series, bringing together jazz-funk, AOR and a really funky vibe. A perfect fit for summertime.
Like a good recipe, this little beauty actually got all great ingredients: great Rhodes parts, catchy vocals, solid basslines and lovely Moog-esque synthesizer melodies. "Try It Out" brings together a classy AOR-Funk/Soul vibe with a solide funky groove. On the other side, "Head Over Heels" looks more towards proper british Jazz-Funk territories with its uptempo beat and slapped bass.
Back in the days, World Series was a local live band around North London. They used to tour a lot around early 1980’s in and around London in places like the Bull and Gate in Kentish Town, the Production Village in Cricklewood, The Cricketers at the Oval and Dingwalls in Camden. On the same circuit were bands like Cayenne, Gonzalez, Morrissey Mullen and the Breakfast Band to name a few. In 1983, they recorded a session at Woodcray Manor Studios in Berkshirand and released "Try It Out / Head Over Heels" as a 7" single, financing the pressing. They were actually delighted when one reviewer said they were a bit like Level 42 "but with decent vocals".
Thanks to the original crew, Mike Frankel (Lead Vocals/Guitar), Keith Mawson (Bass), Richard Newell (Drums & Percussion) and Andy Park (Keyboards), Chuwanaga is proud to present you this single with a great artwork from William James Thurman, including also an insert with lyrics and pictures from the band. One not to miss!
V.A. - In The Red
V.A.
In The Red
LP | 2017 | EU | Original (Chuwanaga)
18,99 €*
Release:2017 / EU – Original
Genre:Organic Grooves
Between the end of the 70's and the early 80's, a new sound appeared in London and its surroundings, a unique mix of Funk, Jazz-Funk and Disco labelled as Britfunk. Characterized by its raw energy that can put the needle In The Red, this up-tempo sound was a match for the UK's dancers and Jazz-Funk clubs. This first release by French label Chuwanaga features some of the most exciting, rare and powerful tracks from that era compiled by the Parisian DJ and activist Saint-James, with bands such as Equa, Potion, Inch by Inch, Congress, Index and Spookey. It features also an insert with an in-depth focus on this musical era. These young British musicians were equally inspired by the American Jazz-Funk productions and by Dub music and Reggae pushed by the Afro-Caribbean community who were at the heart of Britfunk’s development. They gave Funk a unique British flavor. However, more than just a music genre or an enclosed expression of black Britishness, it was part of a genuine musical and social movement with its own dedicated labels, fashion sense and most importantly its own set of values that fueled the whole scene. Britfunk built itself within a multicultural evolution: black people, white people, straight and queer, all dancing in the same room to the same loud sound.
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