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V.A. - Heisei No Oto - Japanese Left-Field Pop From The CD Age (1989-1996)
V.A.
Heisei No Oto - Japanese Left-Field Pop From The CD Age (1989-1996)
2CD | 2021 | EU | Original (Music From Memory)
20,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Music From Memory is excited to announce a special compilation that they’ve been working on for some time now; Mfm053 – VA – Heisei No Oto – Japanese Left-field Pop From The CD Age (1989-1996). Compiled by long-time friends of the label, Eiji Taniguchi and Norio Sato, Heisei No Oto delves into a world of music released almost exclusively on CD and brings together a fascinating selection of discoveries from a little known and overlooked part of Japan’s musical history. The last ten or so years have seen a global wave of interest in Japanese music encompassing ambient, jazz, new wave and pop records from the 1980s, some of which is increasingly considered the most innovative and visionary music of that time. Although some music from this period, in the form of ‘City Pop’ or ‘rare groove’ records, had been coveted by collectors and DJs for a number of years, most Japanese music from the time was little known outside and often even within Japan. Sometime around the mid 2000s, two Osaka record store owners, Eiji Taniguchi of Revelation Time and Norio Sato of Rare Groove, along with a handful of deep Japanese diggers such as Chee Shimizu of Organic Music records in Tokyo, began to explore beyond the typical ‘grooves’ or ‘breaks’. Much like their counterparts in Europe and the US, they began delving into home-grown ambient, jazz, new wave and pop records, discovering visionary music, often driven by synthesizers or drum computers, that broke beyond the typical confines of their genres. Spending tireless hours in local record stores and embarking on digging trips across the country, Eiji Taniguchi and Norio Sato, much like Chee Shimizu, have been at the forefront of unearthing and introducing many of the very Japanese records now loved and sought after around the world. Yet as YouTube algorithms and vinyl reissues would transport such music into the global consciousness and demand and therefore scarcity intensified for such records, so Eiji and Norio have recently begun to turn their attention to CDs. The title of the compilation Heisei No Oto refers to the sound of the Heisei era, which began in 1989 and corresponds to the reign of Emperor Akihito until his abdication in 2019. Marking the culmination of one of the most rapid economic growths in Japanese history, 1989 also coincided with the music industry’s final shift away from vinyl in favour of CDs. And, although compact discs were first introduced seven years earlier it wasn’t until late into the ‘80s that, beyond dance music labels, CDs became the exclusive format for major and independent labels in Japan and throughout the world. This however didn’t signal the end of the innovation in Japan. Many of those same musicians who have become known for their work in the ‘80s would continue to produce outstanding music well into the mid ‘90s, as greater innovation and advances in musical equipment allowed Japanese musicians and producers to refine and explore new sounds. While musicians such as the seminal Haruomi Hosono, whose productions feature on a number of tracks, would continue to push the boundaries of these new technologies, these technological advances also meant less established musicians were able to make use of increasingly affordable but state-of-the-art equipment. Including music by Haruomi Hosono as well as Yasuaki Shimizu, Toshifumi Hinata and Ichiko Hashimoto who have become known and loved around the world in recent years, Hesei No Oto also features Japanese pop star Yosui Inoue, producers Jun Sato and Keisuke Kikuchi in aaddition to less established artists from the contemporary, jazz, new wave, pop and dance music scenes. Bringing together a selection of tracks that seem to define these specific genres and in fact move fluidly between a number of them, the music on the compilation is again underscored by experimentations with synthesizers and drum computers though with something of a gentle Pop sensibility. Reimagined here then under the encompassing term ‘Left-field Pop’, this is an exciting chapter in Japanese musical history that has only just begun to be fully explored. VA - Heisei No Oto - Japanese Left-field Pop From The CD Age (1989-1996) is a 2xLP/2xCD that includes liner notes by Chee Shimizu and artwork by Hagihara Takuya and is released on February 28th.
Avalanches, The - Since I Left You 20th Anniversary Deluxe Edition
Avalanches, The
Since I Left You 20th Anniversary Deluxe Edition
2CD | 2021 | UK | Original (XL Recordings)
14,99 €*
Release:2021 / UK – Original
Genre:Electronic / Dance, Pop
The Avalanches are set to commemorate the 20th anniversary of their debut album ‘Since I Left You’ with the release of a deluxe edition this June.

Released in Australia in 2000, and in the US and UK in 2001, ‘Since I Left You’ was hailed as a boundary-pushing release comprised of over 900 individual samples.

The forthcoming deluxe release – out June 4 – features a plethora of additional bonus tracks, including previously unreleased and fresh remixes by the late MF Doom, Black Dice, Leon Vynehall, Sinkane and Carl Craig to name a few. The CD version will also include some of The Avalanches’ remixes of Belle & Sebastian, Manic Street Preachers, Franz Ferdinand and more.
Moby - Reprise
Moby
Reprise
CD | 2021 | EU | Original (Deutsche Grammophon)
19,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance, Classical Music
Moby’s eclectic career has cast him in the roles of electronic dance music pioneer, singer and songwriter, producer, activist, and restaurateur, but for his latest venture he presents his music in a whole new light. Together with Deutsche Grammophon, he is releasing an album of some of his best known tracks in stunning new arrangements for classical instruments – featuring Moby himself and a stellar lineup of collaborators from across the musical spectrum.

Though it was as a creator of dance music that he found fame in the 1990s, Moby’s music has never been easy to pigeonhole – his 1999 smash hit album Play, for instance, drew heavily on samples from Alan Lomax’s archive of field recordings. On this newly announced album, to be released on 26 March 2021, classic Moby songs including “Porcelain”, “Why Does My Heart”, and “Extreme Ways” will be released in innovative new versions. The album concludes with a cover of David Bowie’s “Heroes”.

Always a daring and imaginative thinker, Moby’s first classical collaboration came in October 2018, when he performed a selection of his songs alongside the LA Phil and conductor Gustavo Dudamel. This was the inspiration for the current project, which features not only full orchestral versions but new electronic arrangements, as well as sophisticated smaller-scale acoustic interpretations.

The 14-track album features some eye-catching collaborations including both Jim James (My Morning Jacket) and the acclaimed classical pianist Víkingur Ólafsson on “Porcelain”; Gregory Porter and Amythyst Kiah on “Natural Blues”; and Kris Kristofferson as well as original vocalist Mark Lanegan on “The Lonely Night”.
Burial - Tunes 2011-2019
Degiheugi - Endless Smile
V.A. - Virtual Dreams: Ambient Explorations In The House & Techno Age 1993-1997
V.A.
Virtual Dreams: Ambient Explorations In The House & Techno Age 1993-1997
2CD | 2020 | EU | Original (Music From Memory)
18,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
Music From Memory is delighted to be turning 50 with a special release: Mfm050 - V/A - Virtual Dreams: Ambient Explorations In The House & Techno Age, 1993-1997 (3xLP/2xCD). The first in a series of compilations, alongside more in depth artist-focused releases, Virtual Dreams will delve into music produced during the 1990’s that redefined the boundaries of ‘Ambient’. This was music that explored the possibilities of Ambient music within a new setting, created often by House & Techno music producers for a world beyond dance floors but made very much with the pre and post-clubbing listener in mind. When House and Techno exploded out of America in the mid 1980s a whole generation was redefined not only musically but also culturally and chemically speaking. Peaking, quite literally, with a second ‘Summer of Love’ in 1988, millions of young people across the world would experience the life-changing ups of a brave new world but with it of course came the downs; enter the concept of a ‘Chill-out’ room. Whilst early Chill-out rooms lacked a specific sound and were often soundtracked by music such as reggae and soul, slowly young Techno and House producers themselves would become increasingly interested in developing a futuristic ‘Ambient’ soundtrack to a world beyond the thud of the main room. ‘Ambient’ in this new age now though had sharper teeth than in Brian Eno's key text for ‘Music for Airports’, instead here the sounds were the mode of transport rather than the backdrop. While the melodies were pretty, the soundscape steered away from the pastoral, dreaming of outer-space and technology as opening up exciting new dimensions. Much like in the first Summer Of Love; the musicians were again exploring psychedelic, mind-altering and transcendental possibilities of music. And also much as in the first Summer Of Love, a psychedelic visual language would accompany the music. Though now the tracks could be accompanied by music videos, utilising early CGI techniques, they would look almost entirely to the future: envisioning technology, nature and humanity intertwined in a new Utopian future. Virtual Dreams of a better world. From Ambient and early Chill-out classics, to lesser known one-off projects, as well as Ambient deviations by some of House and Techno’s leading producers, Volume One of Virtual Dreams features tracks by Bedouin Ascent, LA Synthesis, LFO, Marc Hollander, Mark Pritchard & Kirsty Hawkshaw, Richard H. Kirk and more. To celebrate our 50th release the first 1000 copies include a holographic 'Virtual Dreams' sticker plus a special insert poster with artwork by Victoria Pacheco and design by Steele Bonus.
Boards Of Canada - In a beautiful place out in the country
Radiohead - In rainbows
Thomas Köner - Nuuk
Thomas Köner
Nuuk
CD | 2004 | EU | Reissue (Mille Plateaux)
16,99 €*
Release:2004 / EU – Reissue
Genre:Electronic / Dance
Preorder available from 18.06.2021
Thomas Köner is one of the most influential modernist minimal composers. Alongside Wolfgang Voigt’s “Gas” project, Köner has been centrally responsible for electronic music’s fascination with depth and reduction. His signature sound is vast, seemingly endless, which at first seems homogenous and infinite, but once exposed to it, when our senses calibrate to the fine nuances of changes, we discover and immerse into abundance of textures, richness of modulations and almost infinite range of sonic titilations. Köner’s work was inspired by his frequent travels in the Arctic, and listeners feel his music as a journey to mysterious worlds of the Arctic region. The experience of being exposed to the extreme cold, the hightening of our senses and ability to notice even the slightest changes in color, sound, light or density that creates this dangerously reductive environment, is like an immersion in the sonic world of this German artist, where masterfully crafted layers of sound open into colossal spaces, teeming with aural life, waiting to be discovered by those who venture into it. The titles of Köner’s highly regarded albums from the 90’s ever so often play with this affinity - Nunatak, Permafrost, Teimo - all reference to the world of the Artic region, just as his album Nuuk that points us to the capital of Greenland. Subdued and minimal at first glance, this album is brimming with low-end frequences, shadowy resonances and boreal ambience, but at the same time, constant fluctuation and vulnerability of sonic events.
Knife, The - Deep cuts
Knife, The
Deep cuts
CD+DVD | 2004 | US | Original (Rabid)
21,99 €*
Release:2004 / US – Original
Genre:Rock / Indie, Electronic / Dance
14 tracks incl. 6 bonus tracks & 7 videos!
Florian T M Zeisig - Music For Parents
Florian T M Zeisig
Music For Parents
CD | 2021 | UK | Original (Metron)
12,99 €*
Release:2021 / UK – Original
Genre:Electronic / Dance
On a rare trip back to his rural Bavarian hometown, producer and sound-artist Florian T M Zeisig was intrigued by a new addition to his parent's house, a vibroacoustic mattress purchased in the hopes of aiding their chronic sleep issues. Driven by a desire to reconnect in adulthood and help them finally find some rest, Zeisig spent the next two years researching vibroacoustic sound therapy, resulting in his third full-length LP 'Music for Parents'. Building conceptual frameworks around intimate and personal encounters has always been the bedrock of Zeisig's work. His 2020 LP 'Coatcheck' explored emotional, physical and functional experiences of working in nightlife from the perspective of a garderobe attendant, a position he's held at various venues in Berlin over several years. With 'Music for Parents' he turns his attention to themes of sleep and healing, using elements of low-frequency sound therapy to create soothing soundscapes imbued with childhood memories and aspirations for creating better, more accepting familial relationships today. While rooted in the personal, the album was made with all those struggling with anxiety, stress and insomnia in mind. Practically speaking, 'Music for Parents' can be paired with a vibroacoustic mattress or wearable bass device to enhance a listener's experience of the low frequencies. Zeisig will be teaming up with SubPac for a live rendition when gatherings can safely return, and frequently made use of their 'Wearable sub' while composing the record.
Degiheugi - The Broken Symphony
Degiheugi - Abstract Symposium
Degiheugi - Dancing Chords & Fireflies
Degiheugi - Bagatelle
Thomas Fehlmann - Böser Herbst
Thomas Fehlmann
Böser Herbst
CD | 2021 | EU | Original (Kompakt)
13,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance, Soundtracks
For Böser Herbst, Thomas Fehlmann returns to the sediment of ages, drawing from a similar lexicon of sounds to that used on 2018’s ‘1929 – Das Jahr Babylon’. Like that album, Böser Herbst was produced as the soundtrack to a documentary made by Volker Heise, ‘Herbst 1929, Schatten Über Babylon’, which offers historical insight to the third season of the television series Babylon Berlin. It adds yet another string to the bow of this most forward-thinking and creative artist, whose history takes in NDW (Palais Schaumburg), techno (3mb) and psychedelic ambience (The Orb), plus a clutch of gorgeous solo albums that explore wide terrain, from the dancefloor through supine home listening to compelling soundtrack work. Fehlmann’s approach here was to ‘capture’ samples of contemporaneous music, “picking up the dirt and dust of original 1920s archive sound and music excerpts and shaping the essence into this selection of tunes,” he recalls. After delivering the material to the editing room, Fehlmann “threw all the pieces up in the air, deliberately lost the overview in consequence, researched the atmospheric thread and assembled it for this album.” That explains the singular nature of the material here, and its ability to sit together so neatly and discretely, as its own entity. For Böser Herbst is a music box of possibilities, shadowed by its historical provenance, but never crudely beholden to it, rather “keeping the references only as a distant nod, a scent.” It’s certainly an evocative listen, a cornucopia of textural pleasure and sensual, tactile assemblage. The spiralling, psychedelic cycle of “Karnickel” winds its way between the ears like thread to the needle; “Mit Ausblick” immerses the listener in deep, gaseous tones, only to be lifted into the air by the glassy drones of “Umarmt”. “Wunschwechsler” crackles with the unpredictability of weather systems while a guitar-like loop unspools across the horizon. Throughout, you can catch tiny tastes of the source material, but they’re pressed into greater service, Fehlmann using these sources for their evocative capacity and then saturating them with grain and rumble, abstracting outwards. It’s a music of temporal disjuncture and clairvoyant resonance, “speaking with the past – alert, distant and quixotic.”
V.A. - A Strangely Isolated Place 2020
V.A.
A Strangely Isolated Place 2020
CD | 2021 | US | Original (A Strangely Isolated Place)
11,99 €*
Release:2021 / US – Original
Genre:Electronic / Dance
A showcase of tracks from our 2020 releases, what a year on many fronts. Without getting way off-topic, the label had one of its strongest years to date in terms of output. Returning Asip artists kicked off 2020, with Leandro Fresco & Rafael Anton Irisarri; then Merrin Karras a few months later; and Christian Kleine propping up the latter half of the year. However, the bulk of the year's physical releases hosted debuts on the label- Blinkar fran Norr, Wanderwelle, Gaston Arevalo, Quiet Places, Damm and Gadi Sassoon. It was a year when we embraced a few more digital releases too, as a result of Bandcamp Friday, Olga Wojciechowska, Markus Guentner and Merrin Karras sneaked in some unexpected, yet welcome music.
WhoMadeWho - Synchronicity
WhoMadeWho
Synchronicity
CD | 2020 | EU | Original (Kompakt)
13,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
“We have always been very fortunate to meet and know many talented producers. In recent years, we have been exploring those relationships with different remixes and collaborations, and every time something exciting came out. That’s why we started our Synchronicity project. To challenge ourselves making inspiring, fun and beautiful music.‘Synchronicity’ means "the simultaneous occurrence of events which appear significantly related but have no discernible causal connection. This very well describes how our path led to the place we are now – somewhere between the club and indie scenes.” – WhoMadeWho. Kompakt welcomes back Copenhagen’s WhoMadeWho. Tomas Barfod’s penchant for electronic music poetically juxtaposed with Tomas Høffding and Jeppe Kjellberg’s respective backgrounds in rock and jazz, gives their music an electrifying combination of sounds, merging a variety of influences to produce a unique sonic fingerprint that is emotive, irresistible and immensely satisfying.
Interstellar Funk - Artificial Dancers - Waves Of Synth
Interstellar Funk
Artificial Dancers - Waves Of Synth
CD | 2020 | EU | Original (Rush Hour)
14,99 €*
Release:2020 / EU – Original
Genre:Rock / Indie, Electronic / Dance, Pop
Birthed at the turn of the ‘80s, synth and wave music has remained a constant force over the last four decades, with a recent spike in interest in the sound offering further proof of its’ timeless, out-of-this-world quality. It’s against this backdrop that Dutch DJ Interstellar Funk presents his celebration of the style, “Artificial Dancers – Waves of Synth”.
A bumper compilation bristling with obscure and hard-to-find gems, the set sees the Artificial Dance label founder joining the dots between synthesizer and drum machine-driven tracks in a variety of subtly different styles. It’s the result of hundreds of hours spent digging through dusty old records, tapes, and the Bandcamp accounts of DIY musicians who have been active since the sound’s first boom in the early 1980s.
The 11-track set draws on tracks made and released at different times over the last 40 years, with the earliest cut committed to tape in 1978 and the most recent in 2018. While the tracks date from the ‘80s, ‘90s, noughties and 2010s, the showcased cuts are united by a primitive but futuristic quality that makes dating them difficult. In many cases, it’s hard to tell which tracks were made in the early 1980s and which were conjured up in 21st century studios.
As you’d expect, highlights are plentiful with a number of the most unknown or sought-after cuts appearing on vinyl for the first time. In this category you’ll find the Human League’s odd but inspired early number “4JG”, a near mythical 1982 live version of Liasons Dangereuses’ “Dias Cortas” (previously only available on a VHS video) and Chris and Cosey’s “Hybrid C”, a brilliant mid-’90s cut plucked from their CD-only album “Skimble Skamble”. You’ll also find a rare demo version of Clan of Xymox’s Dutch darkwave classic “Stranger”, which became a club smash across Europe in 1983.
Interstellar Funk has also chosen to showcase tracks by a range of DIY producers and lesser-known artists. These include Californian band Batang Frisco, who self-released a sole private press album in 1986 (their contribution, “Sewing Machine”, is dedicated to founder member Bill DiMichele, who passed away this year), Matthias Schuster’s Im Namen Des Volkes project – which contributes the previously unreleased 2014 track “Alles Ist Gewinn” – and Zahgurim, a short-lived early ‘80s act who reunited in 2018 to record their first new material since 1983.
If that wasn’t enough to set pulses racing, the compilation also showcases a solo track by sadly departed Psyche member Stephen Huss. Nobody is quite sure when Huss recorded “Infinity Sign”, but we can confirm this is the first time that one of his solo productions has ever appeared on vinyl.
Trickfinger (John Frusciante) - She Smiles Because She Presses The Button
Trickfinger (John Frusciante)
She Smiles Because She Presses The Button
CD | 2020 | EU | Original (Avenue 66)
13,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date. Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. “Amb” is the welcome middle-ground between Balearic and IDM while “Brise” with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, “intelligent” ambient. The common thread through this quixotic journey are his trademark, timeless melodies. For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he’s exhibited through-out his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Douglas Greed - Angst
Douglas Greed
Angst
CD | 2020 | EU | Original (3000 Grad)
13,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance, Pop
After half a decade of wait, Berlin-based producer Douglas Greed makes his long-awaited return with 'Angst' - the 10-track followup to his 2014-on BPitch Control released album, 'Driven'. Fruit of a transitional period that's seen him go through all kinds of creative ups and downs, 'Angst' refers to the inherent ambivalence attached to the sentiment of fear. In Douglas' case, fear - though crippling at times - is also what makes him tick; the catalystic force that pushes him to outdo and reinvent himself so constantly. Born out of the hope to find that crucial innocence of his younger music-loving self again, 'Angst' finds Douglas brushing a ten-part tableau of warmly atmospheric, quietly nostalgic pieces, in the tradition of his previous releases for BPitch, Freude Am Tanzen, 3000 Grad et al - whether solo or under his parallel project YEAH BUT NO alongside Fabian Kuss and EATING SNOW with Mooryc. Infused with the refined pop sensibility that's become trademark to his sound, the album reels out a soul-fulfilling narrative that very much feels like a second wind; deftly swinging the pendulum betwixt sun-streaked melodies, transporting emotional crescendos and intricately woven textural membranes to lose yourself into.
V.A. - Velvet Desert Music Volume 2
V.A.
Velvet Desert Music Volume 2
CD | 2020 | EU | Original (Kompakt)
12,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
A download code is included. With Velvet Desert Music Vol. 2, curator Jörg Burger has intensified his vision for this new series of compilations on Kompakt. The music he’s collected here has a unique vibration, perhaps an audio equivalent to the legendary ‘acid Western’ films of the 1960s and 1970s, when the wild frontier logic of the western met the consciousness-altering psychedelia of the counterculture. ‘Velvet Desert Music’ is Burger exploring possibilities: what happens when you extract the essence from genres as diverse as spaghetti Western soundtracks, moody lamp-lit pop, downtempo, Krautrock, minimalism, classic ‘60s psychedelia, and more, and let their scents intermingle, Des Esseintes-style?
V.A. - Black Riot: Early Jungle, Rave And Hardcore
V.A.
Black Riot: Early Jungle, Rave And Hardcore
CD | 2020 | UK | Original (Soul Jazz)
14,99 €*
Release:2020 / UK – Original
Genre:Electronic / Dance
Soul Jazz Records’ new Black Riot: Early Jungle, Rave and Hardcore is a brand new collection of heavyweight ragga-influenced hardcore jungle tracks from the early 1990s. Dark and heavy!
Featuring classic and seminal tracks from the likes of Levictus and Krome &Time, alongside a host of rare and little-known ragga & junglist hardcore tunes from the likes of Babylon Timewarp’s hypnotic Durban Poison, Rhythm for Reasons’ mad ‘The Smokers Rhythm’, The Freaky rave-y breakbeat sound of ‘Time and Age,’ Trip One’s super dark ‘Snowball’ and loads more!
Expect super heavy basslines, equally heavy twisted Amen drum loops, even heavier ragga vocals! Original jungle style – roots and culture – from the earliest days of drum and bass.
Included with the first edition of the Black Riot vinyl and CD is a very limited-edition free graphic mini-novel “Black Riot: The Mysterons save Planet Earth from the Xatheroid Angels.” This is the third collaboration between writer Paulo Parisi and Soul Jazz Records. This new graphic story continues the story of black electronic dance music – this time set in London circa 1992 and continues onwards from Soul Jazz’s earlier ‘Invasion of the Killer Mysterons’ (Jamaican electronic dub, co-compiled by Kevin Martin (The Bug)) and ‘Mysterons Invade the Jackin’ Zone’ (about Chicago Acid & Experimental House 1986-93).
Yoshio Ojima - Une Collection Des Chainons I+II: Music
Yoshio Ojima
Une Collection Des Chainons I+II: Music
2CD | 2019 | EU | Original (WRWTFWW)
18,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Info WRWTFWW Records is insanely happy to announce the first ever double CD reissue for both volumes of Yoshio Ojima’s superb environmental music project Une Collection des Chaînons I and II: Music For Spiral, originally released in 1988. The twenty track opus is sourced from original masters and comes as a double digipack CD with liner notes in English and Japanese. This marks the inaugural release from the Esplanade Series by WRWTFWW Records which focuses on the works of Yoshio Ojima and friends. Une Collection des Chaînons I and II gathers selected music pieces conceptualized and produced for sound-designing the Wacoal Art Center in Aoyama (Tokyo) also known as Spiral, a hub for a wide range of sophisticated cultural proposals spanning visual arts, theatre, music, design, fashion, and lifestyle. Named after its superb curled-shaped structures laid in a vast atrium, Spiral is a monumental work of architecture by Fumihiko Maki
V.A. - Velvet Desert Music Volume 1
V.A.
Velvet Desert Music Volume 1
CD | 2019 | EU | Original (Kompakt)
12,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Terrapin, The Modernist, Burger / Ink, The Novotones, Cologne Tape, Fantastic Twins, Rebolledo & The Novotones, Paulor, Xu Xu Fang, Sascha Funke & Cosmo Vitelli, Kenneth James Gibson. Velvet Desert Music Vol. 1 introduces a new compilation series on Kompakt, curated by one of Cologne’s leading figures in electronic music, Jörg Burger (aka The Modernist, The Bionaut, Burger/Ink and many more). Velvet Desert Music Vol. 1 combines elements of rock, folk, country, surf, krautrock and psychedelic in contemporary electronic music.
Efdemin - New Atlantis
Efdemin
New Atlantis
CD | 2019 | EU | Original (Ostgut Ton)
12,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Oh, lovely appearance of death, No sight upon earth is so fair; Not all the gay pageants that breathe, Can with a dead body compare.– Charles Wesley, A Funeral Hymn for a Believer, 1780. So begins New Atlantis, the fourth full-length album by longtime Berghain resident Efdemin aka Phillip Sollmann. The words, sung by 60s California art icon William T. Wiley and embedded in glowing drone swells, set an otherworldly tone for Sollmann’s first solo release on Ostgut Ton. Over eight tracks, New Atlantis oscillates between fast, kaleidoscopic techno, multilayered drones and acoustic instrumentation, fusing for the first time Sollmann’s deep dancefloor productions as Efdemin with his sound art and experimental music projects. The latter include 2017’s Harry Partch- inspired Monophonie performance and 2018’s Panama / Suez EP with Oren Ambarchi and Konrad Sprenger. Long drawn to utopian musical traditions, Sollmann took inspiration for New Atlantis from Francis Bacon’s unfinished 17th century novel of the same name, which describes a fictional island devoted to social progress through the synthesis of art, science, technology and fashion. In the story, Bacon imagines futuristic ‘sound houses’, which contain musical instruments capable of recreating the entirety of the sounds of the universe; a 400-year-old prophesy of today’s digital sonic reality. Through Sollmann’s lens, Bacon’s vision ebbs and flows over 50 minutes in varying speeds and colors, emerging as a tapestry of different utopian musical traditions – through billowing synth lines, early Detroit techno, resonant wooden percussion, trance, droning organs, dulcimer, electric guitars, hurdy-gurdy, just intonation, poetry, hymns and murmuring voices. Sometimes they merge into epic, rhythmic journeys like the 14-minute long title track; other times they appear as a briefly open sound portal (“Temple”), or in the forlorn human voice on “Oh, Lovely Appearance Of Death”, calling to be freed from jail of the human body and pass into the afterlife. Like previous Efdemin albums on Dial, New Atlantis veers off the techno path to explore other musical territory. Here however, Sollmann occasionally abandons the club entirely, returning only to push its boundaries with other instruments, mythologies and psychedelic story telling.
Robert Hood - DJ Kicks
Robert Hood
DJ Kicks
CD | 2018 | EU | Original (!K7)
15,99 €*
Release:2018 / EU – Original
Genre:Electronic / Dance
Detroit’s pioneering techno giant Robert Hood is next to take the reins of the DJ-Kicks mix series. His timeless 22 track offering includes four of his own new exclusives, and will come on CD as well as with a 2 x 12” vinyl sampler.
Justice - Woman Worldwide
V.A. - Source Book 1
V.A.
Source Book 1
CD+Book | 2017 | EU | Original (Raster-Noton)
82,99 €*
Release:2017 / EU – Original
Genre:Electronic / Dance
The publication Source Book 1 represents the beginning of a and authorized review of the past 20 years of the label Raster-Noton. A short introductory preface by olaf bender is followed by a keynote interview conducted by berlin publicist Max Dax that provides an insight into the identity and philosophy of the label heads. The main part of this first Source Book comprises the extensive catalog of all releases and series published between 1996 and 2016. Tabular listings of various formats and products that were distributed or curated by Raster-Noton complete the catalog. A further exclusive part of the publication is the accompanying Archiv 4 CD, which is only available in connection with the book. Raster-Noton‘s Archiv series was first introduced in december 2003 as a supplement to The Wire magazine and has since been continued in loose sequence with different artists related to the label. Following the idea of the label which defines itself as a platform for its artists, the releases in the catalog part are not presented according to their format, invested effort or meaning, but sorted according to their catalog number and presented on exactly one double page, whereas some series were summarized. As a continuation of this archival revision, further »source books« are planned that will document artist profiles, installations, composition techniques and sources of inspiration. The Source Book 1« is limited to 1.000 copies. Its modular design allows to remove, exchange or add pages, which makes it possible to update the content in due time. A cardboard slipcase covers the 400-page, 3-kilo book and guarantees a safe stand in the bookshelf.
Bonobo - Migration
Bonobo
Migration
CD | 2016 | UK | Original (Ninja Tune)
16,99 €*
Release:2016 / UK – Original
Genre:Electronic / Dance
New music from Simon Green aka Bonobo is always an event, but when it heralds the arrival of a whole new album (his first since 2013’s “The North Borders”), it’s really something to get excited about. The masterful, magisterial “Migration” is Green’s sixth album and it’s a record which cements his place in the very highest echelons of electronic music and beyond.
It might be difficult to imagine it, but “Migration” will take his beautiful, emotive, intricate music to an even bigger audience. “My own personal idea of identity has played into this record and the theme of migration,” Green explains. “Is home where you are or where you are from, when you move around?” The personal, it seems, can also be universal.
Yussef Kamaal (Yussef Dayes & Kamaal Williams aka Henry Wu) - Black Focus
Yussef Kamaal (Yussef Dayes & Kamaal Williams aka Henry Wu)
Black Focus
CD | 2016 | UK | Original (Brownswood)
17,99 €*
Release:2016 / UK – Original
Genre:Organic Grooves, Electronic / Dance
The borders between London’s musical tribes have always been porous. For Yussef Kamaal, the sound of the capital – with its hum of jungle, grime and broken beat – has shaped a self-taught, UK-tipped approach to playing jazz. In the states, the genre’s long-running to-and-fro with hip hop – from Robert Glasper to Kamasi Washington – has reimagined it within US culture. On Black Focus, Yussef Kamaal frame jazz inside the bass-saturated, pirate radio broadcasts of London.

Taking inspiration from the anything-goes spirit of ‘70s jazz-funk, on albums by Herbie Hancock or the Mahavishnu Orchestra, it’s a loose template with plenty of room to experiment. The pair, made up of Yussef Dayes and Kamaal Williams (aka Henry Wu), have had little in the way of formal training. Instead, their musical tastes – and approach to playing – are indebted to Thelonious Monk’s piano as much as the drum programming of Kaidi Tatham.

“It's all about the drums and the keys,” Williams says. “Not to take anything from anyone else, but that's where it all originates from: the chords, the rhythm of the chords and the drums.” Born out of a one-off live session to perform Williams’ solo material for Boiler Room, it soon became a project in its own right. Coming together as Yussef Kamaal, they played a series of live shows where little more than a chord progression would be planned before taking to the stage

Bringing that unspoken understanding to the recording sessions (engineered by Malcolm Catto of The Heliocentrics), the unplanned, telepathically spawned grooves retain the raw energy of their live shows. “It's not so much about complete arrangement, it's more about flow,” Dayes says. “A lot of the tracks are just made spontaneously – Henry will be playing two chords, I'll fill in the groove and we'll just leave the arrangement naturally.”

Both hail from South East London, crossing paths in 2007 as teenagers playing their first pub gigs around Peckham and Camberwell. Dayes drums for cosmically-inclined, afrobeat outfit United Vibrations, while Williams – on top of drumming and playing keys in different incarnations over the years – has made waves with his solo, synth-draped house 12"s for much-fêted labels like 22a and Rhythm Section.
Motor City Drum Ensemble - Selectors 001
Motor City Drum Ensemble
Selectors 001
CD | 2016 | EU | Original (Dekmantel)
13,99 €*
Release:2016 / EU – Original
Genre:Electronic / Dance
MCDE shares some of his most prized gems on this compilation that kicks of the limited Dekmantel 'Selectors' series. Check!
DJ Shadow - Endtroducing deluxe edition
DJ Shadow
Endtroducing deluxe edition
2CD | 2005 | EU | Reissue (Island)
11,99 €*
Release:2005 / EU – Reissue
Genre:Hip Hop, Electronic / Dance
classic 13 tracks plus full length bonus cd with alternate mixes and unreleased bonus material !
Bonobo - The North Borders
Guts - Paradise For All
Guts
Paradise For All
CD | 2012 | EU | Original (Heavenly Sweetness)
16,99 €*
Release:2012 / EU – Original
Genre:Electronic / Dance
When she decided to buy her son a record every time he got good marks at school, Guts’s mum didn’t realise the terrible effect this would have. Was she dreaming of a sparkling academic career for her son? Well instead she got him hooked on a habit you can never kick: music
GUTS is one of the most famous French beatmaker. He founded the band ALLIANCE ETHNIK which had a strong success in the mid 90’s and spent all these years perfecting his skills alongside Bob Power, Rahzel (The Roots), De La Soul, Common and Biz Markie.
After the band break up in 1999, he did beats for French hip hop band like Sages poetes, Svinkels and Big red (half of Raggasonic). Big Red album production led him to Jamaica where he collaborated with Anthony B, Michael Rose, Sugar Minott…
2007 represented a first major change. Having lived in Paris up till then, he headed for Ibiza. Not for the clubs, though. Instead, in the company of his best friend, the MPC4000 and his precious vinyl record collection, he concocted his first solo album, Guts le Bienheureux. Released on UK label Wax On Records (set up by DJ EASE of Nightmares On Wax), this pack of little instrumental energy pills brought him to international attention on the back of And The Leaving Is Easy and its mariachi brass riffs.
The next step was producing his own records on the Pura Vida Music label that he founded and used to release Freedom, his second album. The tracks are more structured and crammed with subliminal samples that take us through gentle landscapes or plumb dark, dark depths. They extend to over three minutes, which means he can now interest ears other than ones wedded to hip-hop.
The tracks are more structured and crammed with subliminal samples that take us through gentle landscapes or plumb dark, dark depths. They extend to over three minutes, which means he can now interest ears other than ones wedded to hip-hop. these 11 tracks
The 2011 EP Rage Against My Computer brought his do-it-yourself hiatus to a close and Heavenly Sweetness’s release of Paradise For All confirms this. Paradise for all is an attractive prospect and Guts proves it is not beyond him as he does his level best to keep his promise with these 11 tracks.
Drexciya - Journey Of The Deep Sea Dweller I
Drexciya
Journey Of The Deep Sea Dweller I
CD | 2011 | EU | Original (Clone Classic Cuts)
14,99 €*
Release:2011 / EU – Original
Genre:Electronic / Dance
First part of the Drexciya re-issue series! Drexciya is one of the most influential techno project ever. Part of the heritage of Detroit's Underground Resistance, he explored techno music like no-one else before. The aesthetics and the mythical approach combined with the unique music made this one of the biggest cult projects in techno music. Drexciya arguably stands for the darker side of techno and electro.
Chinese Man - Racing with the Sun
Chinese Man
Racing with the Sun
CD | 2011 | EU | Original (Chinese Man Records)
12,99 €*
Release:2011 / EU – Original
Genre:Hip Hop, Electronic / Dance
On the heels of two volumes of the “Groove Sessions” compilations, the time had come for the three warriors of Zen mind to set their course
by the sun and create a real first album of Hip Hop, Dub, Electro and other sounds if compatible...
Paul Kalkbrenner - OST Berlin calling
Paul Kalkbrenner
OST Berlin calling
CD | 2008 | EU | Original (BPitch)
11,69 €* 12,99 € -10%
Release:2008 / EU – Original
Genre:Electronic / Dance, Soundtracks
Containing ten exclusive tracks and six previously released cuts, this Paul Kalkbrenner album soundtracks a new film in which Kalkbrenner stars as a Berlin-based dance music producer and DJ who finds himself institutionalised after a heavy night of drug-fuelled debauchery.
Snoop Dogg - Greatest Hits On Death Row Records
Snoop Dogg
Greatest Hits On Death Row Records
CD+DVD | 2007 | US | Original (Death Row)
17,99 €*
Release:2007 / US – Original
Genre:Hip Hop, Electronic / Dance
deluxe edition incl. bonus DVD with 7 classic music videos!
Coil - Love's Secret Domain 30th Anniversar Edition
Coil
Love's Secret Domain 30th Anniversar Edition
CD | 1991 | US | Reissue (Wax Trax!)
16,99 €*
Release:1991 / US – Reissue
Genre:Rock / Indie, Electronic / Dance
Preorder available from 25.06.2021
The CD Edition includes the remastered 13 tracks and reproduces the original Wax Trax! booklet utilizing new photographs of the Steven Stapleton painting.
cv313 - Analogue Oceans Current Iv + V Limited Edition Series
cv313
Analogue Oceans Current Iv + V Limited Edition Series
2CD | 2020 | EU | Original (echospace [detroit])
24,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
Preorder available from 02.07.2021
Limited 2xcd edition inspired by and created during the production of "analogue oceans", these two versions were omitted due to their 60+ track lengths. This release features current IV [subduction] and current V [obduction], the last 2 closing pieces of this ethereal opus cv313 has created, a mind shifting movement of electricity modulates voltage and currents into a sonic world like no other. Anyone in love with the original will have so much to adore here, this is hands down some of most engaging sounds this project has ever explored! "The sound of water is deep, its form is serpent-like, its color green, and it is best heard in the roaring of the sea." -The Sufi Teaching of Hazrat Inayat Khan This mysticism is the essence of our time. Engineered, written & produced by cv313. Tape Transfers, digital conversion and mix downs in Echospace. Additional Modular development and Reproduction by Variant. Conceptualized with @ Antique Modulation, Ann Arbor / Detroit, MI circa 2012-2013. Field recordings conducted in Gamma, Japan & Maui, Hi.
James Blake - James Blake HHV Bundle
James Blake
James Blake HHV Bundle
CD | 2011 | EU | Original (Atlas)
14,99 €*
Release:2011 / EU – Original
Genre:Electronic / Dance
One of the suggested bangers for 2011, James Blake with his self-titled "James Blake" debut will surely blow our minds, ppowww!
Radius / Cv313 - Interpolation Tapes 0/3
Radius / Cv313
Interpolation Tapes 0/3
CD | 2021 | UK | Original (Echospace)
17,99 €*
Release:2021 / UK – Original
Genre:Electronic / Dance
Preorder available from 25.06.2021
This marks the final installment of Radius's "Interpolation Tapes" series, lovingly re-mastered in Echospace. All previously unreleased material culled from the vaults, these masters were one of the first Demo Tapes of the Radius project and where many of the sound sources for the series were conceived. We've spent months doing our best to restore the old tapes from our Tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. We've had nearly every component replaced and re-calibrated to bring this obsolete machine back to life, it's been a truly nostalgic experience re-visiting and redesigning these masters. The first mix is an unreleased version rewired and reshaped by the cv313 project, taking cues from the original source material and developing it into an ocean of analogue bliss! We truly hope you enjoy reliving these magical times of music, very inspired by all that was happening in those years, there was just something in the air, an undeniable energy, long may it live on...
V.A. - Magnatron III
V.A.
Magnatron III
CD | 2020 | US | Original (New Retro Wave)
12,99 €*
Release:2020 / US – Original
Genre:Electronic / Dance
It is finally here. The longly awaited finale to the Magnatron series is now ready to be unleashed. Packed with immense Retrowave and Electro talent, Magnatron III pushes synth into new robust dimensions and promises to leave your retro-soul satisfied. A must for all Cyberpunk and Retrowave Audiophiles. Enjoy!

Magnus Webb faces his final mission. Destroy Godwave or face the end! An explosive end to an ongoing battle for balance.
Bigeneric (Marco Repetto Of Grauzone) - Helva
Bigeneric (Marco Repetto Of Grauzone)
Helva
2CD | 2021 | EU | Original (Inzec)
18,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Preorder available from 25.06.2021
In the fall of 2016, having overcome serious health issues, Marco Repetto – Bigeneric – begins to weave new delicate soundscapes from a place of stillness, unaware of his emerging role in the fabled magic web of the fairy queen Helva. Inspired by an encounter with the storyteller Andreas Sommer and the legend of Helva, the fairy queen who lives on the Gantrisch mountain, and another gentle message from the universe, Marco Repetto merges his electronic strands of magical sounds into a tender and mystical composition he names Helva. Helva is a cinematic work of sound with long, hypnotically mesmeric tonal progressions and subtle ambient colors, combining influences from the electronic avant-garde and the futuristic spectrum of contemporary electronic music. This is the spiritual soundtrack of the Heart Rebels Gang who ceaselessly radiate into the world a powerful and profound force of beauty
Barbara Morgenstern - The Grass Is Always Greener
Terminal - Terminal
Liminanas, The & Laurent Garnier - De Pelicula
Liminanas, The & Laurent Garnier
De Pelicula
CD | 2021 | EU | Original (Because Music)
16,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Preorder available from 10.09.2021
The psychedelic garage duo The Liminanas and French techno pioneer DJ/producer Laurent Garnier have now produced together “De Pelicula”. The result is neither a Limiñanas techno record nor a Laurent Garnier rock album . It is a record that feels like a walk on the wild side, one straight out of a film noir that was spawned from the need to write music that tells a story and rattles all traditional patterns in a (super)sonic trance. A heated road-trip spent chasing Juliette and Saul, two teenage rascals straight out of a ‘60s classic - think “Breathless” (original title: A bout de Souffle) meets Sailor and Lula - balancing on the southern border with Spain, knocked out by the heat and cheap liquor.
Henry Kawahara - Cybernetic Defiance And Orgasm: The Essential Henry Kawahara
Henry Kawahara
Cybernetic Defiance And Orgasm: The Essential Henry Kawahara
3CD | 2021 | EU | Original (EM Records)
27,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Preorder available from 25.06.2021
Here is a portal to a vast and relatively unknown world, the Japanese cyber-occult underground media scene of the early 1990s; our guide is the late Henry Kawahara, a media artist and electronic music producer whose expansive and visionary conception of digital technology merged with a desire to break free of the constraints of mere rationality.

This collection, the first-ever archival release of his work, is drawn from recordings released during the period 1991-1996, an exceptionally fertile time for Kawahara. Originally released on CD by a few Japanese independent labels including Hachiman Publishing, a cyber-occult / new-age / old shinto book specialist, the releases were available mainly in book stores, so this sumptuous and prescient music has remained relatively unknown. The original titles and tag lines of the CDs give clues about Kawahara’s interests and the music itself: Digital Mushroom, Subtropical Illusion, Never-ending Asia, and so on. This 15-track gateway compilation is available on double 12” vinyl and CD; the CD version has two extra discs featuring sound from two art installations entitled Dysteleology - α and Dysteleolog - β from the 1990s. All formats feature extensive English liner notes. Cover art by 2yang, with liner notes by Keisuke Oki and Koki Emura, with an interview of Sūgen Takeda (Hachiman Publishings)

"Henry Kawahara has been called “the Jon Hassell of Japan”, but upon closer inspection one finds that his work operates on very different terms. Like Hosono's forays into computerized Ryukyu folk “sightseeing music” or Tsutomu Ōhashi's Ecophony trilogy, Kawahara's world projected ancient musical traditions and notions of cultural identity onto the modern digital plane through a fusion of cybernetic thinking and pan-asian cultural introspection that makes Western attempts to do the same seem quaint in comparison. Kawahara's omnidirectional sound “illusions” were constructed not as albums but psychological experiences, billowing with a then-nascent notion of early 90s cybernetic spirituality that was proliferating on both sides of the Pacific as the hyperlinked state of global connectivity we know today was just beginning to crystalize. Through digital representations of folk instruments, shifting Midi sequencing and custom binaural recording technology he aimed for psychoacoustic effect as much as artistic, all via a countercultural form of distribution untethered from the commercial expectations of post-bubble modes of artistic production. This EM collection draws out the best of his fruitful early-mid 90s period into a revelatory sequence, generously opening Kawahara's world to all." — Spencer Doran (Visible Cloaks)
Leslie Winer - When I Hit You You'll Feel It
Leslie Winer
When I Hit You You'll Feel It
CD | 2021 | US | Original (Light In The Attic)
16,99 €*
Release:2021 / US – Original
Genre:Electronic / Dance
Preorder available from 30.07.2021
Definitive career-spanning anthology
Includes previously unreleased tracks, inspired collaborations, and material from Leslie’s groundbreaking 1990 solo debut, Witch
Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, Christophe Van Huffel, Jay Glass Dubs, Mari G. Mooney, and Diamond Version, amongst others
Newly remastered by the GRAMMY®-nominated engineer John Baldwin
24-page booklet featuring a new, extensive interview with Leslie and liner notes by acclaimed author, critic and compilation co-producer Wyndham Wallace, along with an essay by award-winning writer and scholar Louis Chude-Sokei
Cover collage by renowned British artist Linder, featuring photography by Mondino, and design by designer Christopher Shannon

“The definition of a hidden gem” – John Peel

“The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life.” – Max Richter

“She might just be the coolest woman on the planet!” – Boy George

Light in the Attic is ecstatic to announce When I Hit You—You’ll Feel It: a 16-track anthology that celebrates the extraordinary work of musician, poet, and author, Leslie Winer. When I Hit You—You’ll Feel It spans Winer’s three-decade-long musical career: from her groundbreaking solo work in the early ‘90s to her latest inspired projects. Featuring musical contributions from Jon Hassell, Helen Terry, Jah Wobble, Renegade Soundwave’s Karl Bonnie, and others, the collection also spotlights Winer’s diverse collaborations, and unearths previously-unreleased recordings.

Newly remastered by the GRAMMY®-nominated engineer John Baldwin, When I Hit You—You’ll Feel It will be available in multiple special 2xLP editions, on CD, and across digital platforms. The album includes a new interview with Winer, captured by the compilation’s co-producer, acclaimed author and critic Wyndham Wallace. Rounding out the package is an insightful essay by the award-winning writer and scholar Louis Chude-Sokei and an original cover collage by the renowned British photographer and artist, Linder, featuring photography by Mondino, and design by designer Christopher Shannon.

MORE ABOUT LESLIE WINER….

Musician, poet, iconoclast, model, artist, enigma. Leslie Winer is many things.

Born to a teenage mother and sold for $10,000 in a black market adoption when she was just hours old, Winer has always lived an uncommon life. She grew up in Boston with a voracious appetite for music and the written word and embraced the city’s lively jazz and folk scene in the ‘70s. Moving to New York for art school, she gravitated towards a vibrant crowd of intellectuals, artists, and radical thinkers—or perhaps they gravitated towards her.

There, Winer formed an unlikely friendship with writer and artist William S. Burroughs and lived on-and-off with Jean-Michel Basquiat. In London, where Winer began her musical ventures in earnest, she was a regular at Leigh Bowery’s underground club Taboo, where she met many of her collaborators, including filmmaker John Maybury, Kevin Mooney (of Adam and the Ants), and Boy George, who once declared that Winer “might just be the coolest woman on the planet!”

Winer’s striking looks also attracted fashion designers and photographers. Throughout the early ‘80s, she was an in-demand model—appearing in campaigns for Valentino, Christian Dior, and Yohji Yamamoto, and serving as a muse for a young Jean-Paul Gaultier, who later dubbed Winer “the first androgynous model.” She posed for Helmut Newton, Irving Penn, and Pierre et Gilles, and graced the covers of The Face, French and Italian editions of Vogue, and Mademoiselle.

But music was Winer’s true passion and, at the turn of the ‘90s, she would unknowingly help invent the massively popular genre known today as trip-hop.

On her debut, Witch, Winer masterfully blended the uninhibited sampling of early hip-hop with dancehall basslines and programmed beats, while weaving mesmerizing—and coolly-detached—spoken-word vocals into her ambient tracks. It was unorthodox in the most delicious ways.

The album was a bold experiment by the self-taught artist, who enlisted a number of talented musicians in the sessions, including Culture Club’s Helen Terry, Karl Bonnie of Renegade Soundwave, former Public Image Ltd. bassist Jah Wobble, and Kevin Mooney, as well as Marco Pirroni and Matthew Ashman (both of Adam and the Ants, among other acts).

While Witch was finished in 1990, it wouldn’t be released for three years, due to the whims of Winer’s label. In the meantime, several tracks made their way out into the world as early as June 1990, thanks to BBC Radio 1 DJ John Peel, who later referred to Witch as “the definition of a hidden gem.”

Opening with the laid-back dub beats and soft, sing-songy chorus of “He Was,” Witch features such highlights as the up-tempo “Skin,” the hypnotic, bass-heavy “The Boy Who Used 2 Whistle,” and the album’s closer, “Dream 1,” in which waves of reverb-soaked vocals bounce from one ear the other.

While sonically, Winer was breaking new ground, she was also bringing a fresh, incendiary take on what it means to be a woman in the music business, as embodied by her composition “N1 Ear,” in which she delivers a scorching, feminist manifesto, borrowed from the Women’s Liberation Broadsheet: “If I get raped it must be my fault / And if get bashed I must’ve provoked it / And if I raise my voice I’m a nagging bitch / And if I like fucking I’m a whore…And if I ask my doctor too many questions I’m neurotic and need pills / Because I still can’t get a safe birth control while some fucker’s roaming the moon.”

Winer had every right to vent her frustrations as a woman in music. Despite her fierce demeanor and steadfast focus, she was consistently disregarded and typecast by the industry. Many of her early collaborators failed to credit her work, while others simply overlooked her influence. Witch, for example, was so delayed that by the time the album saw the light of day (released under the pseudonym “©”), trip-hop was gaining mainstream traction via acts like Portishead, Massive Attack, and Madonna. Although Winer eventually gained wider acknowledgment (prompting the NME to give her the dubious distinction of “The Grandmother of Trip-Hop”), Witch initially went sorely unnoticed.

Following the disappearance of Witch, Winer continued to record, undeterred by the elusive nature of mainstream success in the modern music business. Her network of inspired collaborators continued to grow and expand, yet her influence remained largely a secret except to those in the know, such as Grace Jones and Sinead O’Connor, who would cover her songs.

Today, Winer stays busy on new musical projects in the French countryside, where she has spent the past two decades raising her five daughters. A prolific writer, she has also published two collections of poetry and oversees the literary estate of Herbert Huncke, a defining member of the Beat Generation.

In the modern era, one is hard-pressed to find an artist who continues to push the creative envelope as much as Winer does. And yet, three decades after her revolutionary debut, her work remains just as startling and fresh.

Winer’s influence might best be summed by the award-winning composer Max Richter, who offered the following thoughts to Wyndham Wallace for his extensive liner notes: “The world seems finally to be catching up to Leslie Winer, whose startling intelligence and singular vision shine through her copious recording life. A visionary commentator on the relationship between individuals and society in the mould of Blake or Woolf, Leslie Winer knows things that the culture at large just doesn’t understand yet, and she has never been afraid to let us know that.”
Boris Blenn - Berlin Future Lounge
Boris Blenn
Berlin Future Lounge
CD | 2016 | US | Reissue (Cold Busted)
17,99 €*
Release:2016 / US – Reissue
Genre:Electronic / Dance
Preorder available from 10.12.2021
Boris Blenn from Berlin releases a Nu Jazz Downtempo full-length album, ‘Berlin Future Lounge’ on Cold Busted. A seasoned producer with a colorful background, Boris Blenn delivers with this 14-track album, a fruitful and joyful collection of sounds. Fans of Prefuse73, Pole, Mark Farina and Gotan Project will likely dig this album.
Desert Sand Feels Warm At Night - New World Disciples Golden Vinyl Edition
Desert Sand Feels Warm At Night
New World Disciples Golden Vinyl Edition
CD | 2021 | US | Original (Needlejuice)
12,99 €*
Release:2021 / US – Original
Genre:Electronic / Dance
Preorder available from 06.08.2021
Glass replicated CD in jewel case
Andrew Hung - Devastations
Andrew Hung
Devastations
CD | 2021 | US | Original (Lex)
18,99 €*
Release:2021 / US – Original
Genre:Electronic / Dance
Preorder available from 18.06.2021
Hung’s second album Devastations is the ecstatic cry of colour found between light and dark. The album documents a transitional period in Hung’s life; a stepping out from the shadows. Hung explores the deepest recesses of his psyche and in doing so finds himself reconciling the light and dark within. Underlying the propulsive bests and prisms of noise is a melodic tenderness that weaves throughout the album; an offering hand emerging from a turbulent sky. The deepening of inner space becomes an exploration of the universal; a new beginning from the Devastations of old worlds.

Andrew Hung is an artist known for his breakthrough debut Realisationship, film soundtracks (The Greasy Strangler, An Evening with Beverly Luff Linn) and his collaborations (Fuck Buttons, Beth Orton and Aimée Osbourne)
His work as Fuck Buttons brought about three critically-acclaimed albums, headline slots at festivals such as Glastonbury, Green Man and All Tomorrow’s Parties. Their music sound tracked key moments in the 2012 London Olympics opening ceremony.
Hung went on to work with cult director Jim Hosking and his films “The Greasy Strangler”, “An Evening with Beverly Luff Linn” and “Tropical Cop Tales” for Adult Swim.
Zake - Carolina & Coppice Movements
Zake
Carolina & Coppice Movements
CD | 2021 | UK | Original (Zake Drone)
15,99 €*
Release:2021 / UK – Original
Genre:Electronic / Dance
Set against the backdrop of an escape to hidden corners of the rural Southeast, prolific healing sound propagandist zake presents 'Carolina & Coppice Movements'. Suffused with manipulated field recordings, each of these pieces reenact a moment in its composer's journey. These tracks represent a solemn yet joyful paean to seclusion, and the awe beyond our doors.
Zake - Quiet Sines Meditative Drones & Eternal Resonance
Zake
Quiet Sines Meditative Drones & Eternal Resonance
CD | 2021 | UK | Original (Zake Drone)
15,99 €*
Release:2021 / UK – Original
Genre:Electronic / Dance
Quiet Sines, Meditative Drones, and Eternal Resonance' is a collection of selected, short excerpts of arrangements that originally appeared on zake's subscription series. [2020-2021]
Zake / City Of Dawn - Frizzell & Duque: A Sorrow Unrequited
Zake / City Of Dawn
Frizzell & Duque: A Sorrow Unrequited
CD | 2021 | UK | Original (Zake Drone)
15,19 €* 15,99 € -5%
Release:2021 / UK – Original
Genre:Electronic / Dance
Frizzell and Duque, better known as zake and City Of Dawn, further extend their already impressive catalogue of music with the sublime 'A Sorrow Unrequited'. The joy of ambient music is its ability to provide the listener with a pathway to quiet contemplation. These two musicians take the listener on an aural journey, a musical interpretation of the beautiful poem of the same name written by Julia Frizzell. A Sorrow Unrequited showcases the beauty of the modern classical/ambient genre, and the talent of these two artists is on full display. Music that is truly timeless and enduring.
Purl - Holographic Prism Limited Colored Vinyl Edition
Purl
Holographic Prism Limited Colored Vinyl Edition
CD | 2021 | UK | Original (Past Inside The Present)
15,99 €*
Release:2021 / UK – Original
Genre:Electronic / Dance
Holographic Prism' is the final chapter of The Sky Trilogy by Purl - a three chapter volume of works, exploring collective dreams of celestial origin. features mixes from Svlbrd, Lav, Slow Dancing Society, Coppice Halifax, Warmth, Deflektion, Innesti, & Svartholtet.
Secret Of Elements - Chronos
Secret Of Elements
Chronos
CD | 2021 | EU | Original (Infine)
16,14 €* 16,99 € -5%
Release:2021 / EU – Original
Genre:Electronic / Dance
The German composer and multi-instrumentalist Secret of Elements returns with "Cassini", the entrancing first single taken from his forthcoming album 'Chronos', a musical chronicle of his moving life story. Chronos - in Greek mythology, the titanic personification of time - is the title of an album that captures Pätzold's musical work over a span of more than a decade. During this time, Pätzold saved the "Volkstheater" in his hometown of Rostock with which he now closely works, travelled to the Mediterranean to save lives during the European refugee crisis, became a father — the list could go on. In combining emotive, cinematic orchestration with warm, dense layers of synthesis, Johann Pätzold aka Secret of Elements has created a deeply moving sound picture through which to narrate his personal struggles alongside the social upheavals to which he has dedicated himself as a ‘music activist.’ "Cassini", the albums centre-piece, is a testament to Pätzold’s perseverance to complete it despite challenging circumstances. It is named after a space probe that was launched into orbit in 2004, and which, after almost thirteen years exploring Saturn, finally burned up in its upper atmosphere.
Rone - Rone & Friends
Rone
Rone & Friends
CD | 2021 | EU | Original (Infine)
16,14 €* 16,99 € -5%
Release:2021 / EU – Original
Genre:Electronic / Dance, Pop
“Rone & Friends” has the musical colour of Rone’s friendships, of his crushes for a few additional less expected guest voices, but also inevitably of his own personality. With a strange year 2020 where borders and concert venues have closed, Rone felt the need to come closer to his artist friends and to reshuffle his creations with their voices as the new beating heart. The new collaborative album includes voices by Georgia, Yael Naim, Casper Clausen (Efterklang), Flavien Berger, Jenny Beth, Dominique A and many others. On the surface, Rone’s latest album, ‘Room With A View’ seemed to mark his return to solitary, contemplative instrumental electronica productions akin to his debut album ‘Spanish Breakfast’. In reality, the show of the same name, which took place over a week in the prestigious Théâtre du Chatelet in Paris, is the result of a permanent collaboration with fifteen dancers of the Ballet de Marseille and the avant-garde dance collective “La Horde", which fed into all the decisions made around the album campaign. The albums’ artwork is unequivocal in this regard. The health crisis in March 2020 forced the closure of the theatre and paralysed the development of this unique show at the crossroads of disciplines, which, up until then, was met with both critical and commercial success.
Joi Lau - 3 Ur Mind
Joi Lau
3 Ur Mind
CD | 2021 | EU | Original (Klasse Wrecks)
13,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Klasse Wrecks with their very first CD release offering a special release!! In the early 90s, Joi Lau was working as a comic assistant when he got signed by a record label in Hong Kong. Under the moniker Joey Lau, his debut album went gold and sold over 25000 copies. Fast forward to 2021 and you'd be forgiven for scratching your head at the transformation Joi has undergone. Joi's album served as his only release up until he met Klasse Wrecks' Mr. Ho 30 years later in a nightclub in downtown Hong Kong. At 8 tracks '3 UR Mind' is only a micro-selection of Joi's immense back catalogue of work, a body of songs that is impossible to locate within a normal field of genres and classification. At times tribal and at times progressive, Joi's music is a patchwork of modern and sharp percussion, sinister bass and traditional eastern motifs, resulting in a style that sounds like a representation of life in busy and hectic Hong Kong. Although his pop star days are behind him, Joi has never stopped making music. With close to one hundred tracks waiting to see the light of day, we can only look forward to another exciting chapter to the intriguing story of Joi Lau.
V.A. - La Ola Interior: Spanish Ambient And Acid Exoticism 1983-1990
V.A.
La Ola Interior: Spanish Ambient And Acid Exoticism 1983-1990
CD | 2021 | EU | Original (Bongo Joe)
16,14 €* 16,99 € -5%
Release:2021 / EU – Original
Genre:Electronic / Dance
Following “La Contra Ola” (bjr015), Bongo Joe is pleased to present LA OLA Interior, a compilation exploring the ambient side of the Spanish electronic music produced in the ’80s. It gathers musicians from various horizons and of many generations, who shared the desire to create an immersive soundscape and to combine electronic music with non-Western musical traditions. As a general rule, the Anglo-Saxon tropism did relate the Spanish peninsula’s ambient music to the Balearic Sound, that is to say to the relaxing music played in Ibiza’s nightclubs. But this music takes place in the productive territory of experimental musics, and particularly in its two main breeding grounds: the tape recording underground and the independent musicians-producers scene.

Inseparable from the processes of self-publishing, distribution and exchange of music that were then taking place in Spain in an artisanal way, the vast underground movement of cassettes was divided between an 'ethno-trance' combining industrial beats and oriental sounds on the one hand (Esplendor Geométrico, Miguel A. Ruiz / Orfeón Gagarin) and unclassifiable low-fi tinkerers on the other hand (Camino al desván, Eli Gras, Mataparda, Victor Nubla). Hyperactive, this scene is radical and strongly dominated by the hardest musical styles, but the ambient, influenced by the German Kosmische Musik and 'krautrock', also develops here.

The second vein of Spanish ambient comes from some of the independent labels of the peninsula (dro, Gasa, El Cometa de Madrid, Egk) whose activity will mark the return of some of the most adventurous musicians-producers of the 70s. Some were influenced by American minimalism (Luis Delgado / Mecánica Popular, Suso Saiz, Javier Segura), others by Fourth-World Music conceived by Jon Hassell and Brian Eno (Finis Africae, Jabir). Having passed through folk, ancient, traditional or contemporary music, and being familiar with improvisation and studio techniques, these artists come from a mutant hippie culture, capable of phagocyting many musical styles from electronic ambient to ethnic improvisation and modal jazz.

These two scenes and generations that makeup LA OLA Interior intersect around a common interest in non-Western musical traditions. Their exploration may be that of the tribal origins of electronic rhythms or the Arab heritage of Spain. Above all, it is a dreamy exoticism, an immobile journey as the sounds, rhythms or instruments of these traditions are scrutinized by Western practices (avant-garde music, electronic technology). The result is a hybrid music, filtered and reinvented, neither Western nor extra-Western, with a pronounced taste for the fusion of opposites, which we have called 'Acid Exoticism' because of its permanent search for trance or contemplation. Atmospheric, contemplative and serial, these musics still plunge us today into a sensorial journey, at the same time interior and distant, organic and technological, between exotic reminiscences and interior visions.

LA OLA Interior brings together 20 little-known and innovative pieces from the golden age of Spanish electronic music.
V.A. - Bonking Berlin Bastards
V.A.
Bonking Berlin Bastards
CD | 2021 | EU | Original (A-Ton)
15,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance, Soundtracks
First released by Cazzo Film in 2001, ebo hill’s Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill’s vision was both ahead of its time and a playful distillation of 90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-ton. The music follows a group of squatters, punks and drag queens as they fuck, party and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film’s narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city’s former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise / industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub and electro. It’s a sonic spectrum that connects Berlin’s queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film’s cast & crew) to the more industrial, breakcore and noise- oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk.
John Tejada - Year Of The Living Dead
John Tejada
Year Of The Living Dead
CD | 2021 | EU | Original (Kompakt)
12,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
With his new album, Year Of The Living Dead, Vienna-born and LA-based producer John Tejada finds a blissful extended moment of balance between the new and the familiar. Anyone who’s followed his career to date, which has included four previous albums for Kompakt, outings for storied labels like Plug Research, Playhouse and Cocoon, and numerous remixes and collaborations – most recently, his Wajatta duo with actor and musician Reggie Watts – will immediately sense the warmth and eloquence that Tejada brings to his gilded, pliant techno and electro hybrids. But there’s more here, too; an explorer’s glimmer in the producer’s eye, as he gets to grips with new ways of working and being, while offering a reflective opening for the listener, something echoed in artwork by graphic designer and ‘contemplative artist’ David Grey. “The album was started using tools I was unfamiliar with, which became an interesting exploratory process,” Tejada says. “Staying away from the obvious and having to re-learn simple things was a fun challenge.” You can hear these new creative pulsions pushing the eight tracks on Year Of The Living Dead ever-forward; the album has an unique cast, and though there are trace elements of the genres Tejada has indulged previously, he’s never quite put them together this way before. There’s the dubwise glitter sprinkled across the moody opener “The Haunting Of Earth”, the kind caresses found amongst the deftly woven textures of “Sheltered”, and the churchy melancholy, all hymnal and golden, of “Echoes Of Life”. Year Of The Living Dead also speaks obliquely to its moment, though Tejada works this implicitly, allowing the strange circumstances of 2020 to cast their inevitable shadow without being obvious or didactic. “The production process began right before lockdown and continued through what felt like a very serious time for all of us,” he recalls. “Not being able to see or touch our loved ones made me feel we are all like ghosts. We can observe from a distance but cannot really be there. We are isolated and alone.” And yet, Year Of The Living Dead’s tenderness offers an out for that anxiety and loneliness, its intimate immensities gifting the album a redemptive and compassionate core. Compact and glistening, Year Of The Living Dead sculpts unassuming beauty.
V.A. - Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds Of Japan 1980-1990
V.A.
Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds Of Japan 1980-1990
CD | 2021 | US | Original (Light In The Attic)
16,99 €*
Release:2021 / US – Original
Genre:Electronic / Dance
Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.

Sonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of Mkwaju Ensemble and Yoshio Ojima, to the leftfield techno-pop of Mishio Ogawa and Noriko Miyamoto (featuring members of Ymo), and highlights from the groundbreaking Osaka underground label Vanity Records, these are blurry constellations defying collective categorization.

These tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like Warner Music and Nippon Columbia explored new sounds through traditional channels, it was possible for Vanity, Balcony and other indie labels, not to mention self–released artists like Ojima and Naoki Asai, to publish their work via affordable media such as cassettes, 7" vinyl, and flexi–discs.

Expertly curated by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating.

Note: The track “Days Man” by Yoshio Ojima is only available on the LP and Cassette versions.
Reinhold Weber - Elektronische Musik
Reinhold Weber
Elektronische Musik
CD | 2020 | EU (Red Lounge)
5,99 €* 7,99 € -25%
Release:2020 / EU
Genre:Electronic / Dance, Soundtracks
FEW Copies Resurfaced FOR This 2006 Release ON THE RED Lounge Label From Germany Realized at Studio für Elektronische Musik der technischen Universität Karlsruhe in the late 1960s. Reissue of the 1970 Corona LP release.
Biosphere - Angel's Flight
Biosphere
Angel's Flight
CD | 2021 | EU | Original (Ad 93)
14,99 €*
Release:2021 / EU – Original
Genre:Electronic / Dance
Angel’s Flight is the new album from the highly acclaimed producer and composer Biosphere, due for release January 2021. It features twelve tracks that traverse the peripheries of classical and electronic composition, all based on Beethoven’s String Quartet No. 14. Much of the music was initially composed for ’Uncoordinated Dog’, a dance production by the Ingun Bjørnsgaard Prosjekt in 2019 that explores the personal, the ambiguous, exposure and beauty.
Gas - Königsforst
Gas
Königsforst
CD | 2016 | EU | Reissue (Kompakt)
13,99 €*
Release:2016 / EU – Reissue
Genre:Electronic / Dance
KÖNIGSFORST – following the 1997 release of ZAUBERBERG (KOMPAKT 370.1), Wolfgang Voigt’s GAS project returned with KÖNIGSFORST, a full length that has stood the test of time as a template for introducing fundamentals of 90’s techno into the principles of contemporary electronic music.

Originally released in 1998 on the iconic Frankfurt imprint Mille Plateaux, and then reissued in 2016 as a part of GAS “BOX”, KÖNIGSFORST is now released on his own label KOMPAKT on CD in its original artwork.

Please note: This CD is a single release of the GAS BOX released in 2016.

KÖNIGSFORST brings glimmers of light into Voigt’s dark, magnificent forest. Melodic strings and brass are added to his signature layers of ominous intensity. The forest path is laid out by muffled kick drums as classical music loops incessantly swirl with no direction.
Gas - Zauberberg
Gas
Zauberberg
CD | 2016 | EU | Reissue (Kompakt)
13,99 €*
Release:2016 / EU – Reissue
Genre:Electronic / Dance
ZAUBERBERG – Wolfgang Voigt’s most fundamental (and foreboding) release under his alias GAS and perhaps of all in his untold discography – finally stands alone once again and is released in the way its original splendour.

Originally released in 1997 on the iconic Frankfurt imprint Mille Plateaux, and then reissued in 2016 as a part of GAS “BOX”, ZAUBERBERG is now released on his own label KOMPAKT on CD.

Though this narcotic symphony is not the first release under the GAS moniker, ZAUBERBERG is the first to disclose the true nature of Wolfgang Voigt’s unified sound and ideology as GAS. Layers of ominous intensity supported by muffled kick drums as classical music loops incessantly swirl with no direction, ZAUBERBERG is the definitive GAS album and a perfect starting point for those not familiar with his music.

Please note: This CD is a single release of the GAS BOX released in 2016.
Gas - Pop
Gas
Pop
CD | 2016 | EU | Reissue (Kompakt)
13,99 €*
Release:2016 / EU – Reissue
Genre:Electronic / Dance
POP – the album that has become widely recognized as the defining moment in which Wolfgang Voigt brought us into a clearing of his deep, psychedelic forest. A landmark release in the GAS odyssey that drew international attention, POP was originally released in 2000 on the iconic Frankfurt imprint MILLE PLATEAUX. POP was heralded by Pitchfork at the time of release as being “an exercise in sonic texture… pure sonic velvet, the layered drone radiating a palpable warmth.”

POP has since been reissued in 2016 as a part of GAS “BOX” (now out of print) and finally now, POP is released on KOMPAKT – for the first time on CD in its original artwork.

Please note: This CD is a single release of the GAS BOX released in 2016.
Radio Citizen - Berlin Serengeti
Radio Citizen
Berlin Serengeti
CD | 2006 | US | Original (Ubiquity)
14,99 €*
Release:2006 / US – Original
Genre:Hip Hop, Organic Grooves, Electronic / Dance
16 nice tracks feat. Bajka and others ... made in Berlin!
V.A. - Pop Ambient 2021
V.A.
Pop Ambient 2021
CD | 2020 | EU | Original (Kompakt)
13,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
It’s 2020, the year Pop Ambient turns twenty-one years old, a spritely young adult waltzing out of its teenage joys and tears. Pop Ambient has always stood for a certain classicism and elegance, a kind of beatless music that’s diaphanous and hazy, gossamer and glittering. It’s a music that’s no less inviting for its slow pace and becalmed nature, with a different kind of tension bubbling under the surface. For twenty-one years, Kompakt co-founder Wolfgang Voigt has curated a series of peerless compilations that repeatedly find refreshing answers to a simple question – What happens when the dancefloor is empty, and everyone’s home to drift away?
V.A. - Outro Tempo Ii Electronic And Contemporary Music From Brazil 1984-1996
V.A.
Outro Tempo Ii Electronic And Contemporary Music From Brazil 1984-1996
2CD | 2020 | EU | Original (Music From Memory)
19,99 €*
Release:2020 / EU – Original
Genre:Organic Grooves, Rock / Indie, Electronic / Dance
Outro Tempo II: Electronic and Contemporary Music from Brazil, 1984-1996 is the second installment of Music From Memory’s Brazilian series. This volume picks up where the first Outro Tempo left off, shedding light on a new wave of experimentalism that emerged in Brazil in the late 1980s and 1990s. The twenty tracks collected uncover another area of Brazilian music that looked to the future for inspiration. This time it drifts beyond the rainforest and into the pulsating heart of Brazil’s great cities, where it meets a generation of young artists eager to radically change the face of contemporary Brazilian music. In Outro Tempo II the avant garde and pop worlds meld in a haze of percussion and electronics. It presents another uncompromising and magnetic reinterpretation of the limits of Brazilian music. Outro Tempo II is compiled again by John Gómez and features original artwork by Alice Quaresma. The CD version also includes the 2 tracks 'Bruhahá' & 'Eyes' which were released as a separate single on vinyl and were not included in the 2xLP version.
Soul Jazz Records presents - Deutsche Elektronische Musik Volume 4 - Experimental German Rock And Electronic Music 1971-83
Soul Jazz Records presents
Deutsche Elektronische Musik Volume 4 - Experimental German Rock And Electronic Music 1971-83
2CD | 2020 | UK | Original (Soul Jazz)
14,24 €* 14,99 € -5%
Release:2020 / UK – Original
Genre:Rock / Indie, Electronic / Dance
This is the new instalment of Soul Jazz Records’ ground-breaking Deutsche Elektronische Musik series, ‘a near-definitive guide to some of the world's most extraordinary music’ (The Guardian).

This latest edition features many of the classic German electronic and Krautrock groups from the 1970s & 80s – including Can, Amon Duul II, Harmonia, Conrad Schnitzler, Agitiation Free, Roedelius – as well as a host of lesser known artists such as Dzyan, Klauss Weiss, Gruppe Between and many more.

Deutsche Elektronische rarities unearthed on the album include Kalacakra (whose fan-base included the great Moondog!) and their superb ‘Nearby Shiras,’ taken from their super-rare spiritual/psychedelic private press concept album Crawling to Lhasa, from 1972.

Deutsche Elektronische 4 includes a wealth of German electronic experimental artists – the seminal pioneering group Harmonia (Roedelius, Moebius and Michael Rother), avant-garde guru Conrad Schnitzler as well as lesser known synthetic artists such as Klauss Weiss, Deutsche Wertarbeit, E.M.A.K. (Electronische Musik Aus Koln), Gunter Schickert and others.

Finally, the album also features an array of heavy and progressive German cosmic rock groups – Dzyan, Virus and the amazing Turkish/German tripped out sound of Alex’s ‘Patella Black’, recorded at Can’s Inner Space in 1973, produced by Holger Czukay and Jackie Liebezeit.

Deutsche Elektronische 4 comes with extensive newly commissioned sleevenotes by David Stubbs, author of the seminal books ‘Future Days: Krautrock and the building of Modern Germany’, ‘Mars By 1980: The story of Electronic Music’, and ‘Krautrock: Cosmic Rock and its Legacy’.

This album comes as a heavyweight triple vinyl edition with full colour inner sleeves, as well as a deluxe double CD edition with outsize booklet and slipcase. Both formats include full liner notes and extensive rare photography.
Carlos Nino & Farmer Dave Scher - Espacio Especial
V.A. - Respect The Unexpected - In The Age Of Sci-​Fi
V.A.
Respect The Unexpected - In The Age Of Sci-​Fi
LP+CD | 2020 | EU | Original (Kashual Plastik)
32,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
The sleeves are DIY screen printed and the jacket is built out of wire fence! Kӣr is there with two tracks "Basamaci" on vinyl and "Altro non è'l mi'amor" on CD!
Kölsch - Now Here No Where
Kölsch
Now Here No Where
CD | 2020 | EU | Original (Kompakt)
13,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
On his fourth album proper, Now Here No Where, Danish producer Kölsch (aka Rune Reilly Kölsch) is charting new terrain. Fans of his ‘years trilogy’ – 1977, 1983 and 1989, released on Kompakt over the past decade – were privy to a kind of sonic diary, an autobiography, tracking the artist’s early years through three albums of superior, meticulously rendered techno. Calling in collaborators where needed – most notably, the strings of Gregor Schwellenbach – there was still something deeply personal going down, not quite hermetic, but internally focused; the albums proved not only Kölsch’s mastery of his chosen form, but also his capacity to make techno personal, individual, and to trace histories of the self through music. But on Now Here No Where, Kölsch finds his feet firmly planted in the present. Reflecting on his new album, he notes, “It is fascinating to write about memories and feelings that have had years to manifest and develop, but how would I approach current emotions?” It’s a good question: our past coheres through the narratives we build around memories, but the moment we’re in, the newness of the now-ness, is harder to navigate; this story is as yet untold. For Kölsch, this makes Nowhere Now Here “an album about life in the year 2020.
Nicolas Jaar - Cenizas
Nicolas Jaar
Cenizas
CD+Book | 2020 | EU | Original (Other People)
19,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
2LP + Book + OCard + Clear PVC Sleeve Cenizas was Written and Produced BY Nicolas Jaar Between 2017-2019. Mastering BY Rashad Becker Art by Maziyar Pahlevan Mixing BY Nicolas Jaar and Patrick Higgins. Jaar’s music has always been deeply preoccupied with atmosphere, and Cenizas is a deeply atmospheric album. It sounds like a void. As you listen, you feel like you could fall into it and never find your way out. In that way, these 54 minutes feel like a sequel to Jaar’s first hit, Space is Only Noise, set 5,000 years in the future. He told us then. He’s showing us now.
V.A. - Total 20
V.A.
Total 20
2CD | 2020 | EU | Original (Kompakt)
13,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
Two decades. Twenty years. Twenty compilations. Over 400 tracks. Over two days of total playing time and countless coloured dots. If someone would have told us in 1999, when we put together Total 1 that this would turn into one of the longest standing compilation series in techno world we would have laughed out loud. But here we are – in the year 2020 which will probably go down in history as the most difficult period ever for club culture. But we won’t stop doing what we’re doing. Music is our oxygen. We’ll dance together soon again.The Total series has always been like KOMPAKT’s yearbook and to say it with the late Frank Sinatra: It was a very good year. Our family of artists delivered a strong heterogeneous mix of uplifting sounds, from the lush reveries of Robag Wruhme and Soela to the stark primetime bangers of Marc Romboy or Anna & Kittin and everything in between. Notable new entries to our crew are the Londoner Kiwi with his wonderfully careless “Hello Echo” that picks up the camp disco vibes Justus Köhncke made a staple in our repertoire. Amsterdam’s David Douglas delivers an appetizer for a full course meal. His quirky pop approach sits comfortably between fellow dutchmen WEVAL’s abstract beats and Agents OF TIME’s opulent Italo Disco. Yotam Avni blends Detroit techno with new age jazz that reminisces the sound of ECM artists like Jan Garbarek or John Surman. The man with the hat, Kölsch also picks up jazzier notes in his very own big room style. Youngblood Jonathan Kaspar appears twice, fortifying his status as one of the hottest beat smiths of our hometown Cologne. Total wouldn’t be Total without our permanent staff present in full force. As per tradition, KOMPAKT’s founding fathers, Voigt & Voigt, Jürgen Paape, Jörg Burger, Michael Mayer as well as our Berlin outpost Sascha Funke all deliver exclusive gems that also feature on Total 20’s double vinyl edition. May Total 20 become your trustworthy companion in these uncertain times.
Atsu - Moonlight Temple
Atsu
Moonlight Temple
CD | 2020 | EU | Original (Hiraeth)
11,19 €* 13,99 € -20%
Release:2020 / EU – Original
Genre:Electronic / Dance
After one year of learning and hard work, finally I can say that I maked a New Age album!. I hope you enjoy it and see you on the next album!!!
Yotam Avni - Was Here
Yotam Avni
Was Here
CD | 2020 | EU | Original (Kompakt)
13,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
It’s taken Yotam Avni a little while to get to his debut album; almost a decade, really, since his debut 12”, “That’s What The World Needs”, on California’s Seasons Limited imprint. During that time, the Tel-Aviv based producer has refined his productions, tightening the groove and paring everything back to bare essentials; the power in an Avni cut is its combination of piston-pulse propulsion and a deep, but gently applied, musicality. This combination gives his techno productions added heft on the dance floor, but also a lyrical sensibility that places him squarely in a tradition of techno legends who somehow manage to make the four-to-the-floor a space of poetic intensity, of rigorous joy. Avni’s been on Kompakt’s radar for a while, first appearing on the label last year, with his Speicher contribution, “Mañana Mañana”. (“Track For Agoria”, from that EP, also appeared on Total 19.) The connection immediately made sense – dance music that managed to feel both lush and streamlined across the same great gasp of late-night energy. But with Yotam Avni Was Here, he’s taken a huge leap. After a brief intro, Avni sets his stall with “Beyond The Dance”, which features slow-moving vocal melisma over sculptural, melting tonalities, a tintinnabulating, harpsichord-like two-note phrase pacing out the track. Then “It Was What It Was” comes into view, its strip-light textures suddenly placed into sharp relief by a muted trumpet figure that hangs in the air, melancholy and pensive.
JPattersson - Mood
JPattersson
Mood
CD | 2020 | EU | Original (3000 Grad)
12,59 €* 13,99 € -10%
Release:2020 / EU – Original
Genre:Electronic / Dance
Naked feet in warm sand, a gentle breeze, a sweet taste of chocolate on the tip of your tongue - this is the moment before you jump into clear waters. JPattersson brings up eight shimmering pearls from the dubby depths of his repertoire and adds them to this chain of associations. Mood gives expression to an unquenched thirst for musical innovation and growing maturity. While the soul of JPattersson still reverberates through the frequencies of his trumpet and his voice, his third album sounds all new and different again. There are songs with clever lyrics and all the ensuing catchiness. In-between these tunes from tropical tipsiness to hypnotic depth you can hear one thing above all: musical love of detail. In consequence, it’s a wonderful album to listen to from beginning to end - and at the same time made for the dancefloor.
Grischa Lichtenberger - Kamilhan, Il Y A Peril En La Demeure
Grischa Lichtenberger
Kamilhan, Il Y A Peril En La Demeure
CD | 2020 | EU | Original (Raster-Noton)
16,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
»KAMILHAN; il y a péril en la demeure« is the conclusion of a 5-part cycle of works by artist Grischa Lichtenberger which was initiated with the album »LA DEMEURE; il y a péril en la demeure« in 2015 and continued with the triple EP release »Spielraum, Allgegenwart, Strahlung« in 2016. In addition to the concept of „demeure“, ones residence as a symbol for the joy and artistic possibilities one can find in isolation, Lichtenberger places a further emphasis on the expression of the voice, represented by the word „Kamilhan“. „Kamilhan“ is a non-existent word, an expression that Ernst Bloch once mentioned in an anecdote about his childhood. Fascinated by its sound but without knowing its meaning, it remained vivid in his memory in its purely „material“ form. Lichtenberger also refers to this childish perception of language. Words that we do not know, but repeat in our thoughts until they become insignificant. Lyrics in a foreign language that we do not understand and still sing along and imitate. With computer-generated voices, Lichtenberger tries to reproduce these experiences. In his tracks we hear syllables and phrases that are similar to words and that seem familiar to us, but whose meaning remains a secret. As on the previous album, the tracks on »KAMILHAN« are constantly torn apart and reassembled. Borrowings from hip-hop and even pop are unmistakable, desired, and yet delusive. Rhythms that are repeatedly broken in order to re-organize themselves into new temporal patterns. Melodies that are pierced by precisely these intricate rhythms. Voices that lack any empathy due to their artificiality. Lichtenberger himself describes these tracks as „crooked ballads“, which, by deliberately following classic pop song structures, try to sell us the absurd as the normal, and in turn smuggle some hope of recognition into the absurd. »KAMILHAN; il y a péril en la demeure« will be released on May 08, 2020 on CD and as a limited double vinyl edition including a handmade and signed silkscreen print.
Motohiko Hamase - Technodrome
Motohiko Hamase
Technodrome
CD | 1993 | EU | Reissue (WRWTFWW)
16,99 €*
Release:1993 / EU – Reissue
Genre:Organic Grooves, Electronic / Dance
WRWTFWW Records is very happy to announce the official reissue of Motohiko Hamase’s astounding ambient house album Technodrome (1993). The album is sourced from original masters and available on vinyl for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the fourth release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano. Inspired by John Cage, Jon Hassel, Brian Eno, and the emergence of house and techno music, Technodrome is jazz bassist turned electronic experimentalist Motohiko Hamase’s foray into what he calls ambient house or, as he explains, “using the gritty sensation inherent to the core of house music” to create an ambient record “aiming to express inverted images, optical illusions, and the sense of déjà vu that modern people can get in the city". Technodrome is constructed around innovative minimalism, a robotic funk orchestrated by bass lines and percussions, and monochrome moods.
Motohiko Hamase - #Notes Of Forestry
Motohiko Hamase
#Notes Of Forestry
CD | 1988 | EU | Reissue (WRWTFWW)
16,99 €*
Release:1988 / EU – Reissue
Genre:Organic Grooves, Electronic / Dance
WRWTFWW Records is excited to announce the official reissue of Motohiko Hamase’s remarkable ambient/environmental/minimalism project #Notes of Forestry, available for the first time since 1988. The album is sourced from original masters and available on vinyl and CD with liner notes from the artist. This marks the third release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano. One of the most fascinating and peculiar works from the golden era of Japanese ambient, #Notes of Forestry was initially released in 1988 by Newsic, the cult label started by Tokyo’s Wacoal Art Center (also known as Spiral), home, notably, of Yoshio Ojima who co-produced the album. Conceived by Jazz bassist turned experimentalist Motohiko Hamase, the magnum opus offers an enchanting mix of free-form pastoral electronics, otherworldly percussions by Yasunori Yamaguchi, and delightfully allusive piano played by none other than Satsuki Shibano (Sound Process’ Wave Notation 3).
Four Tet - Sixteen Oceans
Four Tet
Sixteen Oceans
CD | 2020 | UK | Original (Text)
13,99 €*
Release:2020 / UK – Original
Genre:Electronic / Dance
Final artwork will appear with release date.

Four Tet has announced a new album, Sixteen Oceans. The record follows his last LP, 2017's New Energy, a pair of live LPs, and the threetrack
record Anna Painting. In 2018, Four Tet also shared a BBC Essential Mix featured a Kaitlyn Aurelia Smith remix, along with tracks by Selena Gomez, Britney Spears, Destiny's Child, and more. In 2016, he shared Randoms, an album comprising music from various compilation records over the years.
Hijokaidan / Sissy Spacek - Entropic
Hijokaidan / Sissy Spacek
Entropic
CD | 2020 | US | Original (Helicopter)
21,99 €*
Release:2020 / US – Original
Genre:Electronic / Dance
On the verge of their 40th and in the midst of their 20th anniversaries, respectively, HIJOKAIDAN and SISSY SPACEK merge in Tokyo for their first collaboration, featuring JOJO HIROSHIGE, JUNKO, T. MIKAWA, CHARLIE MUMMA, FUTOSHI OKANO, TENENKO (guest) and JOHN WIESE. Hijokaidan formed in 1979, marking the first wave of groups in Japan exploring extreme noise. Sissy Spacek formed in 1999, often playing in large ensembles of players, and frequently exploring grindcore as a base for creating extreme music, often while eschewing the notion of music altogether. During Sissy Spacek’s 20th anniversary tour in Japan, the recordings of “Amok Time” and “Seven Directions” were made with Hijokaidan in collaboration. While Hijokaidan’s sound has been described as a continuous climax of your entire progressive rock collection, Sissy Spacek’s “Twenty-Five Fragments” is a sequence of peak chaos from their 2018 tour, recorded on walkman for maximum effect.
Tara Nome Doyle - Alchemy
Tara Nome Doyle
Alchemy
CD | 2020 | EU | Original (Martin Hossbach)
13,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance, Pop
Alchemy is the debut album from 22-year old singer-songwriter Tara Nome Doyle, following the singles Heathens, Neon Woods and Mercury. Doyle’s 2018 EP Dandelion, featuring her breakthrough-hit Down with You, has so far amassed nearly two million streams. Recently, two of her songs featured in Sophie Kluge’s feature film Golden Twenties. Doyle is a member of Kat Frankie’s choir on whose a capella EP she features. The concept album was recorded in large parts with David Specht (bass player and producer of Isolation Berlin) and Doyle's newly founded band in Berlin. Specht remains reserved, keeping the band in check. It’s the interiors that we should hear – acoustically, but also thematically. The drums sound more like a knock on the window pane than the city noise outside the door, the guitar controls the harmony and not the power supply. The first instrument remains Doyle’s voice, which is always working and is looking for a way. Inward, outward. All songs were written by Doyle, for the arrangement for »Neon Woods« she worked with Max Rieger (Die Nerven, producer for e.g. Drangsal and Ilgen-Nur).
V.A. - Air Texture Volume VII
V.A.
Air Texture Volume VII
2CD | 2020 | EU | Original (Air Texture)
13,99 €*
Release:2020 / EU – Original
Genre:Electronic / Dance
Rrose and Silent Servant team up to select for this ongoing leftfield compilation series. Featuring unreleased tracks from underground talent including Anthony Child (Surgeon), Ron Morelli, Laurel Halo, Octo Octa, Phase Fatale, Function, as well as Rrose and Silent Servant and legends Laetitia Sonami and Charlemagne Palestine.
Christian Löffler - Lys
Christian Löffler
Lys
CD | 2020 | EU | Original (Ki Records)
10,39 €* 12,99 € -20%
Release:2020 / EU – Original
Genre:Electronic / Dance
Lys, Christian Löffler's newest album, serves as a contrast to Graal, its predecessor. Whereas the latter is the result of a six-month period spent largely on the road in between live shows, the former is a studio release in the truest sense, recorded and compiled in the serenity of Löffler home studio, immersed in the woodland nature that formed the basis for A Forest, his first attempt at the long-player format back in 2012.
Rather than capturing a specific moment in time or emotion, Lys is a selection of Löffler's favorite productions from the past three years, carefully compiled into one enchanting and deeply moving listening experience.
Yukihiro Takahashi - Saravah!
Kamaal Williams aka Henry Wu - DJ-Kicks
Kamaal Williams aka Henry Wu
DJ-Kicks
CD | 2019 | EU | Original (!K7)
13,99 €*
Release:2019 / EU – Original
Genre:Organic Grooves, Electronic / Dance
Game-changing multi-instrumentalist Kamaal Williams has put together the latest DJ-Kicks mix. Due for release on November 8th, it features four of his own brand new and exclusive tracks and hints at the wide world of influences that have made him one of the most prominent artists of the last few years.

Williams has taken his long standing love of seventies jazz fusion and mixed it up with the contemporary sound of the London underground to devastating effect. House, broken beat, grime, soul, funk, hip hop and jazz all permeate his work, which has seen him evolve from one-man producer Henry Wu to acclaimed live band Kamaal Williams, backed by talented drummers and bassists. His pioneering work in the studio and live arena has influenced a whole new generation of like-minded musicians that have helped make the capital one of the most musically exciting and quickly evolving cities in the world, with Williams' own virtuoso drumming and percussion right at the heart of it all.

The exceptional Yussef Kamaal album 'Black Focus' was one of the most talked about records of 2016. Vinyl pressings kept selling out, it received rave reviews, earned the band the Breakthrough Act award at the 2017 Jazz FM awards and led to spellbinding live shows all over Europe. The follow up, The Return, came on Williams' own new Black Focus label and took his band global, all while picking up nominations for best independent album at the AIM Music Awards.

Improvised rhythm and spirituality are at the heart of everything Williams does, as is London life, with its diverse people, cultures and musical customs all feeding into his work. That is also true when making more electronic sounds as Henry Wu, who appears here after standout EPs on labels like Rhythm Section International. Williams' music is so individual it is more than deserving of its own tag: the artist himself calls it Wu Funk, and some of the many sounds that feed into it are all showcased on this adventurous new mix.

Exclusives include a live take of 'Snitches Brew,' new Kamaal Williams tracks 'Shinjuku' and 'Strings ATL' , as well as 'Wivout U' from Henry Wu. Those vital highlights sit next to classic jams from Southern Freeze, a strong contingent of London innovators from K15 to Dego and Tenderlonius to Kaidi Tatham, with funk driven house from Peven Everett, raw stuff from Steve Julien, lush synth grooves from Lone and feel good grooves from Phil Asher all making this is an honest and uplifting collection that, when necessary, is happy to eschew blends, fades and mixing in favour of red hot selections and sequencing.

Kamaal Williams DJ-Kicks is a fascinating insight into the record collection of a true musical alchemist.
Teebs - Anicca
Teebs
Anicca
CD | 2019 | UK | Original (Brainfeeder)
12,79 €* 15,99 € -20%
Release:2019 / UK – Original
Genre:Electronic / Dance
The wait is finally over for new music by Teebs, aka Mtendere Mandowa. It’s been 5 years since his last body of work, but 25 October will mark the release of his next full length album “Anicca”. With the help of a host of musical friends including Panda Bear (Animal Collective), Sudan Archives, Ringgo Ancheta aka MNDSGN, Miguel Atwood-Ferguson, Anna Wise, daydream Masi, Former Boy, Pink Siifu, Jimetta Rose and Thomas Stankiewicz, the 47 minute LP fuses Teebs’ signature bright and fluid productions with the grounded and colorful elements of his collaborators.
V.A. - Total 19
V.A.
Total 19
2CD | 2019 | EU | Original (Kompakt)
11,89 €* 13,99 € -15%
Release:2019 / EU – Original
Genre:Electronic / Dance
Jürgen Paape, Jonathan Kaspar, Thomas/Mayer, Albert Luxus, Sascha Funke, The Modernist, Voigt & Voigt, Justus Köhncke. You may ask: "In the day and age of streaming playlists and the omnipresence of freely available mixes, what's the use of a label compilation?" The answer is simple: labels still serve as a dearly needed filter mechanism in this tsunami of music we're facing every day. Labels strive to establish trust between artists and listeners. They're like your favorite restaurant around the corner. On the spur of the moment, you might find more excitement in that hip place that just opened somewhere else. But when the novelty fades, you'll always return to your sanctuary. The safe place where they know your name and the last drink is on the house. KOMPAKT has become such a place for generations of fans and artists alike. And the TOTAL compilation series serves as its menu: always changing but instantly recognizable.
Nils Frahm - All Encores
Nils Frahm
All Encores
CD | 2019 | EU | Original (Erased Tapes)
12,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Moulded during All Melody but refined by his live performances, All Encores is testament to Nils’ exceptional ability to craft his art on stage. Artificially Intelligent which showcases his ‘mad professor’ organ, and All Armed which has been a live favourite for some time, appearing on set lists since 2015, are now available to hear on record for the very first time. The final track of Encores 3, as well as the whole series, Amirador, perhaps aptly nods to the Spanish word for ‘lookout’ and hints at what’s to come.
V.A. - 20 Years Radio Electronics: The Sound Of Jena
V.A.
20 Years Radio Electronics: The Sound Of Jena
2CD | 2019 | EU | Original (Radio Electronica)
15,99 €*
Release:2019 / EU – Original
Genre:Electronic / Dance
Wurzelholz, Yalokin, Jamy Wing, Aloha He, The Exaltics, Metaboman, Mac-Kee, Ro:b, Tom Loraine, TK, A.Kurat, Lydia Eisenblätter, E. Tucalúec, Philipp Stoya, Less, Mathias Kaden, Shooshine, Christopher Doron, Flemming Bassedow, Daniel Hauser.
Eddie C - Green Space
Eddie C
Green Space
CD | 2019 | EU | Original (Endless Flight)
12,99 €*
Release:2019 / EU – Original
Genre:Hip Hop, Electronic / Dance
Canadian beatdown master “eddie c” is back with fourth full length on endless flight! This new album is his unique mixture of laid back hip hop and lo-fi house sound which is inspired from late 80’s to early 90’s and much more darker than usual. The album kick off by old school hip hop tracks of “carbondate”,in the park” then new wave disco sound of “way uptown” it reminds us nyc post punk/new wave artist “konk”,dubby brazilian percus-sive disco track “batucada”,”berlina” is early 90’s nyc house like pal joy, probably most club friendly track “bad words” is wired new wavy vocal house madness and the album close with dreamy down tempo track “an der wedding” heavy kraut rock influenced stuff.
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