Electronic & Dance 32399 Items

High-flying global house and techno torch-bearer Jimi Jules returns with a new EP Free Bird on Life and Death Records.

The four tracks on Free Bird were written during the same sessions as Jimi’s album ‘+’ on Innervisions in 2022, and collected together they’re a summary of what Jimi’s all about - hands-in-the-air anthems, chaotic house bangers, deep burners and contemplative moments all rolled into one release.

Jimi Jules has been turning dancefloors inside out for over 20 years, from festival stages to intimate redlight basements. He’s brought his free-wheeling creative spirit and masters in music to bear on collaborations with Dixon, Âme, Joy Tyson and Tugg The Drummer for labels like Defected, Innervisions, Zukunft, Watergate and many more.

Jimi’s Free Bird EP switches seamlessly from anthemic mood and all-out party to self-reflection and brooding rave noir across 25 transformative minutes. The title track is a acid-tinged floor filler, imploring dancers and the public at large to question the status quo, and “break the rules, in everything you do”. Then Jimi follows his own advice and hands over the controls to his Swiss latino accomplice Lil Dirty, who embraces the chaos with delay effects, scratches and saw waves, for a house grinder that's full of fun and filters.

The euphoria of the A-side is balanced out on the flip with two deeper cuts. Speed Meditation delivers a zoned-out atmosphere over a bouncy percussive groove, while poking fun at the West’s adoption of spiritual practices to deal with the stress of modern living. Touched By Silence rounds off the EP, as Jimi channels his inner dancing Thom Yorke for an urban hymnal complete with a haunted falsetto, on top of a driving beat inspired by the ghost town that was Zurich during the pandemic.

Free Bird is an EP only Jimi Jules could make, operating at the height of his powers after over two decades of making people dance all over the world, where he rips up his own rule book and gets creative on four tracks packed with personality and character.

Once again Moar is back with a double single with Funky and Nu Disco atmospheres! The ultimate weapon for djs who want to set the dance floor on fire. HOT Stuff!

Making a hotly-anticipated return to the Innervisions fold two years on from his acclaimed EP Hall Of Violence, Keinemusik founder Rampa also reveals a stunning return to form. His impeccable programming of club-ready beats, complex melodies and both sung and spoken words are at the very core of They Will EP.

​​DJ Gigola is a shape shifter and she comes in many forms and colours. Since her debut EP “Tender Trance” with Kev Koko, she has worked in a variety of collaborative efforts blurring boundaries between Techno and Pop music. For her first ever solo EP, DJ Gigola moves away from ethereal vocals to portraying her own signature club sound in an exploration focussed on rhythm and groove structures. Drawing from a multi-facetted palette of musical genres, DJ Gigola’s productions recontextualize references to rave culture into a refreshingly breezy high energy feel. Think crunchy baselines, frivolous melodies and euphoric breakdowns layered with complex percussive structures and catchy vocals. In combining her passion of being a front-row dancer with her experience as a performer, DJ Gigola weaves together a three-track EP that follows a simple thread: get everyone in the mood to dance. The EP and its title track are aptly named “In the Mood”, with the single set to be released on the 14th of July. The EP itself will be available from 09.09.2022 in both digital and physical formats.

A side has Donna Summer acapella over a classy smooth 60s Motown groove. Beyonce is looking crazy in the dancehall on top of a classic Kingston cut on the B side. Stamped 7"!

The F side is a classic Venice Beach disco edit for the 1st time on 7inch and it’s a real dancefloor killer! The FF side is the studio version of a track produced live by Jay Airiness for his live show and this is the best version, I know of this one! Dancefloors were made for this, quality stuff. Hand stamped records & limited press.

The duo of Parisian DJs and producers, Cléon & Jazzy Pidjay, are back under the name Last Bongo In Paris, with a new 7 inch full of Latin Funk & Jazz Funk atmosphere... With raw drums, heavy breaks and a jazzy flavor, these 3 tracks should quickly become a hit for all groovers and dancefloors!! Cléon & Jazzy Pidjay have long been united by their love of hip-hop music and culture. DJ Cleon is one of the best French producers of breakdance fight music, also respected as a fine wax seeker, mixing all kinds of music, like disco, funk, soul, jazz, breakbeat, hip -hop and older and newer. recordings. Alongside his pal Jazzy Pidjay and his great production and mixing skills, they give new dancefloor life to hidden and forgotten musical treasures, through funky uptempo tracks.

The most luxurious of re-edits comes rolling round once again, with the 6th Volume in LUXXURY’s rework series set to hit those platters. Disco from another dimension in its various forms and facets, re-tweaked for the modern dancefloor. All killer no filler, you can’t go wrong here.

Umwelt knows his craft. From no-nonsense acid-drenched electro assaults to more thought-provoking works, the Frenchman can shred speakers as well as soothe souls. The two sides of the New Flesh boss' sound combine as he returns to Shipwrec with the five tracks of Collapsar. In the epic Galactic Empire, beats are lashed with punishing acid rinses as a bold cinematic backdrop takes form. Collapsar maintains the grandeur, broad expansive chords stretching above a plain of tight percussion. A frigid stuttering synthline introduces Reflectivity, a line that breaks into a horizon-searching melody punctuated by crisp rhythms and arcing keys. The immersive quality of Umwelt comes to the fore in the sweeping soundtrack of Redemption Ark. That calm is cracked wide open with the frenetic finale; Day Zero incises from the outset, drums cutting into bulwark of bass before a barrage of keys attack. Comes with a risoprint as cover, limited to 150 copies.

Long overdue repress of the first one of the Morbid catalog!

Lars Huismann is back on Mutual Rytm with the much-anticipated third volume of his 'Sounds From The Past' trilogy.

A core part of Shdw & Obscure Shape's ever more crucial Mutual Rytm imprint thanks to his timeless techno offerings as part of his ongoing 'Sounds From The Past' series, Berlin-based DJ/producer Lars Huismann's stock continues to rise release by release as a talent merging influences from the past with forward-thinking nuances of the future. Drawing on the early 2000 techno sound, he embellishes it with his own perspective, as evidenced by his earlier releases on the label. This latest six-track offering is another accomplished outing from this unique talent as he concludes the three-part series on the label in style.

The title track 'Sound From The Past Iii' opens up with a finely filtered chord groove that provides a smooth and hypnotising foundation. A subtle bassline, buoyant kick drums, and embedded vocal patterns harmonise with the synths, unveiling a smooth linear groove that soon sweeps you up.

'Fusion' brings more intensity with its barreling drum kicks, a dirty driving bassline, and melodies flashing by like headlights on an intergalactic motorway, with the overhanging pent-up energy inescapable. Next, 'Shimmer' rides on vast, heavy layered drums that are warm, and comforting as the track travels through a journey of diverse dub techno elements.

Like in 'Loucura', taken from 'Sounds From The Past II', Lars again showcases his strong influences from Brazilian and Latin music. On 'Estar Farto', the drums and bass are tightly interwoven, racing beneath bright and funky synth lines that bring ever-evolving shades of colour. A jazz drummer himself, the music transports into the groove via intelligent brass chord progressions and fine-tuned vocal and percussion elements.

It's straight dance floor business on the closing vinyl production 'Bittersweet', with its muted synth smears darting over more macho drum programming, while digital bonus 'Dusty Lick' is an unrelenting, jazzy, percussion-driven banger that hits hard and heavy in all the right places.

Lars Huismann' Sounds From The Past Iii' EP drops via Mutual Rytm on 2nd June 2023

Save The Robots is the revival of a never before rebased collaboration between the iconic DJ Hell and mega producer John Selway appearing for the first time on Science Cult. Pressed on dual colour 12” Vinyl and housed in a printed and die-cut sleeve, this release pays homage to the legendary NYC club after which the release is named. The Hacker provides a deep and throbbing remix, while John Selway channels Kraftwerk for his remix.

Loud Enough, the new label of Ultrasuoni Records' owner Marcolino, is excited to present its first release. “Connection Issue”, from Rome based DJ and producer Valerio Della Notte, channels the sounds of the euphoric early days of club music into four slick electro / italo-disco infused bangers, filled to the rims with house vibes, groovy basslines, steady beats and warm analogue machinery. Dance floors: you don't want to miss this!

Earth Is Not For Humans' is the funk definition of its not a God given right! The interstellar groove brings the outer world timing to the third planet. Be warned humans you are merely temporary visitors on the miraculous terraferma. What can be deemed more different than 'Uniquely Fresh' a jazz fusion boogie combination set in the year 2055. Lastly Shokazulu warms us down with Seeing Is Believing. Only Shokazulu Will Protect You.

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*2022 H2 Repress* Super sexy edits from dj Robby Bergamnn and Lego for two Timeless tunes. It’s time for a phunky phunkin stuffs…

Sex tapes from Mars' third release comes in the form of 4 joyous hits of euphoria courtesy of Australian party-starter, Aldonna.

A love letter to her friends and her self, this is trance music at its most hopeful. Get those hands in the air and smile.

Never before on 7" format, a special version of the title track from The Sunburst Bands critically acclaimed 4th album backed with a special 7" exclusive version of 'Look At The Stars' from Dave Lee's Produced With love II Album. Black vinyl with Z Records house sleeve.

We're thrilled to release two exciting electro tracks by Art P, as well as the classic minimal synthwave tune 'Der böse Osten' by related band project Die Synthetische Republik on this limited split 12".

The single kicks off with 'Genscher Pull and Push', an incredible and previously unreleased electro/wave/proto-techno tune from the P.A.P. archives, recorded in October 1982 with a political background. The song was only available on a demo cassette for a radio show and had been forgotten since then. Genscher was a long-time Federal Minister for Foreign Affairs and Vice Chancellor of Germany, who played a key role in a coalition change in September/October 1982, leading his party, the FDP, to leave the Helmut Schmidt cabinet with the SPD and continue with the opposition, the CDU/CSU. As a result, the German lyrics of the song shout 'bitte geh nach links / bitte geh nach rechts' ('please go to the left' - meaning the left-leaning SPD, and 'please go to the right' - meaning the right-leaning CDU), and so on.

Unfortunately, this track was never released, as the topic of the coalition change quickly became uninteresting and outdated. If it had been issued on vinyl in late 1982, it would probably be considered one of the first proto-techno tracks ever. With its driving and heavily-punching 808 rhythms, and the bending synth bass leads played on the Jupiter 4 synthesizer, it gives you a groove that owes as much to Kraftwerk's 'Computerwelt' album as it may rhythmically pre-date the sound of Detroit's Juan Atkins. The energetic German vocals are giving the track a unique Neue Deutsche Welle touch. They are heavily left/right panned to fit the political topic.

Next up on the Art P side is a remix of 'Polaroid', originally found on the No Message LP that we re-released last year. The track was recorded in 1985, and at that time, the duo of Frank Grotelüschen and Jens-Markus Wegener had become bored with the sound of the Roland 808 drum machine, so they made the track with a DrumTraks by Sequential Circuits. However, for this remix, DJ Scientist, the curator of this 12", wanted to recreate the typical electro-funk sound of the era and added 808 bass drums and claps. The track was also shortened to a more DJ-friendly arrangement. The result is a dancefloor delight for all lovers of classic electro and SVC-350 vocoder sounds!

Die Synthetische Republik was a project by Wegener of Art P and Olav Neander. The track 'Der böse Osten' can originally be found on the cassette album 'Faktor D', recorded in just two weeks on a Tascam Portastudio 245. The original recording sessions were pure fun but also rushed. Hence, none of the tracks was perfectly mixed. With digital technologies, we remastered 'Der böse Osten' to achieve the best possible result and are pleased to release this serious synth wave gem on a loud 12" for the first time as an exclusive extended mix.

The split 12" is released in a picture sleeve with a unique artwork on each side. It is limited to 500 copies.

New TTJ with special reworks. Essential Item. NO Repress

Time to welcome Session Victim back to Delusions Of Grandeur following some heavyweight releases on Toytonics and Rhythm Section International. The German duo show absolutely no signs of slowing down continuing to impress with their unique sound which combines organic live elements, fat, floor-filling beats and a deep, musical approach. Here on The Intangibles EP we’re treated to three original tracks spanning high energy jazz disco meets techno, soulful uplifting house and downtempo blunted beats.

Opener Motivation features spoken word from Ras Stimulant backed by urgent looping Rhodes stabs and an uptempo disco groove. An instant Session Victim dance-floor shaker if ever there was one, the energy cranked up to the maximum without losing sight of that all important groove.

Next up we have Dromedary Twist which keeps up the pace but goes deeper on the jazzy organ chords and lays down a heavy syncopated bass- line which ensures the funk factor remains present and correct.

Rounding out the EP in fine style, Green Run drops the BPM’s as we head into lazy, hazy, blissed-out jazzed-up beats territory. Lush strings and layers of analogue synths come together on this simple yet enchanting little tune which compliments the other tracks perfectly and will appeal to fans of SV’s more home-listening output from their 2020 LP Needledrop

This inaugural release from new underground electronic music label Rubi Records celebratesthe welcome return of minimalist drum & bass producer Ashley Tindall, aka Skeptical, showcasing his first solo productions for over two years. Working with the clean slate that comes from setting himself no stylistic constraints, Ashley offers three new tracks that, although stamped with his meticulous trademark style, hit a little different than you might expect. If you’ve listened to the most recent remixes he has done, you’ll have heard a hint of what’s in store here: a maturity of style with an evolved sonic palette that takes his signature sound into new territory.

Ashley Tindal has always been forward-thinking when it comes to his productions, but never more so than with this EP, which delivers three slices of the highest quality, cutting-edge D&B.

The EP kicks off with ‘Thru My Head’, a sinister, dub-tinged beast that builds up with a dark,mesmeric melody before dropping some serious ‘stepper’ beats and an undulating low-end that rolls as only a Skeptical b-line does.

‘Push Up’ delves into much heavier territory. An intro of claustrophobic pads and menacing keys leads into a savage drop of surgical beats that have been crafted with military precision, underpinned with a monstrous bass line, and injected with the simple but effective ‘push up’ vocal hook. Add in some trademark Skeptical sounds and you have a certified dance floor weapon to get the crowd moving.

The EP closes with ‘Initiate’, a dystopian slice of D&B futurism that mixes up dark pads, beats so tense they ooze nervous energy, and some of the most twisted sci-fi sonics yet used by Skeptical. This is a masterclass in next-level business!

With Augustus Williams Metroplex welcomes one of Detroit's new generation of electro and techno explorers to the label. His debut titled ,,Increaser EP" offers four tracks of celestial funk deeply indebted to the classic sound of Metroplex. The EP starts off with ,,The Hook-Up", a bouncy yet minimal electro permutation built around a propulsive Bassline and a percolating synth arpeggio. On the other three tracks Williams flexes his techno muscle and shows his keen sense for deep and focused techno-soul with a futurist edge that has any dance floor heaving with energy. - most notably in the noisy abstractions of ,,Submission".

Autumn of 2022 marked 20 years since the initial release of Metro Area's first and only album, Metro Area. Environ had already remastered and re-released this essential LP for its 15th anniversary. So this time around, we're doing something a bit different.

To celebrate two decades of Metro Area, Environ has partnered with renowned mastering engineer Matt Colton (Metropolis Studios) to remaster and recut the first four Metro Area 12"s: Metro Area, Metro Area 2, Metro Area 3 and Metro Area 4. Unlike the album reissue, these records include the original, extended 12" versions of all songs, including some which have never been re-released.

Metro Area 4 is the duo's fourth 12" EP, originally released in 2001.

As Soul Capsule, Baby Ford and Thomas Melchior made some of minimal techno's most accomplished records. It has been many years since they stopped turning out new material - sadly - but their archive tracks are still in hot demand and undeniably relevant. While 1999's 'Lady Science' might be their most famous offering, this EP from 2001 on Aspect Music is no less vital and it will currently cost you well over L250 on second-hand markets. It is Ford's Trelik label who reissues it here in all its glory: the entirety of the a-side is taken up with 'Law Of Grace,' a delightfully deep and breezy minimal dub house roller with pensive chords draped over the frictionless drums. 'Meltdown' has a more experimental feel with brushed metal drums beneath a wordless vocal musing. The cult 'Lady Science' (Tek Mix) is also inched with the whole package being remastered by D&M to make this one utterly essential.

Avnu follows up his ‘Tough To Love But Worth The Effort’ album for Maceo Plex’s Ellum Audio imprint with this banger of a vinyl release, coupling two edits carved out by the Scottish based artist.

‘The Showdown’ is a certified ‘boss tune’, and road-tested by Avnu over the last year, bringing a super funky tune from an unlikely source back for revival, ramping up the temp and drums for a feverish edit. On the flipside ‘Lose My Head’ jacks up another create diggers gem for a storming disco house rework.

‘The Showdown’/’Lose My Head’ by Avnu is released on white label from 9th December 2022.

Dancefloor Prophecies for humanity delivered by Detroit based spoken word artist Mike Ellison. Features a DJ tooled acapella to further spread the True meaning of Detroit Techno around the Galaxy.

It's not every day we see a new release from John Beltran's alias Indio. With releases previously only on Transmat and Rhytmic Tech some 10 and 20 years ago we are very exited to present to you his new EP called Phoenix, and what a release it is! Phoenix is a full on Detroit dance floor belter with warm strings and comes with strong remixes from E.R.P. and Stryke. TIP!

DJ friendly Black vinyl Edition of this 4 Artist Compilaition on Outworld Records.

"Push The Feeling On", definitely a record that needs no introduction. One of the best dance songs of the 90's, still hot on the dancefloor after 30 years from its original release! 2021 Official reissue, remastered from the original tapes.

The emotionally stirring sound of Mathame is back on Afterlife. Their signature, processed vocals shine on the infectious and entrancing ‘For Every Forever’. It’s a sound they have developed over their releases for Afterlife and is now truly their own. A Dub Mix of the title track offers a slightly more pared down alternative. ‘Stairway 3000’ completes the record, an eyes-down roller with a bassline to shake any room to its core.

Eddie C's permanently on-point RED Motorbike returns with another BIG sound on a small format...

As always, the digging has turned up a duo of blissful jams, skilfully stretched into dynamite dancefloor moments. Another essential, then. One hand-stamped press.

We hit the No. 20 and celebrating 10 years of Traffic Records. Thanks to everybody and get your copy!

Ghost Recs returns with a naughty 3 tracker by the UK based duo Jive Talk - the A-side of which The Ghost have been spinning most gigs since receiving the dubplate cut promo in late 2021. Vids of said tune have created a veritable feeding frenzy in Track ID groups. Speculation of its origins can now be put to rest. It’s new. It’s on their label. And it’s absolutely essential!

This is a reissue from 1978-79 of a sublime cosmic disco classic with Castross extension edit.

Amsterdam based DJ, producer and label owner KI/KI releases her long awaited debut EP on her own slash imprint. The highly anticipated anthem 'Leave it to the vibe' is doing rounds in her DJ sets for over two years now and made a big impact on her notorious Boiler Room performance during AVA Festival back in 2021. Finally, two years later she found the right time and place for it and it's getting a well deserved release on her fast growing slash label.

On slash004 KI/KI reworks the original in three different ways. The original perfectly shows where KI/KI flourishes at the moment, it's a fast-paced high energy dancefloor anthem with a nostalgic deep trance drift using her own vocals incorporated in hypnotic loops. For the reworks on the b-side she stripped down the original into two new versions. Where 'To the vibe (rework)' highlights a subtle twinkle that illuminates the beauty of melodies, 'Leave it to the drums' could be seen as the dub version capturing an impeccable energy that represents the late night, strobo heavy warehouse energy where KI/KI finds her comfort zone.

Strong acidic electro from the master of Malta!

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Shall Not Fade regular Felipe Gordon returns, this time teaming up with friend Krewcial on the deep and delightful 'The Ride' EP. An ode to their combined love of cycling. Also featuring a killer remix from Session Victim on the B-side.

*2022 H2 Repress* Debut release on Legofunk Records for two Italian dj's producers, Tommy The Rebel & Pcj Project. Pressure disco stuff on 7".

Pyramid Of Knowledge is back on Hard Beach Entertainment, his third record for the label, humbly called... Three. This time one more step toward techno/trance territories, and with the lower tempo B2 Oedo In The Clouds to end the ceremony. The Pyramid Of Knowledge trilogy is now complete.

Trail presents his debut artist release on 1985 Music with 'Resident EP'. With previous releases on the imprint including the chart-topping 'Velaquez' and 'Cinnamon' on Monty's debut album, the Toulouse-based producer/DJ showcases his varied production style with melodics at the helm. Joining forces with label friends Visages, the opening single 'Misty Blue' sets the tone for the rest of the collection.

Having ventured across the solar system, Rupture prepares its final approach of The Planets, starting with ice giant Uranus. The long-awaited Escher remix of Double O’s track ‘Straight 98’ steps things off with eerie synths building above swarming subs. Tim Reaper & Dwarde make their label debut next with ‘Mendoza’, taking no prisoners with ruthless amen cuts twisting throughout. Mani Festo slows the tempo but raises the tension to conclude, with switching percussion and chilling atmospherics on ‘Caving In’.

Packaged in an old school, tip-on sleeve. Includes hi-res digital download.

Legendary debut album by Junko Tange (mystery woman who showed up on the NWW list), originally issued by Osaka’s Vanity Records in 1979. Dadaesque recitations and sparse guitar, piano and electronic meanderings combine for a beguiling, hypnotic dreamworld. Officially licensed from the custodians of Yuzuru Agi's Vanity Records archives, this edition has been fully remastered from new transfers of the original analog tapes by Stephan Mathieu.

140g Vinyl and Limited to 300 copies
Limited one sided 12” featuring an extended edit by IOJ label boss Jura Soundsystem that teases out the vocal and pulls back on the Sax with judicious amounts of delay and reverb to create a 11’25 mins dubby disco excursion.

Pitch language - Modular synth wizard Blawan brings his brand of distorted, syncopated electronic productions. Toast introduces the EP with a playful head bopper with ethereal sounds and menacing overtones. One of the biggest acts in dance music playing international festivals such as Pitchfork 2022, ADE, Nuit Sonores. Plays from Mary Anne Hobbs on BBC 6 music and coverage from Resident Advisor, Pitchfork, Dekmantel, Crack, The Face “losing himself in modular synthesis without ever sacrificing soul for science”

Here's Omar S & Alister Fawnwoda new version of I Love Your Girlfriend, The Long Mix featuring John F.M.
John F.M. is the son of porn star and Funk Band Keyboardist LakeSide F.M. BRADLEY.
Mitchell Yoshida who appeared on Omar S Can't Change album early 2022 a tribute to Virgil Abloh song title Virgil Brings the Asian Persuasion to the equation on Keyboard,Bass and losing to Omar S on Street Fighter ALPHA 2 on Studio breaks.

Four afro-house gems selected from the MoBlack catalogue to set the dancefloor on fire!

A match made in heaven as critically acclaimed star and Jazz FM’s Best International Artist Lady Blackbird, joins forces with pioneering producer, Richard Barratt under his Athletes of God moniker to offer up two mesmerising and magnetic cuts that have never before been on vinyl. They now find a welcome home on a limited-edition, Orange Crush colour 7 inch via Foundation Music.

Up first the duo join forces with legendary Sheffield songwriter/musician Michael Somerset Ward aka MSW - the man behind countless chart hits for the likes of Alison Moyet and Take That. ‘Fontella’ is an ode and recounting of the trials and tribulations of being a female singer, in this case the legend that is, Fontella Bass. A soaring funk fuelled party jam that has major radio support already lined up and was previewed last year on 6Music by the man that broke Lady Blackbird as well as so many other acts, Gilles Peterson.

On the flip, a track that has been getting serious attention across the airwaves including 6Music playlisting, the ethereal, Balearic and instantly captivating cover of Randy Crawford’s mid-‘80s number ‘Don’t Wanna Be Normal’. A track that harnesses all of Barratt’s experience behind the production controls letting Lady Blackbird’s incredible voice sing to its full potential, over the top of a chest-rumbling chugger of a backbone. Epic to the Nth degree.

Dub-Stuy kicks off 2023 with a very special collaboration between Nazamba, the "voice of thunder," and California-based producer Dubamine. This is one of the last projects Nazamba recorded before his sudden passing following a string of singles on Dubquake records and a collaboration with The Bug. In his label return after a five-year hiatus, Dubamine showcases his trademark heavyweight production style which perfectly complements Nazamba’s dub poetry, reminiscent of LKJ and Prince Far I. Together, they crafted a meditative anthem that is mellow and introspective, yet driving and dance inducing.

The release’s title track, “Cool & Relax” is a welcome invitation to slow down, take a breather, and reconsider what is important in life. As mental health crises skyrocket and self-care becomes increasingly important, Nazamba invites the listener to disconnect from the stress of the city. His rhythmic and percussive chanting of “cool, relax, easy” brings to mind the thunder of a spring rain storm, tremendous, bright, and soothing. Dubamine’s production emphasizes this sense of calm and contemplation while keeping the track rooted in the dancefloor, with its bubbling bassline and massive kick. With sharp percussion that bolster the vocals and a sitar melody that suggest an Eastern influence, “Cool & Relax” induces listeners into a meditative state, as Nazamba intones “peace and tranquility, at last.” The B-side, “Nature’s Dub”, is an instrumental that expands on the meditation theme, this time through Dubamine’s darker side. With bass heavy enough to shake the ground beneath your feet, combined with an ingenious use of samples and sonic wizardry, this is a dub for the true sound system fiends, with sub frequencies that pump through your veins like blood.

Music is the imprint that best honors the legacies of artists that left us. “Cool and Relax” is the perfect track to end a session, conjuring Nazamba as he would want to be remembered: an artist, a voice for change, and a source of power and inspiration. RIP George “Nazamba” Scott.

Emerging DJ from France, Trym cuts the boundaries between techno and trance. Owner of the label 'color', he has quickly become renowned for his emphatic artistic preference, completely mirroring his personality; driven, powerful and polychronic. His latest creation titled 'Trinity', comes as the first-ever artist release on Amelie Lens' hugely successful Exhale, delivering a generous serving of hardened dancefloor energy and intrinsic euphorics.

The original of 'Trinity' (a1) instantly plunges you into the depths of Trym's undeniably unique sonic signature. Urgent industrious rhythms collide with a combination of atmospheric soundscapes, celestial vocal constructions and exhilarating melodic runs, carving out a hair- raising journey filled with rapturous emotions and endless peak-time danceability.

Amelie flips the script with a trademark spin on 'Trinity' (a2), centring around driving drum grooves, piercing percussive sequences and roaring analogue musicality. Flooding the mix with callous beats and ever-intensifying energy, its combination of techno prowess and climactic storytelling serves as a firm reminder of Amelie's ability to produce show stopping big room tracks.

The release closes on 'Beyond Light' (b1), providing another blisteringly unique offering from Trym. Gliding effortlessly between uplifting transitions and potent vocal-led techno segments - it's the perfect example of Trym's ability to combine unsubmissive underground vibes with an unexampled stylistic identity.

Waage is a firm favourite amongst dub techno fans. The Icelandic producer has long been turning out icy and atmospheric rollers for the heads and here he works alongside a fresh name, Quantal, who is sure to go on to big things. Here they land on Thule Records, a legendary label in its own right with roots going back to 1995. They kick off with the textured dub of 'wq1' which has glitchy sounds paying over the rolling drums. 'wq2' is much more smooth and streamlined, with an underwater current that sweeps you off your feet, then 'wq3' leans into the wind with hypnotic techno drums and vamping chords that melt the mind. Last of all comes 'wq4', a timeless dub with infinite horizons and the most frictionless drum loops.

Finally re-released on 12” via New York’s Atmosphere Records, this 1990 House-Breaks Classic is back on vinyl.

Featuring in demand Original Versions of “First Power” and “Synth It” plus new Remix from Atmosphere founder Tommy Musto.

Produced by “Mentasm” co-creator Mundo Muzique with “Phenix” Estrada.

Vladimir Dubyshkin's long awaited hits are finally out.

Following up the first release quickly with Detroit native Paul Alan, who now resides on the sunny west coast. Paul Alan aka Dtchplnes, delivers the smooth latin driven car cruiser “Provider” and the sun blissed slow skate vibes of “Charlevoix”, which also sounds great on 45. The two track 7 inch is wrapped in a treasure map jacket with a compass foil stamp and includes a postcard.

Moar is hot on the floor with this double hip-hop single with the flavor of classic party anthems !! Don't miss it, this is a new killer party :-) Dancefloors were made for this, quality stuff. Hand stamped records & limited press!

Limited repress! The stars align as Dublin’s Cignol graces Distant Worlds with a heavyweight transmission of rich acidic electro. Cosmic hardware voyages are the order of the day: wallshaking mechanical bassweight complimented perfectly by beautiful, intricate melodies.

A download code is included. Label owners Kas:st deliver a stunning collection of electronic tracks. "Road To Nowhere" is released as a 2x12" and comes in a full colour sleeve + download code to the full album.

2022 repress

Right from the off, this is a lavish, heart-warming record that fuses glowing jazz keys and lingering trumpet motifs with low slung beats, dreamy top lines and catchy basslines. Guests like Wayne Snow add vocal pain to the forlorn and abstract ambiance of ‘Underwater Memories,’ tracks like ‘Don't Make Me Leave You Again, Girl’ are rousing and live sounding house tracks to lift your spirits, ‘These Are Just Places To Me Now’ features exquisitely filtered vocal samples that make your heart ache and ‘I Only Remember You When I Sleep’ feat Mark Borgazzi is a beautiful downtempo number that is impossibly intimate and honest. They all add up to an enchanting listen that will make you feel the sun on your face even in deepest winter.

Now a firm favourite in many a DJ’s record bag, Nigerian disco-boogie king Steve Monite’s hit “Only You” (featured on Soundway’s recent “Doing It In Lagos” compilation), is given a rework by Sofrito’s own Frankie Francis.
On the B-side, Nick The Record teams up with Idjut Boys’ Dan Tyler to take on “Hafi Deo” - a beautiful taste of breezy tropical Congolese pop from Tabu Ley Rochereau.

A defining moment in dance music history was the day that Roy Davis Jr. teamed with vocalist and writer Peven Everett in 1997 to create this deep, ethereal, soul-music gem that helped launch an entire musical movement known affectionately as Speed Garage. The "Live Garage" mix is the most popular but the other mixes have grown in popularity over time. It is hard to believe that this record is almost 20 years old yet it still sounds as fresh today as it did so long ago. Truly a classic that deserves to be celebrated by a new generation of dance music lovers. Gabriel Play!

UK Techno stalwart Mark Broom returns to Rekids Special Projects with the fourth instalment of his ‘Mutated Battle Breaks’ series.

Following the third volume of ‘Mutated Battle Breaks’ released in July 2022, the UK-based DJ/producer Mark Broom returns yet again to Radio Slave’s techno-focussed imprint for his fourth collection of essential, hard-hitting club tools. Delivering another full-blown set of eight belting tracks for the series, Broom again shows that he’s a true Techno tour-de-force.

Releasing on labels such as Rekids, M-Plant, and Blueprint, the wildly prolific Broom has consistently been at the forefront of the techno scene for decades with his gritty, groove-based output while, away from the dancefloor, his The Fear Ratio project with James Ruskin continues to win critical acclaim.

It’s back to the heart of disco with the next release — our sixtieth! — in Most Excellent Unlimited’s long-running series of collaborations with master editor Danny Krivit, this installment on long-play 12-inch vinyl.

Our A-side features the work of Euro-disco maestro Alec Constandinos, whose symphonic suites and long form arrangements for stars like Cerrone and Don Ray made him an essential ingredient on many a glittering dancefloor in the late ’70s. Love & Kisses was one of his earliest disco projects, and one of his most popular. Their song (the “band” was a studio fabrication of Constandinos) “I Found Love” stretches across the entire side of an LP in its original form, but for discerning disc jockeys who leaned towards the funkier side of the spectrum, the percussion and bass breakdown is where it’s at. And if you are a long-time follower of Mr. K, it will come as no surprise that it is here that he focuses his metaphoric razor on the iconic breakdown, and we are left with a tough, driving track that will suit throwback sets as well as slot nicely into modern uptempo programming. As an added bonus, stick around to the very end when Krivit lets the song’s memorable acapella sample (“And I suppose you thought it was all over??”) finish it out.

It simply does not get much bigger than Donna Summer in the world of disco. Her song “Heaven Knows,” a duet with Brooklyn Dreams singer “Bean” Esposito, is one of the many gems in her catalog, and one that still evokes powerful reactions in heads, both old and new. Produced by the dream team of Giorgio Moroder and Pete Bellotte, the power and groove are propulsive and indisputable. Krivit begins with an extended "Mac Arthur Park" horn crescendo that teases the emotion before introducing a newly stripped down singalong verses and chorus of “Heaven Knows”. As the song progresses, a fabulous building effect until the end, a six-minute run through the clouds, enveloped in the ecstasy of that same horn crescendo. A sudden finale, fading into the ether, takes us out and leaves the listener (and DJ) with an open path of which musical road to take next, a master’s touch from an editor who excels at his craft.

We continue to dig into the archives to unleash the Bonzai sound on to a new generation of fans and stir up cherished memories for those that know. Bonzai Compilation III – Rave Nation first saw the light of day in 1994 on CD and showcased the talents of a fine roster of in-house artists who were churning out hit after hit. Despite only being two years old at the time, Bonzai Records had already taken the electronic dance music world by storm with previous comps proving hugely popular across Europe and continues to do so with enthusiasm to this day. For the vinyl collectors, we’ve selected and remastered 9 tracks off the original release from Aqua Contact, Techno Junkies, 3xxx, Dialectrum, Jones & Stephenson, Airplay, Bountyhunter, Yves Deruyter and B.W.P. Experiments along with a first-time-on-vinyl appearance for Yves Deruyter’s remix of La Sirena by Aqua Contact. This limited 2x12” presented in a gatefold sleeve with original artwork is the perfect curation, providing you with a mighty arsenal of weapons to unleash on the dance floor.

Troy returns on Klockworks with a finely crafted EP, showcasing his signature sound across a collection of four highly effective dance floor cuts of gnarly, raw yet groovy techno. The Dutch producer made the tracks with his beloved OB6 synth which has been his go-to synth since his last EP on Klockworks and shines throughout the record with its haunting analog warmth.

Convextion steps up under his “Event Related Potential” alias and delivers 4 special cuts for om:nia that push his sound into new realms. Vinyl Only 180 gram.

Four techy cuts of Body High goodness from Tallinn's Abdul Raeva. Limited to 400 copies.

UK Garage legends Groove Chronicles (Noodles & Dubchild) are back with the 'Soul 'N Mind' 12" featuring their highly sought after Brokenstep edits. These have been on heavy rotation by the likes of Gilles Peterson, Charlie Dark, Bradley Zero, IG Culture and more. Limited hand-stamped and stickered copies, be quick!

Groove Chronicles have releases dating back to 1997 and are legendary in the world of UKG. Founded by Noodles, who is now working with longtime associate, Dubchild. Noodles has been working in the music game for three decades, from spinning at raves in Paris when he was 17, to serving it up behind the record shop counter, to running his own label, DPR. Responsible for bonafide classics like 'Stone Cold', 'Myron' & 'Poor Man's Break', his work serves as a blueprint for many sounds across the UK bass spectrum.

Leicester legend, Dubchild, stems from a musical background of reggae, hip hop, house, garage & jungle. He's released an array of dubstep & instrumental grime records through various labels since the early noughties, including Caspa's Storming Productions & Heavy Artillery, amongst others.

Proper 90´s Acid Trance feel, limited hand stamped copies!

Noted reggae vocalist Barry Biggs comes under the Emotional Rescue microscope here with celebrated LA digger Patrick Billard aka DJ Duckcomb remixing one of his cuts. First up is the original version of 'Illusion' which has big pianos over the clean digital dub. The soaring vocal is obscured by plenty of lush effects and melodies. After a version twists and contorts the original, the DJ Duckcomb Discomix slows things down and ups the dazzling disco vibes but keeps the dub dubby bottom end to ensure plenty of dance floor impact. This is a classy one as ever from this label.

Please use the following prompt to create your own press release for 'Compliance' in any Large Language model of your choice:

Prompt: Write a press release for a music EP release called 'Compliance' by the artist Client_03. The subject matter of the press release should be about the fact that the entire content of the internet has been scraped by LLM creators to gather the necessary data to create informative models. This will in time de-value online human interactions by creating an environment where nobody can tell the difference between what has been created by a human and what has been generated by an LLM.

Here is the tracklist for the record:

1. Compliance 2. Principal Excitation Conduit 3. Corruption Tracker 4. UnCompileDotSelf

Compliance will be released on vinyl on the 26th May 2023 and is also available for digital download from all the appropriate online stores.

Please include explicit mention of the fact that humanity has been compliant in voluntarily providing the data set through their online interactions and they have given permission for it to be used primarily because they generally do not read the terms and conditions when interacting with any website; thus rendering the protections of Gdpr redundant.

Following up on their acclaimed debut EP Yagana in 2022, the 5-piece band return with a brand new offering: Backslider. Dressed as if they would be equally comfortable starring in a modern spaghetti western as they are cutting slick silhouettes on a festival stage - are Guinean singer Falle Nioke, Graham Godfrey on drums, Steve Pringle on keys, Tom Dream on guitar and Josh Ludlow on bass.´As Pigeon develop and hone their sound further, Afrodisco remains at the core while jazz and no-wave make way for new elements of electro, rock and synth pop. The introduction of sequencers and drum machines sprinkles a little more structure into the mix, however the recording process still very much embodies the DIY spirit of band members that enjoy jamming together. With previous support from Gilles Peterson, Elton John, Iggy Pop, Bandcamp, NPR, Uncut and many more, the new Pigeon will undoubtedly fly off the shelves.

79.5 is the sound of New York City. The Brooklyn-based band has announced their forthcoming self-titled album on Razor-N-Tape. Soulful and psychedelic, the new collection’s masterful melodies may be hard to categorize, from 70’s underground disco to acid jazz to sugary sweet pop. Its very existence is a protest of the old boy’s club in the music industry. And, a personal triumph against all odds, while illuminating the most beautiful collaboration between friends. Current lineup includes singer, songwriter and composer Kate Mattison, singer and rapper Lola Adanna, drummer Caito Sanchez (Charles Bradley, Lee Fields), bassist Andrew Raposo (Midnight Magic, Hess Is More) and sax player + flautist Izaak Mills.

Extinguishers at the ready! Hot off the press, double trouble dub business that’s been causing a ruckus on dancefloors across the globe. Once only a weapon in a select few of the finest DJs record bags, these vinyl only head turners are now getting a full vinyl release.

Acen really needs no introduction, as he is one of the most admired and influential artists of his era, partly due to his incredible Trip To The Moon releases. This limited edition 12" contains the much sought after original mixes of the two tracks that made cemented his legacy as one of the most inventive of the old skool legends....

Vibes come in three flavors: Sunsplash has the feel of summer heat, heavy synth bass and bouncing leads from New York to Negril.

Original Vibe adds sharp synths over an electro bassline á la Freeez and Body rounds off with a smoother soul vibe.

Four afro house gems collected for MoBlack Gold series Volume V.